#I thought I shared this before

[8catsinatrenchcoat]

david tennant character vs. weeping angels

[purrassicjet]

Thinking about the Bad Parents this episode because like, imagine your child, who's constantly burdened with the fate of the world, comes to you after school and says it's not enough. That they have to take the Last Stand exam and it's tomorrow. You have no time to take time off work to be with them, to be able to wait for them when they get home.

And then the next day you say goodbye in the morning, you kiss them on the head and tell them you love them. But you know that the next time you see them they will have died. You know that all the day you're at work, your child is fighting for their life in a drastic last stand. How do you focus with that knowledge? How do you move on, wondering if your child is already dead? That while your working or doing chores, your child could be lying on a sandy flood, dead, while all their friends fight for their lives?

How do you move past it? How do you live out that day?

[spicypotstickerbliss]

ironic that Cupid was an arrow ace tbh

[cardo-de-comer]

soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3

i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.

It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.

The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.

City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.

Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.

look at him

Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.

Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.

the latin text all over them is just a part of their design

The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.

no one likes him at all, expect maybe Imri who just tolerates his presence like he always does

That's the main three. There is a few secondary characters, Imri's father being one of them.

sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.

He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.

few people said that the angel accompanying him looks like d20 and so be it

The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what.

creators of the Stars - some part of a human soul that i can't talk about :)

Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.

they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.

this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.

Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.

There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.

Now i need to get back to drawing. Thank you all for your support. <3

[milkamel]

✨ Kross AU where soulmates share pain from injuries ✨

I’ve been thinking about some kind of a soulmate AU for these too (just for fun, nothing too complicated) and this concept was quite interesting so here it is. I also wanted to make it angsty but instead, it turned silly- I think it’s even better this way. This idea was sudden so there may be plot holes and inaccuracies.

So, Killer and Cross are soulmates and they’re linked by the pain they share (the one that comes from injuries, being hit etc. If any of them gets physically hurt, both of them feel it). Killer has a pretty high pain tolerance due to his experiences, trauma and general numbness, so he barely feels any pain and can easily ignore or not notice injuries on himself.

Cross on the other hand can feel everything clearly but he’d just learned to pretend like everything’s fine. He’s a soldier after all, he has to be strong for his people, friends and his soulmate that he’s bound to meet. He can’t show weakness no matter how unbearable sometimes the pain is. Though he can’t help but be concerned over how intense the pain is sometimes so he tries to avoid anything that might bring even more pain to his poor soulmate who suffers so frequently.

So, in conclusion, we have two idiots who hide their pain and can’t realize that they are soulmates because of that 🎉🎉 Mutual pining and idiots in love 🎉🎉

Killer belongs to rahafwabas Cross belongs to jakei

[fairylando]

just finished watching the wild robot (im a sobbing mess) and i got sent this tiktok... how do you even begin to explain this, and most of all, is there a non-gay way to explain it???

[frogyjones-art]

Promotional posters from the SAW 2004 DVD bonus features!

[self-shippy]

good morning selfshippers just an ordinary morning post here move along…

JUST KIDDING I cast spell of IMAGINE YOUR F/OS MORNING VOICE

[non-cannon]

I'm just going to start aggressively assuming all characters are AroAce until proven otherwise.

And even then, with a lot of media, I can probably still assume that said character is Ace if if they're alloromantic.

[halorvic]

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[evidenceof]

Band of Brothers BTS photos David Webster Continuity ->  Eion Bailey as David Webster.

First photo reads, "To Jane, my only fan." signed for the wife of Band of Brother's Wardrobe Assistant, P. Christopher. Polaroids also shared by him.

[startanewdream]

I've always wanted to write a scene of mutual agreement and support (friendship is a strong word) between Ginny and Romilda Vane, so here's around 1600 words of something that might have happened during Year 7.

*****

They wait until after dinner to round on her.

Ginny is mildly surprised; she'd guessed they would question her as soon as she got off the train, but perhaps they thought that Snape's speech—not the Headmaster's, she'd never consider him so—might terrify her enough to make her betray everything she has ever believed on. If so, they were very mistaken; seeing Snape in the middle of the staff table, with Death Eaters by his side, only infused her Gryffindor spirit.

"Weasley," calls Alecto Carrow. She has a mind to pretend to ignore her, but the mass of students climbing the stairs seems to freeze with that call, and Ginny has no choice but to answer it, all eyes on her as she walks to Alecto Carrow.

"Yes, Professor." She puts as much spite in that word as she can. Neville and Luna suddenly materialize next to her, and Ginny almost wishes they would stay away, as if there is any protection to be found this year.

Alecto looks her up and down. "That's it?" Her voice is mocking. "That's Potter's girlfriend?"

By her side, Crabble and Goyle nod; their gazes are not as unappreciative as Alecto's. With a shudder, Ginny thinks she will favour disdain any day.

"I thought Potter had better taste."

She buries her nails into her palm. Don't answer, she tells herself, and tries to keep a look of disinterest.

"Where is your boyfriend?"

Her rehearsed answer comes in a bored tone. "I would know if I had any." It feels more than ever that everyone is staring at her.

Alecto doesn't seem convinced, nor do her cronies.

"They were dating," says Goyle, in a whisper that everyone can hear. "Everyone saw it, they were snogging all around the place."

"It's what happens when you are dating someone," snaps Ginny. "We've broken up." She hesitates for a tiny beat. "He dumped me."

This time her rehearsed line doesn't sound credible, despite being the truth. Everyone's gaze seems to burn, evaluating her answer, and, for a moment, Ginny waits for someone to question this, to raise the absurdity of her words: they were in love. As Goyle had noted, anyone could see how they felt about each other; Harry had been beaming the whole time they were together, all those few weeks of sunshine and happiness and hope. Harry wouldn't just dump her—

And then Alecto Carrow laughs.

"I guess Potter already got what he was after, then?" She mocks. "Blood traitors aren't a good value if..."

"Perhaps the girl is lying," another voice pops in, and Ginny turns to see Amycus Carrow joining his sister. His gaze upon her makes Ginny shiver; she remembers all too well duelling him. "Perhaps she knows more than she's letting on—"

"I wouldn't think so," Luna says, her voice as dreaming as ever. "If she knew, she wouldn't be here."

"Harry always kept his secrets," Neville adds, crossing his arms.

Amycus and Alecto share a look before Amycus takes a step forward.

"I will be the judge of that. If we have Potter's precious girlfriend—"

"I am not even his girlfriend anymore!"

It doesn't seem to matter, though. Terror floods her, not so much for herself; there isn't anything that she can share with them, but if somehow Harry finds out that they've got her—their breakup will be for nothing—he is too stupid and too noble to do something reckless—

Amycus grabs her arm; Ginny dives her hand into her pocket, but before she can take out her wand, many things happen. Professor McGonagall appears, Neville points his wand at Amycus, and Romilda Vane laughs nervously.

"Please," she says. "Weasley was his girlfriend, so what?”

That makes everyone draw their eyes to her. Romilda tosses her hair out of her face, seemingly enjoying the attention, but Ginny can see a thin layer of sweat breaking through the girl's careful makeup.

"Harry was always smiling at me, flirting unashamedly, even when he was dating her. I wasn’t the only one either. Everyone knew he wasn't good business. A ladies' man, that one."

Ginny blinks; she is not alone. The year before, when Harry was at the height of his popularity at Hogwarts, everyone's favourite Chosen One, he had drawn many eyes. Ginny had found it bothersome, but she could understand what everyone was seeing: that gorgeous young man with messy dark hair and green eyes, tall and fit, with the added benefit of seeming oblivious to his own charm, almost shy. It had been endearing.

That also was one of the reasons why, when Harry and Ginny started dating, everyone wanted to talk about it. It had been huge news for Hogwarts' standard.

There was no way anyone would believe that Romilda was telling the truth.

"Potter never had any other girlfriend," Crabbe mumbles.

Romilda laughs derisively. "I wasn't his girlfriend, haven't you heard what I just said? He just liked to flirt." She nudges her friend. "Do you remember, Lisa? I told you Harry never took his eyes off me."

Lisa looks terrified, but she nods. "Yes," she confirms in a small voice. "And you—you shared chocolate once."

"Harry dated Cho," someone from the Ravenclaw crowd says, and there's a murmur of agreement.

"I went with Harry to a Christmas party last year," notes Luna. She skips the part where they went as friends.

"I think I saw him snogging a girl behind the greenhouses," Hannah Abbott says.

At her side, a boy nods. "I saw something in the library once."

People start adding comments, their voices mingling in a cacophony. The weirdest part is that Ginny knows no one is lying; people are telling about the times they saw Harry with a girl — only she was this girl, this only girl, but no one specifies that.

"Quiet, quiet!" Alecto sounds annoyed. She looks at Crabbe and Goyle. "Is this true?"

They shrug, lost.

"I saw Potter with Chang at Madam Puddifoot's," Pansy Parkinson confirms, distasteful. "And he went with Loony Lovegood to Slughorn's party."

"That would be Professor Slughorn, Miss Parkinson," chides Professor McGonagall, taking a definite step ahead and placing herself between the Carrows and Ginny. She raises her arm and, almost without a second glance, lowers Neville's still extended arm. "I do not see why a student's romantic life is under scrutiny at this hour of the night, especially a student who is not even here at the moment, but the others have class tomorrow morning."

"This is more important than classes," Amycus spats.

"I remind you this is still a school," Professor McGonagall says coldly.

Amycus' answer is cut by a bored voice. "What is this?" Snape walks, easily opening his way between the students gathered at the door.

"We are trying to interrogate the Weasley girl," Alecto says. "To find out the whereabouts of Potter. She was his girlfriend."

Snape rolls his eyes. "You heard the others. Potter was a lover-boy; that is not surprising considering how his father behaved with his fans." He regards Ginny coldly. "Weasley is not special. I doubted Potter ever shared anything more than a snog with her."

There's an underlying truth in his words that stung her, but before she can react, Snape is already addressing Professor McGonagall.

"Take your students to bed, Minerva. It would not be advisable to be out of the bed at this hour."

Professor McGonagall, who had been frowning at Snape as if trying to figure out something, bristles; there's nothing but repulse in her eyes as she nods.

"Of course, Severus." She turns to Ginny and the others. "Go to the Common Room, now."

And she casts a warning glance at Ginny, who runs to meddle between the other Gryffindor students climbing up the stairs. Her heart doesn't stop beating painfully until she enters the Common Room, and only then she looks back; the Carrows aren't in sight. She doubts this is the last time they will try to question her, but for now, she can breathe easily and give Neville a feeble smile when he looks at her.

"We will watch your back," he whispers.

"It will be fine," she says, with a confidence she doesn't feel. Nothing about her experience at Hogwarts so far gives her any faith that things will turn out well.

And then she catches a mop of black hair.

"Romilda," she calls. Romilda pauses on her way to the stairs.

"Yeah?"

Ginny waits until they are alone to whisper: "Thank you."

Romilda nods. There’s a moment of silence, during which Romilda eyes the stairs as if considering fleeing the scene before she asks: "Did he really break up with you?"

Ginny gulps. "Yeah."

"Oh, I thought—"

"No, it was true."

She waits for some remark; Romilda was truly determined to get Harry the year before, and she had pestered Ginny when she was dating Harry.

"He never actually flirted with me," Romilda says in a rushed whisper. "And you were special to him, I—I spent a lot of time watching him and trying to get his attention, but he never glanced at me... because he was too busy ogling at you."

Warmth spreads inside Ginny; she cannot help her smile. "Harry didn't ogle."

"Yes, all the time. He had it hard for you. Still has, I'd bet." Romilda smiles awkwardly. "Not very womanizer of him."

Ginny's eyes wide. "About that—if anyone finds out that you were exaggerating—"

"I'll talk to my friends. No one is going to say anything."

"I know. I trust you." They look at each other; it suddenly occurs to Ginny that Romilda has no idea, not really, of what could happen if anyone suspects her lie. Romilda never faced a Death Eater. Ginny hopes she never does. "It will be fine."

It's the same thing she told Neville before, but now there's a promise in her voice.

Romilda nods one last time. "Night, Ginny."

"Night, Romilda."

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[carnivalcarriondiscarded]

all this to say: i think it'd be cute if Barnaby literally howls with laughter

[akemiiya]

Justice finds you.