#I too would call him princess

[neiptune]

I'm not recovering from this EVER tumblr user ms0milk

pitch in a teapot

sanemi x inn keeper

reader has a business to run and sanemi can't help but watch her do it well, barking orders, teaching firmly, smiling and scurrying around like a fancy little bell. There's something he's been trying to get out of you all afternoon but chores keep stealing you away. cw MDNI, frustrated thunderstorm quickie, reader w vagina + penetration, slight manhandling, desperation and a little bit of sass. 4.1k

thank you so much my darling @neiptune for requesting a little sanemi this @ficsforgaza season! you were so generous and patient waiting for this to come out, I hope you enjoy angel

Six bowls of soup upstairs and an old man somewhere in the bowels of the inn with a limp and half a shoe. Right, okay, send two girls to the garden– no. One to the garden and one to the kitchen. That’s dinner taken care of as long as the scholar with the fat pony– donkey, maybe– doesn’t regurgitate an encore of the rakugo performance that couldn’t have been funny in the first place.

You roll the sleeves of your apron slightly tighter in their tasuki. The cyprus walls of your inn bleed fragrance before summer thunderstorms so you make a mental note too, to order storm doors for the second floor before the clouds go black and blue. Incensed breeze, juniper, wisteria, paper windows, one foot, the next, again, each step down the wooden hallway is a quiet knock. Each summer at home is heavier, heavier, and this year is the flood.

“Oi.”

“Not my name,” you blow from the corner of your mouth without changing pace. That breath was ready to jump off your lip before the demon slayer even called out to you; he hates doing nothing and hates even more what great pains your staff take to avoid his room.

“It reeks.”

“Excuse me?” You huff and this time do turn enough to interrogate him via glare. Sanemi, ridiculous, folds his arms in the doorway of a very nice room, a too nice room, without any of the appropriate embarrassment of someone who has been lying in wait. The stippled blue pattern of his robes doesn’t suit him. They clash with his ugly scars and uglier attitude but don't keep him from wearing the chest wide open like a well paid rent boy.

“Stinks.”

“Whatever of, princess?”

He growls and drops his arms as you brace for the lecture, “Demons.”

His heart is incapable of peace and yours with it, and every summer he’s assigned a post in your mountains by a master you’ve never met and who couldn’t possibly be sane themself. Four years of this. Four years of twelve weeks of sixteen-hour-days of the world’s most neurotic demon slayer.

“The whole property is wide open for any fuck to attack.”

You adjust your grip on a slender bucket handle and the cloth in your other arm and continue back downhall, “You always say that.”

“I’m always right,” he nags and pushes free of his bedroom.

You met Sanemi when you were sixteen and still working under your parents. He was a brand new hashira then and prone to fist fights, spitfire, bloodshed. Nothing special. Nothing new. Hashira come and die and new hashira come again. They arrive in flashbangs and ego and leave like everyone else, in pieces.

Your parents were calm, they had peace and practice, they ran this inn, they welcomed Sanemi with his summer floods. They loved him, took his counsel and died by it, and they probably wouldn’t have lost an old man inside the house. But this is your inn now. They aren’t here anymore and at your inn sometimes old men get misplaced.

“And what would you like me to do about all that, sir?”

The hashira keeps an easy military pace behind you, “The gardens need to be reinforced and–”

“Nine acres of wisteria arbor need reinforcement? Yeah I’ll get right on that.”

“The storm will take out ha–!”

“And the other half will hold until autumn. Go berate the kitchen staff for their unpreparedness– they’re all unarmed you know? Totally unprofessional.”

“Y/n–”

“Shinazugawa,” you spin and it all comes out as a threat, a hiss, instead of just a whisper so much so that the water in your bucket nips up your sleeve. “I am the lady of this establishment and you will not address me so familiarly.”

Dark cyprus, cool hallways, the undeniable scent of thunder. Sanemi rests his hand on his sword to glare like he does when his hands don’t quite know what to do with themselves. His eyes roam, quiet under long lilly lashes until they have traced the shapes your tasuki makes with your waist and rise again to your gaze. “We’re not fucking finished.”

“Go eat,” you snap and turn back down the hallway, red at the ears. Lady of the establishment, great job.

Feet aren’t complicated, bone to tendon, tendon to muscle, muscle to skin, one step and another. You tilt your head back and an eager girl rises to wipe sweat from your temple.

“Like this,” you hum and tilt the old man’s heel in your palm. He winces but lets you continue while the girl stares on. “When the skin is split like this it can’t receive moisture– sorry sir, better?” You set his foot on the hammock of cloth between your thighs, “So you need to soak it first before applying salve. Yeah?”

“Yeah,” the girl parrots, still unable to look away.

“Yes.”

“Yes, ma’am.”

You smile through an eye roll but gesture for her to come sit beside you. You’ve been like this since he’s met you, too old for your body.

You’ll train anyone who asks, hire any runaway girl, absorb the cost of thieves when runaways are exactly that, and you will wash old men’s feet before eating dinner with the self preservation of a samurai. Famously long-lived, those. Sanemi has to look away when you take scissors to the gnarled yellow nails and almost covers his ears when your pupil starts asking you questions about it.

“Feels good right?” You chuckle at the man’s response to your ministrations, and then a little louder, when you realize just how seriously the girl beside you is trying to focus. Birdsong. “Do you have companions on your pilgrimage, sir?” He shakes his head.

You lean away again so the girl can dab your brow and push back stray hairs and turn back to explain overdetailed care instructions to this man who is obviously so embarrassed he can’t hear a word you’re saying. Something about tallow and socks, Sanemi tries to read the syllables off your lips and loses focus the second time your teeth catch damp and pillowed pink.

The man seated in front of you grumbles some and flexes a few fingers around his cane like old men do, but doesn’t protest your instructions. He nods instead of thanking you like a real tough guy.

“Fetch a new pair of sandals from the garden shed,” you instruct your girl who bolts up and out the door past Sanemi without so much as a breath. “And you,” you turn back to your patient, “keep the nails short, you hear?”

He nods again, increasingly avoidant of eye contact. Sanemi tenses in the dark outside the guest’s complimentary room and hates ungrateful fucks enough for both of you.

“And don’t skip any more meals.” 

The man’s wrinkled skin unfolds at his eyes and he pulls his legs back underneath him. You dry your hands after scrubbing clean in a soapy pot and stand to collect your tools. “I couldn’t find you this evening and I hate to lose track of my guests at mealtime.”

You are going to feed every stray you find until the economy collapses. Peasant monks, pickpockets– you’d put up a demon if its stomach growled. After too many unnoticed minutes watching you, following the white x between your patterned shoulders, eating your voice, warming the hallway, you finally pick out Sanemi’s eyes in the dark behind the sliding door. He’s waiting for you. You clear your throat for the broke old pilgrim one last time, “You don’t owe any money. Do not skip meals.” And bid him a wordless good night. The door cracks shut behind you. It isn’t late enough for sunset. Thunderstorms make it so dark so quickly and they mask the scent of blood with all their rain and iron. “What is it?” You deadpan and shuffle towards the stairs with all the confidence in the world a tenured hashira will work to keep up with you.

“Not fucking finishied with you,” Sanemi grunts, working to keep up with you. The apron over your service kimono forces your hips to sway in tight little circles and Sanemi sucks his teeth. He doesn’t look away.

Through the hallway and down the servant stairs, socks on polished wood, you tap, tap, tap nimbly to your next assignment. The room below radiates heat and life. “What do you want?” you whisper.

“I–” he slips barefoot on the slick last step into the kitchen and you stumble in your newly damp right sock. “Euh, I–”

“Mimiko!”

“Lady?”

“Wet.” You point behind you, palming Sanemi out of the way, and a free washerwoman dives for the spot with the rag tucked into her belt. The kitchen rages silently in the easternmost corner of the mansion; men and women sweat over donabe, rinse their body weights in rice, and beat little fires with littler fans. Two women and a boy linger just outside the paper door in clothes that match yours for formality and Sanemi assumes as he weaves through the bustle, that they are responsible for bringing food to customers and for doing everything they can not to sweat through their pretty borrowed uniforms. Your own kimono is purple tonight, a cool little shape bobbing nimbly between flames.

Sanemi opens his mouth to shout after you and shuts it again just as quickly to grind his teeth instead as you lift your apron over your head. You let a girl feed you a spoonful of something on your way out of the room and she wiggles when you nod several times before ducking through the door.

Laundry next, then a double check of the firewood cache and the whole while Sanemi occupies your shadow. A few times you hiss over your shoulder at him for looking so gruff, for looking like a bodyguard, for making your customers imagine your distrust of them, always you bite back before he can get more than a few words out but mostly you just scurry in preparation for the storm picking up warm wind outside.

You avoid the entrance with him so close in tow, armed and obstinate, but make a show of circling both tatami halls where guests come after dinner on rainy nights to stretch and smoke by the brazier with strangers. A female musician trills her koto. The sky hasn’t let loose a single drop of rain yet but wet hangs like a fog and thunder scents the air ahead of its arrival. As Sanemi trails the outer walkway of the mansion behind you, the sky bleeds with the last of day’s light in the cracks between bruised and racing storm clouds.

“Second floor secure?” You confirm with the men slotting thick panels into grooves where paper doors usually go. They nod in their white uniforms. Beyond the porches, beyond the east garden and its fat green vegetables, beyond dogwood trees and sarusuberi and maples that have begun to tremble violently in winds buffeted by humidity and nightfall, the wisteria arbor glows. You radiate a cool purple pull beside him just like your flowers.

The arbor surrounds the property on all sides for half a mile and all three paths away from the house are barred by gates of twisting wisteria vine. The inn belongs to your family, but does not serve Ubuyashiki. Theirs is not the only house that discovered a use for these flowers. Yours is not the only wisteria business in the country. 

“Do you see that?” You murmur at so much the same tone as the wind that Sanemi almost cannot hear you.

Three years ago he left before the end of summer, called away to investigate a massacre nearby. A tree fell that season. It crushed a straight path through the edge of the mountain forest and onto your property where, lured by so much blood and wine, a pair of sister demons descended through the broken orchard and devoured everyone who wasn’t fast enough to hide in the flowers like the slayer suggested they should in an emergency. Your parents evacuated the house and died in it with the guests who couldn’t walk on their own. Nestled under three braided vines at the far edge of the property, you listened to them die.

The winds kick up sand from your vegetable garden and you step off the porch into the start of the storm. Tiny and purple. “Y/n!” Sanemi lunges for you. His sword whips the meat of his thigh and you step out of his way before he can grab any part he intended to. The men on the porch watch you both scramble through the backyard. You snap at the strange guest and duck when he swings a hand towards you, hop in your sandals when he tries to trip you into his arms and dart away like a dragonfly.

“Get back here!”

“Go inside!”

“Y/n!”

“How dare you!”

“Motherfucking, Y/n!” 

“That’s enough!” You bark and twist back towards the garden shed. Your pupil left the door wide open and all its shining tools caught your eye across the yard. Sanemi was staring when you stepped outside. His eyes feel like beads of sweat on the few bare parts of you. His gaze is all teeth on the back of your neck.

With all but one storm door up, not a single guest can hear the ruckus you two kick up outside in the prologue of the storm. “It’s about to pour!”

“Then go join the other guests!” You shout through a particularly violent breeze and you have to grip to the break in your kimono closed. He does not. By the time you lay a winded hand on the wall of the shed, it has started to rain.

A silencing wall of water falls from the back of the property straight towards you. It kills dust clouds in its path and paints every surface soaked in a perfectly straight line. Sanemi rushes from behind and nearly lifts you off your feet to get inside the shed as you watch the supernatural army advance on your home.

“Shit,” he grumbles and winces when the rain overcomes the little shed and splashes off the pavement into his face. He pulls you deeper inside and you jolt. The first crack of thunder is a scream that shakes the ground, “Scared of thunder now?”

“Scared of my profit margins, you oaf.”

Under his shoulder you are glaring at the storm between this shitty stuffy shed and your business. You are so small and wrapped so tightly in layer after layer of fabric. It must be hot. The damp drips down his open chest and thighs, it frizzes his hair at his ears. You must be sweating somewhere in that formal getup. Wet glistens at the curled little hairs on the back of your neck where the skin is just barely visible and it sparkles under your high collar.

“I can’t walk back inside soaked,” you groan, “there’s not enough time to change before final rounds.”

Sanemi takes his hand off his sword. There must be damp parts of you hiding from him. He brushes his knuckle up the bare skin of your neck, across your throat, and you falter slightly.

“Sanemi–”

“Nuh uh, don’t address me so familiarly,” he smirks and cups your cheek in his big hand when you jerk around.

“That’s not–!”

“Not what?” He smiles now, and drops his hand back to his sword so that you might find your own weapon and finish the fight. Four years of this.

You shove a finger into his chest, “You’re such a clingy fuck Shinazugawa,” and shout a little because you know the thunder will hide it. A sudden gust blows the sheet of rain sideways and straight inside the open door of the garden shed, up your dress and down his robes and through your prettily pinned hair. “Y/n this, y/n that, I’m busy Sanemi, I’m stuck in a shed! You’re the only one who calls me and people think we’re fucking! You want my attention you have it so please tell me all about the demons that’re gonna slurp up my customers and fuck my taxes to shit and–”

The door creaks in Sanemi’s hands even through the oceanic sounds of storm when he begins to close it. He nods as you get louder, nods as he slides the door closed and flicks the latch.

“Do not,” you growl, “there’s five thousand–”

“Five thousand little bitches in there lost without direction? They’re fine, Y/n.”

“Don’t call me that here.”

“They’ll survive, little lady.”

You spit, “not better.” And the new humidity of the closed shed begins to swallow you whole. It fills your throat. “What about all the demons you’ve been crying about?”

“You’re such a cocky cuss.”

“And you’re needy,” you taunt. It’s Sanemi’s turn to wince and his frustration starts to drip from all those places he shoves it away from you. He's been gentle with you since that summer. He lets you interrupt him, he follows where you go. “I watched you check perimeters this morning, you don’t need to talk to me about demons.”

“Eyes everywhere huh?” His throat is pink, “Lady of the house.”

You grin and pull him by the loops of his robe into your tiny purple kiss, “Shut up.”

“M’lady,” he growls against your lips and succumbs.

Four years of stolen touches, lips on damp summer skin, coming out of empty rooms too ruffled and pulling the hashira between your legs without disturbing the folds of your work kimono. “Don’t call me that either,” your breath hisses against his throat like an iron and he drops his sword quickly to gather you in his arms.

Too much fabric. Shovels and shears clatter against the floor and one another when the thunder shakes their little house again, and they tremble at every thump and roll of your body against Sanemi’s. He pulls your hips against his and guides your legs around his waist so he can sink into those soft parts of you. So he can tilt his head back to look up at you, so you can pour your kisses down his throat like wine.

You drag your nails up the back of his head when he offers his tongue to your lips, biting, suckling, drawing out gentle sounds and eating them before they compete with the rain outside. Where his hips dig into your own the folds of your skirt fall apart. Legs that glisten with sweat and rain part nicely for him and his own robes grow clingy with exertion where he grinds hard against you. Every subtle roll breaks your concentration in kisses, in lips sliding, begging with salvia and rainwater. His hands cup your cheeks, thighs, the collar of your kimono shudders open for him when he dips to suck bruises under your jaw and the swordsman’s hand loses control as he grips your belt to free you from all this formality. He’ll press crescents into your breasts, he’ll lower his tongue through your peach sweet folds and drink until you cry– but you pull his head back with a sharp yank of your wrist.

Your breath comes in clouds. The inn glows with candlelight across the yard but the light through the shed’s window is too weak. Welts of lighting illuminate the flush of your chest and cheeks. Two seconds of bright and twelve of dark warmth, shaking swirling thunder and then only rain. Sweat rolls from your temples and into the depths of your kimono. It’s been days since he’s had you like this and longer since you’ve had true privacy, others a whole yard away.

You can’t be gone long, he knows. Staff watched you race in here together, watched him shut the door, he knows he knows, he just can’t put you down yet. He leans in for another kiss and you let him fall close enough for his chest to crush yours before pulling back on his hair again.

“Y/n,” he’s suddenly not above begging but you hold his gaze tight. You watch him as your hand slips between the place your bodies meet. Pretty fingers reach for the heat between his legs. Pretty knuckles ghost over the swell of his robes and draw the fabric aside instead of ordering he bring you back inside. Sanemi’s cock perks up in free air as high as this position will let it and rests heavy under the swell of your ass.

He kisses you again, toothy and smiling and when you kiss him back your sharpest teeth clink together. He ruts into your desperation against the wall, harder than the rain, harder than the wind that threatens to blow your shed away and you with it. Obviously he wouldn’t let it but the thought that nature might be jealous of the rumple you made of each other drives him harder against you. Slipping, cock hard and suddenly shifted up against the hair under your belly. Peach fuzz yields to warm slick and Sanemi drops his head to your chest when he shudders to avoid whimpering into your mouth. He slips through your folds with a tight hold still under your thighs and drags himself up, down, up, hypnotized always by the faces you make when you’re trying to keep quiet.

The scars across his body are forever numb, but when your clammy hands paw is his chest he swears he can smell color. He can touch light when you pull his face back to yours frantically, when your hips with all their fabric flowing off of them buck sloppily against his, when he thrusts once deeply inside of you and forces a broken gasp from the back of your throat.

Before you can catch your breath your lips have crashed against his and his hips against yours. Sanemi keeps the relentless, restless, starving pace you like and knows he’ll last only the next few minutes before the worst of the storm blows over. Again and again he carves a palace for himself inside of you. You guide him with the falter of your kisses when he finds that perfect spot and with the slick that coats both of your thighs. Your voice escapes you in choked whimpers, his name comes out in hiccups. You’re a little bell in his arms folded in half and singing for him.

Again and again, out and so deep back inside, Sanemi’s feet grip the floor as he plunges his hips into yours and both of your bodies into the swelling wood walls. His rhythm staggers as you flutter around him and with his head against your shoulder he watches the circles you draw on your clit with the tips of four clumsy fingers as your other hand muffles your voice. He grabs that quieting wrist without thinking and without taking his eyes off the place your bodies connect with lewd squelches and sticky white threads. His threatening grip, his thick cock and your fingers push you right over the lip of your pleasure and fluttering becomes milking spasms quicker than Sanemi can think to treat you gently. That half-sobbing voice he loves so much cheers him towards his own climax and the more sensitive you grow the easier it is to coax those sounds out of you that you try to keep hidden, “Don’t– don’t be so quiet.”

“Inside,” you whisper in reply and draw his face into your hands as his pounding stutters in pace and loses all flow completely under your dreamy gazes. Sanemi can’t keep his eyes open when he cums. His pretty lilly lashes flutter with lost concentration. He shudders, ruts you deeper into the wall and groans with release as he fills those swollen wet parts of you. Warmth pools in your belly and trickles off his cock still buried. Sweat falls like the rain outside.

“Wanna taste,” Sanemi rumbles without setting you down or stilling his thrusts fully. He nuzzles somehow farther into the dip of your collarbones. Soft snow white hair, a heartbeat in the fingers that grip you. Every twitch of his hips is a starving ache.

“C'mon,” you grin, “dinner’ll get cold.”

“Let me taste you.”

“Sanemi, what will I eat if you eat me?”

“Have a few ideas,” he smiles back through the trembling of the shed in encores of thunder and gale. A leak tip tap tip taps nearby. Four years of this, maybe more.

[misersdream]

Slay the Prince - Happily Ever After

[three-bunnies-in-a-trenchcoat]

I FUCKING TOLD YOU GUYS

[galactaknightyaoi]

making a fankid but shaking my head the entire time so people know i'm against the societal belief that everyone's goal and only purpose in life should be to have kids and form a family

[termagax]

re: "good girl" i think they say it once randomly as a joke and its just one of those things that gets him wayyy more than they expected it would. so now its their secret weapon and they use it very sparingly and every single time he gets super embarrassed about it but it works ill tell you what.

[spotaus]

Part of me is looking at this and nodding in accomplishment. The other part thinks it's cringe. However I love it either way! This is Shotput and I'm putting the context for this under the cut!

So, Shotput is one of my shipkids from Eternal Ashes! He's Killer and Dream's only son, and he's really only a sudecgaracter to EA, but he's got a special place in the story too lmao.

Shotput (his real name is Shooting Star but he stopped responding to that name around age 10~11) was best friends with Reset, the main character of EA. Shot was meant to be a sort of bringer of peace, a child between former enemies, and a good influence for everyone around. Of course, Killer still worked for Nightmare and, while he no longer fought Dream directly, he still caused a lot of chaos. His loyalty laid with Nightmare. So, Dream (and by Dream I mean the combined effort of any AU who could babysit + Dream) raised Shotout practically on his own. Shot barely knew Killer, but he looked up to him a lot, because Killer did all the fun things that Dream said were bad. But even while Killer did 'bad things' he was still nice.

So, idk, I just thought this would be a fun way to bring my young!Shotput design to life before I went back to doing my Orchid piece (<- Orchid and Shotout canonically were made around the same, so they're nearly twins, even tho they're cousins. They hate eachother.). Killer loves Shotput, and later on in the story they get to bond more when Shotout moves to live with Killer, but at the point that this clip is meant to show? He doesn't get why they (the adults) all seem so angry with Killer all the time! (<- it's Because Killer, like, killed people. They don't want the lil guy around him lmao-)

And side note: Shotput has beef with Orchid because not only does Reset (his supposed bff) choose her over him to plan and hang out with, but Killer chose to stay with Night in Shot's youth, and Killer knows Orchid better than he does Shot. He resents Killer when he's older, but at this point he's just Baby!

[mel-loly]

-“Just a flower, in the middle of the field at night, a light is turned on and reveals.. A day arriving with confident hope and silent happiness!”🌹🐝

[shewhoeatssand]

what if his pupils are actually each supermassive black holes and the minute details in each of his irises were all nebulae and solar systems and asteroids and galaxies of their own all residing in his deep grey eyes and part of a world of inception so small we can’t see it

[littlegoldfinchh]

the way i would absolutely thrive in the world of elden ring

[pocketramblr]

I'm incredibly in love with btaa Harvey. I wanna call him "princess" too tbh TF

[yaboieif]

the childhood crush to autistic obsession blorbo pipeline goes crazy

the romantic component dissolves after a year or two but the urge to watch them rotate in a microwave keeps skyrocketing

[stackedbirds]

ok so!!!

my sibling, having finished mdzs, started reading tgcf and

they found this epic quote

"He really wanted to hang a sign on his back saying, ‘Ascension is not as good as collecting scraps’ and promote it in the mortal world."

about xl

and in my opinion

he deserves it.

[microwaving-tesilid-argente]

hi guys, may i introduce you to the concept of ailette/hestio

If hesphael is ephael giving in to hestio with some jibes that have little to no heat behind them, then ailette/hestio is ailette returning hestio's energy even more and hestio not being able to take it. Ephael teases hestio with a ☺️ or 😄 face while ailette is like >:)) and she does not pull punches. she would embarrass him happily and watch him combust. They compete on a bunch of inconsequential things and hestio loses 80% of the time because ailette is just too cool like that.

[gibbearish]

everyones predicting garret will be this universe's charlie and possess the puppet which i don't disagree with. but also. would it not be an equally exciting twist if garret was still alive

[deus-ex-mona]

anyways! it’s herohei hours~~~~~~

[maskyartist]

Thank you thank you THANK YOU for bringing system! Augustus into my life. That is SO real to me now I will never be the same again /pos - a fellow system <3

THERES THE REASSURANCE I NEED TO BUILD ON THIS THANK U FELLOW SYSTEM HOLDER!! :D or user idk all the terms >3> i just got bitches livin here rent free ANYWAYS

for funsies imma use ur ask to talk about the roles the different parts of Augustus's system play n sorta when they showed up :D

His system isnt TOO big. Augustus's mind sorta segmented things in a way he could understand. small numbers mean easier solutions, so his issues were cut into four equal slices essentially. Someone to handle each of the parts he couldnt deal with himself

They also dont have real names. Just titles. It keeps things tidy in Augustus's brain so he doesn't really "humanize" them as human as they are. hell he doesnt even think about em as other personalities, he just thinks people have other people in their mental worlds who take over the body when ur too out of it to do so urself

as for the system members!

The Princess: Definitely first to show up. Similar to Raz, Augustus needed a friend when he was a kid. he also needed a person who could take on his "girliness" for him so he could be a boy. This brings in our Princess, who houses all that sweet sweet childhood trauma! along with happy childhood memories :D she's got mood swings, going from merciful princess to "I will stab you with my tiara", she's a kid she's got a lot of emotions!

The Acrobat: For handling all those weird feelings in ur teen years. They're about 14, struggling with gender identity, and is Augustus's "voice" while they do side shows for money. they're around for most of the Starlight Circus, so they're in for the long haul. They hold a lot of Augustus's more emotional trauma, and is a bit of a wimp. got that awkward growth spurt hunch and tends to trail off when they speak

The Ringmaster: Augustus just got his scars and he cant handle that kind of pain and having to relearn how to see. Introducing our Ringmaster! A strong willed grown man who knows exactly how to execute a routine and expects perfection >:( A big frowner for sure, very protective of Augustus. he's his backbone basically, able to finally give Augustus ground to stand on so he can stand up for himself. he's also a fast learner, helping Augustus get used to having only one seeing eye :D

and finally we have Maligula, who handles all of Augustus's water and psychic based issues and joys. unlike Lucrecia's Maligula which is more a coping mechanism she made to defend herself, Augustus's is a fully realized...creature. not a person, but a creature who lives deep within the waters of the flooded circus and takes on all that heavy trauma of the Grulovia Dam Flooding, his failures, his biggest problems...he's sorta Augustus's main protector essentially, blocking him from doing much outside of his usual routines that ARE deemed as "safe". its why starting him on Psychic training is a bit difficult when you have a literal monster holding you back out of fear of you or your loved ones getting hurt

again this is all mostly based on my experiences and also how i internalize my own system stuff, so take all this with a grain of salt, im not an expert, yadayadayada, but i just think it's kinda neat!

plus theres no way in hell Augustus knows he has DID he thinks this is just How The Brain Works and theres like a whole team of highly trained psychologists like "No bestie this is somethin WAY different"