#I think I hit some kind of secret category limit and now

[disabled-dragoon]

All of the categories broke on the book archive

This is a travesty

A disaster

An incredible inconvenience

I have to redo them all

By hand

[fictionfixations]

signature spells and the person

(referencing this list because i cant remember them all)

spoilers for all books. and glorious masquerade

(note that some characters i dont know well at all. which you can kind of tell with me being super unsure. there's this person in the reblogs who elaborated on bits i wasn't quite correct on or didnt have an idea on so go read it!)

signature spells embodying the person sort of? Riddle - collar. restriction. limitations.

Deuce - not taking hits lying down. striking back. (a reckless idiot like that)

Cater - hm.. putting on an act for everyone? people pleaser? so its like. all of those little 'acts' and 'personas' he puts on are sort of 'him' in a sense. but its also not him at the same time. (like how the clones arent actually him because they're just a creation of his magic. but they are him in a way, too right?)

trey - sneaky sneaky guy who notices a lot more than you'd think. presents himself as one way but he's complicated

Leona - sand. like all his hard work turning to sand, or basically nothing.

Jack - wolves work in packs, right? he wants to work in a pack. (even though he says he doesn't). they're strong, but they do better together. ..probably. idk.

Ruggie - treating all people 'equally' (in the sense that he'd mess with them all. unless they were a serious trouble to deal with) also sucks up to people........ (and probably laughing at them behind their back for being such a 'fool' haha get it. because fool's parade..--) maybe? Idk.

Azul - exchanging his old self for an asshole basically (because he must've been a nicer guy as a bby. but then ppl were mean to him and now he's very bitter.)

Jade - acting like the more calmer and reasonable of the twins, even though he can be just like floyd, if a bit more dangerous considering he can get under your skin, get you trust him, that he just wants to 'help you'. and you tell him all your secrets. and then it 'shocks your heart' when he reveals his true colors. (like bruh. his halloween groovification message was literally, "Oooh, I love it when you flee in terror. It makes me want to chase you!")

Floyd - i don't know. uhhh. in his lab coat(?) vignette there's this moment where a guy bumps into him, is like 'hEY WHO DO YOU--' and then realizes its floyd and backs off. basically the guy who intimidates them to make them weaker, ig? terrorizing them. 'binding the heart' in fear. i mean he'll still hurt them ofc, but the point is is that he's the scary one, jade's the 'calm' one, thats his image to people. i dont know him nearly well enough to really get it.

Kalim - wishing for everyone to be happy. to dance and sing and forget about all the troubles. throwing parties and feasts to cheer them up (and granting them relief when needed). although it doesn't always end well and his attempts can end up 'useless', like how oasis maker is 'useless' when people already have easy access to water. but at other points desperately needed.

Jamil - turning him into the 'master' and the other the 'servant'

Vil - planting 'curses' in plain sight. masking it. disguising it. acting. like putting on makeup to change something. maybe. possibly. (this is weak) maybe a false reassurance. a mask.

Epel - accepting who he is (that he's short and seen as 'cute'. and so using it to his advantage.) like, seeming 'soft and dainty' but actually a guy who can beat someone up. like, 'you'll just go to sleep..' (and then the crimson part of slumber with a negative meaning. the poison apple. something that looks innocent but is actually harmful.) and then you never wake up again because you were TRICKED HAHAHA /hj

Rook - will literally do anything for what his fixations are. in which his fixations are 'beauty', which is a very vague category and include literally everything. also very very creepy and stalker-ish in the process.

Idia - honestly idfk. uh. 'responsibility'. burdens. control. it literally just represents a part of his job? idfk. its such a big part of him (also his family had the same UM so like..) that its just. who he is.

Malleus - there was this quote he said about how 'when you nap, even 500 years could pass without you noticing'. so it could be something like how time moves by so fast like that

guh.. it was "Give in to slumber, and a thousand years will pass in the blink of an eye."

Silver - I don't know him that well... i mean like there's references to him having parallels with like. i think.. aurora?? the girl who maleficent cursed. i think. dreams and wishes. i don't know i havent even seen him use it yet LMFAO (ive only finished part 2 of book 7..) maybe like. things not seeming real..? idk man. a desire to see people, to stay by their side, but can't, so instead it'll be in a dream. so either it isn't real, a mere fantasy, or, shrug. like. yknow the remember me song in coco? it's like 'and everytime you hear a guitar you'll remember and think about me' (i cant remember the exact lyrics)

Sebek - admires malleus. a lot. malleus has control over lightning or something. so sebek in turn becomes that 'lightning' that he can control, as his guard and stuff like that. 'i will be his sword', maybe.

lilia - he reflects a lot about the past imo. overly aware of things and the passing of time. at least in my opinion. how things can pass by so easily. so he takes little bits and pieces to cherish for the rest of his life, and to think back on. a trip back down memory lane, as they say.

Rollo - literally gets set on fire like his brother..?? that thing forever haunting him that its such a big part of him at this point (hating magic and hating what happened.) and him hating himself making himself see him as part of the reason why his brother died, and therefore making him literally the thing that killed him sort of?

[m39]

Decade of DOOMstruction(2000s): 8-9 maps WADs

One thing I noticed about episode replacements is that these are always made for Doom I. Seriously, it’s like moths flying to the nearest light source. That and in at least 8/10 cases they pay homage to the first episode from what I’ve seen.

But anyway, here are the best episode replacements for the classic Doom games.

VANILLA

2000 – THE CLASSIC EPISODE

Let me tell you now, that if you enjoy homages to KDitD, you will enjoy this WAD. If you are like me and expect something more from these, you can skip it.

One of the biggest restrictions in making Doom I WADs is the much smaller amount of enemy types, with this game having only one high-tier and one mid-tier enemy with the rest feeling like cannon fodder, where only hitscanners have a chance to hit you if you are a god of dodging. And this WAD suffers from it, with encounters being either boring or tiring due to having a small amount of rockets and cells until around the second half of E2M7.

Other than fights, it’s basically (and probably mostly) a bizzaro E1 – simple, yet abstract locations and rather simple to play through maps, with maybe one or two moments where you get stuck if you are an idiot like me and miss an important switch right next to you.

2002 – CH RETRO EPISODE

This WAD gave me a better experience than the last one since it doesn’t feel like it overstays its welcome until around the second half/ last third and it doesn’t have tiring encounters with cacos and barons; just boring and, sometimes, annoying ones.

Still, it’s basically another E1-based episode replacement that doesn’t really add anything significantly memorable.

2004 – PHOBOS REVISITED

I think this WAD might be the best one by far. Taking the foundations of the original episode and flipping some of its concepts upside down, giving it a fresh experience to the familiar locations, utilizing original secret areas as regular ones, and also making it harder and better looking (it’s still rather easy though).

Out of all the vanilla WADs in this category (at least the ones that I replayed now), I would say to try at least this one. This one is good.

2008 – BACK TO BASICS

While better WAD than Ruma, primarily due to having no new, piss-poor sound effects, I’m still not fond of Espi’s level design.

While I appreciate how it is not yet another E1 reference WAD like the previous one and how it manages to do some tricks with the engine on vanilla restrictions, it still suffers from the boring and (occasionally) tiring fights with Doom I’s limited bestiary (although the fights didn’t feel as boring as the previous WADs), added with infuriating backtracking that I feel like it forces you to go through at least half of the map per one just to open a colored door/press another switch. Topped with some of the secrets being annoying to grab due to forced SR40/50 straferunning and the fact that you are forced to pistol start the final map because fuck you and your BFG.

While I still recommend playing this WAD (if at least for the secret map that is), I don’t think it’s worth playing further after E2M7.

WINNER

Let’s cut to the chase, people – Phobos Revisited earns the first GoldenSpider Nest award for the best episode replacement of the decade. It’s kind of hilarious how the vanilla WAD that references Knee-Deep in the Dead the most in the one that gave the most fun.

Even though I am not that fond of the rest of the WADs, I must choose the runner-up. And for me, it’s the CH Retro Episode that deserves to get this title. Back to Basics might be better than that WAD, but at least CHRE wasn’t as frustrating as BtB.

Now, let’s move on to the second half of this category.

SOURCE PORT

Let’s hope that the following WADs will give me more fun than the previous ones.

2003 – PHOBOS: ANOMALY REBORN

And we immediately start off with a bang.

This WAD has some of the most gorgeous maps ever created in the 2000s; made even more impressive that it looked like it was all made with nothing BUT Doom I stock textures. It all looks insane.

It’s not all sunshine and rainbows, though. Many encounters have a hard time living up to the standard of being actually fun, rather than being forced to fight barons with shotgun/chaingun, fighting hitscanners with next to no cover, or just being straight-up boring.

It’s not as great as it was when I first played it, but it's still a good WAD worth checking out, especially for its design and interaction with the environment.

2006 – THE CLASSIC EPISODE PART 2

A sequel to the original Classic Episode WAD, made by the same guy, and it’s at least 100% better than the original. Having a hub map that gets more corrupted when you reach it for the last time is great, along with encounters feeling much less boring, tiring, and (to some degree) annoying. And as for the complexity level of the maps, I guess it’s somewhere around the same level as the previous WAD, AKA not that much.

This one is worth checking out.

2009 – MAPGAME

Another, pretty solid WAD IMO. It kind of spices up the gameplay by switching the chaingun with a projectiles-based flare gun, and transforming spider mastermind into a much weaker turret (it’s still a hitscanner but at least it’s something fresh in the roster), but aside from these, it’s a rather standard E1 replacement with pretty locations (not as pretty as PAR though). That’s all I have to say for this WAD.

WINNER

And now, it looks like I have a problem since all of the WADs are good, but not really amazing. I would gladly give the second Golden Spider Nest award for Phobos AR, but then I am reminded that fun shouldn’t be hindered by pretty locations. So, ultimately, I give the award for Mapgame, and the other two WADs get named runners-up.

Now that I’m done with episode replacements, I can only hope that I’ll finally play some Doom II stuff in the next category.

I’ll see you then.

[quoigenicfromhell]

I agree with you that people with DID/OSDD are oppressed based on the fact that they have a stigmatized disorder and not uniquely because they are plural, but I would say that being plural is also stigmatized because it's seen as a disorder regardless of diagnosis.

We are semi-open about our plurality irl (in that we will tell people who we think it is safe to tell, we live in a very conservative state so this is true for several aspects of our identity). However most of our friends know at this point.

I definitely would not say that the average difficulties of getting people to understand that we are not one person is oppression, that's just being a type of person not everyone is familiar with. Definitely frustrating and demoralizing (in some aspects it is easier to live stealth, because you're correct, people don't notice jack shit unless you tell them straight to their face).

However, we have a hard rule against management at our job finding out. Above even our status as trans, we are pretty sure that management knowing we're plural would lead us to be seen as unreliable and possibly get us fired, to which we have no recourse as we are not diagnosed with anything relating to our plurality. And while it's not capital-o Oppression, being open about who you are with people will make singlets uncomfortable, and people will break off friendships and relationships because of it.

I still think this kind of discrimination is based in ableism and the fear of people with stigmatized disorders. The public doesn't understand the nuances of mental illness--but they do understand a cultural message they've been fed regarding people with those illnesses and just in general people who 'hear voices' or 'have split personalities'. Is it correct or even limited to those who meet the diagnostic criteria? No. But in the way that other oppressions can hit people who don't technically fall into those categories because they share stigmatized traits of people in those categories, people who are open about their plurality can definitely be affected.

(None of this post is to tell you you're incorrect about your own experience or make it seem like we have it worse, btw; the dynamics of not being open about plurality vs being open are very different and we've experienced both. Keeping it a secret from everyone was definitely easier in some ways and harder in others, but the fear of discrimination and social rejection is definitely an aspect we feel now more than we did when we didn't tell anyone offline.)

I honestly don't really relate or resonate with the claim that I have a specific type of oppression due to having DID that is anything significant beyond that of a stigmatized and sensationalized disorder in a capitalist world with poor disability and health care support. Like yes, absolutely in a marginalized group but I really don't thing being "plural" or having DID makes me much of any more uniquely oppressed than say pw schizophernia and what not.

Like if you think otherwise, fair enough but I don't really see it, especially as someone who REALLY never masks with the most we really do is not ALWAYS introducing or telling people who dont know better when we switch.

Like its actually very very easy to live as "multiple people" once you actually stabilize your system and curate your life to accomodate your disorder.

You would be absolutely shocked to find out how obvious you can be about it and still have most people who dont know to look for it or know better to just shrug it off. We unironically have had our little, speakimg in her voice, at our academic work and REGULARLY when in a childcare position and never once had anyone pointed it out.

Yeah people might be like "ok theyre a little quirky / weird" but like who cares honestly /half serious

Anyways TLDR "plural people are oppressed" always has me raising a massive eyebrow. I guess others have experiences that might make them feel that way so sure I guess ok, but I really dont feel in my experience as a "plural person" that its any different than general mental health or disability oppression OR, depending on how you define it, different than saying "otherkin are oppressed" which is a statement I can see going both ways depending on how we define things.

[mitchelldailygames]

Heroes of Song Devlog Part 7: Moves

The heroes are cute.

Kindness matters.

The world is weird.

Sometimes you don’t fight. Sometimes you do.

Health is hearts.

I honestly don’t know how we got this far without talking about moves.

I took the ideas of feats, abilities, and traits found in other games and just lumped them all in a category called moves. The type of folk you choose comes with a move attached, there are a couple of moves attached to each calling, and each weapon (plus the shield) comes with a move attached. Even runes, rituals, and songs are just another flavor of moves, and I hope to use formatting in a way that makes that mechanical connection clear.

So, what do moves do?

Certainly, some moves are about doing cool things in a fight: shields can be used to perform a shield parry, the Guardian can take an attack meant for an ally, and a sword can be swung in a wide arc that hits multiple targets. Each type of weapon comes with its own unique move attached, which will make an axe clearly do something different than a dagger.

Remember, “Sometimes you don’t fight.” I wanted these non-fighting aspects to be mechanically emphasized through moves too. One way I plan on doing this is writing some moves to be flexible enough to have utility in and out of combat. Take the Guardian calling’s move of taking an attack meant for another. Here it is in its current state:

(Text from the picture) Under Your Wing (1 Effort): Become the target of an attack (physical, emotional, social, etc.) meant for a nearby ally.

"Under Your Wing" hopefully makes it clear that this could include emotional attacks or attacks on reputation; Guardian has the means of jumping on to protect friends from all sorts of things.

A note on formatting, the Effort (or Effort symbol) after the name of the move is the cost of using the move.

Another type of move is a skill move. As of right now, rather than having a list of single-word skills on character sheets, I have a "skill" (Sk) class of moves. These describe situations in which characters shine, often not needing to roll and being inspired if they do. For example, the Scout has the move Wilderness Survival (Sk). I could of course have "Wilderness Survival" just show up on a skill list, and it would probably often function the same way, but by making it a move I both prevent the power creep of getting a bunch of skills through advancement or the opposite issue where players feel like they should have access to certain skills for their archetype that are locked to them. I can also very clearly described how the skill move is used. In this case, Wilderness Survival makes you skilled at finding direction and taking care of yourself and others when off of well-established roads and trails. It's not a catch-all for tracking, identifying plants, and not falling off cliffs, but if the goal is taking care of yourself and others, it can apply to these kinds of scenarios. It also won't step on the toes of a "Botany" or "Knowledge Nature" skill move should those find their way into the game.

What I haven't quite cracked yet (but hope to) is a way to put agency in the hands of Hero Players to seek out secrets and explore the hidden corners of the world, which is a very significant part of the Legend of Zelda and Tunic inspirations. I think some kind of "Find a Secret" move is the right way to go here. This might be a specific exploration/discovery move for each Calling (such as Scamps finding hidden doors in dungeons and Scouts finding hidden caves in the "overworld"). I can see this getting bogged down, though, especially as the Calling list expands beyond the initial six. I think a better solution is going to be a move that is universal to all players, but on some kind of limiter.

I'm thinking about having two dice sitting on the table, each starting at 6. These could represent the "Discover a Secret" difficulty. As heroes search for secrets but don't find any, they can shift the dice down to smaller faces, reducing the difficulty of finding a secret. I might say each hero must attempt to discover a secret before someone can try again. I might have Hero Players elect one of their heroes to check for secrets each time they enter a new dungeon room or mini-region. Maybe the Songkeeper rolls for the total number of discoverable secrets in a location in the first place. Skills could totally apply to the searching process, granting inspiration in specific scenarios.

I obviously don't have it worked out yet, but I think there are the bones of something there. I also don't think this precludes including secrets and optional puzzles in the dungeon design and Songkeeper prep, but I didn't want all of the burden of this pretty essential gameplay aspect to fall entirely on the Songkeepers. I want this idea to be represented in the mechanics.

That's all for this post. I'm hoping to make a test version of the game available sometime soon so I can start getting some early feedback (and to facilitate my personal sessions). I don't know if the next post will be about that, but I think there is a good chance it will be.

The world is weird; kindness matters.

--Daily

[pl-panda]

The vines that bind us - Chapter 5

Chapter 1 || Previous || NEXT

“Yes.” Riddler seethed. “And I really don’t like it when someone uses mine in their ridiculous stories. Now, which of you can tell me where I can find Lila Rossi?”

Some cruel part of Mari wanted to laugh. Leave it to Lila’s lies to get the attention of one of the Rogues of Gotham. And Riddler of all people. That guy had an ego the size of Amusement Mile. He would definitely not take kindly to anyone telling tales about outsmarting him. 

The kinder part, which was domineering, worried about her classmates. Edward Nygma was an unpredictable sociopath. Her mother always warned her against him. Gotham underworld could’ve been separated into three categories: Criminals, Goal-oriented, and Madmen. The first ones were usually greedy mobsters and thieves, such as Catwoman, uncle Floyd or Penguin. They were in it for profit or thrill and could easily be reasoned with. Poison Ivy often dealt with criminals when she needed something. The second category were those who had a goal and would stop at nothing to achieve it. Marigold’s mother was one of them, as were uncles Slade and Doctor Fries. The last category contained the worst part of Gotham’s underworld like Joker, Scarecrow, or Riddler, who cared only about carnage and chaos. She was always warned to stay away from them because they had no respect for anyone or anything and she would run at the risk of great harm. 

Riddler ordered his people to spread through the room. Mari counted at least two dozen. It was bad. The employees were gathered into smaller groups guarded by three mooks. The guns were ready to fire. She really wished there was at least some flower in a glass. She could feel Tikki shifting under her suit. One look at Adrien told her Plagg was similar. The kwamis were worried for their holders. Chloe was the only one calm. She sat there with crossed legs and did her nails. Her steel nerves were incredible. Or would be if it did not attract Riddler.

“You!” He pointed his cane at the blonde. “Riddle me this. What happens to a small stone when it works ups some courage?”

“Wait. You’re speaking to me?” The girl asked. Riddler was a little baffled, but the cane was still pointing right at her. “Ridiculous! Utterly Ridiculous!” Chloe stared at the criminal. “If you think I have time to play some stupid trivia game… I mean seriously? Stones are dead. They can’t have courage.”

Mari facepalmed loudly. Leave it to Chloe to try and antagonize a madman with a gun pointed at her. 

“Tsk tsk tsk. Wrong answer.” Riddler tried to press some button on the grip, but there was only dull sound. “What in the world?”

“Wait! I… I know where to find Lila Rossi!” Mari shouted, hoping to get Riddler’s attention away from Chloe before he managed to repair the gun. The class started to give her murderous glares. Adrien looked at her curiously.

“Oh! Do tell!” The criminal turned to her. When he hit the cane into the ground there was a loud sound of a gunshot that made everyone jump. The ground was now smoking. “Useless junk!”

“She is still in her office! I can lead you to her if you let my friends go.” 

“Ha! Do you think me a fool? As if…”

“A little boulder.” Mari interrupted him. 

“Oh. So you are smart. What about this: The person who makes it has no need of it; the person who buys it has no use for it. The person who uses it can neither see nor feel it. What is it?”

“A coffin,” Mari said with a bit of hesitation sneaking into her voice. Why in the world was she trying to save Lila again?

“Good.” Riddler looked at her for a moment. “Fine. I will go with you. But if you try to deceive me…”

“Coffin?” Mari asked with a smile. Riddler frowned so she quickly returned to the scared expression. 

The villain motioned for eight of his men to follow him and led Mari to the elevator. She was constantly at the gunpoint. Mari had to think quickly. She could try to lose them at the one fo the office levels or… she knew for certain where to find two living plants in the building. With a shaking hand, she pressed the top button. When Nygma gave her a raised eyebrow she shrugged.

“You must’ve heard about her dating youngest Mr. Wayne.” Mari lied swiftly. 

“There was something about it on that cursed blog.” He mumbled. 

-----------------------------

Slowly, the machine went up. The tensions were high and Mari for a moment wondered if revealing her heritage would be enough to scare them. Ultimately, she decided to keep it as an additional shock when they got to the office. She really hoped Mr. Drake would be kind enough to hide under his bulletproof desk and not fire her when he learned who her mother was. Oh well, it’s not like she needed that job too much. 

The elevator paused one level below their destination, but the doors did not open and it refused to go higher. Her tablet started to beep. With all the stress, she forgot she had it on her the whole time.

“What’s the meaning of this?”

Slowly, she opened the tablet. An icon was blinking at her. When she pressed it, a video of them in the elevator popped up. 

A large number of people without authorization in the elevator. Do you approve? Yes No

She pressed yes and the elevator started moving. She should really get some manuals for this thing. When the doors opened, she looked around. It was time for the show. She strode to the doors leading to Mr. Drake’s office. The Riddler and his mooks followed her. She pushed the doors open and immediately screamed.

“Get down!”

Rolling to the side, she pushed her powers to the limit, allowing the plants to seep her energy and grow. Vines shot from the pots and quickly grabbed the guns. Riddler, seething with anger, aimed his cane, but another vine grabbed it and ripped it out of his hand. The three strongest henchmen managed to hold onto their guns and started firing, but Mari was already safe behind the bulletproof desk. Good thing it was mentioned in the notes she inherited from Sarah.

She heard a loud cracking sound and felt that one of the plants just lost their pot. She silently promised it a more comfortable one and thanked for the sacrifice. Her green skin was now in full view. Accidentally, she pressed something on the tablet and now it showed the image from the lobby. She could see that the remaining henchmen were firing at something outside. The muzzles of their guns were flashing. Angry, Mari grabbed one of the drawers and ripped it from the desk. She leaned out from behind her cover and tossed it with full force. The projectile sailed through the air spinning before hitting the middle henchman in the center of his face. He fell down firing the gun all around the place. She could definitely hear something fragile breaking. Oh well. As long as she’s not the one paying…

The vines knocked out all but one henchman who was slowly backing away toward the elevator while firing at whatever plant got close. Riddler was now hanging by his ankles and wildly flailing his hands. The video of the elevator showed he was now there and resting. He thought her friends wouldn’t reach him. How cute!

Mari walked away from her cover and slowly approached the elevator. She heard the fashion disaster grasp when he saw her in her true form, but paid him no mind for now. She only had the vines gag him. The girl pulled the ninjato from its hiding place and smiled. When she pressed the elevator button, the criminal aimed his gun at her. She quickly leaned to the side while hitting the rifle with the palm of her hand. At the same time, she stabbed him in the leg with the sword. While he was screaming in pain she could easily rip the gun from him and then hit him with it, knocking him out. 

The bluenette looked at the gun with disgust. Clenching her hand, she crushed the barrel before dropping it on the floor and approaching Riddler. The plants turned him around and restrained his arms.

“You! You tricked me!” He shouted as soon as his mouth was uncovered.

“Yes.” Marigold smiled sweetly. “Is that a problem?”

“You… Oh no no no! That won’t do! I can stand being outsmarted by Batman. I will not be defeated by some schoolgirl with feeble meta-powers playing Poison-Iy look-alike. For a moment I thought you were her.”

“Look-alike?” the girl asked. “I don’t look that… Just because I have green skin I’m suddenly Poison Ivy look-alike?” She shouted at riddler.

“The hair is wrong, but otherwise your face is very similar.”

“What?” Not believing him, Mari walked over to where she left her tablet and looked. True, her face changed a bit. She still had some of her qualities that easily marked her as Marinette, but her face was no longer that round, instead taking a more oval shape. Her nose was now smaller and lips fuller. She really looked more similar to her mother. And yeah, the green skin made it obvious.

“You’re done preening yourself?” 

“Sure. Now let’s go back to the fact you attacked my friends and made my first day at work even worse!” Her steel gaze rested on Riddler, who felt very uneasy. The vines squeezed his wrists and ankles a bit.

Gulp! “On second thought, I have nothing against preening. The look is important after all…”

“Said the guy with Hawaiian shirt under a suit.” Mari deadpanned. “I don’t have time for this.” She asked one of the vines to smack him in his head, swiftly knocking the supervillain out. With that out of the way, she walked over to the plants and thanked each of them individually. She gently picked the one with a smashed pot and placed it with the other one. 

“Now can you behave for one night? I promise I will get both of you better pots tomorrow.” Mari giggled when both of them hugged her with their leaves. Tikki floated out of her pocket. 

“Marigold! I was so worried! They were armed and you were not Ladybug! There would be no cure if something happened!” 

“Don’t worry Tikki. I had a plan. Mostly…” She looked around the devastated office and her equally devastated workplace. 

“But now your boss will know your secret!” 

“You know what?” Mari smiled. “I don’t care. I’m Marigold Isley and this is Gotham, not Paris.”

“But the word will get out!”

“It will anyway since I’m going to search for my mother Tikki.” The girl tried to calm the frantic mini-goddess.

“Fine.” Bug-like spirit huffed before zipping around the room, passing through the head of each and every henchman, ending her trip with Riddler. “There! They will remember how you took them all down with some martial arts.” 

“You’re the best Tikki!” Mari hugged her Kwami to her cheek. The mini-god nuzzled affectionately. 

Marigold willed the green to disappear from her skin and have the hair return to normal. Eyes were always the hardest, but she got the green under some control. Quickly checking the video feed from the lobby, she saw that there was no more firing, but Police did not yet enter. They must’ve been waiting for the bat. 

Looking around, she finally realized that her boss was nowhere to be seen. Strange. She could’ve sworn he was still in his office when she left. While possible that he left shortly after, he would’ve been in the lobby and he wasn’t. The other option was that he went straight to the garage, which was possible. After all, the CEO ought to have some luxurious car. Yeah, that’s probably right. 

She pulled her phone and typed 911. Time to get some professional help. 

“Nine one one, what’s your emergency?”

“Hi! I’m Marinette Dupain-Cheng. I’m on the top floor of Wayne Enterprises with a knocked out Riddler and some of his men. If you could please connect me to whoever is leading the negotiations?”

“Madame, this is not a joking matter.” The voice in her phone scolded her.

“Do you believe I’m joking? I’m standing here with a bloodied ninjato and eight men unconscious men plus Edward Nygma who decided to become a fashion disaster since I’ve last seen him.” Marigold answered in a harsher tone. “Today I had one of the most stressful days of my life. First, instead of being an intern I suddenly got hired as a Personal Assistant, then I had to explain to Lex freaking Luthor that I’m not a doormat. If that was not enough, I’m stuck in this job for six! Months! Add to that, because of some mistake in communication Damian Wayne decided to attack me with ninjato. After that Security was really unhelpful. I finish my first day of work only to have Riddler parade into the building just as we were to leave. And I had to improvise because he was about to shoot my friend who, while I love her, needs to learn to shut her mouth sometimes!” Mari shouted, putting all of her frustration and withheld anger into it.

“I’m sorry madame. I will check what I can…”

“You can connect me to whoever leads the police downstairs or I can toss them Riddler from the top of Wayne Tower.” Mari was honestly done. She would do it. Chloe said it herself that it was a tall building. 

“Listen here you little…” Whoever she was speaking to was suddenly cut off and she heard a different voice.

“Gordon here. Who’s that.”

“Are you the police officer in charge down there?”

“What you mean down there? I thought we managed to evacuate everyone from the upper floors!”

“Oh. Good. I was worried about how many people he actually held hostage. I’m on the top floor with a knocked out riddler and some of his men. I don’t exactly have anything to tie them up with…”

“How exactly did you end up up there!” The man asked. “Is batman with you?”

“He was about to shoot one of my friends so I lied to him and got him to follow me to the elevator. I used a moment when he was distracted to take him out.”

“Madame. I really hope it’s not some joke.”

“I…” She wanted to speak, but there was some static on the other side of the line

“Miss Dupain-Cheng. This is Batman.” For a moment she was unsure how to answer. “Are you still there?”

“Yeah. I’m okay.”

“I need you to try and tie the men you got up there. They will probably regain consciousness soon. Do you have zip-ties or at duct tape in your office?”

“Not that I’m aware. It’s my first day. Oh! I can use their jackets!”

“Do that. Riddler’s men downstairs are unaware of what happened with you. If they get wind of their boss being defeated, we don’t know what will happen.”

“Rodger that.” She proceeded to tie them up until Riddler was the one now having his hands bound by the suit he wore. His were tied with really strong vines. She would not risk anything. “Batman? are you there?” Mari asked to her phone. 

“Yes.” Came after a moment. “Are all of them tied?”

“Yes. I used the destroyed plant for Riddler. I thought we could benefit from him still wearing his suit somehow.”

“I sent Robin your way, Miss. He will be coming through the vents. Please try not to attack him on sight.” Batman said in a tired voice. She suspected there was a story behind it, but she was too tired to care. Awkwardly, she took a seat in her chair, which now had several bullet holes but was still mostly comfortable. The waiting was killing her. She was all alone in a room full of downed henchmen.

“Um… So how is your day Batman?” She asked, wanting to break the silence. 

“...” There was no answer at first. “It was mostly fine until Nygma showed up.” More silence. “I heard from Nightwing that he would have a hilarious story to tell once he got home. I’m not sure if I should already be worried or not.”

A smile forced its way onto Marigold’s face. She suddenly thought about Batman sitting in the middle of a room with the other members of Batfam running around playing tag. She did it once with Allegra and Claude when their parents had their get-togethers. 

A sound in the vent broke her out of reminiscing. She added two more names to the list of people she would have to track now that she was in Gotham. She picked the sword and slowly walked toward the vent. Batman warned her that Robin was coming, but one couldn’t be too cautious. 

A boy close to her age appeared. He was wearing a horrendous traffic light suit. At least his cloak was black on the outside and had a hood. The outfit first Robin wore was an even bigger disaster, so there was some progress. Maybe in ten Robins, she would actually be able to not be embarrassed to be seen in their presence. 

“Miss. Please don’t point the ninjato at me.” He asked when he stood up. 

“Sure. I didn’t want to get any surprises. What now?”

“Police is monitoring the situation downstairs. They wanted to enter with full force, but with so many hostages we’re afraid about casualties.” Robin spoke in a very formal tone. Too formal for her liking.

“I have the monitoring on my tablet.” She walked to the desk and showed him the feed. “I count fourteen hostiles. They are in six groups with two to three guns each.”

“I don’t need a lesson in tactics.” The vigilante got angry.

“And about motive? One of the interns posted a video about another intern helping you guys take Riddler down. He really didn’t like it. I’m plenty certain he came to kill her in a very dramatic way.”

“That… complicates things.” Came Batman’s voice. She forgot he was still on the line.

“Miss. Do you know who is the intern he is after?” The police officer asked.

“Lila Rossi. She is one of my classmates. She is the one that is now surrounded by a crowd of young people comforting her while she is crying crocodile tears.” Mari showed her at the screen to robin. “I got Riddler to come up here under the pretense of leading him to her. The floor would be mostly empty and my boss has a bulletproof desk.”

“Tt. And what exactly was that supposed to achieve?” Robin stared at her.

“Gee! I don’t know. Maybe he would no longer be pointing his gun at my best friend!?” She looked at him. “Not everyone carries Kevlar to work.”

“Robin!” Batman reprimanded him. 

“Fine.”

“We can’t give him what he wants, especially after you took him down, Miss,” Gordon spoke. “To be frank, I don’t see it ending any other way than a full-frontal assault. We have snipers in position and SWAT ready. They are only waiting for a green light.” A deep sigh made its way through the line. “I only regret how many lives it will put on the line.”

“What if we got some of them out?” An idea formed in Mari’s head.

“I don’t see it happening unless Riddler gives the command directly,” Gordon said in a solemn voice.

“Leave it to me.” Marigold was determined to save as many people as she could. She was so decking Lila for this situation.

The small girl stormed toward Riddler. She grabbed his shoulders and shook him violently. Slowly, he opened his eyes.

“What… You! You tricked me!”

“Yeah. Get used to it.” She picked her tablet and started recording. “You will give the command to your people to let half of the hostages go.”

“Riddle me…” Before he could finish, Marigold grabbed him by the laps of his jacket and dragged him toward the large window in Mr. Drake’s office. She dropped the criminal, picked the drawer, and smashed it into the window several times. There wasn’t even a scratch on the glass, but the drawer was now chipped in several places. She looked at it and shrugged.

“I’m out of patience today. You can either give the command or I will open the window with your face.”

“Miss! I can’t let…” Robin tried to intervene, but she pointed the drawer at him. 

“Shut up. I want this day to end.”

Since Riddler was still silent, she picked him by the scruff and was about to smash him. “Fine! Fine! Fine!” He shouted. “Bring me the walkie-talkie.” He pointed at one lying close.

“Do I look like an idiot to you? Record the message here.” 

“As you want.” He leaned closer to the tablet (or as close as she was willing to let him). “Let go of half the hostages.”

Mari stared at him unamused. She dropped him on the ground and walked to where the sword was dropped. After picking it she returned to where the villain was desperately trying to crawl away.

“Miss! Please cease it at once. We do not torture criminals!”

“No. You just pat them on their back and let them go.” She deadpanned and turned to Riddler.

“Really? Oh wow. That’s just cold.” She heard from the phone. A new voice joined Batman and Gordon.

“Wait!” Riddler squeaked. “Let go the number of hostages that would be half of seventy-five if half of five was three!” He shouted very loudly.

Mari nodded and handed the tablet to Robin. He already held a walkie-talkie. After he played the message, there was some ruffle on the other side, but Mari was too tired to care. The girl grabbed her tablet from Robin and opened the feed from the lobby. She saw some confused henchmen before one of them shrugged and started pushing people outside. When Marigold noted that Adrien and Chloe were among those who left the building she let the air out. Only then she realized that she was holding her breath.

“It worked! We got thirty-three out. That’s over half of them.” Gordon shouted ecstatic. “You are a hero miss! Branden! You’ve got your green light!” 

The girl had enough. She hanged up and pocketed her phone. Still holding the sword, she walked into the elevator. Mari didn’t press any buttons, but she leaned over the wall and started whistling a lullaby her mother used to sing her when she had a nightmare.

The memory of a soothing voice that carried her to sleep many times allowed her nerves to settle. She could feel adrenaline slowly leaving her body. The tension left her muscles one by one and she slowly slid to the ground. 

“Tt. It’s safe to go down.” Robin startled her. She immediately jumped and pointed the sword at him. The boy was clearly unamused by being threatened with a ninjato… again. Mari lowered her weapon and pressed the button that would take them to the lobby. 

-----------------

When the doors opened, Mari was quickly tackled by a missile that was a worried Chloe Bourgeoise. “Mari! What were you thinking!?”

“I don’t know… Maybe that you were about to get shot?”

“Oh… right…” That shut Chloe up easily enough. 

“Excuse me, Miss Marinette?” An older man in a brown trench coat asked. He had a neatly cut beard and graying hair. “Commissioner Gordon. We spoke on the phone.” He extended a hand

“Ah. Yes. Thank you for trusting me.” Mari nodded and took the offered handshake.

“If not for you, casualties would definitely be higher.”

“Higher…” Mari repeated weakly.

“Oh! Um… Yes. I’m sorry, Miss. Some of our men got shot in the gunfight.”

“Will…” 

“There are also… Damn.” he rubbed the back of his neck.

“How many?” She could feel her eyes tearing.

“Three civilians and four security guards...”

“Seven…” She gave a barely audible whisper.

“I know this must be hard, but…”

Marigold was no longer listening. She left the building and walked to where the class was gathered.

“I’m telling you! She must be working with that madman. You’ve seen how quickly he trusted her!” Lila was talking loudly.

“Rossi.” The girl said in an emotionless voice. Kim and Ivan wanted to stand in her way like usual, but she pushed through them without breaking a sweat. 

“Didn’t you cause enough drama…” Lila never got a chance to end that sentence, because Mari delivered a straight one strong enough to send her flying several feet back before she came crashing down. Blood pouring from her nose.

-----

NEXT

[seat-safety-switch]

For the last year or so, I’ve been ordering a lot of delivery food. Given the circumstances all around us, I’m sure you can understand why: my car doesn’t run. One of my secret pleasures is to peep at the cars that the delivery people drive to my place. Despite my own love of oddball shitboxes, I have still been conditioned by capitalism and the adversarial nature of Western civilization to evaluate the worth of others based on their job and their car.

Don’t get me wrong: I’m not jealous – or at least I don’t think I am. This is sort of like a test drive by proxy, in that I get to engage my curiosity about new cars without having to actually own one. What’s that 2013 Santa Fe look like after (checks phone) 2,419 successful deliveries of Thai food in the last five years? Who delivers pizza in a 2020 Mercedes C-class? And, most importantly, does my burger delivery guy still have the original factory turbo from his Mazdaspeed 3 lying in his garage and how big of a “tip” will it take to lever it from his grasp?

I’ll never actually operate most of these vehicles. Not only are they too recent, but some of them are in categories made up by increasingly panicked marketing departments that I have no interest in participating in. For instance, my mapo tofu was delivered by someone driving a Honda HR-V “crossover.” Have you ever heard of that kind of vehicle? Apparently it’s like an AMC Eagle, which I can dig, but with less cargo room. Pass.

I do realize that I could get more information, and also feel like less of a creeper, by directly interacting with the delivery people. Right now, though, for their safety and for mine, I try to keep our conversations brief. The faster they get done picking up the ziploc bag full of loose cash off my front lawn, the quicker I get to hear how that engine sounds revving up to the speed limit. If they hit the limiter, I leave a five-star review.

[squeiky]

What if there was a mall based episode of pokemon adventures?

Ps: im on limited juice on what exactly happened after the episode of "practically pikachu" so if anything seemed off, thats why. I can only have so much spoilers.

This is a really REALLY long post, i did my best and added some wholesome satogou moments cause why not. I hope you enjoy ^.^

!!!!!SPOILER WARNING BTW!!!!!!! If that wasn't obvious.

.....(I can't do the read more thing on mobile, so stick with me here.)

So the Professor finds out about some mysterious instances of this shopping district being haunted or constantly full of mischief. So of course he sends Gou and Ash to check it out. Of course Koharu/chloe ends up tagging along with her pokemon, out of curiostiy. Of course something is seemingly following them from behind, and you hear a cute little giggle.

At first, its all nice and fun. They go sight seeing, getting a bit distracted here and there. Gou and koharu do a bit of dress up, and Ash is stuck having to be refferee on who dressed up better. You get some cute satogou moments, and some wholesome koharu and gou rivalry. Before....

The lights start to flicker..

And things go south.

See, before they got to the mall, there was a warning the Professor gave them before the went on their journey. The mall had been abandoned not to long ago, as Pokemon have been infesting it and taking over. Poison types, gost types, what ever dangers you could think of. It used to be very popular, attracting all kinds of mons and trainers from across the globe. Sadly, it had to shut down.

He told them to be careful, and stay on their guard. They did the complete opposite of that, and got distracted.

The light shuts down, and their in complete darkness. Bit of twist, but Koharu brings out a flashlight, then makes a sly remark on how reckless the two are getting. Followed by a slightly agitated gou, though ash doesn't seem to mind. Instead he focuses on another thing.

Wheres.. Pikachu?

Actually... Where is all of their pokemon?

Ash makes a slightly panicked remark about this... Slightly... PanicKEd.. ReSpoNse.. Then everyone starts to freak out. Then the lights suddenly turn on and everywhere around them seems like a battle field. Clothing racks are rolled over, there's some string from some bug pokemon, lying around and some other attack residues from not only their pokemon, but possibly other poison, or dark types. if the situation couldn't get bad enough.

They call out their pokemon names to no evail. The mall is big, even with the 3 of them, they cant possibly cover all the ground. They've only explored basically half of the entire mall.. Or atleast half of what they thought was the entire mall.

Gou gets a bit pessimistic, worrying if they where taken by some baddies like team rocket, or hurt, mabye even kidnapped!! While ash is a bit optimistic, saying they probably got away, or are off fighting them now, and winning!

Koharu though.. Shes not focused on any of that. The patterns of pokemon attack residue.. Shows a winding trail leading off into the bigger part of the mall. Making her even more curious than before..

She turns around to she ash and gou sending out their pokemon from their pokeball, luckily, who ever this was didn't think to take those. Gou explains that the mall is big, and they need as much help as they can get.

So for awhile, we see interactions with their pokemon, looking around, in union or in chaos. Slowly exploring the rest of the mall.

But.. Never once, do we stop seeing all these things happen, in someone elses pov....

We see things from the ground floor, behind clothes, in the ceiling... Anywhere.

Every now and then, we get a faint giggle.. Usually when gou is on screen.

At this point they scaled almost the entire mall. Every now and then finding little things. Nothing to eventful. But no matter what, it all keeps leading then to the same point.

Some random door that says "Antiques" on it, in this freakishly terrifying place. The area is the most rusted, old, and overall creepy place. Inside theres smashed pots and this place has alot of scratch marks and decay. The mall may be abandoned, but not for a very long time. This place looks like it has been there for decades, as if it didn't belong there. You could see a lot of struggle, with some old scratch marks and some strangely.. Fresh ones.

Everyone's tired, and worried, and a bit frightened. Though koharu.. She seems more than excited, it wss her own little adventure. It was nice. Of course, she still worried for her poor yamper.. But she couldn't help but be a bit excited too.

During the whole montage, they'd find some fur from pickachu, yamper or eevee. Sometimes left over pokefood or some old remains of what looks to be pokemon battles. Sometimes they saw some old pokeball, abandoned or even smashed. And even noticed some of the Pokemon that had been watching them through cracks or corners, or under floorboards.

Ash and gou finally catch up to koharu, who has been waiting for them in this creepy antique store. Aimlessly wandering about, searching the place. With the whole gang reunited, they discuss what they found, with koharu piecing it togther.

It seems this antique store looked to be the meeting place for who ever stole their pokemon. They show koharu some of the pokeballs they found lying about, some customized, broken and old. None of them have no strange brandings like "R" on it. Meaning people had their pokemon taken, but not by our common baddies. They found some evidence of pokemon battles, some of the tracks still fresh. Meaning they just left recently, probably during when they got here. That would explain why they kept feeling like they where being followed. They're probably all hiding.

But that doesn't explain why they'd take their pokemon or why it lead them in the antique store of all places. Ash suggests that they should look around here too, find some secret lever or something. Goh agrees, but dismisses the thought that someone would have a secret lever in a antique portion of the mall, then again.. Who has an antique store in a mall??

While they're searching for hidden compartments,

They hear a quick "PIKAA!!" Following a loud bang noise. Sending them all to a panic. Ash locates the sound, and moves one of the shelves. Surprise, Surprise, its a secret compartment. Its pitch black and you can't see a thing. Before ash can jump head first into whatever is happening down there, gou catches him. Followed by koharu, taking out that trusty flashlight, and beaming the light on the creepy old stairs. Seemingly going no where but down.

They quickly and carefully descend the stairs, though their all trying to act brave to lift up on another, you can tell everyone is absolutely terrified.

Then they find a light, like an entrance to some room. The hallway was dim and you could see pipes and some garbage, puddles, e.c.t. Gou runs towards the persumed, but ash catches him. He almost fell into a hole, without Realizing it. Koharu goes infront of gou, with the flashlight beaming infront of her.

Cut to a scene of pikachu. He's charging up a weak electric attack, and looks pretty beaten up. So does the rest of the Pokemon. Though, he is doing his best. The basement is pretty big, but its old. Theres some steel pipes that are broken and bent, scratches and marks everywhere on the wall. Its dark, with only a few lights, struggling to illuminate the room.

You can't tell how many pokemon are there, but there are many glowing eyes all around. There are many different kinds of pokemon. Seemingly coming from all different regions too. They don't seem freindly.

Eevee starts to yell out, angered and fustreated. To their suprising, a quick "umberon~" came rom the darkness.

You can see its shiny yellow rings, glowing in the darkness. It yells back at eevee, hitting the ground over and over with its tiny paws. As if it was trying to prove a point, trying to get eevee to fight like their pikachu did. Taunting them.

The umberon wears some kingly robe it got from a costume part of the mall, presumably the halloween section. Category: medieval.

Yamper could see eevee's eagerness to fight, so he lets out a bark of concern. He's huddled next to pikachu, who still wants to keep going. Determined, to stop them.

Whenever eevee hesitates to attack, umberon lets out a disappointed purr, and attacks them with a weak attack, but it stings either way. It wants a fair fight afterrall.

This was an insult to them. A fellow umberon., using smaller pokemon to rank them up, forcing them to train with them, untill they tire out. All these pokemon henchmons had some kind of scar, or evidence of training. Even the umberon had one. Most of them evolved, seemingly living in the mall, as some are wearing human items like sunglasses, or badazzled items too look cooler.

Then they hear a quick "EEVEE! WHERE'D YOU GO?!" And "PIKACHU! ARE YOU GUYS ALRIGHT?!"

They look back to see its their trainers! And gou, all rushing towards them. Immediately going into the room to protect them. Along with their summoned pokemon charging up their attacks as well.

Seeing this, umberon is pissed. You can see an onslaught of pokemon, who look just as mad. They where crossing their turf, they had to get out.

Umberon curls into the darkness.. Slowly back away from them, in silence.

Untill a tiny, soft. "Umberon" comes out of its mouth and..

They all start to attack, left, right and center. The whole team is surronded. All the pokemon are uncoordinated, but tankish, so they're pretty easy to take down, but leaves you pretty damaged in the long run.

Eventually, they get rid of most of them. Leaving 5 remaining pokemon left. These five being the strongest out of every pokemon and the biggest. Seemingly been in charge for a long time. Basically, its the boss fight.

The pokemon tired them out, and theres not much they can do at this point. Of course they fight, but get taken down, one by one, with ease.

Leading to the grand finale. Everyones on their knees, but still staying strong.

Umberon and its team start to charge this giant attack, thats going blast them into bits and peices.

They charge the attack, for longer and longer and longer. Getting bigger, and bigger, and bigger untill it basically becomes a giant wall. Then they release it. Going full blast at not only the entire team, but the Pokemon behind them that attacked them as well.

The was no where to go.

Pokemon where behind them, and infront.

What do you do then?

Just take it?

Like that?

...

Everyone throws their hand infront of their faces. Away from this giant charge attack, heading towards them in what seems to be slow motion. Some pokemon are running away, others are just watching this happen.

Its a pretty big basement.

Pretty dangerous basement too.

....

Gou looks back for a split second.

And a familiar sound plays out.

A tiny..

little..

giggle.

And then it just stops.

The attack was stuck in place..

...

Then suddenly, behind them in the darkness...

From the entrance of where they came..

Glowing eyes emerge, with a silent.. "Mew!"

And the whole attack backfires onto the 5 pokemon with one, full, swoop.

The place collapses onto them. Knocking 4 pokemon unconscious, except for that..

That..

Umberon.

With the only expression on its face being absolute RAGE.

Everyone starts running out, a bunch of pokemon try to help move the 4 unconscious ones, and umberon runs in the opposite direction, into what might be their secret escape route. They look back, at the commotion.

The 3 little humans and their pokemon are running out, even picking up some of the pokemon, who attacked them, and helping them run away from the collapsing area.

Umberon sees this. But looks away. Muttering a "umber.." Before leaving. This wasn't the last of them.

Everyone safely makes it out of the mall, alive.

Everyone is tired, exhausted and hurt.

They look up to see the many battle scars of all the pokemon, who are just lying around, not knowing what to do anymore without a leader.

Some a bickering and arguing, some are confused and tired, others are just watching from afar.

Eeveee jumps out of koharu's hands, and onto some tall boxes and rocks lying about near he store. They yell out a "EEVEE!!" Which everyone quiets down immediately. They even stiffen up, as if they where trained to do that by the umberon. Which startles eevee and makes them feel uncomfortable.

Ash stands up, looking at his poor pikachu, for a bit. Its smiling, with its eyes closed. Ash gives them a concerned, but soft smile. He tells everyone that they should all go to a pokecenter, and get some rest. The pokemon try to argue, not wanting to go and to wait for their umberon, but they see eevee is following ash, and they end up following along.

Gou runs up to ash and softly pats ash's shoulder, and gives him a soft, but concerned look. Only followed by a smile. Then everyone starts following them to pokemon center.

It cuts to scene, where they show the pokemon center for a sky view. Its night time and everyone is tired. a bunch of the nurses and doctors are taking care of the many pokemon without question.

Ash is sitting there, next to his pikachu, with gou is standing right beside him, and koharu is somewhere off with her pokemon as well. They all have some bandages here and there, on their knees or hands, just watching as nurse joy takes care of pikachu.

She asks what the three of them had done to get not only so many injured pokemon, but get this pikachu in the state its in now.

They explained to the nurse about the whole incident, with this umberon and a giant battle in a basement, and a this abandoned pokemon infested mall. How the umberon acted and all the Pokemon who teamed up agasint them.

Nurse joy recognizes the umberon, to their suprise.

She explains its not the first time shes heard of this umberon. Apparently, its trainer had abandoned it when it was a little eevee. She said that they'd capture pokemon who they saw great potential and power in. One day, the eevee's win streak went away, losing many battles every single day. Thats when they abandoned them, or atleast, thats what they say.

Ash mutters a quick and angered response of why someone would do such a thing.

Nurse joy looks at ash and gou sadly, then returns back to what she was doing. She doesn't know why someone would do that. Though, she tells them she always used to see that same eevee in the pokecenter constantly. For some reason, the pokemon really loved their trainer, to the point of exhaustion. When it got abandoned, it probably took it personally. Who knows though, that umberon is quite the mystery. Some people even tried to catch it seeing how strong it was, but they'd never succeed.

She pauses what shes doing to ask if ash doesn't mind leaving his pikachu here for the night. Its pretty injured, and needs some rest. She wants to be able to take care of it, in case it needs extra care. She says he can see them tomorrow, as it might feel better by then.

He sadly agrees, and they go home for the night.

Here, we get a nice scene, just to calm things doen a bit. The 2 boys put on their cozy pajamas, and get ready to go to bed.

We see koharu in her bedroom, with her pjammas on, petting her yamper who has a cute little "get well soon!!" Sticker, stuck on his forehead, and he has his younger sticking out, as he sleeps. She doing one of those lo-fi girl poses, as she writes in her journal about her day, as a moonlight shines on her, through her window.

We see gou sleeping on the bottom bunk this time, since he's too tired to try to climb to the top. Ash isn't in bed though. He's looking out through the window of the room. With the moonlight coming through. He's tired and exhausted, but still worried for pikachu. Gou notices he's not in bed yet, asking if he's alright. Ash doesn't give a response, he just continues staring.

So gou walks up to him, and ash speaks a bit low. He wonders if pikachu is alright, and the umberon too. The umberon was hurt too, they could've helped it.

Gou looks at him, then out the window. "Sometimes you cant save everyone, and you cant help those that don't want to be helped."

He smiles brightly at ash. "Like catching pokemon!" Ash is confused, but he tries his best to understand. "Sometimes pokemon want to be caught, and some don't. All that matters is that you tried, right?"

Ash looks at gou, and smiles back. Then looks at the window, still smiling "Yeah, you're right.. Do you think pikachu will be okay though?"

Gou softly pats him on the back. He tries his best to comfort ash. "Yeah, i think so."

It goes quiet for a bit. And it zooms out as they both look out at the window.8

With that, it ends here.

[dayseternal-blog]

I can’t enjoy fanon NaruHina because it’s mostly here’s why Naruto is unfaithful-weak-whatever random reason needed to bash him and here’s why Hinata  is a perfect angel who can do no wrong

The power dynamics of this is gross it goes from a mutually supportive healthy bond to a codependent one where Naruto is getting shitted on and more often than not Hinata is his emotional abuser but the story never calls her out for it because she’s always right (The author always wants her to be)

Fanon NaruHina is garbage I have literally read thousands of NaruHina stories i’m not exaggerating when I say a vast majority of them fit under this category

Don’t bash content creators or their works 😒 

I disagree with anon’s assessment of “NaruHina fanon,” as if it’s one monolith of all the same opinions.

I disagree with many headcanons about Hinata and NaruHina.  I believe everyone’s opinions are a part of “fanon.”  We are all fans.  Our differing opinions and portrayals of these characters are all a part of the fandom.  I’ve seen very few dominant NH fanon (Hinata is some perfect angel is definitely not one of them)...you can read what I wrote about the NaruHina fandom on our Fanlore wiki page.

I thought about anon’s concern.  Why have we experienced NaruHina fandom differently?  I came down to a few big ideas:

1. What platform do you read on?

2. What tropes do you read?

3. What narrator’s point of view is used?

Here’s my concluding thought before I go into explanations of the above ideas.

Last Thought

If I disagree with what others are writing, it doesn’t bother me.  I don’t go into people’s comments or asks to let them know that I think their story doesn’t settle with me.  They’re just writing what makes them happy, and I was along for the ride until I got off the ride.

If it bothers you to the point where you feel like you can’t enjoy fandom, but you’re still this invested in the characters, then recreate them yourself!  Have your own kind of fun!  Write fanfiction or just short headcanons.  Send requests to writers who fit your style.  Write memes or jokes.  There are lots of ways to try to contribute to fanon.

Fanfiction Platforms

I read fanfiction regularly from only two places:

the Hyuuga Hinata/Uzumaki Naruto tag on AO3

Now and forever Naruto and Hinata, and Naruto’s harem Community by Burnning Truth on ffnet

On AO3, the NaruHina writing community is very small.  A lot of us read each other’s stuff, and I think that feeds and influences the way we all portray NaruHina in our stories (at least for me, it does).  I’m wondering if it’s the same on other websites.  For example, if a writer posts on Wattpad, are their fics and headcanons influenced by other Wattpad writers?  If so, the stories might share similar themes and characterizations.

AO3 does not automatically list the stories with the most hits/kudos unless you purposely filter it that way, so the most “popular” stories are not seen as dictating ✨Fanon✨.  A story on AO3 is just another story.  There is no specific concept of ✨NaruHina Fanon✨ on AO3.  Another upside to AO3 are the numerous tags above the summary.  You can automatically tell if a fanfic is your style or not, and you can look out for triggers or things you don’t agree with.

I noticed Wattpad lists the “Hot” stories, which may give some sort of sense that how those writers portray NaruHina dynamics is seen as ✨Fanon✨.  But I checked out some of those recommended stories.  (I didn’t really love all of them).  I decided fairly quickly (probably too quickly) that Wattpad might not be for me, or worth my time to figure out.  I’ll read the stories people recommend to me from Wattpad, but I’m not going to go searching through it.

Tropes

Unfaithful, weak, abused Naruto?  These sound easily avoidable if you’re paying attention.

Tropes that can easily lead to emotional abuse or angst are:

Alpha!Naruto/Omega!Hinata

Sadist!Naruto/Masochist!Hinata or Master!Naruto/Servant!Hinata

Delinquent!Naruto

Rich!Naruto

Stardom!Naruto

Demon!Naruto or Werewolf!Naruto

Playboy!Naruto

Cheating!Naruto

Sex Worker!Hinata

Pregnant!Hinata (not with Boruto or Himawari)

Obviously ABO or S&M fics need to be treaded carefully.  High School AUs and College AUs can easily have angst.  Like, those school AUs will have all the same drama as a shoujo manga.  Secret Relationship AUs, too.  Angst stories that have Naruto and/or Hinata dating or marrying someone else will DEFINITELY have unhealthy depictions of relationships.  

Fluff stories won’t have these problems!!!!!!!!!!!!!!!!!!!!!!!!  But if you insist on reading NaruHina angst, you just gotta be careful and expect most angst stories to not go the way you want.

Narrator’s Point of View

Consider what POV the story is being told from?  First Person pov can make you feel trapped in a character’s thoughts and actions, making plot decisions feel too personal, especially if you don’t agree with the author’s choices.  I avoid 1st person narrators.

Limited 3rd Person also purposely only tells one character’s side of the story.  Angst NaruHina MASTERPIECES in limited 3rd person are “(common side effects)” by @katarinahime​ and its paired fic “Medicated” by @szajnie​.  Limited 3rd person can set up a flawed or biased narration, like 1st person, purposefully to create angst.  Other times, for less skilled writers, the narration is accidentally biased and remains unresolved or unaddressed by the end.

TLDR: Just be a smarter reader.

[x0401x]

Q&A with the Archery Men

Translated compilation of the eleven-part Q&A from the official Twitter. Feel free to message me about any mistakes. Please consider supporting the creator by purchasing the novels here and here. (Raws || Index)

Question 1. What is your family structure?

I live with just my father. My mother passed away in a car accident when I was in sixth grade.

I live with my father and mother. My older brother lives by himself. Of course, Kuma is a precious family member too.

Grandma, Dad, Mom and Nee-chan! Eeeveryone is nice! I’m a grandma’s boy.

Dad, Mom and little sis! If I do say so myself, I think we’re a family of good-looking men and women. ★

Dad, Mom, two big sisters and our cat, Lucy. The height of my shoulders is close to my Dad’s.

Dad, Mom, Aniki. Dad and Aniki travel outside of the prefecture for work-related matters. I also currently live by myself in an apartment complex close to the shrine.

Father, mother, younger sister. There’s a bit of a gap between mine and my sister’s ages, so we have never played together that much...

Question 2. What’s a food (or drink) that you like?

Egg rolls. Not with sugar but salt! It’s gotta be salt!

Stir-fried water spinach. I’ve never come across a stir-fried water spinach that wasn’t delicious.

Cream stew! I kinda feel happy whenever I eat it.

Soy latte. ❤ Soy is good for health and soy latte is fashionable, huh?

Salted plum. It has a bactericidal effect for recovery from fatigue and is also all-purpose! I have it pickled at home.

Coffee. The ones you can drip yourself are good, but I also like canned coffee. Getting to enjoy the scent is kinda adult-like, isn’t it?

kyoani did you really have to romanize his name like that oh my god

Japanese-style food in general. Spending time with my grandfather might have had a big influence on this. I like takoyaki.

Question 3. Any foods (or drinks) that you hate?

Japanese ginger. That smell is just... I wonder if I’ll grow to like it when I become an adult...

Ratatouille. Lots of things I don’t like are mixed in it... What I don’t like is a secret.

Sukiyaki... Everyone likes it, but I once ate too much and ended up feeling sick...

Bitter gourd. I’m a bit bad at dealing with bitterness. Ah, but if it’s a bitter gourd chanpuru made by you, I’ll eat it. ❤

Chocolate. Can’t really eat sweet stuff...

Eggplant. The texture doesn’t go well no matter what...

I make sure not to hate anything.

Question 4. What are your hobbies?

Pottering. I also go play in the river with Seiya a lot during summer. Of course, Kuma comes too!

Watching soccer games. I like collecting data and coming up with tactics. Eh, why don’t I play it myself, you ask? Haha, because I’m more on the analytical side of it!

Bouldering and traditional drums! I like moving my body, and traditional drums have been on display at a festival in my hometown too!

I like gaming and mangas! But what I’m into right now is gathering frog merch. ❤ The girls give me lots of goods.

Gaming and reading. There’s a game I’m into now, and coming up with tactics is really fun. As for reading, anything goes, I guess... What d’you mean by “that’s unexpected”?

Visiting cafés and enjoying the shop’s coffee! I enjoy reading too. I also go hitch-hiking and there was a time I went on a journey.

I don’t have what could be called a hobby, so... let’s go with “meditating”.

Question 5. Any special abilities?

None in particular. Saying, “This is my talent!” is kinda embarrassing...

Creating smartphone apps. I also register my hit counts in my own self-made app. It’s pretty simple to make one, y’know?

Kendou! I was in the kendou club in middle school. But I don’t like hurting my opponents...

Hip-hop dancing! Cool, ain’t it? I’m also in the middle of studying many languages, not just English! Maybe because I sound good, I get compliments on my pronounciation.

Archery! Nothing other than that! Period!

Car driving. Parallel parking is a breeze too! But the roads and parking lots are large here, so I don’t do parallel parking that often...

None in particular. Aah, archery? I don’t want to attribute it to a category as narrow as “special abilities”.

Question 6. Are you a dog person or cat person?

Kuma! He’s the dog kept at Seiya’s place, and he’s cute and a good boy! I wanna cuddle with him!

Dog, I guess. My Kuma is more attached to Minato than to me, though... I can’t get in-between the two of them.

Dog! People tell me I’m like a golden retriever, so my affinity with them just goes up on its own!

I’m a kitty person. ❤ Of course, I’m talking about you!

Cat. Our Lucy is obviously the cutest thing in the world.

Can’t I be an owl person? In the past, after I took care of an owl that got injured, I became an owl person!

Dog. Japanese breeds are cool, aren’t they?

Question 7. Sea person? Mountains person?

Mountains. I used to often go insect hunting when I was a kid, and climbing trees is my specialty! Be it in spring, summer, fall or winter, there’s a lot to enjoy.

Mountains. When I was a child, I often went to play in them with Minato. I also quite like playing in the river.

Both! I can’t choose between either sea or mountains~. Except, the fact that there are bugs in the mountains and jellyfish in the sea is a bit...

Sea, I guess! I wanna walk on sandy dunes with you. ❤

Sea. Hey, don’t go making that “thought so~” face. I’m into hover boating.

Sea. Why, you ask? Because pretty women in swimsuits are there!

Mountains. My parents have a villa, you see. I’d often play there when I was little.

Question 8. If you could move through space and time, would you want to travel to the past or the future?

Future. I’m sometimes like, “I should’ve done this or that”, but rather than thinking about these things, I wanna move forward.

Past. The reason is a secret.

Future! I wanna try riding on flying cars! Also, maybe going to outer space!

To a happy future with you, I guess. ❤

Past. I’d become a warlord in the Warring States era! The warlord I admire is Date Masamune!

I live cherishing the present. That’s the most important.

Either. If I were to say it, I guess it’d be the future. I’m interested in space travel.

Question 9. What if you could use magic?

I could easily buy the stuff I want in limited-time sales. Last time, a 90%-off black wagyu fillet sold out before my eyes...

Controlling people’s minds. Haha, why’re you looking away?

I wanna try flying in the sky! If I do that, maybe I’d get to be friends with birds!

I don’t need magic. Like, it’s meaningless if you don’t make it happen with your own hands.

Not interested. It kinda feels like there’d be a catch, so I can’t trust it. For example, losing something important every time you use magic...

I’d be able to perfectly clean up the shrine’s grounds in an instant! We’re short-handed, so the cleaning takes up time... I wonder if someone couldn’t help out.

I wouldn’t rely on magic. It feels like I’d soon lose anything I get my hands on without effort.

Question 10. What’s something that made you happy lately?

I got to buy a good pork meat in a limited-time sale. But even though I made ginger pork with it, Dad said he was coming back late from work so he didn’t need it...

That I was able to safely enroll into high school. Eh, sounds like a lie, you say? It’s true.

I found a four-leaf clover! I gave it to Onee-chan!

That I met you. ❤ Hey, are you happy that you met me?

I went to the live show of a band I like. The lyrics that the vocalist writes pierce into your heart...

I got “winner” at the vending machine. I have strong luck, if I do say so myself! Guess I’ll try my hand at buying a lottery ticket or something if it goes on like that...

My sister drew a portrait of me. Of course, I keep it soundly in a safe place.

Question 11. What’s something that made you cry recently?

Tears came out when I was cutting the onions for the ginger pork. I was spacing out...

I don’t cry. If I have time to be crying, I make some effort to get strong instead.

I cried after watching a movie about animals! The child-raising struggles of that cheetah mom were so touching... *cries upon remembering it*

Out of happiness for meeting you. ❤ Speaking of which, why have you been giving me this cold look since earlier!?

I don’t cry.

You used to cry like a pipe in the past!

Shaddap! It’s in the past!

I haven’t ever since I became an adult. My tears have dried up... Just kidding!

I didn’t cry even when I was a child. I don’t even know what’s the kind of time that one should shed tears.

[financenfreelance]

6 Tough Lessons Learned From Freelancing For 6 Years 💸💜

Here is a list of 6 tough lessons learned from freelancing for 6 years. These are some of the lessons that I had to learn the hard way.  Don’t be dumb like I was! Learn from my freelancing mistakes.

💜 6 Lessons Learned from Freelancing

So… I have to let you in on a little secret.

This is probably a shock to no one, but I didn’t exactly hit the ground running when I first started freelancing.  When I first started, I had to take several L’s in my beginning stages, and it was tough. Unfortunately, I had to learn it the hard way – through trial by fire.

I sucked at freelancing for a WHILE. There were so many mistakes made that I’m surprised that I stuck with it.. or made any money at all.  I got serious about freelancing when I was too broke to move out from a toxic relationship… (story on how I went from broke to $1000 a week here) but for a good while, my freelance side hustle was a flop at BEST.

If you’re a beginner, learn from my mistakes.

Learn from my lessons learned from freelancing. Don’t be stupid like I was! You don’t have to learn the hard way to become a success. Here are 6 tough lessons I’ve learned from 6 years of freelancing.

“A smart man makes a mistake, learns from it, and never makes that mistake again. But a wise man finds a smart man and learns from him how to avoid the mistake altogether.”

Roy H. Williams

Related Article: Advice For Freelance Beginners

💜Lesson #1 – As a freelancer, you are now your own business, NOT an employee

And don’t let anyone treat you as such.

The first lessons learned from freelancing is this. Hear me loud and clear: You’re the boss who is running things now.

Of course, you will have clients to please, and you should go above and beyond on your services for them.

Also, make sure you are open-minded about the categories that require collaboration. Sometimes clients will have specific restrictions, times, and other requests or suggestions.   But this my dear, is a business transaction first and foremost.

Be Your Own Boss

You are the one who dictates your schedule, your pay, and your limitations (more on that later.) The on who decides your working conditions is YOU. They are not hiring you as an employee and you are not at their beg and call.

“At the end of the day, I’m the biggest boss. I’m self-made.”

– Rick Ross

Last but not least, as a business, make sure you set yourself up for success. Be sure to check out: How to Set Goals for Your Freelancing Business as well.

💜Freelance Lesson #2 – Some work isn’t worth the money

The next tough lesson learned from freelancing is this:

Do not work with problematic people.

The word “NO” will become your biggest ally when your freelance career gets going.  Trust me, some work is not worth the money.

Sometimes, this will take some trial and error before you get the hang of it, but I realized that the clients that I REFUSED define me just as much as the clients I took on.

Freelance Client Red Flags

If you see any of these red flags, consider turning down this client:

Client is nit-picking constantly and unreasonably

Your client is trying to lower your rate

They are unprofessional, dismissive

Client goes long periods of time without responding to you or paying you

The client is overly critical, hot headed, or just plain mean

Client and you just don’t mesh well

They withhold payment from you or they are a hassle to collect payment from

You feel uncomfortable IN ANY WAY talking to this client.

Avoid Stressful Clients Like the Plague

If you feel like this client is going to be trouble in any way… DON’T DO IT.

I have gained so much peace of of mind by firing and rejecting problematic customers. Time is money, so don’t spend valuable time on stress.

Choose to work with people who you have a good rapport, who are polite, and who has mutual respect with you. Having “no client” is actually 100 times better than having a bad one.

“When two people talk with mutual respect and listen with a real interest in understanding another point of view, when they try to put themselves in the place of another, to get inside their skin, they change the world, even if it is only by a minute amount, because they are establishing equality between two human beings.”

– Theodore Zeldin

💜Lesson #3 -SERIOUSLY- The ability to say no is a BLESSING

Another serious lesson learned from freelancing was this: I am not going to be able to be everything to everybody.

This is why you have a unique specialty and skillset. Both you and your client will have a better experience if you are able to set boundaries from the beginning.

Back Away From The Money!

I know it sounds crazy to turn down the money, but like I’ve said before, some money just isn’t worth it.  Some jobs will cost you more in the long run than they are worth.  Let me give you an example.

When I first was starting out as a graphic designer, even though I had narrowed a specialty, people asked me for all kinds of things.  These requests ranged from 3D modeling, video editing, and logo designs, even though I was more of a print designer.

One of my biggest mistakes

One of my biggest mistakes was taking on a video editing project. I had very little experience with video, but I had built a relationship with a client and I didn’t want to turn down an opportunity when I desperately needed the money. My lack of experience should have been my first clue not to take it. The second clue should have been that this was a rush project, and I would be burning myself out to get this thing done. I needed a miracle, but all I had was elbow grease and a stubborn will.

I sleeplessly worked on the project for 12 hours, and it looked like crap.  Stupid decisions were made- I was an idiot because had only billed the client for 4 hours. I ended up wasting time, money, and effort on a project that was not meant for me.  Not to mention… with such a terrible video, I never heard from that client again—not even for graphic work.

Make sure you draw lines in the sand when possible. If a project isn’t right for you, send your client elsewhere.  Manage your client’s expectations as well as your own. Don’t take on any work that you are not qualified for. Trust me.

💜 Freelance Lesson #4 – “That’ll cost you extra.”

I highly recommend that you become acquainted with “That’ll cost you extra.”

From the creators of “No”.

This phrase should be within an arm’s reach for when your client requests anything “beyond”.

Anything that is an emergency will cost you extra.  Rush? That’ll cost you extra. Can we just add another… EXTRA.  Make sure you have the proper upcharges in mind for any additions that may happen. Don’t be afraid to speak up for yourself and your business.

If you have a client that respects your time and you as a business, they will have no problems paying a fee if it is truly necessary.  If not.. not to be rude, but it’s not your problem.

Tough Lesson Learned From Freelancing: Don’t Let It Slide

Trust me, do not think you are being nice by letting something slide once or twice for free.  You will be hurting yourself in the long run, because that client will take advantage of your kindness.  This will add extra stress to your job and could cause you to resent your clients.

I would also recommend that newbies check out this article for more tips: Freelancing Tips For Beginners: What I Learned My First Year

💜Lesson #5 – A good third of your time will be spent outside of your craft

Like we’ve discussed earlier, as a freelancer you are now the holder of your very own business.

This leads us to the next lesson learned from freelancing.

You will need to make sure that you stay on top of your day to day tasks. These tasks will include keeping track of your income and expenses, planning out your taxes, dealing with your client’s Human Resources Department or Payroll company, and countless other things.

Client communication will also take quite a bit of your time.  You will need to make sure you are landing clients, communicating on project status, and keeping up work quotes and invoices.  You will also have to stay on top of who has paid you and who hasn’t.

Lesson Learned From Freelancing: Bill for Admin Work

Make sure that you pad this business minutia into your pricing structure, so that you are still getting paid for this time.

Although this sounds stressful, it’s still worth it.  The financial freedom that freelancing has allowed me has been invaluable.  In addition, getting to make money doing a job that I love really overruled the minutia of business.

Adulting will sneak in through the cracks in all forms, so just make sure to stay on top of it.

💜Freelance Lesson #6 – Be Honest and Own Up to Problems

The final lesson is an important one, and it ties into some things that we’ve already discussed.  Make sure you are honest with yourself and your clients.

This goes along with setting boundaries, being able to say no, refusing work that are outside of your scope, and knowing your worth.  Be truthful, upfront, and forthcoming, and you will be successful at freelancing.

Not only will you manage realistic expectations for you clients, but you are prioritizing your own wellbeing.  Never, ever over-promise and under-deliver.

When Problems Arise

Sometimes, the issue is a miscommunication, or sometimes it’s more serious. Bring things to your client’s attention as soon as it’s a roadblock for you.

The worst time to tell them is when a project is due tomorrow.  Work together on these issues to make sure both you and your client is happy.  Hey, customers are human too who f up just like the rest of us.

The good ones tend to be understanding as long as you are reasonable!

“I’m not perfect; I make mistakes all the time. All I can do is to try my best to learn from my mistakes, take responsibility for them, and do a better job tomorrow.”

– Lana

💜What It All Boils Down To:

When I first started freelancing, I was kind of a pushover.  I let things slide, let people try to control me, and let them walk all over me.

Not anymore.

Throughout my career, I’ve learned to create boundaries and draw lines in the sand like I never have before in my life.

I learned how to speak up for myself and be an advocate for myself and my business, all while gaining respect from my clients and looking stunning in the process.

That is what being a boss is all about.

“Really, every day is the perfect day to boss up. Every day that you wake up is a perfect day to boss up. It’s all about continuing to put one foot in front of the next. That’s what it’s about. Whatever you think you’re going through, just put one foot in front of the next.”

– Rick Ross

Are you a newbie at freelancing? Check out The Ultimate Freelance Guide for Beginners

[carbootsoul]

i was tagged by @katarahairloopies!!! thank u :mwah:

name: leo! @/zeitgeistofnow on ao3, @lazypigeon & @timetohope on here, altho i’m considering uh switching back to not having an art blog :/ i have to think abt it.

fandom(s): ace attorney is my main one rn bc i’m replaying the games with a friend of mine and it’s reminding me how invested i am in the characters!! a lot of my recent fic is atla stuff, altho i’ve been distancing myself from the fandom bc i’ve kinda exhausted my interest in it. finally i’ve been reading a lot of mp100 fic but i don’t think i’ll ever write for it. i just love how dumb all the characters r (with the dubious exception of ritsu)

where you post: ao3!! tbh i always get suprised when people say they write/read fic on any other platform like i haven’t messed around w wattpad or ff.net since middle school... catch up........

most popular oneshot: going just by “one chapter” as the definition of a oneshot, the firestarters, bc it’s fluffy and modern au :) i wouldn’t necessarily call it a oneshot tho bc to me a oneshot shows like, one scene? so like by my definition and your sweet sweet sun makes me crazy (i wanna lay you down and see how you amaze me is my most popular!! (also @ kit u thought UR fic titles were unnecessarily long??? i’ve hit the ao3 LIMIT for characters in titles. it’s about the aesthetic

most popular multichapter fic: sdkjflakjlkj it’s two crowned kings; and one that stood alone, which is a w359 fic i wrote back in late 2017. it’s literally the last fic i haven’t orphaned from when i actually wrote podcast fic (i have 4 other podcast fics but they were all borne out of nostalgia and written after i stopped participating in the fandom). i rewrote all but the last chapter? the last two? about a year ago and i fucked up halfway through so like chapter 6 and 7 are repeated and there’s something missing but i’m too lazy to fix it. no one’s going to read it now anyway :) it WAS the top minlace fic for a little while tho which i take great pride in.

favorite story you’ve written so far: oh that’s a hard question akfsldkfj i honestly like most of them!! and i write a LOT so there’s a lot to choose from. tonight, we are young is def one of my favorites- it was fun to write and i got to explore the ways zuko and yue r similar, which i LOVE to do outside of a zukka/yukka view. you can lean on my arm as you break my heart  is one that i’m really proud of? the whole “cooking as an expression of bato’s love” is definitely some of my favorites. a lot of my ace attorney fics would be categoried as my favorites if i hadn’t improved, too, if that makes sense. like they’re no long my favorites because i can see where my writing is shitty and it bothers me, but if i had written them a month ago they’d be my favorite.

fic you were nervous to post: figures 1-5: killing gods def!! it’s a lot more purple-prose-y than most of my fics and it was also written before i’d kinda like emersed myself in the atla fandom so i didn’t have as good a grasp on the general understanding of zuko’s character as i do now. tbh it’s one i’m rly happy w tho!! i have a few people leave really nice comments on it and rereading them makes me really happy. also it was the start of me hating the position of fire lord and being at least passively anti-it in my fics.

how you choose your titles: they’re almost all song lyrics!! only 14 of my 50 words AREN’T song lyrics and about half of those are from before i started writing ace attorney fic lol. sometimes i go into a fic with a song in mind for the vibes and then i usually go with lyrics from that (like in ‘cuz we’re the greatest /they’ll hang us in the louvre), but otherwise i usually pick an artist i’ve been listening to and go through their songs until i find a lyric that fits. sometimes the lyric doesn’t even really fit the fic and i just chose it at random or because i searching up the word “fly” in my spotify library or whatever. honestly i like coming up with titles? i know a lot of fic writers hate it but being able to just use song lyrics is v soothing for me and while i know that most people won’t search out a song just bc it’s a fic title like.. seeing that the title of a fic is a hozier lyric does affect how i read it and i kinda like that.

do you outline? i outline my long form/multichaptered fics with varying strictness. usually anything over ~8k will have some kind of outline. sometimes i go into it with every single scene planned out, sometimes it’s just notes on the side of the google doc that say “it's about MORE family. about how it's not betraying your existing family to find more” and “scenes i want to include: [...]” and “vampires... ngl kinda hot.” i’m trying to outline super strictly less bc i’ve found it’s less fun? but i do try to keep a plot arc in mind. since most of my fics are more character-driven than plot-driven, that usually just means keeping track of what character development i want to happen or what is motiviating the characters. 

complete: um everything posted on ao3 i guess. also the MULTITUDE of orphaned fics out there asksfjldkj i always click ‘leave my pseud on’ so if u look up my username you see all of my fics and then a. lot of other ones.

in progress: - a fic titled ‘dad phoenix’ that is actually just a no DL-6 au with defense attorney miles edgeworth and single dad bartender phoenix where neither of them want to date for A While but phoenix gets wrapped up in one of miles’s cases. it’s about family. it’s about writing teenagers. it’s about the background franmaya which is ALWAYS what i’m here for in wrightworth fics - a franmaya werewolf/vampire au because i’m ~gay~ and love rivals to lovers and also franziska and maya both being angry their older brothers r dating each other. - my secret santa fic!! which i can’t talk about much but it does feature toph and zuko and also piandao and jeong jeong???? idk where they came from but they are Part Of The Fic Now also i forgot iroh existed for half the fic and wrote piandao as zuko’s father figure and now i’m in too deep. - a 5+1 bakoda fic (maybe a bato/hakoda/kay fic??? i need to decide. that’s part of why this fic is still incomplete bc i can’t decide which relationship dynamic i prefer) that’s 5 times bato said he loves hakoda and one time hakoda said it back. possibly i have already written him saying i love u back and i need to change the title a little. - retail au klapollo where klavier works at an overpriced boutique and apollo comes in to buy earrings for nahyuta’s birthday. klavier gives him a punch card (one that the store doesn’t actually offer anymore as a bid to get apollo to come back) and all of apollo’s family come in to use the punch card and also give klavier variations on the shovel talk/find out if he’s actually into apollo. - a LOT of atla fics that i don’t think i’ll ever finish :(

coming soon/not yet started:  - i want to write some blackmadhi bc they’re.. cute..... and it’s a good excuse to also write athena and i love her - my stuff for yueki week!!! i have NOT prepped enough but hopefully i’ll remember in time! i wrote the prompts in a way that kinda set up stuff i’ve already wanted to write (don’t look at me lol) so hopefully i’ll get at least two or three fics finished in time. - i want to rewrite the wrightworth fic i have about them not getting married bc it was interesting and i like what i wrote about but i think i could have written it better and made it more interesting. rewriting fics is hard tho bc i’m never sure if it makes sense to just edit in the new work or to repost it? and then if u repost it do u delete the old one? conflicting so i might just not

do you accept prompts? totally!!! a disclaimer tho i’m not super into writing atla stuff anymore (most of the atla stuff i’m still writing is  something i made a commitment to finish) so if your prompt is an atla one i probably won’t do it :/ basically anything else is fair game tho!! podcasts/aa/sa/uh i don’t remember anything else but like if you search a fandom on my blog and come up with more than two posts about it chances r i’d be happy to write fic for it!

upcoming work that you’re most excited about: oh huh i mean probably the no dl-6 au!!! it’s the longest ace attorney fic i’ve written already and since it’s wrightworth it’ll get more attention than any franmaya fic i write. my standards r so high now tho after getting to much feedback from atla fans... love u all... obviously i have no choice but to pressure my atla mutuals into playing ace attorney. pls ask abt it bc i WIll Give You A Sales Pitch about why you’d like it in relation to atla

tagging: i’m not rly tagging anyone!!! @deadflora if you still consider urself a fic writer also consider urself tagged! also any of my other mutuals who write fic i just can’t think of anyone rn

[lisalowefanclub]

Multiplicity and what identification and representation means to Us

Madeline: I don’t remember there being many cool, attractive, and overall desirable but not fetishized (bye yellow fever) representations of Asian people in mainstream media while I was growing up in the early 2000s. The Asian media I did consume was introduced to me by my dad, so you can imagine the kind of outdated and endearingly weird characters I was exposed to as a kid. Think blind Japanese swordsman Zatoichi or humanoid child robot Astro Boy, both of which originated in Japan around the 60s. As for celebrities, I occasionally heard people talking about Lucy Liu or Jackie Chan, but only as defined by their stereotypical Asian-ness. My point is that this kind of cultural consumption fell into one of two categories: that of obscurity, which suggests that cultural objects are created by Asians for Asians (bringing to mind labels like “Weeb” for Western people who love anime), or that of hypervisibility grounded in stereotypical exoticism. You’d be hard pressed to find a film that passes the Asian Bechdel test.I didn’t discover K-pop until coming to college when I became curious about who my white friends were fawning over all the time. Since then, it’s been really neat to see how K-pop has become popularized as one of the many facets of America’s mainstream music and celebrity culture, especially when artists write and perform songs in Korean despite the majority of their audience lacking Korean language fluency. This suggests that something about the music is able to transcend language barriers and connect people despite their differences. Today it’s not uncommon to see Korean artists topping Billboard’s hot 100 hits, being interviewed on SNL, winning American music awards, gracing the cover of Teen Vogue, or being selected as the next brand ambassador for Western makeup brands like M.A.C. If you were to ask your average high school or college student if they know Blackpink, BTS, or EXO, they would probably be familiar with one of the groups whether or not they identify as Asian.What does this mean, then, for young Asian-Americans to grow up during a time when Asian celebrities are thought to be just as desirable as people like Timothée Chalamet, Zendaya, or Michael B. Jordan? What does it mean to see an Asian person named “Sexiest International Man Alive”, beating out long-time favorite European celebs? What does it mean for popularity to exist outside of the realm of the racialized minority and for it to build connections across minority cultures? Of course, fame can be toxic and horrible-- it is, at times superficial, materialistic, gendered, fetishized, and absolutely hyper-sexualized-- but I for one think it’s pretty damn cool to see people who look like me featured in mainstream American culture.I’ve found that throughout the semester, my understanding of Asian presence in America (American citizen or otherwise) has been deeply shaped by our discussions of identity politics and marginalization, another class I’m taking on intergenerational trauma, and my own identity as a Laotian-American woman. Recently, I’ve been thinking a lot about the similarities between American proxy wars in Korea (The Forgotten War) and Laos (The Secret War), both of which involved US bombing of citizens in the name of halting communism. Taking this class has challenged me to reconceptualize how we make sense of mass atrocity in relation to a pan-Asian identity, especially when contending with how trauma and violence can act as a mechanism for cultural production, and I look forward to exploring this more in my thesis. 

Cyndi:  K-pop is always just the beginning. Enough in and of itself, any interest in the genre at all reinvigorates the consumer to become more engaged with the world in which it exists. Two years ago, I got into a big, but in hindsight pretty silly, argument with my mom when I started going to a Korean hair salon (because of my K-pop delulus / Jennie prints) instead of seeing Maggie, our Vietnamese hairdresser who I can usually only see twice a year on our bi-annual visits to California to visit extended family. My mom told me the Koreans don’t need our money, they are already richer than we will ever be. Who are ‘the Koreans’? Who is ‘we’?? Is every person of Korean descent doing better than every person of Vietnamese descent in America? And #why is my mom being A Hater? Surely, sharing our identity as ‘perpetual guests’ in America should create some sort of solidarity, or at least, allow for transitory economic collaboration??? I give my money to white people all the time: to McDonald’s (Cookie Totes), to Target, to Swarthmore College. 

K-pop cannot be the end. As much as I enjoy the music, the show, and the celebrities, I also know in my heart that the current international interest in K-pop will not last. As an almost perfect and perplexing exemplification of modern global capitalism, the industry will over-expand and thus wear itself out. I always see the subtle disappointment on my language teachers’ faces when they ask me how I came to take interest in Korean, and I have to answer ‘K-pop’, because that is the truth; that is not where I am at now, but it will always be how I began. It has become clear to me that this disappointment is not just a generational difference. Maybe these old people are jealous of pop stars like how I also have to question whether I am secure in myself when I see a 14 year old accomplishing things I as a 21 year old could never accomplish in my long life. I am coming to understand that part of their reaction comes from the fact that there is a fine line between cultural appreciation and cultural appropriation, that pop culture is ephemeral, but they have lived their lives as entirely theirs. Casual or even consuming interest for the parts of culture that are bright, and clean, and easy cannot ever stand in for true racial empathy, though it is where many of us start. Identity in K-pop is merely another marketing technique, but to the community of fans and lovers, it is something that is real, lived, and embodied. I find that looking at K-pop always brings forth my most salient identities in terms of gender, race, and sexuality. As much as female group members express affection and jokingly portray romantic interest toward one another, would it ever be accepted if these jokes were no longer jokes, but lived realities? Even if the K-pop industry itself did not seek to produce fan communities of this magnitude, these communities that have been founded in response to it are here to stay.  Lowe argues that “to the extent that Asian American culture dynamically expands to include both internal critical dialogues about difference and the interrogation of dominant interpellations” it can “be a site in which horizontal affiliations with other groups can be imagined and realized” (71). A recent striking example is Thai fans’ demand to hear from Lisa on the protests -- a primarily youth-led movement against the government monarchy--going on in Thailand. Although she is, of course, censored and silenced on this topic, the expectation is still there; fans are holding their idols to a standard of political responsibility. 

Jimmy: I haven’t really paid much attention to K-pop until working on this project. Sure, my cousins would do anything to go see BTS perform in person, but I didn’t care so much. Or maybe, I was just not saturated with the cultural zeitgeist. Whereas they live in the center of a cosmopolitan city which imports and exports, my hometown hums white noise. Increasingly, though, K-pop has entered into my life and the wider American cultural space. Now, K-pop tops the charts and is featured on late-night talk shows. Whether or not you are a devout follower, you have probably encountered K-pop in some form. It was not until I went to Swarthmore that I have “become” Asian American. Back home, my friends are primarily either white or Vietnamese-American. And even though I did recognize that I had an “Asian” racial identity mapped onto me, I did not consider it to be based on any politics. After engaging with and working within  Organizing to Redefine “Asian” Activism (ORAA) on campus, as well as taking this course, I have a better grasp of what it means to rally around an Asian American identity. It is a way to organize and resist. Reflecting on my political evolution, I feel comforted and alienated by the cultural weight of K-pop in America. It is amazing to see the gravity of cultural production shift away from the West. And to have global celebrities from Asia is great. Yet, K-pop is limited as a platform for Asian Americans to create identity. What are the consequences when mainstream ideas about contemporary “Asian” culture are still perpetually foreign from America? Is Asian American community just built around transnational cultural objects like K-pop and bubble tea? Does the economic and cultural capital of K-pop held by its idols obscure or erase the heterogeneity and multiplicity of Asian Americans? 

Jason: The first time I heard K-Pop was when Gangnam Style came on during a middle school social event when everyone is standing in their social circles doing their best not to be awkward when teacher chaperones are constantly staring at the back of your head seeing if any wrongdoing would occur. At that time, I could never imagine the K-Pop revolution that would occur within the American music industry.  Anytime I turn on the radio it is only a matter of time until a BTS song will start being blasted from the speakers. It is crazy to think that K-Pop has become so widespread within American popular culture that mainstream radio stations in Massachusetts are so willing to play K-Pop, even the billboards of 104.1 “Boston’s Best Variety” are plastered with BTS, because they know that is what their audience wants. Eight years ago, during that middle school social Gangnam Style was more about being able to do the dance that accompanied the song rather than the song itself. This has completely changed as more and more people are finding themselves becoming devout supporters of K-Pop. This class and project have continuously been pushing me out of my comfort zone by engaging in literature that I would never have read and discussions that I would never have imagined participating in. I have even listened to more K-Pop over the past couple of weeks than I had ever before in my life. I was impressed by myself when a song by BLACKPINK came on and the radio host said here’s some new music that I knew that the song was from their first album that came out around a month ago. I am grateful that I have been pushed out of my comfort zone and “forced (by having to actually do the homework)” to engage in the material of the class. Who knows how long this K-Pop fascination will last in American popular culture, but I am glad that I could be a part of it rather than letting it pass me by and staying within my comfortable music sphere of country, pop, and British rap.  

[floralgothpersephone]

Top Fave Fandoms

@akai-vampire tagged me in one of these fun little tag games. Thanks darlin! <3 <3 <3 I appreciate the thought! 

Rules:  Name your top 10 fav character from 10 different fandoms (and tag 10 people).  

Most people are putting in .gifs for each fandom... but I wrote a ... well a paragraph about my experience in each fandom instead because I am feeling some deep sort of nostalgia these days and felt like reflecting... so its all under a read more tag if you are interested in my ramblings. 

In order of my own discovery, and not importance! 

Twilight: Team Edward. don’t @ me, it was my first fandom experience and I wrote SO MUCH fanfiction before I knew it was even a thing. I published it on DeviantART thinking I was so clever, and finding fanfic dot net was WILD. My interest in that fandom was immediately crushed dead the day after Breaking Dawn was officially released and I realized I had read better fanfiction then what cannon gave me. I never even saw the movies because my interest was just gone. *shrugs* But the re-emergence of Twilight recently is giving me life. 

Teen Titans: BBRae... Then RobRae.... then RaeX.... then StarRae... then CyRae... listen.... Raven deserves all the love and attention??? Also, I was in this fandom back when the original series was being released and was in complete denial when it got canceled. And for years I was just reading fanfiction that had been completely abandoned as fanfiction authors just kinda disappeared one by one? It was like, interacting of pieces of history left behind in a void. I was still deep in the Teen Titan fandom when Teen Titans GO! Got released. So during that very very long time of zero new content, I got to re-evaluate all of my fanfiction standards and completely read most every single Teen Titan fic ever written in my thirst for more. Suddenly ships didn’t matter as much to me, I’d take anything and everything. So when Teen Titans GO! Came out, I LIKED IT AND STILL DO. I still think the years and years and years of being in the Teen Titans fandom and being pretty damn isolated from social interaction kinda ruined me for fandoms that are still alive. Social fandom interaction??? hahahahaha, whats that??? 

Akagami no Shirayukihime: Obiyuki... this was a complete accident and I only fell into this fandom because my fave Teen Titans fandom author was writing for it, and I was reading the fanfiction without ever seeing the show, and like, kinda loved these characters a TON??? Oh no??? Real talk, I read most of the fanfiction published by the fandom before ever actually watching the actual tv show or reading the actual manga. But the fanfiction was so good and so engaging and I was learning all about these characters through this mystery game of putting all the parts together by all the different authors??? I loved learning about these characters through the people who love them the most, and it was magical. But then that became my dirty dark secret as I was suddenly welcomed into one of the most kindest and generous online communities I have ever met??? I have nothing but absolute love for the Obiyuki fandom and family. I had never experienced that kind of community before and looking back on it I still don’t think it was real, stuff like that you can only dream of sometimes. I sat down and actually read that manga and Fiona sat with me so that I watched the tv series so that I could properly engage with them because I liked the people so much. And when life hit me square in the face and I had a complete mental breakdown in grad school, and socializing with people online would give me complete anxiety attacks... and I had to step away from it. But I still mourn loosing that, and I keep trying every so often to see if I can interact again but I fear some chapters just close, and I hold the time I had with it, and the memories from then very lovingly. I will finish those fanfictions though. Even though I have no idea what has happen in the manga anymore I want to at least finish those stories like what they deserve. 

Miraculous Ladybug: Love Square. Sooo much love square. All the love square. Only the softest, gentlest, most innocent fluff to cope with the world and all my anxieties, and this stupid show gave me all of that. Plus, there was so much fanfiction to choose from that I was actually able to use tags and warnings to be able to navigate finding things that were safe and not feeling like my options were limited? It was so good to me. I also had never actually watched this show, and was only reading fanfiction of it for... honestly a full year. And when I did actually watch the first 2 seasons... I still didn’t watch the new episodes when they got released, because I much prefer watching the fandom loose their collective mind and getting to play the mystery game of what the hell happened in the show according to the little spoilers and the things people were screaming about. It was fun spectating, and putting it all together. Then reading the fix-it fanfiction and being like “whoa wait, hold up CANON DID WHAT???” ... Honestly I am pretty certain I still haven’t seen at least 10 episodes. But I know everything that happened now! Have I mentioned that I have an insane amount of anxiety of actually watching tv shows on my own? I must have company or else it will never happen. Shout out to Fiona for sitting down and watching Ladybug episodes with me while I screamed into a pillow. And for the record, I did start writing a fanfiction for this one. But I learned my lesson and decided not to post anything until it was finished so I didn’t have to live with the guilt of yet another unfinished story to my name. It was a little mermaid AU, and Adrien is the mermaid princess obviously, while Marinette is a badass pirate. It was fun to outline and write like, 3 chapters but i doubt I will ever actually finish it. 

Greek Mythology: Hades/Persephone. Yoooo this is my current thing. I am living for the walking contradiction of the powerful stern Lord of the Underworld falling for a little tiny goddess of Spring... and then finding out the little tiny ray of sunshine is really a complete force of nature to be reckoned with and he just crowned her Queen of the Dead. Beautiful. Poetry. *chefs kiss*  Also. I DON”T HAVE TO WATCH ANYTHING. AND ALSO. ITS AN ANCIENT STORY SO LIKE, NO SPOILERS TO NAVIGATE. lol. But honestly this is just a re-awakening of little middle school Becca who was obsessed with the Odyssey and was learning how to throw pottery so that she could actually date her pots, to help out the archaeologists in the future. (honest to god, that one of my main motivations as a little 6th grader making her first pots on wheel) And she was making these super shitty small greek pots and giving them to her English teacher because her English teacher loved the Odessey too. And then Greece had a complete economic collapse and crushed all of baby-Becca’s dreams to get to travel to Greece and see the greek pottery. And she delt with that heartbreak by pretending it didn’t matter and went and found other cool pottery to fall in love with instead. But now its back with a vengeance and once again Becca’s plans to go to Greece got destroyed by yet another economic collapse but this one is just Pandemic style. I am going to get to Greece so help me gods.  And yes, I have written fanficiton for this one too, and its honestly like, pretty fleshed out and written down heavily in my notes. I just have to like, type it all out and polish it. But, we will see. I am not allowed to have nice things until I finish the stories that are already posted. :[ 

Hadestown: Hades and Persephone, love that made the world go round. This gets its own bullet because its a different category because its a Musical even if its also a Greek Myth. And talk about reading all the fanfiction before seeing the source material. But isn’t that the case with most Broadway musicals? LOL. But its okay, I actually went and SAW the musical for this one, and once again, Fiona joined me. I’m starting to wonder if my Fiona is just my fandom anxiety buddy. Also shout out to the Rona for canceling my plans to see it again, not once, but twice now. (I have to go back because I didn’t get to see Amber Gray perform the first time, and hello I am obsessed with Persephone she is my favorite and I really really really just need to hear Amber growl in person okay???) I do have nightmares that she has left the show for good and I will never see her perform Persephone. Like legitimately have had that nightmare multiple times this week. I am just recently trying to navigate the Hadestown fandom on tumblr and still fumbling around with that. No fanfiction for this one yet, but I am making fan-pottery so like. That counts. 

Aaaaand you only get 6 fandoms because these are the only 6 that truly matter. Anything else I have been interested in has only been a passing fancy and never one of the true hyperfixations. Also if you got this far and actually read everything, well done, I am impressed. Thanks for taking interest in my ramblings.  <3 

If I am tagging you its cause I want to play the game, don’t feel pressured if you don’t want to play. <3

@bookloverfio @ruleofexception @wingsofgossamer @claudeng80 @puns-are-funs65 @ourladyoftheundcrground @peachdoxie 

[daturanerium]

finished season two of the magnus archives! here is my s2 livetweet thread and here are my reflections/predictions from season one. 

jon:

you are so fucking stupid. so incomprehensibly dumb. it is absolutely incredible how you lack any brain cells at all.

if jon was a dnd character he’d have a plus three to intelligence and a negative two to wisdom. i’m right.

[jon voice] people care about me? Must Be A Manipulation Tactic!

[jon voice, continued] literally everyone except for me is a) a murderer, b) using me, or c) hiding something. i, however, am totally fine and also sane and if you imply otherwise you are definitely Hiding Something and i need to stalk you.

seriously it’s a goddamn miracle he wasn’t fired or didn’t just like....explode on the spot

that awkward moment when you befriend a cop and get tapes that may lead to your successor’s cold murder case being solved but in the process you learn that you and your place of employment are actually owned by The Great, All-Powerful [REDACTED] 

it’s so interesting listening to a man’s mental health and sanity decline in real time!

martin: do u want some tea? jon: you’re going to kill me huh?

[jon voice] it is a good idea for me to enter these dangerous tunnels alone on multiple occasions. i am fine. 

his fatal flaw is still pursuit of knowledge. love that for him. 

baby please you work for an entity that probably literally thrives off knowledge.......please grow some brain cells in season three before you literally die doing something stupid

i literally can’t say anything more about s2 jon that isn’t me just repeating “stupid dumb paranoid baby” over and over again

martin:

martin [shaking hands emoji] me playing the mediator as our family loses their minds around us

martin blackwell recieves everything he has ever wanted and needed challenge!!!

baby i love you

HE CARES SO MUCH AND NOBODY CARES ABOUT HIM.......

martin’s job this season is literally the concerned husband but we’re not ready to talk about that yet

my dude really stepped up at the end! he was gonna fight michael in hand to hand combat for jon and sasha and i’m so proud of him!

martin went from baby to hold my flower

martin saw some shit in season one and now he’s a badass

his poetry.....i cried i literally love him so much

when he was talking to tim in the tunnels and he just breaks. and yells. and says he wants to get out of here and save jon and help sasha and be happy and you know what if everything DID turn out in the end that would be kind of nice actually!!!!

we didn’t see much of him this season but from what we did, especially at the end......the character development.......he’s so much braver now, so much more ready to confront the horrors of the world around him. martin is one of those special people that runs on love and uses love as a driving force to fight for the things he needs. 

i hope someday martin gets to sit down in a nice little cottage in the middle of nowhere with someone who loves him and just. relax. it’s what he deserves.

tim

you are the only bitch in this house i ever respected

literally just trying his best

so incredibly valid

GIVE HIM A BREAK

as someone who is the least confrontational person on the planet i really respect and admire tim calling jon out on his bullshit

that scene was so cathartic.....god.....

@ THE ELDRICH BEING RUNNING THE ARCHIVES CAN YOU PLEASE LET HIM GO HE JUST WANTS TO LEAVE

tim at the beginning of s2: hey jon you okay? you’re acting weird and it’s kind of freaking us out tim at the end of s2: fuck archivist lives and jon in particular,

and you know what? he’s right

i hope tim gets to go home. it won’t happen but i can dream.

are we just gonna brush over that part in the finale where michael just???? bamfed them to another dimension or something????? because neither tim nor martin seemed the least bit phased

honestly tim/jon has rights. i enjoy it.

he’s just so angry and hurt and done. he’s reached his limit. goodbye

get tim out of the archives s3!!! do it!!!

gertrude

wow i love you

every time i hear gertrude’s voice i just go [one thousand teary-eyes emojis]

there’s a lot we don’t know and there’s a lot that she knows. i wish we could like. raise her from the dead or something. altho honestly with a horror podcast who the hell knows

jon listening to/hyperfixating on gertrude is just a fancy way of him claiming her as his new mother figure

GOD I LOVE HER I WANT TO KNOW EVERYTHING ABOUT HER CAN WE GET A SPINOFF PLEASE

basira and daisy

the only cops with rights

that part where tim thought basira was jon’s girlfriend and they both dissolved into gay panic.....priceless

daisy step on me challenge. i’ve met her twice and i love her.

honestly basira is such a badass. stealing from the cops while being a cop? that takes guts and i really respect her lack of respect toward cops while being one

not to mention that entire business with that sentient cult darkness shit. she killed it in there (no pun intended). give her like a purple heart or something idk how cops work

daisy.....please tell me your secrets. what have you seen. what do you know.

melanie

please work for the archives i am BEGGING you

my ghost hunter girlfriend

i love her and jon’s relationship. just pure loathing. tension between the hunter and the archivist. i live for that shit.

but under that it’s like Oh Shit I Actually Care A Lot???? like their loathing comes from their businesses being judgemental enemies, but personally they actually have a lot in common and care for each others’ wellbeing.

i really hope melanie sticks around so we can learn more about her and see her friendship with jon grow into....an actual friendship

shes also a total badass and both her research and deducing skills are so good. she’s just a great archive candidate overall.

michael

[REDACTED]

what the fuck are you

what the fuck do you want

why do i like you so much.

okay there’s a lot more going on here but i’m putting my predictions under the cut!

okay lets check out my predictions from last time.

okay this one was partially right! “entities” rule the world apparently, and the archive is run by one of them. sort of got that!

.....yeah that didn’t happen.

hell yeah! i’m proud of myself for this one, even though the time loop part wasn’t true. i thought “time loop” because her voice started echoing when she hit the table, but turns out that was just her crazy long copy taking over. oh well!

nope. gertrude was killed by elias, apparently. fucker.

WELL.........

okay. this one is complicated because i was sort of correct but there’s still a lot of information i don’t know. gonna give myself half credit for this one i think.

REMEMBER IN THE FINALE WHEN MARTIN THOUGHT HE SAW SASHA AND TIM HAD TO STOP HIM FROM RUNNING IN TO SAVE HER? YEAH.

okay, season three predictions. let's go.

(disclaimer: while i haven’t been actively looking up spoilers or engaging in the tma tag, i also haven’t muted the tag or anything associated with it. i have ideas of what’s to come but they’re vague and mostly come from fanart on my dash/timeline).

jon just gives up. he’s having to much of a crisis to do anything other than his job.

jonmartin endgame still

michael becomes a sort of??? constant presence??? at the archive. everyone just kind of accepts it.

the books and the entities make a lot more things make sense. that’s really vague i know but like. 

predictions for the entities:

fire/destruction 

knowledge (jon stans rise up)

empty/alone (these stories always get to me the most. the ones where you’re endlessly falling or trapped in a cave or can’t sleep or stuck in space. shit scares me more than anything else)

chaos (i think michael is with this one. the doors also fit into this category, and maybe that shipping company)

death/id (brings out the bareness of human instinct. the meat, the bloodlust, and the death. maybe even the bugs go here, but they’re confusing. i don’t know where they fit.)

each entity represents a deep-set human fear. they were created to either teach us lessons or keep us in line.

sometimes they have devoted followers. sometimes they have disciples or avatars. you can lose yourself to them if you aren’t careful. jane was probably an avatar, that girl with the heat powers on hilltop road was an avatar, that guy with the lightning powers was an avatar, etc.

the books can teach you how to connect with the entities, but you have to be actually insane to try it. (if you aren’t already, you certainly will by the time you finish the reading/ritual. if you even survive)

anyway back to actual plot.

jon learns more from gertrude’s tapes about elias and the archives. maybe even the entities. he doesn’t want to know, but as we’ve learned, he Just Can’t Not Know. 

jon finally grows a brain cell and lets people (martin) take care of him. a little.

tim is just there. he hates it but he can’t leave. (someone please get him out this is so sad)

melanie and basira join up with the archive, but for different reasons. melanie because jon asks her to, basira because despite her best interest she couldn’t stay away.

at the end of the season we’ll either meet a powerful avatar person of one of the entities themselves. that will be.....interesting. 

elias gets hit by a bus. won’t happen but i can dream.

what ever happened to that one man from season one who had the dreams about death? i loved his statement. is there anyone out there like him? will jon receive a message like gertrude did?

WHAT IS THE LIGHTER FOR. i completely forgot about it until i looked at my last predictions and saw it mentioned.

martin is more active in tapes (again unlikely but i can dream. i love him)

that’s about all i got! i’m going to post this and immediately start season three. wish me luck :)

[thearkhound]

Shigeru Miyamoto interview from Micom BASIC (February 1989)

The following is translation of a review of Super Mario Bros. 3 written by Akira Yamashita for the February 1989 issue of Micom BASIC Magazine as the 7th entry in his “Serious Play, Sincere Review” (ホンキでPlay, ホンネでReview) series of articles. It contains commentary by none other than Shigeru Miyamoto himself on the development of the game and its design choices. The review was written a few months after the release of Mario 3 and provide a few insights of not only of how game was received in Japan, but also how it compares to other games available in the market at the time thanks to Mr. Yamashita’s tremendous insights.

There’s also a list of recommended 2-players games for the Famicom that I decided to leave out, but I might translate it too and edited into the article at a later date if there’s demand for it.

Profile of Shigeru Miyamoto

Name: Shigeru Miyamoto

D.O.B: November 16, 1952 (Sonobe, Kyoto)

Employed by Nintendo Co., Ltd after graduating from the Kanazawa University of Arts on April 1977. He became involved in game development in 1979, working as a character designer in titles such as Space Fever and Space Firebird. Currently works as manager of Nintendo’s R&D department 2.

Work History

Arcade: Donkey Kong, Donkey Kong Jr., Mario Bros.

Famicom (as director & game designer): Hogan’s Alley, Excitebike, Super Mario Bros., The Legend of Zelda, Wild Gunman, Duck Hunt, Devil World, Spartan X [aka Kung-Fu]

Famicom (as producer): The Adventure of Link, Doki Doki Panic, Super Mario Bros. 3, Shin Onigashima, Famicom Grand Prix: F1 Race, Volley Ball, 3D Hot Rally

The Culmination of The Athletic Game Genre

Athletic Game - This is the term that Mr. Shigeru Miyamoto and Nintendo uses to collectively refer to Super Mario-like games. Specifically it refers to games where slightly large characters move around the screen and jumps serve as the basic action.

Indeed. Mr. Miyamoto’s career has been in a cycle. Ever since Donkey Kong, the first time he ever worked as a game designer, it appears he has an inseparable bond with the athletic game genre.

First of all, any game in which almost all the characters are pushed out to the front (including “athletic games”) can be divided in the following sub-categories depending on the objective the player needs to fulfill in order clear a single stage.

A so-called “chase game” where the purpose is to avoid obstacles and enemies while doing a certain task (such as eating all the dots or reaching the exit). Examples include Pac-Man, Mappy and Chuck’n Pop.

A game where the objective is to defeat a set amount of enemies such as Dig Dug or Bubble Bobble.

Donkey Kong, Mr. Miyamoto’s maiden title, clearly belonged to the first category (although it might be a bit misleading to call it a “chase game”, since the enemies and obstacles only move at a regular pace). I remember it felt pretty fresh at the time to play a game made basically about “jumping”.

The objective of the game was changed for the original Mario Bros., which now felt into the second category. In addition to the Jump from Donkey Kong, Mario Bros. introduced “headbutting” as a new method for defeating enemies - This was very groundbreaking. Usually in a second category game, it was expected for the player to shoot bullets or some kind of equivalent. Substituting that with such an unusual method as “headbutting” was the nature, and significance, of the original Mario Bros. When it comes to games that feature unique methods of defeating enemies, it is surprising rare for titles released prior to Mario Bros. The games that suddenly comes to mind are titles such as Heiankyō Alien, where you dig and fill-in holes, and Libble Rabble, which employs a unique method called “bashishi”. [Translator’s note: The “bashishi” refers to the ability to destroy enemies by using a strand tied to two arrows to enclose them.]

And with Super Mario Bros. released for the Famicom [NES], the ingenuity was further expanded. “Stomping” on enemies has been added as a gameplay element in addition to jumping and headbutting, as well as the option for “Fire Mario” in order to satisfy the desires of players who wanted to shoot bullets. When you consider the type, it’s basically a Category 1 game, but it brings up the image of a Category 2 game to the player, creating a brilliant fusion of both types.

“It’s a type of game that is easily approachable for younger inexperienced players, but can also be played by experienced hardcores without getting tired of it. It’s a fun game, even when you’re just watching other people play from the sidelines. That’s the sort of game that I wanted to create.”

Miyamoto explained why he stepped into the so-called “athletic game” genre (which is a label that I don’t mind using). Super Mario Bros. 3, a game which satisfies such conditions, can be said to be the culmination of the genre.

Some of the Virtues of Super Mario 3

Super Mario Bros. 3 was a huge hit that by the end of 1988 there was even a shortage of supply. I think the following aspects should be noted.

Caption: A card-flipping minigame similar to concentration. There are many hidden items such as 1UPs, Starmen, coins. Since there are only eight patterns to the distribution of the cards, it’s not impossible to memorize them and get a perfect.

Caption:

At a first glance it seems like a picture-matching game. You can stop the wheel (?) with the push of a button. If you can memorize the pattern, you can combine the picture into a starman and earn a shocking amount of five extra lives. It’s a perfect aid.

The Spirit of Aiding - Because 1UP mushrooms are plentiful compared to the previous two Mario games, and it’s also easy to get extra lives through minigames such as the picture roulette and concentration, it’s almost hard to get to the Game Over screen. Moreover, I’m glade there are aids that have been employed, such as the technique of picking up consecutive starmen, that take into consideration how well you can play the game comfortably.

The Presentation - Despite being an action game, considerable effort has been put into the game’s presentation in otherwise mundane places. For example, the kings that appear at the end of each world has been transformed into a different animal, in World 4 there levels where you can switch between normal-sized version and a version where all the enemies and environments are larger than usual, and in World 5 there’s a tower that you can climb which takes you to the heavens, where you will find the castle at the end. There’s no limit to the examples I can give. This is a significant improvement over the first two Super Mario games thanks to the increasement of the game’s ROM size. If there is one aspect I think could’ve been improved, was the presentation of the ending could’ve been better.

Scrolling Ideas - It’s rare for a single game to employ various methods of scrolling. There’s free-scrolling with your character, forced-scrolling to the right (and ocassionally diagonally), hi-speed scrolling, ect. The highlights are the flying airships that you enter at the end of each World. Like in Stage 3 of the arcade game R-Type (which also involved moving around a giant airship), you must carefully navigate your character while the stage scrolls through various directions in order to avoid being crush by a wall. While these ideas have been employed by other games in the past, they still deserve merit for the way they’re employed here.

The Music -  I believe the soundtrack to Super Mario Bros. 3 will go down as one of the best in Famicom music’s history. In addition to the sense and atmosphere that makes you feel the uniqueness of each world, what is truly amazing is that they managed to devise a program that makes sound sampling on the Famicom possible. That’s real. Those are the sounds of a real kettledrum and a bassdrum that were recorded through sampling. Following the release of the game, rumors spread that the Super Mario Bros. 3 cartridge employed an integrated chip specifically for the sampled sounds, but Mr. Miyamoto clearly denied such a thing.

Caption: The king who appears in the castle at the end of Worlds 1 through 7 are each transformed into a different animal. You might find yourself laughing at the unexpected transformations. By the way, do you know what happens if you clear a World as Frog Mario?

The Peculiar Details and the Difficulty Setting

Caption: The airship from World 8 is said to be one of the most difficult levels in Super Mario 3. Because of its uneven footholds, along with its high-speed scrolling, the results are quite bad. Perhaps you might even need the P-Wings if you can’t clear it normally.

Caption: Among the enemies with individual patterns in the game, Boo has the most unique concept out of all of them. She only approaches gradually while Mario has his back turned on her. Each of these character establishes have good sense in them.

As mentioned above, Super Mario Bros. 3 has several aspects that are a rank higher than other games. However, when you take into account the game as a whole, it could be said that the secret to its popularity lies in how the details were set. The experts at Nintendo have crafted detailed maps, along with enemy characters that exists mainly to raise the quality of the game, that help motivate players.

Of course, you can’t ignore the perfectly exquisite difficulty setting. When I was playing for the first time, there were many stages where I thought “gah, I hope I don’t have to repeat this again!” Yet, strangely enough, most of the levels can actually be cleared without much of an effort. Although, you could say it depends on how you memorize the level designs, it is at that moment that you truly believe that you’re skilled. It is evident that you gain experience from playing Super Mario Bros. 3 and level-up at a very fast-rate.

Once you’ve become truly skilled, that’s when you start pursuing artistry in your play style. On a certain rough spot, could it be possible to clear it elegantly on the quickest time possible? With that in mind, perhaps the best strategy for certain stages is to aim for a non-stop completion. In fact, if you jump while doing the B-dash, it is possible to stomp on a Goomba and such with dead-on timing.

Caption: For example, when you’re on top of the T-shaped pies in World 1-2 if you’re run off with the B-dash and do a large jump with a clack, you can step on a Para-Goomba like this. If you’re confident in your skills, you might want to try challenging your friends over who has the faster completion time in certain stages (although, it might be foolish to try this on a forced-scrolling level). You may also want to record your own nonstop gameplays on video to make your own “Super Mario Bros.3 Perfect Strategy Video”.

Mr. Miyamoto comments on the excess that led to such a strange setting being accepted by players

“I believe the reason why our players have support our games to such an extent is because we do our work with the utmost sincerity. ‘Don’t make the consumers feel like they’re lost - That’s our policy. Also we never try to deviate from our original intent, our original concept, even if a similar game is released before finish ours. If you do that, then it will be inevitable are that your game’s settings and balance will be ruined.”

It was through this interview that I’ve come to the realization that Mr. Miyamoto is truly one of Japan’s leading video game designers with his firm grasp on video game development.

The Greatest Theme: 2-Player Simultaneous Play

Caption: In 2-players mode, if Mario and Luigi enter the same area, the original Mario Bros. will somehow begin play (this is no hoax). You can understand the importance that Mr. Miyamoto is placed on 2-players gameplay.

“The biggest theme of Super Mario Bros. 3 was making a game that was fun for 2 people to play”

I was a bit surprised by Mr. Miyamoto’s statement. I was aware that Super Mario Bros. 3 has a mode where two players take turns between Mario and Luigi. For example, if Mario completes World 1-1, then it’s Luigi’s turn to play World 1-2, which feels a bit odd at first. I’ve never paid much attention to this mode until Mr. Miyamoto mentioned it. What was his purpose for adding such a mode? The following is his answer.

“In Super Mario Bros. 3, I wanted to give players a ‘field where two people can play together’. For example, you can have a skilled play help out his unskilled sister proceed through the game through cooperation, or have a pair of friends compete to see who gets the highest score. Therefore, when playing in 2-players mode, I would be glad if they approach it like a board game and use the whistles to instantly access any of the 8 worlds they like.”

This could indeed be said to be a challenge to create a new 2-players game for Miyamoto, who made one of the biggest 2-players game ever, the original Mario Bros. However, Miyamoto himself was not satisfied with the 2-players play of Super Mario Bros. 3.

Perhaps there are readers who are thinking “Why don’t they just put Mario and Luigi on-screen in Super Mario Bros. at the same time? That’s such a brilliant idea! Maybe I should become a game designer”, but such an idea is short-sighted. Just having Mario and Luigi on-screen at the same time wouldn’t be viable. To be precise, it’s not impossible, but the quality of the game would suffer.

Figure 1: A situation in 2-players co-op

Let met get into the specifics. Let’s supposed there’s a version of Super Mario Bros. where two players can play simultaneously. Now, consider the situation shown in Figure 1. Mario will naturally try to avoid the Venus Fire Trap by moving towards the right (the direction of the scrolling), but he can’t because Luigi is on the other end of the screen. As a result, a tragedy will occur and Mario will be struck by fire. There’s also the problem that Mario cannot see the enemies that will appear ahead of him since he’s too close to the edge of the screen. In terms of the situation described above, it’s almost impossible to play Super Mario Bros. with two players at the same time, unless forced-scrolling is employed.

Caption: This is Alien Syndrome, an arcade game by Sega. The gruesomeness of the monsters was nice, but during 2-players mode, I was also concerned on where to scroll as well.

With that said, there has been plenty of free-scrolling multiplayer games in the past ,especially arcade games. Titles such as Alien Syndrome, Ikari Warriors and its sequels, Rock ‘n Rage, Dark Adventure, Quartet, and many more. Anyone who has played this game with partner has likely experienced the frustration of screaming while seeing their character died on-screen because the screen wasn’t scrolling like it should. It can be asserted that these types of multiplayer games are absolutely unreasonable systematically. Multiplayer games are only possible either, with a fixed screen or with auto-scrolling - that’s my theory.

Caption: Although it was an early Famicom games, Devil World must be seen for its scrolling ideas. When I was told this was a Shigeru Miyamoto game, I was pretty convinced.

On a side-note, one 2-players game that impressed me with its scrolling was Devil World, a previous game by none other than Mr. Miyamoto himself. This was a game where the direction of the auto-scrolling changes as indicated by the devil at the top of the screen. Although one of the game’s flaws is that the logic behind the scrolling couldn’t be understood during a 2-players game, the concept of an auto-scrolling game that changes direction is still impressive even in this age.

What’s Next For Nintendo’s Top Designer?

Usually this would be part where I would mention the aspects of the game in which I was unsatisfied with and come up with suggestions on how to improve them, but unfortunately (or not).

If I may mention a few things, perhaps the game might be too difficult to players who have never played the previous Mario games or the game might take too many hours to complete if you intend on completing it without using warp zones. With that said, it’s a pretty good game when you consider that those are the only flaws I could think of. 

Is Mr. Miyamoto, who served as producer of this super game, going to continue making games like this? This is a question that is of the interest of many videogame fans. At the end of this interview, while the answer was a bit abstract, I was still able to get it from him .

“I have been in charge of game direction until now. Of course, I will continue doing so in the future, but when the time is right, I would also like to work on planning out a gameplay system too.”

System planning - While Mr. Miyamoto said this quite bluntly, he seems to have considerable preparedness for it. The fact that most recent games don’t have their gameplay systems designed for them, but rather they simply rearrange existing systems, is a situation that Mr. Miyamoto himself is coming to grasp, even though most players can’t imagined it from their standpoint.

What kind of gameplay system is Mr. Miyamoto thinking of? I’ve asked him for the specifics.

“There are many talented creators involved in other industries such as novel authors and filmmakers. Now if only someone would create a system, or perhaps a field, in which such people could get involved in game development with ease... My dream is to create a point of contact for creators active in fields other than video game development.”

In our current situation, it’s pretty difficult to create an interesting game if you don’t already know anything about videogames to some extent. But perhaps, with some kind of tool or aid, we will see infinite possibilities in the game industry that we’ve ever seen before.

Mr. Miyamoto brought up an RPG that is being developed by Nintendo with the cooperation of writer Mr. Shigesato Itoi, best known for his coverage of Namco’s Family Stadium baseball video game “Please look forward to it” remarks Mr. Miyamoto. [TL’s note: Of course, that RPG would be none other than the original MOTHER, which Mr. Yamashita himself would review in a later issue.]

1989 will be an intense year, not just for the Super Famicom, but Nintendo’s software development department in general. [TL’s note: At the time, the Super Famicom was expected to be released in 1989 in Japan, but it was ultimately delayed to 1990.]

Miyamoto’s History of Athletic Games

Donkey Kong (June 1981, Arcade) - The originator of the athletic game genre, as well as the first game Miyamoto was involved as a game designer. Despite the fixed screen format and simple controls that consists of a joystick for moving and a jump button, the game was rich in its variety that it showed. Perhaps it might had been the first game to ever have a jump button, but I can’t say for sure.

Donkey Kong Jr. (July 1982, Arcade) - The sequel to Donkey Kong featured a bold setting in which the roles of the protagonist and antagonist from the previous game were switched. While the gameplay system remained largely unchanged, the switch to a larger protagonist brought on many new ideas. This has been the only game to ever feature Mario as antagonist.

Mario Bros. (April 1983, Arcade) - A game that brought-in 2-players co-op to the gameplay cultivated by Donkey Kong. Both players can proceed throughout the stages in various ways, whether it is by cooperating with each other or by pulling each others’ legs trying to kill each other. It is considered to be one of the greatest 2-players simultaneous game in history.

Super Mario Bros. (September 1985, Famicom) - The game that served as the turning point for the athletic game genre, expanding from a fixed screen to side-scrolling. It would go on to become the biggest hit game for the Famicom, becoming a huge influence to the industry along with Dragon Quest.

Super Mario Bros. 2 [Japanese version] (June 1986, Famicom Disk) -  A sequel known for its hellish difficulty, it was aimed specifically at players who mastered the first game. The game is filled with many situations in which the levels can only be cleared using advanced techniques. With that said, the gameplay system was almost unchanged from the original. There were many people who bought the Disk System add-on just for this game.

Yume Kojō: Doki Doki Panic (July 1987, Famicom Disk) - A game produced in cooperation with the Fuji TV’s event Yume Kōjō. While the game wasn’t much of a success, many of its ideas would go on to inspire Super Mario Bros. 3. In fact, a graphically modified version was released for the NES in North America as its version of Super Mario Bros. 2.

Super Mario Bros. 3 (October 1988, Famicom) - The third installment of the Super Mario series was developed with the idea of rearranging the original with a much larger ROM size. In addition to the high degree of completeness, we cannot overlook the amount of new ideas that were enthusiastically inserted into the game. The hard work that has put into the game can be felt by its presentation.

Super Mario Bros. 4 (working title) - Scheduled to be released this October as one of the launch titles for the Super Famicom. [TL’s note: The Super Famicom wouldn’t be released in Japan until 1990] Our curiousity over the kind of Super Mario game that this new machine will be capable of is endless. One can only expect as much from Mr. Miyamoto’s skills as a producer.