#I think my two actual favorite fiction books of last year were short story collections

[iirulancorrino]

I’m not actually sure what novel from last year I would want to win the Pulitzer since there wasn’t one book that I read that really stood out to me, but if I had to choose it would not be an Appalachian au of “David Copperfield” plus some other book (weird that they gave two first prizes also?). But I guess this continues the trend (with the blessed exception of The Netanyahus, which really is all that) of the fiction Pulitzers being weird and all over the place.

[batmanisagatewaydrug]

reading update: October 2024

hello, ahoy, and welcome to my October reading recap.

I made a real effort to focus on spooOOOoooky books this month, in the name of the season; you may even recall that I started early and read some spooky stories at the tail end of September. (read Carmen Maria Machado's comic The Low, Low Woods, btw.)

I've never been great at sticking to a theme but I think it helped that what gets classified as "horror" can vary greatly, so I never really got bored of the genre. I did get disappointed more than once by how Not Spooky some of these books turned out to be, but that's a totally different question.

right at the end of the month you'll notice a couple of outliers with Caped Crusade and Luster, which happened entirely because I was out of library books and on the road for a conference, so I was reading what I could get my hands on! I've been working on rereading Caped Crusade on and off for a couple months and I bought Luster at a cool indie bookstore in the town I was visiting and then inhaled most of it on the way home.

ANYWAY. to the books!

And Then I Woke Up (Malcolm Devlin, 2022) - this is a novella with an interesting spin on the zombie story, where the "zombies" are actually people who have started suffering hallucinations that fill them with paranoia and force them see other people as monsters. so, like, there were never any REAL monsters, but a woman looked at her young son and saw him as a cannibalistic monster, so she killed him. so who's the real monster? it's very deep. this story's explanation for this is "the narrative," an idea so strong that it simply seems to take hold of anyone who's around a sufficiently charismatic ringleader who drives them to join in their delusions and kill innocents who don't share their worldview. it's not a super subtle zombie metaphor, but I guess very few zombie metaphors are. it's fine.

Through the Woods (Emily Carroll, 2014) - I truly wholeheartedly wish I had more to say about this but it's just a very charming creepy collection of comics. my favorite was the one that was the scariest, involving humans getting taken over by body-snatching worm monsters, but on the whole it was a very minor creepy factor. the art's great the whole way through.

Happy Medium (Sarah Adler, 2024) - Happy Medium is October's romance novel as picked by my patreonites, and I will admit: my hopes were not high going in. a conwoman posing as a psychic clashing with a skeptical hottie goat farmer didn't ping me as a great mix, but honestly? HONESTLY? it kind of served. there was a much more well-rounded emotional core to this book than I often encounter in my romance novels; at risk of sounding like a cornball it genuinely had a lot of heart. the conwoman is actually extremely charming, I was rooting for her in a big way, and her emotional journey goes so far beyond just falling in love with the goat farmer. I'll happily claim Happy Medium as my #1 romance of the year unless a challenger arises in the next two months, but it's not looking likely.

The Ones That Got Away (Stephen Graham Jones, 2010) - this is a collection of Graham's short stories that was published long before he became a huge name in horror with books like The Only Good Indians and My Heart Is a Chainsaw. and as much as I hate to say it, I think I personally prefer his longer form fiction. none of these short stories were bad, per se, and they're incredibly stylized and polished, but I think I like Jones' work a lot more when it has time to simmer out. I may have also been biased by the fact that I was desperately seeking something scary to read, because while Jones plays with some pretty narsty concepts, the horror tends not to hit until a last page reveal that recontextualizes everything that's come before. which is cool! but not scaring me as much as I wish it was.

The Salt Grows Heavy (Cassandra Khaw, 2023) - a lot of people told me I should read this because it stars a killer mermaid and a plague doctor, which are two aesthetic archetypes I love, and I will give this to Cassandra Khaw: I liked this a lot more than their other book, Nothing But Blackened Teeth. which is clearing a very low bar, since I didn't really like that book at all, but I do think Salt is genuinely a pretty marked improvement. the prose is still kind of torturously overwrought in many places and I desperately wish that Khaw would put the thesaurus away, but there's like. a Concept here. the core is fun.

Tell Me I'm Worthless (Alison Rumfitt, 2021) - this book is by far the scariest I read, because the horror is hatred and bigotry and a fucked up, evil house that brings out the very worst of everyone who steps inside of it. this book gets so fucked up and bloody and downright nasty in its exploration of the characters and the underlying bigotries that turn them against each other and drive them apart. I don't want to spoil anything, but the book follows a white trans woman named Alice and her mixed race, cis ex-girlfriend Ila. in the past Alice and Ila entered the evil house with their friend Hannah; that ended with Hannah dead and missing and Alice and Ila both scarred and traumatized, each certain that they were raped by the other. so that's what this book is like! not a lighthearted undertaking, but one that I could. not. put. down.

A Sunny Place for Shady People (Mariana Enríquez, trans. Megan McDowell 2024) - what is there to say? Enríquez is my short story queens, and her new release absolutely lived up to the precedent set for me by The Dangers of Smoking in Bed, which was originally published in 2009 but not translated into English until 2021. this collection is sooo aptly named, because many of the stories are obsessed with the terror of places: hotels haunted by memories, neighborhoods filled with ghosts, junkyards where bodies are hidden, towns abandoned and taken over by something sinister. also, completely detached from the quality of the writing, this book has one of the most striking covers I've encountered this year. the screaming yellow cover and bold purple text looked SO COOL under the purple string lights in my bedroom, which was a little +1 to my mood every time I saw it :)

Thirst (Marina Yuszczuk, trans. Heather Cleary 2024) - I think if I had to pick a favorite book from my spooktober reading, Thirst would edge Tell Me I'm Worthless out by just a hair, because I'm just SUCH a sucker for a modern gothic. this novel is split into two chunks. the first is narrated by a vampire (hinted to be one of Dracula's infamous brides) who flees the Old World and crosses the sea to find safety in a young Buenos Aires, where she struggles to figure out how to slake her thirst and escape from loneliness while avoiding detection in a modernizing world. ultimately she seals herself away in a crypt to escape the relentless pace of change around her, and that's when our perspective shifts. here we join a modern woman with a young son, an ex husband, and a dying mother, who's struggling under the pressure of grief as she watches her mother waste away. she ends up accidentally reawakening the vampire from the first half of the book, and you can imagine things get weirder from there. honestly, for me, the part of this book that's most brilliant is the latter half and it's deep meditation on grief, but the historical portion of the book also plays the vampire gothic to the hilt. delicious!

The Caped Crusade: Batman and the Rise of Nerd Culture (Glen Weldon, 2016) - this is a really fun piece of pop culture history, tracking how Batman came to be DC's little #1 it boy alongside the developing prominence of nerds and fandom as a cultural force to be reckoned with. as I said above, this was a reread for me, because I wanted to circle back now that I've actually read most of the major comic events discussed in the book. Weldon weaves between Batman in comics, TV, and movies to examine on how one portrayal influences another - for instance: the goofy '66 TV series saw a huge backlash in comics, which went way dark to reinforce a grim and serious Batman for 'real' fans who objected to the show making Batman a joke to much of the normie population - and I think that's a really neat lineage to trace. while I think Weldon is sometimes a bit too transparent with his own disdain for certain adaptations, he overall has an extremely levelheaded approach to Batfandom and a conversationally informative approach that I really enjoy. of particular note is the fact that Weldon is himself a gay man, making him one of the only writers I trust to talk about why he personally dislikes Joel Schmacher's movies without getting homophobic about it.

Luster (Raven Leilani, 2020) - this book!!! this was one of three novels recommended to me by Bonnie at Snowbound Books, and Bonnie if you are on this website I owe you my LIFE because you were 100% correct. I was obsessed from the very first line and it only gets better from there; Leilani's prose is painting a searing, witty Sistine Chapel to render her protagonist's miserable life in vivid color and detail. the short version is that our 23 year old hot mess finds herself jobless and homeless and ends up moving in with her married boyfriend who's 23 years her senior, where she forms a powerfully weird connection with his rage-filled wife and develops a bond with the couple's nerdy adopted daughter, as the two of them are the only Black women in the excessively white neighborhood. (spoiler alert: she also realizes that her married boyfriend is a fucking loser.) it's a simple enough premise but the execution is bananas in its flair. I couldn't believe this is Leilani's first and so far only novel; if she ever drops another I'll drag myself through barbed wire to get my hands on it.

Juniper & Thorn (Ava Reid, 2022) - I first became aware of this novel via twitter thread of Reid's that made its way to tumblr, in which Reid bemoaned being harangued by readers who were shocked that her dark fairy tale retelling had, you know, dark shit in it. having now read the book, I have to say: these people are fucking pussies. going into this book I was under the impression that there was full on-page father/daughter rape happening, which is actually NOT the case, so you can breathe easy if incest is a hard no for you. what's actually here is a wizard dad who's emotionally abusive, non-incestuous sexual abuse in the backstories of the main character and her love interest, some moderately explicit consensual sex, some bulimia, and [spoiler alert!] admittedly a lot more cannibalism than expected. it's not a lighthearted romp but it's also like, come on. come on. grow up. in terms of the actual book, rather than its controversy, I didn't LOVE it but I'm still compelled enough by the world building (particularly Jewish author Reid's Hueli people, who are a fairly obvious stand-in for Jews down to people claiming that they have horns and using phrenology to prove the have an unfair advantage at making money) that I'm going to check out Reid's earlier novel, The Wolf and the Woodsman, a novel set in the same world. it felt a little repetitive in places and the characters were largely pretty predictable, both of which may be a byproduct of trying to encapsulate the vibe of a classic fairy tale, but I had a good time reading it.

[byebyelemonpie]

byebyelemonpie's mid year book freak out tag.

This side blog was born as a bookish haven back in 2015, so now that I'm back from my years long reading slump, it's only fair if I share my own bookish midyear tag. (the questions of which are taken from withcindy on youtube)

Best book you've read so far in 2024: Persepolis by Marjane Satrapi. It took me just one day to finish reading all four the volumes this book is comprised of. It tells the story of Marjane, the author, growing up in Iran during the time of the revolution, and afterwards during the war with Iraq and the establishment of the dictatorship. I'd never read anything by an Iranian author before and admittedly I didn't know much about this country's history. This was an interesting way to start learning about it from the point of view of a girl growing up in it. I also think it should be taught in every school, because there are some wonderful quotes that describe an authoritarian government exactly for what it is, but that's just me.

Best sequel you've read so far in 2024: since I started reading manga and graphic novels, I've been reading sequels more and more. I will have to single out, however, Spy x Family volume 11 by Tatsuya Endo. Each volume might be better than the last, but I really enjoyed the heaviness of this one's themes put together with the naiveness and fun of the character of Anya and her nerves of tungsten. According to my reviews, I enjoyed a lot the 13th volume as well, and I can't wait to read more. The author wrote on twitter that he's almost completed the next volume, so I'm excited to be able to read that one too!

New release you haven't read yet, but want to: Unfortunately I don't keep up with new releases, because they keep having to be advertised via tiktok or other media now and I just don't have time for that. I tried being a bookstagram years ago but it backfired and I stopped reading at all so. Goodbye. I'll read this year's books when I find them out in the wild and decide they interest me.

Most anticipated release for the second half of the year: see answer number 3.

Biggest disappointment: Child Versus Parent by Stephen Wise. I chose this one as an entry for StoryGraph's reading challenge, but I was definitely expecting something different. I realised way too late that this book was written a hundred years ago, and for that, it could just merely give me a historical viewing of what I was trying to educate myself in. My linked review actually says it better.

Biggest surprise: Viaggiare in giallo, a collection of whodunnits set during trips and travels I decided to start reading on a train. I didn't have real expectations for this one, but some of these tales were actually fun to follow. I hadn't read an Italian story in a long time, so the language was a joy to rediscover instead of just being a translation of another one. My favourite short story, and my biggest surprise, was La Segreta Alchimia by Gaetano Savatteri, which made me discover Lamanna and Piccionello and their hilarious shenanigans.

Favorite new author: Hikaru Nakamura: I've started reading the first two volumes of Saint ☆ Young Men for the first time and they're very fun. Mythology and history meet with her fiction perfectly and they're hilarious.

Newest fictional crush: My crush isn't for a fictional character, but for a whole saga, and that's not new either. I've been reading the Cherry Magic! manga by Yuu Toyota since December 2022 now and it keeps being one of the cutest stories out there. It talks about LGBTQ+ issues and community, about friendship, about superpowers and it's fun and lovely as well.

Newest favorite character: It will have to be Nicholas Nickleby as penned by Charles Dickens. The guy is a kindhearted fellow, but also somebody who hates injustice. Sure, it's not the best story by the author, but still a good one full of interesting characters all in all.

Book that made you cry: Nimona by ND Stevenson. I love the freedom this shapeshifting... Nimona has. They're unique. They are the most powerful but they decide to be an evil sidekick. Their best friend is a man who was cheated by the government and then mistreated by it. And friendship stories born from the need for having someone fighting next to you are one of my favourite tropes.

Book that made you happy: Heartstopper volume 5 by Alice Oseman. Since the fourth volume was as sad as it could be, it was a pleasant surprise to read this one and cry of happiness instead. These characters are having a lovely coming-of-age development and it makes me really happy. It made me emotional to see Nick and Charlie confront their relationship fears and their own personal ones, and work on them together. And Tori coming out as asexual to her little brother on the top of a roller coaster might be poetic cinema (without poetry or cinema, but you know what I mean).

Most beautiful book you've bought so far this year (or received): I bought four books this year, but none of them looks as pretty as a special edition would. This year was also the first year I actually went back to buying books, after a long while I decided to stop the clutter. This year was also the year I finally renewed my library card, so all these books I decided to buy might feel a little silly standing there doing nothing for a while more.

What books do you need to read by the end of the year? To complete the StoryGraph Genre challenge, I need to read Paul McCartney's The Lyrics, a book about food in Thailand, and finish listening to the audiobook of I Promessi Sposi I found on youtube. Then I started reading Pyramids by Terry Pratchett and Maus by Art Spiegelman, and I'm about to finish reading both. I hope I can manage to reread The Hunger Games trilogy before the end of the year, because that would mean I will be able to check out the other books related to the saga written by the author recently.

[My StoryGraph profile]

[utilitycaster]

I spaced on sending this when you initially made the post, but if you were ever so inclined to make that full list of recommendations on metafiction/the liminal space of tangential genres, I would be very interested to see it! (the original list was 100% some of my favorite books/media)

Oh man I've been uh. bad at reading as regularly/much as I'd like for the past few years, something I'm attempting to remedy, and I've never been the biggest of film buffs, and as such that covers a lot of the high points.

(obligatory reminiscing): Truly the the most "not actually a real problem" tragedies of my life is that I was a teenager before the Goodreads era and so I was shaped, indelibly, by whatever Collected Science Fiction Anthologies of the Latter 20th Century my local library had circa 2004. As a result there's like a thousand 70s and 80s sci fi stories the titles of which I cannot remember but which are etched deep within the recesses of my brain. Occasionally I have enough details to go to some thread on the internet and say "pretty please can you find it," but often I don't. There's definitely one I'm thinking of in which a group of scientists keep doing an experiment to change the time line and they keep believing that it fails, but as a reader you clearly see the list of names and various details is changing. This is not super helpful to anyone other than to say "go read short speculative fiction." ANYWAY here's a few more.

On the topic of short fiction, Sword Stone Table is a collection of short stories inspired by Arthurian legend which I read last year, and not all of them worked but there were enough to make it worth it (and it's a quick read). Hilariously, the coffee shop AU was one of the more metafictional examples.

A Visit from the Goon Squad by Jennifer Egan. I don't remember this well but I own a copy and might re-read it; I distinctly recall purchasing it because she made a chapter in the form of a PowerPoint presentation and got interviewed by NPR about it since she could see how many people quit reading at that chapter thanks to eReader data, and I was like "sounds cool". I love when authors are hostile to their audience in a way that's good for them, and I remember enjoying that chapter very much.

I mean your bio quotes Calvino so I'm assuming you're good there but like...I have not read all their work, but I trust Calvino, Borges, Le Guin, and Susanna Clarke to always deliver.

Jules Feiffer's A Barrel of Laughs, A Vale of Tears; Diana Wynne Jones' Fire and Hemlock (among other Diana Wynne Jones books); The Phantom Tollbooth; and the various works of Ellen Raskin (best known for The Westing Game but I read so many of her books) are middle-grade or YA but they are in fact a big reason why I eventually became a college student who would read House of Leaves and Calvino for fun and why I became an adult who devoured Piranesi in one sitting.

The Diamond Age by Neal Stephenson

It's also been a hot minute since I read Possession by A. S. Byatt but I do remember loving it at the time.

For...the best I can put it is "popcorn reads?" low postmodernism? mass-market metafiction? Fun shit? Jasper Fforde is your guy.

Technically The Princess Bride is metafiction. Fun fact: a good friend of mine in college did not realize it was not legit a translation when he read the book. His undergrad thesis was in part about translation. We made fun of him for this.

David Mitchell's literary universe, notably Cloud Atlas. David Mitchell is a very good writer who does tend to have a pretty dark interpretation of our world's future and so I sort of fell off following his works because they were particularly depressing but like, that's a me problem because he's immensely talented. (note: did not see the film adaptation, cannot speak to that.)

I am also going to plug the Teixcalaan books (two so far, starting with A Memory Called Empire by Arkady Martine which is a bit of a stretch but I'm doing it anyway because I think it’s underappreciated (it occupies the same space in my mind tbh as Ada Palmer’s Terra Ignota and to an extent Yoon Ha Lee's Machineries of Empire, both of which I’ve mentioned before, of an incredibly intelligent SF story with queer characters and relationships that was well received but just doesn't have the buzz of some other modern sf series). It’s not metafictional per se, but it does have an incredibly strong theme running through it of engaging with narrative and controlling it (honestly? Similar to Black Sails in that regard.) The Teixcalaan Empire is hyper-aware of language and legend, naming patterns are a number and a word, and the cool thing to do is write complex forms of poetry. The second book also has a character purchasing an indie comic and drawing all sorts of interesting comparisons to her ongoing situation... a little bit like Tales of the Black Freighter within Watchmen.

Run Lola Run/Lola Rennt (I watched it as a non-German speaker with subtitles and enjoyed it)

[moistvonlipwig]

Books I Read in 2022

I only finished 8 books this year, but amazingly enough that's actually more books than I've read per year in quite a while, so, I'll take it! These books are listed in the order I finished them.

How the Soldier Repairs the Gramophone by Saša Stanišić. I thought Stanišić's Before the Feast was a really magical novel, and this one is also quite beautiful. It's a work of fiction but it incorporates autobiographical touches of Stanišić's childhood growing up in Bosnia and then fleeing for Germany during the Bosnian War. The child protagonist goes on tangents that are often imaginative and whimsical and sometimes heartbreaking and brutal. A really thought-provoking read.

Remote Control by Nnedi Okorafor. As always with Okorafor's work, the worldbuilding here is excellent and makes you want to spend book after book inside it. I really like Sankofa as a protagonist as well. It didn't quite feel like a standalone book and after looking it up I guess it's in the same universe as some of the books of hers that I haven't read -- I'll have to check those out. I do hope she writes more about Sankofa in the future, though.

The Dark Forest by Liu Cixin. This book was good but not as good as the first one in the trilogy, The Three-Body Problem. I also have to admit I found it kind of sexist. The subplot with Luo Ji imagining up a perfect woman only for her to actually show up and then fall in love with him with no complications whatsoever...not a fan. Also, I can't help but feel that this book would've been better with Ye Wenjie as the protagonist; she is by far the trilogy's most interesting character and yet she's relegated to a brief cameo. Oh well. The actual ideas in the book are still really interesting, and Da Shi is still a legend.

Unexpected Magic by Diana Wynne Jones. A fun collection of stories. Weirdly enough I'm actually not sure I've read any DWJ before? Which is wild to think about since I have a ton of her books because my mom was such a big fan. (Obviously I've seen Miyazaki's Howl's Moving Castle, but I've never read the book.) This was a nice introduction and made me want to dig into my mom's old collection and read some more of her. My favorite stories were the two written from the perspective of cats, "What the Cat Told Me" and "Little Dot". I mean...are you surprised? Lol.

We Were Liars by E. Lockhart. So I think the best way to sum up how I feel about this book is that I really wish I could read a version of this book written by William Faulkner. The basic plot of the book is twisted and haunting and somehow deeply Southern Gothic despite being set in Massachusetts. But the writing is just...fine? There are moments where the prose takes a more impressive turn but mostly it, well, feels like it was written for teenagers. Which it was. But still. I think a version of this book written for adults (and, again, preferably written in a Faulkner-esque style) could've been fantastic. Also, this is minor, but for a book called We Were Liars, there was remarkably little lying going on. Like...weirdly little. Where was the lying, E. Lockhart? You promised me lying!

A Mercy by Toni Morrison. Ah, Toni Morrison, how I've missed you! It's been a hot minute since I've read her and it was so good to come back to her. This book is short but packed with lyricism and depth. The way it switches between different characters' perspectives and imbues all of them with humanity, even the ones who don't treat other people with humanity...the way the title emerges throughout the book in brief glimmers, only to be heartwrenchingly pushed to its limits in the last few pages...God, I've missed Toni Morrison.

Storm of Locusts by Rebecca Roanhorse. A good sequel to Trail of Lightning, although I admit it's been a couple years since I read that book so my memory of it is a bit fuzzy, and I kind of wish I'd stopped to re-read it before going into this one. Still, I was able to follow the story, and it's a compelling tale with some really great imagery and fun characters. (Ma'ii, my beloved!) I would love to see a big-screen or small-screen adaptation of this series, if Roanhorse is up for it.

Antigonick by Sophokles, translated by Anne Carson. This is the first Anne Carson translation I've read and I found it really intriguing and fun to read. The way she manipulates language and plays with anachronisms is so interesting. I would love to see this performed; I think you could do a lot of really cool things with it.

[fandom-space-princess]

Read: 2022

Because I - somehow - managed to only pick up books I liked, or loved, this year, and I know I like hearing about what others are reading: a list of what I read in 2022.

Series

The Witcher (The Last Wish, Sword of Destiny, Blood of Elves, Time of Contempt, Baptism of Fire, The Tower of Swallows, Lady of the Lake, Season of Storms) - Andrzej Sapkowski: Working through these took me most of the year, but it was worth it. I grew up reading 90s sf&f magazines much like Fantastyka, and the tone of the first two books, especially, was very nostalgic for that. If you have the patience for an eight-novel trek and a love for dry, snarky fantasy, or any interest in the source material for the franchise, I'd recommend these. And that isn't even the hyperfixation talking.

The Locked Tomb (Gideon the Ninth, Harrow the Ninth, Nona the Ninth) - Tamsyn Muir: Singing my appreciation for this insane series every day. These get hyped for a reason, and that reason is that they will take you out at the kneecaps. I mean - what if your obnoxious millennial lesbian protagonists were also a profound exploration of mortality and grief? What if God was real and present and also just some particularly mediocre guy? What if tragedy and magic and Pyrrhic victory and no happy endings for anybody? I think Alecto might be the end of me when it gets published, and I will go to that death gladly.

Poetry

Water I Won't Touch - Kayleb Rae Candrilli: Reflections on transitioning, growing up in hostility, and finding joy in adulthood. Melancholy; also, hopeful. Made me smile a lot. Gay. The Necessity of Wildfire - Caitlin Scarano: I picked this up because part of the description - "the unraveling of long-term relationships, the complexity of their sexuality, and the decision not to have children" - sucked me in. Very glad I did. The nature imagery here is particularly vivid and effective. Things You May Find Hidden in my Ear: Poems from Gaza - Mosab Abu Toha: Poems about Palestinian life in Gaza. While good poetry often moves me, it doesn't usually make me shed actual tears, but this did. Pecking Order - Nicole Homer: Reflections on motherhood and Blackness and identity within family and other social hierarchies. This one had teeth. Immediate favorite. Drinking to Sainthood - Devin Devine: Local author out of Portland. Themes: religion, queer sexuality, death and addiction, aftermath and recovery. This was fascinating, and heartbreaking, and gorgeous.

Short story collections

The Glassy, Burning Floor of Hell - Brian Evenson: Short horror stories. The fear here is mostly the subtle psychological kind, with a definite sci-fi lean in most cases. The Lonely Stories - ed. Natalie Eve Garrett: Meditations on loneliness in various forms, from before and during the pandemic, but not mostly focusing on lockdown. Report From Planet Midnight - Nalo Hopkinson: NH is among my favorite modern authors, and this collection is part essay/lecture, part short works of fiction. I'd read the stories before, but the lecture was new to me. If you care about science fiction's recent history of grappling with racism (or watched any part of the drama around RaceFail circa 2009), I'd go so far as to call this fandom history required reading. Everyone on the Moon is Essential Personnel - Julian K. Jarboe: The opening line of the first story is "The first nice thing I ever did to my body was tear it open." It's a hell of a beginning to a hell of a book. The tagline is "body-horror fairy tales and mid-apocalyptic Catholic cyberpunk," which is apt. I'm actually almost done with this, and I started it a day and a half ago. I haven't been able to put it down.

Longform Fiction

Small Things Like These - Claire Keegan: A very quick read. Deeply unsettling historical fiction about a common man's encounter with one of Ireland's Magdalene laundries, and the horrors they contained. CK's writing style is very stark, spare, and lovely for it. I wish I could do half as much in 100 words as she does in 10. Comfort Me With Apples - Catherynne Valente: The premise here is: what if Eve hadn't been the first woman after all (read: this is a horror story)? Short and… well, not sweet (more gory), but as good as everything else CV writes. A Dowry of Blood - S. T. Gibson: Vampire romance about the brides of Dracula. Come for the polyamory, stay for the grisly murder. I wanted this to be scarier than it was, but it was certainly fun. The Only Harmless Great Thing - Brooke Bolander: An alternate-history sci-fi novella. In a past where humanity learned to communicate with elephants by sign language, US Radium begins buying them to work in factories after the social fallout of the radium girls incidents. Inspiring, in the "will make you want to commit acts of uncivil disobedience" kind of way. Haven - Emma Donoghue: Non-genre historical fiction, which is not usually my kind of thing, but I picked this one up on the recommendation that the story was mostly in the incredible character development, which it was. It examines the consequences of isolation and fanaticism on a trio of seventh-century monks, who set out to found a monastery on Skellig Michael off the Irish coast. The Book Eaters - Sunyi Dean: A modern dark fairy tale, about people who eat books - and occasionally, human minds. This was an excellent look at the worst things love can do to people, and what kind of monster someone might be willing to become for the sake of their family. I'm excited to see what this author does in the future.

And that's it! If anyone wants to share what they read this year, please tag me; I'm curious to hear what you've got 👀

[shinylitwick94]

Shinylitwick's summer (SF/)Fantasy reads - Part I

As it turns out trying to complete the r/fantasy book bingo and not wanting to get into heavy reads this year meant that I spent most of my summer reading almost exclusively SFF, and I read a lot of it. I'm sharing my thoughts on these with anyone who might be interested in them. This covers books I read between july and the first week of september 2021. I'll be doing this in two parts because it would be too long otherwise.

As a reminder, these are personal thoughts, not professional reviews, so take everything I say with a grain of salt.

Without further ado:

Under Heaven, by Guy Gavriel Kay

By this point I think I can say pretty firmly I’m a fan of GGK. I just really enjoy his “alternate history with a dash of fantasy” stuff, and I like his writing and the fact that he’s so good at capturing that sort of bittersweet melancholy I’m a huge junkie for.

That being said, Under Heaven started off amazing, spent a lot of time in eh, and finished solid. I like it, but it’s my least favorite of his books so far. I think it essentially suffers from making promises it doesn’t deliver on. There’s a lot of stories which go nowhere, which I’m sometimes fine with, but I don’t think it worked here. Especially with the sister. I have very little familiarity with Chinese history, but from what I’ve read in other reviews, he stuck rather more closely to the history here than he usually does, which maybe limited his ability to maneuver his characters. Still, I would recommend it, if this is your style.

The Last Wish, by Andrzej Sapkowski

I’ve tried reading this before…in Russian. Don’t know why I thought that was a good idea (something about maybe a better translation?). Anyway, my Russian obviously wasn’t up to scratch and the books are polish anyway.

So, English translation it was. As many of you will know this is actually a short story collection, which is the first part of the Witcher book series. I’d already watched the tv show, and played a bit of the game, so some of the stories were new to me, and others weren’t.

I liked how the book highlighted the “twisted fairytale” aspect of some of these (e.g Snow White, Rumplestiltskin) – that didn’t really come across so well in the adaptations. I think altogether it was a fun and enjoyable read.

The Farthest Shore, by Ursula Le Guin (Book 3 in the Earthsea Cycle)

Ursula Le Guin made me cry again. I’ve been talking about Le Guin a lot recently, with a friend who’s read a lot of her nonfiction, but none of her fiction, while I’ve for the most part just read the fiction. She’s one of those authors who just seems to get it, and who knows how to use the genre to its full extent. Magic and dragons aren’t just a toy, but a tool to actually say something.

She does that across the board, of course, but Farthest Shore hit me harder than the other Earthsea books have, maybe because imho it’s the saddest so far. There’s a lot about death, acceptance, and time passing, and responsibility in this which I really liked. I feel like it manages to get its themes across in a way that is crystal clear, but not ham-fisted. I loved this book, I really did, but I feel like I will need to read it again in a few years, and I’m sure it will be a different read then.

One of many nice quotes:

“When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.”

The Black Company, by Glen Cook (Book 1 in the Chronicles of the Black Company)

This was sold to me as the granddaddy of grimdark fantasy, and I can certainly see it. It’s clearly influenced a lot of later fantasy authors (Erikson, Abercrombie, to some extent Martin). Yet somehow it manages to be less explicit, or graphic, than some modern grimdark. It can be pretty gross too, but it knows how to cut away when necessary and is usually smart about implying things. I also really liked the basic concept of following characters who work for the Dark Lord (or Dark Lady in this case). The characters themselves are interesting enough – in this first book we don’t go super in depth on a lot of them, but the ones we’re stuck with are decent, and the story holds. Still, I felt like this was more a worldbuilding book than a character book, if that makes sense. And I did like the world. It’s appropriately dark and petty and sucks, but hey that’s what we’re here for.

So overall, I enjoyed it and would recommend to anyone who is interested into the more grimdark side of fantasy. Stay away from it if that’s not your thing or you’re super squeamish.

(most of Tumblr dni I guess)

The Empress of Salt and Fortune, by Nghi Vo

This was a fun little read. I had no idea what to expect going in and I ended up enjoying it. The story follows a nonbinary monk as they go through the affairs of a deceased empress and in discussion with Rabbit, the said empress’s servant, learn her story. The story is mostly told by Rabbit and each section follows a particular object. I liked how that was set up and the way in which the whole picture was slowly revealed to the reader. It’s apparently been read as a feminist story and I can see where that reading comes from, and it was likely intentionally so. It wasn’t the most important part of this to me, but up to you to judge.

I will say though, and this is not the book’s fault, but mine, that reading a story where the POV character uses they/them pronouns was more confusing than I anticipated. I kept expecting there to be more of them at random points in the narrative, and having to backtrack to understand.

It’s a short nice read, but definitely something I feel more comfortable recommending to people here than irl.

Equal Rites, by Terry Pratchett (Discworld)

Not much to say here. Discworld is Discworld and can do no wrong, apparently. This might be one of my favorites so far. Loved Granny to pieces, it was fun, it was funny, it was thoughtful without being heavy. It’s the Discworld, what can you do.

The House in the Cerulean Sea, by T.J. Klune

This was pure tooth-rotting fluff, which I think I kind of needed to balance out my reading. It’s cute, it’s cheesy, it’s wholesome it owns it and is proud of it. It’s very LGBT friendly. It’s a good guys win, bad guys lose, discrimination dies today kind of thing.

I’m surprised it’s not bigger on Tumblr tbh (it’s not non-existent either, I checked, just smaller than expected; maybe it’s too nice?).

Anyway, I did like it, and I’m exaggerating just a little bit on the cheesiness. It’s a sweet little story about a character who would normally be played by Martin Freeman (if a bit chubbier) learning that there is more to life than Rules and Regulations and finding love and a family.

If that’s your sort of thing, give it a shot.

[bettsfic]

march pinned: ending the sex project

in the march edition of my lowkey writing-related newsletter, in addition to my writing-related post roundup and upcoming consultation availability, i have personal essay recommendations and a segment on the definition of a project!

for more information on my creative coaching services, check out my carrd.

if you want to receive my lowkey writing-related newsletter directly, you can subscribe here.

full newsletter below the cut, or you can read it here.

fuck february, amiright?

i thought january was bad. but february. february was the stuff of nightmares. my cousin passed away from covid (you can read about her here; she was really an amazing person and i feel so lucky to have known her). i was finally formally diagnosed with PCOS (bittersweet, i guess). my car broke down. i took two (2) days off and it took me two and a half weeks to get caught up again. i can only hope march treats us all a little more gently.

the good news is, i finished revisions on my short story collection to send to my agent, finished workshop submissions for the semester, and now i can return to my first love, fanfiction. that i am constantly working through original fiction to return to fanfiction has been making me think a lot about the nature of a creative, capital-p Project. so, this month’s BTALA (been thinkin a lot about) is going to inspect the concept of a “project.”

new resource

last month i unveiled a folder of my favorite short stories which i’m pleased to hear several of you have perused and gotten some inspiration from. this month i’ve compiled my favorite personal essays. there are fewer essays than there are short stories because i’ve broken them into two groups: personal and craft. next month i hope to have the craft essays compiled.

i’m always looking for more things to love, so if you have recommendations for your favorite short stories and essays, i’d be happy to hear them!

writing-related posts

how to physically maneuver the revision process

the difference between M and E ratings of fic

resources for worldbuilding (check out the reblogs for more!)

a couple syntax/prose book recs

how to break a long work into chapters

march availability

unfortunately i have to cut my coaching hours down a bit, so i don’t have any openings left in march, but i have some availability in april. if you’re interested in a writing consultation, please fill out this google form!

you can learn more about my services on my carrd.

what i’m into rn

for the past year, i’ve basically been trapped in a 10x10 room, and my health is definitely reflecting that, both mentally (does anyone else feel like they’re living in groundhog day? just, every day being exactly the same except fractionally worse than the day before??) and physically (i reorganized the kitchen and could barely move for two days).

reader, i have discovered something called “walking,” in which i put on real human shoes and go outside. it feels strange, bestial. neighbors wave hello to me. a harrowing experience.

while doing this, this walking, i’ve been listening to the lolita podcast which a friend recommended to me, a ten-episode series that dives into everything lolita: the novel itself, its context, adaptations, greater cultural responses, and — as a sticker on my laptop says — vladimir “russian dreamboat” nabokov. as far as i can tell it seems well-researched and presents the many perspectives of lolita in a fair way. i’m only a few eps in, but i’m entranced so far. highly recommended if you, like me, have a complicated relationship with lolita.

i’ve also found myself mildly addicted to a mobile otome game called obey me, which. look i know it’s like the definition of cringe but it’s also mind-numbingly fun and if i want to spend my minimal free time pretending 7 demon brothers are all vying for my affection then that’s between me and god. it’s a lot of what i loved about WoW: frequent events, bright colors, a daily to do list of simple but satisfying tasks, many many rewards, and it doesn’t take itself very seriously. and if i have 4k fic written of mammon/reader that’s nobody’s business but mine and my longsuffering ao3 subscribers.

i’m telling you this because i don’t know anyone else who plays it and am desperate to trade headcanons. so if you play, or start playing, hit me up!! i will give u mad tips and daily AP.

been thinkin a lot about

the project. the project. even the word “project.” PROject (noun). proJECT (verb). what is the project? “project” comes from the latin pro and jacare which means “to throw forward,” or projectum which means “something prominent.” a projector throws forward an image. to project onto something means to throw your perspective onto something else. to embark on a project is to make something prominent in your life. the concept of “the projects” comes from public housing projects, the government throwing forward affordable housing.

what is the project? in joseph harris’ essay “coming to terms” he says that “to define the project of a writer is…to push beyond his text, to hazard a view about not only what someone has said but also what he was trying to accomplish by saying it.” harris’ perspective is that of an english teacher encouraging his students to read critically, not just to summarize a text but to find its project, its greater purpose. and while i first read this essay in a seminar on composition pedagogy, it stuck with me as a writer. it made me reconsider the greater nature of the creative project.

how many of us, if asked to describe our writing project, would begin with a plot or character premise, the nuts and bolts of a specific story? maybe even the working title? but i wonder, is breaking out the plot really the project? is the discipline of sitting down and typing really the project? and when the story is finished, is the project over? what is the project?

in 2019, i wrote 86k words of a novel. i began revising that novel last fall, and i’m finding that i’ll probably keep maybe less than 10k of that initial draft. i’m not bothered by that. the novel i wrote before that started at 125k, then i rewrote the entire thing to 200k, then i whittled it back down to 160k, and next i’ll be tasked with paring it back down to 80k. i’m not bothered by that either. in the past five years or so i’ve written about 2 million words, and i’ve only published 20k of them. only 1% of what i’ve written, i’ve published. in the words of lauren cooper (catherine tate), i’m not bothered.

i used to see publication as the birth of the project, and writing it akin to a long gestation period. then i saw publication as the death of the project, and its life was lived in its drafting. now, publication seems irrelevant to the project. the confines of a story and its many revisions are also irrelevant to the project. the beginning of a story is not the start of the project and the end of the story is not the end of the project. the project is larger than the story, its revisions, its publication, and its eventual readership.

i think it took me so long to see this because for so many years i was still in my first project, the sex project, an exploration of trauma and sexual identity, which began in 2014 with destiel fanfiction, endured through many fandom shifts, my MFA, years adrift as an adjunct, all the way through 2020 with the completion of my short story collection. i used to wonder how anyone could write about anything other than sex. to me it was the only topic worth my attention. i was certain that i would spend my entire life being a sex writer and i’d never find fulfillment writing a young adult sci fi adventure or a highly literary novel about complicated family dynamics. i was baffled by people who were interested in other things, who could write entire novels without using the word “cock” even once.

then my sex project ended. i don’t know when exactly it happened or why, but suddenly i realized i never wanted to write another artful description of an orgasm or find a tactful euphemism for a vagina ever again (personally i prefer “wet cunt” because not only is it blunt, i find it phonetically pleasing). obviously i’m still writing explicit fanfic but it doesn’t feel the same as it used to. sex feels more sidelined to me, even if it’s still the center and drive of a fic. i no longer get any personal satisfaction from writing it, although i do get satisfaction in sharing the work for readers to enjoy.

it’s like i’ve somehow solved the biggest puzzle of my life. or i guess made peace with my meanest monster, that extremely complicated double-mind of desire that some non-sex-repulsed asexuals feel: you want to feel desire you can’t actually feel so you write it into fiction, to try to understand this thing you can’t have and which society tells you you’re missing, and you don’t even know if you don’t have it, because you still feel desire for affection and intimacy, and maybe even a desire to be desired. and for those of us who are asexual and have c-ptsd, sex you don’t actually want (but don’t know you don’t want, because maybe you’re ambivalent and mildly curious and touch-starved) and an unrelenting drive toward people-pleasing can be a dangerous combination. how can you ever know what consent is if you always put other people’s desires above your own?

maybe i’m alone in this. maybe i’m not. maybe for most people, wanting sex is a light switch: yes i want it, or no i don’t. but for me, i had to write a whole lot of words to figure out things like desire, consent, intimacy, forgiveness, the shape that good love takes. the lengthy theoretical flowchart of “i might be interested in having sex if this and this and this and this and this happens in this exact order and under these exact circumstances.”

it was hard to write something into reality that i have never seen except in pieces, in subtext i clung to with no lexicon to give it shape and meaning. te lawrence in lawrence of arabia. some of tarantino’s early work. the film benny and joon. and weirdly, the star wars prequels (that one’s hard to explain; i’ll spare you). i don’t think the sex project was about coming to terms with my asexuality as much as it was trying to organize my thoughts and feelings by continuously rendering my own experiences within a greater, shinier ideal — like how you sometimes have to unravel the entire skein of yarn to find the loose end, and only then can you get started.

i guess i’m in the infancy of the power project now. i’m moving toward themes of control, infamy, greatness. the exact circumstances in which atrocity occurs. how people rise into leadership and fall from grace. the consequences of success. i don’t know why this project has come to me, or what, if anything, it has to do with me. i’m not famous and have no intention of becoming famous; i don’t have social power or influence, at least not beyond my little corner of fandom, and i’m not interested in having it. and yet, here we are, already hundreds of thousands of words in.

my fics digging for orchids (tgcf) and a standing engagement (the hunger games) deal with the detriments of fame. and even float (breaking bad) to a degree is about the aftermath of being so close to power. my novel cherry pop, loosely based on macbeth, is about an ongoing power exchange between two teenage girls. my other novel, vandal, is about a girl who believes she has magic powers and casts a spell on her neighbor to fall in love with her. and i’m in the very early stages of a novel called groundswell, a cult story i’ve been wanting to write for years. i had no idea why i couldn’t write it until i realized it wasn’t yet my project. i’m not even to the stage of developing characters, let alone a premise or plot. i’m still just building my aesthetic pile (i discuss the aesthetic pile here, as well as vandal in more detail), watching documentaries on cults, reading books, finding inspiration, marking down ideas as they come. it may be years before i’m ready to sit down and write it.

now that i know what the project is, i have more patience with myself. it doesn’t bother me to rewrite a novel from the beginning, or to scrap novels altogether, because the story isn’t the project. the project cannot be diminished by cutting words, sentences, paragraphs, entire chapters. the project does not have a product. the project cannot be published. the project is in the practice, in dragging the impossibly large into clear, acute existence, so you can see it. so you can see the very center of what you thought was an unknowable thing.

[davidmann95]

So... Morrison’s 10 part interview on All-Star Superman, along with all other older Newsarama articles, just seem to have ceased to exist. One does not simply live without having those interviews available to reread... Can I find them anywhere else?

Rejoice! I finally borrowed a computer I could put my flash drive into, and emailed myself my copy of the Morrison interview. Here it is below the cut, copied and pasted direct from the source way back when, available again at last:

Three years, 12 issues, Eisners and countless accolades later, All Star Superman is finally finished. The out-of-continuity look at Superman’s struggle with his inevitable death was widely embraced by fans and pros as one of the best stories to feature the Man of Steel, and was a showcase for the talents of the creative team of Grant Morrison, Frank Quitely and Jamie Grant.

Now, Newsarama is proud to present an exclusive look back with Morrison at the series that took Superman to, pun intended, new heights. We had a lot of questions about the series...and Morrison delivered with an in-depth look into the themes, characters and ideas throughout the 12 issues. In fact, there was so much that we’re running this as an unprecedented 10-part series over the next two weeks – sort of an unofficial All Star Superman companion. It’s everything about All Star Superman you ever wanted to know, but were afraid to ask.

And of course there’s plenty of SPOILERS, so back away if you haven’t read the entire series.

Newsarama: Grant, tell us a little about the origin of the project.

Grant Morrison: Some of it has its roots in the DC One Million project from 1999. So much so, that some readers have come to consider this a prequel to DC One Million, which is fine if it shifts a few more copies! I’ve tried to give my own DC books an overarching continuity intended to make them all read as a more coherent body of work when I’m done.

Luthor’s “enlightenment” – when he peaks on super–senses and sees the world as it appears through Superman’s eyes – was an element I’d included in the Superman Now pitch I prepared along with Mark Millar, Tom Peyer and Mark Waid back in 1999. There were one or two of ideas of mine that I wanted to preserve from Superman Now and Luthor’s heart–stopping moment of understanding was a favorite part of the original ending for that story, so I decided to use it again here.

My specific take on Superman’s physicality was inspired by the “shamanic” meeting my JLA editor Dan Raspler and I had in the wee hours of the morning outside the San Diego comic book convention in whenever it was, ‘98 or ‘99.

I’ve told this story in more detail elsewhere but basically, we were trying to figure out how to “reboot” Superman without splitting up his marriage to Lois, which seemed like a cop–out. It was the beginning of the conversations which ultimately led to Superman Now, with Dan and I restlessly pacing around trying to figure out a new way into the character of Superman and coming up short...

Until we looked up to see a guy dressed as Superman crossing the train tracks. Not just any skinny convention guy in an ill–fitting suit, this guy actually looked like Superman. It was too good a moment to let pass, so I ran over to him, told him what we’d been trying to do and asked if he wouldn’t mind indulging us by answering some questions about Superman, which he did...in the persona and voice of Superman!

We talked for an hour and a half and he walked off into the night with his friend (no, it wasn’t Jimmy Olsen, sadly). I sat up the rest of the night, scribbling page after page of Superman notes as the sun came up over the naval yards.

My entire approach to Superman had come from the way that guy had been sitting; so easy, so confident, as if, invulnerable to all physical harm, he could relax completely and be spontaneous and warm. That pose, sitting hunched on the bollard, with one knee up, the cape just hanging there, talking to us seemed to me to be the opposite of the clenched, muscle-bound look the character sometimes sports and that was the key to Superman for me.

I met the same Superman a couple of times afterwards but he wasn’t Superman, just a nice guy dressed as Superman, whose name I didn’t save but who has entered into my own personal mythology (a picture has from that time has survived showing me and Mark Waid posing alongside this guy and a couple of young readers dressed as Superboy and Supergirl – it’s in the “Gallery” section at my website for anybody who can be bothered looking. This is the guy who lit the fuse that led to All Star Superman).

After the 1999 pitch was rejected, I didn’t expect to be doing any further work on Superman but sometime in 2002, while I was going into my last year on New X–Men, Dan DiDio called and asked if I wanted to come back to DC to work on a Superman book with Jim Lee.

Jim was flexing his artistic muscles again to great effect, and he wanted to do 12 issues on Superman to complement the work he was doing with Jeph Loeb on “Batman: Hush.” At the time, I wasn’t able to make my own commitments dovetail with Jim’s availability, but by then I’d become obsessed with the idea of doing a big Superman story and I’d already started working out the details.

Jim, of course, went on to do his 12 Superman issues as “For Tomorrow” with Brian Azzarello, so I found myself looking for an artist for what was rapidly turning into my own Man of Steel magnum opus, and I already knew the book had to be drawn by my friend and collaborator, Frank Quitely.

We were already talking about We3 and Superman seemed like a good meaty project to get our teeth into when that was done. I completely scaled up my expectations of what might be possible once Frank was on board and decided to make this thing as ambitious as possible.

Usually, I prefer to write poppy, throwaway “live performance” type superhero books, but this time, I felt compelled to make something for the ages – a big definitive statement about superheroes and life and all that, not only drawn by my favorite artist but starring the first and greatest superhero of them all.

The fact that it could be a non–continuity recreation made the idea even more attractive and more achievable. I also felt ready for it, in a way I don’t think I would have been in 1999; I finally felt “grown–up” enough to do Superman justice.

I plotted the whole story in 2002 and drew tiny colored sketches for all 12 covers. The entire book was very tightly constructed before we started – except that I’d left the ending open for the inevitable better and more focused ideas I knew would arise as the project grew into its own shape...and I left an empty space for issue 10. That one was intended from the start to be the single issue of the 12–issue run that would condense and amplify the themes of all the others. #10 was set aside to be the one–off story that would sum up anything anyone needed to know about Superman in 22 pages.

Not quite as concise an origin as Superman’s, but that’s how we got started.

NRAMA: When you were devising the series, what challenges did you have in building up this version of the Superman universe?

GM: I couldn’t say there were any particular challenges. It was fun. Nobody was telling me what I could or couldn’t do with the characters. I didn’t have to worry about upsetting continuity or annoying people who care about stuff like that.

I don’t have a lot of old comics, so my knowledge of Superman was based on memory, some tattered “70s books from the remains of my teenage collection, a bunch of DC “Best Of...” reprint editions and two brilliant little handbooks – “Superman in Action Comics” Volumes 1 and 2 – which reprint every single Action Comics cover from 1938 to 1988.

I read various accounts of Superman’s creation and development as a brand. I read every Superman story and watched every Superman movie I could lay my hands on, from the Golden Age to the present day. From the Socialist scrapper Superman of the Depression years, through the Super–Cop of the 40s, the mythic Hyper–Dad of the 50s and 60s, the questioning, liberal Superman of the early 70s, the bland “superhero” of the late 70s, the confident yuppie of the 80s, the over–compensating Chippendale Superman of the 90s etc. I read takes on Superman by Mark Waid, Mark Millar, Geoff Johns, Denny O’Neil, Jeph Loeb, Alan Moore, Paul Dini and Alex Ross, Joe Casey, Steve Seagle, Garth Ennis, Jim Steranko and many others.

I looked at the Fleischer cartoons, the Chris Reeve movies and the animated series, and read Alvin Schwartz’s (he wrote the first ever Bizarro story among many others) fascinating book – “An Unlikely Prophet” – where he talks about his notion of Superman as a tulpa, (a Tibetan word for a living thought form which has an independent existence beyond its creator) and claims he actually met the Man of Steel in the back of a taxi.

I immersed myself in Superman and I tried to find in all of these very diverse approaches the essential “Superman–ness” that powered the engine. I then extracted, purified and refined that essence and drained it into All Star’s tank, recreating characters as my own dream versions, without the baggage of strict continuity.

In the end, I saw Superman not as a superhero or even a science fiction character, but as a story of Everyman. We’re all Superman in our own adventures. We have our own Fortresses of Solitude we retreat to, with our own special collections of valued stuff, our own super–pets, our own “Bottle Cities” that we feel guilty for neglecting. We have our own peers and rivals and bizarre emotional or moral tangles to deal with.

I felt I’d really grasped the concept when I saw him as Everyman, or rather as the dreamself of Everyman. That “S” is the radiant emblem of divinity we reveal when we rip off our stuffy shirts, our social masks, our neuroses, our constructed selves, and become who we truly are.

Batman is obviously much cooler, but that’s because he’s a very energetic and adolescent fantasy character: a handsome billionaire playboy in black leather with a butler at this beck and call, better cars and gadgetry than James Bond, a horde of fetish femme fatales baying around his heels and no boss. That guy’s Superman day and night.

Superman grew up baling hay on a farm. He goes to work, for a boss, in an office. He pines after a hard–working gal. Only when he tears off his shirt does that heroic, ideal inner self come to life. That’s actually a much more adult fantasy than the one Batman’s peddling but it also makes Superman a little harder to sell. He’s much more of a working class superhero, which is why we ended the whole book with the image of a laboring Superman.

He’s Everyman operating on a sci–fi Paul Bunyan scale. His worries and emotional problems are the same as ours... except that when he falls out with his girlfriend, the world trembles.

Newsarama: Grant, what are some of your favorite moments from the 12 issues?

Grant Morrison: The first shot of Superman flying over the sun. The Cosmic Anvil. Samson and Atlas. The kiss on the moon. The first three pages of the Olsen story which, I think, add up to the best character intro I’ve ever written.

Everything Lex Luthor says in issue #5. Everything Clark does. The whole says/does Luthor/Superman dynamic as played out through Frank Quitely’s absolute mastery and understanding of how space, movement and expression combine to tell a story.

Superboy and his dog on the moon – that perfect teenage moment of infinite possibility, introspection and hope for the future. He’s every young man on the verge of adulthood, Krypto is every dog with his boy (it seemed a shame to us that Krypto’s most memorable moment prior to this was his death scene in “Whatever Happened To The Man of Tomorrow.” Quitely’s scampering, leaping, eager and alive little creature is how I’d prefer to imagine Krypto the Superdog and conjures finer and more subtle emotions).

Bizarro–Home, with all of Earth’s continental and ocean shapes but reversed. The page with the first appearance of Zibarro that Frank has designed so the eye is pulled down in a swirling motion into the drain at the heart of the image, to make us feel that we’re being flushed in a cloacal spiral down into a nihilistic, existential sink. Frank gave me that page as a gift, and it became weirdly emblematic of a strange, dark time in both our lives.

The story with Bar–El and Lilo has a genuine chill off ammonia and antiseptic off it, which makes it my least favorite issue of the series, although I know a lot of people who love it. It’s about dying relatives, obligations, the overlit overheated corridors between terminal wards, the thin metallic odors of chemicals, bad food and fear. Preparation for the Phantom Zone.

Superman hugging the poor, hopeless girl on the roof and telling us all we’re stronger than we think we are.

Joe Shuster drawing us all into the story forever and never–ending.

Nasthalthia Luthor. Frank and Jamie’s final tour of the Fortress, referencing every previous issue on the way, in two pages.

All of issue #10 (there’s a single typo in there where the time on the last page was screwed up – but when we fix that detail for the trade I’ll be able to regard this as the most perfectly composed superhero story I’ve ever written).

I don’t think I’ve ever had a smoother, more seamless collaborative process.

NRAMA: The story is very complete unto itself, but are there any new or classic characters you’d like to explore further? If so, which ones and why?

GM: I’d happily write more Atlas and Samson. I really like Krull, the Dino–Czar’s wayward son, and his Stalinist underground empire of “Subterranosauri.” I could write a Superman Squad comic forever. I’d love to write the “Son of Superman” sequel about Lois and Clark’s super test tube baby.

But...I think All Star is already complete, without sequels. You read that last issue and it works because you know you’re never going to see All Star Superman again. You’ll be able to pick up Superman books, but they won’t be about this guy and they won’t feel the same. He really is going away. Our Superman is actually “dying” in that sense, and that adds the whole series a deeper poignancy.

NRAMA: Aside from the Bizarro League, you never really introduce other DC superheroes into the story. Why did you make this choice?

GM: I wanted the story to be about the mythic Superman at the end of his time. It’s clear from the references that he has or more likely has had a few super–powered allies, but that they’re no longer around or relevant any more.

For the context of this story I wanted the super–friends to be peripheral, like they were in the old comics. The Flash? Green Lantern? They represent Superman’s “old army buddies,” or your dad’s school friends. Guys you’ve sort of heard of, who used to be more important in the old man’s life than they are now.

NRAMA: Some readers were confused as to how the “Twelve Labors” broke down, though others have pointed out that Superman’s actions are more reflective of the Stations of the Cross (I note there’s a “Station Café” in the background of issue #12). Could you break down the Twelve Labors, or, if the cross theory is true, how the storyline reflects the Stations?

GM: The 12 Labors of Superman were never intended as an isomorphic mapping onto the 12 Labors of Hercules, or for that matter, the specific Stations of the Cross, of which there are 14, I believe. I didn’t even want to do one Labor per issue, so it deliberately breaks down quite erratically through the series for reasons I’ll go into (later).

Yes, there are correspondences, but that’s mostly because we tried to create for our Superman the contemporary “superhero” version of an archetypal solar hero journey, which naturally echoes numerous myths, legends and religious parables.

At the same time, we didn’t want to do an update or a direct copy of any myth you’d seen before, so it won’t work if you try to find one specific mythological or religious “plan” to hang the series on; James Joyce’s honorable and heroic refutation of the rule aside, there’s nothing more dead and dull than an attempt to retell the Odyssey or the Norse sagas scene by scene, but in a modern and/or superhero setting.

For future historians and mythologizers, however, the 12 Labors of Superman may be enumerated as follows:

1. Superman saves the first manned mission to the sun.
2. Superman brews the Super–Elixir.
3. Superman answers the Unanswerable Question.
4. Superman chains the Chronovore. 
5. Superman saves Earth from Bizarro–Home.
6. Superman returns from the Underverse.
7. Superman creates Life.
8. Superman liberates Kandor/cures cancer.
9. Superman defeats Solaris.
10. Superman conquers Death.
11. Superman builds an artificial Heart for the Sun.
12.Superman leaves the recipe/formula to make Superman 2.

And one final feat, which typically no–one really notices, is that Lex Luthor delivers his own version of the unified field haiku – explaining the underlying principles of the universe in fourteen syllables – which the P.R.O.J.E.C.T. G–Type philosopher from issue 4 had dedicated his entire life to composing!

You may notice also that the Labors take place over a year – with the solar hero’s descent into the darkness and cold of the Underverse occurring at midwinter/Christmas time (that’s also the only point in the story where we ever see Metropolis at night).

It can also be seen as the sun’s journey over the course of a day – we open in blazing sunshine but halfway through the book, at the end of issue #5, in fact, the solar hero dips below the horizon and begins the night–journey through the hours of darkness and death, before his triumphant resurrection at dawn. That’s why issue 5 ends with the boat to the Underworld and 6 begins with the moon. Clark Kent is crossing the threshold into the subconscious world of memory, shadows, death and deep emotions.

Although they can often have bizarre resonances, specific elements, like the Station Café, are usually put there by Frank Quitely, and are not necessarily secret Dan Brown–style keys to unlocking the mysteries. I think there might be a Station Café opposite the studio where Frank Quitely works and the “SAPIEN” sign on another storefront is a reference to Frank’s studio mate, Dave Sapien. At least he’s not filling the background with dirty words like he used to, given any opportunity

NRAMA: For that matter, do the Twelve Labors matter at all? They seem so purposely ill–defined. They seem more like misdirection or a MacGuffin than anything that needs to be clearly delineated.

GM: They matter, of course, but the 12 Labors idea is there to show that, as with all myth, the systematic ordering of current events into stories, tales, or legends occurs after the fact.

I’m trying to suggest that only in the future will these particular 12 feats, out of all the others ever, be mythologized as 12 Labors. I suppose I was trying to say something about how people impose meaning upon events in retrospect, and that’s how myth is born. It’s hindsight that provides narrative, structure, meaning and significance to the simple unfolding of events. It’s the backward glance that adds all the capital letters to the list above.

Even Superman isn”t sure how many Labors he’s performed when we see him mulling it over in issue 10. 
When you watched it happening, it seemed to be Superman just doing his thing. In the future it’s become THE 12 LABORS OF SUPERMAN!

NRAMA: And on a completely ridiculous note: All–Star Superman is perhaps the most difficult–to–abbreviate comic title since Preacher: Tall in the Saddle. Did you realize this going in?

GM: Going into what? Going into ASS itself? In the sense of how did I feel as I slowly entered ASS for the first time?

It never crossed my mind...

Newsarama: I’d like to know a little more about Leo Quintum and his role in the story. He seems like a bit of an outgrowth of the likes of Project Cadmus and Emil Hamilton, but in a more fantastical, Willy Wonka sense.

Grant Morrison: Yeah, he was exactly as you say, my attempt to create an updated take on the character of “Superman’s scientist friend” – in the vein of Emil Hamilton from the animated show and the ‘90s stories. Science so often goes wrong in Superman stories, and I thought it was important to show the potential for science to go right or to be elevated by contact with Superman’s shining positive spirit.

I was thinking of Quintum as a kind of “Man Who Fell To Earth” character with a mysterious unearthly background. For a while I toyed with the notion that he was some kind of avatar of Lightray of the New Gods, but as All Star developed, that didn’t fit the tone, and he was allowed to simply be himself.

Eventually it just came down to simplicity. Leo Quintum represents the “good” scientific spirit – the rational, enlightened, progressive, utopian kind of scientist I figured Superman might inspire to greatness. It was interesting to me how so many people expected Quintum to turn out bad at the end. It shows how conditioned we are in our miserable, self–loathing, suspicious society to expect the worst of everyone, rather than hope for the best. Or maybe it’s just what we expect from stories.

Having said that, there is indeed a necessary whiff of Lucifer about Quintum. His name, Leo Quintum, conjures images of solar force, lions and lightbringers and he has elements of the classic Trickster figure about him. He even refers to himself as “The Devil Himself” in issue #10.

What he’s doing at the end of the story should, for all its gee–whiz futurity, feel slightly ambiguous, slightly fake, slightly “Hollywood.” Yes, he’s fulfilling Superman’s wishes by cloning an heir to Superman and Lois and inaugurating a Superman dynasty that will last until the end of time – but he’s also commodifying Superman, figuring out how it’s done, turning him into a brand, a franchise, a bigger–and–better “revamp,” the ultimate coming attraction, fresher than fresh, newer than new but familiar too. Quintum has figured out the “formula” for Superman and improved upon it.

And then you can go back to the start of All Star Superman issue #1 and read the “formula” for yourself, condensed into eight words on the first page and then expanded upon throughout the story! The solar journey is an endless circle naturally. A perfect puzzle that is its own solution.

In one way, Quintum could be seen to represent the creative team, simultaneously re–empowering a pure myth with the honest fire of Art...while at the same time shooting a jolt of juice through a concept that sells more “S” logo underpants and towels than it does comic books. All tastes catered!

I have to say that the Willy Wonka thing never crossed my mind until I saw people online make the comparison, which seems quite obvious now. Quintum dresses how I would dress if I was the world’s coolest super–scientist. What’s up with that?

NRAMA: Was Zibarro inspired by the Bizarro World story where the Bizarro–Neanderthal becomes this unappreciated Casanova–type?

GM: Don’t know that one, but it sounds like a scenario I could definitely endorse!

Zibarro started out as a daft name sicked–up by my subconscious mind, which flowered within moments into the must–write idea of an Imperfect Bizarro. What would an imperfect version of an already imperfect being be like?

Zibarro.

NRAMA: I’d like to know more about Zibarro – what’s the significance of his chronicling Bizarro World through poetry?

GM: It’s up to you. I see Zibarro partly as the sensitive teenager inside us all. He’s moody, horribly self–aware and uncomfortable, yet filled with thoughts of omnipotence and agency. He’s the absolute center of his tiny, disorganized universe. He’s playing the role of sensitive, empathic poet but at the same time, he’s completely self–absorbed.

When he says to Superman “Can you even imagine what it’s like to be so different. So unique. So unlike everyone else?” he doesn’t even wait for Superman’s reply. He doesn’t care about anyone’s feelings but his own, ultimately.

NRAMA: The character is very close to Superman, so what does it say that a nonpowered version on a savage world would focus his energy through that medium? Also, does Zibarro’s existence show how Superman is able to elevate even the backwards Bizarros through his very nature?

GM: All of the above. And maybe he writes his totally subjective poetry as a reflection of Clark Kent’s objective reporter role. The suppressed, lyrical, wounded side of Superman perhaps? The Super–Morrissey? Bizarro With The Thorn In His Side?

But he’s also Bizarro–Home’s “mistake” (or so it seems to him, even though he’s as natural an expression of the place as any of the other Bizarro creatures who grow like mold across the surface of their living planet). He feels excluded, a despised outsider, and yet that position is what defines his cherished self–image. He expresses himself through poetry because to him the regular Bizarro language is barbaric, barely articulate and guttural. And they all think he’s talking crap anyway.

It seemed to make sense that an interesting opposite of Bizarro speech might be flowery “woe is me” school Poetry Society odes to the sunset in a misunderstood heart. He’s still a Bizarro though, which makes him ineffectual. His tragedy is that he knows he’s fated to be useless and pointless but craves so much more.

NRAMA: Zibarro also represents a recurrent theme in the story, of Superman constantly facing alternate versions of himself – Bar–El, Samson and Atlas, the Superman Squad, even Luthor by the end. Notably, Hercules is absent, though Superman’s doing his Twelve Labors. With the mythological adventurers in particular, was this designed to equate Superman with their legend, to show how his character is greater than theirs, or both?

GM: In a way, I suppose. He did arm–wrestle them both, proving once and for all Superman’s stronger than anybody! And remember, these characters, along with Hercules, used to appear regularly in Superman books as his rivals. I thought they made better rivals than, say, Majestic or Ultraman because people who don’t read comics have heard of Hercules, Samson and Atlas and understand what they represent.

For that particular story, I wanted to see Superman doing tough guy shit again, like he did in the early days and then again in the 70s, when he was written as a supremely cocky macho bastard for a while. I thought a little bit of that would be an antidote to the slightly soppy, Super–Christ portrayal that was starting to gain ground.

Hence Samson’s broken arm, twisted in two directions beyond all repair. And Atlas in the hospital. And then Superman’s got his hot girlfriend dressed like a girl from Krypton and they’re making out on the moon (the original panel description was of something more like the famous shot of Burt Lancaster and Deborah Kerr kissing in the surf from “From Here To Eternity.” Frank’s final choice of composition is much more classically pulp–romantic and iconic than my down and dirty rumble in the moondirt would have been, I’m glad to say).

Newsarama: Tell us about some of the thinking behind the new antagonists you created for this series (at least the ones you want to talk about...): First up: Krull and the Subterranosaurs...

Grant Morrison: We wanted to create some throwaway new characters which would be designed to look as if they were convincing long–term elements of the Superman legend.

We were trying to create a few foes who had a classic feel and a solid backstory that could be explored again or in depth. Even if we never went back to these characters, we wanted them to seem rich enough to carry their own stories.

With Krull, we figured a superhuman character like Superman can always use a powerful “sub–human” opponent: a beast, a monster, a savage with the power to destroy civilization. For years I’ve had the idea that the familiar “gray aliens” might “actually” be evolved biped dinosaur descendants, the offspring of smart–thinking lizards which made their way to the warm regions at the Earth’s core.

I imagined these brutes developing their own technology, their own civilization, and then finally coming to the surface to declare bloody war on the mammalian usurpers! It seemed like we could develop this idea into the Krull backstory and suggest a whole epic conflict in a few panels.

Dom Regan, the Glasgow artist and DC colorist, saw the original green skin Jamie Grant had done for Krull, and suggested we make him red instead. Jamie reset his color filters and that was the moment Krull suddenly looked like a real Superman foe.

The red skin marked him out as unique, different and dangerous, even among his own species. It had echoes of Jack Kirby’s Devil Dinosaur that played right into the heart of the concept. A good design became a great design and the whole story of who Krull was – his twisted relationship with his father the Dino–Czar, his monstrous ambitions – came together in that first picture.

The society was fleshed out in the script even though we see only one panel of it – a gloomy, heavy, “Soviet” underworld of walled iron cities, cold blood and deadly intrigue. War–Barges that could sail on the oceans of heated steam at the center of the Earth. A Stalinist authoritarian lizard world where missing person cases were being taken to work and die as slaves in hellish underworld conditions.

NRAMA: Mechano–Man?

GM: An attempt to pre–imagine a classic, archetypal Superman foe, which started with another simple premise – how about a giant robot villain? But not just any giant robot – this is a rampaging machine with a raging little man inside.

Giving him a bitter, angry, scrawny loser as a pilot turned Mechano–Man into a much more extreme and pathological expression of the Man of Steel/Mild–Mannered Reporter dynamic, and added a few interesting layers onto an 8–panel appearance.

NRAMA: The Chronovore – a very disturbing creation, that one.

GM: The Chronovore was mentioned in passing in DC 1,000,000 and would have been the monster in my aborted Hypercrisis series idea. It took a long time to get the right design for the beast because it’s meant to be a 5–D being that we only ever see in 4–D sections. It had to work as a convincing representation of something much bigger that we’re seeing only where it interpenetrates our 4–D space-time continuum.

Imagine you’re walking along with a song in your teenage heart, then suddenly the Chronovore appears, takes bite out of your life, and you arrive at your girlfriend’s house aged 76, clutching a cell phone and a wilted bouquet.

NRAMA: One more obscure run that I was happy to see referenced in this was the use of Nasty from the old Mike Sekowsky Supergirl stories. What made you want to use this character?

GM: I remembered her from the old comics, and felt her fashion–y look could be updated very easily into the kind of fetish club thing I’ve always been partial to.

She seemed a cool and sexy addition to the Luthor plot. The set–up, where Lex has a fairly normal sister who hates how her wayward brother is such a bad influence on her brilliant daughter, is explosive with character potential.

They need to bring Nasty back to mainstream continuity. Geoff! They all want it and you know you never let them down!

NRAMA: Speaking of Mike Sekowsky, I’m curious about his influence on your work. I have an odd fascination with all the ideas and stories he was tossing around in the late 1960s and early 1970s – Jason’s Quest, Manhunter 2070, the I–Ching tales – and many of the characters he worked on, from the B”Wana Beast to the Inferior Five to Yankee Doodle (in Doom Patrol), have shown up in your work. The Bizarro Zoo in issue #10 is even slightly reminiscent of the Beast’s merged animals.

GM: Those were all comics that were around when I was a normal kid, prior to the obsessive collecting fan phase of my isolated teenage years. They clearly inspired me in some way, as you say, but certainly not consciously. I’d never have considered myself a particular fan of Mike Sekowsky’s work, but as you say, I’ve incorporated a lot of his ideas into the DC Universe work I’ve done. Hmm. Interesting.

While I’m at it, I should also say something about Samson and Atlas, halfway between old characters and new.

Samson, Atlas and Hercules were classical mainstays of old Superman covers, tangling with Superman in all those Silver Age stories that happened before he learned from his friends at Marvel that it was possible to fight other superheroes for fun and profit, so I decided to completely “re–vamp” the characters in the manner of superhero franchises. Marvel has the definitive Hercules for me, so I left him out of the mix and concentrated on Atlas and Samson.

Atlas was re–imagined as a mighty but restless and reckless young prince of the New Mythos – a society of mega–beings playing out their archetypal dramas between New Elysium and Hadia, with ordinary people caught in the middle – and Superman.

Essentially good–hearted, Atlas would have been the newbie in a “team” with Skyfather Xaoz!, Heroina, Marzak and the others. He has a bullish, adolescent approach to life. He drinks and plunges himself into ill–advised adventures to ease his naturally gloomy “weighed down by the world” temperament.

You can see it all now. The backstory suggested an unseen, Empyrean New Gods–type series from a parallel universe. What if, when Jack Kirby came to DC from Marvel in 1971, he’d followed up his sci–fi Viking Gods saga at Marvel, with a dimension–spanning epic rooted in Greek mythology? New Gods meets Eternals drawn by Curt Swan/Murphy Anderson? That was Atlas.

Samson, I decided would be a callback to the British newspaper strip “Garth.” Although you may already be imagining a daily strip about the exploits of time–tossed The Boys writer, Garth Ennis, it was actually about a blonde Adonis type who bounced around the ages having mildly horny, racy adventures.

(Go look him up then return the wiser before reading on, so I don’t have to explain anymore about this bastard – he’s often described as “the British Superman,” but oh...my arse! I hated meathead, personality–singularity Garth...but we all grew up with his meandering, inexplicable yet incredibly–drawn adventures and some of it was quite good when you were a little lad because he was always shagging ON PANEL with the likes of a bare–breasted cave girl or gauze–draped Helen of Troy.

(Unlike Superman, you see, the top British strongman liked to get naked. Lots naked. Naked in every time period he could get naked in, which was all of them thanks to the miracle of his bullshit powers.

(Imagine Doctor Who buff, dumb and naked all the time – Russell, I’ve had an idea!!!! – and that’s Garth in a nutshell.

(Sorry, I know I’m going on and the average attention span of anyone reading stuff on the Internet amounts to no more than a few paragraphs, but basically, Garth was always getting naked. In public, in family newspapers. Bollock naked. Let’s face it, patriotic Americans, have you ever seen Superman’s arse?

Newsarama Note: Well, there was Baby Kal-El in the 1978 film...

(Brits, hands up who still remember the man, and have you ever not seen Garth’s arse? Do you not, in fact, have a very clear image of it in your head, as drawn by Martin Asbury perhaps? In mine, Garth’s pulling aside a flimsy curtain to gaze at the pyramids with Cleopatra buck naked in foreground ogling his rock hard glutes...).

Anyway, Samson, I decided, was the Hebrew version of Garth and he would have his own mad comic that was like an American version of Garth. I saw the Bible hero plucked from the desert sands by time–travelling buffoons in search of a savior. Introduced to all the worst aspects of future culture and, using his stolen, erratic Chrono–Mobile, Samson became a time–(and space) traveling Soldier of Fortune, writing wrongs, humping princesses, accumulating and losing treasure etc. Like a science fiction Conan. Meets Garth.

Fortunately, you’ll never see any of these men ever again.

Newsarama: How have your perceptions of Superman and his supporting characters evolved since the Superman 2000 pitch you did with Mark Waid, Mark Millar and Tom Peyer? The Superman notions seem almost identical, but Luthor is very different here than in that pitch, and so is Clark Kent. Did you use some aspects of your original pitch, or have you just changed his mind on how to portray these characters since?

Grant Morrison: A little of both. I wanted to approach All Star Superman as something new, but there were a couple of specific aspects from the Superman 2000 pitch (as I mentioned earlier, it was actually called Superman Now, at least in my notebooks, which is where the bulk of the material came from) that I felt were definitely worth keeping and exploring.

I can’t remember much about Luthor from Superman Now, except for the ending. By the time I got to All Star Superman, I’d developed a few new insights into Luthor’s character that seemed to flesh him out more. Luthor’s really human and charismatic and hateful all the same time. He’s the brilliant, deluded egotist in all of us. The key for me was the idea that he draws his eyebrows on. The weird vanity of that told me everything I needed to know about Luthor.

I thought the real key to him was the fact that, brilliant as he is, Luthor is nowhere near as brilliant as he wants to be or thinks he is. For Luthor, no praise, no success, no achievement is ever enough, because there’s a big hungry hole in his soul. His need for acknowledgement and validation is superhuman in scale. Superman needs no thanks; he does what he does because he’s made that way. Luthor constantly rails against his own sense of failure and inadequacy...and Superman’s to blame, of course.

I’ve recently been re–thinking Luthor again for a different project, and there’s always a new aspect of the character to unearth and develop.

NRAMA: This story makes Superman and Lois’ relationship seem much more romantic and epic than usual, but this one also makes Superman more of the pursuer. Lois seems like more of an equal, but also more wary of his affections, particularly in the black–and–white sequence in issue #2.

She becomes this great beacon of support for him over the course of the series, but there is a sense that she’s a bit jaded from years of trickery and uncomfortable with letting him in now that he’s being honest. How, overall, do you see the relationship between Superman and Lois?

GM: The black-and-white panels shows Lois paranoid and under the influence of an alien chemical, but yes, she’s articulating many of her very real concerns in that scene.

I wanted her to finally respond to all those years of being tricked and duped and led to believe Superman and Clark Kent were two different people. I wanted her to get her revenge by finally refusing to accept the truth.

It also exposed that brilliant central paradox in the Superman/Lois relationship. The perfect man who never tells a lie has to lie to the woman he loves to keep her safe. And he lives with that every day. It’s that little human kink that really drives their relationship.

NRAMA: Jimmy Olsen is extremely cool in this series – it’s the old “Mr. Action” idea taken to a new level. It’s often easy to write Jimmy as a victim or sycophant, but in this series, he comes off as someone worthy of being “Superman’s Pal” – he implicitly trusts Superman, and will take any risk to get his story. Do you see this version of Jimmy as sort of a natural evolution of the version often seen in the comics?

GM: It was a total rethink based on the aspects of Olsen I liked, and playing down the whole wet–behind–the–ears “cub reporter” thing. I borrowed a little from the “Mr. Action” idea of a more daredevil, pro–active Jimmy, added a little bit of Nathan Barley, some Abercrombie & Fitch style, a bit of Tintin, and a cool Quitely haircut.

Jimmy was renowned for his “disguises” and bizarre transformations (my favorite is the transvestite Olsen epic “Miss Jimmy Olsen” from Jimmy Olsen #95, which gets a nod on the first page of our Jimmy story we did), so I wanted to take that aspect of his appeal and make it part of his job.

I don’t like victim Jimmy or dumb Jimmy, because those takes on the character don’t make any sense in their context. It seemed more interesting see what a young man would be like who could convincingly be Superman’s “pal.” Someone whose company a Superman might actually enjoy. That meant making Jimmy a much bigger character: swaggering but ingenuous. Innocent yet worldly. Enthusiastic but not stupid.

My favorite Jimmy moment is in issue #7 when he comes up with the way to defeat the Bizarro invasion by using the seas of the Bizarro planet itself as giant mirrors to reflect toxic – to Bizarros – sunlight onto the night side of the Earth. He knows Superman can actually take crazy lateral thinking like this and put it into practice.

NRAMA: Perry White has a few small–but–key scenes, particularly his address to his staff in issue #1 and standing up to Luthor in issue #12. I’d like to hear more about your thoughts on this character.

GM: As with the others, my feelings are there on the page. Perry is Clark’s boss and need only be that and not much more to play his role perfectly well within the stories. He’s a good reminder that Superman has a job and a boss, unlike that good–for–nothing work-shy bastard Batman. Perry’s another of the series’ older male role models of integrity and steadfastness, like Pa Kent.

NRAMA: There’s a sense in the Daily Planet scenes and with Lois’s spotlight issues that everyone knows Clark is Superman, but they play along to humor him. The Clark disguise comes off as very obvious in this story. Do you feel that the Planet staff knows the truth, or are just in a very deep case of denial, like Lex?

GM: If I had to say for sure, I think Jimmy Olsen worked it out a long time ago, and simply presumes that if Superman has a good reason for what he’s doing, that’s good enough for Jimmy.

Lois has guessed, but refuses to acknowledge it because it exposes her darkest flaw – she could never love Clark Kent the way she loves Superman.

NRAMA: Also, the Planet staff seems awfully nonchalant at Luthor’s threats. Are they simply used to being attacked by now?

GM: Yes. They’re a tough group. They also know that Superman makes a point of looking out for them, so they naturally try to keep Luthor talking. They know he loves to talk about himself and about Superman. In that scene, he’s almost forgotten he even has powers, he’s so busy arguing and making points. He keeps doing ordinary things instead of extraordinary things.

NRAMA: The running gag of Clark subtly using his powers to protect unknowing people is well done, but I have to admit I was confused by the sequence near the end of issue #1. Was that an el–train, and if so, why was it so close to the ground?

GM: It’s a MagLev hover–train. Look again, and you’ll see it’s not supported by anything. Hover–trains help ease congestion in busy city streets! Metropolis is the City of Tomorrow, after all.

NRAMA: And there’s the death of Pa Kent. Why do you feel it’s particularly important to have Pa and not both of the Kents pass away?

GM: I imagined they had both passed away fairly early in Superman’s career, but Ma went a few years after Pa. Also, because the book was about men or man, it seemed important to stress the father/son relationships. That circle of life, the king is dead, long live the king thing that Superman is ultimately too big and too timeless to succumb to.

NRAMA: There is a real touch of Elliott S! Maggin’s novels in your depiction of Luthor – someone who is just so obsessive–compulsive about showing up Superman that he accomplishes nothing in his own life. He comes across as a showman, from his rehearsed speech in issue #1 to his garish costume in the last two issues, and it becomes painfully apparent that he wants to usurp Superman because he just can’t be happy with himself. What defeats him is actually a beautiful gift, getting to see the world as Superman does, and finally understanding his enemy.

That’s all a lead–in to: What previous stories that defined Luthor for you, and how did you define his character? What appeals to you about writing him?

GM: The Marks Waid and Millar were big fans of the Maggin books, and may have persuaded me to read at least the first one but I’m ashamed to say can’t remember anything about it, other than the vague recollection of a very humane, humanist take on Superman that seemed in general accord with the pacifist, hedonistic, between–the–wars spirit of the ‘90s when I read it. It was the ‘90s; I had other things on my mind and in my mind.

I like Maggin’s “Must There Be A Superman?” from Superman #247, which ultimately poses questions traditional superhero comic books are not equipped to answer and is one of the first paving stones in the Yellow Brick Road that leads to Watchmen and beyond, to The Authority, The Ultimates etc. Everyone still awake, still reading this, should make themselves familiar with “Must There Be A Superman?” – it’s a milestone in the development of the superhero concept.

However, the story that most defines Luthor for me turns out to be, as usual, a Len Wein piece with Curt Swan/Murphy Anderson– Superman #248. This blew me away when I was a kid. Lex Luthor cares about humanity? He’s sorry we all got blown up? The villain loves us too? It’s only Superman he really hates? Genius. Big, cool adult stuff.

The divine Len makes Lex almost too human, but it was amazing to see this kind of depth in a character I’d taken for granted as a music hall villain.

I also love the brutish Satanic, Crowley–esque, Golden Age Luthor in the brilliant “Powerstone” Action Comics #47 (the opening of All Star #11 is a shameless lift from “Powerstone”, as I soon realised when I went back to look. Blame my...er...photographic memory...cough).

And I like the Silver Age Luthor who only hates Superman because he thinks it’s Superboy’s fault he went bald. That was the most genuinely human motivation for Luthor’s career of villainy of all; it was Superman’s fault he went bald! I can get behind that.

In the Silver Age, baldness, like obesity, old age and poverty, was seen quite rightly as a crippling disease and a challenge which Superman and his supporting cast would be compelled to overcome at every opportunity! Suburban “50s America versus Communist degeneracy? You tell me.

I like elements of the Marv Wolfman/John Byrne ultra–cruel and rapacious businessman, although he somewhat lacks the human dimension (ultimately there’s something brilliant about Luthor being a failed inventor, a product of Smallville/Dullsville – the genius who went unnoticed in his lifetime, and resorted to death robots in chilly basements and cellars. Luthor as geek versus world). I thought Alan Moore’s ruthlessly self–assured “consultant” Luthor in Swamp Thing was an inspired take on the character as was Mark Waid’s rage–driven prodigy from Birthright.

I tried to fold them all into one portrayal. I see him as a very human character – Superman is us at our best, Luthor is us when we’re being mean, vindictive, petty, deluded and angry. Among other things. It’s like a bipolar manic/depressive personality – with optimistic, loving Superman smiling at one end of the scale and paranoid, petty Luthor cringing on the other.

I think any writer of Superman has to love these two enemies equally. We have to recognize them both as potentials within ourselves. I think it’s important to find yourself agreeing with Luthor a bit about Superman’s “smug superiority” – we all of us, except for Superman, know what it’s like to have mean–spirited thoughts like that about someone else’s happiness. It’s essential to find yourself rooting for Lex, at least a little bit, when he goes up against a man–god armed only with his bloody–minded arrogance and cleverness.

Even if you just wish you could just give him a hug and help him channel his energies in the right direction, Luthor speaks for something in all of us, I like to think.

However he’s played, Luthor is the male power fantasy gone wrong and turned sour. You’ve got everything you want but it’s not enough because someone has more, someone is better, someone is cleverer or more handsome.

 Newsarama: Grant, a recurring theme throughout the book is the effect of small kindness – how even the likes of Steve Lombard are capable of decency. And Superman gets the key to saving himself by doing something that any human being could do, offering sympathy to a person about to end it all.

Grant Morrison: Completely...the person you help today could be the person who saves your life tomorrow.

NRAMA: The character actions that make the biggest difference, from Zibarro’s sacrifice to Pa’s influence on Superman, are really things that any normal, non-powered person could do if they embrace the best part of their humanity. The last page of issue #12 teases the idea that Superman’s powers could be given to all mankind, but it seems as though the greatest gift he has given them is his humanity. How do you view Superman’s fate in the context of where humanity could go as a species?

GM: I see Superman in this series as an Enlightenment figure, a Renaissance idea of the ideal man, perfect in mind, body and intention.

A key text in all of this is Pico’s ‘Oration On The Dignity of Man’ (15c), generally regarded as the ‘manifesto’ of Renaissance thought, in which Giovanni Pico Della Mirandola laid out the fundamentals of what we tend to refer to as ’Humanist’ thinking.

(The ‘Oratorio’ also turns up in my British superhero series Zenith from 1987, which may indicate how long I’ve been working towards a Pico/Superman team-up!)

At its most basic, the ‘Oratorio’ is telling us that human beings have the unique ability, even the responsibility, to live up to their ‘ideals’. It would be unusual for a dog to aspire to be a horse, a bird to bark like a dog, or a horse to want to wear a diving suit and explore the Barrier Reef, but people have a particular gift for and inclination towards imitation, mimicry and self-transformation. We fly by watching birds and then making metal carriers that can outdo birds, we travel underwater by imitating fish, we constantly look to role models and behavioral templates for guidance, even when those role models are fictional TV or, comic, novel or movie heroes, just like the soft, quick, shapeshifty little things we are. We can alter the clothes we wear, the temperature around us, and change even our own bodies, in order to colonize or occupy previously hostile environments. We are, in short, a distinctively malleable and adaptable bunch.

So, Pico is saying, if we live by imitation, does it not make sense that we might choose to imitate the angels, the gods, the very highest form of being that we can imagine? Instead of indulging the most brutish, vicious, greedy and ignorant aspects of the human experience, we can, with a little applied effort, elevate the better part of our natures and work to express those elements through our behavior. To do so would probably make us all feel a whole lot better too. Doing good deeds and making other people happy makes you feel totally brilliant, let’s face it.

So we can choose to the astronaut or the gangster. The superhero or the super villain. The angel or the devil. It’s entirely up to us, particularly in the privileged West, how we choose to imagine ourselves and conduct our lives.

We live in the stories we tell ourselves. It’s really simple. We can continue to tell ourselves and our children that the species we belong to is a crawling, diseased, viral cancer smear, only fit for extinction, and let’s see where that leads us.

We can continue to project our self-loathing and narcissistic terror of personal mortality onto our culture, our civilization, our planet, until we wreck the promise of the world for future generations in a fit of sheer self-induced panic...

...or we can own up to the scientific fact that we are all physically connected as parts of a single giant organism, imagine better ways to live and grow...and then put them into practice. We can stop pissing about, start building starships, and get on with the business of being adults.

The ’Oratorio’ is nothing less than the Shazam!, the Kimota! for Western Culture and we would do well to remember it in our currently trying times.

The key theme of the ‘Dark Age’ of comics was loss and recovery of wonder - McGregor’s Killraven trawling through the apocalyptic wreckage of culture in his search for poetry, meaning and fellowship, Captain Mantra, amnesiac in Robert Mayer’s Superfolks, Alan Moore’s Mike Maxwell trudging through the black and white streets of Thatcher’s Britain, with the magic word of transformation burning on the tip of his tongue.

My own work has been an ongoing attempt to repeat the magic word over and over until we all become the kind of superheroes we’d all like to be. Ha hah ha.

 Newsarama: The structure of the 12 issues involves both Superman’s 12 labors and his impending death. Do you feel the threat of his demise brings out the best in Superman’s already–high character, or did you intend it more as a window for the audience to understand how he sees the world?

Grant Morrison: In trying to do the “big,” ultimate Superman story, we wanted to hit on all the major beats that define the character – the “death of Superman” story has been told again and again and had to be incorporated into any definitive take. Superman’s death and rebirth fit the sun god myth we were establishing, and, as you say, it added a very terminal ticking clock to the story.

NRAMA: When we talked earlier this year, we discussed the neurotic quality of the Silver Age stories. Looking at the series as a whole, you consistently invert this formula. Superman is faced with all these crises that could be seen as personifying his neuroses, but for the most part he handles them with a level head and comes across as being very at peace with himself. You talked about your discussion with an in–character Superman fan at a convention years ago, but I am curious as to how you determined Superman’s mindset.

GM: I felt we had to live up to the big ideas behind Superman. I don’t take my daft job lightly. It’s all I’ve got.

As the project got going, I wasn’t thinking about Silver Ages or Dark Ages or anything about the comics I’d read, so much as the big shared idea of “Superman” and that “S” logo I see on T–shirts everywhere I go, on girls and boys. That communal Superman. I wanted us to get the precise energy of Platonic Superman down on the page.

The “S” hieroglyph, the super–sigil, stands for the very best kind of man we can imagine, so the subject dictated the methodical, perfectionist approach. As I’ve mentioned before, I keep this aspect of my job fresh for myself by changing my writing style to suit the project, the character or the artist.

With something like Batman R.I.P., I’m aiming for a frenzied Goth Pulp-Noir; punk-psych, expressionist shadows and jagged nightmare scene shifts, inspired by Batman’s roots and by the snapping, fluttering of his uncanny cape. Final Crisis was written, with the Norse Ragnarok and Biblical Revelations in mind, as a story about events more than characters. A doom-laden, Death Metal myth for the wonderful world of Fina(ncia)l Crisis/Eco-breakdown/Terror Trauma we all have to live in.

The subject matter drives the execution. And then, of course, the artists add their own vision and nuance. With All Star Superman, “Frank” and I were able to spend a lot of time together talking it through, and we agreed it had to be about grids, structure, storybook panel layouts, an elegance of form, a clarity of delivery. “Classical” in every sense of the word. The medium, the message, the story, the character, all working together as one simple equation.

Frank Quitely, a Glasgow Art School boy, completely understood without much explanation, the deep structural underpinnings of the series and how to embody them in his layouts. There’s a scene in issue # 8, set on the Bizarro world, where we see Le Roj handing Superman his rocket plans. Look at the arrangement of the figures of Zibarro, Le Roj, Superman and Bizaro–Superman and you’ll see one attempt to make us of Renaissance compositions.

The sense of sunlit Zen calm we tried to get into All Star is how I imagine it might feel to think the way Superman thinks all the time - a thought process that is direct, clean, precise, mathematical, ordered. A mind capable of fantastical imagination but grounded in the everyday of his farm upbringing with nice decent folks. Rich with humour and tears and deep human significance, yet tuned to a higher key. We tried to hum along for a little while, that’s all.

In honor of the character’s primal position in the development of the superhero narrative, I hoped we could create an “ultimate” hero story, starring the ultimate superhero.

Basically, I suppose I felt Superman deserved the utmost application of our craft and intelligence in order to truly do him justice.

Otherwise, I couldn’t have written this book if I hadn’t watched my big, brilliant dad decline into incoherence and death. I couldn’t have written it if I’d never had my heart broken, or mended. I couldn’t have written it if I hadn’t known what it felt like to be idolized, misunderstood, hated for no clear reason, loved for all my faults, forgotten, remembered...

Writing All Star Superman was, in retrospect, also a way of keeping my mind in the clean sunshine while plumbing the murkiest depths of the imagination with that old pair of c****s Darkseid and Doctor Hurt. Good riddance.

 Newsarama: This is touched on in other questions, but how much of the Silver/Bronze Age backstory matters here? What do you see as Superman's life prior to All-Star Superman? (What was going on with this Superman while the Byrne revamp took hold?)

Grant Morrison: When I introduced the series in an interview online, I suggested that All Star Superman could be read as the adventures of the ‘original’ Pre-Crisis on Infinite Earths Superman, returning after 20 plus years of adventures we never got to see because we were watching John Byrne‘s New Superman on the other channel. If ‘Whatever Happened To The Man of Tomorrow?’ and the Byrne reboot had never happened, where would that guy be now?

This was more to provide a sense, probably limited and ill-considered, of what the tone of the book might be like. I never intended All Star Superman as a direct continuation of the Weisinger or Julius Schwartz-era Superman stories. The idea was always to create another new version of Superman using all my favorite elements of past stories, not something ‘Age’ specific.

I didn’t collect Superman comics until the ‘70s and I’m not interested enough in pastiche or nostalgia to spend 6 years of my life playing post-modern games with Superman. All Star isn’t written, drawn or colored to look or read like a Silver Age comic book.

All Star Superman is not intended as arch commentary on continuity or how trends in storytelling have changed over the decades. It’s not retro or meta or anything other than its own simple self; a piece of drawing and writing that is intended by its makers to capture the spirit of its subject to the best of their capabilities, wisdom and talent.

Which is to say, we wanted our Superman story be about life, not about comics or superheroes, current events or politics. It’s about how it feels, specifically to be a man...in our dreams! Hopefully that means our 12 issues are also capable of wide interpretation.

So as much as we may have used a few recognizable Silver Age elements like Van-Zee and Sylv(i)a and the Bottle City of Kandor, the ensemble Daily Planet cast embodies all the generations of Superman. Perry White is from 1940, Steve Lombard is from the Schwartz-era ‘70s, Ron Troupe - the only black man in Metropolis - appeared in 1991. Cat Grant is from 1987 and so on.

P.R.O.J.E.C.T. refers back to Jack Kirby’s DNA Project from his ‘70s Jimmy Olsen stories, as well as to The Cadmus Project from ’90s Superboy and Superman stories. Doomsday is ‘90s. Kal Kent, Solaris and the Infant Universe of Qwewq all come from my own work on Superman in the same decade. Pa Kent’s heart attack is from ‘Superman the Movie‘. We didn’t use Brainiac because he’d been the big bad in Earth 2 but if we had, we’d have used Brainiac’s Kryptonian origin from the animated series and so on.

I also used quite a few elements of John Byrne’s approach. Byrne made a lot of good decisions when he rebooted the whole franchise in 1986 and I wanted to incorporate as much as I could of those too.

Our Superman in All Star was never Superboy, for instance. All Star Superman landed on Earth as a normal, if slightly stronger and fitter infant, and only began to manifest powers in adolescence when he’d finally soaked up enough yellow solar radiation to trigger his metamorphosis.

The Byrne logic seemed to me a better way to explain how his powers had developed across the decades, from the skyscraper leaps of the early days to the speed-of-light space flight of the high Silver Age. And more importantly, it made the Superman myth more poignant - the story of a farm boy who turned into an alien as he reached adolescence. I felt that was something that really enriched Superman. He grew away from his home, his family, his adopted species as he became Superman. His teenage years are a record of his transformation from normal boy to super-being.

As you say, there are more than just Silver Age influences in the book. Basically we tried to create a perfect synthesis of every Superman era. So much so, that it should just be taken as representative of an ‘age’ all its own.

In the end, however, I do think that the Silver Age type stories, with their focus on human problems and foibles, have a much wider appeal than a lot of the work which followed. They’re more like fables or folk tales than the later ‘comic book superhero’ stories of Superman when he became just another colorful costume in the crowd...and perhaps that’s why All Star seemed to resemble those books more than it does a typical modern Marvel or DC comic. It was our intention to present a more universal, mainstream Superman.

NRAMA: In your depiction of Krypton and the Kryptonians, you show the complexity of Superman’s relationship between humanity and Earth even further. Krypton has that scientific paradise quality to it, but the Kryptonians are also portrayed as slightly aloof and detached, even Jor-El. But from Bar-El to the people of Kandor, they’re touched by Superman’s goodness. What do you see as the fundamental difference between Kryptonians and Earthlings, and how has Superman’s character been shaped by each?

GM: My version of Krypton was, again, synthesized from a number of different approaches over the decades. 
In mythic terms, if Superman is the story of a young king, found and raised by common people, then Krypton is the far distant kingdom he lost. It’s the secret bloodline, the aristocratic heritage that makes him special, and a hero. At the same time, Krypton is something that must be left behind for Superman to become who he is - i.e. one of us. Krypton gives him his scientific clarity of mind, Earth makes his heart blaze.

I liked the very early Jerry Siegel descriptions where Krypton is a planet of advanced supermen and women (I already played with that a little in Marvel Boy where Noh-Varr was written to be the Marvel Superboy basically). To that, I added the rich, science fiction detailing of the Silver Age Krypton stories and the slightly detached coolness that characterized John Byrne’s Krypton, which I re-interpreted through the lens of Dzogchen Buddhist thought, probably the most pragmatic, chilly and rational philosophic system on the planet and the closest, I felt, to how Kryptonians might see things.

We also took some time to redesign the crazy, multicolored Kryptonian flag (you can see our version in Kandor in issue #10). The flag, as originally imagined, seemed like the last thing Kryptonians would endorse, so we took the multicolored-rays-around-a-circle design and recreated it - the central circle is now red, representing Krypton’s star, Rao, while the rays, rather than arbitrary colors, become representations of the spectrum of visible light pouring from Rao into the inky black of space. In this way, the flag, that bizarre emblem of nationalism becomes a scientific hieroglyph.

Showing Krypton and Kryptonians was also important as a way of stressing why Superman wears that costume and why it makes absolute sense that he looks the way he does. I don’t see the red and blue suit as a flag or as rewoven baby blankets. There’s no need for Superman to dress the way he does but it made sense to think of his outfit as his ‘national costume‘.

The way I see it, the standard superhero outfit, the familiar Superman suit with the pants on the outside, is what everyone wore on Krypton, give or take a few fashion accessories like hoods and headbands, chest crests and variant colors. In fact, all other superheroes are just copying the fashions on Krypton, lost planet of the super-people.

Superman wears his ’action-suit’ the way a patriotic Scotsman would wear a kilt. It’s a sign of his pride in his alien heritage.

 Newsarama: Although All–Star Superman ties in with DC One Million, you style of writing has changed dramatically since then.  How do you feel about One Million now?

Grant Morrison: I just read it again and liked it a lot. Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators.

NRAMA: Obviously, this book is the most explicit SF–Christ story since Behold the Man, only...happy.  Superman/Christ parallels have existed for decades, but this story makes it absolutely explicit, from laying his hands on the sick and dying to...well, most of issue #12.  You’ve dealt with Christ themes before, particularly in The Mystery Play, but outside of the comics, how do you see Superman as a Christ figure for the “real” world?

GM: The “Superman as Christ” thing is a little too reductive for me, and tends to overlook the fact that Superman is by no means a pacifist in the Christ sense. Superman would never turn the other cheek; Superman punches out the bully. Superman is a fighter.

When did Christ ever batter the Devil through a mountain?

The thing I disliked about the Superman Returns movie was the American Christ angle, which reduced Superman to a sniveling, masochistic wreck, crawling around on the floor, taking a kicking from everyone. This approach had an odd and slightly disturbing S&M flavor, which didn’t play well to the character’s strengths at all and seemed to derive entirely from a kind of Catholic vision of the suffering, martyred Jesus.

It’s not that he’s based on Jesus, but simply that a lot of the mythical sun god elements that have been layered onto the Christ story also appear in the story of Superman. I suppose I see Superman more as pagan sci–fi. He’s a secular messiah, a science redeemer with tough guy muscles and a very direct and clear morality.

NRAMA: Continuing the religious themes, in issue #10, you have Superman literally giving birth to himself, both philosophically and as a character – a nice little meta–moment showing how Superman inspires a world where he is only fiction.  How did that idea come about?

GM: It came from the challenge we’d set ourselves: as I said, issue #10 had been left as a blank space into which the single most coherent condensation of all our ideas about Superman were destined to fit.

I wanted to do a “day in the life” story. So much of All Star had been about this threat to Superman himself, so we wanted to show him going about a typical day saving people and doing good.

Then came the title “Neverending,” which comes from the opening announcement – “Faster than a speeding bullet!...” of the Superman radio show from 1940, and seemed to me to be as good a title for a Superman story as any I could think of. It seemed to distil everything about Superman’s battle and his legend into a single word. And the story structure itself was designed to loop endlessly, so it went well with that.

 On top of that went the idea of the Last Will and Testament of Superman. A dying god writing his will seemed like an interesting structure to use. Then came the idea to fit all of human history into that single 24 hours. And then to show the development of the Superman idea through human culture from the earliest Australian Aboriginal notions of super–beings ‘descended” from the sky, through the complex philosophical system of Hinduism, onto the Renaissance concept of the ideal man, via the refinements of Nietzche and finally, down to that smiling, hopeful Joe Shuster sketch; the final embodiment of humanity’s glorious, uplifting notion of the superman become reduced to a drawing, a story for kids, a worthless comic book.

And also what that could mean in a holographic fractal universe, where the smallest part contains and reflects the whole.

Of course the next panel in that sequence is happening in the real world and would show you, the reader, sitting with the latest Superman issue in your hands, deep within the Infant Universe of Qwewq in the Fortress of Solitude, today, wherever you are. In “Neverending,” the reader becomes wrapped in a self–referential loop of story and reality. If you actually, seriously think about what is happening at this point in the story, if you meditate upon the curious entanglement of the real and the fictional, you will become enlightened in this life apparently. According to some texts.

NRAMA: On a personal level, you’ve explored all types of religions and philosophies in your work.  What is your take on religion and how it influences humanity, and the Christian take on Jesus Christ in particular?

GM: I think religion per se, is a ghastly blight on the progress of the human species towards the stars.  At the same time, it, or something like it, has been an undeniable source of comfort, meaning and hope for the majority of poor bastards who have ever lived on Earth, so I’m not trying to write it off completely. I just wish that more people were educated to a standard where they could understand what religion is and how it works. Yes, it got us through the night for a while, but ultimately, it’s one of those ugly, stupid arse–over–backwards things we could probably do without now, here on the Planet of the Apes.

Religion is to spirituality what porn is to sex. It’s what the Hollywood 3–act story template is to real creative writing.

Religion creates a structure which places “special,” privileged people (priests) between ordinary people and the divine, as if there could even be any separation: as if every moment, every thought, every action was not already an expression of dynamic ‘divinity” at work.

As I’ve said before, the solid world is just the part of heaven we’re privileged to touch and play with. You don’t need a priest or a holy man to talk to “god” on your behalf: just close your eyes and say hello. “God” is no more, no less, than the sum total of all matter, all energy, all consciousness, as experienced or conceptualized from a timeless perspective where everything ever seems to present all at once. “God” is in everything, all the time and can be found there by looking carefully. The entire universe, including the scary, evil bits, is a thought “God” is thinking, right now.

As far as I can figure it out from my own reading and my own experience of how the spiritual world works, Jesus was, as they say, way cool: a man who achieved a state of consciousness, which nowadays would get him a diagnosis of temporal lobe epilepsy (in the days of the Emperor Tiberius, he was crucified for his ideas, today he’d be laughed at, mocked or medicated).

This “holistic” mode of consciousness (which Luthor experiences briefly at the end of All Star Superman) announces itself as a heartbreaking connection, a oneness, with everything that exists...but you don’t have to be Superman to know what that feeling is like. There are a ton of meditation techniques which can take you to this place. I don’t see it as anything supernatural or religious, in fact, I think it’s nothing more than a developmental level of human consciousness, like the ability to see perspective – which children of 4 cannot do but children of 6 can.

Everyone who’s familiar with this upgrade will tell you the same thing: it feels as if “alien” or “angelic” voices – far more intelligent, coherent and kindly than the voices you normally hear in your head – are explaining the structure of time and space and your place in it. 
This identification with a timeless supermind containing and resolving within itself all possible thoughts and contradictions, is what many people, unsurprisingly, mistake for an encounter with “God.”  However, given that this totality must logically include and resolve all possible thoughts and concepts, it can also be interpreted as an actual encounter with God, so I’m not here to give anyone a hard time over interpretation.

Some people have the experience and believe the God of their particular culture has chosen them personally to have a chat with. These people may become born–again Christians, fundamentalist Muslims, devotees of Shiva, or misunderstood lunatics. Some “contactees” interpret the voices they hear erroneously as communications from an otherworldly, alien intelligence, hence the proliferation of “abduction” accounts in recent decades, which share most of their basic details with similar accounts, from earlier centuries, of people being taken away by “fairies” or “little people”.

Some, who like to describe themselves as magicians, will recognize the “alien” voice as the “Holy Guardian Angel”.

In timeless, spaceless consciousness, the singular human mind blurs into a direct experience of the totality of all consciousness that has ever been or will ever be. It feels like talking with God but I see that as an aspect of science, not religion.

As Peter Barnes wrote in “The Ruling Class”, “I know I must be God because when I pray to Him, I find I’m talking to myself.”

 Newsarama: When we spoke earlier this year, you talked about some of your ideas for future All Star stories. Are you moving forward on those, or have you started working on different ideas since then?

Grant Morrison: I haven’t had time to think about them for a while. I did have the stories worked out, and I’d like to do more, but right now it feels like Frank and Jamie and I have said all there is to be said. I don’t know if I’m ready to do All Star Superman with anyone else right now. I have other plans.

NRAMA: You end the book with Superman having uplifted humanity – having inspired them through his sacrifice and great deeds, and with the potential to pass his powers on to humanity still there. Do you plan to explore this concept further, or would you prefer to leave it open–ended?

GM: I may go back to the Son of Superman in some way. At the same time, it’s best left open–ended. I like the idea that Superman gets to have his cake and eat it; he becomes golden and mythical and lives forever as a dream. Yet, he also is able to sire a child who will carry his legacy into the future. He kicks ass in both the spiritual and the temporal spheres!

 NRAMA: The notion of transcendence – always a big part of your work. But the debate about All Star Superman is whether or not it "transcends its genre." Superman becomes transcendent within the series itself, and inspires the beings on Qwewq, but does the work aspire to more than that? Is it simply the greatest version of a Superman story, and that’s enough?

GM: That would certainly be enough if it were true.

It’s a pretty high–level attempt by some smart people to do the Superman concept some justice, is all I can say. It’s intended to work as a set of sci–fi fables that can be read by children and adults alike. I’d like to think you can go to it if you’re feeling suicidal, if you miss your dad, if you’ve had to take care of a difficult, ailing relative, if you’ve ever lost control and needed a good friend to put you straight, if you love your pets, if you wish your partner could see the real you...All Star is about how Superman deals with all of that.

It’s a big old Paul Bunyan style mythologizing of human - and in particular male - experience. In that sense I’d like to think All Star Superman does transcend genre in that it’s intended to be read on its own terms and needs absolutely no understanding of genre conventions or history around it to grasp what’s going on.

In today’s world, in today’s media climate designed to foster the fear our leaders like us to feel because it makes us easier to push around. In a world where limp, wimpy men are forced to talk tough and act ‘badass’ even though we all know they’re shitting it inside. In a world where the measure of our moral strength has come to lie in the extremity of the images we’re able to look at and stomach. In a world, I’m reliably told, that’s going to the dogs, the real mischief, the real punk rock rebellion, is a snarling, ‘fuck you’ positivity and optimism. Violent optimism in the face of all evidence to the contrary is the Alpha form of outrage these days. It really freaks people out.

I have a desire not to see my culture and my fellow human beings fall helplessly into step with a middle class media narrative that promises only planetary catastrophe, as engineered by an intrinsically evil and corrupt species which, in fact, deserves everything it gets.

Is this relentless, downbeat insistence that the future has been cancelled really the best we can come up with? Are we so fucked up we get off on terrifying our children? It’s not funny or ironic anymore and that’s why we wrote All Star Superman the way we did. Everything has changed. ‘Dark’ entertainment now looks like hysterical, adolescent, ‘Zibarro’ crap. That’s what my Final Crisis series is about too.

NRAMA (aka Tim Callahan): Continuing with the theme of transcendence: The words "ineffectual" and "surrender" are repeated throughout the book. Discuss.

GM: Discuss yourself, Callahan! I know you have the facilities and I should think it’s all rather obvious. 


NRAMA: What was the inspiration for the image of Superman in the sun at the end? (I confess this question comes as the result of much unsuccessful Googling)

GM: I didn’t have any specific reference in mind - just that one we‘ve all sort of got in our heads. I drew the figure as a sketch, intended to be reminiscent of William Blake’s cosmic figures, Russian Constructivist Soviet Socialist Worker type posters, and Leonardo’s ‘Proportions of the Human Figure‘. The position of the legs hints at the Buddhist swastika, the clockwise sun symbol. It was to me, the essence of that working class superheroic ideal I mentioned, condensed into a final image of mythic Superman, - our eternal, internal, guiding, selfless, tireless, loving superstar. The daft All Star Superman title of the comic is literalized in this last picture. It’s the ‘fearful symmetry’ of the Enlightenment project - an image of genius, toil, and our need to make things, to fashion art and artifacts, as a form of superhuman, divine imitation.

It was Superman as this fusion of Renaissance/Enlightenment ideas about Man and Cosmos, an impossible union of Blake and Newton. A Pop Art ‘Vitruvian Man‘. The inspiration for the first letter of the new future alphabet!

As you can see, we spent a lot of time thinking about all this and purifying it down to our own version of the gold. I’m glad it’s over.

NRAMA: Finally: What, above all else, would you like people to take away from All Star Superman?

GM: That we spent a lot of time thinking about this!

No. What I hope is that people take from it the unlikelihood that a piece of paper, with little ink drawings of figures, with little written words, can make you cry, can make your heart soar, can make you scared, sad, or thrilled. How mental is that?

That piece of paper is inert material, the corpse of some tree, pulped and poured, then given new meaning and new life when the real hours and real emotions that the writer and the artist, the colorist, the letter the editor translated onto the physical page, meet with the real hours and emotions of a reader, of all readers at once, across time, generations and distance.

And think about how that experience, the simple experience of interacting with a paper comic book, along with hundreds of thousands of others across time and space, is an actual doorway onto the beating heart of the imminent, timeless world of “Myth” as defined above. Not just a drawing of it but an actual doorway into timelessness and the immortal world where we are all one together.

My grief over the loss of my dad can be Superman’s grief, can trigger your own grief, for your own dad, for all our dads. The timeless grief that’s felt by Muslims and Christians and Agnostics alike. My personal moments of great and romantic love, untainted by the everyday, can become Superman’s and may resonate with your own experience of these simple human feelings.

In the one Mythic moment we’re all united, kissing our Lover for the First time, the Last time, the Only time, honoring our dear Dad under a blood red sky, against a darkening backdrop, with Mum telling us it’ll all be okay in the end.

If we were able to capture even a hint of that place and share it with our readers, that would be good enough for me.

[furashuban]

Visitations

Happy New Year, everyone! I wrote one last fic before we enter 2021, which is just the first chapter of a three-part story so far. Hope ya’ll like it!

Like most of my fics, it’s based on off-screen moments that I imagined would happen [during + after the episode “The Yule Lads” from Hilda.]

Pairing: Johanna / Kaisa (I don’t know what their ship name is)

Words: 1907

AO3: https://archiveofourown.org/works/28469292/chapters/69761052

Summary: Johanna's old book of winter tales is misplaced on the night she promised to give it to Hilda. On her way to the library in hopes of acquiring a new, temporary copy, she is introduced to the keeper of the books, Kaisa, and slowly grows fond of her.

The Trolberg Winter Festival was nearing its end, as the night of the Sonstansil Tree to bloom came under way. The sun cascaded over the city, embellishing the land in a subdued gradient of red and white. Back in Hilda’s home, Johanna had spent much of her afternoon searching for a book of folktales that she promised to give Hilda the night before. She looked through the cabinets and wardrobe in her bedroom, then in the depositories abounding the living room. Everywhere she checked, the book was nowhere to be seen, and Johanna would sigh out of frustration. Perhaps Tontu may have mistaken it as an offering at some point. Eventually, she called for the woolly Nisse as she entered her daughter’s room. Right of her to think that he was there all along.

“You wouldn’t have happened to see my old book of Winter Tales, have you?” she asked. “I’m supposed to give it to Hilda, you see.”

“Hm, I don’t think I’ve read or taken any books in a while.” Tontu replied, sitting comfortably on Hilda’s bed. “But I’ll try and give it a look.”

He then got on his feet and dived into the gaps of the bed, travelling into a portal to Nowhere Space. Johanna tapped her feet and folded her arms. With all the things Tontu had collected over the past couple of months, who knows how long it would take for him to seek the book before complete and utter sundown? But to her luck, he came back out after a minute had barely passed.

“Nope,” Tontu said. “couldn’t find it in Nowhere Space.”

“Never mind then…” Johanna sighed. “Great, I might as well check the library now and hope they have a copy somewhere.”

Grabbing her purse and yellow jacket by the doorstep, she left the building pronto and began a quick journey to find a new, temporary storybook about the ogress Gryla. Even if this was all for a pithy, seasonal legend meant to be told for children, Hilda’s blithesome curiosity was difficult to turn back on.  Johanna hoped that the library, the only place she could think of to find a new book in Trolberg, was still open.

After steering through a few intersections, she noticed a prodigious structure up ahead and parked her car just around the corner. A large sign reading “Library” was engraved on top of the building’s doors, and Johanna quickly made her way up the staircase before stepping through the entrance. For a moment, it was as if the building had a voice and convinced Johanna to slow down, not another step should be taken inside. The behemoth expanse of the library, displaying rows of equally immeasurable heaps of books was a spectacle that upraised her skin. The shelves looked like they pierced right through the ceiling as she noticed the second floor, and adjacent to her was the librarian’s desk with a stack of various novels on the counter. Not only was she just realizing how long it had been since her last visit to the library, but also the absence of whoever the librarian was. In fact, it was too vacated and quiet, even for a library. It was hard to tell if she was the only visitor of the hour or if she was one out of a trifling number of people scouring through books. In case it had been the latter, she held back calling for help and proceeded to look for either the book or the librarian on her own.

There were slabs imprinted on the side of every bookshelf that grouped their books into certain genres, and Johanna glanced through each of them as promptly as she could. Classical Non-Fiction. Encyclopedias. Spirituality. Whatever seemed to fit the type of stories her Winter Tales book was, it was too hard to discern right away.

Suddenly, she spots a young woman kneeling below a section of the Coming-Of-Age shelf while rearranging the contents. Beside her was a cart with even more books towering over her.  When she stood up, Johanna beheld the women’s grey fashion and short black hair that was purple towards tips, including the headphones lying around her neck that still blasted music. The expression on her face was quite peaceful, and something about it inferred a sense of contentment.

Johanna cleared her throat; her cheeks began to shine a faint tint of red. “Excuse me,” she spoke. “are you the librarian?”

“That is correct,” answered the purple-haired woman. “The library is about to close soon, so is there anything I can help with?”

“Oh, um, I was wondering if you——”

“Ah, say no more,” the librarian suddenly raises her hand up. “Come, follow me.” She simply walks pass Johanna, leaving her feeling quite perplexed. Suppose all she had to do now was listen walk behind her.

They found themselves ambling up the staircase where more books awaited them from atop. Among further rows of shelves, the two finally approached one with a label reading “Folklores”. They stopped walking, and the librarian was face-to-face with a vibrant row of end labels as she hovered her index finger over them. Beside her, Johanna could not help but perceive the music ever so playing on the librarian’s Walkman.

“So, um, what kind of music are you listening to?” she asked.

“Nothing much,” the librarian replied. “just some indie rock.”

“I see.”

“Do you also enjoy listening to it?”

“Well, no. Not often.”

The librarian glanced at Johanna. “I can pause it if it’s too distracting,” she offered.

“Oh, you don’t have to. It’s fine.” The brunette insisted.

Johanna’s heart was pounding strongly. She never had much time to engage in small talk with anyone by her own accord. It was hard for her not to overthink everything she was saying or wanted to say next, and if whether her interaction towards the librarian was even remotely troublesome or necessary. She just stood in silence, waiting and watching the goth woman do her work instead.

“Aha,” the librarian expressed, pulling out a book placed slightly above her. Looking down and reading the cover, she wipes off a spec of dust and turns to Johanna, carrying it over the distance between them.

“How did you know that what I was looking for?” Johanna asked, her eyebrows raised as she took the book from the librarian’s hands.

“Just a tendency that librarians have, I suppose.” she replied nonchalantly. She gawked at the book’s title once again, and a smile formed on her complexion. All of a sudden, the next song on her Walkman blared a slower, mellower tune from a piano and guitar.

“You know, that was one of my favorite books to read when I was younger,” she continued. “the story about Gryla was one I enjoyed especially.”

“Huh, me too.” Johanna chuckled. “I told my daughter the same story before she went to bed, and I promised I would tell her more about it with the book. I lost my old copy, though, which is why I came here.”

“One thing’s for certain, she is going to enjoy the book quite a lot when you give it to her.” The librarian said, despite the Winter Tales book being filled with gruesome imagery.

“Well, if I hadn’t known better, I would say you know who my daughter is as well.” Kidded Johanna.

The librarian flinched and chuckled stiffly. She halted reading Johanna’s thoughts for now, wanting to dodge anything beyond what she required.

“So, I assume that’s the only thing you need,” the librarian then said, finally pressing the pause button on her Walkman. “I’ll check the book out with a library receipt, and you will be good to go…”

_____________________________________________________________

The two made it downstairs with a large desk separating them. The librarian wrote down the contents for Johanna’s receipt and finalized them with a loud, red stamp.

“Okay, you have at least a month to return the book.” She spoke.

“Thank you, Miss…” Johanna paused, trying to read the nametag on the librarian’s cloak.

“You can call me “Kaisa”,” asserted the librarian quickly.

“Right,” Johanna grinned. “Thanks again, Kaisa. You have been a real help to me.”

“It’s no problem,” Kaisa nodded. “I can tell it was urgent, like with most people who come up to me first before finding a book themselves.”

“Right.” Johanna retorted lightheartedly. Looking out the windows above them, she noticed the first spill of snowfall over the now dimming sky. “It’s the last night of the Trolberg Winter Festival,” she continued. “will you be watching the Sonstansil Tree bloom this evening?”  

“No, I don’t plan on going.” Kaisa answered. “It’s…not really my thing. I’m just going to spend the night here.”

“Ah, I understand.” Johanna nodded. She could have left by that point; her personal quest to find a replacement for her Winter Tales book had basically succeeded. Yet she remained frozen once again, looking down on the book and then simply on the floor. The brunette never made too much of a personal effort to get out and converse with others since she moved to Trolberg. But after meeting Kaisa tonight, she was sure that neither did the city’s keeper of books.

“I was actually wondering, Kaisa, if you would like to come over to my place and respite when you’re not busy in the library,” she continued. “thought we could talk a little more and I’ll whip up some cucumber sandwiches and tea maybe?”

Kaisa’s heart skipped a beat, as did Johanna’s when she made her proposal. The purple-haired librarian did not know what to say without stammering from her elation. She knew she enjoyed being in the presence of the brunette so far, the patience and warmth in her voice was as inviting as any moonrise she could lay her eyes on. Spending time beyond a mere library transaction did not sound too bad, she thought.

“Are you sure about that?” Kaisa asked.

“Why, yes, of course…!” Johanna rejoined almost cheerfully.

The two women stared at each other, then looking away as they smiled awkwardly.

“I’ll tell you what,” Kaisa said. “when the return policy expires, that’s when I’ll come over, and I can pick up and return the book myself after I hang out with you.”

“Allow me to write down the address, then.” Said Johanna, pulling out a pen and small piece of paper out of her purse. She scribbled the name of her street and apartment number as fast as she could, then sliding it over to Kaisa’s direction. The librarian picks it up; the first thing she reads on the paper was “Johanna’s Apt.”.

“Hm. well, thanks for this, Johanna,” She glanced at the brunette one last time.

“Take care of yourself,” Johanna grinned, slowly walking away from the desk and carrying a new book of Winter Tales. “Don’t get too cold.”

Kaisa kept her eyes on her now-departing visitor. Before she could even reach the doorhandle, she began to stutter. “Oh, a-also,” Kaisa spoke, catching Johanna’s attention. “I know I said I won’t be seeing the tree tonight but…consider that book a present from me,” she smiled the brightest she has ever smiled tonight, realizing how silly she must sound just to cheer up Johanna. “Happy Sonstansil.”

The quickness of her heartbeat made her face glow the most intense shade of pink. Johanna chuckled; she could not wait to see her librarian again one day.

[unnursvanablog]

The books I read in 2020 / part 3.

I read over 50 books this year... so I had to section it off into three parts.

The Subtle knife - Philip Pullman: ☆☆☆☆ I wanted to revisit the story before watching the second series of the TV show. This book was always my favorite in the series, or at least when I first read the trilogy. I just loved the blossoming friendship between Will and Lyra so much. There are lots of answers we get here, but we get far more newer questions than I remembered.

Lyra’s Oxford - Philip Pullman: ☆☆☆ I am so fond of this world that Pullman has created and I always find it so wonderful to visit it again. I really enjoyed this story, I but I also found it just a bit too short.

Perfume: The Story of Murderers - Patrick Süskind: ☆☆☆☆ I really enjoyed this one. It's not a large book, but it's really interesting and very unusual. I had the movie in my head the whole time I was reading the book, which took a bit of the fun out of reading it though. But the writing was beautiful.

Archenemies, Supernova – Marissa Meyer: ☆☆☆, ☆☆☆. All the books that I have read by Meyer have really interesting premise, nice and likeable characters with some great dynamic between them and comradery, which is just so fun to read and this series certainly delivers on that. The romance is cute, and the plot is very fast paced and exciting. It's a very fun and easy read. Now, while I do think this series explores some interesting themes such as abuse of power, challenging your leaders to recognizing that the views that other around you and those you admire aren’t always correct, I also felt part of the last book, and the ending fumbled over some of them or didn't really uphold them well enough or go as hard as I wanted them to go. It almost felt too easy. Just like some of these superhero movies it's very entertaining, but might not always leave a lot behind in the end.

The Way of Kings, Words of Radiance, Oatbringer, - Brandon Sanderson: ☆☆☆, ☆☆☆☆, ☆☆☆. When I first started this story I felt like it was really slow, a bit boring and just sort of dragging it's feet through clunky worldbuilding and backstories. The first part of the Way of Kings was not a fun read to me. Although Sanderson is great at creating a interesting and dynamic worlds and setting for his fantasy story (it's one of the things he's known for) I wish he could do so with a little less info-dumps. It really bored me, there wasn't enough story to hook me and that was the main reason why I switched to the audiobooks for this series. The audiobook finally managed to draw me into the story.

All the books in Stormlight Archive suffer from a similar problems as the first one, in various degrees, although the stakes do increase as you go further into the story and towards the plot has escalated so much that you do not seem to be able to put the book down, it's the start and the meandering middle that kinda suck a lot of excitement out if this story for me. The story is sometimes a little too slow for me, although I find some of it enjoyable. I just personally like a bit more plot. You're constantly learning more about the world and how it works, but I wish there was more rise to the story all throughout the books, and I think Sanderson is extremely weak when it comes to such political intrigue. I want a bit more escalating tension. I experienced very similar thing with Mistborn. There is also the fact that some parts of the books are more interesting than other depending on the POV, but that can happen with a story as big as this one. I just wish there was a little less info-dumps, a bit more suspense throughout the plot and that the worldbuilding could be mixed better in with the actual plot.

The Burning God – R. F. Kuang: ☆☆☆☆ The Poppy War series is one of the most stand out series I have read in a while! I flew through the first two via audiobooks earlier this year and then I picked up the last book in the trilogy as soon as it came out. It is very dark and does not shy away from the gruesome details of war and what it can do to people and how it can just break them and the aftermath that it leaves behind. Even with all the magical powers that some of characters have things never get easy. They only seem to get worse.

I admired Kuang's use of real history as inspiration for this series and how she did it, as I read a little bit more about the Chinese civil war and the opium wars in the process, and how truly morally gray the characters were (the term morally gray gets throw around a lot) and how everyone could turn on each other at any given moment, the characters are someone you can empathize with but they are also so flawed and unlikeable at the same time. You are supposed to be conflicted on these characters and I think Kuang manages to do that so well and I enjoyed reading a whole lot.

The story surprised me at almost every turn, and it was so satisfying when every piece fell into place and we got to the ending that this story deserves. The writing itself is quite straight forward and to the point and not very flowery, which I think suits the story and the subject matter quite well. It does have some pacing issues, especially in the second book for me, which can sometimes be a bit of a drag. But the overall story is super strong. It is not for people who want to have a light, fun fantasy read or cannot stomach a lot of violence. This is an adult grimdark after all. Lots of trigger warning for this one like substance abuse, self-harm, rape, death, violence etc. I can personally handle a lot, but even I found it hard to read at times. But the way these things were handled or written about in the story and how it was handled did usually not bother me. It was not done for sheer shock value.

The Bear and the Nightingale - Katherine Arden: ☆☆☆☆ I actually sort of knew before I read this book that this would be something I would really enjoy. And I was right. I loved the atmosphere, the feeling of it, and this world that was brought to life by this book. It felt like reading a folk tale by the fire, it had that feeling, as it is some sort of retelling of Slavic folktales, I think. The story is rather slow and I felt it dragged its feet in some places. Especially towards the middle. But I always found it really fascinating and captivating read.

The Polar Bear Explorers ’Club - Alex Bell: ☆☆ This story never really captured my attention. I often found it rather confusing, a bit vapid and even a bit all over the place. There was not enough danger, not enough conflict and the main character got on my nerves a bit as I thought she was this typical 'I'm not like other girls' female character that you meet from time to time. Although I associate it mostly with YA books.

Daemon Voices - Philip Pullman: ☆☆☆☆ I did not read this book page by page, but when it comes to such a collection of essays and so on, I personally don't think you need to. I often have a hard time reading non-fiction and I usually find it more fun to listen to them. It's not a straightforward story that really pulls me forward as there is no plot. I am a plot driven person. So reading it did take some time, but I still found a lot of interesting thoughts and ponderings about what it means to tell stories, write them and publish them. It really made me ponder at least. And I also found a lot of great quotes as well.

The Lion, the Witch and the Wardrobe - C.S.Lewis: ☆☆☆☆ I just wanted to reread one good and short classic that gives a little Christmas feeling. However, I was not always in the mood to re-read books and I didn't always find myself in the mood for it this Christmas. But that is not the fault of the book. I've read it before and loved it. I just do not re-read books often and I just often am not in the mood to read books during the Christmas holidays for some reason.

[valkerymillenia]

Hi, I asked about jason’s memory in my last ask in cbds. Thanks for answering. It made me wonder would jason gets flashes about his time with dick and the twins?I really admire your patience in writing your story. This is why i’ll fail as a writer, because i have absolutely no patience. I mean I would probably rush my story and that would make it turn bad.

Ok, so, no. At first Jason has no memory between his death and the Pit. Eventually though some things start to trigger pieces of memories that he doesn't really understand, his full memory takes quite a while to return and by then he's dug himself into too deep a hole.

Also, you sound EXACTLY like me when I started writing.

So I'mma ramble now. Feel free to ignore the boring story time beneath the cut but I promise it has a point, it's just bound to be long because I don't know what brevity is and when I'm sleep deprived I talk to much.

Before I started writing I always wanted to put stories down into words but I never ever considered writing books, I used to make elaborate fantasy worlds, characters and lives in my head that dragged on for weeks on end, slowly becoming more and more complex, it was pure escapism, but I never thought about writing those stories down precisely because I though "I'll never have the patience to develop this, I'll just rush it or quit halfway".

Then when I was in 10th grade there was a writing contest in my school and two of my cousins were teachers there and writers themselves and encouraged me to enter (there were 3 categories actually- teachers, 7th to 9th grade and 10th to 12th grade). I figured, why not?

The story had to be handwritten under a pseudonym with a 5 page limit (no word limit because it was handwritten, you just had to use standard test paper for 5 pages, and yes, this was normal because not everyone had access to a computer to type their work), it was fiction under the theme "stories of our people" and the judges were a panel of teachers and one famous writer (he had a very popular YA adventure series and some great mythology based novels, unfortunately he passed away a few years later).

Now, bear in mind 2 things. This was a school surrounded by forest in the hills of a small rural city but it was the biggest rural city around and all the other towns and villages sent their kids to high school there, the second thing to remember is that high school is mandatory education in my country so dropping out isn't really an option. Therefore we had hundreds of kids in the high school grades (somewhere between 600 and 800 kids, I think, there's less nowadays because the next town over grew immensely and has its own high school now).

You'd think kids wouldn't be interested in a writing competition but the author that was coming to judge was very popular at the time and, well, it was a high school in the middle of the woods in a small countryside town. Things were boring, ok? We didn't have a mall or a movie theater or anything, so when something popped up to break the boredom (or someone even remotely famous showed up) everyone jumped at it.

So a lot of people participated and me? I was just dragging my feet because "I didn't have the patience", I waited until the last two days before the deadline and poured out a story last minute with a shitty penname based on my mythology obsession (Valkery Thot, you can laugh about it nowadays but Thot was the Egyptian good of scribes and I was NERD).

The story was about two kids that never liked each other growing up even though they lived close to each other, they end up crossing paths on the same adventure to a local inaccessible waterfall we have here in the mountain, they were looking for treasure based on stories and maps from each of their grandfathers and find a cave together where they discover etchings left by said grandfathers and, long story short, the treasure was friendship.

(Sappy as hell, I know, but I was thinking the whole YA adventure mindframe, ok? Plus, it wasn't my preferred writing language, which is English, and I was 15 and literally improvised the whole thing last minute, didn't even draft anything, I just wrote it directly and barely proofread for typos.)

So I entered the contest last minute with no real hopes, it was just an experiment but it proceed to be way more entertaining than I though, without the pressure of actually wanting to win it was easier than I thought.

Award day came and we all gathered in this fancy huge auditorium we had, it was the fanciest part of the whole school but it still couldn't fit everyone in there, then again most students that came just wanted an excuse not to go to class that morning. Anyway...

One of my cousins won in the teacher category and I was all proud. I watched the 3 winners of the 7th to 9th grade category being awarded and started getting distracted (because unless I was drawing or stimming I had the attention span of a goldfish). Then the 10th to 12th grade category came and I was so distracted that they had to call me twice before I realized I'd won second place!

First place went to 12th grade boy that wrote a story called "The Message", very purple prose and perfect grammar, lovely story, but I digress.

Anyway, the famous author was the one to give me my prize and told me my story was very vivid, there were some typos but he was impressed by the creativity and the amount of action I packed into 5 pages while still giving it a satisfying ending. I barely grasped what the heck he was saying at the time because I still had this certainty that I bullshitted the whole thing last minute and couldn't even remember half of what I wrote but I asked him if he thought I "could be real writer someday" and he just said I already was a "real writer" because all it took to be a real writer was putting it it words, that and actually enjoying the world I made up.

It stuck with me. I didn't realize right away that that was my dream, that I wanted to be a novelist, I still wanted to be an artist and was stuck under all those expectations to choose a proper college path and career (I thought I could do law, AH! what was I thinking?!) but it really stuck with me and shortly after I started getting really deep into a side of fandom that I hadn't experienced before (because I never had much access to internet before that) and started to want to put my stories into words even if I never finished them, I still didn't think I had the patience or the originally.

A few years later I realized that when it comes to something I'm passionate about I do indeed have the patience, by age 12 I had already been writing long comprehensive character bios, story details, transcribed quotes, meta theories, summaries and collecting tons of info of all my favorite fandoms and not to share, just for fun (and probably OCD) this went on for years before I even found out that the internet had whole websites and encyclopedias for such things (not like today though but yeah), and it had never occurred to me the patience that that in itself required.

My first fics were atrocious! Mostly because I made A LOT of typos due to not being used to writing in English full time but my thoughts came more naturally in English and I didn't enjoy writing fiction in Portuguese anyway (poetry though? Absolutely), I also used extremely exaggerated plot points, be it drama, angst or romance. But people liked the stories for the content and not the accurate spelling so I kept at it. I never used to finish my fics back then, not due to lack of patience but mostly because I put too much pressure on myself to make a story perfect and would stop having fun.

When I started writing purely for fun and passion (and realized that not every story needed to be a novel length epic) that's when I started churning out my best (and ironically longest) stories and getting better and better.

I won't lie, having readers encouraging me was key, it's half of the fuel I need to keep going, outside interest is an incredible motivator, but mostly I just realized that the key to good writing is:

Less pressure + more passion = all the patience you need

This doesn't just apply to original work though, it's also about fanfic.

Holy crap, that was a lot of words just to sum everything up on that one bold sentence... See, I could never have written this much when I was in high school, that's also a matter of practicing until letting your thoughts out into writing becomes second nature but that's a whole other story.

Anyway... Thanks for the lovely message. It's the story of thing that means the world to me ❤️

(and PS- no, I haven't won any other contests since that one but I have published articles on magazines, no published novels yet though because I don't think my original ideas are ever good enough to follow through).

[strrawberrymoon]

name  /  alias : leigh  gender  /  pronouns : female + she/her where  ya  from  ? : europe 👀 the  current  time :  18:53 height :  164 cm, i think that’s 5′4 job  or  major :  double major in sociology and media communications, still grinding pet  (  s  ) :  two dogs! one is a 7 year old maltese and the other a 3 year old cane corso favorite  thing  (  s  )  about  yourself :  im a great listener and i give great advice, i’m straighforward which some people don’t like but oh well, i’m pretty adaptable. i got some nice titties any  special  talents  ? :  i can roll my tounge in any direction + crack a lot of knuckles ajkdshaj

why  you  joined  hqclouds :  i’ve been itchng to write more lately, so when love told me about their group i thought i’d give it a shot !!

meaning  behind  url :  strawberry moon was just a recent occurance irl which was really cool + i associate marinette with strawberries for some reason, and i’m a big fan of the lady moon

last  thing  you  googled :  i’m having some issues with my michrophone and zoom so i googled how to fix it, but no dice

birthday  /  zodiac :  leo ! my birthday is august 11th in  your  opinion  ,  does  your  sign  suit  you  ? : yes and no. leo’s are very misunderstood imo, but each sign has the “more popular” or well known traits and then there’s the flipside of the coin—which i think suits me more myers  -  briggs :  ISFP / INFP moral  alignment :  chaotic idiot hogwarts  house : gryffindor

three  fictional  character  (  s  )  you  see  yourself  in  +  why :  i honestly see myself in katara from atla, the whole smothering mothering routine. it’s becoming a regular thing for my friends to say “thanks, mom” or “ok, mom” so i guess i’m the mom friend. also fred weasly... he’s a twin.. i’m a twin... that’s all i need. and lastly, and very leastly, neil josten from all for the game series. most of you probably don’t know it, but he’s a demisexual chaotic idiot who says “i’m fine” way too much for someone who is most definitely not fine.

i  started  roleplaying : probably when i was around 16-17 was my first official roleplay experience. it was on facebook and kind of a nightmare types  of  rps  i  enjoy :  i like college stuff and small town rps, but i also love plot heavy rps that push you into developing your muse. really anything that isn’t too restricting favorite  fcs  to  use :  i don’t have go-to faceclaims. i tend to make a character around a FC and then use them until i lose muse or just feel like they need to rest. switch it up a lot, but some faces that i’ve really enjoyed playing for a longer amount of time are steven kelly, cindy mello and ellen v. lora fandom  (  s  )  you’d  like  to  write  in : i want to write in all of the fandoms i know nothing about and look like a dumbass. also harry potter, the hunger games, avatar the last airbender, gossip girl, etc etc fandom  (  s  )  you  aren’t  in  but  are  curious  about :  marvel somewhat, any video games are very fascinating to me even though i’m not a gamer + know nothing about them, any distopian kind of fandom re: hunger games

share  a  funny  roleplay  horror  story :  recently an admin of a twitter rp tried to use my male muse for their weird ship narrative. they tried to make him look like an asshole (& i do play assholes but this one wasn’t one) + used another male muse to make it seem as if these two boys were fighting over the person’s girl, even though she actually had a ship all lined up. they were also running the gossip twitter, so they made up a bunch of stuff about our muses without our consent and consequently i told them to fuck off, and both of us left the group. then she had no more “groupies” so she cuffed and the group closed two days later. it was petty hilarious.

fondest  roleplay  memory :  once in an OC group, i wasn’t “technically” doing a ship with a friend, even though the characters had feelings for each other. but for some reason the status of their relationship was a hot topic group wide, meaning everybody had their nose in it and wanting to know what’s up, so they publically kept doing things to make people think they’re together while denying it in the same breath. it was really fun to let it play out like that.

favorite  canon  muse  (  s  )  to  play : roy mustang from fullmetal alchemist, katara from atla, and my baby marinette favorite  original  muse  (  s  )  to  play : the last original character i played and fell in love with was named alex. im obsessed with him. still doing 1 x 1 with his girlfriend. they’re having a baby, it’s all very emo and domestic. maybe i make him relapse for funsies. canon  ships  you  can’t  help  but  love :  lupin x tonks from harry potter, korra x asami from legend of korra, danerys x daario naharis from game of thrones, katniss x peeta from the hunger games, etc... trope  (  s  )  you  tend  to  be  guilty  of : i use the rich kid douchebag stereotype a lot. i also make a lot of my characters addicted to something to make them struggle with that.

i  prefer  .  .  . angst  ,  smut  ,  or  fluff :  bro... i am a sucker for ansgt and smut. i do fluff on special ocassions >:) long  or  short  replies :  i prefer when they start out shorter, but medium is my fave pre  plotting  or  chemistry : chemistry all the way. plotting can be really fun but it’s a miss more often than a hit for me. plotting can be good for pre-established relationships but that’s about it sentence  starters  or  headcanon  memes : sentence starters single  muse  or  multimuse  blogs :  i’ve never done a multimuse blog, and i’ve actually been super against them in the past, but i’m starting to change my mind hehe gif  icons  ,  medium  gifs  ,  or  static  icons : static (or none honestly)

grab  the  book  nearest  to  you  and  pull  a  quote  from  it :  ❝ You were children. was there no one to protect you? ❞ — ❝ Was there no one to protect you? ❞

what’s  a  quote  or  song  lyric  that  speaks  to  your  soul  ? :  ❝ I loved her, and sometimes, she loved me too ❞ 

top  current  celebrity  crushes :  zendaya, margot robbie always last  movie  you  watched :  365 days (2020) did  you  like  it  ? :  i hated it, what a waste of a perfectly good 2 hours  favorite  movie  (  s  )    of  all  time : harry potter franchise makes me nostalgic, perks of being a wallflower, my sister’s keeper favorite  tv  show  (  s  )  of  all  time : for some reason i’m obsessed with grey’s anatomy but i hate it favorite  tv  show  that  hasn’t  ended : well fricking grey’s anatomy favorite  series  of  books  /  novels  /  comics : the hunger games, harry potter sports  team  (  s  )  you  rep : my friend is into sports i rep her ksdsdj favorite  video  game  (  s  ) : the sims. i like playing animal crossing vicariously through switch owners favorite  youtube  channels : don’t usually keep up with yt channels but i just binged some stuff from psychology in seattle hobbies :  procrastinating

what  are  the  three  non  essential  things  you’d  bring  to  a  deserted  island  ? : sunglasses, hairtie, hand cream

put  your  music  on  shuffle.  what  six  songs  pop  up  ? : 

say goodbye by skillet, 

off the grid by alina baraz & khalid, 

bury a friend by billie eilish, 

break up with your girlfriend by ariana grande

get back by nine lashes

marry you by bruno mars (man)

personal  aesthetic : growing out my hair only to always wear it in a bun dream  vacation  ? : i just wanna go to the seaside with my friends dream  job  ? :  i literally can’t stand capitalism. wanna move to italy and collect berries and draw titties all day dream  car  ? :  something that drives itself if  i  could  live  anywhere  ,  it’d  be : somewhere in canada near the woods favorite  musical : mama mia? counts favorite  food  (  s  ) :  bananaaaaas, ice cream, cereal. these are all foods ok coffee  order : i don’t drink coffee unwatched  stuff  in  your  netflix  /  hulu  /  etc :  13 reasons why (i’m too bored), the flash, outer banks, elite, the half of it, intersteller, locke & key aaand some stuff that’s not mine but someone else using my account

what’s  a  subject  you  know  too  much  about  +  never  get  tired  of  talking  about  ? : idk anything about anything askldhl

[recentanimenews]

Bookshelf Briefs 9/30/20

Accomplishments of the Duke’s Daughter, Vol. 6 | By Reai and Suki Umemiya | Seven Seas – Another series down to “once a year” release—I had to jog my memory at the start to recall what had been happening. Many things are going wrong for our heroine, who is trying to be strong and tough but is also starting to break down, and I felt that the scenes with her and Dean struck just the right balance of comforting and letting the heroine cry without making her seem weaker. This sets the stage for her comeback, which is extraordinary. (And also has a corrupt Church, a constant in Japanese light novels, though at least here there are also honest and good religious people in it.) That said, eventually Dean’s identity will come out, and I do wonder how this very good “villainess” isekai will handle it. – Sean Gaffney

The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files, Vol. 1 | By Yu Godai, Mako Oikawa, and Kore Yamazaki | Seven Seas – A faerie switched at birth for a human child, Jack never fit in in either world. Only in the mortal realm could she earn money for anime collectibles, however, so she decided to make herself into a tough, capable woman like her literary heroes and set up shop as a detective. Together with her fellow changeling, Larry the werewolf, Jack takes on supernatural cases in New York City. In this volume, Lindel tasks them with tracking down a missing dragon egg. I liked the resources Jack uses to obtain information, which include a dapper theatre ghost and a spell with components of rat whiskers and taxi tires because “Nobody out there knows this city better than them.” I still found this a bit hard to get into, though, especially the parts involving a perpetually tearful off-off-off-off-Broadway actress and her pickpocket boyfriend. Still, I will check out volume two! – Michelle Smith

Black Clover, Vol. 22 | By Yuki Tabata | Viz Media – At long last, this interminable arc comes to an end. I enjoyed a lot of it, but I cannot deny it should have been about two volumes shorter. Most of the book is taken up by shonen battles, with the villain being nigh unkillable, the heroes almost breaking themselves to stop him, etc. Fortunately, the day is saved, and even the Wizard King turns out to be… sort of alive again? Shota fans should be happy. Asta fans perhaps less so—the sheer amount of damage done to the kingdom in this arc means someone has to be blamed, and give Asta has the “dark evil magic” it’s gonna be him, especially when he takes the incredibly obvious bait they use to get him to fight. Oh well, if Asta were smart, this wouldn’t be Black Clover. – Sean Gaffney

Don’t Toy with Me, Miss Nagatoro, Vol. 3 | By Nanashi | Vertical Comics – Part of the problem with titles like this and the other teasing works (Takagi-san less so as Nishikata doesn’t fall into the category) is that they are, at heart, the classic “extroverted girl acts overtly extroverted to bring introverted guy out of their shell,” and that’s not really a plot that feels comfortable in the Gen Z days, where you’re more likely to say “why doesn’t she just let him be in his quiet, safe space?” And by she I mean they, as Nagatoro’s two friends appear far more often here, which offers some good two-way teasing action, as they clearly see her crush on him, if not why. It’s still sort of hard to read, but if you pretend he’s more OK with it than he actually is, this is cute. – Sean Gaffney

Failed Princesses, Vol. 1 | By Ajiichi | Seven Seas – The concept of “popular girl meets unpopular girl” is a common one in yuri manga, and we do indeed hit several of its tropes in this first volume. The amusing thing is that Kanade, the shy outcast girl, is perfectly aware of how things are supposed to go, and keeps pulling back a bit to try to save Nanaki from, well, making herself an outcast by associating with the wrong people. The best part of the volume is that Nanaki really doesn’t give two shits about any of that, and seems set on making Kanade her best friend… and also making her over, which backfires a bit as Kanade cleans up nicely. I hear this gets a bit dramatic later, but for the moment it’s a cute and fluffy proto-yuri story. – Sean Gaffney

In/Spectre, Vol. 12 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – The first story in this volume is another “Rikka tries to make people understand Kotoko is an evil Machiavellian schemer,” this time with one of her ex-classmates, but again the response seems to be “we know she’s a manipulative bitch, but she’s a good person anyway.” The larger story, which will continue into the next book, seems to be a chance to write Kuro and Kotoko as an actual romance, as the man we meet here and his relationship with a yuki-onna… as well as his penchant for attracting misfortune… very much parallel them. That said, they’re very cute together, which is why I hope he avoids the murder charge he’s now being investigated for. Still a favorite. – Sean Gaffney

Interviews with Monster Girls, Vol. 8 | By Petos | Kodansha Comics – The author knows what people want to see, but also knows that the best way to get readers is to drive them crazy by not showing it. We finally get what we’ve been begging for here, as Tetsuo asks Sakie out on a date. (This is after rejecting Kyouko’s love confession, both because she’s his student and also, as he is forced to admit, as he likes Sakie.) The stage is set for the date… and the rest of the book is thus spent with the three main student girls going to Kyouko’s for a fireworks viewing and meeting her family. They’re good chapters, and I really liked showing how difficult Kyouko has it as a dullahan in terms of everyday life, but GOD, please get back to the teachers, I beg you! – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 16 | By Aka Akasaka | Viz Media – The series has gotten to the point where the more rewarding chapters are the ones as part of a larger arc. Not that the one-shot chapters are bad—though Maki’s journey to India may be the most pointless thing in this entire series to date, we do get Chika’s iconic “shut up or I’ll kill you” here. But the larger arcs, featuring Miyuki and Kaguya attempting to date without interruptions, and setting up Ishigami and Iino for a romance—though given the number of limbs broken in this book, and Iino’s own horrible lack of self-awareness, it may be a ways out—are better. This series is still hilarious, but we’ve come to read it more for the heartwarming moments. Heck, there’s even some serious drama here. Very good. – Sean Gaffney

Nineteen | By Ancco | Drawn & Quarterly – Although it was translated and released second in English, Nineteen is a precursor to Ancco’s internationally award-winning manhwa Bad Friends. The volume collects thirteen short comics originally published in Korea over a decade ago which absolutely remain relevant to today’s world. While understandably not as polished as some of Ancco’s later work—one can observe her style evolving and growing over the course of the collection (which is fascinating)—the comics still carry significant emotional weight and impact. Nineteen includes diary comics, which tend to be more lighthearted, as well as harder-hitting fictional stories, many of which also have autobiographical inspiration. As a whole, the collection explores themes of young adulthood, growing up, and complicated family relationships. In particular, there is a compelling focus on the relationships among daughters, mothers, and grandmothers. Some of the narratives can be rather bleak, but a resigned sense of humor threads through Nineteen, too. – Ash Brown

Ran the Peerless Beauty, Vol. 8 | By Ammitsu | Kodansha Comics (digital only) – Shoujo manga that has couples getting together BEFORE the end of the series is inevitably going to have an arc dealing with how far the lead couple should go now that they’re dating, and this is Ran’s turn, as she and Akira and their friends go to a beach house Ran’s family owns and have some beach fun. Unfortunately, the cast gets winnowed down one by one until it’s just the two of them… and her overprotective father, who arrives in time to provide the cliffhanger and no doubt ensure that nookie does not ensue. Not that I think it should—these two kids are even purer than the couple from Kimi ni Todoke, and I think they should mature a bit more before going further. Plus, watching them blush and kiss is wonderful. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | Viz Media – Having spent our first volume establishing that our found family can really come to love each other deep down, this volume shows off how they are also, at heart, fundamentally awkward and unable to socialize normally. This is unsurprising—hints of Loid’s life we’ve seen show him as a war orphan, Yor is a contract killer, and Anya basically grew up being experimented on by bad guys. As the school soon finds, this leads to issues. The second half of the book introduces Yor’s sister-obsessed little brother Yuri, who turns out to be a torture expert for Loid’s enemies. As always, half the fun is that everyone except Anya has no idea who their real selves are, and the cliffhanger tells us we’re in for some hilarious family fun. I love this. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | VIZ Media – After a brief spell atop the waiting list, Anya officially makes it into Eden Academy. Loid is anxious to progress to the next stage of his mission and, believing there’s not much chance in turning Anya into an elite scholar like his agency wants, focuses instead on having her befriend the younger son of his target. It does not go to plan, of course. Anya is very cute in this volume, and I also really appreciated how Loid genuinely listens to Yor and values her input. The arrival of Yor’s brother, a member of the secret police, is going to be a fun complication, and another cast member with a secret, but my favorite part of this series is probably always going to be how much love these three are already feeling for each other. So unique and good! – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 6 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – The weakness of this manga is the same as always—it’s written to tie into the games, and features several characters I just don’t recognize, which can be a problem given this is the big final let’s-save-the-world ending. That said, this is still a decent SAO title. Kirito gets to be cool and badass, but because this isn’t written just by Kawahara others do as well, and it’s a nice balanced effort that focuses on heroine Premiere. I also really liked the point where all the NPCs are worried when everyone has to log out for several days for maintenance. While I’ll still remember this as the “SAO only everyone is alive” manga, I enjoyed reading it, when I wasn’t confused. – Sean Gaffney

By: Ash Brown

[altalksaboutstuff]

Shantae: 1/2 Genie Hero

From the 16th of this month, March 2020, to the 15th of next month, April 2020, Games with Gold has the excellent platformer – Shantae: ½ Genie Hero. As long as you have an active Xbox Live or Xbox Gamepass Ultimate subscription

It's “FREE” to download during that period but even after April 15th, you can keep playing it, it won't leave your library and if you let your subscription expire it will still remain, you just can't play it.

I have had Gamepass for about a year now, I wanted to kind of document my journey and time with games on Gamepass and one of the first that I played when I got the service last year was Shantae: ½ Genie Hero.  Unfortunately, this game is no longer available on the service and I thought back in September of 2019 that I had lost my chance to talk about it in a relevant sense, but lo and behold its back now – kind of, in a zombie-esque way.

The game expiring from Gamepass was actually the launching point for me to a Switch.  It was my birthday in September and Shantae was just about to be removed from the service, great present Microsoft.  I was kind of depressed that in this moment in my life that I had spent about a quarter of a year playing the game that was just going to up and leave.  Now I could have bought it and at a discount but if I did that I would be getting just the base game that I was practically done with.  I also had all this extra money from my birthday burning a hole in my pocket and instead doing something smart like putting towards my mortgage – I ended up buying a Switch to cheer me up.  And what does the Switch have but the physical version of Shantae: ½ Genie Hero that includes all the DLC.  

THAT – and the fact that one of my favorite games of all time was just remade – Link's Awakening. 

So I got those two games to cope with the fact that I wouldn't be able to play Shantae on Gamepass anymore in a few days ...but I had also gotten my wife a Switch Lite for our anniversary so I kind of wanted a reason to give it to them early and we had a Switcheversay on September 28th. 

NERD!

On a side note of this tangent – I feel like I'm always a little behind with Nintendo, with my earliest exposure to Nintendo being no different.  Way back in the dark ages of the early 1990s I was a Genesis Lad.  After school I was in a program where I first got to play a Nintendo game, there were NES consoles, games and Ataris as well.  While kids at school were telling me, “YA GOTTA PLAY Donkey Kong Country 2 and Mega Man X!” The cutting edge stuff of the time, I would root around and find other games like Donkey Kong Jr. and Mega Man 2 on NES.  Now don't get me wrong, those were great games I loved then and still love now but I was behind the times. I just didn't have a Super Nintendo, like most of my peers that I went to school with.  I just had the Sega. So when most were playing Super Mario World, Chrono Trigger and A Link to Past – I was playing Sonic... Sonic (Sonic 2)... and Sonic... (Sonic 3 but not & knuckles)

BUT Sonic is great!

When my friends had a Gameboy Advance, I still had a Gameboy Color.  When the DS was the hot handheld, I got a Gameboy Advance, I got a 3DS around the time Fire Emblem Fates came out when it seemed like everyone was clamoring for a new portable technology and I got a Wii U when it was all but dead.  As previous stated, I only got a Switch last September.  Heck, I haven't even played the new Mary-o yet

Pushing forwarding in the way back machine to the time when I was a still a young teen, at the age of 14, I remember a Gameboy Color game came out that I really wanted to get – Shantae.  I don't even know why I really wanted it other than it was a new Gameboy Color game when new Gameboy Color games weren't coming out.  Like, I remember the Gameboy Advance came out about a year ago but  I didn't need one according to my parents-

Me: Mom, can I get a Gameboy Advanced? Mom: You have Gameboy Advance at Home ::At home::

So the impact of a new Gameboy Color game coming out - blew … me … away.  

Of course - I didn't get that game either.

Now don't get me wrong, I still got games as a kid on birthdays and Christmas but I feel like the games I didn't get are the ones I look back at and think – If only...

(^I never had a Neo Geo but I wanted this game)

Love you Mom and Dad

Back to Shantae though

Tangents aside – why do I think I like this game?

Why is it when I played Half Genie Hero in June of 2019 did I really got hooked on it well until the end of summer? I play, play, played it – all the modes, collect the endings, the tedious achievements like Queen of the Seven Cheese where you have to beat Risky Boots by just chomping at her as a mouse doing 1 damage at at a time.... ugh!  For achievements I even … gasp (teeth noise) … speed ran it.  And successfully, not on my first attempt though!  Or … at least successfully enough to get the endings and achievements.  I've never speed ran a game before, at least on purpose.  I drew bad fan art!  

(^Unlike everything else on this post, I actually drew that [sorry])

For the first time in my life I even looked into Fan Fiction.  

Which, on a side note, I don't recommend you look at most of the fan fiction that I’ve seen if you are at work.

The game really got its hooks into me and I'm not exactly sure why but I think I might know.

Well, it feels like a SEGA Genesis game – long story short.

Short story long - I think the best way to classify what kind of game this is, is Metroidvania.  You have a mini map and you unlock powers that later allow you to explore the rest of the levels you had previous been to and there are collectibles and upgrades you can buy in game.  As you play you can upgrade how Shantae attacks by purchasing upgrades for her hair whip attack or armor but the big mechanic is the transformations – you can turn into animals with varied attacks and abilities as well as some other inanimate objects and living things like this tree 

- to help you better get across the stages and discover the secrets of Sequin Land.

I've also read its kind of Mega Man– ish which I had never really thought about before but yeah, because I do love some Mega Man.  It has a lot of obstacles/the levels are kinds of obstacle courses like the early NES Mega Man games and there are two areas particularly in my mind – The factory in Mermaid Falls and the Hypno Baron's Castle part of the … Hypno Baron's Castle stage.  Well most of it is actually like an obstacle course now that I think about it

The score is by Jake Kauffman and man, AND if I ever make a game I want that guy doing my music.  I mentioned the factory part of Mermaid Falls before – the best track in the game and maybe even in any game I've ever heard is Counterfeit Mermaids,  its such an earworm,

https://www.youtube.com/watch?v=KkXd26E_Ynw

I feel like this song and Neo Town Burning are the two best games 

https://www.youtube.com/watch?v=yParHIzy1nA

You are going to be in the camp that one is better than the other (though Counterfeit Mermaids is clearly the superior track, ahem)

Its a great soundtrack, I find myself tuning into it during my commute to work and sometime even turning off my podcast or audio books to listen to this soundtrack (yes Even Neo Town Burning too).  The game's lead voice actress according IMDB is Cristina Valenzuela (sometimes credited as Cristina Vee) who sings the games title theme that also appears in the first level, Scuttle Town the first time you play the level and also when you first boot up the game its there too. POW! Give it a listen – sample plays and fades.  Its great.  This soundtrack is really memorable and still in my rotation almost a year after I played it for the first time.

The characters themselves too are varied in personality and the styles are now toted as being“in high definition”.  

Shantae is my least favorite but I think that works well in the sense of self insert. And that's not to say Shantae doesn't have a personality, she is kind of bubbly and she cares a lot about her ties such as to her family - such her uncle Mimic and her late mother - and to her friends.  The three main friends that back Shantae during her journey (that also get their own adventure in the DLC)

Sky - a somewhat more responsible friend of your that is out to give you some counsel and a ride to each stage on her cool bird

Bolo – who offers a bit of comic relief

Rotty Tops the zombie that is a true friend that shows up to support you and cheer you on, in one time literally too.  

By the way there is also Risky Boots (the best character, IMO) who is the larger than life antagonist to akin to a comic book villain.

But even with the “HD” graphics, and incredible score everything about just feels like … a Sega game.  I can't really put it to words to do it justice, like, it has the essence of games I grew up with.  I know a lot of people already had that nostalgia rush with Freedom Planet or Sonic Mania but I only just got Freedom Planet on Switch

Which is great so far, by the way

and Sonic Mania is on my to do pile 

so for me – Shantae was it.  

I felt that joy like I was 5 years old playing Sonic 2 for the first time.  I took me something embarrassing like 8 hours to beat the first time.  But after I beat it, I immediately wanted to play it again.  I almost NEVER want to replay a game after I beat it – Best case is I take a break and play it again in a year. While it took me a laughable amount of hours to beat the game the first time but by the time I was really invested and on the 3rd or 4th time replaying it, I was completing it in under 2 hours.  I was looking up speed running strats and Youtube videos of people speed running the game to compare and contrast how I played the game.  I never, ever thought that I would speed run a game. Super Metroid still takes me an embarrassing number of hours to play and I've beat that almost as many times as Shantae now.

Having played both the Xbox One and Switch versions they look pretty similar and seem to play about the same.  I noticed that the game seems to run a bit better on the Xbox One and the load times aren't as long

So I really recommend you get this game.  I'm super jealous if you've never played it, you get to experience it for the first time!  If you don't have an Xbox One but have a Switch you can get the physical version for pretty cheap, used I got this copy for about $20 and it has all the game content.  And with the DLC you can finally play as Risky Boots!

It goes without saying that the game I am most excited for this year, 2020 is going to be Shantae and the Seven Sirens.

If you don't have an Xbox or a Switch, the game is also on PC too. Steam has sales, last time the Ultimate Edition was on sale it was only about $21 (show pic) and with a plug and play controls great.  

And just as I was checking before posting this, it is on sale for $20.99 until March 30th, 2020

Its also on PS4, I guess if you don’t have any other options

[metalbatandzenko]

All of them. All the questions.

oof

1. Do You Sleep With Your Closet Doors Open Or Closed?

I have sliding doors on my closet so it’s one open one closed.

2. Do You Have Freckles?

Nope!

3. Can You Whistle?

Nope (:

4. Last Song You Listened To.

I...don’t remember lmao, I think it was 6 Inch by Beyonce

5. What Is Your Favorite Color?

I don’t know if I have one tbh.

6. Relationship Status.

Currently juggling seven reply guys bc rona has everyone acting out of line, but single.

7. What Is The Temperature Right Now?

46º

8. Did You Wake Up Cranky?

Yes sdkjfhdlkf

9. How Many Followers?

215.

10. Zodiac Sign.

Aries/Aries/Cancer.

11. What Is Your Eye Color?

Brown.

12. Take A Vitamin Daily?

No.

13. Do You Sing In The Shower?

Yes, usually it’s Mitski or songs from musicals because you know. Former theater kid.

14. What Books Are You Reading?

The Chronology of Water by Lidia Yuknavitch.

15. Grab The Book Nearest To You, Turn To Page 64, Give Me Line 14.

“As in earlier days” from the poem The Walk by Thomas Hardy

16. Favorite Anime?

OPM is the only anime I watch. Being Japanese American and fem aligned means having. Not great associations with anime tbh.

17. Last Person You Cried In Front Of?

I honestly can’t remember the last time I cried in front of someone

WAIT YES I DO

It was November 23rd and my little cousin and I watched Over the Garden Wall. Both of us cried at the end.

18. Do You Collect Anything?

I have a knife collection and an old rock collection from when I was younger. I also unintentionally have a major makeup collection. My lipstick collection is borderline embarrassing. In my defense it started in 7th grade.

19. What Did You Have For Lunch?

I uh. I didn’t have lunch skfjhdsljfh

20. Do You Dance In The Car?

I do!

21. Favorite Animal?

Dude I fucking love crows.

22. Do You Watch The Olympics?

Some of them! My mom was really athletic growing up (as in one of those kids that plays a sport every season in high school), so she watches a lot of them. We tend to watch figure skating (which I know little about but have strong opinions on), gymnastics, synchronized swimming, track, and judo.

23. What Time Do You Usually Go To Bed?

Usually I’m in bed by 11 but I don’t go to sleep until 2am. Recently I’ve been getting to sleep at 7am.

24. Are You Wearing Makeup Right Now?

It is currently three in the morning so no akslkjsahd

25. Do You Prefer To Swim In A Pool Or The Ocean?

Ocean. I grew up in Northern California near the coast, and now I’m in a landlocked state. And you can kind of feel it, you know? The air doesn’t smell like salt and redwoods, the mountains aren’t there to hold up the sky so you just feel it pressing down on your chest. I miss the ocean.

26. Favorite Tumblr Blog?

I don’t know if I have a favorite. erikkillmongerdontpullout is funny and insightful, and I love dostoevskydocs’ poetry compilations.

27. Bottled Water Or Tap Water?

I grew up somewhere with access to really good tap water, so I’ll go with that.

28. What Makes You Happy?

Writing, spending time with friends, the feeling of dappled sunlight through the tree canopy.

29. Post A Gif Of What You’re Currently Feeling Right Now.

30. Do You Study Better With Or Without Music?

With :)

31. Dogs Or Cats?

Dogs but I love cats too!

32. If You Were A Crayon What Color Would You Be?

Moss green!

33. PlayStation Or Xbox.

Xbox.

34. Would You Swim In The Lake Or Ocean?

Ocean. I don’t trust lakes.

35. Do You Believe In Magic?

I believe in the supernatural, I don’t know if magic’s the right word. It’s more like a belief that there’s something more to the world than what we’re able to perceive. 

36. What Color Shirt Are You Wearing?

Charcoal grey.

37. Can You Curl Your Tongue?

Yes! I can also make my tongue into a clover.

38. Do You Save Money Or Spend It?

A bit of both. I can be pretty frugal when I’m by myself but I inherited the need to pay for everything for my friends from my mom, so if my friends are around, I will try to muscle my way into paying for everything. This is usually unsuccessful bc my friends are in the same boat.

39. Is There Anything Pink Within 10 Feet Of You?

Yes. I’ve got a pink water bottle on my bedstand.

40. Do You Have Any Obsessions Right Now?

I mean. OPM lkjshdflkjdh I’ve been hyperfixating on it, but I also am pretty obsessed with OTGW (I have been for years).

41. Have You Ever Caught A Butterfly?

No but I’ve had a few land on me.

42. Are You Easily Influenced By Other People?

Depends on the person. Overall, I’d say no, but my friends have significant sway over me.

43. Do You Have Strange Dreams?

Yes.

44. Do You Like Going On Airplanes?

I actually do. But only for short flights. Anything longer than 4 hours makes my body really hurt.

45. Name One Movie That Made You Cry.

Moana.

46. Peanuts Or Sunflower Seeds?

Sunflower seeds!

47. If I Handed You A Concert Ticket Right Now, Who Would You Want The Performer To Be?

Orville Peck or Carseat Headrest.

48. Are You A Picky Eater?

Nope!

49. Are You A Heavy Sleeper?

Yeah.

50. Do You Fear Thunder/Lightning?

No, I actually love them. I sleep best when it’s thundering.

51. Do You Like To Read/Write?

Yes to both. I’m a Creative Writing major so dkljfhljkdf

52. Do You Like Your Music Loud?

Yeah! Though not as loud as some people, my ears are sensitive.

53. Would You Rather Carve Pumpkins Or Wrap Presents?

Wrap presents. I’m not a big fan of the smell of pumpkin, and wrapping presents is a tradition for my mom, brother and I. We’d put on some music, drink some hot chocolate, and wrap as many as possible. Then my brother and I would smuggle some wrapping paper to our rooms and wrap our mom’s gift.

54. Put Your Music On Shuffle, What Is The First Song That Came Up?

Somebody that I Used to Know-Gotye (listen the song still slaps)

55. What Season Are You In Right Now? (Weather)

Winter/Spring transition. It hailed for 15 minutes straight yesterday.

56. What Are You Craving Right Now?

A popeyes 5 piece spicy chicken meal with fries and ranch. Can you tell I’ve thought about this?

57. Post A Screenshot Of Your Tumblr Feed.

I don’t wanna.

58. What Is Your Gender?

Nonbinary, but vaguely girl adjacent. 

59. Coffee Or Tea?

I think coffee. I drink more tea, but I also drink exclusively green tea and chai (like the traditional chai made with milk not the chai teabags) and I really am not a black/white/earl grey tea person.

60. Do You Have Any Homework Right Now? If So, What Is It About?

OOF Yeah I do

I’ve got a thousand word readers response to “The Other Boat” by E. M. Foster, a one thousand word journal about WWI, a reflective journal check in and a powerpoint I have to make for Sense and Sensibility for Brit Lit and I also am tutoring a few of my classmates

In my biological anthropology class I’ve got a Unit Exam and a few lectures to watch

For my internship/Teachers Assistant position I’ve got 17 10 page rough drafts to read and give in depth comments on as well as a portfolio I have to assemble for next year’s TA bc I’m transferring, phone meetings with the 17 students who wrote those rough drafts, and I’ve gotta compile some resources for my professor

I need to finish my memoir for my independent study and I have to present. my nonfiction memoir. to my classmates. on Zoom. I’m one of two people doing a nonfiction memoir for their independent study the rest are doing fiction, poetry or a literary analysis paper so like. My classmates are gonna be talking about their fiction piece and then I’m gonna be giving a 15 minute reading and Q&A about a piece that focuses on my trauma and being hate crimed so that’s fun.

I also gotta get some stuff done for my school’s lit magazine.

61. What Is Your Sexuality?

A known bisexual™

62. Do You Make Your Bed In The Morning?

I try to but I forget.

63. Favorite Pokémon?

Togepi, Blissey and Togekiss.

64. Favorite Social Media?

I hate to say it but it’s tumblr.

65. What’s Your Opinion On Instagram Stories?

If it’s longer than six stories, I’m not watching it. Unless I know they’re gonna be fun or we’re really close then I will.

66. Do You Get Homesick?

A bit. I’m still really homesick for my hometown tbh because that’s where all my family except for my parents are. I’m really close with my extended family, so being isolated from them feels like there’s an emptiness at my side.

67. Are You A Virgin?

No.

68. What Shampoo And Conditioner Are You Using Right Now?

Redken Frizz Dismiss. I got those big fucking bottles you can get at Ulta where it’s like a gallon of shampoo so I haven’t had to buy any in over a year.

69. If You Were Far From Home And Needed To Sleep For The Night, Would You Choose To Rent A Crappy Motel Room For $60 Or Sleep In Your Car For Free?

I’ve slept in my car before and I will do so again most likely. Also $60 is too much to spend for a motel room.

70. Are Both Of Your Blood Parents Still In Your Life?

Yes. Though I’m much closer to my mom than my dad.

71. Whats The Next Movie You Want To See In Theaters?

Idk shit about movies tbh.

72. Do You Miss Your Ex?

One of them yes, the others no. But the one I miss I also acknowledge is someone who had their place in my life at the time and helped me through some rough shit, but no longer has a place in my life. I appreciate the hell out of him though, and we’re on good terms.

73. What Is Your Favorite Quote Right Now?

I’ve got two!

“I don’t know how to stay tender with this much blood in my mouth” –Ophelia, Hamlet

and

"Suffering feels religious if you do it right." –Chelsea Hodson

74.  What Eye Color Do You Find Sexiest?

Brown. Especially the almost black-brown eyes.

75. Did You Like Swinging As A Child? Do You Still Get Excited When You See A Swing Set?

Yes to both.

76. What Was The Last Thing You Ate?

Chocolate covered pretzels ljhflfsd

77. What Games Do You Have On Your Phone?

Toon Blast and 2048.

78. Would You Give A Homeless Person CPR If They Were Dying? Why Or Why Not?

Holy shit I hate this question. Yes, of course I would. I don’t know why mentioning that the person is homeless is relevant. Homeless people are not somehow less worthy of CPR?? What the fuck.

79. Been On The Computer For 5 Hours Straight?

...yes

80. Stalked Someone On A Social Network?

I’ve briefly skimmed over someone’s page after meeting them but I don’t lurk.

81. Do You Like Meeting New People?

Depends on my mood.

82. Do You Wear Rings? If You Do, Take A Picture Of Them.

I hate my hands so this was pushing it.

83. Do You Sleep With Your Bedroom Door Open Or Closed?

Closed.

84. What Are Three Things You Did Today?

Corrected papers, walked my dog, did some writing.

85. What Do You Wear To Bed?

T-shirt and shorts.

86. List All Of Your Different Beauty Products You Have Right Now.

Dude I can’t do that I have too many, I’ve been buying makeup for 7 years and I used to work next to a sephora

My makeup routine pre-rona was:

Sephora brand moisturizer

Milk Hydrogrip primer

Fenty Pro Filtr Hydrating Foundation

Maybelline Age Rewind Concealer

Anastasia Brow Definer

Glossier Cloud Paint

Fenty Sunstalkr Bronzer

Fenty Liquid Flyliner

Fenty Flypencil

Fenty Full Frontal Mascara

Fenty Glossbomb

It’s...an expensive routine.

87. Are You A Day Or Night Person?

Night to early morning.

88. List All Of Your Video Games On Your Phone, Console Etc.

I answered this one and I don’t want to reanswer it tbh ldkjfhds

89. Tell Me About A Dream That You Had And When It Happened.

I genuinely can’t remember any of my dreams right now. I remember a snippet of one where I was in a cave and I looked at the wall and I could see water running down it, reflecting in the torchlight but that’s literally it.

90. Favorite Soda Drink?

I’m a big pomegranate person, so Italian soda’s my go to.

91. What Sounds Are Your Favorite?

The sizzle of meat hitting a hot wok, rain, hail, thunder, the crunch of dry leaves. I also love the sound of Simone de Rochefort’s laugh. It’s so good.

92. Do You Wear Jeans Or Sweats More?

Jeans.

93. How Do You Look Right Now?

Shitty.

94. Name Something That Relaxes You.

Skyrim ldskjfhd

95. What Tattoo Do You Want?

I really want to get my family’s mon on my ribcage and my mom’s Japanese name somewhere. I don’t know how my pain tolerance is but if I can handle it, I’d want to get at least a partial sleeve.

96. Favorite YouTuber?

Polygon and Watcher.