#I think nobody else has done this yet

[ruby-lightning]

Season 4 jmart be like

(@/tompowelll on tt)

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[jaarijani]

Look out! I think Moto Moto likes you~

[mysimsyuri]

while im thinkin abt them heres a ship chart i did for funsies in ms paint

[poniko-w]

been making concepts for magical girl adukin au.. i am forming a semi-consistent plot & having fun.. i might draw some other characters in magical girl outfits even if ive sort of laid out what the "canon" magical girls are for the au, but idk who i would draw.. maybe fusakin and syumitaro because well. ones a balloon with a human body and the other is God

[hadesknockedupintheunderworld]

Do you think that modern tails could time travel?

Hmmm

I think, all things considered, he could probably figure it out if he wanted to

Depending on the situation and the narrative, I can see Modern Tails working hard on it (either til eventual success or only for someone else to do it first) or just kind of being like "Oh, you guys need to travel through time? I cracked time travel 5 months ago. Would you like to try? Not sure if it's necessarily a great idea, but for science... Just be mindful of things."

In other words, with my own interpretations of modern Tails, I think in reality it's either something he wrote off as impossible until he saw someone like Silver do it (which gave him the spite he needed to work at it again), or something he started working on half for fun and half just in case that he's lowkey waiting for people to prompt him to ask about

Thanks for the ask, anon!😊

[sodafrog13]

trying so hard to finish this fucking fic i swear

[cameronsbabydoll]

ex!husband!rafe when he finds out you had another guy over while your son was there

divider is from @princessbrunette

wc: 947 — a/n: sorta a new layout

you hear the knock at your door late at night, sharp and deliberate. you already know who it is before you open it.

rafe stands in the doorway, jaw clenched, eyes dark with something between anger and possession. he’s still dressed from work—white button-down undone at the collar, sleeves rolled up, rolex catching in the dim porch light. he looks every bit the man you once loved, the man you once shared a life with. the man you thought you had finally left behind.

but you didn’t. not really.

“you wanna tell me why my son is talking about some man in my house?” his voice is low, biting, laced with an authority he has no right to wield over you anymore.

your stomach knots. “rafe—”

“don’t,” he cuts you off, stepping inside, closing the door behind him like he still owns the place. like he still owns you. “who the fuck was he?”

you exhale sharply. “it’s none of your business.”

“the fuck it isn’t,” rafe scoffs. “some guy plays house around my kid, and i’m just supposed to sit back and take it?” he steps closer, eyes locking onto yours. “you still belong to me.”

you shake your head, voice firm. “no, rafe. that’s not how this works anymore.”

his hand grips your chin, tilting your face up to meet his, forcing you to hold his gaze. his touch isn’t rough, but it isn’t gentle either. “does he take care of you? huh? what does he make? forty, fifty grand a year?” he laughs, shaking his head. “you slumming it now? is that what you want our son to see?”

your jaw tightens. “i don’t want our son to be like you.”

that makes him pause. his grip tightens just slightly, enough to make your breath hitch.

“like me?” he murmurs, tilting his head. “entitled? condescending?” his lips curl into something dark, something cruel. “or just a man who gets what he wants?”

you glare at him, trying to pull back, but he doesn’t let you.

“you forget your place,” rafe murmurs, voice like a promise. he leans in, his breath hot against your skin. “you’re mine, baby. always have been. always will be.”

your body betrays you, shivering at the claim, at the truth laced within it.

his lips brush against your cheek as he whispers, “you can let him pretend all you want. but we both know—no one else will ever be me.”

you press your hands against his chest, pushing him back with more force this time. “stop, rafe.” your voice wavers, not as firm as you want it to be.

he lets you push him—barely—but he doesn’t step back. he lingers, watching you with something knowing in his eyes, something that says he sees right through you.

“you don’t get to do this,” you say, voice quieter now. “we’re done.”

he hums, like he’s considering your words. then he smirks, that same infuriating, arrogant smirk that used to drive you crazy. “and yet… i’m still here. in your house. late at night.” his voice dips, low and dangerous. “like always.”

you swallow hard, refusing to let him pull you back in. “because you forced your way in.”

his fingers trail up your arm, slow and deliberate. “and you haven’t made me leave.”

you jerk away from his touch, breath unsteady. “i don’t want you here, rafe.”

he lets out a sharp laugh, shaking his head. “that’s cute, baby. real fucking cute.” his expression darkens. “you think i’m gonna just sit back while you play house with some nobody? while my son—my fucking son—is around some piece of shit you brought home?”

your jaw tightens. “he’s a good man.”

rafe’s hand snaps out, gripping your chin again, firmer this time. “he’s not me.”

you glare at him, but the intensity in his gaze makes your stomach twist.

his thumb drags across your lower lip, slow and possessive. “tell me something, sweetheart.” he leans in, his voice barely above a whisper. “does he even know what to do with you?”

your breath catches. “rafe—”

his lips brush against your ear. “does he know how to handle you? how to make you beg?”

you push against his chest again, but this time he doesn’t move.

he chuckles, dark and satisfied. “yeah. that’s what i thought.”

your hands tremble as you shove harder. “i don’t want this! i don’t want you!”

he catches your wrist, holding it against his chest. “liar.”

you shake your head, tears burning your eyes. “you don’t own me.”

rafe exhales, shaking his head like you’re saying something ridiculous. then his hand moves to your jaw, tilting your head up until you have no choice but to look at him.

“you really think you can change what you are?” his voice is softer now, but no less dangerous. “what we are?”

your breath is shallow, and your pulse is erratic.

his thumb strokes your cheek, almost gentle. “you’re mine. you always will be. no one else will ever touch you the way i do.”

you hate the way your body reacts to him. hate the way his words sink into your skin like they belong there.

he watches you, eyes flickering with something dark and triumphant. “so go ahead, baby. let him pretend he has a chance.” his lips hover over yours, teasing. “we both know where you’ll end up.”

your voice is barely a whisper. “rafe…”

he smiles, pressing one last lingering kiss to your jaw before finally—finally—pulling away.

“for now,” he murmurs. then he turns, walking to the door like he owns the place.

like he still owns you.

and maybe, just maybe… he does.

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[sweet-as-an-angel]

MW2 Reaction to You Being A Virgin

Warnings: 18+, Implications of Smut, Corruption Kink, Purity Kink, Innocence Kink, Ownership Kink, Age Gap, Implied Slight Yandere Graves Inexperience, Objectification, Dominant MW2, Soft MW2, Gaz is anxious :-( but trying his best, MW2 Trying To Be Smooth, Profanity, No Pronouns Used For Reader Except ‘You’.

Ghost

The fact that you, innocent, are his to love and corrupt sends white-hot anticipation between his legs.

He’s imagined what you’d be like in bed: how you’d take him, the sounds you’d make. Of course he has – practically everyone on Base has.

But now, his fantasies are tinged with something feral. A primal need to show you that he is the best choice for you (even if he doesn’t believe it himself) – the only one strong enough and skilled enough to be yours and to make you his.

He’s fantasised about you looking up at him with doe eyes while he pins your wrists to the mattress, voice meek as you tell him, as if it’s a secret, that you’ve “Never done this before…”

He can’t live without it. The fact that he can – will – be your first time. Satisfy you in ways nobody else will ever be able to compete with.

He’d never admit it, but a dark part of him has plagued him with ideas of ravaging and corrupting you, about making your first time so pleasurable and carnal that nobody will ever be able to satisfy you as he can.

“Don’t worry, Sweetheart,” he tells you, taking your chin between his fingers. He lowers his lips to your ear. You don’t see the dark gleam in his eye. Don’t see the deliciously dark idea cross his mind – the impulse to fuck you so hard that you won’t be able to feel anything, nevermind pain. And he makes a promise to you anyway.

“I’ll take care of you.”

K��nig

“Thought as much.” König’s words are blunt yet sharp.

“Seeing as you have everyone wrapped around your finger, it’s clear you have no regard for the way you conduct yourself.”

You may construe König’s words as mean. Derogatory, even. He means it as a compliment. Even if you don’t know it yet.

“You think I don’t see the way you flaunt yourself in front of the soldiers – thinking that you’ll be able to get away with it without consequence.”

König’s frame towers over you. His gaze is ice, and any trace of the socially anxious soldier you knew is gone.

“I wonder how you like it.” he muses aloud. His voice is tinged with something unreadable. Venomous.

“How you’ll take it. Rough, gentle…” His eyes narrow.

“Mean.”

He’s boxed you in with his stature alone.

“Makes no difference to me,” he tells you. Deceptively calm. And then, an offer. One you can’t refuse.

“I’ll fuck you every which way until I find what makes you scream the loudest.”

Soap

“Oh, really?” he says, eyebrow quirked and a hidden smile teasing his lips.

Johnny really couldn’t care less that you’ve never had sex before. But, the fact that you shared this information with him – albeit after he steered the conversation towards more…intimate topics – gave him hope that you were hinting towards something.

Something that Johnny’s wanted since he realised he was massively, whorishly down bad for you.

From his position opposite you, against the kitchen counter, he takes a step forward.

“I suppose you’re not very experienced then, are you?”

He advances until he’s in front of you. A wolf and a lamb. Close enough that you can smell his cologne.

His eyes are piercing, but there is a softness behind them. Something that writhes and wants and needs.

His hands come to rest upon the counter behind you. Nowhere for you to run. The heat from his body is scorching.

“Though, I’d be more than happy to…” His voice husks. “Beef up your résumé.”

Valeria

Corruption kink to the MAX

Valeria is a territorial, dominant woman – that much is easy to see.

And the fact that you haven’t had anyone else before her just does something to her.

Alters her brain chemistry permanently.

There’s not one soldier, police officer or government official she doesn’t own in Las Almas.

So why shouldn’t she own you, too?

Now she’s thinking of every conceivable way she’s going to take ownership of you.

She thinks about it so often that she struggles to complete her paperwork without having to disperse the issue before she can continue.

But be warned: there will come a day when satisfying herself just won’t cut it. When she’s going to seek you out and ruin you.

“It might hurt at first, mi Amor,” she tells you, hand stroking your cheek, coming down to your jaw. “But trust me when I say that–”

Her hand grips your jaw. Tight. A viper’s strike. A fire burns in her eyes and the corners of her lips curl up in a cruel smile.

“I’ll make it hurt a whole lot more if you don’t do as I say.”

Price

Given his age, Price has had his fair share of experiences.

But that doesn’t harden him to the simple fact that you haven’t.

In his eyes, there’s something endearing about how you’ve yet to give yourself to another person.

Another person that, he hopes, will someday be him.

The idea makes something in him stir. The fact that the difference between your age and his makes him that much more confident in his ability to please you in ways no mere boy can makes him anxious to act.

“Oh. Is that right, Love?” He says, eyes light and his smile dangerous.

“S’ppose you’re waiting for the right person.” His posture is inviting. Tempting. Belies the rush he’s feeling — the desire to have you at his mercy in the most carnal sense.

“Pretty little thing like you, you could have your fill of men.”

He’s angling for something. His face says it all.

He steps towards you. Again. Again. He’s in front of you.

His chest is almost to yours. His smile is shallow now. Strained. Like his pants.

“Probably looking for someone with experience.”

He thrives on the way your chest flutters. His does, too, but it’s masked beneath a  heavy stare.

“And trust me, Love,” his voice is low. A message for you and you alone as he brings his lips to your ear, breath hot against your skin.

“I’ve got plenty to spare.”

Horangi

You don’t hear it for his mask, but Horangi lets out a shuttered breath.

“That’s why you’re always so quiet when sex talk comes up.”

He says it as a fact, but you take it as a question. You nod.

Horangi’s arms unfurl from his chest, come to rest at his sides. He’s looking at you.

Even through the layers of his mask, his gaze is heavy. Leaden.

He steps towards you. His frame, broad, fills your vision.

You can hear how heavy his breathing has become. How thick the air is.

How much he’s trying to restrain himself.

“How about a deal,” he proposes. Commands.

“You give me something to have a nice, long, hard think about,” his hips are to yours. You feel him pressing against you.

“And I’ll give you something to talk about.”

Alejandro

“You surprise me, mi amor,” he says, natural as anything. As if he already knew.

“I’d have thought someone would have swooped in and claimed you by now.”

Truth be told, Alejandro wanted to be that somebody so badly that it made him ache in places he’d rather not think about. Especially when you’re already making containing himself incredibly difficult with that pouting, wide-eyed, innocent look.

God, you had no idea what you were doing to him.

“Or…are you saving yourself for someone specific?”

Before you, his frame is broad and imposing even without all his military gear on.

He takes your chin between his fingers. Tilts your head so your gaze can’t escape his. A shiver runs up his spine at the sound of your breath stuttering.

His words aren’t rhetorical. He’s pulled the answer from you – seen it in your eyes.

“Or are you just waiting for a man who knows how to take care of you?”

Rodolfo

“O-oh!” Rudy chokes out. His cheeks are already giving way to a telltale pink. He tries to cover it.

“But– you’re so pretty and smart and kind – I thought you’d have a boyfriend by now!”

In some ways, Rudy’s a bit of a traditionalist: his mind still jumps to the idea that you’d typically only be intimate with someone you’re already in a relationship with.

Not that he’d judge you if this were not the case for you.

But he sees his chance. And he takes it.

“Well, if you’re not with anyone, then…would you like to go out sometime? With me?”

His eyes are wide and filled with hope – something you’d never have expected from a  man in such a brutal line of work.

Sex is the last thing on his mind right now: truly, he’s so taken in with the idea that you’re single and available that your sexual status means very little to him.

Though, that isn’t to say he hasn’t thought about you like that before, or that he hasn’t spent many a night with his face smothered with pillows as your name escapes from between his lips, panting, moaning.

That’s a little secret for you to uncover later in your relationship…

Graves

“So you’re tellin’ me that no one’s had the privilege of fuckin’ that pretty little ass of yours?”

Graves sure has a way with words.

For all his slimy business practices, this is the one time he’s genuinely surprised. Unable to be slick.

He puts his game face on. Gives you a half-lidded stare and lowers his voice. His heart hammers: he conceals it behind a cool tone.

“Well, colour me impressed, Angel,” he says. A hand comes to the hem of your shirt, takes it between slow, intentional fingers. He has to resist the urge to look at your chest when he pulls the fabric taut.

“And here I was thinkin’ I already knew everything about you.”

He’s moving in before you can analyse his statement. Before you can begin to understand how badly this man has lusted after you – how deeply entrenched in your life he’s become. And all without you knowing.

He places a hand on the wall behind you. Presses himself closer to you.

“How much to let me be the first,” he drawls. Your eyes widen. His thin smile grows.

“And last.”

Gaz

Bless his little cotton socks, he doesn’t know what to do with both this information and himself.

See, despite being incredibly intelligent, Gaz is still the youngest of the 141, so he’s not entirely accustomed to situations like this.

He can’t tell if you’re hinting, flirting, or just telling him something about yourself.

He remembers what Soap taught him, though.

Should a situation arise where someone is flirting with you, just use your intuition and don’t fuck it up.

Gaz leans against the doorframe, almost misses, scrambles to resume his ideal posture.

“Oh, so we’re more similar than you’d think, then.”

He can feel Soap banging his head against a wall. Jesus, Gaz – at least try to impress (Y/N) !

At your raised eyebrow and your playful “Oh?” Gaz coughs. His voice lowers.

“But…” he steps closer. “Maybe we can un-virgin each other.”

Long story short, Gaz has no idea what he’s talking about. But, somehow, his nervous disposition and pretty boy charm have enamoured you. And you may have told him you’d take him up on his offer 👀.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

Yandere Masterlist Juicy Original Content <3

[cakemoney]

i do want jammer to lose his shit a bit. like, in a very real sense, he did not fucking sign up for this. the first time the wizard community reached out to him, it was a crazy political maneuver disguised as an innocent offer of education. he agreed to go to school just to find out these people won't let him go home and won't tell him anything and set him up to fail because they look down at him, so of course he left! fuck that! only now they reached out again, and he's told this is just a quick errand, a quick little magical adventure to deliver something while hanging out with his old friends and he'll be done before spring break ends, and somehow yet again there are wild power struggles that nobody told him about and now people are killing each other. he's been volunteered to save someone else's world while his friends get to party and have fun the way kids his age all do, AND he has no choice because his friends' lives may be in danger AND this fuckass rock doesn't like him even though he doesn't even want to be here. i don't think evan killing philtrum was bad, but i do think jammer deserves to freak out for once

[elixrr]

“could you be seen with me and still act proud?”

➢ Jing Yuan, Argenti, Aventurine, Dan Heng, Blade, Xiao, Childe, Wanderer, Zhongli

➢ Star Rail / Genshin x [GN] Reader

➥ (their answer + reaction to this question)

➥ (comfort / fluff)

✧ - JING YUAN

“Why, of course. I would hold your hand up for the whole of the Xianzhou to see.”

This was pretty expected of the sly general. However, what was unexpected was the way he took you in his arms and lifted you up—bridal style. You begged him to put you down as he opened the doors of his and your room, now making his way outside to remind the whole Xianzhou that you're his and he's yours.

✧ - ARGENTI

“Dearest love��of course, I would be so proud to have the chance to take the hand of mortal beauty itself, and, if it were chivalrous, I would boast about your beauty everywhere I go.”

Ever so poetic, Argenti pulls your heart strings again with his creative (yet cheesy) lines. He loves you; that's a fact that nobody can deny, and he believes that you were sent down by Idrila herself with how attractive you are. Without a hesitant thought, he backs away and offers you his hand—will you accept the offer in which he takes you from place to place, hand in hand, to show the whole world that your his love?

✧ - AVENTURINE

“You wanna take a bet? Here, I'll take you out to dinner if you guess my answer correctly—get it wrong, and I decide on what I'll do with you.”

With a wink and a smile turning into a smirk, it's always hard to guess what Aventurine is thinking, but with the clock ticking, you hardly get time to really think, and so you curiously answer with “no.” A smile grows on his face, and he leans in close, holding your arms. He whispers in your ear, “I guess that means you have to do what I tell you tonight.”

✧ - DAN HENG

“Of course. I do... I do love you, after all.”

His sentences are kept short and simple (with a little bit of blush), just like how they always are. Now, unlike most people on this list, he isn't bringing you outside to let the world know that you're dating, but he would feel and does absolutely feel proud to have you as his love. He reassures you that he would never feel embarrassed or feel the need to hide his love for you, no matter the crowd he's surrounded by.

✧ - BLADE

“Yes. Nobody's taking you, and nobody's taking me. Everyone had better know that you're mine, and the same goes for me.”

His response was rather threatening, but that's typical with Blade. His words are as sharp as his sword, but they're also as meaningful as sharp; his intent is nowhere near ill towards you, and he only means that he's dedicated himself to you already, and it's a dedication that he would never feel embarrassed or guilty for. Now, take his hand—he'll promise the world that you're his tonight.

✧ - XIAO

“Yes. Why wouldn't I be?”

In Adeptus Xiao language, he means, “yes, of course I would. Archons, holding your hand is a blessing itself.” And, though he doesn't admit it, he still feels it. You are his first and only love in several millennia. You, of every person to ever set foot in Liyue, managed to capture his heart when nobody else could. Xiao loves you, and he feels that he will forever, so he prays you'd banish him if he ever hurts you or hides his love away for something trivial because that means the karma got to him and that he's gone mad.

✧ - CHILDE

“Of course, babe! You know what? Let's go on a date right now— everything's on me!”

And that's simply Childe. Without a word, he disappears and reappears with your favorite outfit in hand, and has you put it on (in private as he waits outside the bedroom door), and when you're done, he's suddenly dressed nicely with roses in hand, and he takes you out on a date. How? No clue, but know that he's letting the whole region know that you're his right here and right now.

✧ - WANDERER

“Huh? That's a stupid question. Why are you asking me, anyway?”

Yes. He means yes in every way possible. His sharp tongue speaks the opposite, but Wanderer truly means that he would show you off to the world if he had to. If he has to, mainly because he finds the concept of love in its entirety as stupid, but he also loves you too much to let you leave him, let alone have someone else think that you're some vacant partner just waiting to be taken. Now, hold both of his hands. He'll glide you above Sumeru City and show everyone there that you're his if you're still thinking about the question.

✧ - ZHONGLI

“Well, of course. Would you like to take a walk around the harbor for me to prove that?”

Zhongli senses your insecurity, and he wishes to alleviate your worries, so he takes you to a popular teahouse by a bridge. It's not that grand or special, but he keeps you close to him as you both sip away at your tea and embrace the company of one another.

yes, this was a heathers reference.

[cameatslemons]

mouthwashing post. jimmy is a raging narcissist and im tired of people trying to give him benefit of the doubt. his inability to see two feet beyond what immediately concerns him dooms everyone on the tulpar, and even in the end, he only really cares about himself.

big list of all his narcisstic bullshit below bc im here to motherfucking prove it (mouthwashing spoilers of course)

most obviously: everything is a personal attack on him. EVERYTHING. you can see it most clearly at the birthday party; while everyone else is understandably freaking out about being laid off, jimmy starts telling curly off and insulting both him and everyone else at the table, as if being laid off is a personal attack on jimmy specifically. it doesn’t matter that anya has nothing to go back to, that swansea’s life is thrown away- jimmy is the ONLY victim here, apparently. curly is personally responsible for getting laid off, in his eyes.

i don’t actually know the words for this but the way he’s constantly going “i have to do EVERYTHING around here”- again, feeling like its a personal attack to be asked anything at all. anya asks him to take care of curly because her entire fucking life is falling apart, its her end of days, but somehow shes the villain for struggling.

also the general antagonization of anya. she’s extremely competent for the hand she was dealt! shes too poor to attend med school yet shes very knoqledgable in medication and wound care! and yeah no shit shes struggling now, someone she cared deeply about is suffering immensely and now the ship is being “run” by a man who assaulted her. no fucking shit shes breaking down. but jimmy makes it clear time and time again that this is somehow her fault, all this shit of “shouldn’t nurses EARN their titles?” while she’s having a mental breakdown.

similarly, swansea being villainized for holding the cryopod for daisuke and killing him. like, i get it, but jimmy’s whole thing of saying he can fix daisuke is… c’mon man. he’s a hero to himself, he “always” fixes things the same way he “fixed” the ship, and he will fix daisuke and claim heroism even though it’s very clear nothing else can be done for him.

“someday you’ll thank me” while forcing curly to eat his own leg. the incredible confidence that he is in the right even when literally torturing someone.

MOST IMPORTANTLY: the final scene with curly burning. jimmy doesn’t earnestly believe he has anything to be sorry for. even when apologizing to curly he says “we can BOTH be heroes!” despite everything, he still thinks he’s in the right. he STILL thinks he’s a hero, because he’s right, he’s ALWAYS right, surely. he can apologize and grovel all he wants but in the end he still thinks he’s the hero of this story; he doesn’t genuinely think he has anything to right, he’s only doing this to be freed of consequence. and/or believes a simple “sorry” is enough, that it can fix completely ruining the lives of four people with his own inferiority complex.

i do think the choice to put curly in the pod instead of himself is the only time he recognizes his own guilt, if any. maybe it’s realizing that he DOES need something more than a simple “sorry” to even begin to try to fix things, maybe it’s that he thinks this will cement him even further as a hero. even then, does this fix anything? all it’s doing is making curly suffer more. is this actually a good thing?

to him, he’s the hero here. he always is. crashing the ship is a heroic thing, putting all his crewmates through hell is a heroic thing. all because something nobody can control is somehow a personal attack on jimmy.

not to mention all the “hallucinations” he has- it’s what he thinks should happen, it’s what he wants to hear. curly still calling him a friend, the dead corpses of his crewmates praising him, even in the final cutscene with curly burning where he says “no, YOU take the pod”. none of it’s real. it’s just what jimmy thinks is “right”. despite everything, he thinks everyone should thank and praise him, because he can do no wrong.

conclusion: jimmy is a narcisstic piece of shit.

[hor3nee]

• Life •

Sukuna grappling becoming a father while you give birth.

CW/TW: GN! reader, Labour/Childbirth, Sukuna typical violence mentions, BRIEF suggestive stuff, Nothing graphic, Religious metaphors & LOTS of life/death talk, (LMK if I should add anything else!)

Characters: Sukuna x Reader

AN: Nobody dies in this fic! It's fluff-ish. (It's Sukuna and reader giving birth, as fluffy as that can be man), prequel to this Descendant fic

   Life was such a fickle thing, not that it mattered to Sukuna. He was above life, death sickness and health, beyond it, above the proper empathy to care for it. It wasn't that he didn't understand, because he did, once mortal himself, and existing on this earth surrounded by the humanity that populated on it for years as a curse, he understood. But there was no legitimate reason for it to matter to him unless he could gain from a life, there was no reason to mind it.

And by the loose, greedy and otherwise just gluttonous standards of what it meant to be a creature of 'gain' to Sukuna, you fit it to the T, your life mattered to him. Your life, it was something he wanted, no needed to maintain to be kept satisfied, if you weren't there to be by his side, he'd be left starved.

To lose such a thing, would only ignite a certain wrath inside of him.

The screams of agony that parted from your pretty little lips had his chest twisting into a feeling of irritation. He much preferred your screams of ecstasy, making you scream his name in sweet pretty moans when he bedded you. Not this, screams of something he was also the culprit of in fairness, sobbed screams of pain as your body tore to birth his child.

Sukuna enjoyed such screeches of terror, weak defeated sobs he could rip and tear from the pathetic lot of mortals he terrorized, all of whose lives served no purpose to him. The issue is, yours does serve purpose, a great purpose to Sukuna. You're always there, by his side, and when you're not, it bothers him, he's greedy, hungry for you.

Your pain only infuriates him, he doesn't like it at all, no, he loathes listening to it.

Finally, finally, it stops after what felt like torturously long, it comes to a stop. Like that, the tightness inside his chest unwrapped, Sukuna didn't think he'd ever feel relief, he wouldn't need to, he had never fought an opponent he couldn't defeat, pillaged an army that would come close to his strength there was no concerns or worry for him to have to be relieved from. Yet here he was basking in such relief. Your screams stop, now instead replaced by the bothersome cries of something much more smaller. Squeaky small wails, that of an infant. his infant.

"Lord Sukuna." A muttered voice of one of the midwives comes through the door separating Sukuna from the delivery room. The door opens to the midwives attending finishing up and then all bowing in submission, their heads hanging low as Sukuna stands by the door-frame.

"Done?" He asks, more so a statement, a demand as everything he speaks is.

"Yes-" The meek voice of a midwife responds, she not daring to look up from the floor of the delivery room.

"Then what the hell are you dimwitted fools doing? OUT." There's the slightest growl in his voice at the command, one that though slight works wonders on any who dare stand in his presence, and to which without a moment of hesitation has all the midwives scatter out of the room, rushing out with their heads low. Only one pauses to shut the door behind herself, not wanting to risk the stupidity of leaving the door open.

Now, only the sounds of a baby's cries echo in the room, the small thing wrapped, protected in a small blanket. The moment is deafening as it is loud, there are as many thoughts as there is nothing in his eyes as he stares at the small baby you held. Yes, you made his child, 9 tedious months of him practically carrying you around everywhere and it was out now.

Sukuna was, well Sukuna, he didn't bother thinking much of the specifics, but rather the obvious reality of the situation during those passing months, and didn't see a reason to. He could still sleep with you, could still have you around, could still listen to your voice speak with him in converse. Was it different? Sure, but in no way that bothered him. Cravings? The King of the Curses can provide feasts. Tired? You needn't walk, he has four arms for a reason. The bodily change? Sukuna guts humans like pigs, the size of your stomach was far from grotesque to such a demon like Sukuna.

But now, he is met with the reality, the sight, the sound the smell of the newborn babe, absolutely reeking of familiarity, a literal complete being of two halves, Sukuna and you. It's overwhelming, and not in the way Sukuna likes, not in the hedonistic pleasures he enjoys but rather overwhelming in thoughts. Thoughts as rampant as blank in his mind, fogged like he was considering all of this.

"Sukuna." A clear call of his name comes from your throat despite its audible hoarseness of exhaustion, still as captivating as always, catching his entire attention. No one can command the Sukuna, but he doesn't need to be commanded when you call for him, because it's in his full will and gratification to come to your side, which he of course does. Stepping softly to where you are laid, surrounded by stained sheets, tools and incense presumably used in aid of the birth.

"What?" His throat rumbles, a question with no particular answer aside from the obvious literal whole baby you had birthed in your arms.

"Look at them... Beautiful, aren't they?" And perhaps by the grace of a god he'd doubted existed, there was a moment of serenity now, the fog cleared from the depths of his sick mind as he gazed upon the small bundle in your arms. That was your grace perhaps, no definitely, definitely your grace, you had bore his child.

That damned sinister grin came over his face as he reached down to the infant, the large monstrously large hand of his ever so delicately traced the cheek of the little one, a comical contrast between himself and the child. For the entirety of you and Sukuna's time spent together, he had considered you the only life that truly mattered to him, and now you had created a life from the mere womb, you've given him another life he'd find true importance in.

His child's life, blessed by the sanctified arms that cradled it.

"Divine, rather." He rumbled, a short snicker leaving his twisted tongue, but laced with genuine adoration. Utter devotion to this small life, to both two lives he had found himself so graciously gifted. Of you, of his child.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]