#I think their tragic backstories were MUCH worse honestly to the point it gives them life long trauma and endless nightmares

[meejijis]

People who age up Jeanne just to be the same age as Ren are cowards

[petrichorpetals]

So I finished reading Babel and I have thoughts tm

Spoilers under the cut:

So I'll begin this with I went into Babel expecting to love it! And I love the magic system, I love the world building that we do and it had me 100% sold in the beginning. But at about the halway point, cracks started to form. I love the idea of Hermes and I do love the heavy lifting that the book does to make this as period accurate as possible. I feel like the point that the book honestly lost me for the first time was when Robin covered for Victoire and Ramy when they were stealing for Hermes. I hate how Robin doesn't play off innocence at all and immediately folds once Hermes even gets so much as mentioned. I hate that he has to do his own mental gymnastics over justifying giving up one singular safe house that never has any ramifications. I hate how Victoire and Ramy immediately get mad at him for not telling them about Hermes even though they know how secretive Hermes is, and I additionally hate how long it even takes for them to have this conversation other than not now Letty's around.

And Letty. Oh how I could go on about Letty.

I feel like my biggest complaint for this book is probably the lack of character development. We hardly ever get Robin's thoughts and opinions on things and in the beginning, that's intentional. He doesn't want to think too hard about difficult things like the professor being his father or even small details on how he feels about his friends besides they simply are. The book tries to explain how they're actually really good true friends when it's glaringly obvious they're friends of opportunity. Ramy is well described and is honestly the character with the most personality in this book. Letty is constantly being excluded from talks either because she's white so she "won't understand" so they never bother to even try to explain, or because she doesn't know about Hermes. I'll save her rant for now but it's both unsurprising that the girl literally named Victory and a descendant of Haiti, the nation that successfully led and won a slave revolt and the option for self governance, was the one to continue on the narrative despite her having honestly less character growth than Robin. Robin as well didn't even feel like Robin at the end, he just felt like we shifted Griffin's character onto him without doing much to support it. I can understand becoming jaded with the world, but the boy that was so wracked with guilt over killing his father suddenly shifting to I'm okay with active murder and slaughter of innocents is too hard of a right. Especially when he was so terrified by griffin doing it!!! Robin left Hermes explicitly because all of these ideas of suffering were so far away that he can't see them to feel compassion towards these people's problems, yet at the end he martyrs himself for this same cause???? We did a full 180% shift without the groundwork or explanation. We started killing off characters without fleshing them out any beyond a name and occasionally a tragic backstory we'll drop 2 or 3 chapters before they die at BEST. Most characters exist as just strawman puppets that we can tug around for plot. We spent so long occupying the tower and I couldn't tell you anything about the end occupants of the tower other than two of them were maybe dating???

Far far too much time was spent trying to shoehorn in our political agenda to the point where all subterfuge and metaphor gets thrown out the window in favor for saying colonialism is bad. What's worse is that it's even a political agenda I agree with! It would have been better if we have characters actually living out the tragic circumstances that we're told they find themselves in other than them being vaguely talked about as things like "Yeah no this shop refused Ramy and I entry" and never expanded on other than that empty statement. I'm not saying that you have to write out a whole hate crime but you can act out some of the microagressions. I think the worst part is that the few microagressions we do get acted out never got any weight... like the scene where Robin gets invited to hang out with the rich nepo baby kids and they treat him as an exotic toy. Robin literally just tells them off, steals their booze, and absconds from the interaction facing no consequences other than a bruised ego. The boys don't retaliate in any way. (As a side note: I do really enjoy how Robin kept comparing his situation to certain Cantonese words towards the end and I desperately wish he was doing that the entire book.)

Another major complaint I have with this book is there's 0 nuance. It's all excruciatingly quite literally black and white. I think Abel is the only confirmed white person besides maybe the professors (who we never get race described to my knowledge) that doesn't turn out to be an asshole. Additionally, we've been led to believe that this system is hundreds of years old and we have no people of color in positions of power? None that are considered British citizens? We're told that the live translators are in high demand and Babel has associates everywhere around the globe, and yet Victoire claims that there's no one that looks like them in a position of power and that they'd never be considered British. As someone that adores that kind of history, I can tell you for a fact that it's untrue. They might not have been 100% treated with the same respect if they weren't light skinned enough to pass but there's been black men with positions of power within Britain. There's probably a lot more people just hiding their ancestry that can pass as white. They even bring up the fact that Robin can pass better than Ramy like!!! There's no one that really waffles back and forth between these worlds like Robin did in the beginning. It's either you live out your life normally and you're acknowledging all the harm done around you and you're okay with it or you fight a losing battle and suffer because of it.

And if that isn't the biggest complaint I have with the book. It honestly felt that by the end nothing fucking mattered at all!!!!! Robin even acknowledges that even by destroying the tower, it's just symbolic and they'll rebuild it later. There's no change to the system at all beyond death at a large scale. It gives such conflicting messages. The parliament was still going to vote to go to war against china, all of hermes basically got destroyed in Britain, and yet the girl named Victory escaped to go find the resistance elsewhere????? The book acts as if the tower going down was one final act of defiance but it went down because like Victoire said, Robin wanted to die. I also hated the way that we waved around Griffin's letter to Robin and once Robin refused to read it the first time it became blindly obvious he never will. Victoire doesn't even tell us what it says other than how she read it and Griffin tells Robin about assumingly their younger brothers also by their father.

But one of the biggest missed opportunities came from Robin's name. His real name was stolen from him by his father and he was forced to become Robin. Robin tries to reclaim back that part of himself by rejecting his father but he never tells the audience his true name. It's even hinted in the book that he remembers it still, and yet he dies with us only ever knowing him as Robin. Honestly it should have been a ceremony with Hermes of reclaiming back the heritage stolen from you by reclaiming your own name. It'd work for security too since when pressed for associates, they can't give up Robin if they only know him as Xiu Ling. It would have added so much depth to the characters if Victoire named herself that. There's so many missed opportunities that this book had that it ignored in favor of trying to advance the worldbuilding and push the story's morals.

Okay I've talked around her for long enough. It's time to talk about Letty. There's so much going on that it's hard to figure out where to start. I think parts of Letty were written well. I think the book accurately was foreshadowing the way that they were purposely leaving her out of the loop. The way she occasionally had to dress as a man to have any respect. You can see the way they isolated her on purpose and I agree that in her position I would have gone a little mad as well. But then we have her indoctrunated into Hermes and the way they weren't looking for her in conjunction with the professor's murder like they were the other three. That one honestly made no sense, (beyond the obvious trying to foreshadow her betrayal) but something that genuinely made me angry was the scene where they were actually being honest with Letty about how people are being racist towards them and Letty started crying for them. Robin says a line that was the equivalent of "It's funny how we told her about all the horrible stuff we deal with and we've become the ones to comfort her" and it immediately pissed me off. Yes I understand that this is meant to be synonymous with white guilt and white people making themselves the center of poc narratives, but it doesn't fully work here. It's not always shown, but they do make an active effort to hide how badly they're treated to Letty since she "doesn't understand" without making an effort to educate her. Of course she crying! She's being told that her best friends in the world are being treated like shit when she actively forgets how the world views them as nothing more than their skin color. Letty has never been shown to be actively racist, just borderline maliciously ignorant. And some of the things that they get mad at her for "not noticing" are things that happen behind closed doors that she couldn't have been aware of???? Like the professor wanting Victoire to wear slave chains thing. It's a fucked up thing that we as an audience cry along with Letty when we find out about it. By insisting that Letty shouldn't be crying for her friends, you insist that the audience shouldn't either. I really don't know what response they expected out of her. They literally describe Letty as basically having a "delicate sensability" and yet they expect her to basically go :/ damn that's fucked up anyways how about lunch? Did they want her to passionately write the schoolboard? You're telling her a pitiful story and berating her for being willfully ignorant, of course she's going to cry that she never noticed! Society had also trained her not to notice to begin with! That shit needs to be unlearned from the impassivity ingrained in us by society.

But Letty's betrayal. Other than her loose foreshadowing that we were talking about earlier, it honestly comes from nowhere. Letty later tried to justify herself that they were threatening violent and criminal acts but the only one actively doing that was Griffin. Everyone else at Hermes only tolerated his violent tendances and agreed to them only as a last resort option. They were literally about to leave to go spread out pamphlets for god's sake, not start an active blood war like she tries to say. Also what was her fucking plan there? They're planning on being potentially violent so I'm going to stop it with more aggressive violence? I really really don't buy the part of her being an admiral's daughter so she's a good shot. Her father was negligent towards her to the point where he barely taught her anything, there's absolutely no way that he taught his DAUGHTER how to shoot. They also tell us this fact as though we ever saw Letty shoot a gun before this scene. The reasoning that her friends were indoctrinated into almost committing violent criminal acts is a solid one, but I genuinely don't get the sudden shift of valuing being patriotic over her friends that she'd previously professed she'd die for. Telling the police because she's worried for them is one thing, but actively coming back to lead the charge and shoot one of them is another. And especially her shooting the boy that she liked???? I'm with Victoire and Robin in asking Why????????? It's so out of left field entirely. But I will say that Robin is assuming a LOT when he tries to say that she shot him because he didn't like her back. You could tell that wasn't the full truth, but we'll never fucking know because Babel is allergic to characters having moral nuance so she just says that she killed him and didn't mean to. Letty and Robin both experience such hard right shifts in personality by the end that they're unrecognizable.

I always do this thing when I read media where I describe what the reading experience is like and for Babel it was like being constantly on a slow moving train passing by set after set. Large swatches of the story felt like a montage rather than a story we could see taking place. It felt like a slideshow of events shoved together. I truly believe that if this book was several novels and we learned to go heavy on the character work and development as well as adding conflicting narratives within the story it would easily be a 5 star book. Give the characters a personality beyond their suffering and make them less of strawmen from their culture. Like for fucks sake, we showed a Chinese girl on exhibit whose feet were bound and just went isn't that fucked up lol anyways and just moved on. We were being told that the girl is just a spectacle to be gawked at, but that's exactly what the narrative treated her as too! These characters don't exist beyond their suffering they endure and have no personality beyond that. We have a political regime that is actively harming its citizens, no longer passively, and people just go about their day as usual uncaring about the destruction around them. The British can put up with passivity but the effects of the seige on Babel made it to where they could no longer passively not care. They went into this tower with no plan and honestly it would have gone better with the pamphleting!!!! It had the same effect!!!!!!!! The bad press and social outcry would have pressed them to doing something, but the narrative decides that the government just doesn't care. You can really tell that at the end the author didn't know what to do with the story so they decided this is the best course of action. It's also blatantly obvious that Griffin was originally meant to be the main character, the author got hit by writers block, tried to write out the story from another perspective and liked that one better. Griffin's sudden death to Sterling wouldn't have as much forced backstory otherwise.

[thecoolerliauditore]

hello this is liauditore welcome to my

TOP 10 WORST SCOTT SMAHOR SKINS

rated with no bias whatsoever I am objective all the time. SUPER serious take this 100% seriously I am sooo serious

10. Tiger Scott (Fantasy SMP)

this is not scott. 👎

9. Shirtless Scott (ESMP 2)

He does not deserve to have pixel nipples. Also this came right after limlife ended so what? Were you too self conscious to go swimming with the other boys? Get a grip.

Positive points to this for not giving him abs though I don't think I could take another one.

8. Secret Life Yellow Skin (Secret Life SMP)

Honestly a toss-up between this and the red skin but I think this is the worse offender. This poor beautiful green skin tainted by the world's ugliest shade of clashing yellow. Someone pissed in his hair. Someone pissed on his shoes.

7. Pirate Scott (Pirates SMP)

Shout out to Scott for seeing the perfect role for himself to play in this world (nepo baby in a setting, pirates, built around themes of classism) and not thinking about the implications of that whatsoever. God this shit was so ass.

Anyway this thing is barely Scott. It doesn't offend me as much as whatever they mutated Martyn into for the sake of this instagram filter esque Aesthetique they were going for but they plucked out his eyelashes and I don't like thinking about that. He looks so angry now and I would be too.

6. Chromia Scott (ESMP2)

I like how Scott's ESMP1 character was like eight pages of fantasy tropes, prince of a kingdom, evil brother, champion of a deity, tragic destiny and forbidden love or whatever and Scott's ESMP2 character was "he likes colours and he likes to play with llamas"

5. Witchcraft Backstory Scott (Witchcraft SMP)

I don't think this guy actually exists I think he's a lie WC Scott tells himself at night oh back when I was young and innocent and blah blah blah

This thing is soulless I think he kills small animals to feel something

Also this is in no ways meant as a serious art critique or anything critique list but I must mention for this skin specifically the shading on his hair and skin does not match the simple (and rlly beautiful imo) texturing on his clothes which ends up making it look like he has some sort of skin disease.

4. Sailor Jupiter Scott (MCC)

Magically becomes a three pixel wide arm instead of a four pixel wide. No one in the world cares except me but it bothers me. He starved himself for this cosplay and I don't agree with encouraging that behaviour.

Anyway Neptune is right there why the fuck are you Jupiter. Even Mercury I could understand or Uranus. Why the fuck are you Jupiter.

3. This New Life Skin that never showed up in his videos (New Life SMP)

Oh New Life what a sad sad end to an SMP. Your run was like the SMP equivalent of the life of one of those abused hamsters. Even sadder was Scott's last three or four episodes where he desperately clung onto the series like trying to put the hamster on life support only for the hospital to say "that's a fucking hamster we're not doing that"

The last few episodes of Scott's NLSMP episodes were just "wow! I am [insert origin here] now!" and he makes a decent looking build that never shows up on camera again themed to whatever he is and then assassin sausage shows up and goes "it's sausaging time" and sausages all over the place and repeat. I really wonder who he commissioned for these skins because it seemed like he got them made on pretty short notice -- and some of these skins are bangers too (cursed doll scott ily)

and then there's whatever the fuck this one is. Girl you look like a genshin impact. I included a back view of this one because genuinely what the fuck is he. What the fuck am I looking at. When he showed up in Owen's videos with this skin he was inchling sized too so it was even harder to tell if what you were looking at was Scott Smajor or a visual glitch.

The elements of this skin are well made, the colours work well and it's consistently textured there's just too much going on it hurts me. Do you really need a boob and a belly window. Do your fucking. Ankles need cutouts. Why are you pink.

2. Tea Party Scott (ESMP2)

I have nothing to say he's just really ugly.

Scott

I hate this thing so much. Look at his cute little cartoony stylized shading. His blue jeans. You look like an early 2000s disney channel reject. You look like the gay rival in a 2010s childrens anime made to sell toys. You look like you're cosplaying as your own 'sona. You look like you use buzzwords like lolita fashion and _____ kei with no knowledge of what those words actually mean. You look like a self insert OC. You look like you have blue hair and pronouns.

This skin actually represents so much of him so well. He's so put together, his outfit is harmonious, he obviously thought about how to style himself. Everything is purposeful, even the shoes. He has a coherent colour palette. This is someone who dresses to communicate a message about himself. Look at me aren't I so cute and approachable and handsome and unintimidating and a little quirky. Look at me I'm so fun and I know what I'm doing. teehee. tiktok,.

0. Liauditore Scott

worst animal on earth.

[mdhwrites]

Are there any characters in toh that you felt they should have never been created?

Or characters that you think would had better the plot, or move the plot forward if they had more focus?

Personally, I think Vee is just there and her existence didn't serve much, her screen time could've been used for smth else.

So the first part of this is… interesting to me. It's incredibly hard to ever say a character should never have been created unless A: them simply existence causes problems with the rest of the canon and the story itself or B: you know their inclusion was doomed from the start. This second one is really hard to be able to clarify though unless you have behind the scenes information and the like because unless they were made to be fridged or be offensive, etc. like that, there are few concepts that are bad from the get go.

With that said, The Collector easily should not have been in the show. There just wasn't time for him or the human realm and S3 has been very clearly struggling with those facts. Since he was also introduced in S2B, it's known that he was made after the shortening was very clear to the crew and they should have cut him and focused on Belos, especially since Belos is the big bad anyways.

The second question just gets responded to with: Raine. Raine and Darius. Honestly, just the coven head rebels in general should have probably gotten an entire episode actually dedicated to them that could have helped sell the threat, give them more personality as an organization rather than feeling like they exist to get around tropes or/and Raeda angst, etc. like that. Then again, quite frankly, with how little they've actually done with Raine outside of "ISN'T IT TRAGIC HOW EDA CAN'T BE WITH HER LONG LOST, TRUE LOVE!?", Raine as a character and their plotline probably could have been cut but it was something Dana wanted from the start of the show and S2A would have mostly not been affected by the shortening so they could have possibly had more of a role. Then again, they were also made to be Eda's long lost love so…

And finally Vee. Vee is… complicated. Honestly, it's hard to talk about Vee without talking about her episode, Yesterday's Lie. After all, maybe there were plans to do more properly with her (and she easily would have had the most interesting part of a season on Earth because of having to give up the identity that made her friends and have a place in the world back to Luz, if that was actually discussed of course) but as is… She's mostly just the one episode and looking cute. Worse yet, almost all the narrative goals are tied to Vee so their triumphs and successes are also tied to her.

Now let me get this out of the way: I like Vee. I think she's incredibly likable, cute, etc. like that. She (and the ClarVee ship) was probably the only reason I wrote anything immediately after Yesterday's Lie's ending left a bad taste in my mouth because it rubbed me the wrong way even on first watch. Her backstory is compelling, explains how she can be shy but also have a backbone when the chips are down and her limited interactions with her friends is incredibly charming, even before the MashVee ship existed.

And I'm not going to argue she shouldn't have existed. Character built for a single episode are fine. TOH actually has a paradox going on that while some characters desperately needed more exploration, like Amity, others very clearly should have been cut sooner rather than later. I mean, what could have been done had they just not spent two episodes of S2 on Gus when Gus isn't important to the narrative in any way and Hexide stopped being relevant to the show after S1? How much did we have to have Huntlow if it meant that Luz, who is one there for Hunter's biggest character moments, literally never speaks to him between Hunting Palisman and Hollow Mind?

But Vee was built for specific narrative purposes and does them well. Quite frankly… Too well. To the point where it creates problems. But that has to do with the narrative goals of Yesterday's Lie rather than Vee herself. The two just interlinked because when you make a character for a single episode, you know their narrative goals and how organically and well they function with those goals is part of evaluating the character.

And the narrative goals of Yesterday's Lie seems to be to have:

A: Given an answer to why no one was freaking out about a child going missing for MONTHS and it does this one quite well just by Vee being a shapeshifter.

B: Criticize Luz and whether or not she actually had any reason to leave which is the one Vee interacts with the most and is also the biggest problem to.

C: To build Camila's character, establish her unending well of understanding since she never judges Vee for even a second, nor Luz's story about the Isles, and then end on a mid-season cliffhanger I have SEVERE issues with but is outside the scope of this blog.

Vee's goals thus are to be able to fill Luz's shoes, which she does naturally, be able to scold Luz about her life and to be able to contrast hard enough against the norm as to make Camila's sympathy shine through. Her slug form and her ability to shapeshift honestly fit two of these three really well by themselves. It was a genuinely elegant and clever concept/implementation that was good for what they wanted.

But then there's Vee's actual character and actions that play into B. And B is… A lot.

Because this is the episode that caused me to turn on Luz in my heart.

It wasn't immediate but there's one line from Luz that really sums up the fact that you have to trust Luz in order to not entirely agree with Vee in this episode. That you have to go off of only Luz's words and not her actions for what her backstory was like. To be able to believe Gus and Willow were the first chances at having friends. That no one ever understood her. That school was always a nightmare for her.

And that line is "Oh no, highschoolers," because that is the second time Luz quite literally ever has that response to ANYONE. In the ENTIRE show. She didn't have any worries about meeting kids in Hexide. She never had worries about trying to hang out with Amity despite Amity clearly hating her. She didn't worry about Amity's siblings, the various villains she met, Eda, King, etc. In general, Luz shows NO signs of social anxiety or any sort of manifestation of trauma in regards to bullying, rejection, etc. like that.

Worse yet is who these people are. They are quickly characterized as atypical people with nerdy interests and chill personalities. They'd be in the anime club or the role playing club or the video game club at school. They are by all intents and purposes, people like Luz. Nerds. Outcasts. Etc. like that. People Luz could have easily befriended. I mean, Vee did and she knows nothing about human society.

Yes, the two also have drastically different personalities but also Masha likes giving tarot readings to her friends. I feel like Luz's passion would just mix and amplify Masha's own passion and the two would literally go hunt monsters together while Vee makes sure they don't do anything stupid. Luz could go on a rant about her philosophies on magic and the faux stoner dude would be enraptured by how wild and imaginative Luz could be.

And this all begs the question of WHY didn't Luz have friends?

Well… Her opening montage, the first real introduction to the character, kind of explains it but not kindle. After all, two of the three events we're shown, and VERY much so her presentations and projects, are about getting attention. About making sure she does something big enough that people consider her contribution the best, regardless of those around her. So she can't match a cheerleader physically? Call that nothing and show a weird trick you know. Wants to make sure people talk about her performance in the play? Opening night, do something that you didn't clear with your director and catches everyone off guard, even if it means going off script and possibly ruining the play.

Even worse is the clubs she IS joining there. After all, why isn't Luz a part of the anime club or something? Or a part of a book club back home? Well… Cheerleaders and actors are more popular. They get more attention. They're special. Nerds, outcasts, etc. I mean… Who wants to interact with those when it means people might look down on you?

And the final nail is that she does finally accept outcasts… So long as they have magic. And the closer she gets to Amity, the less she interacts with Willow or Gus, to the point where they spend close to zero time in Season 2. And why wouldn't Luz want to be with the popular witch instead of people who were only special by having magic in general?

Do I think this interpretation is intentional? No. Vee's friendships were merely to try and add a bit of gray into what was black and white. However, how Luz was introduced wasn't given enough thought to make such pointed questions work. Not when you're forcing the audience to ask these questions with Vee shouting "YOU HAD IT GOOD!"

So how good did Luz have it? Well, there were fellow outcasts in her own town, which appears to be pretty small, so she could have had friends and her mom is a literal saint. S3 would only reinforce this. And she still abandoned it all for three months so she could become a witch.

So… Sorry, but the statement of "If everyone you meet is an asshole, the asshole might be you," does fit sometimes. And it fits for Luz here.

And it's also the worst part of Vee because if Vee didn't exist… I might not have considered these problems. Not so quickly. But Vee being able to contrast Luz, to be successful in the human realm simply because she's willing to actually accept those around her and bend a little, not entirely, to what will make them like her, was one of her narrative goals. One of the reasons she is as she is.

And another time where TOH thinks it's being clever when it's really just shooting itself in the foot because it has never been smart enough to ask the questions it proposes. And it sucks that that's tied to a character who is so wonderfully likable otherwise.

[originalavenuefox]

What "Wish" forgot about Disney

So, "Wish" definitely is a divisive movie. And I am not here to tell anyone how they should feel about this film, or what they should think about it. But honestly, I think the reason as to why it didn't connect emotionally to so many people is because it misses something many Disney classics had: tragic and sad backstories that push the story forward.

I mean, let's focus alone on the Disney Princess movies. Snow White and Cinderella were under the heel of cruel step-parents with no supportive/kind adults on sight. Aurora grew up isolated in a forest with only her three caretakers and woodland critters to keep her company, all because she was cursed to have a Fate Worse Than Death before even hitting proper adulthood. Tiana lost her beloved father and spent at least half her life constantly working to achieve their dream, partly to honor his memory. Elsa grew up constantly trying to repress her emotions out of fear of her emotion-linked and potentially deadly powers, while Anna grew up thinking she made her sister hate her and constantly wishing for a true source of company. And don't get me started on Dumbo (was separeted from his mother as a baby and was constantly mocked for his ears), or Simba (watched his father die in a brutal manner, had his own uncle say it was his fault, and ran away from home because of it all).

A very frequent trend on Disney movies is having their characters go through awful situations as part of their backstories. And even if some of them don't seem traumatized by it, we as the audience connect with them and root for them because we know they deserve better lives. They wish for better lives. In "Wish", we are told it's wrong that the people of Rosas have their greatest wishes stolen from them and then forgotten (which is true), but, as many reviews already pointed out, because we don't see any of these people actually suffering in some manner (with the exception of Simon and Asha's grandfather after the ceremony), we don't feel for their situation as much as we could have. They live secure lives with all their physical and emotional needs attended, except for their greatest wishes, but because we almost don't see anyone hurting for that, it might give the impression their wishes were just not that important to them. That's why so many people believe Magnifico's initial way of ruling Rosas was fair and rational.

On a similar note, we don't have a lot of reasons to truly connect to Asha, our main protagonist, because her goal of returning the wishes is explained solely as "she cares too much". She lost her father as an eleven-years old after an extended period of sickness. This could be her personal reason for wanting to help Rosas: it's not only that she associates wishing with the memory of her dad, she and her family shared the wish of him recovering, but it didn't come true, and she associates that trauma with Magnifico refusing to realizate the wishes of most of the realm. But her dad is only mentioned a few times, and we don't even have any extended monologues/scenes to establish the tragedy of his passing (again, like many Disney movies had).

So, to sum up, the main theme of "Wish" is something both subjective and personal, so it needed more emotional focus on its characters in order to better convey the message of the importance of dreams and of believing. But it ends up relying more on saying those things, and it not only weakens the film for many: it fails to make the audiences feel for the characters, like Disney is known for.

[inquisitorius-sin-bin]

Okay so I could go on forever about the two stories but I shall keep it as concise as possible

I loved both of them, honestly some of the best Quizzy content I’ve ever seen out there. I think “Studied and Praised” would probably be my favourite if I had to pick, I loved the way the tragedy unfolded in “Whiskey and Teeth” (not that this one wasn’t tragic too) but the sheer detail you put into character backstories is stellar, and I think the length of “Studied and Praised” helped draw that out a bit more. Loved the Sith legends, too, I’m always down for lore like that. They were both so wonderful oh my god

Aaaand I have to know, how many siblings does HRH have? And (if you’ve thought of it) what happened on the journey to Exegol? Because I bet that was NOT a fun conversation oof

Eeeeeee thankyousomuch!!! I am glad you enjoy them both! I did a lot of research for Studied and Praised, almost every bit of Sith lore I included was canon. The only bits I embellished were like, giving dates for the design inspiration of Fortress Inquisitorius, and some of the details in the paragraph where HRH is inferring where Exegol should be. All their jokes and everything were based on real tidbits I found about sacred Jedi and Sith text, which I thought Inky would get a real kick out of.

My only real regrets were, because of the length, there were some things I kind of had to cut or shorten. Originally HRH and Inky were supposed to have a longer conversation about HRH's family, but it felt a little out of place. HRH has four siblings that they know of, an older brother and three sisters, HRH is somewhere in the middle of them. The nibling is not Rey, as that timeline doesn't work out quite right, it's too early. But I'm sure if the Emperor had one secret grandkid, they could have had many.

Also, I really wanted to continue to show the full interactions with HRH's guards afterwards, but it didn't feel quite right, and so I didn't feel like I got to wrap that up very cleanly. But Renson, based on his age and HRH's age, would have joined Sheev's guard when he was still a Senator. Sure, he's loyal to the Emperor, but I think this shapes the story a lot. I don't think he signed up for everything that came after. I think he's pleased he's assigned to the one child that isn't force sensitive and gets ignored more. He gets to shape them, and have more of an impact on their life.

The sadness and pity when he looks upon HRH after they reveal what they were planning, I think he's upset that they cannot deny that part of them that is a Palpatine, that is so ruthlessly ambitious it consumes them. He's like, why can't you just play it safe, be an archaeologist, not a murderer/politician/warlord? Why isn't this good enough for you? And he is very explicitly worried about the correct problem, which is: HRH doesn't have the Force, therefore isn't a threat. If they are known to interact with the Inquisitor, or WORSE, form a personal relationship that could undermine the master/acolyte relationship between the Emperor and the Inquisitor, they are gaining access to the force AND becoming a huge threat.

For Vanyiel, the relationship is much newer, but I think she is starting to warm up to HRH for giving her her identity back. But she also has seen the Inquisitorius and the dark deeds that they do up close. Of course HRH is familiar with the Sith and what the Inquisitors and Emperor get up to, but they were raised in that, I don't think it bothers them. They also haven't necessarily seen it first-hand, only discussed it, been familiarized with it casually. Vanyiel has not seen that side of the Emperor, because he doesn't show it much, but she has a reason to fear the Inquisitors.

So all this being said, the aftermath would really damage HRH's relationships with both of her closests "friends"/advisors. However, they also legitimately care about what their guards think of them. I think up until this point, HRH has been a really calculated, rational person, so to see them slip up this badly and come completely unhinged would be a total shock. Even to HRH. I do think Vanyiel would stick with them, and not tell the Emperor what they had done. But HRH would have to work hard to rebuild her trust. Renson probably gives them a really stern lecture, but I think HRH would be a little broken too. Once separated from the moment, I think they would totally fold from their mistake. They really, really botched their future plans. Maybe they would finally realize that they will NEVER get approval from their father, and instead should seek to better their relationship with the real guiding figures in their life that actually care about them, Renson and Vanyiel.

Personally, I like to think about a afab HRH having a little bit different fate ultimately, should this encounter leave them a little more "burdened" than they came in. That they might, after delivering Exegol to the Emperor, beg to be given exile as a reward. So that they might live out a quiet life as an archeologist, assigning Vanyiel to be their child's Head Guardian, and just learn to live in peace with what they have, under Renson's guidance. So ultimately, a happy ending for them, I think. Just a rocky middle. But I don't necessarily think that fate is set in stone, just one I like to think about for them.

[immaturityofthomasastruc]

IOTA Reviews: Sole Crusher

Well... It's finally here... the episode introducing the new bee hero. And what do you know? It looks like I was right about how the new character would be portrayed.

It's kind of funny how I made predictions exaggerating what could happen, and they were surprisingly accurate. Isn't that funny?

Let's just get into the seventh (chronologically the seventh and the seventh episode in the season to air after “Mr. Pigeon 72”) episode of Miraculous Ladybug's fourth season: Sole Crusher. Damn, I hate that a pun this clever was used for the title.

We get to the point pretty quickly with the first scene being Zoe arriving in Paris and getting a tour of the city. She asks to stop at the Dupain-Cheng bakery, where she meets Marinette through some brief Unfunny Marinette Slapstick. The two quickly strike up a conversation.

I mean, it's not like Zoe is the sister of the absolute worst human being in existence, right?

Marinette compliments Zoe's shoes, and she points out that she designed them herself, and wrote every good thing anyone has ever said to her on them. But because she only has one friend, there's only a standard “I <3 U” on the left shoe.

So Zoe leaves the bakery and heads to Le Grand Paris where she meets her mother, Audrey. Unlike how she talked with Marinette, Zoe pretends to be just as snobby as Audrey in order to fit in. She then meets up with Chloe, who criticizes her for having poor person things like a phone without any diamonds embedded in it. And then she sees Zoe's shoes.

Look, that meme was already dated when it was referenced in Black Panther three years ago. Please don't try to reference memes in 2021, Miraculous Ladybug.

Chloe offers some golden heels while saying that those kind of shoes are for winners to wear and crush the losers underneath. This is the only episode to mention this kind of ideology, and believe me, it gets worse when Chloe decides to teach Zoe how to be like her.

Get used to this. This episode is all about demolishing any semblance of likability in Chloe's character. Now that Astruc doesn't have to bother with writing Chloe with decency since she's not Queen Bee, watch as he turns her into an absolute caricature of her former self.

Yes, Chloe has ordered her father to give her a lot of frivolous things in the past, but she has been shown to care about him, like immediately rushing to hug him after she was safe in “Origins” and showing concern for when he was akumatized into Malediktator while apologizing for causing it. For the love of God, one of the first things she did when she allied with Hawkmoth at the end of Season 3 was to have him unto her parents' akumatization. I guess she only cared about her rich parents for their status and not because she actually loved them right?

Next up on the list of Chloe's positive qualities to ruin is her friendship with Sabrina.

🎶It's seven o'clock in the morning🎶 🎶I can't believe they made this scene🎶 🎶With the writing Astruc's enforcing🎶 🎶It's like he's trying to piss off me🎶

Yep, Chloe doesn't view Sabrina in a twisted view of friendship anymore. Now she's a slave. I'm not exaggerating by the way, he actually said that in a tweet.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES

Okay, so I guess all those times we saw Chloe playing superheroes with Sabrina in “Antibug” and “Miraculer” were just a slave driver playing with their property. Actually apologizing to Sabrina for getting her akumatized in those episodes? Protecting her from the Scarlet Akumas in “Ladybug”? She was just interested in keeping her slave around. I think Astruc may have slept through the slavery unit in his history class. Yes, Sabrina was mostly used as a joke to show how controlling Chloe could be, but there were still semblances of an actual friendship between the two.

Chloe arrives at school and introduces Zoe as her half-sister, despite being the same age and having the same mother. Because I guess we can add basic biology to the list of things the writers don't understand. Now that we're at school, Chloe's friendship with Adrien is next up on the chopping block.

Yep, despite being Adrien's only friend and making a big deal about valuing his friendship to the point where she threw a big party just to make sure he wouldn't leave her and risked cooperating with an Akuma to save him, now Chloe just sees Adrien as a rich meal ticket. Two of the earliest episodes to show Chloe had a more compassionate side to her, and they just undid them. Even as much as I hated the episode, “Felix” showed Chloe was willing to cooperate with Marinette and her friends just to find a way to cheer Adrien up on the anniversary of his mother's not-death.

For the love of God, Astruc, 1984 was supposed to warn people about what could happen if they rewrote the past, not encourage people to rewrite the past. He probably finished Animal Farm thinking Snowball really did work alongside the humans, didn't he?

Marinette comes up and Zoe pretends to hate her, leading Marinette to wonder why she did that. She texts Zoe (she gave her number to her earlier) and invites her to a concert on the Liberty, but Chloe finds out. Zoe thinks fast and pretends it's just so she can torment her more. Chloe then takes out a book listing all the ways she can torture Marinette. I wonder if this is a metaphor for the writing process behind most of the episodes last season.

Zoe decides to go outside for some fresh air, and Andre comforts her. Funny how Andre bends over backwards to give Chloe whatever she wants, yet he's willing to actually talk to Zoe like an actual parent. Andre tries to cheer Zoe up, but she talks about her past where she had to put on an act so she would be liked, but (bet you've never heard this before) she just wants to be accepted for who she truly is. The surge of emotions is enough for Shadowmoth to akumatize her into Sole Crusher.

In addition to having one of the most clever puns for an Akuma name, I actually like Sole Crusher's design. Not only is it a good excuse to reuse Chloe's character design, it makes sense thematically, as Chloe was trying to mold Zoe into a copy of herself. The gold and diamonds also make sense given Chloe's love for shiny things. Her powers tie into the bizarre belief Chloe has about stepping on the winners. Whenever Sole Crusher kicks or steps on someone, she absorbs them and gets progressively bigger, making it easier to do so. While it's not cracking my top ten anytime soon, it's still an interesting character design.

Sole Crusher heads to the hotel to get Chloe, and she manages to get away pretty quickly. Maybe in an alternate universe, she's a track star? For some reason, she runs to the Dupain-Cheng bakery and then... Oh my God... pushes Marinette's parents so they get absorbed by Sole Crusher, before trying to do the same with Marinette.

When has Chloe ever done something like that? Whenever she endangered someone during an Akuma attack, it was unintentional or a result of her naivety. She was only trapped in Pixelator's dimension because Adrien tried diving to save her, she only alerted Rogercop to Ladybug's presence because she eagerly called out for her, and during “Zombizou” she only tried to throw Sabrina towards the horde of kissing zombies once, and that was meant to highlight her growth. The only person to actually do stuff like this consistently is Lila, but I guess she got vaporized by Big Brother offscreen.

This episode is determined to make the audience hate Chloe by retconning everything about her character while portraying her as a complete monster. As bad as Chloe could get, she was never selfish enough to use anyone as a human shield. This kind of behavior honestly could be explained by saying Chloe was lashing out as a result of losing the Bee Miraculous permanently, but the events of the Season 3 finale aren't mentioned ONCE, not even in the next episode that introduces Queen Bee's replacement! How the hell can you set up the next Bee hero without explaining why the original needs to be replaced in the first place?! And trust me, I'm going to talk about Zoe replacing Chloe later.

Sole Crusher grabs Marinette in her hand, so the Horse Kwami, Kaalki, uses her power to teleport over to Adrien's house and inform him Ladybug needs help, meaning once again Adrien did nothing in this episode before becoming Cat Noir.

At the Liberty, Chloe offers more victims to Sole Crusher in the form of the band Kitty Section (consisting of Luka, Juleka, Rose, Ivan, and Mylene) and theatens the giant golden supervillain she can send her back to Paris, even though she's really not in a position to bargain right now. And she STILL continues to insult her. Do you hate Chloe yet? Come on, do you? The writers won't stop until you do.

After we see Sole Crusher's conflicted emotions, Marinette is set free by Cat Noir and transforms into Ladybug, immediately summoning her Lucky Charm, a shoehorn. They only learn Zoe's sneakers were where she were akumatized thanks to Chloe's ranting, so the episode unintentionally made Chloe save the day. Ladybug breaks into Le Grand Paris and breaks the sneakers where Zoe hid them, using the shoehorn to open a door. So Sole Crusher is de-evilized, Ladybug fixes the damage, and gives yet another charm to Zoe.

Afterwards, Zoe goes to the Liberty, apologizes for the act she put on, all while divulging to the audience her “tragic backstory”.

Of course, everyone welcomes her with open arms.

And right here is where the biggest problem I have with Zoe as a character. I normally hesitate to use this term given how often it gets thrown around when criticizing characters these days, but I really can't say anything else.

Zoe... is a Mary Sue.

For those who don't know, the term Mary Sue originated in a Star Trek fanfiction from 1973 satirizing several self-insert stories at the time. Most of these stories showed a beautiful young woman joining the crew of the Enterprise and immediately gaining the attention of the crew. Mary Sue parodied this character archetype by showing how much she was appreciated by Captain Kirk and Mr. Spock, the latter being driven to tears at her funeral despite his species being emotionless normally.

What does this have to do with Zoe? She has the exact same storyline as Mary Sue in the parody fanfiction. Her mere presence is enough to make Chloe act extremely out of character in an attempt to make her look better, and as soon as she apologizes while giving a frankly vague backstory, everyone just accepts her as their friend, and I mean everyone in the entire class. I'm sorry, but it just doesn't feel earned. Why was she bullied at her old school? What did her bullies have against her? What caused her to stop going along with her peers, and why did everyone turn against her? How the hell did the bullies who put cockroaches in another student's locker get no punishment while the victim was forced to transfer schools? It's an intentionally unclear backstory designed to make the audience feel sympathetic towards Zoe without actually doing anything else.

I want to ask anyone reading this who watched the episode a question: Outside of her backstory, what do we actually know about Zoe?

What is her personality like? She's nice? Socially awkward? We've never had a character like that in Miraculous Ladybug before! Sorry Marinette, Adrien, Juleka, Nathaniel, Mylene, and Marc, there's a new character with more personality than all of you combined!

What are her goals? She wants to be an actress? Great, but why? Even though there's no clear answer for why Marinette loves fashion, or why Alya loves journalism, or why Nino loves DJing, you can still see the passion in their lives when they do something related to their goals. Zoe only says she wants to be an actress, connecting it to her people pleaser backstory (and given how it ended, she must be a terrible actress), and in the next episode, she immediately gets the lead role in a student film.

When Mylene got the starring role in the movie in “Horrificator”, we at least got snippets of her acting skills in the same episode that established her desire to be an actress, which is also implied to be because she was inspired by her father in “The Mime”. She didn't just say she wanted to be an actress and got the leading role. She still had problems to overcome like her cowardice, which threw her own self-confidence into doubt. Here, Zoe just says she wants to be an actress, and is rewarded for no reason the very next episode.

Zoe basically exists only to be a foil to Chloe, and the writers had no idea what to do in terms of a personality, so they just dumped a bunch of extremely likable character traits onto her without thinking of how her character could come off. And like I said, she's a Mary Sue.

I'm not the only one who thinks this. I've seen a handful of posts on this very site calling Zoe a Mary Sue. In fact, I even asked another Tumblr user @anxresi​ to quote their take on Zoe being a Mary Sue, which I couldn't even top in terms of accuracy. They basically listed off five things that made Zoe a Mary Sue.

She has to have a ‘tragic backstory’ so all the other characters will fall in love with her. Usually within minutes, in the very first episode they’re introduced.

She has to have a supercute design so that the audience at home will fall in love with her. And if they don’t, they’re automatically dismissed as ‘haterz’ even if their objections are purely from a writing POV.

Her only flaw will be thinking too little of herself. “What, lil ol’ me as the Bee Miraculous holder? With my shyness, colorful shoes, chic beret and personalized pink strip in my hair? Gosh, who’d have thought it?”

The contrast to her half-sister will be a constant plot point, with Chloe always getting dumped on. “You see, kids? Bad things happen to bad people. But you see this super-sweet girl over here? She gets a free DAD. Instant FRIENDS. To star in her own MOVIE. The chance to be a SUPERHERO, even though she only arrived last week. Who cares if she has no depth, no personality and barely any reason for being in the show, apart from being a massive ‘Up Yours’ to all the Chloe fans out there?”

What about character development, Mr Generic Zag Guy? “Development? What’s that?! Zoe is already perfect as she is. The only ‘development’ she’ll receive is having her hair done in the first episode she’s introduced. Besides, That‘d’ word is banned here at Zag studios. Why do you think we abandoned Chloe’s stillborn arc so quickly? This is a KIDS show, why bother trying to create a complex character with more than one dimension?”

This is essentially who Zoe is. She's perfect, has no character flaws, has a cute design so the audience will love her already, and was designed only to replace Chloe as Queen Bee. That's all she is.

So the episode ends with Zoe feeling happy at all the new friends she made while we get one of the most blatant attempts of symbolism in the ending card I've ever seen.

See, look. While Marinette is happily talking with Zoe with the image of Ladybug next to them, Chloe is to the far left with an EVIL purple aura, showing how bad she is compared to how great Zoe is. Only a braindead moron would actually like Chloe over the super awesome and pretty Zoe!

I'll give my final thoughts on the episode in the next part where I analyze this plotline as a whole.

LINK TO “QUEEN BANANA” REVIEW

[stop-breaking-my-heart-telltale]

Can we take a moment to talk about what a tragic character Minerva is? Y’all know that for the longest time I haven’t been the biggest fan of her, and honestly I’m still not? but I think I might’ve had a breakthrough on why that is. 

Whenever I’ve asked around to see why people find her so appealing or why they consider her their favorite, I’ll get answers like, “she’s such a complex character and she deserved a redemption arc!” or “she should’ve come back to the school with us! Let Minnie be happy, you cowards! Telltale did her dirty! I could write paragraph after paragraph about her!” all sorts of things along those lines… but like, no one seems to want to actually talk about her. I find that interesting? Since when I do follow up with a “care to explain further?” I get nothing. Radio static. Like…. no, talk to me please, I just wanna understand-

Minerva within the context of TFS is such a tragedy. She grew up in a school for troubled youth where all the adults left them for death at the start of the breakout, they had walkers trying to eat the living all around them, and I’m sure she saw her fair share of traumatic violence and despair… but on the bright side, she always had her twin sister, Sophie, and little brother, Tenn. She had her friend and eventual girlfriend, Violet. She had music, and a dorm full of pretty paintings done by Sophie. She and Louis composed a song together to make everyone feel better. There are worse places to live than the school. 

Then one day she got traded away to a bunch of raiders against her will, having no idea what the hell these people were gonna do to her and Sophie. They were made to be soldiers to fight in a war that had nothing to do with them. The delta fucking broke her. If we’re to believe Lilly’s story about the twins, they started their brainwashing process early on when Sophie was still alive, and it seems like Minerva was easier to control as Sophie was still planning a way out and causing trouble. Then, when Sophie convinced her to steal a boat and get the hell out, they got caught and the delta forced her to murder her own twin sister. 

Like…. I’m sorry, not only did Minerva kill her own sister, but she was made to believe that was the right thing to do? That line she says about how she had to prove her loyalty to the place she calls home? That shit’s ingrained in her brain, you can tell that isn’t the first time she’s heard or said that very thing. That is what made her family to the delta. Delta is her home now, her family. Sophie was just a thing that needed to be dealt with. You keep your head down, do as you’re told, and you survive.  You survive and you get to go home, eat a hot meal, take a shower, and be with your delta family.  If not, you end up like Sophie.

What’s also fucked is that Minerva actually cares about these people now. Think about that. After everything they did to her and made her do, she’s been trained to see them as her family and obey. When you save Louis and he kills Dorian, Minerva actually cries out and is visibly hurt by her death. When she’s with the other raiders on land, she's screaming at walkers to get away from them. She cares about the people who made her kill Sophie… and no one ever talks about that??

She fucking hates Clementine. Clementine is just another thing in Minnie’s way. I know the part of the fandom likes to ship these two together and they think it’s hot when they fight and shit, but within the canon text, Minerva wants Clementine gone. Dead. She is the thing stopping her from having her old family merge with her new family. If Clementine hadn’t made them fight, they all would’ve been captured and they’d all be a delta family now. She would’ve had Tenn back. 

Clementine is the problem, she made everyone fight back and that’s why people are dead. Minerva hates her for it… it’s not a “I hate you but like the sexual tension, y’know?” that I see people pretend it is, it’s “you are ruining everything and if I have to, I will kill you myself and I won’t give a second thought about it when they toss your body overboard.”

Like….. seriously, think about how fucked up all of this is. Minerva is a husk of who she was before she was taken away. Sure, you do have to keep in mind that when Tenn and Violet are describing her, their sights are a bit clouded, y’know? But I do believe that she was someone who was kind and cared about people, she wanted to make people feel safe and comforted. 

Now she’s a brainwashed soldier who won’t help the people she used to call friends when they’re about to get limbs cut off. She won’t hesitate to knock someone unconscious or threaten a child.  She’s willing to trick them into being captured with no regard for what’s going to happen to them. … all she knows is this was the mission, and now they all get to be together again back at the delta. 

Then when she finds out there’s a bomb on the boat, she ditches Violet to blow up with it in order to make it to land herself. She loses her shit seeing everyone die and gets her face chewed off by a walker… and then she tries to blow Clementine and AJ up with a grenade. 

Oh, and who can forget the fact that she tracks the group down with plans of murdering Tenn so that they can go to a better place together? And she’ll take down anyone who gets in her way?

Like….. jesus christ, Minerva’s waaaaay too far gone. It’s awful. 

I think that’s what stumps me about why she’s so loved in the way that she is. It’s not that I don’t understand why she’s complex and well-written, I get that perfectly fine. She’s a compelling character study when you comb over all her scenes and take different factors into account.

What I don’t understand is why we tend to just throw everything interesting about her away? For what? 

These days, I never see anyone talking about any of this unless they’re insisting she deserved a redemption arc which…. Eh, I’ll touch on this later. What I mostly see here and mostly other platforms is how great it would be if she and Clementine made out, or hey what if she and Violet got back together if she did come back to the school? Or they just….the best term I have for this is “uwu-ify.” As in she’s reduced to a caricature of a tall, pretty, mean, white lesbian who has “good damage.” 

People insist that Telltale are cowards or bastards because their predictions of her turning on the delta to save Clem and crew didn’t happen. Instead, Minerva ends up being the final baddie you gotta get away from, and she ends up taking someone down with her. But did you really expect to just do a 180 and suddenly decide being brainwashed for over a year was lame and Clementine and friends are cool? Gonna help them out and be with Tenn again? Sure, there’s some left over trauma but love conquers and fixes everything, right?

Uh…. no? That’s not how people work? Honestly, if we entertain the idea that Minerva wasn’t bit and somehow didn’t murder Clementine when they all got back to the school…. romance is the last thing she is ever gonna think of??

I think that’s what bothers me most when reading these au’s and rants about redemption and the entire idea of clemerva as a whole. It’s the same thing that I see happen with Violet- Minerva only has value to fans if she’s in a wlw relationship. By herself, she doesn’t matter. They don’t care about her canon story, they don’t care about Sophie, they don’t care about discussing what could’ve happened if she and Tenn reunited under better circumstances or had a healing recovery together. But why?

Throwing a girlfriend at her isn’t some band aid that’s gonna cover up all the bad she went through?? Having an enemies to lovers romance with Clementine isn’t going to fix a years worth of brainwashing, trauma or the fact that she murdered her own sister and the delta told her she's proved her worth to them?? 

Having the support of those around her is a good thing, don’t get me wrong. The idea of the Ericson crew as a whole trying to help her out and do the best they can to accommodate her is bittersweet since there’s only so much they can do. They’re not trained therapists, which is what Minerva would need and plenty of years ahead of her to work through and come to terms with everything that happened as well as taking steps forward. I’m not saying that she shouldn’t have friends or that she couldn��t have a healthy romantic relationship someday... but that isn’t the solution, y’know? 

I don’t know how else to explain this, but it makes me feel weird that all of this stuff is flat out overlooked or doesn’t appear to matter to fans of her. 

Look, I get it. We all want these characters to be happy. AU’s are a thing, after all. Sometimes we want to forget about the bad things and focus on the good that bring us comfort. You wanna gush about the idea of an AU where the twins never got traded, the raiders didn’t exist, and Clementine got to meet them the way they were before? I feel that, AU’s are super comforting and fun to explore, and my point isn’t to try and shame anyone who has an AU you like this. 

Hell, you think I don’t have days where I pretend mute Louis isn’t a thing because the whole concept of Louis having his tongue cut out of his mouth breaks my fucking heart? No, lot’s of days I just want to forget everything about that route, I want to set aside all the bad and just intake as much clouis fluff as I can get…. But that doesn’t mean I always ignore or refuse to acknowledge the bad just because I don’t like it. I fucking hate the fact that Louis loses his tongue when you don’t save him, but guess what? That’s a canon route you can play, just like any other route, and the possibilities that come with a mute Louis are vast and compelling. 

This is how it is for me… my favorite characters are my favorite for a reason, and I take all the bad with the good. Louis isn’t perfect, and I don’t want him to be. I was to dive into his backstory about why did that to his parents, I like to talk about what he went through with Marlon’s murder and his feelings about AJ and Clementine at the point, I like to view his love of music as bittersweet. He can stand on his own, and while he is a love interest for Clementine, that isn’t his only purpose. 

I know everyone’s different, they express their love for characters in their own ways, but I do have a genuine question: do you guys actually like Minerva?

Believe it or not, I’m not trying to step on toes or make everyone feel defensive which I know is how people will react to this. “You’re just saying all of this to make us feel bad for shipping clemerva! You don’t even like Minnie so you don’t get to say shit!” yeah yeah, I hear you and look, it’s true that she’s not my favorite character. I know I’ve said I hate her in the past but upon reflection and throwing out fandom interpretations.... I don’t hate her. I get it now. She’s a great character study to dissect and analyze and I think she deserves more than what the writers and the fandom have given her. 

And yeah, what I do hate is clemerva, and I’ve explained why. It’s not for me, it makes me uncomfortable, but at the end of the day, who cares? Me not liking it doesn’t mean anything to those who create AU’s for them. They have their reasons, they can do as they please as long as they’re not hurting anyone. I’m just here pointing out things I see and things that bother me in hopes of starting a discussion.

There’s my ramble about Minerva. I’m gonna go make some tea now. 

[blkgojo]

Two Superheroes, One Bed | Carol Danvers x Reader

In which, you and Carol hate each other, but have to share a bed. 

Request: Anonymous

Despite popular misconception being a former terrorist does not make people like you. If anything, it makes them hate you. Despise you. Question you incessently with things such as, "Why did you do this? What is wrong with you? How could you have justified those acts?" And to be honest, your answer was less than satisfying. There was no tragic backstory. No great villain speech. Just you and your hatred for the government.

Living in the Avenger facility did little to change that.

See, the thing about Carol Danvers was that she wasn't an "Earth" hero. Logically speaking, there should've been no reason you disliked eachother as much as you did. You didn't work for the Kree. You had no squabble with saving refugees from colonial rule. On paper, you two were two peas in a pod. Both looking after people who didn't have others to help them, but you hated her the moment you laid eyes on her. Carol Danvers with the huge ass ego. Carol Danvers who somehow was fighting an intergalactic empire, but saw no problem with the way the US military conducted business. She hated you because honestly, who likes a murderer. Redemption arc be damned. You know how it goes.

"I just feel like I've done nothing to deserve this."

"You've killed hundreds of people."

"In total, the Avengers have killed like 2000 so, I don't really see how that's relevant."

Natasha sighs. Steve steps forward and when you cut your eyes at him, he raises his hands in plea.

"Half the universe's population is gone. The US government just needs a win."

You nod slowly. "And sending me across the fucking galaxy with-" You gesture vaguely to the blonde who until that point had decided to be quiet. "- is somehow a win."

"I hate to say this, but I agree," Carol interjects. "I work better alone. Y/N will just hold me back."

"We just need someone to go back to the planet where the infinity stores were destroyed. Make sure there are no remnants."

"It'd be quicker if I did it by myself."

"Y/N is the only one with the ability to replicate organic life," Steve retorts. "If there's a possibility she can locate some particle of infinity stone and replicate that, we need to take that chance."

"It'd be good publicity for her image and it'd bring us one step closer to bringing them back," Natasha continues.

"The world needs you to put aside your differences for the mission."

That was another thing you regretted about joining the Avengers. Steve had no shortage of motivating speeches under his belt. The good thing about villains was that they weren't much for conversation - there was no need to give motivating speeches when the odds were in your favor.

But, people were gone. Wanda, the only one you remotely liked, was gone. Snapped. Looking at Carol now, it looks like she must've lost someone, too. Her unpleasant face looks somehow more restrained than it usually did.

You sigh and fold your arms. "Fine."

All Carol does is nod.

--

It would take two earth days to reach his planet. Two. There'd been complications with the engine and so, it would take not the twenty four hours you expected, you know the time span that was customary for light travel, but it would take two days. Between that and the ship having to lower the heat to maintain proper oxygen levels, it wasn't fun.

"I could fly us there," Carol offers.

"Are you forgetting I can't breathe in space?"

Carol shrugs. "You replicate organic life right? Just replicate yourself a new pair of lungs."

"Fuck you."

She smirks, takes the only other available chair next to you. At first, she seems content to annoy you by tapping her fingers against the dashboard. Then, she grows bored. Worse, she tries to talk to you.

"Isn't all of this stuff automated?"

"Yes."

"So," she begins, stretching out the word. "You don't actually need to be here monitoring it. You can get on the cot." She shrugs. "Take a nap."

"I'd rather keep watch."

You think that'll be it and she'll be done, but she continues. You never would've pegged her as the type to not like silence. But, maybe that's not even it. Maybe, she just wanted to squeeze information out of you. God knows you weren't exactly open with the other Avengers when Fury made you join.

"You ever been to outer space?"

You shake your head. "When you're flagged as a global liability they tend to prefer you on the ground."

"A global liability? Is that what terrorists call themselves?"

"At least, we don't give ourselves cutesy nicknames like Black Widow or Captain Marvel."

She scoffs. "No. You guys just blow up innocent civilians."

"Yeah, I guess accidentally killing them is way better." You smile thinly. "For the greater good and all, you know?"

She stares at you long enough that you don't think she'll actually speak. Finally, she looks away and out to the empty abyss in front of you. "I don't pretend to know what the Avengers did while I was off-world. I see them now and they're good people."

You don't respond and she continues. "You must agree. Otherwise, you wouldn't be here."

"Fury said it was either this or experimentation."

"Fury didn't say that."

You laugh bitterly. "He didn't, but he didn't need to. The governments experiment on all mutants - that's how we got Steve and Wanda - they just don't talk about it anymore." You spare her a glance. There's nothing in her expression that would tell you what she's thinking. "So, I chose the Avengers. And here we are."

"You could've escaped."

"Where?" You lean forward in your seat and prop your elbow on the dash. "Please tell me. Where can someone who's wanted internationally hide?"

She squints her eyes. "I'd help, but unfortunately, my knowledge of ideal vacation spots is pretty limited."

Carol's lips seem to be trapped in a permanent smirk - the corner always tilted up in vaguely hidden amusement. Even now. Her snark never stops. You feel your own anger dissipate as quick as it came. There was no point being angry with her. She loved it. Fed off it like a parasite or leech.

"It's almost like you're trying to piss me off."

She places her elbow on the console, leaning forward to shrink the gap between you two.

"Would it make you more angry if I was?"

One time, you and the raccoon had a bet. Whose eyes were more blue: Captain America or Captain Marvel? Like this, you'd have to say Carol. Her eyes had their own halo wrapped around the rim, highlighting the blue and making it fluorescent.

You rub your lips together and lean back in your seat, turning away from her to once again, look at the controls.

The ship breaks down when you reach his planet. You and Carol spend the first ten minutes after landing, arguing back and forth, blaming eachother. The next fifteen, Carol leaves you. Fucks off like a glow stick and searches the planet. When she returns, you haven't moved. Haven't left. You opted instead to lie down in the flowers. It was a beautiful planet. Perfect for retirement. The air was pure, almost light enough to get high in.

"I found his cabin."

"Great." You jump up. The blood rushing to your head and spotting your vision briefly, almost enough to cause you to wobble. "Let's go."

She steps in front of you, quick. You stop just short of bumping into her. Your faces are inches apart. That same infuriating smirk on her lips. Your eyes dart down, down to her chest - she was quite muscular, you could see that even through her clothes-  down enough that she has to clear her throat.

"It's too far by foot." When your eyes meet, she's trying to not look smug.

You arch a brow. "Well, we can't fly."

"I'll have to carry you."

You groan.

"Believe me. I'd be more than willing to do anything else."

"Fine. Do it."

You step back and gesture at her to turn around. She rolls her eyes and in a breathe you didn't know you were holding, throws your arm around her shoulders, wraps her arms around your waist, and jumps. You scream. Through the rush of wind, you think you hear her laughing or perhaps, that's a lie and it's you. Laughing hysterically. No. You are screaming. Hitting her chest. And she's laughing. Fuck Natasha. Fuck Steve. When this is over, you're quitting.

When your feet touch the ground, you bend down and kiss it. Pray to it.

"Anyone ever tell you you're dramatic?" She asks.

"Anyone ever teach you about consent?"  

"You told me to do it."

"I don't care!"

The two of you spend hours looking for remnants of the stones before you finally give it up and return to the ship. You were careful not to drift too close to his cabin. The Avengers never recovered the body. The rot of Thanos was thick, enough to gag over if you got too close. This planet wasn't used to death, not the harsh meat of Thanos. It had been months and he was still there, newly rotting as if it had been a week or two.

"I'll look again tomorrow before we leave." Carol pops a chip in her mouth, her feet kicked on the co-pilot chair while you lounged on the cot. "For now, you should get your rest."

"Don't you need to sleep, too?"

"I have been." She gestures to the chair.

You stare. Frown. The chairs were nowhere near comfortable.

"We can switch. I'll just take the blanket," you offer reluctantly. The nights here were cold anyways. Much colder than space. You involuntarily shiver.

"I prefer to sleep sitting up."

"Is that a military thing?"

To your surprise, she laughs. "Why?"

You shrug the blanket higher - the thin layer providing little comfort. "Cap likes to do that too."

As the sky gets darker, the cold filters in the cracks of the ship and between the layers of your comforter. You snuggle tighter within yourself, curl your knees up to your chest, burrow your hands underneath your pits. When that doesn't work, you shift again. It was always something. The blanket doesn't cover your feet here. You're uncomfortable there.

"You still up?"

You peek up to glance at Carol. She's leaned back in the chair, her head propped back against the headrest. When you shift, she pops one eye open.

"It's cold," you respond. "Are you cold?"

She shakes her head. "Temperature stops being a concern when you get superpowers like mine."

"Oh, yeah. Forgot you're a glow stick."

She snorts. "You talk a lot of shit for someone whose close to being an icicle."

"Bravado under pressure. It's my best quality."

You think she's gonna retort with another snort, but she stays silent. You make a move to stand, but she stops you.

"It's colder over here. See." She breathes out and you can see the cloud of her breathe. You frown.

"I can't sleep like this."

You think she's gonna do something like procure a blanket or throw you her jacket. You even think she might use her powers to heat the ship. It would make sense. Now, that you thought about it - she could've flew your ship to Thanos's exact location. You open your mouth to say as much, maybe, even yell at her as well, but she surprises you by standing.

Her head tilts to the side. Her mouth opening and closing again as if she's mulling over her next words carefully. If it were brighter, you might say this is the closest to nervous you've ever seen her get.

"I could lay down next to you." You blink. "My body generates a certain amount of heat due to -"

"Your powers. Yeah, I get it."

Slowly, you scoot over in the small cot. There wouldn't be enough room. You'd be touching regardless, but if you didn't turn over, it'd be okay. You could pretend instead of Carol, it was some space heater next to you.

"Come," you order.

You feel her weight in the cot, the warmth of her sinking in and spreading across the fabric. It hasn't even been a minute and already the cold has been dissipated. You could sleep if you wanted to. But, you don't. No matter how much you had wanted to pretend she was just some space heater, she was Carol. She felt stiff like a board and she was unbearably loud in her stiffness, her unwillingness to move.

"You can relax you know," you mumble.

"I sleep on my side."

You wonder now if she's smirking.

"No one's stopping you from doing that."

She moves and you know without looking that she's facing you. Her breathe tickles the hair on the back of your neck. You wouldn't be able to sleep like this. She's thinking so loud that whatever thoughts she's having are sure to interrupt your dreams. You turn over towards her - your faces are a hair apart. She's not smirking. Her lips are parted and her eyebrows raised, her expression torn between surprise and delight.

"You're making it difficult to sleep," you say simply.

"Am I?" She retorts. There it is. She's grinning. "That sounds like a personal problem."

You don't take the bait. "You know why you're making it difficult?"

She shifts her head slightly to imply 'no'.

"You're too far away. I'm still cold," you say.

She arches one brow. "This is too far away for you?"

You nod.

She shifts closer. Close enough that there's no room for you to glance at her lips. There's only her eyes staring into yours.

"This good enough?" She whispers.

"No."

"You're proving difficult to please, Y/N." And you can tell she's trying to be smooth, but right now, you just want her to shut up.

You barely have time to open your mouth to say as much before she's kissing you. Pressing her soft lips to yours, her hand finding its way to your hip and resting there. She tugs you closer to her until your bodies are flush against one another. The soft pecks growing longer. Light sparks from her fingertips, burning the trim of your jacket. She fists it as she presses you into her. Her touch still gentle if demanding.

You pull away slowly to breathe. To catch air. You forget why when your lips stop touching.

"Been wanting to do that for awhile," she says with a smile.

"I didn't know I wanted to do it honestly," you respond because it's true. All you knew was that Carol was infuriating. Still is. Only now you want to kiss her, too.

"Really?" Carol asks. "You didn't know you wanted me?"

"You find that hard to believe?"

"I do," she grins. "You know the raccoon and Groot have a running bet on which one of us would crack first. Groot bet on me."

"Groot lost, then." You mean to kiss her, but she pulls back.

"You're the one who invited me into bed with you."

"Because you offered your services."

"Because you complained about being cold."

You groan, snuggle into her chest so you don't feel the need to respond to her. Thankfully, she stops. Her spare hand strokes your back and slowly, you drift into sleep.

[riathedreamer]

Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

[mlbpotter]

Sole Crusher and why I hated it.

Ahh, one of the most prodigious episode for Zoe-fans.

You see, we see Zoe in a car touring Paris as she came from New York. She entered a bakery to get something for her family (A.K.A Audrey) Marinette entered, and slipped on the floor, but Zoe being who she is, clever perfectionist, nimble, quick blah blah blah, whatever the directors want to show us, caught Marinette in a blink of an eye.

In irl, I think if somebody did slip, in front of me, I’d be too shocked to react in seconds. I’d be gaping, mouth open, too shocked to catch anyone.

Ahh, well, Marinette then talked to her a little, learnt how she only had one friend, made some of us feel pity for her (eh, Thomas). So, NOW THE NEXT PART REALLY GETS ME! Marinette didn’t know who this unknown Zoe girl was (could be a thief, murderer, kidnapper idk) yet she gave away her phone number, free pastries, and invited her to HER FRIEND’S CONCERT! OMG you dumass, you don’t just give away these things to unknown people!

Well, still, moving on, zoe went back to the car, and to the bourgeois hotel. She gave away the pastries to the driver saying her family preferred sour from sweet, meaning they were not exactly caring. Just showing what a bad mother Audrey is, Zoe, like Chloe tried to act all snobbish and mean to get her mother’s attention.

To keep it short, Zoe met Chloe and they had a very meaningful conversation. But the thing that bugged me the most was that what Chloe said. 'Your father exists only to do whatever you want, whenever you want.'

Huh? Forgot this, in origins pt.2? This shows that chloe actually loves her father.

Also, Chloe was shown locking Sabrina in a locker, and forcing her to do her homework.

......

So how do u explain this?☝️

Chloe cares about Sabrina. Thomas really ruined Chloe's character her smh, in sole crusher.

Anyways, Chloe took Zoe to the school in a limousine, with Sabrina running behind them!

BrUh, thomas? R u serious? This is a kids show, no? You are supposed to show how to be considerate, not treating ur friend as slaves!

After some more uneccessary chloe-being-cruel moment, Chloe introduces everyone to Zoe.

She says, that Zoe needs a guy to pamper, who is preferably rich....wow, Thomas you already destroyed Adrien's friendship with Chloe, what more do u want?

When Zoe pretended to hate Marinette's macaroons, Sabrina started idiolizing her immediately. SABRINA ALSO NEEDS CHARACTER DEVELOPMENT!!!!!

Obviously, Chloe 'tried' to teach Zoe some mean habits, and Marinette was confused about the way she acted so differently at school.

Being Marinette, she texted Zoe about the the confusion, and obviously blamed Chloe. When Chloe found out that her sister was texting her arch-enemy Marinette, she became furious.

Zoe lied and said that she was planning to humiliate Marinette. One of the worst things about Zoe is that she tries to change her nature just to meet up the needs for others. Chloe only does that to impress her mother.

Zoe went up the blacony, and was met by Andre, Chloe's father, who tried to console her, by telling her his own dream. Ok, listen up, how come Andre is only nice to his step-daughter, in a fatherly way??? And treats Chloe like a spoilt queen?? What kind of a father u r, even though u know that's wrong? Ugh

Anyways, the part where Andre wanted to be a film director was pretty cool. Again, we get some background history about the character. And yes, he listened to Audrey, about being rich, not a film director, blah blah blah, showing again how bad of a wife Audrey is.

Then, we discovered that Zoe wanted to be an actress for no good reason, and yest, admittedly she is pretty good a hiding her emotions and 'acting'.

This is how Andre tried to cheer up Zoe, but obviously made the situation worse, as she only thought about the way Chloe, treated her, and not her mother. So yeah, She only has a grudge against Chloe, again showing how horrible and cruel Chloe could be, right?

Just because Chloe said, 'You either step on other people, or I step on you!' This is so out-of-character for, Chloe. She would never say that, I reckon this much.

And there we go, Zoe reluctantly wears the diamond shoes, and becomes akumatized by shadow moth.

So, her power was touching other people with her shoes, and she became bigger.

Sole crusher, found Chloe in her room taking selfies of herself, to shoe how vain she was and how much she admired herself. Ummm..when did Chloe have an obsession with taking her photos? Except maybe in the episode where Marc was akumatized.

Chloe caught a glimpse of Sole Crusher, on her mobile's photo.

She said, 'How come you are using my image without my authorization?' Old Chloe loved to be idolized, so out-of-character.

So, when Chole discovered that it was Zoe, she began running like she was in a marathon, which was again out of character, as she wouldn't run, it'd be too much of work for her.

I think the running was just to show how bad of a character Chloe was, as she pushed Marinette's parents and Marinette herself towards Zoe, to show how cruel, evil and selfish she really is.

Another thing, I think that the kwamis shouldn't be allowed outside the box very long, as someone might catch them, like Chloe almost did.

So, the reason Sole crusher didn't step on Marinette, was because Marinette is the main character of the show, and she just can't be in a dangerous situation (Thomas logic). It'd made a great plot if Marinette was crushed by sole crusher. It would keep the viewers on their toes.

Eh, well, To make look Chloe worse, they made her run further, and order Zoe to literally step on the 'losers'. AKA rest of Marinette's classmates. (Do students really meet each other like this irl?)

So Marinette discovered that Zoe was Sole crusher, and gave some advice.

Marinette: That's not true, you don't need to crush on anyone. The 'winner' and 'loser' thing doesn't exist. It's just people, each one with your differences and unique features. (after Chat Noir interrupted) Zoe, no one will judge you here. You can be yourself! You can trip, you can fall, there's always going to be someone to help you stand up. I will always support you!

Shadow moth manipulated Zoe again, So Chat Noir tripped sole crusher giving Marinette the chance to run away and transform in a place that no one can see (totally). Since Tikki followed Marinette, and Kaalki alerted Adrien about the akuma, they both were able to transform.

Since I am no good at writing battle scenes, I'll tell the main points. Ladybug used her lucky charm, and got a shoe horn. So basically, Chat Noir and ladybug both destroyed the heels of Zoe's shoes, but the akuma didn't come out. Chloe insulted sole crusher, and got crushed.

Chloe : Look at how you're treating ur very expensive shoes! Go back to wearing you hideous and plain sneakers.

So ladybug figured out that the Akuma must be in those sneakers Chloe mentioned.

So the team tried to find out those sneakers in Chloe's house. Ladybug saw Sabrina in the closet, yet asked her about the sneakers, and ignored her. Wow, shoe some empathy ladybug, or even Chat Noir!

They saw Andre, and he told them where the Akuma went. So basically Andre showed them the box, and was so scared of Audrey, that her had hid those directories a secret from her. Since that box was not opening, ladybug used her shoehorn to open that box thingy. Long story short, ladybug repaired everything, and gave Zoe the lucky charm, and left.

Skip to the noon, where Zoe went to the concert she was invited in, and Chloe still believed Zoe's lame story about humiliating Marinette, and was super pissed off when Zoe ate the macaroons.

So yeah, Zoe apologized about her akumatizatidon, and told her 'tragic' backstory. She didn't want to disappoint her family's expectation, so she pretended to be mean.

In her boarding school, she was being bullied, and pretended to be someone she was not.

And since er...the miraculous fandom characters are so 'different' and tried to be nice to her, which was pretty cool of them....

Chloe demanded that Zoe leave for New York, but Andre was pretty cool about it, and made a lame yet nice excuse for her, to be enrolled in anther boarding school. So she had a different room. Obviously, the creators showed how err..awesome Zoe is as she said to Andre, 'Promise me that you are not going to give up on your dreams for too long.' But Andre's dream was very irrelevant, as nothing of that sort was mentioned after that.

Zoe's new found friends helped her become a better person, and there were some ending pics of her.

Zoe's message to Marinette was pretty cheesy ngl. But if only Zoe was introduced as a character who didn't out smart her sister, I would honestly love her so much!

(If my dumb shit post doesn't get famous, I will quit. I literally worked so hard for this post, and also had to rewrite it multiple times)

[astridthevalkyrie]

Do you think AOT is better than FMAB?

sorry not sorry for the blunt answer but no, never, not in a million years, not even close, not for a number of reasons.

few reasons under the cut, because apparently I’m doing this instead of focusing in class. obviously there will be spoilers for both shows, and obviously some of this will be based on personal preference.

1. Genocide/Oppression

so both shows have some vivid imagery of nazi germany. bradley is addressed as the fuhrer in fmab, and the eldians wear stars on their sleeves in aot. and even if the aot writer wasn’t pretty much confirmed to be a nationalist and raging anti-semite, it’s rather painfully obvious which show handles it better.

in aot, the eldians are oppressed because they can turn into titans and were originally trying to take over the world or something, which is so blatantly anti-semitic that it’s terrible. shows are allowed to tackle these kinds of topics, but they should handle them well, not be a stand in for nazi propaganda. this is something so many fucking shows do wrong whenever they make an oppressed group of people - there’s always somehow a reason for having them be oppressed. take bbc merlin. wizards are oppressed because they can do magic and so they’re dangerous, just like how eldians can turn into titans and so they’re dangerous, and that’s a bad thing to imply, because it implies that jewish people somehow deserved what happened to them and that’s a fucking dangerous idea to put into an already anti-semitic world.

and that’s exactly why i was so relieved and appreciative of how fmab did the battle of ishval. it is clear who the bad guys are in that scenario, and it’s clear that it was never deserved and that the soldiers who carried it out are war criminals and deserve to be put into jail. riza says as much herself. while i think scar shouldn’t have been as guilted as he was (sure, he shouldn’t go after innocent people, but him killing winry’s parents is not comparable to what happened to him and doesn’t put all of them on equal footing), i was pleasantly surprised that he lived and wasn’t killed off in some stupid form of “redemption.” if roy deserved to live, so did scar, a hundred times over.

2. Characters

characters in fmab are done ridiculously better than in aot. let’s compare similar characters!

edward and eren - the protagonists

up until the third season onwards, eren is very one dimensional and uninteresting. he’s entertaining, but his one and only goal is killing the titans and it’s super frustrating because they lay down the groundwork for more, but it’s never really addressed. show more how he cares about his friends, show him dealing with his trauma through anger and how it’s unhealthy. (actually, a lot of problems could be fixed if they showed more of the cadets’ training days. i feel like i wasn’t feeling as betrayed by annie and reiner and bertholdt because i never really felt they were that close to eren.)

ed is a delightful main character. he too is angry and doesn’t mind talking with his fists, but at the same time, he’s starchly against killing anyone and has multiple goals. ofc his primary one is getting their bodies back, but when he finds himself in the conspiracy about amestris, he doesn’t hesitate before making that his problem as well. every relationship he has is wonderful. i could get bored with eren on the screen, i wasn’t bored with ed.

armin and alphonse - the deuteragonists

i’m sorry but armin is literally just “the smart one.” that’s it. he’s also the dreamer but it only comes up when they’re about to do something dangerous.

i feel like i don’t even need to go into how good of a character al is? he’s very obviously multifaceted and the epitome of sweet and badass at the same time.

winry and mikasa - the love intests-ish

i don’t like referring to either of them like that, but while mikasa is the tritagonist (or deuteragonist, her and armin can interchange there), winry is not. 

and surprise, surprise, this is actually where i’m not so sure winry comes out on top. mikasa is, in my opinion, the most interesting out of the trio. she also has a very single-minded goal, but seeing her interact with other characters (armin, jean, levi) who either fall in line or disagree with that goal is fun to watch. she’s also obviously super competent and i have a thing for competent characters.

winry is a good character and i love her, but it’s always bothered me how out of place her scenes feel in relation to the entire show. and as much as i know it doesn’t deter her agency, there’s just something off about ed telling her to have an apple pie waiting for them. it actually brings in one of my few problems with fmab. while its female are pretty good, they’re far from perfect, and that’s because nearly all of them exist because of their relation to the more important male character. winry is ed’s mechanic and the elrics’ family friend. riza is roy’s lieutenant. lan fan is ling’s bodyguard. izumi is the elrics’ teacher. i’m not saying that’s all they are, but this is a major part of their role in the story (olivier and mei stand out as female characters with goals relating to themselves and not a guy around them.)

so who’s the better character? mikasa is more fierce and winry has better lines that aren’t just calling out the protag’s name. i’m gonna give it to winry, but by a short shot.

roy and levi - the op fan favorites

this one’s much easier. roy is not just a badass who’s also the hero’s direct superior like levi is, he’s a person with clearcut goals and weaknesses and he has to make sacrifices and work for what he wants. levi has all the makings for a great character, a tragic backstory and a chill personality, but he doesn’t have a reason to stay in the scouts, he just...does. out of loyalty to erwin, i guess? it’s not clear and it’s even worse if you don’t watch the ova. roy’s reasons are clear and relatable. he also has a dorky and endearing side, plus the political side of things he brings to fmab is interesting and an equally important part of the story. his fight with envy is satisfying and thrilling. levi’s fight with the beast titan, while it is super well animated and cool, kiiiinda falls flat because there was no set-up for him being the one to take the beast titan down (should have been connie). it also ends a bit too fast, honestly.

but hey, you say, aren’t you the one writing 15k worth of fanfiction for levi within two weeks? didn’t see you writing that much for roy. yeah, well, unfortunately, my attraction doesn’t determine the better character and i never said i was proud of this, please leave me alone.

there’s more comparisons i could make - carla and trisha, hohenheim and grisha (ha, trisha and grisha rhyme), roy can also be compared to erwin, there’s multple side characters, but fmab wins, you guys get it.

3. The Story, Plot, Deaths

listen, i get it. aot is a bloody, brutal show and you’re not supposed to get attached to characters. i’m not gonna complain about pointless deaths, because that in itself is the point. it’s like twd or got, it’s gonna have lots of death. but the deaths don’t have to be so stupid. i’m specifically thnking of levi’s squad, because the way they die is so dumb. gunther should not be taken down by a cadet, petra shouldn’t be flying so close to the ground, oluo should know not to engage the female titan alone. these were elite titan killers, they knew not to be stupid. there were ways to kill them off without making them look so stupid. and if there’s not, consider not killing them off just for shock value.

fmab’s deaths mean something, especially since one of its central messages is that life is precious, no matter whose it is. everyone’s life means something and no one dies in vain.

.

there’s more i could go into, but i just spent my entire classtime doing this and now my second one for the day is about to start, sooo i think i’ll stop here. thanks for the ask!

[kanohivolitakk]

Some ramblings about Memory and why I’m happy it wasn’t canonized

Honestly the more I think about the story, the happier I am that Memory (a winner of the Memories of the Dead canonization contest) was never officially canonized. And Im saying this as someone who absolutely adores Nidhiki as a character and would've liked to see more content of him, especially one that explores his psyche in a nuanced manner.

Before we go on a few disclaimers. First off, yes, I'm aware that Memory is fan-made and that some people see critiquing fanfics as bad, at the very least unless the author personally requested it. And I completely understand that sentiment given that fanfics are hobbies and the writers may not always want critique on stuff they worked on for personal fun and passion. Thing is, Memory was not only submitted to a canonization contest, but was one of the winners. The only reason it (and the other winners of the contest) weren't canonized was because Greg wasn't allowed to visit BZPower anymore (or had it to do with LEGO quitting Bionicle g1 completely in preparation for g2, don't remember tbh). In other words, Memory was this close getting canonized, and was only left out due to external circumstances. That makes criticizing Memory fair game in my opinion.

Secondly: I actually like Memory as a story. It's well written, explores Nidhikis character in an interesting way and has a really interesting theme of how some individuals are forced into roles they didn't want to by circumstance. I think it fills in gaps from the lore nicely (especially the ending). And not only does the story use Mimic (a Dark Hunter I desperately wish was used in canon) it characterizes and uses him rather well. Him acting as a pararell/comparasion to Nidhiki is a solid way to showcase the storys central theme. All in all, it's a solid story in vacuum. Even as part of the larger Bionicle mythos I do like some elements of it and have adopted them into my headcanonverse.

That being said, I have one major issue with the story specifically regarding how it relates to the greater Bionicle canon. And that is, giving Nidhiki a "my original teammates were killed by Dark Hunters and now I desire revenge" type of backstory doesn't work for his character and arguably makes him less interesting.

First off, I understand why the writer chose to do this decision, to paint Nidhiki in a more sympathetic light. In canon, Nidhiki isn't really a sympathetic character (or at the very least wasn't intended to be one, ymmv whether or not he can be seen as one). He is selfish and his reason for betraying toa Mangai boils down to desire for glory and self-preservation. So wanting to give Nidhiki a more sympathetic backstory in order for the reader to understand why he is like that and thus sympathizing with him makes sense especially given how Bionicle doesn’t really have that many sympathetic villains to begin with and Nidhiki is one of the few who could easily be written in a more sympathetic light without making his character worse thanks to his backstory being rather tragic and there being a few hints of him being a more sympathetic character than the canon presents.

Thing is, by giving Nidhiki a desire of wanting revenge against Dark Hunters, I feel the writer misses a major part of Nidhikis character, one that could be easily expanded on to make him a more sympathetic and understandable character: his pragmatic opportunism born out of survival instinct.

Nidhiki is largely driven by pragmatism and self-preservation, by making actions that benefit him. This sense of pragmatism most likely comes from him coming from Tren Krom Peninsula: a harsh climate where you had to be pragmatic in order to survive. Pretty much everything from his characterization boils down to this survival instinct, this desire to survive taught by harsh living conditions. This is the core of his characterization and something worth keeping in mind  both when trying to understand him and writing him. And while the writer of   Memory does understand this to some extent, I feel they only saw it as part of his character rather than the main core of his characterization and driving force of his actions.

While Nidhiki loosing his teammates does add more fuel into him not trusting anyone and developing this pragmatic mindset (something Memory does pretty good job showcasing), I also feel that it's kinda unnecessary. It feels as if it exists as this big push, this big traumatic event that shaped Nidhiki's mindset into this pragmatic self-survival we see in canon and I just...don't feel that suits him. It makes more sense if rather than one big traumatic event that made him what he was it was a series of smaller events, it was him living in a place with a certain mental climate that forced a certain mindset just so he could survive.

The backstory also feels that like it exists largely to give Nidhiki a history with and grudge against the Dark Hunters which just...doesn't make sense at all when you give more context into canon. Like, if Nidhiki had a grudge against them I doubt he would've interacted with Lariska the way he did in BOADH let alone agreed to betray his team, no matter how good opportunity it felt like. Well at least it gives him one more reason to despise TSO and his organization and that’s always a plus if you ask me.

However,the main reason I don't really like this is because it feels kinda cliche and makes Nidhiki less interesting than he could be. Like, it feels that the easiest way to make your audience to sympathize with a villain is to give them a tragic backstory of them loosing a loved one that made them bitter and cynical. It just feels like a cop-out, an easy shorthand. It feels such "been there done that" and does more harm than good for Nidhikis characterization, feels like its there to make him more sympathetic through tried and true means than actually trying to understand him and what makes him tick, and building up a more sympathetic portrayal from there.

What makes this all worse is that I do think you could make Nidhiki a more sympathetic character without resorting to cliche tools like that. And thats by focusing on expanding on whats already there: his desire for survival and self-preservation. While it does make him rather selfish, its also what makes him understandable and (for lack of better term) real. While we want to talk about how self-righteous and good we are, truth is that desire for self-preservation and survival is a driving force that can override (or at the very least heavily affect) our moral compass, especially if you come from a traumatic upbringing. And like I said, the harsh survival of the fittest nature of T.K Peninsula certainly was that kind of place where Nidhiki was essentially forced to adapt a certain mindset. It’d be cool to see him slowly develop this mindset from the environment he grew up in, to have whatever potential goodness and optism he once had be eroded through him having to come in terms with the messed up nature of the world. it would’ve made him much more interesting, sympathetic and tragic character than he is in canon, all while feeling unique

That being said, I understand why the writer did the way they did. Like I said, Nidhiki isn’t exactly the most sympathetic character in canon, and wanting to give him a backstory that’s easy to sympathize with is an easy and good way to do that. It’s also worth pointing out that Memory was an oneshot, so the writer didn’t have time to go through everything Nidhiki went through before becoming part of Toa Mangai and as such, it’s easy to understand why the writer choose to give one big event that changed his mindset. I also dont think giving Nidhiki revenge motive is inherently bad (I mean its basically canon he wanted revenge against Lhikan), nor is making him more emotional and not just a pragmatic opportunist (if anything making him emotional is more than welcome in this house). But I feel that Memory just kinda, changes his character in such a drastic way that didn't sit with me, at least not completely. It kinda makes him an archetypical "I'm aloof and refuse to work with others because I lost my friends against these villains" type of character. Not only is that rather cliche that's also not what Nidhiki is like...He's more interesting as an opportunist who became such due to the harsh nature of Tren Krom Peninsula rather than your archetypical edgy shonen anime rival whos aloof because tragic backstory murder.

So yeah, Memory is a good story but I’m happy it isn’t canon because while it was an interesting take of my favorite Bionicle character, it being canon would’ve done more harm than good for his characterization as whole I feel. Also you can make a character sympathetic without having to resort to “they saw someone close to them die and desire revenge because of that”, especially when it doesn’t fit to that characters characterization as whole.

[tundrainafrica]

So, it took months for me to finally let go of my anger & disappointment towards Yams for writing ch132. But then recently I found this tweet https://twitter.com/helmn9R/status/1315427848467947520?s=19 and suddenly it all came back to me. Nevermind the backstory, her character development is alr strong enough w/o it. But she had so MANY unresolved story with Eren, Flegel, most importantly, herself (read the tweet for more explanation). What a waste of character for her death being so pointless that it didn't give any improvement to the plot at all, neither to any other characters development. We all know, Armin would still be Armin in recent chapter with or without her death. So WHAT'S THE POINT ACTUALLY? ;-; I'm sorry for ranting:(

Okay, I really agree with you here. There are times I find myself realizing that I will never be completely satisfied with Hange’s death. Yams can pull off the most mind blowing ending to AOT and I will still have this hole in my heart left by her  death. And I’ll be writing Levihan fanfiction and metas for an incredibly long time because Hange is really an underappreciated character in this fandom and Yams just gave her the most beautiful yet most unsatisfying and unnecessary death. 

That is… if you look at it in the grand scheme of things. 

I feel like if we meta Hange’s personality a bit and follow the story from Hange’s POV and put her character as a focus we could actually paint the story as a good tragedy for her character and somehow we could put meaning into her death. 

Although Hange had started off a little wide eyed and naive, we can all agree that Erwin, Moblit and the death of the whole survey corps did a number on her psyche. Even before she could completely process their death, Hange was placed in one of the highest and most important positions in the government and suddenly she has to deal with the opening up of Paradis, diplomacy issues and the rapid progression of technology. 

As the commander of the survey corps which brought all these hopes and possibilities in, which also brought the threat of a war from an external force in, Hange had responsibilities much larger than Erwin ever had. I think given the fact that she started her position in such an inopportune time, and she got placed into a position so unfamiliar even for her, she would be incredibly uncertain. I mean who could have been prepared for what lay outside the walls really? Hange may have been a genius but her experiences were limited to the simple life that lay within the walls. I think her being dropped into that type of position from a medieval setting to a 1940s world war 2 setting would be a lot even for a genius like her to handle. 

And that uncertainty and the stress of just everything changing and having to take the reins would have eventually lead to some self esteem issues on her end. And mind you, even before they opened up paradis, Hange had self esteem issues with becoming the commander. One hint of this is in the scene in season 3 where Levi and Hange had a meeting with the reporters and Hange was still reeling from her sudden rise to power and suddenly, Levi (who usually never talks) had to be the one to face the reporters because Hange, (for the first time) had nothing much to say. 

And what if she never really completely recovered from that?

Imagine what happened after with everyone just coming in, technology rapidly progressing and Hange having to quickly adjust her plans and her way of thinking with the endless developments she has to address. And here’s another thing which can completely trample Hange’s self esteem. She is the leader of the country stuck in the medieval ages. She is literally the least up to speed among all the other diplomats and representatives of other countries and a war is brewing and she had to deal with that too. 

And things just take a turn for a worse when they attack Liberio and when Eren, the person who she believed to be the hope of humanity, the young boy she had somehow raised herself decides to betray them.  I mean they will have their scenes in season 4 when she references their conversations and how he used to listen to her until dawn years ago. Dam that scene where Eren grabs her by the collar of her shirt is just so dam heartbreaking.

Then all the soldiers under Hange, who she was tasked to lead suddenly turn against her. And before she knows it the rumbling starts and the world is about to be completely destroyed. 

Of course Hange would manage to twist it to her own fault. If we look at everything at face value and think ‘who the hell was in charge? How the hell did this happen to the survey corps? Who was supposed to look out for Eren?’ Anyone would blame the person with direct responsibility over that. The one who was supposed to be leading the survey corps and the development of Paradis, Hange. 

So it is not too outrageous to think Hange would have blamed herself for everything there and her shitty self esteem is obviously feeding into that too.

 I mean she never had the confidence to begin with. She never had the time to adjust to her new position and she could easily rationalize every loss to her own ‘lack of capability’ as a commander. 

And what does Hange decide to do with the weight of all those mistakes on her back. She decides to scramble for a way to atone for them in whatever way she can. She wanted to sacrifice herself. She wanted to give her life for them. 

In the grand scheme of things, yes her death was pointless but when I watched the build up of her psyche and the battering of her character, I couldn’t help but think that it wasn’t a horrible way to go out. 

It was unnecessary. It was pointless and it was unsatisfying. 

But god, the build up and just the analysis of her storyline all the way to that point made it so depressing. Made it so heart wrenching to analyze the desperation which had pushed her to the point of thinking…

“I’m useless. I’m stupid. I’m careless. It’s every bad decision I made that pushed Eren to betray us. For two separate factions of the survey corps to be created. Erwin would have done a better job.” 

And the cumulation of those thoughts and the trampling of every bit of her self esteem probably led her to think. I may be commander but I’d probably be the most useless one on the field. I’ll try to be as useful as I can, even if I die in the end. 

And that’s why when they were desperately looking for a way out, Hange obviously volunteers herself. After all she’s been through, after seeing her psyche and self esteem break one by one, I don’t think Hange would have been the type to volunteer anyone else. Her guilt and her self loathing wouldn’t have allowed her too. She probably genuinely believed Armin and Jean would have done a better job leading than she could, I mean she’s probably still reeling from the fact that she couldn’t keep the survey corps in one piece as their commander and she was probably thinking “Erwin would have kept it in one piece” 

So I think somehow there was build up to her death character wise and the build up was beautifully tragic. 

I wouldn’t say it was a masterpiece though because honestly Yams, could have just have avoided a situation with Hange dying. But I can’t help but think, Yams has been giving pretty sad ends to a lot of his characters and AOT has been pretty dark and a lot of deaths turned out to have been pointless anyway. 

I mean how many people have died for Eren only for him to turn into the asshole of the century? 

Hange died selflessly, she died for what she believed was right and at her last moment, she couldn’t send anyone else to die in her stead and I think this very much aligns with her character. 

Really, I probably would have lost a lot of respect for Hange if she left Connie behind instead or something. The only other person I think I would have found reasonable seeing there sacrificing their life would have been Levi. Hange and Levi would not have let anyone else go. It’s just not in their character. The 140 cadets are all their babies after all.

Thanks for asking this though. Really interesting question.

I actually wrote a fic recently analyzing Hange’s psyche towards the end of the story which I’m linking here for anyone who’s interested. 

[bravo-four-seal-team]

An Email with a side of regret.

Summary : 3 months after Ashley spoke to Amelia, thats how long its been, 3 months in captivity, by mid august her and two others from her unit were save, while recovering in medical, she takes Amelia’s advice - she finally reaches out to her brother

Co-written/proof read: @disasterfandoms

Tags: 

@rebelwrites @chibsytelford @jayhalsteadfan-2417 @pinkrockstar19

@softi92 @itsonautopilot @velvetcardiganbucky @mrsmarvelous1995 @supervalcsi @thegirlwhoisalwayswriting  @galaxysanduniversesinmymind

She’s laid up on a gurney, injuries healing, fluids being given, blood is drawn after she was knocked out. Now she was awake, they had 24 hours of observation to get the go-ahead to fly out to the San Diego base to receive further treatment at the base hospital there, then go under the psychological profiling, and then a physical evaluation before being allowed to continue their jobs. 

3 months ago, Gunnery Sergeant Cole, Staff Sergeant Sawyer, and Sergeant Clarkes were taken into captivity after the rest of their unit were killed in an ambush. 3 months of hell on Earth, trying to find ways to get out, or get a message to someone, when another Unit found them and get them back to base.

Which is how they all ended up in the middle of the medical wing. Cole and Clarkes had contacted their family, while Ashley was toying with the idea of reaching out to her brother. 3 months put a lot of things into perspective for her.

 “Fuck, Amelia was right” she grumbled, opening the computer in front of her, and began typing, her mind was all over the place, but one thing she knew she needed to do was to apologize for her actions and anything she did to cause pain. 

At least if she reached out she could say she did, she didn’t expect a response, but she had played her conversation with Amelia over and over in her mind, forcing herself to survive to get home, promising herself to try and fix things. 

“What are you doing over there Sawyer?” Cole asked 

“Writing.”

“To who?”

“My brother” she responded, never looking away from a screen, continuing to type away at the incoming disaster. She could hear shuffling towards her. 

“No mention of family in your file,” Cole said, looking at her, watching as her hands moved across the keyboard, hearing a thump, they watched as their medic walked into a wall and burst into giggles. 

“Yeah well, there wasn't any point in mentioning him Gunny” Ashley responded, “Remember how I said I joined because a family member was hurt?”, stopping to look up at her superior. 

Cole nodded. “Yeah, what are you gonna tell me a tragic backstory?” he asked, laughing at the thought.

“Brother was blown up in 2005, maybe 6 can’t remember, but I was 16. Left the hospital and found out what I needed and joined 2008, he’s Navy, Navy SEALs to be exact” she muttered, resuming her typing. 

“Ah, so the baddest of badasses. Gotcha” Cole smirked, as she shook her head. “Maybe you’ll take me up on that offer of drinks and dinner.” 

“No. You’ve been trying for what? 8-9 years to get me to go out with you, not happening, I don’t date. Focus on the job and that's it.” Ashley said, hitting send 

“You need a life outside of work, and you realize it's about 5 am over there?” Cole frowned

“Well, I doubt he will read it anyway.” 

Ashley, settled down, sleeping for a few hours. She was woken up by a nurse to check her wounds, she read over what she sent. “WHY DID NOBODY STOP ME,” she shouted.

 Cole laughed “You were pretty determined.” 

“I started it off with ‘Sorry to disappoint but I'm very much alive Mark!’” Ashley said gesturing to the screen 

“I mean, humor.” 

She didn’t see the message saying that her email had been opened. 

The email:

To: T.Sawyer@Outlook.com

From: A.C.Sawyer@gmail.com

Subject: Surprise Bitch I lived. (plz open this)

Hey T. or do I start this with Dear Trent Sawyer or Petty Officer Sawyer?

Sorry to disappoint, I'm very much ALIVE. I can hear you now ‘That's not something to joke about Ashley’, yeah I know, just makes it easier. You probably don’t want me calling you T. so I won’t. I'm currently out in Baghdad, with another month of deployment left, then off to another base stateside. Not much going on out here, got me thinking about something someone said, over the past few months, and it ate away at me. I hate when people are right. Amelia was right, that I should have done this ages ago.

(As I am writing this, I just watched Craig walk into a wall, he’s on some good pain meds, our medic is high as a kite. Giggling like a child now.)

Let me begin with, I’m sorry for what I did in 2012, it was a stupid fight, I shouldn’t have said the things I did, I am sorry, I regret it, have done everyday, always expecting a call from Mom saying I was to attend your funeral, that thought terrifies me (Always had, especially after your injury).

I’m not expecting you to respond. Pretend this never came in for all I care, but I need you to know this.

Look the things I said to you Trent was uncalled for, there were times earlier on that I wanted to contact you, but I knew I’d either end up with your wife snapping at me for reaching out or radio silence from you, then mom told me you guys split and I didn’t reach out because, well, I thought I’d just make the wound worse, no point in doing that, don't go pouring salt into an open wound right?

(Can you believe my damn Gunny is still tryna get me to go out on a date with him? I made it clear for the past 8-9 years the answer is No. I’m thinking about punching him.)

Guess I don’t need to worry about you as much anymore if you got people, always say that family doesn’t end in blood, those who help you will be there for you. I caused you a shitload of hassle growing up, then with the fight. Sorry about that. Don’t think I’ll ever stop being sorry about that. Sorry about any hurt I caused, it wasn’t fair on you at all.  

God this is a mess, ha, I’m sorry, you're reading this mess. I didn’t plan this properly, and it’s probably super early for you as well, sorry… I was on base about May time? In Virginia, saw you, avoided you, didn’t want to cause any fights. I mean, Bravo is a tight unit; one word from Hayes, or your CO and it’d be my career on the line for even picking a fight or posing as a threat to a member of your weird little family there (Please get your CO some time off, he looks like he's about to have a nervous breakdown). It was easier to keep in the shadows.

You look like you're doing well, like you got the people in your life that care and worry for you, so that was good to well see and hear, which means I don’t gotta keep an eye out for trouble you get into. Looks like you're dating again as well, she seems nice (Let her know she was right, honestly, I am not happy about her being right.). You seem super happy which is good to see. 

Perhaps we could meet up when I’m back in about 2 months, I got to do a month in San Diego before going back home to Virginia. (For context for why I’ll be out in San Diego, the unit was ambushed, 3 months ago, there were 3 of us to survive, we got found yesterday, which puts life into perspective. Got psych evals and physical evals to do after healing. I fought, they don’t like fighters, man, they hate ‘em.) 

We could grab a drink and catch up, or uh… just check on each other once a month. I’m not looking for you to want to, you know, repair our messed up as hell relationship or reconnect. I know that ship sailed a year after we never contacted each other, again my fault. I'm sorry about it, sorry about all the pain caused. 

Who the hell am I kidding? I’ll send this and never get a response, you can’t fix something that is so broken. Remember what dad would tell us, “if it's unrepairable leave it”, that's what I did to our relationship. I miss having my brother in my life, miss being able to talk to you. I hope you can find it in your heart to forgive me one day. 

Just look after yourself Trent, don’t let anyone take your happiness away, fight always to get back to your family, to mom, your friends, your girlfriend. Fight always to get back to them. 

Don’t ever give up ok? You fight to get back no matter what. (You don’t break that promise you made me: to fight to come back to your family)

Look after yourself Big Bro. 

Ashley. 

(I’m gonna punch my Gunny now.)

[popculturebuffet]

Teenage Mutant Ninja Turtles 1990 Review: Still Possesses Turtle Power After All These Years

Cowabunga all you happy people! I freaking love the Teenage Ninja Turtles. I grew up with it from Turtles in Time, which was my first video game, to the 2003 cartoon, which I covered the first three episodes of last month, and on to present day as I re-read the idw comics after finally reading the original eastman and laird run of mirage, and impatiently waiting for Shredder’s Revenge to come out after a LONG drout of no good TMNT games. I”m a fan of these heroes four, their dynamic as a family, the endless possiblities that come from it’s long history and ablitlity to go anywhere in any genre, and the wonderful goofy shit that happens when you have a franchise about mutant turtles learning ninjitsu from a rat and fighting a dude covered in knife covered samurai armor. 

So with me finally covering the guys after almost a year last month and with a new movie set to debut at some point this year, I had the bright idea to revisit the FIRST TMNT movie after way too many years of not watching it. This movie is anear and dear to my heart: When I first started getting into the boys big as a kid with the 2003 cartoon, I badly wanted more turtles. But back then it wasn’t nearly as easy to glom onto some more of the sewer shock pizza kings: Streaming sites with all the cartoons on them weren’t all that accesable, dvd’s were expensive for the 87 cartoon, Mirage wasn’t reprinting the comics in any meaningful way and my local comic shop didn’t have any at all and I could only play the SNES when my brother had it set up on occasion like at our Grandma’s farm. 

As you probably guessed though there was one exception: the original 1990 movie, which I got at Walmart for 5 bucks and haven’t let go of since. It was one of my first dvds and is still one of my most precious. Said film hit the spot just right as like my beloved 2003 series, it was a mildly goofy but still fucking cool adaptation that stuck closer to the mirage comics, even more than the 2003 series would, while taking a few queues from the 87 series. This film is as precious to me as the 2003 series and a with a brand new movie coming up, I figured it was the exact right time to dig into this classic: what makes it still good to this day, what’s fun to point and laugh at, and how the heck Jim Henson got involved in this. So join me under the cut as I take a look at my boys first theatrical outing and why I still love watching a turtle. 

No One Wanted To Make This: Before we get into the film itself some background. As usual I struggled a bit, but thankfully found some help in the form of this Hollywood Reporter article.  It’s a fascinating read worth your time, providing an oral history of the film from the people who worked on it. 

The film was the baby of Gary Propper, a surfer dude and road manager for the prop comic Gallagher, aka that guy who used to smash watermelons but now has instead opted to smash what little’s left of his career by being a homophobic douchenozzle. He found an ally in Showtime producer Kim Dawson who’d produced Gallagher’s special. I don’t think there will be more of an 80′s sentence than “Gallagher’s surfer dude agent wanted to make a teenage mutant ninja turtles movie”. Propper was a huge fan of the comics, and with Dawson’s help convinced Laird and Eastman to let them option it to studios. 

It may come as a shock to you but the road agent for a homophobic watermelon man and a producer at a niche cable channel wanting to make a movie based on an underground comic book about masked turtles at a time when the two most recent comic book movies were Superman IV: The Quest for Peace and Howard the Duck, did not go well. Every door in Hollywood got slammed in their face, even Fox> Even the eventual backer of the film, Golden Harvest, a hong kong action film studio, took months to convince to actually back the film. 

Things did not get easier from there: The films writer Bobby Herbeck had trouble getting a story agreed on because Kevin Eastman and Peter Laird’s working relationship had deteroiated horribly from the stress so naturally the two could not agree on a damn thing and argued with each other. Peter Laird  made a tense siutation even worse by constnatly sniping at Herbeck and feeling he was a “Hollywood outsider infringing on his vision and characters”

Granted the script was apparently not great... but Pete still comes off as a pretnetious ass who views his weird indie comic as THE HIGHEST OF HIGH CALLINGS HOW DARE YOU SOIL IT. And continued to be kind of a prick like this throughout the rest of his time with the property. 

Thankfully the film found i’ts voice, vision and director in Steve Barron. Barron was a music video guy who knew the producers and while reluctant, eventually dove into the project rightfully thinking the film would need to be a mix of the mirage comics and 87 cartoon, keeping aprils’ reporter job, the turtles lvoe of pizza and their iconic color coding from the cartoon but adapting several stories from the comics as the backbone of the film. The guys liked barron MUCH better and things ran smoother. 

Barron also brought in one of the film’s biggest selling points and it’s most valuable asset: it’s triumphantly awesome Jim Henson costumes. Barron had worked with good old Jim on the music videos for Labyrinth, and while it took some convincing since the comics were violent as hell and that wasn’t Jim’s style, Barron eventually got him on board. This naturally doubled the budget, but given Henson’s costumes STILL hold up today and look better than the cgi used in the platinum dunes films... it was a good call. And this was brand new tech for jim, having to invent tons of new ideas and mechanisms just to make the things work, and said things still were absolute hell on the actors. Jim later ended up not liking the film for being too violent... which I find hilarious given how many muppets got eaten or blowed up real good on his show but regardless, I thank this legendary and wonderful man as without him this film WOULD NOT have worked. The costumes here look great, feel realistic, and you can’t tell the actors were dubbed much less horribly suffering in those suits. Much like Disney Land. 

The film would get picked up for distribution by New Line, and despite i’ts weird as hell origins and the long shot it had.. the film was a MASSIVE hit at the box office, owing to a combination of Batman 89 the previous year having proved comic book movies can work for audiences, the cartoon’s runaway sucess, and a massive marketing campaign. The film made it’s mark. So now we know how we got here let’s get into the film itself. 

What’s the Story Morning Glory?:

So the story for this one is largely cobbled together from some of the more notable arcs Eastman and Laird did before handing off the book to others full time as the stress of the company and the mounting tension with each other made it near impossible to work together on the book itself. 

To Save time i’m just going through what hte movie takes from the comics plot wise now to save me the trouble later:The movie takes elements from the first issue (The Turtles, Splinter and Shredder’s backstories, Shredder being fully human and the main antagonist, Shredder’s design and the final rooftop showdown that results in Shredder’s death), second and third, (April’s apartment over her dad’s old store and the turtles moving in when their home is ransacked and splinter has gone missing), the rapheal micro series (A tounge in cheek way of cashing in on the Mini-Series craze of the 80s, a one shot by modern standards and something that’s tragically been underused as an idea as only TMNT and MLP have used the idea at IDW, Raph meeting casey and their fight with one another), the return of shredder arc (One of the turtles being ambushed and mobbed by the foot and then thrown though a sky light (Leo in the comic and Raph here), the turtles being horribly outnumbered by them, Casey coming ot the rescue and metting the non-raph turtles for the first time, and them being forced to escape when the place goes up in flames), their exile to northampton (April writing in a journal, casey working on a car with one of the guys and one of hte guys looking over hteir injured brother), and finally, their triumphant return which was very loosely adapted as there are no deformed shredder clones and shredder not being dead yet in this version was not brought back by a colony of super science worms. 

So as for how this all comes together: Our story takes place in New York: A crimewave is high with muggings mysterious. There are a ton of phantom thefts going around and at most people have been seeing teens responsibile. And the police.. are at about this level of useful:

The only person doing something is April O’Neil, played by Judith Hoag. Hoag is easily the standout of the film, giving us a strong, confident woman with a wonderful sense of humor. She honestly might be my faviorite April O Neil, and given we’ve had some great ones with 2003, 2012 and Rise, that’s not something I say lightly. I honestly wish I’d recognized her in more stuff as she was both on Nashville and the mom in the Halloween Town films, and most recently was on the ScFy show the magicians. She’s a talented lady and i’m glad she’s still goin. 

April is a reporter for Channel 3 like the cartoon, though for some weird reason her boss from the cartoon is replaced by Charles Pennigton, played by Jay Patterson, whose currently dealing with his troubled son Danny, played by Micheal Turney. Pennington is horribly useless at both jobs: At work he tries to ease April off calling out Chief Sterns, who refuses to listen to April’s evidence gathered from japanese immigrants that the crimes resemble similar ones in japan in favor of trying to get charles to shut her up. Danny meanwhile is a member of the foot becase his dad thinks shouting out him and talking about him like he’s not there and generally being a dipstick will actually do anything to help him. 

I love the concept for the foot here. In addition to being a Ninja Violence Gang as always, they now recruit new members by finding kids without families or with troubled family lives and giving them a sense of family with the foot, and sweeting the bargin with a giant cave filled with arcade machines, a skate ramp and general late 80′s early 90′s kids goodies. Is it rediculous? Yes. Is it also clever as it gives Shredder an easy army of plausably deniable theives that he can pick the best out of to put in his elite that will be tirelessly loyal to him and him alone? Also yes. 

So April being public about this stuff gets her attacked, which naturally leads to our heroes coming in, first in the shadows and later directly when April wont’ give up on the case and Shredder sends some ninjas to go shut her up.. which he does weirdly as the guy jsut slaps her and tells her to cut it out like he’s on a domestically abusive episode of Full House. Raph saves her, and we get the turtles origin.. though weirdly they cut it in half. We get the ooze portion but Splinter’s past with Saki, Saki’s murder of his master and his master’s partern Tang Shen is left for later in the film and the fact Shredder’s saki is treated as a big twist despite the fact the biggest audience for the film would be kids... and kids would’ve been familiar with the cartoon where the giant brain monster routinely screeches out saki at the shredder. Maybe Barron just thought he was an alcoholic I don’t know. It just would’ve made more sense to have it all at once and let the audeince put it together. 

April becomes good friends with the turtles over a night of frozen pizza and camradrie, but the Splinters return home to find it ransacked, Splinter kidnapped by the foot, and are forced to Stay with april. Charles meanwhile tries to get April to backoff because he made a deal with the police to clear Danny’s record, without TELLING her any of this mind you, but I will save my rage on that little plot point for in a bit as Danny who he drug along sees the turtles and tells the Shredder. 

So we get the return of the shredder arc as Raph goes through a window, our heroes fight valiantly, and Raph’s friend Casey who he met earlier shows up, the two having bonded as all true friends do.. by beating the shit out of each other ending with raph shouting DAMNNNNNNN really big and dramatically into the sky for some reason. The Turtles and friends escape with an injured raph from April’s burning second hand store. She had a second hand store it was poorly established and only there because she had it in the comics. 

Our heroes retreat to a farm April’s grandma owned in Northampton, Massachutes, where Mirage was located at the time the original comics where they were exiled to the place were written and a location that has been a staple of the turtles ever since. The turtles slowly recover, lick their wounds, talk about who hooked up with who on gilligans island etc, before Leo connects with Splinter via meditation, who tells them to come back. Splinter also starts to connect with Danny and convinces him to swtich sides.. or at the very least squat in the boys old home. 

The boys return home, find danny, and prepare, Danny goes back and ends up giving away the Turtles are home.. but the turtles are ready and in an awesome sequence kick the fuck out of the foot squad sent for them with some well prepared steam vents. Casey goes to get splinter since Danny told them and with Danny’s help, finds him, since Danny found out they were gonna kill him. Casey beats up Tatsu, shredder’s right hand man, and they get him out. 

We get our final fight which is awesome up until the climax.. which is splinter casually tripping shredder with nunchucks and thier bloody history being kind of rushed and unsatsifying. Casey crushes shredder with a garbage truck, April gets her job back, more on that in a moment, she and casey hook up, and we end with the fucking awesome song T-U-R-T-L-E Power by partners in cryme. Seriously check it out it’s fucking triumphant. 

The song is just good.. cheesy? Sure but that’s half the fun. It’s the gold standard for movie theme songs for them and stacks up handily with the various animated series themes.. all of which slap. Okay... ALMOST all of which slap. Fast Forwards is aggressively medicore, which is doubly suprising to me since 4kids was REALLY damn good with theme songs. It was one of the three things they were best at along with finding VERY talented voice actors and setting japan based works in america because merica dammit.  

The plot is very solid: It skilfully packed half of eastman and laird’s run on TMNT into 90 mintues while adding things like April’s job at channel 9, the way the foot recurited kids etc. The plot flows well for hte most part and apart from one annoying subplot we’ll get to never has a moment that feel unecessary or dosen’t pay off later. And the stellar plot and fun pacing of it helps boilster the characters that do work... and help paper over the ones that are so thin the’yd fall down a grate...

Our Heroes, Villains and Annoying Middle Aged Guys:

Yeahhhh character is hit and miss here. Some are rather strong, others are the bare basics for the character their adapting and most are just to serve the plot but some work some don’t,  So let’s talk about it starting with our boys:

Raph is the most fleshed out of the turtles, being the main focus of the first 2/3 of the film, and having his anger be part of what SHOULD be a character arc, learning to temper it. And while granted MOST TMNT properties do this, to the point that Rise Raph is so loveable in part because his boisterous bruiser big bro attitude is a refreshing break from the usual grumpus we get. But at the time this hadn’t been done in every version but the 87 cartoon, so exploring it was valid.. but despite saying this should be a thing htey just forget about it and the most plot relevance he gets is going thorugh a window. He dosen’t really get a resolution.. his arc just kind of stops dead for the final half and it’s one of the film’s weaker points, one I only just now noticed on this rewatch. He’s still the most entertaining. 

Leo is the weakest of the turtles. He really lacks a personality here mostly just being leader and while his spirtual side is touched on, it’s  mostly a plot device. He’s just kinda the leader because he was in the comics to the point Partners in Cryme called Raph the leader. His role in getting taken out by the foot was taken by Raph, so he just has.. nothing to do for most of the film other than gripe at raph ocasionally and say orders. He’s probably the worst Leo i’ve seen outside of Next Mutation. I prefice that because after watching Phelous’ review it’s VERY clear those four are the worst versions of the characters, and no personality is still better than either having your team do nothing or yelling at them as your personality. I chalk this up to the Mirage Leo, and the mirage turtles to a poit being kind of bland. Not TERRIBLE characters, especially for the time, but not nearly as fleshed out or individualized as they woudl be in other adpatations, and with most traits LEo DID have, like his badassery flat out gone, he’s just.. nothing here. 

Mikey and Donnie are a double act here with both sharing a brain. Interestingly instead of his normal genius character, Donnie is Mikey’s best friend and the two simply trade jokes and schtick together. The two are interchangable.. but easily the best part of the film and a lot of the most memorable gags and lines, from Ninja Kick the Damn Rabbit! to “Do you like Penicllin on your pizza”, are from them. Thier there almost entirely as comic relief but it works, with both clealry being more modled ont he 87 cartoon turtles, a move that helps lighten the mood in darker moments. Their just genuinely charming and it’s intresting to see such a diffrent version of Donnie, and other incarnations, specifically the 2003 and Rise versions, would retain the sarcastic edge. 

Splinter is splinter. That’s about it, he’s peformed well and the puppet is amazing but he gets kidnapped a half an hour in and outside of influcencing Denny, more on that in a moment, and finishing Shredder he dosen’t do much but spout exposition. He’s not bad or anything, but he’s essentially a rodent shaped plot device. He was also puppeted by Kevin CLash, aka the guy who does Elmo. So there you go. 

April on the other hand.. is truly excellent. This might be my faviorite April. Judith’s april nicely blends the cartoon and mirage versions: She has the cartoons energy and job, but the comics sheer will and casual nature. Judith just oozes personality and her April is just a joy to watch, from her breezy chemistry filled interactions with the guys to her confrntation with Chief Sterns, knowing she’ll get thrown out by the asshole. She’s confident, and even when afraid dosen’t back down to her attackers and even helps out during the sewer ambush. I mean it’s a pot on the head but still it’s neat. She’s easily the best part of the flim and the most fleshed out of the cast. The worst I can say is they kinda shove her store from the comics, Second Time Around, in there for no other reason than it was in the comics: It dosen’t come up until it’s needed for the foot’s assault on her place. But overall.. she’s just fantastic to watch. 

Speaking of fantastic to watch, Elias Koteas is fantastic as Casey. Seriously he’s only second to the 2003 version in my eyes, getting the concept of a testorone filled average guy who decided to just go out and hit people with sports equipment after watching too much A-Team.. I mean that part of it’s not in this version but it’s implied, just right. Like judith, Elias is just really funny to watch and his big scenes, showing up just in time during the foot assault on april’s place and his fight with Tatsu are some of the best parts of the film, the former taken directly from the comics. This version isn’t without problems: His friendship with Raph, his most endearing aspect and one that has been carried throughout eveyr version Casey’s important, with the only exception so far being rise and we have a movie to fix that, is absent here. HE does save the guy, but they don’t really bond or anything. In fact he disappears for about half an hour after his big fight with Raph. But... again he’s just so damn entertaining, down to his JOSEEEEEEEEEEE Conseco bats (There was a two for one sale!).

Shredder is just a LITTLE better than splinter, if only because his actor projects a true aura of menace and I feel this version had some influence on the pants crappingly terrifying 2003 version. And the idea of the foot recurting teenagers like I said is a good one: He gives them home and a cause, they give him plausably deniable backup. And his fight with the boys in the climax is really awesome... the conclusion sucks but otherwise h’es okay. Not the deepest villian, but he has enough presence to be enjoyable.

His right hand man Tatsu, whose been adapted ocasionally since this and reimaigned as Natsu in the IDW comics, a female version, is also fine. He’s your standard grimacing goon but has enough presence to work. 

So that brings us to the penningtons. Charles, april’s boss at the station and his son Danny who’s joined the foot as he feels his dad dosen’t love him. Charles..is about as interesting and likeable as a dog turd and is the worst aspect of the film. No debate there, he just sucks. He sucks so hard he’s classified as a black hole.  The film wants you to see him as a put upon wokring dad whose frustrated with his son’s increased moodiness, skipping school and crminal undertakings and just wants to help him and loves him deep down. The problem is his actor’s delivery instead of concerned.. is just pissed. He just seems pissy and upset about the whole thing and comes off like he’s only mad about Danny doing this because he’s embarassing him and not because you know, it’s bad. When confronting Danny about stealing, he dosen’t consider MAYBE he’s part of a gang or needs help, but just wonders “Why are you stealing when I give you stuff”. Because, Dipshit, sometimes kids do crimes not because they need the stuff but because they WANT to, and because they want to act the fuck out. 

The most he does for the kid is agree to try and get April to back off the police when Cheif Sterns offers to let Danny go and not put him on record in exchange for it. The problem.. is this makes him even MORE unsympathetic. While I do get wanting to help your child, I do and it’s a sucky position... he again should be sympathetic.. but he handles the thing so badly it sucks. He just tells april to ease off, with no reason given, then fires her when she SHOCKINGLY dosen’t give up taking the guy whose refusing to take her hard work seriously or actually solve the crime wave problem to task for his shitty behavior as ANY person facing a shitty, corrput cop would. She just wants to hold him acountable and get him to actually do something. He clearly knows her on a personal level too as he talks about his issues with his son freely with her, something you don’t do with an employee unless their also a friend on some level. 

He could have TOLD april what was going on. She’d be furious at Stern’s naked corrpution and prioritizing shutting her up over actually solving crimes.. and thus put at least some of that energy into shutting him down or finding a way around it, going to the papers or something like that. Even in 1990 pre-internet, there were ways to get around Sterns blackmail and expose him so someone who’d actually do the job could get the job. Instead he just comes off as a selfish coward who rather than try and fight the guy blatantly abusing his power and using Charles own son as  barganing chip, goes along with it because it’s the easier option to simply bow to him instead of TRY and stop this. And it’s not like he’s even going after a beloved public figure or someone who could hide behind his rep: Sterns was blatantly failing a crime wave, April had called him out on his failrues and coverups multiple times. The public was against sterns.. finding out he tried to blackmail the media into shutting up about him would PROBABLY end him... I only say probably not because the public wouldn’t skewer him, but because police tend to escape consequences for blatantly murdering someone on a daily basis and Andrew Cumo is STILl mayor over in new york, the same city this movie takes place, 31 years later, depsite EVERYONE asking him to resign over a long history of sexual harassment and a more recent but still horrible history of hiding death numbers. I don’t doubt people being stupid enough to ignore this or the bilaws with cops being stacked enough for him to get away with it, but just because someone gets away with a crime dosen’t mean you shoudln’t try and go after them in the first place. Fuck. Charles. Pennington. 

Danny on the other hand is FAR more interesting and I think gets way too much flack when it comes to this subplot. Unlike his dad, whose dead weight, Danny is intresting: He provides a POV character for the foot’s MO in the film of taking in wayward teens, and his character arc is pretty engaging, slowly realizing the foot dosen’t care and that hte turtles are the good guys. HIs actor does a great job and while not the biggest presence, he’s not a bad addition to clan hamaoto and I wish other adaptations would find a way to use him. The pull between doing the right thing and his found family is a good struggle. My only real issue with his plot is the moviies flawed aseop about family. It tries to contrast shredder and his using the kids blatnatly with Splinter and Charles really loving their sons. And it works with Splinter and the kids because despite being a tad strict, Splinter clearly loves his sons and works with them to help them. The problem is ENTIRELY with Charles and Danny. As I said Charles love comes off as transasctional: He either thinks he can buy it or just expects it because he shot a bunch of goop into Danny’s mom after two minutes of disapointment. It dosen’t work with them because neither option is good for Danny. His father is neglectful, chooses throwing his jounralistic integrity out the window over talking to his son or his best friend about another way, and abrasive. Danny is no saint, he does do crimes, but it’s clearly a result of a shitty upbringing and the shredder and co actually offeirng him the love he desperatly craves. Danny goes to the foot because his dad is bad at his job but the film never adresses that and just expects Danny to go back to his dad because the plot says so. Danny would HONESTLY be better off with Splinter. No really. Sure he’d have to live in the sewers.. but he did so for a few weeks in the course of the movie. He’s fine down there. Splitner actually cares about him and took an intrest to him and knows how to raise a child. Let him become the fifth turtle. An aseop about family is not a bad thing: Loaded subject that it can be given how many outright abusive families exist, i’m one of the lucky ones who dosen’t have that issue, family is an important thing and can be a source of comfort and support. But this film tells you you should love and respect someone who does not love, respect or value you because he spent a minute in your mom’s vagina and that’s not how family should work and is outright dangerous to kids in an abusive situation. Love the film otherwise but fuck this aseop skyhigh. 

Final thoughts:

Overall though.. the film is bodacious. It’s funny, well paced, has an awesome cast, and outside of a certain bald asswipe... it’s a really good superhero film. Is it the best i’ve seen? Nope. Not even close and character wise most of them are as thin as a wet paper bag covered in ranch dressing. But it’s still a fun as hell with awesome corepgraphy, a killer soundtrack, seriously the soundtrack is damn excellent and only didn’t get it’s own section because I didn’t have enough to say and some of the best effects work i’ve seen in a film in the turtle suits. If you haven’t seen it I urge you to check it out: it’s a breezy 90 minutes, it’s on hbo max and it’s a shell of a time. Will I do the next film? 

We’ll see how this one does like wise and such, but I will be doing the rise film whenever it comes out this year. So look for that and keep possesing turtle power my dudes. If you liked this review subscirbe for more, join my patreon to keep this blog a chugging, comission a review if you have more turtle stuff you want me to cover, and comment on this. What do you think of the movie, what are your thoughts on the review, what can I do better, what other turtle stuff would you like me to cover/ Let me know and i’ll see you at hte next rainbow.