#I think we need a separate tag for that

[possessedopossum]

My thoughts about the supposed lack of Solas' agents in the veilguard [positive]

My greatest fear for DA4 was the possibility of main character having to murder countless elves fighting for a better future for their race. I was genuinely afraid that bioware would force us to genocide (again, sigh) the elves. People who would like to see Solas' armies, do you even realize how ugly it would get?

All elves, from the cities and from the forests, united under one banner of the promise of a better future. Former slaves, servants and hunter gatherers who are barely making it out alive all thanks to the human expansion and their hostility to the dalish. The oppressed finally taking a stand against their oppressors. And when our heroic main character would come and tell them to go fuck themselves.

What, you're tired of living on the margins of human society? Oh c'mon guys you don't have it that bad. Please go back to being a slave or I'll kill you. Remember, violence is bad. But only if it's against human oppressors. If I'm using violence to save the status quo it's actually okay 👍

Is this the plot what you want? Really? I guess it's okay if you want to roleplay an asshole. But being asshole has never been mandatory in the dragon age franchise. Because you know, you're supposed to make your own choice between the good, the bad or the morally grey. But if bioware had given Solas an army, there wouldn't be a choice between the good, the bad or the morally grey. It would have been simply morally ugly.

I am so glad this is not the plot we see in game. And I am also very grateful that this time, we're supposed to save the dalish regardless of our opinion of them. We can genocide three different clans in the other games, accidentally or on purpose. I think that is MORE than enough. If not being able to genocide racial minorities is something that makes the game completely unplayable to you...I don't know what to say.

[poorly-drawn-mdzs]

This one is for all my fellow "My gender is 'I have a job and I can't worry about that right now"'. I see you.

(part 1, part 2)

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

[barawrah]

even more modern au whump i think for a while after (vague gesture) they would fall asleep clinging to each other only after exhausting themselves from crying

full ^_^) sorry for putting them through the horrors all over again im observing them under a microscope a little bit just to see ^_^👍

[hellogoodbyeitsme]

Broke: Damian is bad at being a Robin because he's too violent

Woke: Damian is bad at being a Robin because he's afraid to hurt people

[regicidal-defenestration]

The language part (ie the Main Actual Game) of Chants of Sennaar is very fun don't get me wrong - figuring out when a radical means person, or signifies a verb, etc etc - but the number system is absolutely fascinating

[seriouslyseravellan]

it's so fuckin funny to me that one of the devs was like "oh the combat in veilguard will be ACTUALLY FUN" like... bitch i LIKED the combat in origins and 2! it was actually fun for me! the issue was that you fucking CHANGED it for inquisition, and now you're changing it again! it doesn't even feel like dragon age combat anymore! what is wrong with you

[hn-undercover-9503]

NEW PART SCAR'S SURPRISE IS HERE AND I LOVE THIS CHAPTER SO MUCH. First part of ghosts of my past is out now!!!

[hearts401]

You should tell me about your ocs

this is Tal he works for the government but he hates htem and wants to overthrow them... uhm. my favorite coup guy. he loves his mom he has a younger sister he's bisexual he's awesome and cool. he has a dad but idc abt his dad. i will one day. oh he has ice magic. i wasn't gonna tell anyone who had what magic but its not a spoiler for tal so it doesnt matter he's got iceeee. he gets hot easily. the scars on his neck are special and cool. his hair is natural.

[ocdhuacheng]

I love kabru like he’s established as this manipulative and shady person with ulterior motives who could be a major threat to laios’s party, but he also is one of the most empathetic and kind characters in the series and does his best to try and help everyone bc he is one of the people who understands the situation the best. and I think ppl are too focused on the first part they forget the second part. (Anime onlies are ok bc you guys haven’t gotten his character development yet ^^)

Also his party getting wiped out constantly in the beginning was funny as fuck

[camthecatchameleon]

Actually flabbergasted at the HLVRAI fandom right now. Everyone keeps talking about "the buildup with no payoff" bro what buildup.

I am not someone who follows creators closely, I just sorta sit back and if something new comes out I look at it- all we got about BBVRAI before it came out was a silent clip showing the reactor. (And apparently a twitter joke which I personally have not seen so I really can't talk about that.) There was no buildup about it being HL2VRAI. From what I can tell, and from what I know from my friend who watches RTVS, the only "buildup" for HL2VRAI came directly from the fans. Did y'all see something I didnt or what?

In any case. HLVRAI fandom, get your act together. Stop harassing the creators. It's okay to be upset and it's okay to have opinions, but it's not okay to be hateful because of it.

And if you aren't enjoying something, you should just leave, respectfully. Step away. I speak from experience when I say it works wonders.

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[bucephaly]

Basically. Gender and sexuality and race and a Lot of other things are social and cultural concepts that are not like Facts or intrinsic and honestly I wish more people would realize that these are things we made up and there are no actual rules and everyone's experiences are different

[cabeswaterdrowned]

Sorry (not) but I find anyone who acts like Blue is making something out of nothing when she’s mad Adam’s first question is about the kissing to be like. Deeply suspicious. Of course she is mad that’s the first thing he asked her! They’ve been walking on eggshells around each other and not really communicating since the last aborted kiss attempt which is on both of them to some degree, but when he comes around to her it’s only for this and when she has so many fears and insecurities about not properly belonging in the gang because she’s a girl (which is founded based on the fact aside from Noah they’ve all been misogynistic towards her at some point even if it was passive) and not being respected, when she’s also an outsider at home because of a different thing she can’t control. And you can not say that her feeling Adam is treating her like a thing to have and not a person he connects with is unfounded he again literally “I got Blue without you!” screamed at Gansey, consistently going to her after they fight (he did it end of TRB after repugnant too) to validate himself or just generally when he’s falling apart looking for validation from her like in the apartment scene. It’s not a bad thing to seek validation from your partner and in TRB before I’d say the last quarter I think Blue and Adam were genuinely connecting and developing a friendship while also exploring their feelings/attractions to each other, which did always have elements of seeking escape or validation for both of them in different ways, but it’s dissolved into that so much now. And I do think Blue is to some degree mad at Adam because he’s here and available to be mad at when she’s also mad at Gansey for it (I don’t think they’re *in the wrong * for not inviting her but they are in the wrong for not even considering she could want to go or at least want to be in the loop, also even though it’s Gansey’s party if Adam is trying to be her *boyfriend* it was kind of his place to ask her) so she’s conveying anger at Adam when the anger is for both of them, and also more general factors she’s frustrated by, but also Adam has the exact same response of channeling emotions that aren’t solely about Blue through their fights (and to his credit he is self aware that he does this) so again crucifying Blue for it is whack imo. Also to check myself on shipper-brain for the Adam-Gansey aspect of it, well obviously I read that here as a factor because I’m me, but for arguments sake on the premise Adam has No feelings about Gansey that are anything other than platonic Blue would still have a right to be mad about him prioritizing his platonic male friends over her and treating them with more respect, obviously, because misogyny exists (also these are not two contradictory readings in that I think they’re both factors. Signed an Adam Stan).

[dramaticallytrue]

having big "did anyone try the salad (the quicker fic)? i heard the salad (touching grass) is lovely?" feelings about the tag today

[waxflowerwoes]

obviously chandrilan fashion is influenced by traditional east asian garments (the first time i was watched andor i was thinking about how much it reminded me of korean hanbok but that bias is probably indicative of how i grew up near a koreatown) and i saw someone somewhere say that it's odd that the shirts are crossed right over left (the way to dress a dead person) instead of the traditional left over right

now this could be a cultural oversight on the part of the costume designers. it wouldn't be the first time hollywood (or even star wars) appropriated an aesthetic they didn't understand. but with the line "play it how you want. but i'm going to assume i'm already dead," also existing in this show, maybe it's not.