#I think if people went and read the lyrics translation many would change their minds

[4arconinoma]

Have been so fascinated with Chase as an intro lately, makes me really sad that so many people shit on it. I can write an entire defense on why it's an incredible intro and perfectly fits the context of DiU

[joyce-stick]

The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

[straycatboogie]

2023/06/20 English

BGM: ウルフルズ - 大阪ストラット

I worked early today. After that work, I went to the English conversation class. There, I showed the questions about autism I had gotten from a Russia woman to a teacher (TBH I thought I should translate it into Japanese completely, but I had no time). I asked her if I made any misunderstanding about reading them. She told me that my reading had no problems so I got comfortable. We started the lesson. Today we learned about the culture of foreign foods/dishes. About these two teachers' favorite meals, and about the foods we can have in this Shiso city (I can think of ramen and Nasi goreng even though this can be too orthodox. And also I remember that this city has a good Taiwanese restaurant). We enjoyed pleasant lesson time, and I went back to my group home. Although I was thinking that I wanted to read the rest of Dan SHAO's book, I couldn't do so. Maybe my inner battery was already almost ended. I spent my time doing nothing... C'est la vie.

Once in this journal I wrote about my dream/ambition. A dream of mine... it is the one which I want to play a role of connector between foreign countries and this Shiso city actually. TBH I am describing that as "a bridge person". I wish I could play a role of translator or interpreter to help the people who have troubles in international communications... I should learn more to make that dream come true. And, although this can sound too positive or too optimistic (or too "daydreaming"), I wish my autism could help that ambition come true too... "You've come a long way, baby!". Once I had adored Haruki Murakami because I had thought he was truly an international novelist and translator. He was a trustable intellectuals for me (Probably this had influenced me so I had tried to go to his university Waseda). Indeed, now I can see that I can never become a novelist. But it's OK. I still go "a long way".

I'm glad to write this. My server "World's End Pharmacy" on Discord has so many members now. I am trying to communicate with them in English, and also I am answering various question about Japanese... and I think this. In my private, offline life I have met various English or Japanese teachers. They bring me to the Japanese class in this town, and I am feeling that I am getting a lot of opportunities to learn languages. I remember this. Once the subject I had learned in university was American literature (I had even tried to learn/enjoy Bob Dylan's and Lou Reed's lyrics). That is also a cluster of language. About that, the writer was a truly a magician or player of language. Wittgenstein, the philosopher I adore, is also a person of language. Now I am trying to be a bridge person to play a role of "connector"... I might look at myself too much, but my life seems a great path or road. One, straight road. Then I want to go that straight road from now. I remember the Sting's song. "Let your soul be your pilot".

However... although I would gain lesser "likes" by writing this, I want to say that I am basically just an ordinary person with "ecchi" mind. But people come to me. When I was a teenager, people hated me terribly. Laughing me, and bullying me... and now I think that "the time is changing drastically". No, it must be "another dimension story" or "a parallel world". Just like one of the episodes of "Amazing Stories". Maybe someday a person would appear to me. He must look like Morpheus from the movie "Matrix". He would say cruelly "Why could you believe that everything was real? Everything was totally a dream because you must never be such an attractive or skillful person!". You must read this as a bullshit, but I think this honestly. At 40, I fell in unrequited love. After that, we have proceeded a project of job coaches. And I started learning English again. About the server on Discord. About the event with a Russian woman... How could I do if these were completely a dream or an illusion? Maybe I could be still a heavy drinker. I am afraid of that.

[airasora]

I've been asked to share more details on what exactly I witnessed and given that this performance changes EVERY YEAR... let me know if you've seen Shen Yun before and if you can recognize differences and/or similarities to your own experience.

FYI, I'm reading and quoting stuff straight from the brochure handed to me at the performance in this post. Keep in mind the brochure is written in my native language so there might be some names and titles I'm not translating exactly as it would be written in a different language.

Skip to the bottom for the TL;DR version, which also includes some extra facts! It's right under the pictures.

This is what's in the show as per April 2024:

The show is divided into multiple dances, some based on ancient Chinese stories and legends and others moreso "just dances" and by that I mean there isn't an actual story or message. In between each dance two people show up to briefly explain both in English and Chinese (I don't know enough about Chinese languages to say whether she spoke Mandarin, Cantonese etc.) what each sequence is about.

The, uh... "religious message" starts from the very first dance. The "Creator" says: "Follow me to Earth to save all life," and then the performers, who are all meant to be divine creatures, follow the creator to earth. This is part of the message that Chinese culture was brought down straight from heaven and is therefore divine. This is both written in the brochure and is said during the show.

Most of the next dances and stories don't have any particularly dividing messages etc until "Crimes by the end of time". This is the show's first direct reference to Falun Gong and Falun Dafa. It's a story about a young girl who starts practicing the beliefs and meditations, which are described as "a moral codex of self-improvement". This story ends with the girl being arrested by the Chinese communist policemen and she is killed and has her organs harvested.

This is the first story where I went... "huh?" but didn't question it too much. And I'm not going to argue whether I believe this accusation to be true or not, there's other more knowledgeable people who can argue either side better than I can, but it's worth pointing out that this is the story performed before the show's first song (rather than a dance)

The song is called "Hope cannot be oppressed" and a translation of the lyrics is shown on the 3D screen behind the singer. This is my translation from the Danish translation from the brochure, but even if certain words are different than the English translation, it has a pretty clear message either way:

In our many lives, we lose sight of home

Status, wealth and joy is confused with success

Yet most humans descend from heaven

Here they have waited for the Creator

Modern thinking and behavior is far from divine

The theory of evolution cannot handle the light of day

But The Great Path back to heaven, Dafa, is now taught

Atheism harms humanity, darkens humanity's feeling of hope

Its followers know the truth

Put aside your doubt, break the spell and follow the path of divinity

... yeah, my jaw dropped during this. This was MASSIVELY uncomfortable and I could feel the mood with the audience change. I looked to the person sitting next to me, an elderly lady who immediately met my eyes and we just had this silent moment of "What the fucking hell?" with each other. My mother later told me she had a similar experience with her seat neighbor.

The next segment was called "Dancing for the divine" and was a tribute to Mongolian horse riders who had deep reverence for the divine.

Then there was an intermission. I saw some people leave, but didn't think to take note of how many actually left. I was mostly just a bit disturbed by the last dance and song.

The next segments were, once again, completely innocent in comparison. Heavenly fairies in a garden of peaches, a story of a wife devoted to her husband sent to war, a dude who didn't study hard, but was kind to a fish who happened to be a divine creature who then bestowed him with amazing literary talent... and as I'm reading the story explained in the brochure, I realize that this was another message of "Falun Gong good, Chinese government bad"...

Then we reach the second song and prepare yourself... cause this one is less "vague" than the first:

It's a song sung from deep within

Most human lives descend from heaven

Hundreds of former lives we have each lived

We came to the path, but are now lost

The holy Creator has stepped into this mortal realm

He observed our moral mindset in this disturbed world

Horrid are the doctrines of atheism and evolution

China's communist party is a cancerous tumor on the world

The present's mindset and values reflect our corrupt state

The Path shall renew the world in a huge act of mercy

And Heaven and Earth shall once again shine like Paradise

Yeah, this was the moment when it really hit me that this isn't just about Chinese dancing, culture nor its fight against the Chinese communist party... which, by the way, I am NOT supporting in any shape or form. But that doesn't mean that Falun Dafa are in the right either.

The last segment right after this song is called "Grand Perfection" (subtle) and shows modern China and immediately, I'm annoyed by the stereotypical portrayal of youth who are taking selfies instead of meditating. Yes, seriously. Falun Dafa members are showing a banner saying "Truthfulness, compassion and tolerance" (which is hilarious since Falun Dafa is openly against interracial marriage, is homophobic and literally just said in TWO SONGS that a belief different from theirs is destroying the world, but I digress) and policemen from the Chinese communist party attack them.

One of those policemen gets hurt during the fight, and the Falun Dafa supporter helps him and then encourages him to meditate with him... which results in his leg getting healed.

Speaking of which, during my research of Falun Dafa, I discovered they believe that karma is the cause for disease and medicine further pushes the disease into the body, and only meditation can heal... glorious.

Speaking of glorious, now that big 3D screen in the background shows a massive FLOOD approaching China and is only stopped when the performers turn to meditate at the flood (no, I'm not joking) which results in some divine intervention from the Creator who stops the flood.

And that is the end of Shen Yun.

Holy crap on a cracker, what the hell did I witness.

And just as some bonus... here's some screenshots from the brochure that are in English:

TL;DR

Shen Yun openly says Atheism and Theory of Evolution are not just wrong, but making the world a worse place.

Shen Yun is founded by Falun Gong/Falun Dafa which is allegedly a cult, which has been said by multiple critics.

All of the people associated with Shen Yun live together in NYC in an isolated area with room for 500 people where there is no internet connection and there is heavy security aka they have close to no access to the outside world, sounds lovely.

And they are tightly related to The Epoch Times which is a far-right organization from what I understand. Also called The Epic Times.

There are many other claims that you can find online, including screenshots of the former years' brochures that share even more of Falun Dafa's belief system. I even saw a screenshot where FD claims queer people are aliens and that modern technology is aliens possessing scientists. Yes, really.

Anyway, this took way too long to write. I'm still in shock from all this, I just thought I was gonna go see some Chinese performing arts, not get thrown into a potential cult.

If you want more info, I recommend looking it up yourself, my brain is far too fried from going down this rabbit hole for me to share more of what I've found AFTER accidentally supporting Shen Yun by watching that show (which wasn't even that good honestly). They also have their own website where I'm sure there's a treasure trove of... fun.

Honesty, look up Shen Yun on TikTok too. Others have shared their experience from watching the show too and I've seen ZERO positive videos about it so far.

So.

I watched Shen Yun tonight.

I thought it was just traditional Chinese dancing.

I was wrong.

Didn't think I'd be called a cancerous tumor today.

Mom and I have decided to repress the memory after we looked it up online and found out it's a goddamn cult.

The lesson learned today: Fucking look up stuff before you accidentally support anti-evolution propaganda cause you think you're just gonna see some pretty dancing 💃

[homopessimist]

Okay so I’m in the process of writing a fic comparing the binding of Isaac (the biblical story, not the video game) to Jason’s relationship with his father that’ll be uploaded on Father’s Day but it had me thinking about Isaac parallels with bare.

So to preface, I’ve pretty much been an atheist my whole life and wasn’t raised in a Christian environment. I even went through an annoying reddit phase when I was in middle school, largely in part to being gay, but in current day I have a lot of respect for religion and religious people. More on that later. The point is, despite my atheism, the story of Isaac has always fascinated me, and the fucked up nature of the story kind of reinforced my early dislike of God. What kind of loving God would make a father hurt his own child? And later I realized this hit very close to an experience many have. Parents hurting and disowning their own children for being queer and justifying their actions through religion isn’t a strange concept for many. 

In very early drafts of bare there are a few references to Isaac in the text. In Claire’s introduction in Epiphany in a 2000 workshop, she says:

Our first reading today is the story of Abraham and Sarah In which Sarah learns she's to bear a child

Referring to how despite their old age, (Abraham is about 99 I think?) Abraham and Sarah manage to have a child. As a result of the absurd circumstances of his birth, the child is named Isaac, which is roughly translated to something along the lines of “he who laughs” from Hebrew. This also reflects Peter’s firstborn and only child status, which is important to Claire because if he’s gay then she won’t have grandchildren. (Mind you, I’m not a fan of this Claire presented in LA 2000 because she’s written a lot less sympathetic)

In bare’s very early 1999 demos, Are You There and Confession are replaced by Cut From The Same Cloth, which changes the scene to Peter confessing being gay to the Priest. In this version, the Priest is gay and is conflicted about whether or not to give Peter the assurance he needs or to follow the doctrines of the church (much like how his future iterations would hide behind a screen, knowing how much empathy might mean to Jason). The song basically serves the role of God Don’t Make No Trash where Peter receives positive assurance from an authoritative religious figure. In it, The Priest uses Isaac as a metaphor for his struggle with what to do with Peter.

I still can feel young Isaac's fear as if I held the knife That'd slash the heart that beat for boys which I said was a crime He gave his plea on bended knee A young me in his prime

“That'd slash the heart that beat for boys” Incredible lyrics, thank you Jon Hartmere. Are You There and Confession make more sense for the overall narrative, and the Priest being an antagonistic figure to Jason in Cross makes more sense for the thesis and the Romeo & Juliet parallels, but this is still a really good lyric I can’t help but gush over.

Anyways, I know I’m writing a fic about Jason as Isaac, but the idea of Peter as Isaac is so fascinating to me. I can’t find the source for it, but one interpretation I found regarding the sacrifice of Isaac went something like, “The world will try to sacrifice you, but God won’t,” and it stuck with me. God stays Abraham’s hand at the end, after all. The fact that Peter remains faithful in God and keeps his idealistic outlook despite everything that happens in the opera is such an important message, especially for queer audiences who feel like Isaac, about to be sacrificed on the altar. His moment in Absolution where he forgives The Priest reinforces that his love for Jason isn’t sinful but is in fact the conclusion of his faith. I said before that I respect religion despite being an atheist. It is my utmost belief that what is most important is that you find something that you believe in. Whether that’s religion, or politics, or whatever. Something that makes you believe that life is worth preserving, and that happiness and kindness are things you should cultivate in others. And Peter does exactly that. In a world that’s so cruel and unkind to people like him, Peter sings. Peter’s unwavering optimism is so necessary and is a large part of why he’s one of my favorite fictional characters. 

He who laughs, indeed

[soobmint]

voices | choi beomgyu [f] soulmates! au, 14.2k words

s u m m a r y : after seeing your soulmate for the first time (whether in passing or by actually meeting them), you are able to hear their voice in your head—but only when they are singing. you have never been very interested in finding love, and choi beomgyu has lost all interest in singing. what happens when the two of you begin to change one another’s minds about the things you wish to avoid more than anything else?

c o n t e n t s : soulmates au, strangers to sorta enemies to lovers, guitarist! gyu, freckle gyu, college au, yeonjun is your best friend, gyu is a brat but a cute brat, very fluffy, a tiny bit of light angst

t a g l i s t : @hyuckworld @chanluster @honeyju​ @magicalstellar @yeonjuniper​ (if you’d like to be added to the taglist for future oneshots, please let me know!)

n o t e : this was requested by my dear friend alice, and i hope i did the request justice! the lyrics used in the oneshot are from genius’ english translation of “runaway.” i hope you guys enjoy the oneshot, and do kindly leave a like, comment, or reblog if you enjoyed it! that would mean the world!

YOU MET CHOI BEOMGYU THE DAY YOU SWORE TO NEVER FALL IN LOVE.

 As dramatic as it sounded, the day hadn’t been quite so terrible. You were sitting cross-legged in the floor of one of the many practice rooms in your university’s music department with a bag of popcorn in your lap, your head leaned back against the wall as you stifled back a yawn. Your best friend, Yeonjun, was going on and on about his most recent breakup, but the story was so similar to all the other breakups he had gone through in the past two years that you were having a difficult time staying focused. The afternoon sunlight trickled in through the windows, reflecting off the symbols of the drum set that rested in the far corner. You scooted to the side a bit so that the light wouldn’t shine in your eyes anymore as Yeonjun paced back and forth in front of you.

 “And then she just stopped talking to me,” He said, running his hands through his hair. “Out of nowhere too! Things had been going so well, but then it was weird. Next thing I know, she’s breaking up with me—get this—over text.”

 You tossed a piece of popcorn into your mouth. “Tragic.”

 “I know you’re being sarcastic, but yes, it was tragic.” He finally stopped pacing and collapsed to the ground beside of you, leaning his head against your shoulder. “Love is so hard. You meet someone, you think it’s going to work and that you’ll spend a long, happy life together. Next thing you know, you’re single and stuck with your best friend in a stinky music room, waiting for some club meeting to start—or whatever it is we’re in here for.”

 “We’re here because we are in charge of organizing the music and theater departments’ performance at the open house next month,” You corrected, flicking his forehead. “And didn’t you only date this girl for like, a week?”

 He sighed, sitting up to glare at you. “Love knows not the boundaries of time, my dear friend. You’ll understand once you find it for yourself.”

 “Calm down, Shakespeare. I am not falling in love.”

 “Unfortunately for you, I don’t think you have any control over that,” He said with a teasing smile. “But why wouldn’t you want to?”

 You scoffed, turning to stare at him. “Well, for starters, you haven’t exactly given me a good idea of what ‘love’ is supposed to be, seeing as you’re crying about another ‘true-love-gone-wrong’ every three weeks. Why on earth would I want that for myself?”

 “Hey, love is different for everyone,” He said. “Just because my love life is vibrant and exciting and full of various names and faces doesn’t mean the same will happen for you.”

 “How do you predict my love life will go, then?”

 He hummed, tapping his finger against his chin in thought. “Well, you’re pretty boring, so you’ll probably be the kind of person that waits until they find their soulmate, then you’ll settle down and live a long, safe and uneventful life with them.”

 “Shut up,” you said as you shoved him, but you couldn’t help the laughter that bubbled out of you. “I think my soulmate is out of the question, though.”

 Yeonjun frowned. “You still haven’t heard him since back then?”

 You sighed, shaking your head as you leaned back against the wall. “Not a thing.”

 It was quiet then as the two of you thought about what this meant. It wasn’t the first time you had been faced with the reality of your situation, but it still felt like a punch to the stomach every time.

 In a world where people waited years, decades even, to hear the voice of their soulmate singing in their head, you had been considered extremely lucky to have heard the gentle voice of a boy in your mind at the age of thirteen. You knew that you had to have met him somewhere—at least in passing—in order to hear him, but you had no clue who he was.

 Yet, in a way, it felt like you did. He sang often—so often you wondered if singing was as necessary as breathing to him. It wasn’t a bother to you though; in fact, it was quite the opposite. The songs he sang always told a story; some spoke of love and joy, others off loss and heartache. You felt like each song he sang held a piece of him, and that piece was something that was shared just between the two of you.

 Until his voice was gone.

 It was rare for him to go a day without singing. Yet suddenly, in your sophomore year of college, days and weeks went by without a single note, and you had yet to hear his voice since.

 Your soulmate had stopped singing, and it was difficult to not imagine that the worst had happened.

 Yeonjun must have noticed the solemn look that came over your face, because he leaned over and gave your shoulder a squeeze. “Don’t be so gloomy,” he said. “He could still be out there.”

 You smiled the best you could, although the pit in your stomach remained. “Yeah, I guess he could.” You tossed the popcorn to Yeonjun and stood to your feet, wiping the crumbs from your hands. “Wait here, okay? The other guy that’s supposed to be helping us is—” You paused to glance at the time on your phone, “—ten minutes late. I’m gonna make sure he knows where to come or see if he’s lost or something.”

 Yeonjun nodded, helping himself to what was left of your snack. “Who is the other guy, anyway?”

 You sighed, picking up the piece of paper that the department head gave to you when she asked you to organize the showcase, claiming that it would be a great deal of experience for you to acquire in your senior year of university.

 You were mostly doing it for the extra credit points.

 You began to read the names of the seniors that were in charge of organizing the project listed at the top of the paper. “From the drama department, Choi Yeonjun and Kang Taehyun.”

 “Taehyun had an appointment,” Yeonjun said through a mouthful of popcorn. “He’ll be here tomorrow.”

 You nodded, tracing your finger along the page, stopping beneath the next pair of names. “From the music department, Y/N and Choi Beomgyu.” You looked up from the paper, tapping your forefinger against your chin. “Choi Beomgyu? Do you know him?”

 Yeonjun pondered for a moment before snapping his fingers. “Ah—that guy!” You weren’t surprised; Yeonjun seemed to know everyone in the performing arts programs at your school. “He’s one of the top guitar students, if I’m remembering correctly. Have you not heard of him?”

 You shook your head, looking back down at his name. Choi Beomgyu. It did sound familiar, but no images or information came along with the words printed on the page. It was nothing more than a tugging feeling in your stomach that made you feel like you knew him from somewhere.

 You began walking towards the door, still staring down at the paper. Just as the tips of your fingers brushed across the metal handle, the door swung open, and you barely had time to glance up and see a head of fluffy black hair and big brown eyes before the door crashed into your forehead so hard you fell backwards to the tile floor.

 With a hiss, you brought your hand up to your forehead, relieved to find a lack of blood there. Your eyes were blurred with tears, but through the fog you were able to see the same round doe eyes you had caught a glimpse of before you hit the ground.

 “Are you okay?” It was a guy’s voice, clear and ringing in your ears. You rubbed your eyes to clear some of the moisture and were then able to get a better look at the boy in front of you. Curly black bangs hung over his brows, brushing just over the tops of his wide chocolate eyes. His sun-kissed skin was sprinkled with a light spatter of freckles across his nose and lightly flushed cheeks.

 You blinked several times before responding. “Y-yeah, I’m okay.” You accepted his hand when he offered to help you stand back up, and soon, you were on your feet once more.

 “Sorry about that,” he said, brushing a hand through his already tousled hair. He leaned forward a bit, tapping his finger against your forehead. “Just got a tiny bump, though. You’ll be okay.”

 You backed away from his touch, but he didn’t seem to notice as he had caught sight of Yeonjun. Your best friend was quite literally on the edge of his seat, perched on the ledge of the desk while shoveling the last crumbs of popcorn into his mouth as if this were some movie unfolding before his eyes. If you had been close enough, you would have hit him.

 “Yeonjun?” Door Boy’s face lit up, and he strode over to give your pink-haired friend a high five. “I haven’t seen you in ages!”

 “Hey, man,” Yeonjun said with a grin, ruffling Door Boy’s curly hair with his fingers. “I know, it’s been way too long.”

 “I’m sorry, who’s this?” You asked, still a bit dazed from your unexpected collision with the door.

 Yeonjun looked back at you, gesturing to the newcomer. “Oh, this is—”

 “Choi Beomgyu,” he finished the introduction himself, giving you an overdramatic bow as he said his name. “And you must be Y/N?”

 Things were beginning to click together in your head: Door Boy was Choi Beomgyu. In other words, Door Boy was your assigned partner—the one you would be spending the next four weeks trying to plan a performance with.

 For some reason, the fact that you had met one another by him slamming a door into your face didn’t leave the best feeling in your chest.

 “I look forward to working with you, Y/N.” He gave you a big, lopsided grin, one that any other person would likely find heartwarming.

 You forced a smile in return, rubbing your hand across the bump on your forehead. “Same here, Choi Beomgyu.”

 -

 PERHAPS IT HAD A BIT TO DO WITH HOW POORLY YOUR FIRST MEETING WENT, BUT SOMETHING ABOUT BEOMGYU REALLY GOT UNDER YOUR SKIN.

 The day after you had first met one another, Yeonjun had asked everyone to meet up in the coffee shop inside the campus library. This time, Taehyun from the drama department was also able to be there. You had gotten to know him pretty well over the past four years because of how close he and Yeonjun had become, so the three of you hung out often.

 In fact, for the first fifteen minutes of the meeting, it was just the three of you sitting there. You pushed your tongue against the inside of your cheek in agitation before taking another sip of your coffee. “Does this Beomgyu guy have a thing for being late?”

 “Relax, Y/N,” Yeonjun said absently from across the table, his attention focused primarily on his cell phone screen. “Not everyone’s a time freak like you.”

 “Time freak—What does that even mean?” You crumpled up the wrapper from Taehyun’s straw and threw it at Yeonjun. “Unlike you, I actually care about getting these extra credit points and would like to organize this event properly.”

 “Hey! I care!” Yeonjun placed a hand over his heart, as though he had been wounded.

 You and Taehyun exchanged a side glance with one another, eyebrows raised.

“Stop looking at each other like that! I do care!”

 Before the point could be argued any further, a messy-haired boy crashed into the seat beside of you, out of breath, his backpack falling from his shoulder and onto the ground from the impact. You stared at him for a moment before realizing that it was Beomgyu.

 “Sorry—I’m late,” he said in between deep breaths. “On my way here—saw one of the campus cats—got distracted.”

 You stared at him again, almost laughing at how ridiculous of an excuse that was. However, considering what little you knew of Beomgyu, the thought of him being fifteen minutes late to a meeting because he got distracted by a cat didn’t seem all that unlikely. With a sigh, you slid a blank piece of notebook paper towards him and set a pen on top of it. “It’s all good. Mind taking notes?”

 He nodded—a bit too enthusiastically, if you were to say so yourself. “Sure. Can I grab a coffee real quick?”

 You were about to suggest that he should wait until after the meeting, since the three of you had been there for such a long time already, but Taehyun chimed in before you could say anything with, “Of course. We’ve got nowhere else to be.”

 It took everything within you to not roll your eyes. You were usually on the same page as Taehyun, but of course, this situation had to be an exception, because Choi Beomgyu was there.

 The slacker was rummaging around his backpack, searching for something. He pouted, looking up from his bag. “I forgot my wallet.”

 “No worries! Y/N doesn’t eat breakfast, so she always has an extra swipe on her meal card,” Yeonjun said from across the table. Your mouth fell open, eyes wide as saucers. “I’m sure she wouldn’t mind letting you use it. Right, Y/N?”

 You weren’t quite sure that you did want Beomgyu to use your meal card, but what kind of jerk would you be if you said no? With gritted teeth and a glare at your best friend, you fished your meal card out of your wallet and placed it into Beomgyu’s open palm.

 The pout left his lips instantly, a big grin taking its place. “Thanks. I’ll return the favor sometime soon.”

 Doubt it, you thought, watching him rush towards the counter to order. You’ll probably forget you said that by the time you get your drink.

 Soon he was back at the table, caramel latte in hand, your meal card back in your possession. You cleared your throat, shifting in your seat. “If everyone’s ready, we can go ahead and get started. I met with my professor yesterday—she’s also the head of the classical music department. She’s technically our ‘overseer,’ but all the responsibility of planning the performance is on us. We’ll only have about forty minutes total to showcase the drama and music departments, so we need to choose our sets wisely.”

 “Yeonjun and I were talking a bit about this earlier,” Taehyun said. “We’ve been preparing for our winter show since the beginning of the summer, so we figured we could just perform a scene from the play.”

 You nodded, liking the idea. “That sounds perfect. What’s the play?”

 “A Midsummer Night’s Dream.”

 “Right, I knew that. Could you guys work on finding a scene around ten or fifteen minutes long to perform for the open house, then?”

 Yeonjun and Taehyun both nodded. You smiled, glad that you were finally starting to get some things together for the event.

 When you glanced at Beomgyu to make sure he had written that down, the smile left as quickly as it had come when you saw that he was doodling tiny flowers and hearts all over the page rather than taking notes.

 He must have felt your eyes on him, because he glanced up and caught your gaze. Seemingly unbothered, he simply smiled and said, “Don’t worry. I was just about to write it down.”

 Your fingers itched to reach over and take the pen and paper from him so you could just do it yourself, but you kept your composure. “Beomgyu. Any ideas for what the music department could do?”

 He finished writing down Drama Department—Scene from “A Midsummer Night’s Dream” before looking at you again. He shrugged, another nonchalant smile spreading across his face. “Not really. I’m down for whatever it is you decide to do.”

 “Wow, helpful. Truly.” Your eyes went wide when you realized you had said those words out loud after Yeonjun and Taehyun began to snicker beside you. Your face flushed with embarrassment, but Beomgyu seemed unphased, that careless lopsided grin of his still on full display.

 You sighed, brushing a piece of hair behind your ear. “Well, I was thinking about having the orchestra do a piece, and then having one of the student bands do a piece. That way we have something classical and something more contemporary. Thoughts?”

 “I think that’s a good idea,” Taehyun said. “If we do our scene first, the orchestra could kind of act as a bridge between Shakespeare and more modern art.”

 “I agree,” Yeonjun said. “And since Y/N is in the orchestra, she can get in touch with the director and have them prepare something. Oh, and Beomgyu!” The curly-haired boy looked up from his doodling when his name was called. “You know a few different bands, right? Think you could piece together a group of performers?”

 “Definitely,” Beomgyu said. When he noticed your eyes on him, he quickly scribbled down Orchestra—Y/N. Band—Beomgyu Me.

 “Well, since we all have our first tasks, I guess that’s all for today.” You were happy that the meeting was over; you were ready to get back to your dorm so you could get to work and actually get things done.

 “Wait!” Beomgyu said as you stood up, slinging your bag over your shoulder.

 Now you have something to say. You raised a brow at him expectantly.

 “We should exchange phone numbers, right?” He smiled, standing up and holding his phone out towards you. “I have the others’ numbers, but I figure I should be able to contact my partner from the music department.”

 You hesitated, but knew there was no logical reason why you shouldn’t give him your number. You were going to be working together for the next several weeks, after all.

 After putting your number in, he took his phone back and grinned at you again, eyes scrunching up into crescent moons. “Perfect! I’ll try not to bother you too much, but I make no promises.” He reached forward and ruffled your hair, and you were too caught off guard by the sudden touch to back away, or to even react at all. He then waved at all three of you, throwing his backpack over his shoulder. “See you guys tomorrow then.” He turned towards you again, throwing you a casual wink that still managed to have you flustered. “I’ll be in touch, partner.”

 You turned to watch him leave, face warm as you brushed through your hair with your fingers, trying to undo the damage your “partner” had done.

 Something told you that he wouldn’t be keeping his promise about trying not to bother you anytime soon.

 -

 OVER THE NEXT FEW WEEKS, BEOMGYU PROVED HIMSELF TO BE ONE OF THE MOST BOTHERSOME PEOPLE YOU HAD COME ACROSS IN A LONG, LONG TIME.

 The worst part was the fact that he didn’t do anything blatantly wrong. He did everything he was asked to do when it came to preparing for the showcase. The first week of work consisted of the two of you gathering all the students who would be participating in the performances, along with Yeonjun and Taehyun preparing those from the drama department. Beomgyu performed all of his tasks just as he was asked to do, so it wasn’t as if he was bothering you by being unhelpful.

 It was just something about the way he held himself that seemed to get under your skin for no apparent reason.

 For the past week, your “partner” had basically been a tagalong—he would stand beside of you and do what he was asked without contributing much to the creative process of planning. You found it hard to criticize him up front, as he just did as he was told.

 However, that was all he did. When the four of you would all sit down together to discuss plans or ideas, Beomgyu’s role never changed: he would sit beside all of you, jot down anything you told him to in his nearly-full composition notebook, and crack an occasional joke that would always send Yeonjun and Taehyun into fits of laughter, but only earned a stiff, forced smile from you.

 You were starting to wonder why your professor had assigned him to your team. After all, putting on this open house was your last shot at making a lasting impression on the higher ups in your department. Everything needed to be perfect; mediocracy was not an option.

 In other words, Choi Beomgyu needed to step up his game, and he needed to do it quickly.

 You thought about this on the day of your first rehearsal, where all of the students who would be participating in the performances had gathered in the main auditorium of the music building.

 Drama students were scattered in all directions, occupying the space around them with dramatic line readings and critiques for their classmates as they practiced their roles. Yeonjun and Taehyun were busy taking charge of the drama students, making sure everything was running smoothly amongst them. You watched as Kai, one of the freshman students Yeonjun had taken under his wing, followed your friends around like a baby penguin waddling after its parents, and you couldn’t help but smile at the sight.

 Music students were spread across the stage, the orchestra setting up instruments and covering stands with sheets filled by notes and lyrics while the band tuned their guitars and plugged up their mics. Soobin, a tall, blue-haired student from the same year as you, waved at you from stage with his mic in hand. You waved back, happy that you had been able to snag him as the main vocalist for the band’s performance—his voice was angelic, able to captivate any listener.

 “Hey.” You turned at the sound of the voice you had begun to grow quite accustomed to, whether that was for better or for worse. Beomgyu was standing beside of you, brushing a hand through the curly black bangs that hung just above his eyes. The tip of his nose was flushed pink, a sign that he had likely just been out in the biting cold that had begun to creep up as fall quickly approached. He had his backpack slung over one shoulder and his guitar case held in one hand.

 “Running a little late, aren’t we?” You asked, glancing at the time on your phone with no attempt at hiding your frown. “Is this going to be a trend with you, Choi Beomgyu?”

 He laughed, nudging his shoulder against yours. You wanted to be more irritated with him than you were, but he had the kind of laugh that put everyone around him at ease; the kind of laugh that filled one’s chest with warmth, as if you had been directly touched by a ray of sunlight reaching down from the sky.

 So you settled with being only slightly irritated, pursing your lips to keep your expression in check as he responded with, “What fun would it be if everyone was on time?”

 “It’s not about fun, it’s about making sure this whole thing runs smoothly,” you said as you turned to face him. “Speaking of which, since you didn’t have any suggestions, I went ahead and helped the band choose a setlist. They’ll only have time for two songs, but the ones I picked are really diverse and should be—”

 “Ah!” He cut you off, snapping his fingers in front of your face, causing you to flinch back in surprise. “I knew there was something I forgot to tell you.”

 “What?”

 He rubbed the back of his neck, grinning as he shifted a bit closer to you. You could smell his cologne—a misty citrus scent that was so light you could barely tell it was there. “Well, it’s kind of embarrassing, but the professor actually wanted the band to perform one of the songs I wrote. If that’s okay with you, of course—you’re the boss, after all.”

 “You—you write songs?” You asked, trying not to get irritated at the sudden disruption of what you had planned. He had been complacent this entire time, so of course, the time he actually had something to contribute, he would be messing up what you had already set in place.

 “Well, if it’s a suggestion from the professor, I can’t just deny you permission, can I?” You said with a forced laugh. “Do you have the—”

 “Sheet music?” He finished your sentence, shaking a stack of papers in front of you. “Right here, partner. Want me to go tell the band?”

 You sighed, crossing your arms over your chest. “Sure. Just tell them to switch the second song I had picked out with this one.”

 He smiled at you again, ruffling your hair with the same hand he held the papers in. “You’re a saint. I’ll talk to you in a bit then?”

 You had no time to respond before he was setting off towards the stage to talk to the band, papers and guitar in hand. You huffed through pursed lips, mumbling under your breath as you tried to put your hair back in place.

 “What was that all about?” You dropped your hands to your sides when Yeonjun approached you, eyebrow quirked. Half of his cotton-candy colored hair was pulled into a ponytail, and he had on a pair of big round glasses with what you knew to be fake lenses—a fashion statement rather than a necessity.

 “I don’t think Beomgyu knows much about personal boundaries or personal responsibility,” you mumbled, allowing Yeonjun to come up and finish fixing your hair with his fingers. “He decided to just now tell me that our professor wanted the band to use one of his songs in the performance.”

 “What’s wrong with that?”

 “Nothing’s wrong with it, I just—” You hesitated, unsure of how to respond without sounding like a jerk. “I just wish he would have told me about it sooner. That’s all.”

 “Y/N, you need to cut the guy some slack,” Yeonjun said, stepping back once he was finished fixing up your hair. “You act as though you have a personal vendetta against him or something.”

 “I do not,” You argued, feeling you defenses flare up at his words. “Why would you say that?”

 “I don’t know, maybe because every time he walks in the room you start to grimace, and every time he talks to you I can literally feel the amount of energy it takes for you to not roll your eyes.”

 “You’re exaggerating.”

 “If you say so.” He put his hand on your shoulder, giving you a stern look that did, in fact, make you roll your eyes. “Give him a chance, Y/N. You may end up liking him more than you’d expect.”

 You scoffed as your best friend walked away from you, returning to work on his previous tasks with Taehyun. A vendetta? Was it really that obvious to the people around you that Beomgyu got under your skin?

 Perhaps Yeonjun was right—you did have a tendency to be extra sensitive when it came to your academic responsibilities. Maybe you were being too hard on Beomgyu; his goal was the same as yours, even if his methods differed drastically from yours.

 You looked up to the stage to see Beomgyu laughing as he said something to Soobin, the rest of the band analyzing the sheets of music in their hands—Beomgyu’s song, if you had to guess. His skin glowed like honey beneath the stage lights, and you noticed that when he laughed, he laughed with his entire body; his eyes disappeared into crescents, his shoulders shook, he clapped his hands together and even stomped his feet a bit. You smiled slightly at the sight, before a pang of guilt hit you.

 He did seem like a nice guy. It was time you gave him a chance to be seen as such in your eyes.

 -

 ANY PATIENCE YOU HAD DESPERATELY TRIED TO HOLD WITH BEOMGYU WAS WEARING THIN, AND IT HAD ONLY BEEN AN HOUR SINCE YOU DECIDED TO GIVE HIM A CHANCE.

 You had both stayed behind with Yeonjun and Taehyun to clean up the auditorium after the practice. “I think that we’re done, don’t you?” You asked everyone after picking up a few discarded sheets of paper left behind by the drama students.

 “Almost,” Beomgyu said from the stage. You looked up at him to see him pointing at two large music stands left behind by the orchestra. “Someone left these behind.”

 “Can’t we just leave them there?” Yeonjun asked.

 Taehyun shook his head. “No, we were given specific instructions to not leave anything behind.” He glanced at his phone. “They’re about to close the building for the night, so we should hurry and put them up.”

 “I know which room they came from, so I can take them back,” Beomgyu offered.

 “They’re pretty heavy, Beomgyu. Are you sure you can carry them on your own?” Taehyun asked.

 “Yeah, it’s fine—”

 “No, no, someone should definitely help you. You have to carry your guitar too,” Yeonjun interjected, a mischievous glint in your eyes that sent sirens blaring in your head. The feelings of disdain only grew when Yeonjun made eye contact with you directly, seeming to give you a sweet smile, but you knew the expression was laced with ulterior motives. “Y/N, why don’t you carry one while Beomgyu carries the other?”

 You wanted to smack him, but that wouldn’t have been a good look for you, considering that everyone already thought you hated Beomgyu anyways. You glanced up at him on the stage to see that he had already picked one of the stands up, his guitar in the other hand.  He gave you a big grin, eyes sparkling like freshly fallen snow. “What do you say, partner? Care to give me a hand?”

 You pushed your tongue against the inside of your cheek, knowing that there was no way you were getting out of this one. “Sure,” You said through your teeth, glaring daggers at Yeonjun before making your way up the steps to the stage. The music stand wasn’t too heavy, so you almost dared to ask Beomgyu to try carrying them both in one hand, but decided against it.

 “We’ll go ahead and leave then,” Yeonjun said, throwing a taunting wink your way. “You two have fun.”

 You hate to bite your tongue to keep from cursing at him as Yeonjun and Taehyun left the auditorium, leaving you alone with Beomgyu for the first time. You glanced his way, noticing that he already had his eyes on you. Instead of averting his gaze when yours met his, he just smiled wider, gesturing towards the door with his head. “Shall we?”

 You forced another smile. “Lead the way, partner.”

 You followed him out the doors and up the stairs to the first floor, where the orchestra’s practice room was located. You were very familiar with the area, being a violinist yourself. When the two of you reached the room, you rushed forward to open the door, as Beomgyu���s hands were full. He thanked you and stepped inside first, and you followed suit, letting the heavy door swing shut behind you.

 “Where should we set them?” He asked.

 You nodded to the far corner of the room. “Over there.”

 The two of you set the stands down, and you instantly turned back towards the door, ready to get back to your dorm for some alone time after such a taxing day.

 “In a rush?” Beomgyu asked from behind you.

 You turned to look over your shoulder at him as your hand grasped the doorknob. “Nah, just tired. Aren’t you?”

 He shrugged, shifting his guitar case from one hand to the other. “Not really.”

 “Lucky you,” You mumbled, turning back towards the door. “Well, I guess I’ll see you tomorrow—”

 You stopped mid-sentence, heart dropping to your toes. When you tried to turn the knob, it wouldn’t move. After a moment of shock, you tried again, and then again, violently shaking the knob, trying to get the door to open.

 “No, no, no,” You said, shaking the handle desperately. “Come on, this can’t be happening!”

 “What is it?” Beomgyu asked, setting his guitar on the floor before rushing to your side.

 “The door won’t open.” You shook the knob more frantically than ever, the entire door shaking from the force.

 “Woah, easy there, partner,” Beomgyu said, gently placing his hand on your arm. “Why don’t you let me try to—”

 “What exactly do you think you’re going to be able to do differently?” You snapped, snatching your arm away from him. His mouth hung open, eyes wide with what you assumed to be shock. “We’re stuck in here, Beomgyu. We’re stuck, and we’re not going to get out for god knows how long, and with you as my ‘partner,’ I’m one hundred percent certain we’re not going to be able to find a way out of here on our own.”

 You could tell that your words struck a nerve with him by the way his shoulders tensed and how his eyes went narrow. Looking back, you wished you could reel the words back in, but they had already done their damage.

 “Why do you hate me so much?” He asked, his voice low and thick with irritation.

 It was your turn to be shocked. “What?”

 “I said, why do you hate me so much?”

 You blinked rapidly, feeling exposed and vulnerable now that he was confronting you. “I don’t—I don’t hate you, Beomgyu.”

 He scoffed, pulling his bottom lip under his teeth. “Come on, I’m not that much of an idiot. This entire time, from the moment we first met, you’ve been cold and snippy with me. You can barely hide how much you dislike me with your facial expressions. I thought maybe we just got off on the wrong foot, so I’ve been brushing it off and treating you kindly. But you still treat me like I’m some annoying fly that you can’t quite get rid of, and I want to know why.”

 “That’s not—I don’t hate you,” You repeated, jumbling your words together as you struggled to figure out what to say.

 “Well, what’s the issue then?”

 “You don’t take anything seriously!” Your voice wasn’t quite a shout, but it was almost there. Beomgyu took a step back, arms dropping to his sides.

 “You’re treating this entire thing like it’s an elementary school play,” You continued, your voice getting louder and your words coming out more and more rushed the more you spoke. “You don’t contribute in the meetings, you show up late, and you barely do the things I ask you to do. I understand it may not be anything special to you, but this is my last chance to do something memorable here. I’m graduating in the spring, and up until this point, I’ve been nothing but another violinist tossed in the orchestra. I don’t stand out to my professors, or to scouts, to anyone.”

 Hot tears began to well in the corners of your eyes as thoughts of your mother surfaced. Every word she had ever said about your pursuit of music being a waste of time, of how little a chance you had of making it, how your only hope was to stand out in the department, which, of course, she highly doubted you would be capable of doing.

 “I have to do this, and I have to do it right.” Your voice wavered as you swiped at your cheeks, where a few tears had fallen. “If I don’t, then I’ll—I’ll—”

 “Hey, hey, it’s okay.” Beomgyu’s voice was gentle, in stark contrast to the razor-sharp tone he had held just seconds before. You looked at him through your teary eyes to see that his own eyes were wide, this time with concern rather than anger. “You don’t have to explain, I understand, okay? I’m sorry, Y/N.”

 You sniffed, more tears gliding down your cheeks as you did so. “What?”

 “I’m sorry,” He repeated, looking as though he were about to start crying himself. “I had no idea that’s how I was coming across. I’m really, really sorry.”

 You stared at him, dumbfounded. How were you supposed to respond to that? The last thing you expected to hear from him was an apology, especially since, now that you had yelled at him, you realized how unfair you were being towards him. You shook your head, wiping furiously at your eyes. “No, you don’t have to apologize Beomgyu. I should be apologizing—I’m the one being irrational, not to mention I’m also the one that locked us in here—”

 “How about we just call it even then, hm?” He cut you off, looking around before he spotted a box of tissues on the front desk. He grabbed one and made his way back over to you, gently wiping the tears from your face, being careful to not touch you directly. “We’ve both apologized for something that the other person doesn’t think requires an apology. The grounds are neutral now.”

 You laughed, gently taking the tissue from his hand so you could wipe your eyes on your own. He stepped back when you did so, smiling nervously at your sudden laughter.

 “Thank you, Beomgyu,” You said quietly, wadding the tissue up in your hand.

 He rubbed the back of his neck, rocking back and forth on his feet. “No need to thank me, Y/N.” He paused, seeming to be in deep thought. It was quiet for a moment before he stuck his hand out towards you, expression cautiously hopeful. “Now that we both understand each other a little better, do you think we could start over?”

 You smiled, wrapping your hand around his to give it a firm shake. “Yeah. I’d like that.”

 -

 THE WORLD ALWAYS SEEMED COLDER WHEN YOU WERE ALONE.

 Of course, it could have felt cold because you were alone in a hotel parking lot, sitting on the cool pavement in the late hours of the night. You hadn’t brought a jacket with you, and your dress was sleeveless and made of thin fabric that didn’t do much to protect you from the wind that sent strands of hair flying across your face.

 However, you were certain that if your mother or father had been sitting beside of you that early winter’s night, you would barely even notice the bite of the wind or the goosebumps that prickled up all over your bare arms. Even the stars had denied you their company; the sky was pitch black, void of any trace of light.

 Lower lip trembling, you sighed as you kept your gaze on the sky above, thinking that maybe, if you kept looking, you’d find a single star shining amidst the darkness. Tears filled your eyes, but you wiped them away before they could fall.

 “You’re a strong girl, Y/N,” Your mother would say if she were to catch you crying. “Strong girls don’t cry, do they?”

 “No,” You whispered, even though she wasn’t there to hear you. “Strong girls don’t cry.”

 “What do you mean?”

 You jumped at the sudden voice, placing your hand over your heart before you turned your head to see a boy sitting on the pavement beside you. He had curly black hair that stuck out from beneath a beanie, covering the top of his eyes, and a big jacket on over his clothes. He seemed to be the same age as you, but of course, you couldn’t be sure.

 “W-what?” You spoke through shaking lips, pulling your arms around yourself in an attempt to stay warm.

 “You said that strong girls don’t cry,” He said, eyeing you with curiosity. “What do you mean by that?”

 “Oh,” you whispered, looking down at your shoes—a pair of black flats with scuff marks all over the toes. “It’s nothing— just something my mom says.”

 He hummed, leaning back on the palms of his hands. “Well, I think she’s wrong. Everyone cries, even the strongest people alive. If someone tells you they don’t cry, then they’re lying.” He turned towards you, a big grin on his face. “You don’t seem like a liar to me.”

 You sniffled, wiping your hand across your cheeks to catch the few tears that had managed to slip down. “Thanks, I think.”

 “It was definitely meant as a compliment.” He sat up straight then, narrowing his eyes at you. You shrunk back a bit, shoulders shaking as the wind only seemed to get stronger by the second.

 A moment later, he was sitting right beside of you, so close that his arm brushed against yours as he slipped his coat off, revealing an oversized hoodie beneath it. He wrapped the coat around your shoulders, and zipped it up, trapping your arms inside. He smiled again and sat back, but he was still close to you, so close that your shoulders were pressed together and his pinky was resting on top of yours.

 Eyes wide, you slowly shook your head and slipped your arms through the sleeves so you could reach the zipper. “No, I’m okay—”

 “Hey, keep it on, please,” He interrupted, placing his hand on top of yours to stop you from unzipping the coat. “It’s freezing out here, and you don’t even have any sleeves.”

 You hesitated, not wanting to be a bother to this unexpectedly kind stranger, but you would have been lying if you had said that the cold wasn’t starting to bother you. Not wanting your lips to turn blue, you nodded, pulling your arms back into the coat to keep them extra warm.

 “Thank you,” you said quietly. “What are you doing out here, by the way?”

 “Me? Oh, I was just sneaking out to the indoor pool.” He pointed over his shoulder at the building with a large dome roof made of glass. “My parents are already asleep and didn’t notice me leave. You?”

 “Ah, well, my family is staying here for the night. My parents and I are going out for dinner to celebrate my birthday.”

 “It’s your birthday?” He asked, eyes growing wide. You nodded sheepishly and his smile grew bigger before he reached over to ruffle your hair with his hand. “Happy birthday!”

 You giggled, smoothing your hair back down when he pulled his hand away. Your eyes met his, which seemed to sparkle with the light of billions of galaxies, paired perfectly with his beaming smile, and you realized that maybe you didn’t need the stars that night after all, because he alone shined brightly enough.

 He looked around then, eyebrows furrowed. “But, where are your parents? Shouldn’t you guys get going before all the restaurants close?”

 Your smile faded just as quickly as it had appeared. You swallowed, your eyes drifting towards a car that sat a few yards away from the two of you. The car was running and the lights inside were on, casting a yellow glow onto the two occupants seated in the front: your parents. Although you couldn’t hear what they were saying, you knew that they were yelling by the way they pointed their fingers at each other, and by the expressions on their faces, and the intensity with which their lips were moving.

 The boy followed your gaze, his mouth parting slightly in surprise when he caught sight of your parents in the heat of their dispute. He glanced sideways at you before moving to sit in front of you, blocking your view of your parents.

 “Why don’t you sneak to the pool with me?” He asked.

 You shook your head immediately, a slight smile returning to your face. It was clear that he was trying to distract you, and you were grateful. That didn’t mean you were willing to sneak away from your parents, especially when the tension among your family was already sky high.

 “Why not?” He whined, sticking his bottom lip out in a pout.

 “Because I’m not supposed to move from this spot,” You said.

 “And I wasn’t supposed to leave my hotel room, yet here I am.” He shrugged nonchalantly, brushing his bangs out of his eyes only for them to fall right back into place. “What’s the worst that could happen?”

 There were a lot of really terrible things that could happen as a result of you sneaking away to go night swimming with a boy you didn’t know while your parents fought in the middle of a hotel parking lot. You could probably list ten off the top of your head. However, when you looked into the starry eyes of the boy in front of you, his lips spread in an encouraging grin that made you feel warm inside despite the cold, you hesitated.

 What was the worst thing that could happen? The list seemed to be erased from your head as quickly as it appeared.

 He tilted his head to the side, a playful glint sparkling in his eyes. He stood up and stretched his hand out to you, his fingers trembling from the cold.

 “Should we run away?”

 Your fingers twitched, urging to reach out touch his own. You bit the inside of your cheek, trying to find the balance between being rational and following where your heart was leading. These two things did not seem to be lining up.

 Before you could do anything, however, you heard a car door slamming shut. You jumped to your feet just in time to see your mother stepping away from the vehicle before your father drove off, leaving her alone in the parking lot. Eyes wide with worry, you watched as your mother brushed her hand across her cheeks before taking a deep breath and making her way towards you.

 “Y/N,” she said when she reached you, not even glancing at the boy beside of you as she took your face in her hands. “Your dad is going to come pick us up in the morning. How about we just have a girl’s night to celebrate your birthday instead?”

 With your heart dropping to your toes, you felt the tears welling in your eyes once again, but you refused to let them fall. You smiled and nodded, wrapping your hand around your mother’s. “Yeah. That sounds fine.”

 You turned towards the boy to see that his face was full of concern. Forcing the best smile you could, you unzipped his coat and slipped it off your shoulders before placing it back in his outstretched hands.

 “Thank you,” you said quietly. Before he could say anything back, you had turned away and began walking back towards the entrance, arm-in-arm with your mother.

 “I was thinking we could order a pizza and rent your favorite movies,” she said, straining to keep the emotion out of your voice. “I’ll order the food once we get back to the room, okay?”

 You nodded slowly, halting your footsteps just before the automatic doors that led inside.

 But when you turned your head to catch one last look at the boy who shined brighter than the stars, he was already gone.

 -

 IN THE HAZY PLACE BETWEEN SLEEPING AND WAKING, YOU COULD HAVE SWORN YOU HEARD HIM SINGING.

 With your eyes still closed, the sound rang through your head, clear as day. It was comforting, as if you had heard it before. Yet it wasn’t a sound that only echoed around you. This voice, so gentle and sweet that it seemed to drip with sugar and honey, filled all of your senses to the brim. You weren’t just hearing it, you were feeling it.

 “In moments like those, when tears fill your eyes, hold my hand tight. Should we run away?”

 You sighed, swept away by the sound and the words that the voice sang. You felt as though you had heard it before, but you couldn’t quite think of where. Snuggling closer to whatever it was that you were leaning against, you allowed the faintest of smiles to trace its way across your lips.

 The singing stopped. “Y/N?”

 “Hmm?” You pressed your face closer against the warmth you were leaning into, frowning at the sudden absence of the soothing voice.

 “Are you awake?”

 “Yeah,” you mumbled, slowly forcing your eyes open.

 You weren’t quite sure where exactly you expected to be when you opened your eyes, but it definitely was not on the floor of the orchestra practice room with your head in Choi Beomgyu’s lap. Beomgyu was smiling down at you, black curls hanging over his eyes, freckles illuminated by the faint moonlight that spilled through the windows.

 You sat up quickly, trying to fix your messy hair as you felt your face grow warm. You didn’t remember falling asleep, but you were incredibly embarrassed that you had.

 “How—how long was I asleep?” You asked, your voice hoarse.

 “Just an hour or so. I think you got so stressed out after trying to call so many people that you just passed out,” Beomgyu said. He reached his hands toward you and helped you straighten up your hair, which only served to make your face even warmer than before.

 “Sorry,” you said, gesturing to his lap. “For . . . that.”

 He waved his hand at you before folding his hands behind his head. “Don’t apologize. Seems like you needed the sleep—you were dreaming pretty intensely.”

 “I was? Did I say anything weird in my sleep? What did I say? Was it embarrassing?” You grabbed his sleeve, eyes wide as you bombarded him with questions.

 He laughed, shaking his head in reassurance. “Don’t worry, it was nothing embarrassing. But you were talking.”

 “What did I say?”

 “Hmm, something about it being your birthday?” He placed a finger against his chin, eyes narrowed. “I’m not sure exactly what else. It was all kinda random.”

 You squeezed your eyes shut, biting the inside of your cheek as you let go of his sleeve. You remembered every bit of the dream you had—well, it wasn’t really a dream as much as it was a memory. It was embarrassing to think that Beomgyu had heard any part of the memory, but you tried not to think about it too much.

 “Beomgyu,” You said, opening your eyes once more to look at him. “Were you singing just now? Before I woke up?”

 He didn’t say anything at first, his expression blank. Then, he smiled, nudging your shoulder with his. “Of course not—you know I don’t sing. Why?”

 “Actually, for the record, I did not know that,” You corrected. “And I don’t know, I just .  . . thought I heard someone.”

 “Maybe it was your soulmate,” Beomgyu said, moving his eyebrows up and down.

 You sighed, looking down at your feet. “I wish it was. I haven’t heard from him in two years.”

 The smile fell from Beomgyu’s face right away. “Ah, sorry, I didn’t know.”

 “It’s okay, you don’t have to apologize.”

 “Do you . . . know what happened to him?”

 You shook your head, staring at the moon through the window. “No. I don’t even know who he was.”

 “Hey, why are you speaking in the past tense?” He turned towards you and grabbed your shoulders, forcing you to face him. “Think positively, Y/N. He could still be out there. When did you first hear him?”

 “When I was thirteen,” You answered. “But he stopped singing two years ago.”

 “And you haven’t heard anything since then?”

 You hesitated, thinking back over the past two years and all the sleepless nights you had spent waiting and hoping to hear any trace of a note ringing in your ears, the faintest hint of a voice. Sometimes, when you were just about to close your eyes, you would’ve sworn that you could hear his voice for the briefest of moments before you drifted off, but you would always blame it on being sleep deprived.

 “No,” you said quietly. “I haven’t heard anything. He used to sing all the time, too. I would wake up to the sound of his voice, and it would carry me throughout each and every day. I know it sounds weird to say this about someone I don’t remember meeting, but I felt . . . connected to him, if that makes sense?”

 Beomgyu didn’t say anything, so you continued. “He’s actually the reason why I picked up the violin. I got so used to his voice, I would go around humming all day. I guess my mom got tired of hearing me, because soon after I started hearing him, my mom signed me up for violin lessons. And, well, now I’m here.”

 You looked over to see Beomgyu smiling softly, but his eyes didn’t meet yours. “Do you have any idea of who it might be?”

 You were quiet for a moment. The image of the boy from the hotel parking lot with his star-struck eyes and diamond smile came to your mind, as always.

 “No. But I have someone I hope it is.”

 You looked over at him again, and this time, his eyes met yours. The silvery light of the moon highlighted the right side of his face and the bridge of his nose, casting a stark shadow across the other side. He was neither smiling nor frowning as his eyes searched yours. What exactly he was looking for you couldn’t be sure of, however, you liked the eye contact well enough to let it go on for a moment longer before you cleared your throat, looking back towards the window.

 “Did you try calling Yeonjun again?”

 “Yep. No answer.”

 “Taehyun?”

 “Nothing.”

 “The professor?”

 “Didn’t pick up—I left a message though.”

 You sighed, allowing the back of your head to hit the wall behind you. “We’ll be stuck here all night at this rate.”

 “Well, now that you’ve had a little nap, we may as well use this time to be productive,” Beomgyu said, standing to his feet and stretching his arms above his head as he did so.

 You crossed your arms, raising a brow as you watched him pull his guitar out of the case. “What’s this? Choi Beomgyu taking initiative?”

 “Hey, we said we were starting over.”

 You laughed as he sat on the edge of the desk in front of where you were sitting on the floor. He pulled the strap over his shoulder and began tuning his guitar by ear, something you always struggled to do with your violin.

 “What are you doing?” You asked.

 He strummed through all the strings, nodding when he was satisfied with the sounds. Glancing down at you, he smiled. “What does it look like I’m doing? I’m going to show you the song I wrote.”

 Interest piqued, you sat up straighter and smiled back at him. “I was hoping that’s what you’d say.”

 He laughed, adjusting his position on the desk before his fingers found their place on the neck of the guitar. You listened attentively as he began to pick the first notes, watching the way his fingers moved deliberately across the frets, yet, his movements never lost their grace. At first, he kept his eyes focused on his hands. But as the song went on, his eyes slowly closed, and he played without seeing, relying solely on the sound of the notes he was creating and the feeling of the strings that pressed into his calloused fingertips.

 Awestruck would have been an understatement for the way you felt as you watched him play. The way he became one with the sounds he created, the way his wrist twisted to strum and how his fingertips slid across the length of the instrument as if it was the very thing they had been created to do. You were hypnotized, allowing the music to seep into your heart and make it thump against your chest like a caged bird begging to be set free.

 If you had to put a word to how he looked in that moment, “beautiful” was the closest you would be able to get.

 He opened his eyes as he strummed the last note, a gentle grin on his lips. You noticed how his eyes sparkled in the darkness, despite his back being towards the moonlight rather than his face.

 “What do you think?” He asked, his voice sounding sharp as it pierced through the thick silence that had settled over the room.

 “It was—”

 “It was real pretty, kid.”

 You yelped in surprise at the sudden voice, jumping up to your feet as Beomgyu practically fell off the desk, nearly dropping his guitar in the process. You helped steady him, and together, you looked towards the door to see that it was wide open, fluorescent light from the hallway spilling into the room as the janitor stood in the entry way, arms crossed over his chest as he blew a bubble with the gum in his mouth.

 “If you’re done serenading your girlfriend, would you mind leaving so I can clean up and go home? This building closed an hour ago, but if you both leave now I’ll keep quiet.”

 Your cheeks went hot, and you struggled to form words as Beomgyu scrambled to put his guitar back in its case. “Girl—girlfriend? No, we’re not—I mean, I’m not his—we just got stuck and—”

 “Thank you, sir. We’re really sorry.” Beomgyu cut you off as he picked up his guitar case with one hand and wrapped his free arm around your shoulders, pulling you into his side. You gasped, but were too stunned to do anything but follow Beomgyu’s lead as he pulled you out of the room.

 “What was that about?” You asked once the two of you had safely made it out of the building. “You were not serenading me.”

 Beomgyu shrugged, letting his arm fall from your shoulders. Your mouth fell open at his lack of a denial. “Choi Beomgyu! Stop messing around.”

 “Who said I was messing around?” He teased, winking at you as he began to walk towards his dorm building, which was on the other side of campus from yours.

 You scoffed but said nothing as you watched his back while he walked away from you, trying to piece together what had just happened.

 “See you tomorrow, Y/N!” He shouted, turning around as he walked so he could wave goodbye.

 You gave him a weak-hearted wave in return, pressing your hands against your flushed cheeks as you slowly began to tread back to your own dorm room.

 How strange it was that just that morning, you would have given almost anything to avoid seeing Beomgyu.

 But now, you found yourself counting down the minutes left until the next day so you could see him again.

 -

 WHEN YOU GOT BACK TO YOUR DORM FROM REHEARSAL THE NEXT EVENING, YOU HAD A TEXT.

 Beomgyu: I know we said we were starting over, but I can’t forget that I still owe you a coffee. Meet me at the library in 15?

 You felt like an idiot, but you couldn’t stop the grin from taking over your face. Slipping your shoes back on, you typed out a quick reply before slipping out the door.

 You: Make it 5. I’ll be waiting.

 When you arrived at the library, you were surprised to see that Beomgyu was already there. The line for coffee was very short, as most students had settled into their dorms for the night. Only a few stray overachievers and those that were desperately trying to cram for exams were there, and Beomgyu had claimed a place in line amongst them. He held his guitar in one hand, as per usual, and you wondered if there would ever come a time in which you would see him without it.

 “How is it that you demanded to meet me ten minutes earlier than I planned, and I still got here before you?” He asked once you had reached him.

 “First of all, I did not demand anything from you,” You said, pushing your fist against his shoulder. “Secondly, that is so unfair, because you know that your dorm is way closer to the library than mine is.”

 “Sounds like an excuse to me, but okay. Ah, it’s our turn.” He placed his hand on the small of your back and pulled you closer to the counter. Your stomach flipped, but for some reason, you didn’t mind.

 After the two of had gotten your coffees, Beomgyu told you to follow him up the stairs. You expected to stop at the second floor, but to your surprise, he kept leading you. He took you through a door in the back that you didn’t even know existed, where there was another flight of stairs. At the end of these stairs was another door. You stepped outside and found yourself on the rooftop, with a great view of the campus below.

 “Are you sure we’re allowed to be up here?” You asked.

 “Well, no. But I’ve come up here a lot and never gotten in trouble, so what’s the harm?”

 “That does not make me feel any better.”

 “Come on, Y/N.” He took your hand in his and brought you over to the wide ledge, big enough for the two of you to sit on without the fear of falling off. “What’s the worst that could happen?”

 You paused, eyes growing wide. He stared back at you as he hoisted himself up on the ledge. He took a sip of his coffee before asking, “Why are you staring at me like that?”

 You shook your head, setting your coffee beside of him before bringing yourself up to sit on the ledge yourself.

 “Nothing,” You said. “You just reminded me of someone.”

 “Ah.” He stared at you for a moment longer before he slipped his jacket off and wrapped it around your shoulders. You opened your mouth to protest, but he placed his finger against your parted lips, which was more than enough to shut you up.

 “Just accept an act of kindness, would you?” He said, zipping his jacket up over you. You watched him as he did so, noticing the way his chocolate eyes sparkled in the midst of the cloudy night.

 You swallowed, averting your gaze. “Thank you.”

 “You’re very welcome. That wasn’t so hard, was it?”

 It was quiet then, but not in an uncomfortable way. You enjoyed sitting beside of him in the silence, watching the lights of campus below you, feeling the warmth from his jacket spread over your chilled skin.

 “Actually, Y/N, there’s something that’s been bothering me,” Beomgyu said, breaking the silence.

 You turned to face him, curious. “What is it?”

 For the first time since you had met him, Beomgyu looked nervous. He picked at the skin around his nails, doing everything he could to keep his eyes from meeting yours.

 “Remember how you asked me if I sang? When we were locked in the orchestra room?” His voice was a bit quieter than it had been before.

 “Yeah, you said you didn’t.”

 “Right. Well, that—that was a lie,” He blurted, seeming to regret his words the second they had left his mouth. “Well, not a blatant lie, because I don’t sing anymore. But I used to.”

 You were a bit confused, but seeing how nervous he was, you decided not to ask him why he would lie about such a seemingly trivial topic.

 “What made you stop?” You asked carefully, not wanting to upset him.

 He hesitated, wringing his hands together. After taking a deep breath, he spoke again.

 “My father and I used to sing together,” He began. “I taught myself how to play the guitar, but he was the one who taught me how to sing. He loved to sing, more than anything else, and he always told me that I had a brilliant voice. He said it would be a shame to keep such a voice to myself.”

 He smiled fondly as he spoke of his father, and you couldn’t help but smile as well. The joy slowly faded from his expression, however, as he began to speak again.

 “I lost him two years ago,” He said quietly, voice thick with emotions that caused your heart to clench. “He was in a bad car accident. I was doing really well here, in vocals and guitar. But when I lost him, I just . . . I couldn’t sing anymore. I tried, I really did. I just couldn’t do it.”

 “Oh, Beomgyu,” You whispered, gently placing your hand over his trembling one.

 “It’s pathetic, isn’t it?” He sniffed, wiping his eyes with the back of his hand. “Singing was the one thing he wanted me to do, and now that he’s gone, I’m failing at it.”

 “No, Beomgyu,” You said, your voice firm as you squeezed his hand. “It’s not pathetic at all. You’re doing the best you can, and you’re still here. And most importantly, you tried. That’s what matters.”

 He brought his eyes back to yours then, glistening with moisture in the moonless, starless night. He smiled at you then, and you smiled back.

 “Y/N.”

 “Hm?”

 “Have I told you yet that you’re really, really beautiful?”

 Your breath caught in your throat, and you froze, feeling the blood rush to your cheeks. You were frozen for a moment before you scoffed, pulling your hand away from his and tucking it into your lap.

 “I thought you were going to start being more serious,” You mumbled, refusing to look at him. “Stop messing around.”

 Then, he moved closer to you, placing one arm behind you while he brought the other to rest against your cheek, gently turning your face towards his. He leaned in, so close that his breath brushed against your skin. He smelled of citrus and vanilla, and you found yourself leaning closer to him.

 He glanced at your lips, then met your eyes once again.

 “What makes you think I’m not being serious?”

 His lips were soft when they pressed against yours, and it felt as though your heart would burst right out of your chest. You allowed your eyes to fall shut as he gently moved his mouth against yours, slowly tucking a piece of hair behind your ear as he did so, before allowing his fingers to gently trace their way along your cheek, then your jaw, until he rested his hand against your neck, pulling you a tiny bit closer to him.

 He broke the kiss for a fleeting moment, just to open his eyes so he could look into yours. You liked the flecks of light that beamed in his irises, as though his eyes were made of starlight. He smiled, allowing his nose to brush against yours as his eyes moved back down to your lips. Once again, he closed the distance between you, capturing your lips with his for the second time. He tasted like coffee and cheap cherry chap-stick—and odd combination, but you didn’t mind as you brought your arms around his neck and shifted closer to him, twisting your head to the side as you moved your lips in time with his.

 The moment was unexpected, to say the least. But perhaps that was what made it feel that much more magical.

 At least, it was magical until you felt scalding hot liquid splash all over the side of your leg, seeping through the fabric of your jeans to burn your skin.

 You gasped against Beomgyu’s lips before pulling away, staring wide eyed at your jeans that were now stained with coffee. Your cup, which had been sitting between the two of you, was now knocked on its side, the contents drained.

“Oh my god, I’m so sorry, Y/N,” Beomgyu said frantically. His lips were shining from the aftermath of your kiss, his freckled cheeks and nose red as a cherry. He gently pressed his hands against your leg, pulling them back when you winced from the impact. “Oh god—I’m sorry, I forgot that it was there and I was leaning in and I knocked it over and—”

 You laughed at how flustered he had become, amused by this side of him that you hadn’t seen before. You grabbed his face and pulled him towards you, pressing your lips against his in a swift kiss, effectively shutting him up.

 “It’s okay, Beomgyu,” You said once you pulled away, letting your hands fall from his face. “I guess you just owe me another coffee.”

 The goofy lopsided grin you had grown accustomed to took place of the frightened expression he had worn just moments before. He hopped off the ledge, extending his hand towards you to help you down.

 “Come on, partner. Let’s get you cleaned up.”

 -

 IT WAS THE DAY OF THE OPEN HOUSE, AND YOU WERE SLIGHTLY UNNERVED BY HOW WELL THINGS WERE GOING.

 You had hoped that everything would go smoothly. The past few weeks, you had spent all your time and energy making sure that the event would be as close to perfect as possible.

 Well, you had also spent a bit of time with Beomgyu, but only when you had the time to spare, of course.

 The performers were all setting up; the drama department was working on setting up the stage props, as they would be going first, and they were busy rehearsing with the orchestra for how they could effectively move the props to make room for the instruments in a timely fashion. Yeonjun was rushing about, directing them with the grace and efficiency only he could pull off.

 Everything was going perfectly. You should have just been happy about that, but for some reason, it felt as though you were just waiting for something to go terribly wrong.

 “Y/N.” You turned at the sound of Beomgyu’s voice, smiling as he walked towards you. He was dressed in a white button up shirt that he tucked into a pair of black jeans. His sleeves were pushed up a bit, exposing his forearms.

 “Everything okay?” You asked once he had reached you. You glanced at the members of the band, who were talking in hushed voices right behind Beomgyu. Your eyes narrowed when you noticed that something was amiss. “Where’s Soobin? Is he on his way?”

 Beomgyu sighed, running a hand through his already messy curls. “That’s what I was coming to talk to you about. He’s sick—he won’t be able to make it. I just got a text from him.”

 You blinked slowly, trying to process what you had just been told. Soobin was the main vocalist for the band. Without him, or someone to fill his position, there would be no performance.

 You quickly walked over to the band, desperately trying to think of something to fix the situation, and Beomgyu was following right behind you.

 “Can any of you do lead vocals in Soobin’s place?” You asked.

 “No,” the main guitarist said, looking just as stressed out as you were. “We’d have to change the entire key for it to fit my range, and even if we had time to do that—which we don’t—we wouldn’t have any backup vocals.”

 You pinched the bridge of your nose, squeezing your eyes shut. “There’s got to be something we can do to replace him. We can’t just take the band performance out.”

 “How about Beomgyu?”

 Your eyes flew open at the sound of Yeonjun’s voice, and you whirled around to see him standing behind you.

“When did you get there?” You asked.

 “A minute or so ago,” He said, striding forward so that he stood on the other side of you. “But seriously, everyone knows Beomgyu can sing. He used to do it all the time. Why not have him take Soobin’s place?”

 “It would make sense,” the guitarist said, his face lighting up with a glint of hope. “He’s been here for all the practices—I mean, he even wrote the song!”

 You turned your eyes towards Beomgyu, worry overtaking you in an instant when you saw his expression. All the color had drained from his face, his lips pulled between his teeth. His hands were trembling, and he refused to meet your gaze.

 “Beomgyu,” You said quietly, taking his shaky hand in your steady one. “You don’t have to. We can figure something else out—”

 “I’ll think about it,” He said, eyes finally finding yours. He did his best to force a smile, but it was so strained, your worry only grew at the sight. “Just . . . can you give me a little while?”

 You nodded, squeezing his hand. “Of course.”

 He slipped away from you then, disappearing behind the stage. Your eyes followed him until you couldn’t see him any longer, worry creasing your brows.

 “What was that about?” Yeonjun asked, stepping a bit closer to you. “I understand not wanting to force anyone to do something last minute, but we don’t really have many options.”

 “There’s more to it than that,” You said quietly. “Just trust me, okay? And if he says he can’t do it, he can’t. We are not going to force him to do this.”

 Yeonjun still looked confused, but he simply shrugged. “Whatever you say, captain. But just so you know, if he can’t do it, you’re gonna be the one singing in Soobin’s place. And trust me, no one wants to hear that.”

 You fought the urge to flip him off as he walked away, wondering why on earth you still kept him around as your best friend.

 The rest of the preparations went on, and soon, the audience had begun to fill the auditorium. You hadn’t seen Beomgyu since that moment during rehearsals, and you were beginning to grow worried.

 You stood in the right wing of the stage as the show began with the drama department. You tried to focus on the performance—it was amazing, of course, especially since Yeonjun played a lead role in the scene they had chosen. Everyone knew he was an amazing actor. However, rather than being able to enjoy the show, you could only think about where Beomgyu was and wonder if he was doing alright, your stomach twisting itself into knots as the seconds ticked by.

 By the time the drama students were finished, the audience standing to clap for their flawless performance, you had bitten your nails down to nubs as you grew increasingly worried. Yeonjun rushed over to you when he left the stage, smiling widely as he stretched his arms out to his sides. “How’d we do?”

 “Hm?” You snapped out of your daze, shaking your head as you gave him two thumbs up. “Oh—wonderful. You guys were great. Hey, will you make sure everything goes well with the orchestra? I have to go find Beomgyu.”

 “Well why don’t you stay here and I’ll go find him—”

 “Nope, I’ve got it! Thanks best friend, you’re the greatest!” You gave him a quick hug before he could say anything else, quickly rushing out of the auditorium. You made your way down a few hallways, taking a couple of turns until you had reached one of the dressing rooms. You knew this was where Beomgyu had been getting ready because his guitar case was propped against the wall outside of it, so you hoped he was still inside.

 You knocked on the door. “Beomgyu? Are you in there?”

 It was silent, but you heard someone sniffle from behind the door. You sighed, leaning against the wood. “You don’t have to say anything, okay? But just hear me out.”

 There was no response, but you could have sworn you felt someone leaning against the door from the other side.

 “I know you may feel like you have to pressure yourself to do this, but you don’t,” You said gently. “Nobody is going to be disappointed if you can’t get up there to sing. Not me, not Yeonjun, not the band.”

 You paused, biting your lip before you continued. “Your father wouldn’t be upset either, Beomgyu. The fact that you’re willing to even think about doing something this hard just to help out shows just how great of a person you are. He would be so, so proud of you. I’m proud of you, too. Whether or not you get up there and sing tonight, I’m proud of you. Okay?”

 You stayed there, waiting in silence for a moment longer before you pushed away from the door, walking back towards the auditorium.

 The orchestra was almost finished with their set by the time you returned to the wing. Yeonjun and the band were waiting with anticipation when you returned, eyes wide and searching behind you, probably hoping that Beomgyu was close behind.

 “Is he coming?” Yeonjun asked.

 You sighed, shaking your head slowly. “I don’t think so. We’ll just have to call off the band’s performance, but it’ll be okay—”

 “That won’t be necessary.”

 You turned at the sound of Beomgyu’s voice, unable to help the big smile that overtook your face. You hurried towards him, grabbing both his hands in your own.

 “Are you sure?” You asked. “You know you don’t have to—”

 “I know I don’t,” he said with a smile. “But I want to.”

 He leaned forward and pressed a quick kiss against your forehead. “Thank you. For everything.”

 He went up to talk to the band after that, leaving you a blushing mess. The orchestra had just finished their set and were busy making way for the band. Yeonjun walked to your side as Beomgyu and the rest of the band took their places on the stage.

 “Did he just kiss you?” Your best friend asked. For some reason, he didn’t sound surprised.

 Dumbfounded, you brought your hand to your forehead and nodded, unable to speak. Yeonjun laughed at you, causing you to snap out of your daze so you could punch him lightly in the shoulder.

 Once the band had finished getting ready, Beomgyu cleared his throat, tapping the mic before leaning forward to speak into it.

 “Hello everyone, thanks for coming out tonight. My name is Choi Beomgyu, and these lovely people surrounding me are some of the many talented musicians in our music department.” He paused when the audience clapped, waiting until the applause died down before he spoke again. “To wrap up this showcase, we’ll be performing a song I wrote myself. I wrote this about someone I met a long, long time ago.”

 He turned his head to the side then, making eye contact with you from the stage. He smiled, not taking his gaze away from yours. He looked heavenly in the light cast from the spotlight, strands of his black hair seeming to turn silver beneath the glow, his golden skin shining brighter than ever. You were sure that if you were close enough, you would see the star-like sparkles in his eyes that you had grown to adore.

 “I hope she remembers me, even after all this time.”

 “Is he talking about you?” Yeonjun whispered into your ear, noticing the direction of Beomgyu’s stare. “You guys just met like, a month ago.”

 You were just as confused as your best friend, so in response, you simply shrugged, unsure of what was going on. He was definitely talking to you, but you had no idea what he was referring to.

 “I hope she remembers me, even after all this time.”

 You racked your brain, trying desperately to think of what he could mean. Had you met him before? Did he remember you from somewhere, from a memory that had somehow slipped your mind?

 The music began to play, and you took a step closer to the stage, eyes narrowed, ready to focus on the lyrics, wanting more than anything to remember what Beomgyu was talking about.

 “In moments like those, when tears fill your eyes, hold my hand tight. Should we run away?”

 Your eyes went wide. You stumbled back, reaching up to hold your head in your hands.

 “Y/N?” Yeonjun’s voice was distant, overpowered by the sound of the honey sweet voice that filled the air. “Y/N, what’s wrong?”

 You gasped, hands tangling in your hair as the singing continued.

 “Be my forever, call my name. Run away, run away, run away with me.”

 Your head was ringing. Not only were these words the same ones you had heard in your head the night you were locked in the classroom with Beomgyu, but the voice—Beomgyu’s voice—was the same one you had heard day and night while growing up.

 It was your soulmates voice.

 You knew it was, not just because of the lyrics or the familiarity of the voice. You knew it was your soulmate because you didn’t just hear the words and the notes of the song, you felt them. Every inch of your being felt as though it had been struck by lightning. The voice filled up all of your senses, overpowering you in the most beautiful way imaginable.

 But it was too much. His voice coming through the loudspeakers paired with it ringing inside your head built up so much pressure that it caused your vision to blur. You quickly stumbled out of the auditorium, fumbling your way through the front doors that led outside.

 You sat down on the pavement, taking deep breaths as your mind began to calm down. No longer overwhelmed by all that was going on around you, you closed your eyes, listening to Beomgyu’s voice as it filled your mind.

 “Don’t wanna stay, now we can go. Take me now to the magic named ‘us.’”

 With those words, the voice died down, and you were surrounded by silence.

 You simply sat there for several moments, your eyes remaining closed as you tried to understand everything that had just happened to you.

 Beomgyu was your soulmate.

 Beomgyu was your soulmate, and he was alive.

 Bit by bit, you started to piece things together. The night of your thirteenth birthday, the day before you heard his voice for the first time. You had met the boy with sparkling eyes and a lopsided grin in the hotel parking lot. He had offered you his coat, and then his hand.

 “I hope she remembers me,” Beomgyu had said.

 You smiled to yourself, placing your hand over your heart as it beat fiercely against your chest.

 “Yes, Beomgyu. I do remember you.”

 “Y/N!”

 Your eyes flew open at the sound of the door being thrown open behind you. You turned to see Beomgyu barreling towards you, practically collapsing to the ground in front of you. He took your face in his hands, eyes frantically searching yours.

 “Are you okay?” He asked, his fingers gently running along the length of your cheeks.

 You nodded, smiling even though tears began to pool in your eyes. “Beomgyu,” You said quietly, lifting your hands to hold his wrists. “You knew, didn’t you?”

 “Knew what?”

 “That you’re my soulmate.”

 He paused, the worry in his face slowly being replaced by a wide, sparkling smile.

 “So you finally figured it out, huh?” He said, brushing a strand of your hair back behind your ear. “If you didn’t figure it out after tonight, I wasn’t sure how else I was supposed to show you.”

 You laughed, a tear slipping down your cheek as you tightened your grip on his wrists. His expression changed once again, brows knit with concern. “Are—are you crying? What’s wrong?”

 “No, nothing, it’s fine,” You assured him, resting your forehead against his. “I’m just happy. I’m so, so happy, Beomgyu.”

 He sighed with relief, wrapping his arms around you in a hug, pulling you snugly into his chest. His chin rested on top of your head as you slipped your arms around his middle, pulling him even closer than he already was.

 “I was a little worried that you’d be disappointed when you found out it was me,” He said with a light laugh.

 You shook your head against his chest, snuggling even closer to him. “Of course not. You’re exactly who I hoped it would be, Choi Beomgyu.”

 The two of you stayed like that for a bit longer before Beomgyu pulled away and stood up in front of you.

 The boy with stars for eyes and a smile that outshone the moon stretched his hand out towards you, fingers shaking from the cold, cheeks flushed from your embrace.

 “Should we run away?” He asked.

 This time, you placed your hand in his and let him pull you to your feet.

[monsoonblooms12]

Belamour (Ethan x f!MC)

Summary: Set after Book 3, Pooja finally gets Ethan to dance in the rain.

A/N: A silly something born out of my love for rains and my binge listening to 80s Bollywood classics (I have no idea what kinda mess this is tbh). Also, my first song based fic🤎

A/N 2: The song lyrics are indented (Translation in parenthesis)

Pairing: Ethan Ramsey X f!MC (Pooja Sharma)

Rating: General

Word Count: around 1.5K

Category: Total fluff

Warnings: None that I noticed

Song Inspiration: Aaj Kal Yaad Kuch by Mohammed Aziz

READ ON AO3

A pair of summery blue orbs insistently stare at the world beyond the glass windows.

A world that was now being washed by the consistent droplets that came down from the adobe of clouds to meet their origin.

Their drum was usually henotic, tranquil for him.

But at the moment, it only added to his irritation and deepened the void of disappointment that had formed in his chest.

In another room of the same house, a pair of amber orbs watched the magic of nature with a child-like wonder.

The pleasant, dewy petrichor spread around her, and the mellifluous tunes of Earth's own orchestra made her forget the fast turns her life went through in the past day.

In the faint light, she picked up her hand and let the jewel, the stone that was nothing less than a promise of forever, shine like the billion stars that dot the sky at nights that are devoid of clouds.

As the iridescent lights make her eyes sparkle, a vague idea forms in her brain.

Her thoughts float to reach the person who gifted her happiness, and a smile lit up on her face.

There was a mix of challenge and love in the quest she was about to partake and she was determined to succeed.

In slow, soundless steps, she made her way out of the room and out of the house.

A blur went past and his trained eyes were quick enough to catch the motion.

Shaking his head with realization, he followed behind.

As the steps took him down, and he stood under the shade of the multi-floored skyrise, she stayed yards away from it.

Her hair was wet, her skirt twirling, her face bright and beautiful.

He felt his heart race, whispering an urge to join with hers.

He restrained himself, but the scene in front of him was so spectacular that he doubted just how long his restraint would last.

After what felt like an eternity, she turned to him, half of her face golden under the street lights, the other half bearing the monotones of black and white.

She looked like the personification of their love.

Her life the golden, and his the black and white.

He could write sonnets to describe the picture-perfect scene that played before him like a film, but all he did was stand still, unable to tear his eyes away, unable to speak the words that hadn't already been spoken, his well-thumbed thesaurus gathering dust in the labyrinths of his mind.

She looked at him with a longing, a spoken call for him to join her as the rains continued to fall and purify the earth.

All he did was shake his head in silence.

She took it as a challenge, and he already knew how it was going to end.

For a minute he got lost in her memories, reminiscences from a time, from a moment that passed too quick, yet slow enough for him to remember every moment of it.

And suddenly, the faint tunes of a song brought him back to the present.

Every word of the foreign seeming language lucid clear, setting in a cascade of emotions and bringing pictures etched in past pages of the novel of life, making him go on a trip down the memory lane.

Aajkal Yad Kuch Aur Rehta Nahi

(Nowadays I don't seem to remember anything else)

Ek Bas Aapki Yad Aane Ke Bad

(Once your memories enchant me)

Yaad Aane Se Pehle Chale Aaiye

(Please come to me before the memories reach me)

Aur Phir Jaiye Jan Jane Ke Bad

(And then leave only after my breath leaves me)

The truth of the words came with an epiphany.

Every day of knowing her had been a way of painting the monotones of his life in colours he thought didn't belong to him.

Every moment she had ever spent away from him had made him yearn for her more than ever.

And yet he was foolish enough to think that miles of distance and hundreds of hours could make him forget her.

All the distress he felt could have been so easily ended if she had been with him then.

And now, as he dreams of an aeon with her, he promises to only let her go when his breath leaves him alone.

Apni Aankhon Me Mujhko Basa Lijiye

(Allow me to settle in the world of your eyes)

Apne Dil Me Mera Ghar Bana Dijiye

(Make a home for me in your heart)

Kya Karu Dil Kahi Aur Lagta Nahi

Pyar Me Aapse Dil Lagane Ke Bad

(What's the fault of mine if I can't concentrate on anything other than you, since our hearts connected by the string of love)

As the minutes pass by, melting into each other to form an hour, he loses all tracks of time.

And amidst the sweven he was living in right now, at a moment he could not pinpoint, she had taken his hand into hers and now he stood, lost in the amber of her eyes, forgetting all about the shower that now fell upon him.

As she continued to mutter the tunes in a harmony that went on in rhythm with the rain, he wished he could live in the world of her orbs.

To see the world as she saw it, to live the life from her perspective.

All he wanted was home in her heart, a tiny place on the lands of her soul.

Ishq Ke Maine Kitne Fasane Sune

(I have heard many tales of epic romances)

Husb Ke Kitne Kisse Purane Sune

(And stories about beautiful people from bygone eras)

Aisa Lagta Hai Phir Is Tarah Tut Kar

Pyar Hamne Kiya Ek Zamane Ke Bad

(But I feel I have been broken and got mended by love after centuries)

In muted harmonies, the two of them twirled, forgetting the world around them.

The way their eyes held onto each other, as if holding onto their lives, reminded him of the tales of love the folklores talk about.

The romances of princesses and maidens, and of beauties who earned their fairytale.

But as her palm stroked his cheek in a feather-light motion, he concluded that all those tales faint in front of the story of theirs.

There were no royals, no cruel witches setting up spells and no poisoned apples.

There were just two people, broken by the storms life made them navigate through, fitting perfectly as if parts of a whole.

He tried to remember if he had ever experienced anything as he did now, his lip tracing her ear as his hands wrapped around her waist.

It didn't even take him a second to know the answer.

He hadn't.

Aapka Naam Dil Se Nikalta Nahi

(Your name never leaves my heart)

Dillagi Me Koi Zor Chalta Nahi

Dillagi Me Koi Zor Chalta Nahi

(No force is strong enough to stop the meet of two hearts)

Aapko Bhul Jane Ki Koshish Bhi Ki

(I tried a hundred times to forget you)

Aur Tadpa Hun Main Bhool Jaane Ke Baad

(And suffered a suffering of pain and agony once I forgot you)

The rains accelerate and become a downpour. The mist envelops them but there was no care for the changing environment.

The distance between them ceases to exist as their hearts finally get the pleasure of beating in unison.

In the next moments, she whispers close to his ear, the last of the melody, and it's his story.

The story of how he couldn't get rid of the five-lettered name since the first time he ever came to know about it.

Of how no force in the world could stop two hearts from meeting if that's what destiny had in plan for them.

Who one loves and who loves them back determines so much in one life.

And for him, it was a chance, a risk he was scared to take, dreading the destruction it may cause.

After all when had anything ever-blossoming flowers in the city of his soul?

But this time not only did spring finally arrived with its flowery footsteps but also led to a discovery of himself, a part of him that was buried under layers of snow from the winter that reigned in his life for years.

She taps twice on his heart, indicating how he had tried to forget her, all those years ago. And how he broke himself in the process.

As she hummed the last lines, he bowed down in front of the forces that brought the two of them together.

He thanked the stars which aligned the way did to let him fall for her and agreed to hide, to let the rains fall, to let him have this night with her.

And looked in awe at the woman who brought about the sweetest catastrophe mankind has ever known.

And without uttering a word, he picks her and kisses her, saying all that was left unsaid with it.

PS: I actually have another version of the song, that I sung specifically to go with this, but Tumblr is giving me troubles to upload it. Do let me know if you would like to hear it someday.

Anyways, If you are reading this, I am very grateful for you. Thank you for reading and I hope you have a great day🤎

Tags🤎(Please let me know if you would like to be added or removed):

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Open Heart (All fics and edit): @lucy-268 @maurine07 @bellcat2010 @headoverheelsforramsey @estellaelysian @shanzay44

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@choicesficwriterscreations @openheartfanfics

[notcorrect-persona5]

In Defense of Yosuke’s Parents

I’ve seen so many posts about Yosuke having bad parents which really surprised me because I didn’t get that impression at all. I’ve been meaning to make a post in defense of his parents, but I’ve been working on a Yu analysis. After I saw @personuhh​’s post I thought I’d offer an alternative perspective. I’ll be addressing some of the things they brought up first, and then I’ll get into additional evidence. I have edited this post since I originally posted it because I I wanted to elaborate and reword some things.

My Response

You’re right, Yosuke does take on way more responsibility than a part-timer should. However, I don’t think that’s his parents doing. It seems like Junes is extremely understaffed. In his social link, Yosuke says his dad was “bugging him to find helpers.” I volunteer at a small location of a large church (much like the Inaba branch of Junes), and I have been asked to find more volunteers over and over again because they’re desperate for more help. It’s a lot of work and not enough people. Additionally, both Yu and Chie come in to help due to the lack of staff. I wouldn’t be surprised if Mrs. Hanamura helped out too as Teddie’s under the impression that Yosuke’s parents are always together (which I’ll talk about later). 

On top of that, Yosuke mentions part-timers ditching work and slacking off. When an employee doesn’t show up, Yosuke (and Teddie) are often called in because their managers know they’ll show up. People who are reliable are given more responsibility, period. It sucks, but if someone needs help they aren’t going to ask someone who they don’t see as dependable. I volunteer at church every week, and I have been asked countless times if that’s okay because they don’t want to overwork me. Every time I say I don’t mind, and I assume Yosuke would have the same reaction if asked. Not only is it Yosuke’s natural instinct to help people, but he was kind of a pushover before the events of (and at the start of) Persona 4. In his third awakening, Yosuke says he was overworked and taken for granted. That’s not okay, and it’s a huge problem, but Mr. Hanamura isn't the cause of that. Mr. Hanamura is the general manager; his job isn’t to create the part-timer’s schedules. 

It’s true that Yosuke tries to work out the problems of other employees and listens to their complaints. There is no indication that Yosuke was told to do this, and I don’t know why he would be. In his social link, there are two girls who act as if he has more power than he does. They demand a raise, ask him to give them the day off, and assume he has knowledge about another employee’s schedule. Yosuke says he doesn't have the power to help them, and in a manga page he says “I may be the manager’s son, but I’m still just an employee.” Yosuke is doing much more than the average part-timer, but he isn’t being given the responsibilities of a manager.

As for the Junes concert, Mr. Hanamura did not tell Yosuke he was going to be fired. Yosuke came to that conclusion himself. Mr. Hanumura did not ask Yosuke to find a solution or ask Rise for help. Yosuke only asked Rise for help because he was scared of moving again. I understand how the phrase “awfully nice for some reason” could come across as odd, but I don’t think he meant his dad isn’t usually nice. In the Persona 4 Manga that scene is translated as “My Dad’s been extra nice to me” meaning his dad is nice, he’s just being extra nice, and I’m not surprised. Yosuke was extremely unhappy when he moved to Inaba. Despite trying to hide his feelings, you can see in The Magician that he didn’t do a very good job of it. And now that Yosuke is finally happy, they might be forced to move again. Of course, Mr. Hanamura would feel guilty. Oftentimes, when people feel guilty, they start acting nicer - unnaturally so - to make themselves feel better. Chie (who is already very kind) even does it after she and Yukiko spend Yosuke’s money on clothes for Teddie. Yosuke notices the shift in her attitude and tells her that he’s worried. It’s the same reaction he had toward his dad’s behavior.

The only reason I bring up Chie is to show an in-game example of someone being overly nice due to guilt. What Chie did was wrong, that’s why she feels guilty. The reason Mr. Hanamura would feel guilty is his job may have to move his entire family again. The cause of their guilt is different, but they are responding the same way.

I don’t think Mrs. Hanamura not wanting her son to own porn is unreasonable. My mom doesn’t like magic, so I wasn’t allowed to read or watch Harry Potter growing up. Similarly, a friend of mine wasn’t allowed to watch iCarly. As for Mrs. Hanamura burning Yosuke’s porn in Arena, that’s the third time (that we know of) that she’s seen his porn. I assume she’s told him she doesn’t want him looking at pornography, but he continues to do so anyway. Burning his magazines may seem dramatic, but she was likely just frustrated that he kept disobeying her. 

I don’t think Yosuke’s parents are the reason why Yosuke wants to be seen as manly. I haven’t seen anything that implies that. I think Yosuke’s desperation to be seen as a man comes from Japanese society and his fears regarding his sexuality.

Mr. Hanamura came up with this slogan because they were selling jinbei's which are traditionally worn by men. It’s a play on words. This isn’t the first time Mr. Hanamura has come up with a cringey slogan.

It seems Mr. Hanamura has that stereotypically “dad humor” which is typically associated with positive father figures (it’s not always). Yosuke saying his dad is still saying the “MANsoon” slogan gave me reminds of kids being like “Dad, that’s a bad joke, stop”, but the dad continuing to make his bad jokes regardless. It’s very Disney Channel and sit-com like.

I don’t remember Teddie saying he watches violent war movies with Mr. Hanamura, but I don’t see how that connects to the idea of Mr. Hanamura pushing Yosuke to be a “more masculine, traditional, unshakable, unemotional man.” The idea that only those types of men watch war movies is the type of thinking Kanji’s and Naoto’s shadows were trying to address. I don’t think Mr. Hanamura cares about being that type of stereotypical/traditional man because of his relationship with Teddie. Teddie is not very masculine (he even says so in Persona Q, screenshot will be later), and he isn’t hiding it. 

This exchange is from Kanji’s Persona 4 Club Profile. Teddie went to the store to buy female clothing, and he asked Kanji to make him a dress (the one from the cross dressing pageant). He already owned his “Alice dress” before the cross dressing competition, and I assume he’s worn it. In Arena, you can see the dress is hung out in the open in their bedroom. He also wears hair clips. 

This is not “masculine behavior” yet the Hanamuras don’t seem to have a problem with it. If anything, I’d say they’re pretty open-minded. If they disliked that way Teddie behaved, Teddie would change himself to fit the way they want him to be. I mean, the kid literally grew two new bodies in effort to get people to like him. Due to Teddie’s low self-esteem and need to be loved, he takes any sort of criticism to heart and does his best to act the way others want him too. In Persona Q, Yukari says he’d be cute if he was quiet, so Teddie stops talking. 

In Persona Q, Teddie says he’s realized that to steal hearts he needs to be manly. He gets this realization from Koromaru. He did not think this prior. 

Teddie saying Koromaru gave him this realization means the Hanmuras never said anything to him about his less masculine behavior. 

As for the song lyrics you posted, I don’t really think that means anything. Yeah, people often relate to the music they listen to, but they don’t have to relate to every lyric or even song. My favorite artist is Taylor Swift, but I don’t really like romance. I don’t relate to most of her songs, but I still jam out to them. I could be super wrong about the song thing though because I’m not a huge music person.

My Own Additional Analysis (with some elements of response)

In this section I’m going to talk about Mr. and Mrs. Hanamura’s character and personality, their relationship with each other, Teddie, and Yosuke.

Let’s start off by talking about their personality. They seem to be very carefree people. Yosuke has less than average grades. In the Persona 4 Animation, he didn’t even show up to one of the exam days. Academics is extremely important in Japanese society, yet his parents don’t seem to be pushing him to get better grades. Considering how carefree Yosuke can be, it makes sense that he may have gotten that trait from his parents. 

Yosuke’s family is pretty wealthy. It’s mentioned more than once. They also live in a pretty big house (you can see it in The Magician), Yosuke’s cell phone seems to be a newer model, and he has a large, flatscreen TV in his bedroom which wouldn’t be very common when the game took place. Despite this, Yosuke works for his own money. He complains about being broke and needing save up. I think the reason why Yosuke has a job despite being well-off is because his parents want him to have work experience and grow up to be a hardworking person, so he can succeed in life. It makes me think that hardwork is important to them.

Due to this conversation, I think Mr. Hanamura is a very honest man. Yosuke says he was surprised his dad was against selling gas masks, likely because from a business standpoint, that’s a really big missed opportunity. I think it’s also worth noting that ATLUS talks a lot about how people naturally fit into the masses, including the main characters. That’s why it’s surprising that his father is going against the masses. Although he’s losing money and has faced many hardships running Junes, Mr. Hanamura refused to do something that was against his moral compass.

In Persona 4 Drama CD #1, Junes is closing down half of the electronics section due to a lack of sales. Despite this taking place in March, Teddie panics and hopes to sell a TV set in a month in exchange for keeping the TV they enter the TV World through where it is. 

Yosuke isn’t afraid to ask his dad two huge favors with a not very good reason (side note: Yosuke had to lie because the truth is that’s the TV he and his friends used to go into the TV world and fight shadows). Despite Yosuke’s best efforts, his father says no. He doesn’t really have any choice but to close part of the electronics floor. Junes is losing money by keeping it open. I think Mr. Hanamura gave him the vouchers because that’s the only other way he can help. Teddie made a deal that if he sells one TV set by the end of the month, they’ll keep the TV that leads to the TV world. He’s trying to advertise the TV set by promising other surprise items coming with it. These Junes vouchers are part of those surprise items. 

It’s no secret that many of the shopping district families despise Junes and the Hanamuras. Many horrible things have been said about their family, yet Junes still teams up with the shopping district in the YasoInaba Case File to help keep them afloat. Whether or not this was Mr. Hanamura’s idea, he’s the one who has to approve it, and he does. Despite being treated horribly by them, he still wants to help the shopping district. Junes teaming up with shopping district might be a good business move, but they didn’t really need to do that. The problem is that Junes is taking away the shopping district’s business. Junes doesn’t need to team up with the shopping district to do well. The two of the teaming up benefits the shopping district way more than Junes. It doesn’t do much for Junes other than the shopping district maybe not hating them. At the end of the day, the shopping district families would still shop at the shopping district to keep their businesses afloat, so Junes isn’t getting a lot more business.

When Teddie came to the real world, Yosuke offered to take Teddie home with no hesitation. He didn’t think it would be a problem with his parents or show any concern about how he would convince them. I think this goes along with them being pretty carefree as well as showing that they’re kind and generous people. Not everyone is willing to take others in like that. Yosuke’s also comfortable with asking his parents such a huge favor.

Teddie talks about Yosuke’s parents in a really positive light, and I would say they treat him like their own son. For example, on January second Teddie says, “I got New Year’s gifts! Yosuke’s mom and dad gave them to me!” (edit: Someone said “notice how Yosuke doesn’t say the same thing.” He doesn’t need to. It’s Japense culture to give younger family members gifts for new Year’s. Yosuke saying something would be the equivalent of, “omg my parents gave me a birthday present!!” It would have been weirder if he did say something then. Teddie is excited because because this is his first New Year’s. He’s never experienced this before. Also, Yosuke did get New Year’s money. He talks about saving it on 1/10 when walking to school).

I think I remember Teddie saying he watches movies with Mrs. Hanamura, but I have no idea where he says that. There’s a 50/50 chance I made that up and convinced myself it was canon, so don’t take my word on that one. 

Teddie breaks A LOT of rules at Junes. He steals topsicles, rode a handi mover through the store, slept on both a display bed and the floor of electronics department, been yelled at for eating samples, been chased by store security, and Yosuke had to monitor Teddie during his late night shift because they didn’t trust him to work alone. Teddie’s a terrible employee, yet he hasn’t been fired. I think the reason for this is he’s basically the manager’s son. I do want to say that just because they consider Teddie as their own child doesn’t mean they treat Yosuke as anything less. I haven’t seen a single thing that has implied that there is favoritism going on.

Yosuke and Teddie act a lot like brothers (Naoki even suspects that they're related), and Yosuke’s parents seem to treat Teddie like their own son. He even wears their family crest in offical art. I looks like ATLUS wnted the four of them to be a family. And If that’s the case, it wouldn’t make any sense for Mr. and Mrs. Hanamura to be bad parents.

Additionally, if Mr. and Mrs. Hanamura treated Yosuke badly, and Teddie noticed, I think Teddie would say something.

The second Yukari said something slightly mean about Yosuke, Teddie defended him. He doesn’t like when other people say mean things about Yosuke. Not to mention conflict really stresses him out. If Yosuke’s parents treated him badly, I there’s a chance Teddie might see the problem.

I think it’s also worth noting that Yosuke’s parents have a really healthy marriage.

This quote implies that they’re rarely apart and get along really well. A happy marriage doesn’t automatically equal a healthy household or good parents, but it really increases the likelihood. 

For context, Yosuke is talking about Teddie in this picture. I’m not from Japan, so I don’t know if most families there eat breakfast together, but my family - despite being very close - does not. We all eat and start our day at different times. In my mind, eating breakfast together is a very domestic thing to do. Even the phrase “Hanamura family breakfast” screams domestic to me.

This conversation gives me the sense that Mr. Hanamura has a great deal of trust and respect for Yosuke. I mean, I don’t think he would accept Yosuke’s idea if he didn’t. Adding a kid’s menu would be pretty exspensive. Not only do they have to print the kid’s menu, but they have to design them, create new menu items, and depedning on what’s on the menu buy more food or ingredients. That adds up, and if it isn’t successful then they’ll lose money. Mr. Hanamura has to approve that idea, and he’s putting in trust that it’s going to be successful. Also, Yosuke is comfortable enough to “push really hard” for his idea.

All in all, it is my personal opinion that the Hanamurs are a really close family. It would make sense for ATLUS to go in that direction to create a contrast to the Narukami’s, after all. That being said, neither headcanon is wrong. It just comes down to how we interpret the very little information we’re given.

[blackswaneuroparedux]

Anonymous asked: As a beginner in Classics I love your Classicist themed posts. I find your caption perfect posts a lot to think upon. I suppose it’s been more than a few years since you read Classics at Cambridge but my question is do you still bother to read any Classic texts and if so what are you currently reading?

I don’t know whether to be flattered or get depressed by your (sincere) remarks. Thank you so much for reminding me how old I must come across as my youngish Millennial bones are already starting to creak from all my sins of past sport injuries and physical exertions. I’m reminded of what J.R.R Tolkien wrote, “I feel thin, sort of stretched, like butter scraped over too much bread.” I know the feeling (sigh).

But pay heed, dear follower, to what Menander said of old age, Τίμα το γήρας, ου γαρ έρχεται μόνον (respect old age, for it does not come alone). Presumably he means we all carry baggage. One hopes that will be wisdom which is often in the form of experience, suffering, and regret. So I’m not ready to trade in my high heels and hiking boots for a walking stick and granny glasses just yet.

To answer your question, yes, I still to read Classical literature and poetry in their original text alongside trustworthy translations. Every day in fact. 

I learned Latin when I was around 8 or 9 years old and Greek came later - my father and grandfather are Classicists - and so it would be hard to shake it off even if I tried.

So why ‘bother’ to read Classics? There are several reasons. First, the Classics are the Swiss Army knife to unpick my understanding other European languages that I grew up with learning. Second, it increases my cultural literacy out of which you can form informed aesthetic judgements about any art form from art, music, and literature. Third, Classical history is our shared history which is so important to fathom one’s roots and traditions. Fourth, spending time with the Classics - poetry, myth, literature, history - inspires moral insight and virtue. Fifth, grappling with classical literature informs the mind by developing intellectual discipline, reason, and logic.

And finally, and perhaps one I find especially important, is that engaging with Classical literature, poetry, or history, is incredibly humbling; for the classical world first codified the great virtues of prudence, temperance, justice, loyalty, sacrifice, and courage. These are qualities that we all painfully fall short of in our every day lives and yet we still aspire to such heights.

I’m quite eclectic in my reading. I don’t really have a method other than what my mood happens to be. I have my trusty battered note book and pen and I sit my arse down to translate passages wherever I can carve out a place to think. It’s my answer to staving off premature dementia when I really get old because quite frankly I’m useless at Soduku. We spend so much time staring at screens and passively texting that we don’t allow ourselves to slow down and think that physically writing gives you that luxury of slow motion time and space. In writing things out you are taking the time to reflect on thoughts behind the written word.

I do make a point of reading Homer’s The Odyssey every year because it’s just one of my favourite stories of all time. Herodotus and Thucydides were authors I used to read almost every day when I was in the military and especially when I went out to war in Afghanistan. Not so much these days. Of the Greek poets, I still read Euripides for weighty stuff and Aristophanes for toilet humour. Aeschylus, Archilochus and Alcman, Sappho, Hesiod, and Mimnermus, Anacreon, Simonides, and others I read sporadically.

I read more Latin than Greek if I am honest. From Seneca, Caesar, Cicero, Sallust, Tacitus, Livy, Apuleius, Virgil, Ovid, the younger Pliny to Augustine (yes, that Saint Augustine of Hippo). Again, there is no method. I pull out a copy from my book shelves and put it in my tote bag when I know I’m going on a plane trip for work reasons.

At the moment I am spending time with Horace. More precisely, his famous odes.

Of all the Greek and Latin poets, I feel spiritually comfortable with Horace. He praises a simple life of moderation in a much gentler tone than other Roman writers. Although Horace’s odes were written in imitation of Greek writers like Sappho, I like his take on friendship, love, alcohol, Roman politics and poetry itself. With the arguable exception of Virgil, there is no more celebrated Roman poet than Horace. His Odes set a fashion among English speakers that come to bear on poets to this day. His Ars Poetica, a rumination on the art of poetry in the form of a letter, is one of the seminal works of literary criticism. Ben Jonson, Pope, Auden, and Frost are but a few of the major poets of the English language who owe a debt to the Roman.

We owe to Horace the phrases, “carpe diem” or “seize the day” and the “golden mean” for his beloved moderation. Victorian poet Alfred Lord Tennyson, of Ancient Mariner fame, praised the odes in verse and Wilfred Owen’s great World War I poem, Dulce et Decorum est, is a response to Horace’s oft-quoted belief that it is “sweet and fitting” to die for one’s country.

Unlike many poets, Horace lived a full life. And not always a happy one. Horace was born in Venusia, a small town in southern Italy, to a formerly enslaved mother. He was fortunate to have been the recipient of intense parental direction. His father spent a comparable fortune on his education, sending him to Rome to study. He later studied in Athens amidst the Stoics and Epicurean philosophers, immersing himself in Greek poetry. While led a life of scholarly idyll in Athens, a revolution came to Rome. Julius Caesar was murdered, and Horace fatefully lined up behind Brutus in the conflicts that would ensue. His learning enabled him to become a commander during the Battle of Philippi, but Horace saw his forces routed by those of Octavian and Mark Antony, another stop on the former’s road to becoming Emperor Augustus.

When he returned to Italy, Horace found that his family’s estate had been expropriated by Rome, and Horace was, according to his writings, left destitute. In 39 B.C., after Augustus granted amnesty, Horace became a secretary in the Roman treasury by buying the position of questor's scribe. In 38, Horace met and became the client of the artists' patron Maecenas, a close lieutenant to Augustus, who provided Horace with a villa in the Sabine Hills. From there he began to write his satires. Horace became the major lyric Latin poet of the era of the Augustus age. He is famed for his Odes as well as his caustic satires, and his book on writing, the Ars Poetica. His life and career were owed to Augustus, who was close to his patron, Maecenas. From this lofty, if tenuous, position, Horace became the voice of the new Roman Empire. When Horace died at age 59, he left his estate to Augustus and was buried near the tomb of his patron Maecenas.

Horace’s simple diction and exquisite arrangement give the odes an inevitable quality; the expression makes familiar thoughts new. While the language of the odes may be simple, their structure is complex. The odes can be seen as rhetorical arguments with a kind of logic that leads the reader to sometimes unexpected places. His odes speak of a love of the countryside that dedicates a farmer to his ancestral lands; exposes the ambition that drives one man to Olympic glory, another to political acclaim, and a third to wealth; the greed that compels the merchant to brave dangerous seas again and again rather than live modestly but safely; and even the tensions between the sexes that are at the root of the odes about relationships with women.

What I like then about Horace is his sense of moderation and he shows the gap between what we think we want and what we actually need. Horace has a preference for the small and simple over the grandiose. He’s all for independence and self-reliance.

If there is one thing I would nit pick Horace upon is his flippancy to the value of the religious and spiritual. The gods are often on his lips, but, in defiance of much contemporary feeling, he absolutely denied an afterlife - which as a Christian I would disagree with. So inevitably “gather ye rosebuds while ye may” is an ever recurrent theme, though Horace insists on a Golden Mean of moderation - deploring excess and always refusing, deprecating, dissuading.

All in all he champions the quiet life, a prayer I think many men and women pray to the gods to grant them when they are caught in the open Aegean, and a dark cloud has blotted out the moon, and the sailors no longer have the bright stars to guide them. A quiet life is the prayer of Thrace when madness leads to war. A quiet life is the prayer of the Medes when fighting with painted quivers: a commodity, Grosphus, that cannot be bought by jewels or purple or gold? For no riches, no consul’s lictor, can move on the disorders of an unhappy mind and the anxieties that flutter around coffered ceilings.

Caelum non animum mutant qui trans mare currunt (they change their sky, not their soul, who rush across the sea.)

Part of Horace’s persona - lack of political ambition, satisfaction with his life, gratitude for his land, and pride in his craft and the recognition it wins him - is an expression of an intricate web of awareness of place. Reading Horace will centre you and get you to focus on what is most important in life. In Horace’s discussion of what people in his society value, and where they place their energy and time, we can find something familiar. Horace brings his reader to the question - what do we value?  

Much like many of our own societies, Rome was bustling with trade and commerce, ambition, and an area of vast, diverse civilisation. People there faced similar decisions as we do today, in what we pursue and why. As many of us debate our place and purpose in our world, our poet reassures us all. We have been coursing through Mondays for thousands of years. Horace beckons us: take a brief moment from the day’s busy hours. Stretch a little, close your eyes while facing the warm sun, and hear the birds and the quiet stream. The mind that is happy for the present should refuse to worry about what is further ahead; it should dilute bitter things with a mild smile.

I would encourage anyone to read these treasures in translations. For you though, as a budding Classicist, read the texts in Latin and Greek if you can. Wrestle with the word. The struggle is its own reward. Whether one reads from the original or from a worthy translation, the moral virtue (one hopes) is wisdom and enlightenment.

Pulvis et umbra sumus

(We are but dust and shadow.)

Thanks for your question.

[yridenergyridenergy]

Ongaku to Hito 2018/11 - 京 interview

If anyone is curious as to why I do not post word-for-word translations usually, here you go hahah. It is so horrible but hey, it was a short interview and not all of the translated sentences are awkward, so perhaps you can still gain something from reading this. You can still sense the poignant nature of Kyo’s statements. Somebody asked me to expand on the notes that I had posted back then. 

-          What have you heard from people who listened to the new album (The Insulated World)?

I haven't heard anything. In the first place, there are probably no people around me who have listened to it outside of interviewers.

-          Don't you care about how the listener feels or reacts?

These days I don't care. It can't be helped if you care about that one by one (?). I just consulted with Kaoru-kun and asked him when to work on the next single.

-          You're too quick *laughs*.

I want to move forward to the next (project).

-          You talked about the whole album in the latest PHY volume, but now I want to focus on the theme of the new album. I think this is the first time that your feelings are expressed so specifically.

It wasn't a conscious decision, but maybe this is the first time that the album has such a high concentration of those songs. Up until now, albums maybe had two or three songs like that, but it isn't a first.

-          Not only the words, but the content that you sing remains consistent.

Up until now, if an album had 10 songs, I would write them with different messages and perspectives. It was the story type and balance that I was aware of in the albums. Now, it's come to feel clever.

-          You wanted to leave more to the instinct?

That's right. I also like the pictures that I draw with more scrutiny, but isn't it more powerful to follow the momentum of a single brush stroke? Is that the kind of thing I want to do now?

-          Which type do you think is yours? Do you do it with concentration or do you leave it to the instinct?

I don't know, I can't view myself objectively. I defer to how I feel in the moment. Sometimes, I want to do it in detail and sometimes I want to do it in a single stroke. I don't know if it's a cycle or why it changes.

-          You can't control that sensation.

Or rather than saying that I can't control it, I don't think that I would do it. Usually, after such a career,  people in the music business think "that's my individuality" and they settle into things that they are comfortable with. But I don't like that. I feel like I'm alive by sticking to something called "my individuality".

-          I think that there are people who think that "the strength is consistent from beginning to end".

I think that it's cool if someone sticks to that personality, but I don't want to be that way, because I'm not satisfied with myself at all.

-          You also mentioned that in the previous interview.

Yeah. My anxiety towards myself only increases as I get older... I think that I would be very desperate if I met myself when I started playing in bands. Something like: "Huh? Seriously? Is that so?"

-          Is it that painful?

Maybe if I looked at myself now, I would think that I stopped being in bands. Saying: "It's that tough? Well then, let's find something else."

-          However, this new album contains poetry from a person who suffers from such anxiety and despair. If it were someone in their 20s, it could still feel  unripe, but it's a mature adult who is still suffering like that because he cannot recognize himself.

That's right.

-          So we can come to terms with ourselves somewhere, live normally. But since it's Kyo-kun, you can't.

That's right, I can't. For example, I think that a lot of our fans are also getting older together, everyone will grow up. Whether it's at work or in a home environment, growing up in such situations, we don't say that we are worried or that it's tough.

-          You simply start coming to terms with it.

Looking around, what I'm singing right now, I don't think that it can be understood very much. Like, "Is that person still saying this?" Actually, when I've overcome that kind of self-consciousness, the lyrics that I write are better. I'm sure that it will connect with adult fans. But I think... to me it remains impossible.

-          I think that it's understandable that fans sing here enough.

No, I think that there are various people. I think that those who can't connect will ever connect at all. So if I wanted to reach those people from the beginning, I wouldn't have written (those lyrics).

-          You're not looking for empathy, from the beginning.

That's correct. As early as the first phrase of the first song, could it be done for real? I couldn't do things such as aim at the bottom or seek for people to sympathize with me. You can only sell yourself. As that feeling passes through the years, it becomes sharper. It feels like my real self is getting cornered more and more.

-          How do you feel about people other than yourself who produce music and lyrics similar to yours?

I wonder... I don't know, but I'm probably happy. There are a lot of people who do what I do, but it's all fabricated or similar to lies. But if there's someone who really does it with pure feelings like me, I'd say "I wasn't the only one" and we would connect. Even if it's a misunderstanding.

-          Maybe if you find someone with an existence similar to yours, you won't deny yourself that much. But you haven't been able to find such a person. That's why you wrote those songs in the album (The Insulated World).

Isn't that so?

-          In other words, what's revealed in those songs is that you feel lonely within yourself. And you're giving up and coming to terms that it's something that will never go away.

The loneliness... It will never disappear. That's my biggest problem. No matter what I do or with who, I'm always lonely. I think that everyone feels some loneliness, but I wonder if everyone is living with loneliness like this? I'm always lonely like that.

-          You have many feelings of being the only one lonely like that?

I don't know. Everyone has felt lonely and I think that they may have experienced something similar. But, everyone... Do they keep living with such loneliness? Do you hide your loneliness and take a peace-sign photo or something? That, it seems that you have a strong heart. Because personally, I can't do it.

-          You think that this kind of person is strong?

I think that they're stronger. Even if they are lonely, they laugh and try hard to move forward. I really admire them.

-          I don't know if it's strength, because they might not see or feel that loneliness.

You can't pretend not to see it. It's in here *hits chest* all the time. Even if I try not to think about loneliness, right here *chest* that's the scene that can be found. It's tough.

-          To compensate these feelings, people could lean toward drinking alcohol, finding a girl, or going to live shows. In Kyo-kun's case, how do you fulfill this?

My job.

-          Hahahahaha

Since you know how much work I do, I think that you can see (what I mean).

-          But work... It can be lonely too *laughs*.

But at the moment I feel like I'm alive only by working, or being involved in bands and music. So I'm still happy with this kind of work.

-          It's really like you said.

When I say my work, isn't it remaining in shape and expressing myself? So only when I'm working, the loneliness is filled. I can't do that elsewhere. Even if I go hang out with someone or something like that, nothing remains... The feeling of emptiness afterward when I come back and am alone again is out of this world. Somehow all alone.

-          By the way, it's something that you said before. Even if you hang out or drink with everyone (in the band) after, you feel yourself becoming cold.

Right. By the way, I went out to eat with the other band members for the first time in a long time. We've known each other for a long time, but me, I didn't know what to talk about.

-          Why?

I don't know. But when I eat with a band member whom I've known for 20 years, it's like that. Everyone was talking in a friendly manner. Somehow... I'm jealous. In those times, when I see people who are having fun, I feel very sad. Like, why can't I just enjoy myself?

-          You can't force yourself to enjoy it?

It would be fun if that was possible. But I can't do it, at all.

-          What do you feel would happen to you if you didn't have a way to express yourself?

Hm... What would happen. I don't know at all. Would I not be doing strings of 100 posts on Twitter a day *laughs*?

-          Hahahahaha

I feel like I would spew out all the bad things. But I don't have to do that because of my work. I do almost everything from home. So, that's going in the right direction for me. I'd say it's not bad at all. But, the loneliness is here all the time. It will never disappear.

-          I was wondering if you would get some balance of mind by doing sukekiyo, but what would you say about that yourself?

Due to the wider range of expression (more songs and different atmospheres), I think it's really good because the songs can be released immediately. But... unlike in DIR, all the members beside me are juniors, so I bear a sense of responsibility, right? I found it a little difficult.

-          Right. I thought that you would evolve and find balance by carrying the band sukekiyo and find it easier to live.

It doesn't change.

-          Yeah. That's what you are trying to convey in this album, trying to find people like that, especially with the song Followers.  

I agree. For example...  If I say anything about myself, I suppose that there is one person who understands everything. It seems like I'm going to be the least hurt by going to a place where no one knows me and that I live self-sufficiently, like with that person. I feel it's the only way to live the happiest though...

-          But I think that there isn't anyone like that.

I know that. Like the sense of unity in a live show, I'm always looking for something that seems to be visible and invisible. I knew it was an illusion a long time ago. Even though I understand that, I don't want to give up. If I give up there... I feel like I would break.

-          That's why you've got songs like Followers and Ranunculus here.

Right. No matter how much despair I sing, I still want to see the light. I want to sing towards that. If we stay only in the darkness, we wouldn't be able to move forward anymore.

-          Both songs are (laid) bare, aren't they? Up until this point, I think that you were getting ready to make songs on such innocent feelings.

But in order to make people believe, isn't it necessary for me to have laid myself bare so far? If you try to hide it even a little, it wouldn't be believable. Of course, by exposing myself so far, I'm scared to get hurt in the end. If I open the lid, then maybe only one person is waiting for me there. But for me, that one person is important.

-          You've really always been looking for that one person, isn't that right?

If really, I can convey 100% of my thoughts to that one person, then I don't mind if someone else attacks me. Feelings exempt of impurities, that's what's important to me.

-          That person is why... But I want you to be happy.

But if I become happy, there would no longer be an artist named Kyo. So... It's a cruel world. *laughs*

[m-m-m-myysurana]

WIP Wednesday

Ok I got tagged by @blarrghe like at least 2 weeks ago to share a wip. (I’m sorryy!) I am notoriously bad at this sort of thing. So anyway it is actually Wednesday for me now and look who has a WIP to share!! 

This is a snippet which will, in some form or another, make it into my long fic, A Cage We Share eventually. But it insisted on being written right now ty! Kept me up last night until it was out on the page. First rough draft of course so be kind ;)

Neria and Zev spend an evening in the Dalish camp after resolving the conflict between the Werewolves and the elves. 

A Night to Remember, (1500 words)

It was like no performance he’d ever seen. The singer was not dressed in any elaborate costume, nor did he even hold himself above the others, instead he sat close to the fire and sang into it. There were no instruments backing him up, though he did not seem to need it, his voice rang out clear and strong. Some sang or hummed along softly, harmonies and echoed lines fading in and out around them. From the cadence and verse, it seemed to be a story. Zevran recognised the name of one of the elven gods, though he could not pick out enough words to make sense of it. Neria’s eyes sparkled in the firelight as she listened with rapt attention. 

“What does it mean?” he whispered.

Neria looked over and smiled softly before leaning in to whisper next to his ear, “It's the Charge of Andruil. My father used to sing it. I don’t know that I’ll be able to translate it with much grace, but I can try.” 

Zevran nodded, and she settled closer to him, leaning her head on his shoulder. He kept very still, as if any sudden movement might scare her off. He felt more than heard her low words as she echoed the song. Her translation was spoken, not sung, but her voice was no less beautiful for lack of a melody.

“Remember my teachings, Remember the Vir Tanadhal: The Way of Three Trees That I have given you.

“Vir Assan: the Way of the Arrow Be swift and silent; Strike true, do not waver And let not your prey suffer. That is my Way.

“Vir Bor'assan: the Way of the Bow As the sapling bends, so must you. In yielding, find resilience; In pliancy, find strength. That is my Way.”

More voices joined in, and soon it seemed the entire camp was reciting the verse. Not every voice was as strong or beautiful as the first, but together in harmony it did not matter. As the sound filled his ears, an emotion he could not name expanded in his chest, swelling until he felt it might burst right out of him. 

“Vir Adahlen: the Way of the Wood Receive the gifts of the hunt with mindfulness. Respect the sacrifice of my children Know that your passing shall nourish them in turn. That is my Way.

“I am Sister of the Moon, Mother of Hares, Lady of the Hunt: Andruil. Remember the Ways of the Hunter And I shall be with you.” *

When the man finished, and Neria had echoed the last line, there was no polite applause or bows taken as Zevran had expected. A moment's silence passed, in which Zevran felt sure everyone would hear how wildly his heart beat. Then a drum was struck behind him, and he startled, whirling round to face it. The man pounded the drum a few more times, then began a rhythm that had many quickly cheering and standing. Neria stayed where she was on the log they were sitting on, so he remained with her. She twisted around and watched, delighted, as more of them joined in, bringing out more drums, tambourines, bells and fiddles, something that looked like a lute but wasn’t quite, and instruments he had no names for. Others joined in with the voices, not singing any particular lyrics he could pick out, just adding to the ever changing melodies with their voices. People started dancing, forming circles around the fire, and soon the camp was thrumming with the music so that even his heart seemed to beat to the rhythm. 

Neria swayed her head from side to side, eyes gleaming as she clapped along. Zevran stood, grinning as he held his hand out toward her. 

“Shall we?” 

“Oh, but I haven’t danced in years!”

“Shocking! I think it's time we remedied that, don’t you?” 

Neria laughed and let him help her up. He had not even had time to release her hand before a woman had his arm and was pulling them both along toward the dancing. With little ceremony, she broke a space between two dancers who, once they realised what was happening, very happily made space for the three of them. The dancer’s movements didn’t cease once as they attempted to join the circle, and the ensuing chaos created much laughter. The woman wrapped Zevran’s arm around her shoulders and wrapped her own around the woman beside her. A taller man wrapped his arm around Neria’s shoulders and Zevran shifted his arm under her arm and around her waist. 

Zevran had danced before, many times, though it had been nothing like this. Most dances in his country were made for two people, even in groups the dancers were in pairs. And of course most of the ones he had learnt had a focus on romance and seduction. These movements were made not in any effort to appear graceful or attractive, and indeed he was neither of those things right now. He stumbled over his feet many times as he attempted to copy the steps. They seemed to constantly shift and change, he would only just begin to pick up on one set of movements before they had moved on to another. Neria laughed, stumbling nearly as much as he did. She, however, seemed to pay no attention to what her feet were doing, instead her eyes were up and her head thrown back, as if she were simply feeling the music. 

It took him a while to realise the voice closest to him was hers. He had never heard her sing before, her voice was low and soothing and sweet like honey. Something glimmered on her face, reflecting the dancing light of the fire. Tears? Once he noticed he could not tear his eyes away. This was the happiest he had ever seen her, and yet she was crying. It confused him, but he did not dare interrupt. 

Soon the circle broke apart, though the dancing did not cease. He and Neria were separated, and he was guided through a sort of weaving dance. Each person he passed linked arms with him and spun before sending him off to the next person. This continued until he was quite dizzy, laughing as hair flew out of his braids. 

Then suddenly it was Neria who was swinging with him. He knew the next part meant he had to let go, but he didn’t want to. So he held on, using their momentum to throw them out and away from the fire. Neria screamed with laughter as they whirled, spinning wildly until they were some distance from the other dancers. 

He wrapped his arm around her waist, bringing her closer as he slowed them down. When they’d finally stopped, Neria’s grin was wide and open, and both of them breathed heavily. Their noses nearly touched, and couldn’t help but remember the last time they were so close. Heat flushed through him unexpectedly, and something sparked in her eyes, a look he recognised from that night. They were out in the open, the whole clan could see them if they looked the right way, but he couldn’t care less. He dared to lean into her lips and was delighted when she responded with far more enthusiasm than he’d expected. There was a loud whoop followed by whistling and laughter, but Zevran did not want to pull away to see if it was aimed at them.  

The kiss was clumsy, all teeth and breathless laughter, but in that moment he wouldn’t have had it any other way. She pushed her hands into his mess of hair, destroying what remained of his braids, and he tugged at her waist until their bodies were flush against one another. Her foot caught on something, and she stumbled, falling against his chest. He was still so dizzy that they both went over. He caught himself before they hit the ground, and managed to lower them down, almost gently. Neria lay on his chest, wide eyed for a moment, but then she burst into a fit of laughter, rolling off of him and onto the damp leaves. He couldn’t help but join in. 

After some time their laughter faded as they focused simply on breathing again. Neria looked up at the sky, and Zevran followed her gaze. Framed by the clearing in the tall trees, clouds had parted to reveal a glimpse of the night sky. For a second he was taken back to the time he’d spent stargazing with Talisen and Rinna, out on the roof of their tiny, crumbling apartment. Those nights were always accompanied with so much cheap wine that his memories of them were hazy and faded. This night he hoped to keep clearly in his mind for as long as he lived. 

“Thank you.” Neria whispered the words so quietly, he wasn’t sure he was meant to hear them at all. 

He turned his head to look at her, watching her breath rise and fall as she stared up at the stars. A soft smile tugged on her lips, and her lashes came to rest on her cheeks as she closed her eyes, more peaceful than he had ever expected to see her. 

No, he would not let this memory fade.

*The song was adapted slightly from this codex entry about Andruil.

You can read about the beginning of Neria and Zev’s relationship here! <3

[nopperabounet]

Let’s all enjoy some ISSAY today~ as a treat!

I thought it would be nice to show how very loved Sakurai is today on his birthday~! And what better way than sharing ISSAY’s kind words, he just . . . glows with love for Sakurai and it’s beautiful to read.

♥ ♥ ♥ ♥ ♥ ♥ ♥

音楽と人- PHY vol.15 February 2020 Special Talk with ISSAY (Der Zibet) Parade III ~ Respective Tracks of BUCK-TICK~ Text by Kanemitsu Hirofumi Translation by Lola

 In my humble opinion, the song you did for the tribute album felt like it was made for you and Der Zibet didn't it? Even Sakurai-san said so, he told me, "'Ai no Souretsu' is perfect for ISSAY-san . . . . . ."

I am so pleased to hear that. When I was asked to participate in the tribute, my immediate response was, "Of course I will do it!" but then I became incredibly anxious about it you know.

Due to song choice?

Yes. Because when I was ready to try to select a song there is just such a vast amount to choose from as you would expect from a band that has been active constantly for the past 30 years . . . . . .

True *smiles*.

I spent several days listening to different songs but because they have so many good ones I ended up thinking, "Oh, perhaps I will do this one. But then again, this one is also good. . . . . . .ok, I'm lost." So I texted Atsushi-kun about it *smiles*.

Ha ha ha ha ha ha.

"I'm having a hard time," I wrote *smiles*. And then I get, "You could do things in this way, yes, but you could also choose by another means."

That was his advice?!

It was but I ended up ignoring it *smiles*.

Ha ha ha ha ha ha!

Although at first, I did think I would give up on choosing a song in this way. Since there is such a great number of songs to select from, I decided to discuss with HIKARU (Yoshida Hikaru/Guitar) which ones might be interesting from the band's perspective. When it came to selecting songs in this way there were only two or three that I thought I would like to sing with Der Zibet even though there were a number of others that I wanted to try to sing myself without the band.

And which songs were those?

That's private!

Ha ha ha ha ha ha ha!

I could not even tell Atsushi-kun *smiles*. Anyway, so I sent those few songs to HIKARU and asked him which one he thought would be best, and he told me. "Ai no Souretsu" was in first place. In truth, I also thought it would be really interesting to try this song with Der Zibet because it was a song I wanted to try to sing, and so that is how it got chosen. It would seem as though my thoughts and HIKARU's were on the same wavelength.

And what was it that you were thinking, specifically?

I was thinking about the image the music of "Ai no Souretsu" possesses. The lyrics contribute to this as well, this feeling of loneliness, and isolation. In addition to that there is also a romanticism to both. This is something that we strive to portray through our perspective as well. And I guess it was about three years ago right? When I saw them perform this song in Budoukan, it left a deep impression on me, it's a memory that stayed with me. I thought that if we did this song, surely we could do so in a way that would express BUCK-TICK's views without fundamentally changing them while also being able to express Der Zibet's sound.

What did you think of "Ai no Souretsu" the first time you heard it?

It was absolutely Atsushi-kun's style. I mean it has this immense feeling of . . . . . .becoming lost along your way, and it calls to mind an empty landscape. What he depicted in his world is also incredibly close to my own perspective as well. While he and I might cope with this feeling of solitude differently, it is something I understand all too well.

And how do you cope with that ISSAY-san?

Rather than coping, it's more that it is a basic part of who I am. So rather than confronting it, I acknowledge that this has always been a part of who I am so there's nothing to really be coping with. It is just something that is there.

You don't think Sakurai-san feels the same?

Well, I think he might. Otherwise, he could not do what he does. It's just that with him, when he sees this part of himself, his heart wavers about it, and it's like he needs to change it, and I feel as though this pattern of his differs from my own.

In what way?

The thing about Atsushi-kun is . . . . . .and this is just my impression but, for instance when I first saw him I was utterly astonished by him, by that feeling of being lost and of having a wavering heart. And I could not help but wonder what was it that caused his heart to be so? What is it that he keeps searching for with all of his heart? That is the gap between us that fascinates me.

I see. Even though it's sad, you can't help but wonder what the sadness is about, and what the loneliness is about as well, and you end up worrying about it until the very end.

Yes. And when it comes to his heart, I feel that he is a perpetual question mark.

A question mark?

Yeah. May I say that? *smiles*

I am asking you to explain *smiles*.

Various people have varying interpretations of him, and I realize that is not quite an answer but, the thing about being in doubt of his feelings is that of course you cannot say with certainty what it is not without a doubt, and it is this constant vacillation that makes me question why in the world he is like that, and that is why to me he is a question mark.

Is this why you feel you are opposites?

I am someone who by nature my songs are a performance, but in his case, he is the opposite because he is being sincere. That is the slight difference between us but as far as I am concerned because it is something I understand well, it is easy for me to get into it.

I see.

But you know for a number of years now, his strength has felt incredible to me.

His strength?

I could feel his sheer strength to stand there on his two legs, that took guts.

How did you find the sound side of things with this song?

We finally finished the track down but all in all, everything went rather smoothly. As I was just saying before, I wanted to take care to have that romanticism along with the solitude and loneliness, but I was aware that it could end up having a very bleak sound. But I think that's where HIKARU's sense made a difference so that it came out rather well didn't it?

It did.

We have songs with similar outlooks right so because of that we had the same approach but while being aware that this is also a cover. I kept wondering what to do about that, and that's when HIKARU had the idea to have it be a tango . . . . . .even though the song isn't a tango at all *smiles*. I think it really suited the song. It's like you're in a different era. Within that sort of sound I could really allow myself to sing freely *smiles*.

You sang freely? *smiles*

Yes. Because this time the image was clear in my mind when it came to singing so I figured I would do so honestly. Without anything extra or gimmicky, or any weird vibrato either *smiles*. Once I knew this is what I wanted to do, I thought I could stand up and sing it frankly.

What did the members think of it?

We talked about it the other day at the after party for the Yoyogi show. I got quite drunk you know but *smiles*, I do remember Atsushi-kun complimenting me on it like, "It was so good."  He also asked me, "So . . . . . .you didn't find this song difficult to sing did you?" *smiles* And when I told him, "I did, actually." He said, "Of course, it is a very difficult song after all."

Ha ha ha ha ha.

You know even our way of writing lyrics is different. When it came to writing this song, Atsushi-kun is very symbolic in his imagery and he uses these impactful words and phrases in the refrain. I do not really have that ability with my writing, and as a singer, these sorts of lyrics are incredibly difficult for me you know. I feel that is what makes him incredible as a vocalist. So you know . . . . . . I absolutely couldn't mess up! *smiles*

But you did make it work as a Der Zibet song, ISSAY-san.

If that is what you think, then I am happy. Because it's a song that I really love I think I'd like to try singing it during my own lives as well. No matter how the arrangement is, I would love it if one day I could sing it with Atsushi-kun, as a vocalist that would make me incredibly happy.

I would absolutely want to hear that. While it's true that your outlooks are very similar, you also filled the song with incredible love.

It is a tribute so would it not be terrible if I did it any other way? It would ruin the whole essence of it from the start. After all it is my very love for the piece and for them as musicians that made me unable to do it any other way, and I think that is what made it so enthralling. We may not be the same as people but, I think it's important to accept that about each other, and our differences in how we do things is something that I thought about a lot as a vocalist.

You created a wonderful tribute.

Because I sang with love for BUCK-TICK as a band, and with love for Atsushi-kun *smiles*.

[btsandvmin]

hey! can i ask you what did you mean by I can relate to Vmin's dynamics? I mean have you fallen in love with your best friend too? I think i can understand why people don't find friends to lovers story interesting bcoz of their personal experience with their friends like I literally cringe when I think about falling for my bestie 😅 so maybe that's why Vmin is cringy for other people. Btw I would love to hear your experience, only if you're comfortable of course :))

Indeed! I have a tendency to become friends with people first and then it might develop into feelings as they show more interest. Basically I am the clueless one in the start of a friends to lovers type of romance. Or the pining one who is too afraid to say anything and let’s their chance slip away.

Though it should be stated this is no “walking around for years being just friends and not knowing my own feelings”. Usually the other person makes it clear after some time what intentions they have in some way (at least what I am aware of).

So personally I think if any ship in BTS is real, it’s likely there has been something at least from one party from more or less the start (the start doesn’t have mean instantly, but before the friendship get it’s own “routines” and settles). Maybe not something they would act on and maybe not something that was returned, but something. Because I agree it’s very rare for feelings of friendship to change between two people without any form of catalyst. That’s why it’s more common for there to at least be feelings from one side. I think this would be likely to apply to all inter-group ships.

I think an LGBT+ relationship might be a bit more complicated though, as there is both internalized homophobia and the fear of coming out. So, a coming out to a friend could for example be a catalyst that opens up the possibility of a romantic/sexual relationship. For famous people that fear can also be tied to their careers, or what their company might even allow.

Basically, for friends to lovers to happen I think there usually needs to be a change. Internal or brought on by something external. One thing that makes them go from what they are used to, to something new. That change could happen for many reasons, and at various times, so I won’t speculate too much on it.

If you ask me, there are weird moments since 2014 that I think could indicate some type of feelings from at least Taehyung’s side. Jimin on the other hand has always seemed to friendzone Tae to some extent. Intentional or not is hard to say. I can’t deny that 2016 and the dumpling fight does seem to be very significant though. Another change if you will. If we look at Taehyung’s own lyrics from Sweet Night, a window that was once opened might have either closed or turned into a door at some point.

Obviously there can always be a million ways something happens, but watching Vmin I think there are three patterns most likely if we consider something beyond platonic feelings between them.

1. They both had feelings since very early on but decided to not act on them, alone or together. At some point one or both could have changed their stance on it and decided to act on feelings they knew they had since long ago.

2. One of them had feelings for the other since quite early. One of them tried to act on them at some point and the second person came around and fell for the first because of their intentions.

3.  They didn’t realize their feelings for each other until something happened that changed how one or both view each other. That opened up a new possibility for something other than friendship.

A fourth alternative coule be that they did act on them, but kept it hidden, or more casual. For example fooling around and then developing feelings further down the line. This could also be related to fear or not feeling it being worth the risk etc. In this case there would have been something, and then that something changed. Basically they had something, something they might not have been able to define, or been too scared to explore, but something happened that changed their minds. This would be more of the lines of friends with benefits turn into lovers trope if translated to fiction

Not to mention, if there is a hidden relationship and you are super close but unable to state you are together, the best friends label might even just be what they have to use.

Either way it’s hard to tell and we don’t even know if there is anything except a queerplatonic bond there at all. It’s all really just based on a lot of faulty or partial information and interpretations. So, in the end these are just some of the guesses I see as more likely for a friends to lovers kind of scenario when it comes to Vmin.

Thanks for the ask. :) Hope you enjoyed reading it. I went quite a bit beyond talking about myself in answering, because even if it is all speculation it is fun to think and write about.

[thoughts-on-bangtan]

Let’s talk: Blue & Grey - analysis?

by Admin 1 & 2

From anon: I know it sounds like Delulu, so I write anonymously because I’m ashamed. The “blue & gray” lyrics sound like something Tae writes about Jimin to me. The words “my angel” (Jimin is an angel), “someone save me” (we saved each other many times), someone will call in the evening (after work in the evening we meet face to face) “I am blue and gray” (when I’m blue, Jimin’s smile is enough). To me it sounds a bit like lovesick ??? “I want to be happy” (Tae is happiest when he’s with me)

This is an interesting ask, and I don’t necessarily think it’s delulu of you to think this way, even if there are some who would claim otherwise. We know what Blue & Grey is about thanks to everything Tae, as well as some of the other members, said about it at the BE press con as well as Tae’s BE Weverse comeback interview, that it’s lyrics and music born out of Tae’s own feeling of burnout, of being blue and grey, and also is meant as this song to bring comfort to those who might currently be feeling the same way. It’s a song that feels authentic in its sincerity, especially because it was written with a raw honestly and introspective by someone who knows that feeling, as well as additional lyrics added to it to make it OT7 by others who have gone through/felt similar things as well.

We know Yoongi felt it, since we read his lyrics for his tracks on Agust D; we know Namjoon felt it, since that’s the feeling out of which mono. was born; we know Seokjin felt it, because that’s how Abyss came to be; and we know Hoseok felt it, because the members have mentioned how he used to be blue & grey before their debut since he’d been a trainee for so long and felt helpless/hopeless at times, like they would never debut; we also know that Jungkook felt it, since it was brought up in connection to the year that almost had them disband, Seokjin mentioning how Jungkook had retreated into himself, barely spoke about his feelings and thoughts, if at all, and they weren’t sure how to reach him; and I’m sure Jimin felt it as well.

So, since we know the backstory of Blue & Grey you might argue there isn’t really anything there to analyze, and in a way, I agree, but just because we know the main point/theme of the song, that doesn’t necessarily meant there can’t be more to it, especially when you consider how originally Blue & Grey was intended for Tae’s mixtape, and how the lyrics used to not only be different than the ones we have on the album, but they also used to be completely in English. In a way you could argue that while the basis of the song was always the same—a song about Tae’s feeling of being blue and grey—the underlying meaning/connections might’ve changed, or simply been modified to fit OT7 more instead of just him.

Before we get into it, one thing I’d like to say is that I’m in no way trying to twist this to say that the only reason for Tae to write songs is to make them about Jimin, I’m not that kind of person and I think his artistry has far more to it and holds so much deep meaning, but looking at the lyrics and things Tae has said about Jimin over the years, it isn’t that farfetched of a connection to make. It can just as well be complete nonsense, of course, but I see no harm in considering the possibility. I respect Tae and his music tremendously and I’d never want to belittle it in any kind of way, but it wouldn’t be the first time he’s written a song with Jimin in mind or referencing things that connect to him, so let’s just entertain the possibility, maybe even put our delulu hats on if that’ll make us feel a bit better, and treat this as something fun and not to be taken so extremely seriously or as facts, yes? Okay. Let’s go below the cut.

First let’s have a look at the original lyrics we first heard for Blue & Grey during In the SOOP, the version that was intended for Tae’s mixtape:

Where's my angel I'm sick and tired of everything Someone come and save myself Cause I can't take it anymore Everywhere I go, everywhere I see Can you look at me cause I'm going free Every time I cry, every time I smile Can you look at me cause I'm blue and grey I just wanna be happier Baby don't let me go.

Even just based on that it’s easy to see how much they have changed between this and the BE OT7 version. For reference, this is how the album version starts, more specifically Tae’s opening verse:

Where is my angel 하루의 끝을 드리운 At the end of the day, casting its shadow Someone come and save me, please 지친 하루의 한숨뿐 is only the sigh of the exhausting day

Like anon pointed out angel could be a reference to Jimin, or literal angels since we know that while Tae isn’t religious (as far as I’m aware) he does believe in angels and calls upon them to help him. But, as recently as his April 2020 vlive where he spoke about Friends, or rather the dumpling incident, he said that afterward when he and Jimin made up and Jimin told him he wants to support him and be his source of strength/energy Tae thought “my gosh, Jimin is such an angel like this. How could I have been in a fight with him?” (though I could swear the subs used to be a little different from this, that he said “how could I fight with an angel like Jiminie?” or something to that effect, (or that maybe our wonderful translators worded it differently during their live translations and I’m just getting confused), but that would mean for some reason at some point the vlive subs were changed thus raises the question why?). But even in previous years there were moments in which Tae called Jimin an angel.

In his letter to Jimin during BV2 in Hawaii, Tae spoke about how whenever he’s in the bathroom to cry, Jimin would cry with him (we also know that Jimin is the only one who truly knew why Tae cried when reading the letter, as well as that during BV3 the staff specifically called for Jimin when they noticed that Tae was crying), or laugh with him, is there for him. That could fit with “Every time I cry, every time I smile” and also make sense in connection with the next line “Can you look at me cause I'm blue and grey” since, in a moment where you feel blue and grey and yet find the strength to look for someone to help you, to reach out to, you’d want a person who’s very close to you to be the one to look at you/approach you, and he said it himself, in his Hawaii letter, how Jimin is his dearest friend, as well as during FESTA 2019, that Jimin is his one and only true best friend. So, what better person to seek solace with than him?

Furthermore, Tae also once said this (notice the mention of feeling blue):

Then the line “I just wanna be happier”, though I can’t really find a specific connection to Jimin in it, it does still fit with something Tae said last year after the release of Dynamite when they were guests on the radio. In it Tae mentioned how he is happy these days (he played the original version of Blue & Grey during ITS recorded some time end of May beginning of June 2020 while the MBC radio appearance was mid-September 2020, so 3-4 months later), how it took him a lot of time to achieve it since he always worried about things, but that he focused on finding happiness and it seems like he did manage to find it. When comparing Tae in the first half of 2020 to Tae in the second half, I think we can all agree that he seemed much, much happier in the second half, so his efforts paid off.

Also, if you remember, Jimin once (or more times) mentioned how Tae is happiest when he’s with Jimin (he could’ve just meant it in a teasing way, of course, but it could’ve also been just played off as such while being true anyway). So, if he’s happiest with Jimin, supposedly, it would make sense to look for him, mention him even if only through references people may or may not pick up on, and in a way it could also work with this line “Baby don't let me go.” because, once you found someone that can help you, that makes you happy and (among other things) keeps the blue and grey away, you’d want them to stay, right?

We don’t really have any details of what helped Tae finding that happiness, be it working on BE and getting to be the visual director, be it working on his mixtape and being able to put all these emotions he hasn’t shared before into his music and finding catharsis through that, or be it something in some shape or form connected to Jimin, all I can really do is speculate, and really, that isn’t really the point, is it? What matters is that he did find his happiness in the end, and found his way out of his blue and grey feeling.

So, we can say that at least the original version of the lyrics did potentially have some connections to Jimin, especially because I’m unwilling to think it’s all just a coincidence since with something as meaningful and personal as a song like this, there are no coincidences. Also, when comparing the ITS version and the BE version, the former seems to be directed at someone, a specific someone, like the latter more toward themselves, an introspective look (thanks to Admin 2 and romanticdrift for pointing that out). It’d be interesting to know how the rest of the song went, how the lyrics continued, and surely that would help a lot in seeing if there were more connections or not, but I guess we’ll simply never know. While the main point/theme of the song was and is, indeed, that blue and grey feeling and basically verbalizing it through lyrics, it isn’t too out there of an idea to think that Tae made those connection to Jimin deliberately as a way of perhaps pointing out a person or something that he looked for while he felt blue and grey, a person/things that helped him or he thought could do so. Though, again, that’s just speculations and theories, not facts, and I could totally be wrong.

One last thing I’d like to mention, and maybe I’m seeing a connection where there isn’t actually one and reading way too much into it, but I’ll share it anyway. In the BE version of Blue & Grey Jimin and Tae sing the following lines together:

괜찮다고 하지 마 Don’t say you’re okay 괜찮지 않으니까 because you aren’t 제발 혼자 두지 말아 줘 너무 아파 Please don’t leave yourself alone, it hurts so much

This, for me, is quite significant, even if doolset interpreted it as them talking to themselves and not someone else/each other, it still reminded me of the following lines from Jimin’s Promise:

아무렇지 않은데 “I’m alright” 그렇게 말하는데 Though I say so, 사실은 내가 그게 ��닌가봐 maybe the truth is that I’m not

And I delulu and reading too much into it? I don’t know, but it was one of the first things I thought of when I read the translation of that particular moment in Blue & Grey.

[whatifyoulivelikethat]

i want to ask for help. but i cant tell when would be a good time. because u've said before that therapy doesnt work unless YOU want it to, and i dont know WHEN i will want to. i just know that ive been feeling like this for as long as i can remember and that if i dont do SOMETHING about it, i might not even live.

i feel like im scared to ask for help because what if? what if i actually do better? i cant imagine living without thinking about dying every second. there is a scary sense of comfort in it, but its familiar and its me but its ME and i dont want it like that.

i,,, i dont know why this is going to you, but i do know i admire your opinions and i guess i just want to know. when. when does it get better.

When... hmm, as Yoongi has said before, these kinds of feelings are like seasons. I don't personally think they ever "go away" - you have good times and bad times, sometimes with reason, sometimes for no reason at all. At least, that's how it is with me. Going to put the rest under a break.

"Get better" is a vague term. You can argue you're already "getting better" because you recognize something needs to change, but that doesn't really feel statisfying because you're still in the same mental state, right? Then, is "getting better" a generalized state of more happiness? Could be. But, if you've always been in the darkness, well, shit, how are you supposed to know the light is the light? You've never seen it before. Then, does "getting better" mean... being like everyone else around me that seems like they're "good"?

That's the greatest lie of all.

I've said therapy doesn't work unless you want it to, not because you need to feel a certain measure of desire to change, but because you can't walk in there thinking the therapist is going to change you. If you have the means to try, you should to to therapy and just try it, because knowing you need to do something indicates that you already want to change. Reaching out to someone, stranger or not, already indicates you don't want to be like this forever. It might work, it might not. Therapy really depends on the therapist and finding a good fit is very difficult.

I'm going to tell you a bit about my journey. I have no idea if it will help you, but maybe you're interested.

I grew up not knowing love. My parents had an arranged marriage and, in their case, they did not love each other. Probably still don't. They're still married. I guess they tolerate each other, I don't know. In any case, it was very dysfunctional. I didn't know anything about maintaining healthy relationships, showing affection, or the value of people. I was seen as a means to an end, not really as their child. It was mostly my mom, but my dad was neglectful and wasn't really part of my life even though he was there the entire time. Because of this, I didn't value myself. I became very depressed and, if you've read my work, there's hints of what I've done to myself. I thought about dying. A lot. All the time. Planned it, dreamed it, wished for it.

Then, I moved out and entered the next phase of my life. Made a shit ton of mistakes. Destroyed friendships, had a ton of questionable relationships, chased love that was never there, fell apart. I was an "adult" but I was still the same - still wanted off this fucking Earth. But there was a difference. This time, I finally realized something.

These had be been my desicions.

My choices put me in that position. Nobody made me do anything. I was being self-destructive because I wanted to. And just like how I put myself there, I could take myself out.

So I did.

Not easily, mind you, but I did. I switched my surroundings again, put myself among people who had my best interests in mind, found my close friends, had a great time. Did shit everyone else did, went on cute dates, hung out with friends, traveled a lot, took pictures of delicious food, had an Instagram life.

Hated it.

I wasn't myself. I had pushed down my past and pretended like that shit wasn't real. I had a good life, so I'm good, right? I'm cured! I have what everyone else wants - I do what I want, have a good job and loving people around me. Yeah, no. I was "better", but I wasn't better. Far from it. I used to draw, write, create. In this phase I did none of that. I felt empty. But I was happy! Shit, what else can I do?

And then I discovered BTS.

Music does a lot of things. In my life, they defined the phases of my life. Rock and metal saved me from ending it when I was stuck in the darkness. In the time of empty happiness, I listened to music, but nothing stuck. I did, however, broaden my horizons and listen to everything, finally learning that all music has its merits and that I could find something I liked in nearly every genre.

However, I wasn't committing to anything, and that was because I couldn't commit to myself.

At first when I listened to BTS, I thought they were really cool. I went from era to era, mostly listening to title songs. Then I was bored and listened to their other stuff. I was curious about the lyrics I liked. They were usually rapped by this one guy, and I learned to recognize his voice and wait for his parts, because they always ended up being my favorite.

Yeah, just guess who it is. :)

I thought, well shit, I have no idea what he's saying. I should look it up. Went to look up the lyric translations of their songs, finding SUGA's parts and yet another epiphany.

Why am I pretending?

I'm reading these lyrics and I'm like, shit. This is it. This is me. These are all thoughts I've thought and they're here. They're real. Someone else thought them in the same way I have. And I am, indeed, still feeling these things, but pretending I'm not. Pretending it's impossible to acknowledge the person I am, that teenager wondering why I have to live when I could just fucking not, and who I've become, an adult with no sense of self but happy, and how they somehow can't coexist even though they already do. They're all me.

It wasn't very fun facing those feelings again, but I did it because I needed it. I needed to work through them and stop pretending so I could be myself. And now I am, because I can see it. You can see it. I create, not for anyone, but because this is me.

Maybe a little hypersexual. Kind of insane. Borderline cocky (but I am hot though, I'm just saying). I write, I draw, I create, I have fun, I cry, fuck, I do it all (swallow dick real fucking well too!). I do everything I want to and live how I want to.

This is just one way, one life among billions. You might not go though this (technically, you're already on the BTS phase, you know) and most likely your journey will be different. Because "getting better" is a personal thing. It is what you want in life, who you want to be, and I didn't know who I wanted to be until I lived though all kinds of shit, learning about other people's lives, and found someone who let me know, hey, you can brush past or you can soak into a heart. Change will always happen. You can live however you like. In some ways, you grow up and become an adult. In some ways, you stay the same, always young, always learning, always growing up. Sometimes people give up their young self because they think they have to. And maybe they do. You don't really have to though. You only have to be open to the idea there is also comfort in other things, that the you that you've known all your life is not the only you that will be.

To live a full life is to have many things, not physically, but mentally - memories, thoughts, past, present, whatever you want to hold on to, hold on to. No one can take them away from you. You will become more than just that. Every day, you will wake up to a new self that encompasses all your other selves before that. If you're impatient and want it now, run. Read up on things, surround yourself with all kinds of people, try activities you've always wanted to try, experience shit and find out what you like, what you hate, what you can modify to suit you better.

Find out what it means for you to get better and you'll discover, hey.

You're already there.

[senacal]

Hey! Would u wanna write one where right after cuba in the hospital charles asks her to sing to him, and all she can remember is an old song from sweden (slightly personalized in that, i hope you dont mind!!) called Flyktsoda by ebba grön, she sings in swedish and he translates lyrics by telepathy. she ends up kinda confessing with the line "dont be scared of me, i am so scared of you" bcz shes a bit scary and mad all the time but shes super weak for charles. then u can decide how it ends 🥺🥺

Request: Requested by Anon

Pairing: Charles Xavier x Fem! Reader

Prompt: Hey! Would u wanna write one where right after Cuba in the hospital Charles asks her to sing to him, and all she can remember is an old song from Sweden (slightly personalized in that, I hope you don’t mind!!) called Flyktsoda by Ebba grön, she sings in Swedish and he translates lyrics by telepathy. she ends up kinda confessing with the line "don’t be scared of me, I am so scared of you" bcz she’s a bit scary and mad all the time but shes super weak for Charles. then u can decide how it ends 🥺🥺

Warnings: self deprecation? Charles isn’t okay and neither is the reader 

Author’s Note: I don’t mind at all ^.^ I listened to the song and it was super catchy, even better when I found out what the lyrics translated to (I speak no ounce of Swedish lol 😅) Sorry it took so long btw, I fell into a funk but here I am, forcing myself out 😬

Requests Are Open!

After the events of Cuba, Charles hadn’t been the same. He wasn’t to blame, of course, his whole world had changed with a single bullet. It was heartbreaking to witness the once cheerful man turn into this broken person. He plastered on a smile when he needed to and he pretended to be the same cheeky man, but (Y/N) knew it was an act. Not only had he lost his legs, but he also lost Raven and his best friend Erik that day. Despite Erik being capable of making his own choices, Charles blamed himself for what happened. He blamed himself relentlessly and it annoyed (Y/N) because she knew the turmoil it was giving the man. She hated seeing Charles putting himself through that self-inflicting guilt. 

No matter how many times (Y/N) or Hank tried to tell him it wasn’t his fault, Charles still continued to place the blame on himself. Charles did stop communicating that guilt out loud around them when they visited him in the hospital, but (Y/N) was willing to bet that it still resided in the back of his mind. She didn’t have to be a telepath to know that because she could easily see it in his eyes. She liked to think that she knew him well enough through everything they’ve gone through together. 

Before Cuba, Charles and Erik had found her working a tireless job to keep herself off of the streets. She was barely scraping by and she lived in a crappy one-bedroom apartment. It was located in the bad part of town and the crime rates were skyrocketing, but the mayor didn’t care to fix that. So she suppressed her powers and forced herself to fight for what little she had. She couldn’t afford for her landlord to figure out that she was a mutant and kick her out. Thankfully her mutation was easy to hide, as long as her emotions were kept intact. The only hint at her mutant powers was the growing life around her wherever she went, meaning, she could manipulate plant life either with a thought or a simple touch. It aggravated her to see people treat the plants in her neighborhood soo poorly. 

When Erik and Charles first went to collect her, she couldn't understand what they would want with a girl like her. She was on the verge of homelessness, worked a dead-end job, and had a criminal record. The charges against her weren’t too serious, a couple of shoplifting charges and she might have beat a guy up here and there who tried to attack her. But regardless, she knew she wouldn’t fit in with the others Charles and Erik had recruited. So when she met them, she glared her way through each conversation and ignored the CIA’s requests. But for some reason, Charles managed to worm his way into her heart. Maybe it was his charming smile that should have annoyed her or his eyes that were shockingly blue. Or maybe it was the fact that he understood her even though he was the complete opposite of her. Whatever it was, Charles was the only one who had seen her softer side. 

It was almost funny seeing Hank’s shocked face when he witnessed her caring side for the first time. They had both decided to visit Charles in the hospital when Charles had asked for a small favor, some comfortable clothes, and (Y/N) had readily offered to get them. Hank was possibly more surprised than was necessary. (Y/N) did nice things! The other day she helped Erik with his powers, granted that was before he betrayed them and Hank wasn’t there to witness it. Now though, (Y/N) reserved her soft spot for Charles. Hank seemed to understand, he didn’t make any comments about it; but that was probably because when Alex did, (Y/N) manipulated the roots of a tree to keep him stuck for a whole night until Charles turned a disapproving eye on her. He learned his lesson after that though.

But that was all before Cuba. Now it was just (Y/N), Hank, Alex, Banshee, and Charles. But even Banshee and Alex went their own way. (Y/N) couldn’t say where they went, she wasn’t sure. But she did know that their departure had added to Charles’ grief and guilt. She made it her duty to stay by his side while he was in the hospital, a reassurance that she wouldn’t leave him. Charles had turned her into this soft mushy person and it scared her shitless. She couldn’t remember the last time she had loved someone. But the thought of him leaving or being taken away terrified her. Charles terrified her. But she pulled herself together so he wouldn’t realize anything was wrong, he didn’t need any extra guilt.

(Y/N) sat next to Charles's bedside, a book in her hands to keep her busy while Charles slept. She arrived early that day because of the construction happening on the street where the hospital was located and she didn’t want to be late. She wasn’t expecting Charles to be awake which was why she brought the book. She was immersed in the story when Charles woke up, which is why he surprised her. 

“You’re here early,” He spoke groggily.

The flowers’ leaves on the other side of Charles’s bedside shot out of their vase and wrapped around Charles’s wrist, forcing it flush against the bed. (Y/N) might have gotten startled since she was distracted. She looked up with a guilty smile and released his wrist when he gave her an unamused look. “Sorry, you scared me,” She grumbled.

“It’s alright, love,” Charles rubbed his wrist. He hadn’t expected the grip to hurt since they were tulip leaves.

“How’d you sleep?” (Y/N) set the book in her hands aside and shifted so she could face Charles. 

“Okay, I guess. I’m ready to get out of here,” He shrugged. He adjusted the bed so he could sit up.

“I can ask the doctor when you can be released if  you’d like?” (Y/N) offered. 

‘No, it’s okay,” Charles waved her off, “I’d much rather keep your company a little longer,” He smiled. 

(Y/N) nodded, a faint smile on her lips. “Of course,” She drummed her fingers on her lap. “Did you need anything? The nurse? More medicine? Food?” 

“I’m alright for now, thanks though… Can I ask you a question?” Charles hesitated.

“Yeah, anything.”

“Do you mind if, you can say no, but do you mind if I ask you to sing me a song? I’ve been quite bored here and the radio stations are rather crappy and there’s never anything good on the telly,” He rambled.

“Oh, uh,” (Y/N) furrowed her brows, what song would she sing?

“Never mind, it was weird of me to ask, you don’t-”

“No, I’ll sing for you uh, Is it okay if it’s in Sweden? I can’t really remember any songs right now,” (Y/N)’s cheeks flushed and her fingers began to fidget in her lap.

“I don’t mind,” He smiled kindly.

(Y/N) nodded and cleared her throat, here went nothing, “Lyckan kommer, lyckan går. Dom säger tiden läker sår. Jag släcker lampor. Jag öppnar fönster. Letar efter mönster. Jag kommer aldrig. Jag kommer aldrig, kommer. Kommer aldrig komma hem.”

‘Happiness comes, happiness goes. They say that time heals wounds. I turn off lamps, I open windows. Searching after patterns, I will never, I will never, will never come home,’ Charles lay back in his bed, his eyes closing as his mind translated the lyrics for him, one of the better aspects of his telepathy, the ability to understand any language.

“Flyktsoda, ta mig i hand. Sätt mig i brand, ibland ibland ibland. Flyktsoda ta mig i land. Sätt mig i brand, ibland ibland ibland,” (Y/N) could feel her stomach flipping, her chest filling with anxiety. She hadn’t realized how much this song actually meant until now. She hadn’t been happy before Charles came into her life. She was merely going through the motions, living because it was expected of her, but with Charles, hell even Hank, they gave her a reason to keep going. Only Charles was her reason for staying.

‘Escapesoda take my hand. Set me on fire, sometimes sometimes sometimes. Escapesoda bring me to shore. Set me on fire, sometimes sometimes sometimes,’ Charles inhaled deeply, (Y/N)’s voice soothing the ache in his chest. He appreciated everything she has done for him while he was hospitalized. If it weren’t for her, he was sure he wouldn’t have made it out in one piece. He barely made it with her there, but her persistent presence kept him grounded and kept him from falling into despair. 

“Var inte rädd för mig. Jag är så rädd för dig,” (Y/N)’s voice stuttered over the words. They pierced her heart when she sang them. They rang true and she was afraid it revealed just how much Charles affected her.

“Don't be afraid of me. I'm so afraid of you,” Charles's eyes opened when he heard the vulnerability in her voice. He looked at her with questioning eyes, he almost felt bad when he read what she was thinking. 

“Do you really think that I am afraid of you?” He asked softly.

“I, well, everyone else was, why not you too? I hurt you just a little while ago,” She pointed to his wrist.

Charles's wrist was rubbed raw from the leaf, but it wasn’t too bad, plus he had startled her, “I startled you, it wasn’t your fault.”

“That’s not the point Charles, I’ve done some bad things so why wouldn’t you fear me?”

“You fought to protect yourself. You are so much more than your powers, (Y/N). You’re magnificent, you’re amazing.” Charles wished he could reassure her and comfort her more, but his fucking legs couldn’t move. He shifted as best as he could, “Now why do you fear me?” He wondered.

(Y/N)’s heart was racing, she swore her heartbeat was louder than the heart monitor attached to Charles. “I- you don’t- why-” She ran her hand through her hair. “If I tell you, promise me this won’t change anything between us, okay? You’re all I have and I can’t lose you as a friend.” She spoke softly.

Charles nodded, “You could never lose me.”

(Y/N) bit her lip, wondering how to start. How does one even tell the person they love they fear them because of the hold they have on their heart? Charles managed to shove his way into her life and now she couldn’t picture her life without him in it. “I fear you because how easily you fit into my life,” She looked up at him, tears in her eyes, though she didn’t know why she was crying, shame maybe? “For a long time now it’s been just me, I had nobody, my parents didn’t want me, my landlord was looking for any reason to evict me, my co-workers were all selfish assholes, and I’ve been attacked countless times by men in the streets. I made sure no one could misuse my trust and I made sure no one could hurt me, but here you are,” She wiped a stray tear that ran down her cheek, “You pushed through the walls I’ve built and now I’m afraid to lose you.”

(Y/N) ran her hand through her hair again, she probably looked so pathetic to Charles.

“You could never look pathetic,” Charles reached his hand out to her which (Y/N) hesitantly took, “I know I said this wouldn’t change anything, but perhaps it can change just a little?” 

(Y/N)’s brows furrowed in confusion.

“Perhaps once I get out of here we can go on a date?” Charles asked nervously, “You don’t have to agree, and we can continue like normal, but now that I know for sure that you harbor feelings towards me maybe we can-” 

(Y/N) stood from her seat to press her lips to Charles’s cutting off his ramblings. She pulled away from the kiss and smiled, “I’d love to go on a date with you.”

Charles grinned, almost looking like his old cheeky self. He might have lost some things in Cuba, but he gained something too. He’d be damned if he let (Y/N) be taken away from him too. “I hope you know you’re stuck with me now.”

“I guess I can live with that,” (Y/N) laughed, “But promise me one thing okay?” At Charles nodded, (Y/N) continued, “Never tell anyone that I sang to you.”

Charles laughed despite her serious look, “I promise not to tell anyone.”