#I think we're talking about a whole year or more here

[dumbkitsune]

Going over the whole byler fight in S4 BUT, its not going to be serious AT ALL, BECAUSE IVE HAD IT WITH THOSE TWO, LIKE, HOW CANT THEY REALIZE THEYRE IN LOVE WITH EACHOTHER AAAA they're so stupid, I love them.

"Yeah, but you knew that she was having trouble for like a year! And you didnt tell me."

"I didnt know she was lying to you!"

MICHAEL, MY BOY, are you seriously acusing Will, of all people, after how you were with him in S2, ABOUT THE LIES, YOUR GIRLFRIEND TOLD YOU? The closet is starting to get a bit transparent

"Which is why you decided to be a douche to her all day?"

"I wasnt being a douche!"

BUT OF COURSE YOU WERENT WILL, MIKE KNOWS HE IS A DOUCHE, uh kinda, ITS MIKE QUEELER PROYECTING HIMSELF ONTO YOU. Its like in that rain breakup scene, I mean, like in the completly heterosexual discusion you had with Will in S3

"You were! You were, you were rolling your eyes, you were moping, you were barely talking. You basically sabotaged the whole day"

OKAY uh, this already is to much, like, the closet didnt become completly clear but it simply faded. I just, oh my god- OKAY, first of all you were being kind off a creep, like bro didnt stop staring at Will at any moment. Mike could describe perfectly every face Will has done through the day, he literally exposed himself. Milevens be tripping thinking that this mf is straight. AND THEN the fact that Mike's day is ruined because Will was feeling down is yet again another proof that he might like him more than a friend, like, no duh. AND LASTLY, of course Mike would only care for Will, blaming him or not, he doesnt gaf about how El might feel or about how she was bullied the entire time in Cali💀 Its just Will whats in his head.

"Well, she was lying to you Mike! Straight (i beg to differ) to your face ever since you got here! And Ive been a total third wheel all day, its been miserable. So sorry if I wasnt smiling."

"Yeah whatever man..."

WHATEVER MAN?? WHAT- MADRE MIA MIKE QUE OSTIA TIENES ME CAGO EN TODO. ITS NOT WILL'S FAULT YOU CANT ACCEPT YOUR HOMOSEXUALITY.

"What about us?"

"What?"

Oh its about to go down.

"You're mad that I didnt talk to you?"

YES HE IS

"Seems that you made it super clear that you're not interested in anything I have to say"

NO CAUSE BRO WAS LITERALLY PAYING ATTENTION TO YOU THE WHOLE DAY, HOW CAN HE NOT CARE ABOUT WHAT YOU SAY? THE FACT THAT WILL DIDNT TRY TO TALK MUCH TO MIKE IS THE THING THAT MADE HIM SUPER PISSED OFF IN THE FIRST PLACE.

"Thats just not true"

I mean, at least he is being honest about some things.

"You called maybe a couple times! Its been a year Mike. Meanwhile El has like a book of letters from you."

"Thats because she is my girlfriend Will!"

Yeah fr Will, he is trying to be undecover leave him by😔

"And us?"

Now we getting into the good part.

"We're friends. We're friends" Repeating it twice not only to convince himself but also in case if it also becomes true. Double or nothing.

"Well we used to be best friends."

'In the closet' starts playing

...

That last part was simply to much, and enough Byler proof for me. WHY DID MIKE PANIC WHEN WILL ASKED HIM ABOUT "THEM"? WHY DID MIKE HAD TO REAFFIRM THEY'RE FRIENDS WHEN ITS CLEAR THAT THEY ARE? AND WHY IS MIKE (Jesus Christ its only Mike💀) IN A DEFENSIVE TONE?? what is the justification for all of that if he wasnt a queer kid unable to face being gay in the 80's? Its either that or terrible writting and we know that the Duffers dont dissapoint with the scripts.

And also, bruh, the song, THE GOD DAMN SONG. PLEASE I truly do NEED a mileven trying to justify why is the song called "In the closet". Where Mike and Will are fighting and they bring up their feelings. Please Milevens come up to me and explain it.

Thats basically all lmao, ty if you actually red this whole silly thing. 💙💛

[kimn0n]

I think I've come to a conclusion

Non-sharing until I get able to pay a therapist

(but I'll clarify a few things later okie)

[moonchild-in-blue]

Massive thank you to you and everyone else who calls out how shitty it is to get mad at peoples interpretations. Sleep tokens music is romantic. Its also toxic. These statements can coexist. Its not your business if someone plays bloodsport or vore or hell even atlantic at their wedding. Youre not them, you dont know what the music means to them. If you see a weird take just roll your eyes and move on, its not a big deal. Absolutely sick and fucking tired of all these "why are you calling this romantic/sexy? Youre stupid and a terrible person!" takes like fucking relax. Media literacy is important yes. Respecting that this music is dark and personal to vessel is also important. Same goes for respecting how people relate to the music in dark ways. But as long as people are not saying things directly to vessel or fans about how their individual trauma is sexy then just chill out and respect peoples different interpretations. It sucks that i cant talk about how i view certain songs without being called horrible things and having really fucked up vitriol aimed at me. Yall need to grow the fuck up and get over yourselves. Im not thinking of your personal shit when i call a certain song romantic/sexy, i dont even know you, sometimes im thinking of my own trauma actually lol. Lets all discuss this music maturely where we respect each other and what each of us as individuals bring to the table for interpretation, stop making this fandom toxic as hell for anyone who doesnt agree 100% with your own interpretation. (Also the whole "youre not allowed to say this song is romantic/sexy" thing is very dismissive of some peoples trauma in itself, it ignores how messy someones feelings toward their abusers/toxic partners can be. Pretty fucked up to call a trauma survivor stupid or a terrible person because a song reminds them of their positive feelings towards someone who hurt them) Anyways yeah, just tired of people being so harsh because they refuse to see other peoples perspectives. I genuinely think one of the most toxic aspects of this fandom is the vitriol over different interpretations, people act like outright children at times with it im ngl, especially with more sexual discussions. It also feels infantilizing towards vessel at times, hes a grown adult who put romantic/sexy elements in his music and he doesnt need people trying to protect him from those themes. Im rambling but this stuff pisses me off so much, this fandom needs to do better

Context post for the clueless ones - regarding my tags/replies

Here's the thing - I've been in fandoms for many, many, MANY years. This type of discussion isn't anything new nor unique to Sleep Token, but it sure does make a comeback quite often. It's tiring to keep repeating the same things over and over, but that's what fandom is all about isn't it?

Someone needs to say something, and I am not one to shy away from uncomfortable conversations like these. Something something, build your own community, be the change you wanna see, etc etc.

I've said pretty much everything I wanna say already under that post, but for the sake of clarity, and because I can't keep my mouth shut apparently -

Under the cut for length - you know the drill:

Music is art. And art is subjective. Meaning, each individual will have their own personal connection and interpretation of a given piece of art, which in this case is Sleep Token's music.

Did Vessel write the songs with a certain intent or meaning? Most likely yes! It's not hard to connect the dots and guess what events/emotions might've transpired and served as inspiration for them (accuracy to personal life is irrelevant and none of our business, but it's also no rocket science to understand what's been said).

Can we establish a base meaning for any given song, or better, can we have a general consensus of what a song is about based on its lyrics and themes? Absolutely! Not every song is like that, but we can all agree there's a lot of recurring themes of past relationships and mental health struggles.

Is it wrong to diminish the songs to one basic element (eg. the sexual undertones) and/or completely disregard the bigger, more important theme? I'd say it is.

Giving Atlantic as an example (which as a lot of you know, is my most favourite song of them and very dear to me): this one has some very blatant references to suicide and depression. Regardless of whether it is based on irl events or not (none of our business!!!), it is extremely heavy and emotionally charged. I find it incredibly disrespectful when people say random stuff during the rituals when he plays this one.

Or for example, how certain people reduce Sleep Token to "baby making metal", instead of acknowledging the insane (insane!) variety of genres and the profound lyricism they present.

Should we limit our views, and by extension, those of others, to surface-level interpretation, without allowing room for different views and interpretations, either fictional lore based or not? ABSOLUTELY NOT.

Vessel himself said to "not restrict ourselves to labels or genres because music transcends it all" (paraphrasing here). It's literally their whole thing. It's very hypocritical to be shouting from the rooftops about "media literacy" and assuming people are stupid or idiots for not understanding the basic, surface-level meaning of a song, when Vessel himself constantly writes in metaphors and half-truths.

I've touched on this a lifetime ago on one of my analysis, but if you *actually* look at the lyrics, you'll realise Vessel hardly ever says what he means. There's always something else behind his words, something he purposefully keeps hidden. It really sneaks upon you sometimes! I'm over a year in and I still find something new everyday on their music. That man has a way to weave in a hundred and one statements under a single sentence, that is just truly beautiful to study.

Is, say, The Love You Want, about a man (Vessel) mourning the fact that his love isn't reciprocated? Yeah! Is it about someone who, despite knowing they can never receive from their lover the attention and affection and care they want, will stay by their side anyways? It is!

Is it about bitterness, spiteful accusations aimed at the one person who should love you fully? Or a reflection of how little self-regard the singer has, so much that they are willingly and actively choosing to stay in a sinking one-sided relationship, because the alternative is too painful to bare? Can you flip the switch and see it as someone who is obsessively pursuing another person, and painting themselves as a victim? All of this, yes!

You can even eliminate the romantic aspect all together and apply it to a relationship with the self (past or future, or an alter ego), or a parental figure. The options are endless. There isn't one universal truth when it comes to music, and as such, all of these takes are 100% correct.

Many statements can be true at the same time - it doesn't make one more true or correct than the other. Simply different. The way we connect with music is very much dictated by our own life experiences, and no two people have lived the exact same life.

Can you prefer a certain way to look at a song, or completely disagree with certain takes? Absolutely! I know I sure as hell do! That's normal and expected and part of the fun in being in a community such as ours. More people means more ways to look at a song - isn't that just wonderful?!

Now, this is very obvious for most of us, but some people, especially in the younger rage, have been taught to look at things in a very black and white way. Not to be that person, but the truth is that the rise in awareness of social issues and "pc-ness", is slowly starting to eliminate the possibility of things being flawed and nuanced.

If you're wrong, you're awful. If you're right, you're obnoxious. Made a mistake? Get cancelled. Grow from your mistakes, but not like that. Learn from your actions, but change your whole personality in a day otherwise you're problematic.

You know what I mean.

Life isn't black and white. Art isn't black and white. Music isn't black and white. What may seem like a toxic, dark, obsessive depiction of a relationship to you, might translate to the deepest and most truest of loves to me. I can acknowledge something is Not Right, while still drawing my own conclusions.

Is Blood Sport a sad af song? Yeah! Definitely not the first thing I'd think of when in a happy relationship. But maybe that's the point. And maybe I do. And that's okay, and none of anyone's business. "Okay but The Apparition isn't a good example of a healthy and romantic-" TO YOU! Maybe that's what love looks like to me! Maybe I just happen to be into it! And what about it?

Maybe to me love comes with all the ugly sides too. The violence, the despair, the self-doubt. Who are you to dictate what I can or can't think? I highly doubt Vessel would go 🗣️ "WRONG! NO! ABSOLUTELY NOT! >:::(", so why would you?

You can, and should, discuss the songs with others! Maybe some people do genuinely need a fresh pair of eyes to help them get to the juicy core of the songs - that's why we're here! To discuss, and exchange ideas! You can, and should, call people out when their engagement with the music is being harmful to others (joking and laughing during Missing Limbs? No bueno. Speculating about Vessel's personal life? VERY no bueno. Choosing a potentially weird song to walk down the aisle? None of your business + not your wedding + you weren't even invited + none of your business. Notice how I've been repeating that. Notice again).

You shouldn't, however, shame and ridicule others for having different views from you.

I think, rather than engaging in pointless discussions and start accusing people of being this or that, we should all exercise a little "don't like? scroll past". Is it harming you or others? No? Then scroll past! Is it an awful, truly horrendous take about something you're really passionate about? Okay! Disgusting! Scroll past! Good for them! 👍

Also - keep an open mind. We're all doing this living businesse for the first time, no one holds all the answers to everything. It's okay to change your mind. It's okay to say the wrong thing and backtrack. It's okay to make a mistake and learn and grow.

You know what's not okay? Being a dick to others because the thing you like is being misinterpreted. It's hard, I know!!! You can block people! You can scroll past! You can look at pictures of your favourite vessel and cleanse your brain!!!! I know I do!!!!!

And this is a last afterthought but - you don't get to complain about the fandom you're in if you're doing nothing to change that. I see many, maaaaany of you bitch about this and that, while having 0 engagement aside from the bitching. Like?? Maybe if you spent more time reblogging cool art or gifs and less time whining about literally everything, this would be a much more pleasant space!! And I DO get to be a little petty here because I sure do try my best to make this a fun and nice community. I am allowed a little bitching 😌

Anyways, tl/dr: don't be a dick; don't like - don't engage; keep an open mind; gaze upon the vessels. Peace and love yall 💙💫

[thegreatyin]

And thus, with the passing of 24 hours, Caeru's ambition truly comes to an end. Major Nemesis spoilers below the cut- we're talking endgame ambition business here. Mostly on a character RP front.

The Doomed Scientist made quite a few... choice decisions, in the end. Killing Cups once and for all, recording his story as one of grief-

And sparing what little remained of Mr Mirrors, leaving it free to roam Parabola as it sees fit.

Some of them, he can explain. Others, he's still left to feel... discontent.

Cups needed to die. That much was certain from the start. It was a tyrant, as all Masters are, and complicit in the bargaining and eventual destruction of four (potentially five) cities, as all Masters are. It was an obstacle. A murderer. A petty monster that felt no remorse even on its deathbed, and it went out of its way to ruin multiple lives just because it felt owed its own sick and twisted idea of revenge.

It killed his first love. It looked him in the eyes and he knew what it had done and he knew from the start it was going to die.

Perhaps, in the end, it knew too. And yet it still pleaded, and wanted to live, and-

It made a bargain.

A bargain Caeru didn't take.

Not because he didn't want to. Gods, he wanted to. He wanted it. He wanted it more than anything else in the world. To have Greylu back, to give him the gift of life, of love, to show him the wonders of the Neath and the beauty of the correspondence and all of the people Caeru has met and loved and found home with along the way-

But. He couldn't.

Because Cups was a monster. And no matter what, it deserved to die. And he could not, in good conscience, allow it to live.

Even if sparing it meant everything he's ever wanted.

So he's left here, now. With a bloodied traveling coat, and a bloodsoaked knife, and a favor finally fulfilled.

And nothing to live for. No resurrected lover, no charming visits to Helicon, no slow dances in the living room, no memories to rebuild and lives to live and he won't live again-

Nothing. All he has is a coat born of obligation, not to his love, but to people he's never even met. To lives he's never even touched. To a paramour, still alive, with hair of rose-pink, who doesn't even remember her own brother's existence.

Cups didn't die for Caeru's sake. Cups died for the sake of all who wanted it dead. For the revenger's court, and the ghost screaming in his ear, and the reckoning that will not be postponed indefinitely.

And Caeru, who acted as a tool to carry out their wills? Who all but betrayed his own lover, just to satisfy a cause he never knew existed?

All Caeru is left with, is regret. Regret-

-And grief.

[coquelicoq]

if you want the rewards of talking to your sister about her favorite works of philosophy you must submit to the mortifying ordeal of reading one of your sister's favorite works of philosophy and then admitting to her it was a little over your head. which is not actually that mortifying because your sister has great taste and is also very lovely and non-judgmental.

[rearranging-deck-chairs]

OH THEYRE GONNA GIVE HIM THERAPY

[united-under-skyfall]

.

[bam-monsterhospital]

"I like villains better than heroes"

Best case scenario? You've only come across poorly written or boring takes on heroes.

That's the best case scenario. It's all downhill from there.

[egophiliac]

I loved your drawing(and I love your style in general) with Leia in your recent post! If/when you have time can we see more of her in your style? I get so happy whenever I actually see people mention/talk about her and she’s not just forgotten because we didn’t get to see much of her. 😭

thank you! 💙💙💙 Leia/Leah/Lea/whatever is fascinating to me. she is the ultimate unknown. what was she like? how involved (or even aware of any details of the invasion) was she? Silver's basically a physical carbon copy of his biodad, so what did he get from her? like, I understand why the two of them kind of have to stay as these super vague and mysterious figures -- the whole point of them is that their story ended 400+ years ago and they're not really relevant anymore (and. well. the more that gets explained about them, the less that can just kinda be handwaved as "oh the politics were Very Messy") (we can sit here and theorize all day but let us acknowledge that, ultimately, canon gave us almost nothing about them post-Meleanor and we'd just be making things up). I do still wonder about her though! RIP Lea, we never knew you and we probably never will.

actually you know what, as long as we're here, I think I WILL go ahead and just make some stuff up about what Silver might've inherited from her instead.

[queerpyracy]

i've been reading a lot of het romance in the past year (here distinguished from m/f as a whole because i want to speak specifically to how straight people write*) and i really, really need straight romance authors to read how gay people talk about the people they're attracted to and learn from it.

(*which doesn't mean i think 'they're both bisexual' inherently makes an m/f couple more interesting but that's another post)

there's this way of writing that like, is very clearly making sure the characters actually Like each other and Enjoy Being In Each Other's Company which is fantastic i do love that. But, there's a real training wheels set of tropes to writing attraction between these leads that always highlights the same features (i don't have to enumerate the fixation on men having broad shoulders we're all familiar) without any sense of specificity. i do not care about this man being generic brand hot, i wanna know what insanely granular detail only our heroine has noticed that shuts off her higher brain functions.

now i appreciate that i, as a lesbian, am not the target demographic of het romance--but i also know that my mom (a certified 100% heterosexual) has been complaining about the protagonists of romance novels being generic brand hot for years. even As A Dyke, if you write with enough particularities about what your heroine is into about this man i should be able to see what she sees

specificity is the key to eroticism!!! straight authors need to be writing their characters like horny posts about alfred molina and i'm NOT kidding

[freyaphoria]

Hello! Since I can't save the writings in my drafts and your request is currently stuck in my drafts, I have to post it this way. I hope you can see your request T_T By the way, I wrote this 4 times, and the universe prevented me from writing it. Normally it was over 2k words, but most of it was deleted and I forgot what I wrote. Anyway, Love u!♡

Look Like a Freak

tw: nerd!Seonghwa x fem!reader, oral(giving mentioned, receiving), squirting, slapping, fingering, vibrator using, degradation, bondage, overstimulation

wc: 1.5k

taglist: @aim-blossom @matzrionette

“Seonghwa, are we really going to do it here?” It was too late to ask now. He made an approving noise as he abused your pussy between. To your surprise, he could hear you and respond. Normally, after tasting you, Seonghwa would be pussy drunk and wouldn't hear or see anything.

Seonghwa's room was the most virginity room you've ever seen. There were more Star Wars figures and Legos than you could count. And what is it? On the top shelf of the display case, on top of the Star Wars legos, there were colorful house legos and animals next to them, which you might think were related to animal crossing which might attract the attention of 5-year-old children.

You and Seonghwa went to the same university and met at the dance club. When you first met him, he was very quiet, buried in his book with a book by an unknown author in his hand and he was wearing the metal-framed glasses he was currently wearing, not communicating with anyone. Even though most people avoided communicating with him, you felt his potential in his eyes under those big glasses. You had initiated the first communication and asked him something about the star wars lego keychain hanging on his bag, and before you knew how the things had developed, he had pulled you into the back storage and made out with you. After a while, you started fucking after every dance lesson and became addicted to each other. You were nothing but a fuck buddy, but you'd still meet up at his house every once in a while to build Legos together like cute couple, and as you can imagine, your night would end up in his bed, trying to recover, with his cum dripping down between your legs.

Same thing today, you met at his house to play his favorite game, the two of you lying in bed while Seonghwa was playing Animal Crossing on his Nintendo. But you had made him horny without knowing why, and Seonghwa stopped his game, which was an unexpected move from him, and started eating you. Animal Crossing, where you played with Seonghwa, was still on on the TV and calm music was playing.

"Can you at least turn off that game? It's ruining the whole mood-" You were cut off by Seonghwa shoving your panties into your mouth. "Don't tire that beautiful mouth of yours by talking, you will be tired enough when I put my dick down your throat."

Who would believe that someone as nerdy as him could make you this wet? If you told your friends who knew him, they would all think you went crazy. But right now, you were in his bed with your legs wide open and you were dripping, Animal Crossing in front of you, Star Wars figures next to you, and a nerd Seonghwa losing himself between your legs.

When Seonghwa started using his fingers as well, you realized you wouldn't last long. He was eating you out and fingering you so professionally that you were seeing stars every time, your legs shaking uncontrollably and squirting on him. And so it was, the moment you felt his fingers inside you, curls them up and abusing your sweet spot while his tongue stimulates your clitoris, you couldn't hold back that ball that was growing in your belly any longer and you came into his mouth. Your voice came out as a muffled moan through your underwear in your mouth. "Oh but I couldn't hear you clearly, looks like we're going to do it again." He pulled the fabric from your mouth and kissed you hungryly. Since he still didn't remove his fingers from you, you continued to spasm uncontrollably around his fingers and began to squirm from the overstimulation.

"What is that? You got tired a little early for a slut like you. Open your legs." As you tried to close your legs, Seonghwa forced them open. When you closed them again, you were startled by the sound of him slapping your thigh hard. "You want to be a brat? Okay then." He let go of your legs and headed towards his desk. He opened his drawer, took the rope next to a lot of Animal crossing cards, closed the drawer hard and turned towards you. You held back your laughter when you saw the colored cards. He adjusted the thin metal-framed glasses that fell on the tip of his nose, found the end of the rope and started wrapping it around your wrists.

"Hwa, I'm getting rope burns, haven't you found that furry handcuff yet?" He tied the rope tightly around your wrists, he bent your leg towards you and brought your ankle closer to your hands and tied the rest of it to your ankles. "No I couldn't. And if you stop squirming, you won't get a burn." After tying your other side in the same way, he checked its strength and made sure that it was not loose. He looked at you, his masterpiece, from head to toe, then he spanked your pussy that you had forced open and exposed for him, and he moved towards your upper body. You let out a small scream at the sudden feeling of pain. He tied your upper body by looping the rope around your chest and tying it over your arm; so it stabilized your arms and prevented you from closing your legs.

"Now, what should we do with you?" You felt even wetter with the feeling of being restricted and having all your control in his hands. The feeling of emptiness inside you was becoming unbearable and if he didn't fuck you soon, you would start crying and whining from frustration. "Just fuck me already."

The left side of his mouth lifted up and laughed slyly. A deep chuckle escaped his throat. "No no, I won't give you what you want that easily." This time, he opened the drawer where he kept your toys under the previous drawer and took out the pink vibrator with remote control. When you think about what he did to you with it, your heart starts to lose its rhythm and the adrenaline in your body begins to tickle your pussy waiting to be filled. The vibrator that he play with you for hours and eventually makes you squirm from overstimulation and cry and beg him to stop...

"How about this? No coming until I finish my new lego set. If you come, I won't fuck you tonight. Understood?" "Wait, at least let me suck you." He moved the toy in his hand over your folds before inserting it inside you, collecting your wetness on the toy. "Are you that much of a cock slave? Is there a day you don't spend without sucking me? Can't that little belly of yours do without taking my cum?" Your face turned red because of his dirty words. Yes, there wasn't a day without sucking him, but there wasn't a day without him eating you either. You were considered equal in every way. After all, you were a fuck buddy and that was your purpose. "Please just let me take you in my mouth" He balled up the panties he had just taken out of your mouth and put it back into your mouth. "Just deal with it for now. You can do it, right? It shouldn't be too hard."

After laughing sarcastically, he moved the vibrator over your folds for the last time and put it inside you. You gasped at the sudden feeling of being filled. The fact that you didn't know when Seonghwa would start the toy and when he would stop it made you nervous and excited. After licking his fingers, which got wet because he inserted the vibrator inside you, and tasting you again, got up from you and took the lego bag next to his wardrobe and placed it on his desk. "Which one do you think I should do?" He took out the Lego sets one by one from the paper bag and showed them all to you. The hilarity of your current situation and the Animal Crossing music playing in the background almost made you laugh. You were thankful for the fabric over your mouth that prevented you from laughing.

"Oh that's it!" He took out the 1394-piece Ghost & Phantom II set from the bag and placed it on the table. When he took the remote control of the vibrator and started to turn it on at medium level, you first lost your breath and started to squirm in your place. But he tied the ropes so tightly that you couldn't move much.

"Remember, no coming until I finish this set." He opened the box and placed the contents on the table, looking at you who began to tremble slightly. “You look like a slut.” And you look like a freak you thought.

[clamorybus]

its not fun to talk about, and i feel like such a dick talking about them like this, but it's fucking sickening how easily swayed my parents are

[txttletale]

I'm asking this genuinely, as a 19 yo with no education in economics and a pretty surface level understanding of socialism: can you explain the whole Bananas discourse in a way someone like me might understand? In my understanding it's just "This is just a product we can give up to create better worker conditions and that's fine" but apparently that's not the full picture?

alright so some pretty important background to all this is that we're all talking about the fact that bananas, grown in the global south, are available year-round at extremely low prices all around europe and the USA. it's not really about bananas per so--the banana in this discourse is a synechdoche for all the economic benefits of imperialism.

so how are cheap bananas a result of imperialism? first of all i want to tackle a common and v. silly counterargument: 'oh, these ridiculous communists think it's imperialist for produce to be shipped internationally'. nah. believing that this is the communist objection requires believing in a deeply naive view of international traide. this view goes something like 'well, if honduras has lots of bananas, and people in the usa want bananas and are willing to pay for them, surely everyone wins when the usa buys bananas!'.

there are of course two key errors here and they are both packed into 'honduras has lots of bananas'. for a start, although the bananas are grown in honduras, honduras doesn't really 'have' them, because the plantations are mostly owned by chiquita (formerly known as united fruit) dole, del monte, and other multinationals--when they're not, those multinationals will usually purchase the bananas from honduran growers and conduct the export themselves. and wouldn't you know it, it's those intervening middleman steps--export, import, and retail, where the vast majority of money is made off bananas! so in the process of a banana making its way from honduras to a 7/11, usamerican multinationals make money selling the bananas to usamerican importers who make money selling them to usamerican retailers who make money selling them to usamerican customers.

when chiquita sells a banana to be sold in walmart, a magic trick is being performed: a banana is disappearing from honduras, and yet somehow an american company is paying a second american company for it! this is economic imperialism, the usamerican multinational extracting resources from a nation while simultaneously pocketing the value of those resources.

why does the honduran government allow this? if selling bananas is such a bad deal for the nation, why do they continue to export millions of dollars of banans a year? well, obviously, there's the fact that if they didn't, they would face a coup. the united states is more than willing to intervene and cause mass death and war to protect the profits of its multinationals. but the second, more subtle thing keeping honduras bound to this ridiculously unbalanced relationship is the need for dollars. because the US dollar is the global reserve currency, and the de facto currency of international trade, exporting to the USA is a basic necessity for nations like honduras, guatemala, &c. why is the dollar the global reserve currency? because of usamerican military and economic hegemony, of course. imperialism built upon imperialism!

this is unequal exchange, the neoimperialist terms of international trade that make the 'global economy' a tool of siphoning value and resources from the global south to the imperial core. & this is the second flaw to unravel in 'honduras has a lot of bananas' -- honduras only 'has a lot of bananas' because this global economic hegemony has led to vast unsustainable monoculture banana plantations to dominate the agriculture of honduras. it's long-attested how monoculture growth is unsustainable because it destroys soil and leads to easily-wiped-out-by-infection plants.

so, bananas in the USA are cheap because:

the workers that grow them are barely paid, mistreated, prevented from unionizing, and sometimes murdered

the nations in which the bananas are grown accept brutally unfair trade and tariff terms with the USA because they desperately need a supply of US dollars and so have little position to negotiate

shipping is also much cheaper than it should be because sailors are chronically underpaid and often not paid at all or forced to pay to work (!)

bananas are cheap, in conclusion, because they're produced by underpaid and brutalized workers and then imported on extortionate and unfair terms.

so what, should we all give up bananas? no, and it's a sign of total lack of understanding of socialism as a global movement that all the pearl-clutching usamericans have latched onto the scary communists telling them to stop buying bananas. communism does not care about you as a consumer. individual consumptive choices are not a meaningful arena of political action. the socialist position is not "if there was a socialist reovlution in the usa, we would all stop eating bananas like good little boys", but rather, "if there's a socialist revolution in the countries where bananas are grown, then the availability of bananas in the usa is going to drop, and if you want to be an anti-imperialist in the imperial core you have to accept that".

(this is where the second argument i see about this, 'oh what are you catholic you want me to eat dirt like a monk?' reveals itself as a silly fucking solipsistic misunderstanding)

and again, let's note that the case of the banana can very easily be generalised out to coffee, chocolate, sugar, etc, and that it's not about individual consumptive habits, but about global economic systems. if you are donkey fucking kong and you eat 100 bananas a day i don't care and neither does anyone else. it's about trying to illustrate just one tiny mundane way in which economic imperialism makes the lives of people in the global north more convenient and simpler and so of course there is enormous pushback from people who attach moral value to this and therefore feel like the mean commies are personally calling them evil for eating a nutella or whatever which is frankly pretty tiring. Sad!

tldr: it is not imperialism when produce go on boat but it is imperialism when produce grown for dirt cheap by underpaid workers in a country with a devalued currency is then bought and exported and sold by usamerican companies creating huge amounts of economic value of which the nation in which the banana was grown, let alone the people who actually fucking grew it, don't see a cent -- and this is the engine behind the cheap, available-every-day-all-year-everywhere presence of bananas in the usa (and other places!)

[cocklessboy]

The biggest male privilege I have so far encountered is going to the doctor.

I lived as a woman for 35 years. I have a lifetime of chronic health issues including chronic pain, chronic fatigue, respiratory issues, and neurodivergence (autistic + ADHD). There's so much wrong with my body and brain that I have never dared to make a single list of it to show a doctor because I was so sure I would be sent directly to a psychologist specializing in hypochondria (sorry, "anxiety") without getting a single test done.

And I was right. Anytime I ever tried to bring up even one of my health issues, every doctor's initial reaction was, at best, to look at me with doubt. A raised eyebrow. A seemingly casual, offhand question about whether I'd ever been diagnosed with an anxiety disorder. Even female doctors!

We're not talking about super rare symptoms here either. Joint pain. Chronic joint pain since I was about 19 years old. Back pain. Trouble breathing. Allergy-like reactions to things that aren't typically allergens. Headaches. Brain fog. Severe insomnia. Sensitivity to cold and heat.

There's a lot more going on than that, but those were the things I thought I might be able to at least get some acknowledgement of. Some tests, at least. But 90% of the time I was told to go home, rest, take a few days off work, take some benzos (which they'd throw at me without hesitation), just chill out a bit, you'll be fine. Anxiety can cause all kinds of odd symptoms.

Anyone female-presenting reading this is surely nodding along. Yup, that's just how doctors are.

Except...

I started transitioning about 2.5 years ago. At this point I have a beard, male pattern baldness, a deep voice, and a flat chest. All of my doctors know that I'm trans because I still haven't managed to get all the paperwork legally changed, but when they look at me, even if they knew me as female at first, they see a man.

I knew men didn't face the same hurdles when it came to health care, but I had no idea it was this different.

The last time I saw my GP (a man, fairly young, 30s or so), I mentioned chronic pain, and he was concerned to see that it wasn't represented in my file. Previous doctors hadn't even bothered to write it down. He pushed his next appointment back to spend nearly an hour with me going through my entire body while I described every type of chronic pain I had, how long I'd had it, what causes I was aware of. He asked me if I had any theories as to why I had so much pain and looked at me with concerned expectation, hoping I might have a starting point for him. He immediately drew up referrals for pain specialists (a profession I didn't even know existed till that moment) and physical therapy. He said depending on how it goes, he may need to help me get on some degree of disability assistance from the government, since I obviously shouldn't be trying to work full-time under these circumstances.

Never a glimmer of doubt in his eye. Never did he so much as mention the word "anxiety".

There's also my psychiatrist. He diagnosed me with ADHD last year (meeting me as a man from the start, though he knew I was trans). He never doubted my symptoms or medical history. He also took my pain and sleep issues seriously from the start and has been trying to help me find medications to help both those things while I go through the long process of seeing other specialists. I've had bad reactions to almost everything I've tried, because that's what always happens. Sometimes it seems like I'm allergic to the whole world.

And then, just a few days ago, the most shocking thing happened. I'd been wondering for a while if I might have a mast cell condition like MCAS, having read a lot of informative posts by @thebibliosphere which sounded a little too relatable. Another friend suggested it might explain some of my problems, so I decided to mention it to the psychiatrist, fully prepared to laugh it off. Yeah, a friend thinks I might have it, I'm not convinced though.

His response? That's an interesting theory. It would be difficult to test for especially in this country, but that's no reason not to try treatments and see if they are helpful. He adjusted his medication recommendations immediately based on this suggestion. He's researching an elimination diet to diagnose my food sensitivities.

I casually mentioned MCAS, something routinely dismissed by doctors with female patients, and he instantly took the possibility seriously.

That's it. I've reached peak male privilege. There is nothing else that could happen that could be more insane than that.

I literally keep having to hold myself back from apologizing or hedging or trying to frame my theories as someone else's idea lest I be dismissed as a hypochondriac. I told the doctor I'd like to make a big list of every health issue I have, diagnosed and undiagnosed, every theory I've been given or come up with myself, and every medication I've tried and my reactions to it - something I've never done because I knew for a fact no doctor would take me seriously if they saw such a list all at once. He said it was a good idea and could be very helpful.

Female-presenting people are of course not going to be surprised by any of this, but in my experience, male-presenting people often are. When you've never had a doctor scoff at you, laugh at you, literally say "I won't consider that possibility until you've been cleared by a psychologist" for the most mundane of health problems, it might be hard to imagine just how demoralizing it is. How scary it becomes going to the doctor. How you can internalize the idea that you're just imagining things, making a big deal out of nothing.

Now that I'm visibly a man, all of my doctors are suddenly very concerned about the fact that I've been simply living like this for nearly four decades with no help. And I know how many women will have to go their whole lives never getting that help simply because of sexism in the medical field.

If you know a doctor, show them this story. Even if they are female. Even if they consider themselves leftists and feminists and allies. Ask them to really, truly, deep down, consider whether they really treat their male and female patients the same. Suggest that the next time they hear a valid complaint from a male patient, imagine they were a woman and consider whether you'd take it seriously. The next time they hear a frivolous-sounding complaint from a female patient, imagine they were a man and consider whether it would sound more credible.

It's hard to unlearn these biases. But it simply has to be done. I've lived both sides of this issue. And every doctor insists they treat their male and female patients the same. But some of the doctors astonished that I didn't get better care in the past are the same doctors who dismissed me before.

I'm glad I'm getting the care I need, even if it is several decades late. And I'm angry that it took so long. And I'm furious that most female-presenting people will never have this chance.

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[bradshawed]

"Cuff him!"

summary — the one in which franco steals more than your grapes

warnings — fem!reader, use of y/n, pinterest images, stolen grapes, and flirty franco!

note — i have the biggest crush on this man, he's so pretty and for what?! so naturally, i couldn't resist writing my first f1 smau about him. please lmk what you think and if you'd like a new year's mini series or a part 2. happy holidays xo

drew's masterlist !

...

liked by francolapinto, alexandrasaintmleux and others

yourusername has anyone seen my grapes?

alexandrasaintmleux amour, who has stolen your grapes? ⤷ yourusername a thief i fear but who needs a man at midnight when i have you! ⤷ alexandrasaintmleux my thoughts exactly ⤷ charles_leclerc 🤨

user1 who cares about the grapes, is that a new tattoo??

user2 more importantly, what's franco doing in the likes ⤷ user3 fr he got here before me ⤷ alexandrasaintmleux and me 🤨 ⤷ charles_leclerc what are you up to francolapinto?? liked by francolapinto

user2 sending franco thoughts and prayers ⤷ aussiegrit he'll need it ⤷ user2 ahahah he's fucked

user4 why is everyone talking about franco on the queen's post?? like happy new year everyone but this is mark webber's daughter we're talking about and you're all talking about a man?? liked by aussiegrit, alexandrasaintmleux, charles_leclerc, oscarpiastri, nicolepiastri, lilymhe, lewishamilton, landonorris, desireinglander, fernandoalo_oficial, scuderiaferrari, mclaren, and more

user5 not the whole grid being here-

user6 attention seeking bitch user6 blocked by francolapinto, aussiegrit, fernandoalo_oficial, lewishamilton and more

user7 all i'm asking is for a chance with yourusername liked by francolapinto

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liked by charles_leclerc, oscarpiastri and others

francolapinto these yours? yourusername

aussiegrit how can i dislike a post?

user1 oh he bold bold ⤷ aussiegrit no, none of this. i don't like this

user2 an f1 driver that can cook you dinner, bag him yourusername! ⤷ charles_leclerc what's that supposed to mean? ⤷ landonorris yeah, what do you mean by that user2? ⤷ user2 well uh you see.. ⤷ francolapinto stop ganging up on my fans

user3 grape thief, cuff him!! ⤷ yourusername kinky

yourusername so you're the one who's been stealing my grapes? ⤷ francolapinto indeed mi princesa, you want them back? ⤷ yourusername do you come attached? ⤷ francolapinto i can make certain arrangements

user4 i would've folded ⤷ alexandrasainmleux she did