#I really love the english title for this

[yuseirra]

Life's been a little bit busy this week but I can get plenty of sleep after tomorrow(I want to draw soon!)

For the meantime, I want to recommend something! Recently I read "Human Acts" by Han Kang, I had to take breaks to rest between the two hours I spent reading the book because it was really painful, it's a very powerful and memorable book. She won the Nobel Prize in Literature last year so I thought I'd finally give her books a try, I read like three so far with the most recent being this one, and oh; I almost felt I had to seeing what's been taking place lately

To think something like that could have happened again. And the "president" who attempted to impose Martial Law last December STILL is not behind bars yet. He's dangerous. He's trying to gather his supporters to prevent him being impeached and things are dragging on.

A lot of people could have been killed. I'm so relieved it isn't the case but it's not over till it is completely. There seem to be people who are unaware of the severity of the situation because there are no casualties. Or maybe they do but they don't care?

Anyway, it's a great book, and I recommend it. I cried a lot reading it, and it's been a while since a book did that to me. I appreciate the English title, too: Human Acts. (The original title is something like "The Boy is Coming (to Us)") So, what makes a human human, and what's the right thing to do? Some people stood up against injustice and tried to save others, while others slaughtered them at gunpoint and with bayonets, so what is a human, how can it be characterized? The author seems to have thought over that a lot while writing this piece and I did too. It's not only human beings that have compassion and love and I don't think we're particularly superior and special compared to other beings on that matter but, there can be so many different sides to "people".

It could get graphical, but the work is so poetic at the same time. I don't think I'll ever forget this book and that's the book working exactly the way it should, serving its purpose.

I hope I get through tomorrow!! Wanna rest and draw soon!!

[angelmush]

i got a goose tattooed on the inside of my forearm today and it was a flash piece but it's my favorite tattoo already it means everything to me i could sob

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[mossiestpiglet]

Now that I’m rewatching the Ore Monogatari, my desire to reread the manga is increasing because I know there are some differences in the dynamic between Suna and Takeo/Yamato, particularly in how Suna’s disinterest with romance is handled but also, in a more subtle way, with his discomfort with attention/care more generally. I think there would be a very interesting comparison to be made on Suna’s portrayal between the two, specifically from an aromantic perspective.

[transboysoprano]

Boy soprano problems: I received an offer to play Amahl in Amahl and the Night Visitors in my city’s opera this December, but it conflicts with my Lessons and Carols gig where I’m singing the Stanford Magnificat in G solo.

[booskwan]

might be hard to see on some modes lol but these are the little things i designed for the same3 panel 😁

[xcziel]

Cdrama Above the River 《江河之上》 airing March 11 - April 1 in primetime on the state TV broadcast channel

LC captioned this picture post with "Don't wear headphones when doing experiments!" (you can listen to my song Can You Be Yourself 《可不可以做自己》 later - shameless plug lol)

So my guess is he's referencing his character's actions. Looks like Nie Wen got himself into some trouble in the lab!

[whom-to-kill-whom-to-let-live]

Ah lads, I might have gone off the rails in my desperation for Legato fanfics and ended up writing my own.

[dxppercxdxver]

honest to god i nearly made myself weep with this one (it is! once again! that collaboration with @chiropteracupola)

light on (gone the rainbow, gone the dove)

The day Julien returned to France was much like any other.

Salt burned his lungs as he stood on the docks of Boston Harbor, sun struggling to find its way through the meager gaps in the cloud cover, and the snap of the canvas sails intermingled with the chatter of the crouds and the crashing waves into a pleasant drone. Julien clutched his bag tight, and watched a weather-beaten ship standing proud over the pier begin its long loading process.

“Enjoying the view?”

At first it was unclear that anyone was speaking to him in particular, but then Julien felt a gentle pinch at the fabric of his coat, and turned to see Judith Thornton standing beside him, unreadable expression on her face. The meager sunlight brought out thin veins of gold in her hair.

Julien sighed. “What are you doing here, cherie?”

“Well, when I woke up this morning, you were quite thoroughly disappeared from my home,” she replied, running her thumb over the embroidery on her sleeve hem, “and I wondered whereabouts you would have gone.” Grimacing, Judith at last turned to face him, cool blue eyes unyielding as steel. “It didn’t take long to find you.”

“Am I really that predictable?”

“You really are.”

Together, the two of them lapsed into a less than comfortable silence, watching the passersby with a calculated interestd. Well, Judith appeared to be watching the people; Julien was primarily watching her. He truly had not meant for her to know, had assumed it would have been easier to simply disappear. After all, she would be in far more trouble if he stayed, and he had duties elsewhere whose importance far superseded his affections for one woman and her as yet unborn son.

Of course, Judith had very quickly wedged her pretty satin shoe in the door of his plan, and here she was, glowering at the early morning sky. Curiously, her hand still found its way to Julien’s, and she clasped it gently, tapping his knuckles with gentle rhythm.

“Do you have to go?”

The question came completely expected, but Julien was still taken aback by the wave of shame that rose in his chest, battering his ribcage with a horrible insistence. There was no way he could reasonably be expected to stay, to raise a child with a woman whose husband had passed a man of honor, but still, a not insignificant part of him yearned to throw down his bags and carry Judith all the way back to her little shop on the square and fix her the breakfast she had clearly skipped to meet him here. Mystery would save her life, her reputation, but with the way she was looking at him, Julien knew he would never escape this woman cleanly. She had her hooks in him, and all he longed for was her tug on the wire.

“What would you have me do instead?” was all he had to say. Judith took a deep, shuddering breath, and squeezed his wrist.

“We never even gave him a name,” she murmured. Around them, the throngs were slowly funneling up the gangway, settling in for the journey ahead, and Julien’s pulse began to pound in his ears. There was so little time to choose, to explain everything he had never bothered to tell her, and now his ship out of Boston was getting ready to leave without him.

Whirling, Julien gripped Judith’s shoulders tightly, pristine fabric wrinkling under his gloved fingers.

“Promise me you will keep him safe,” he said insistently. “Raise him well.”

“What would you have me do instead?” Judith parroted, squirming under his grasp. “I am his mother, Julien, I cannot simply step away when the burden of a son is no longer convenient for me.” Her words rang like the peal of a bell, ricocheting throughout Julien’s body and echoing in perpetuity, and her fury was plain to all around.

“We both know this is for the best.”

“Have you considered I may not want the best anymore?” Chest heaving, Judith threw Julien’s arms off of her and stuck an accusatory finger to his chest. “I am sick of the best! My husband died, my sons have left me, and all I have left is you and this godforsaken shop!” She sniffed, swiping at her nose with a vicious fervor. “I have always had the best, but what if I want something for me?”

Julien stared. “My love, that will ruin you.”

“Do you think I am unaware?” Voice like ice, fire in her eyes, Judith pulled Julien into a vice-like embrace, mouth to his neck. “Stay with me, sweet. Please stay with me.”

With Judith’s heart hammering against his chest, breath ghosting over his neck, Julien wondered if he would ever find the strength to leave. He placed a feather-light hand against her back, looking out over the ocean, knowing how far they would drift, unsure how to leave, yet unable to remain.

“Je suis désolé,” he whispered, pressing a kiss to her temple. “Merci, ma petite chou-fleur.”

“What?”

But before Julien could lose himself in her face, lovely though streaked with tears, he snatched his bag off the docks and bolted toward the ship, every step of his boots against the wood a gunshot to his ears. Judith’s shrieking was almost lost to the noise of the crowd. And still, still, Julien refused to look back.

Only when they had lifted anchor and were well on their way did Julien face the pier, scanning for Judith in the crowd. He expected her to be furious, if she had even remained at all, but when he found her again, she bore nothing but a soft, mournful smile, waving a handkerchief he vaguely recognized as his own in the breeze.

Something awful was building in his stomach, clawing its way into his throat, longing to escape.

“Ma lune!” he found himself calling over the roar of the waves. “My father’s name was Jeremiah!”

Although it was highly unlikely Judith had heard him, she nodded nonetheless, and turned on her heel, disappearing into the sea of bodies cloaked in fine fabrics milling about, and grieving just the same.

“Promise me you will write!” Julien cried once more, but she was already gone, leaving him with nothing but the bitter sting of salt.

[asofterepilogue]

I cried more watching a documentary about an octopus and her (fake 😤) simp than I did reading or watching anything in all of 2023. 9.9999/10 would recommend.

[nullians]

Little traditional horrors ✌️

Time range: 2015-2017?

[poorlittlevampire]

what am i supposed to do till fashion dreamer comes out

[chahnniesroom]

night again

pairing: bang chan x female reader

summary: in hindsight, visiting chan's studio right before a comeback isn't one of your best ideas. what was supposed to be a pleasant surprise leaves you spiraling into self-doubt, wondering if chan even wants to be in a relationship with you at all.

word count: 6.4k

tags/warnings: angst, hurt/comfort, misunderstandings, insecurities, reader not eating due to stress

a/n: the long awaited 'he calls you clingy' fic! title is from the english translation of 또 다시 밤 (twilight)

read it on ao3 | masterlist

You love your job. It's challenging for sure and the expectations from upper management are often unforgiving, but you’re proud of how hard you've worked and everything that you've accomplished in the past few years at your company. 

As you've gained experience, you've slowly been given more and more responsibility. You've grown out of your junior role and though you're thrilled by the pay raise and prospect of being a team lead rather than being led by one, it's also daunting.

When you and your new team are assigned an important project with tight deadlines, you're determined to prove yourself. It's implied that you're going to have to have to dedicate a significant amount of time to finish it and while you're no stranger to long hours, it means that any plans you have of seeing your boyfriend, Chan, are out the window.

The timing is not terrible, Stray Kids has a comeback scheduled in about a week so you didn't think that you would be able to spend that much time with Chan anyway, but you usually try to surprise the boys at one of the music shows with a cake and some home cooked food.

Luckily, you've already been planning for this. Although nothing had been confirmed, you had expected that this project would be awarded to your company and you've already been trying to spend more time with Chan than usual in preparation for the busy season ahead for both of you.

Still, you can't help but agree with your best friend at work after she complains how little she's going to see her partner this month. Jinjoo doesn't know who your boyfriend is, but the two of you are close enough that you’ve shared that you have one and that work takes up a lot of his time. You've gushed to her about the sweet things that Chan has done for you and you've admitted that you think he's the one.

“You should bring him dinner sometime!” she exclaims when you mention you're not sure when the next time you'll be able to see Chan will be.

“Well, he’s really busy-” you start to say.

“That’s the beauty of it. I’m sure he would appreciate if you brought him food at work, especially if he’s anything like my partner and gets so caught up with work that they forget to eat sometimes,” she insists.

“That’s true.”

“Just trust me, Y/n. I wouldn’t be telling you this if I wasn’t sure that it’d work. My partner loves when I do this. It’s literally the perfect way to take some time for each other before you’re both too busy. Even if he's super busy, his work can't be bad enough that he’s not allowed to eat, right?”

You agree somewhat reluctantly. You're still unsure about whether or not Chan would appreciate you barging in unannounced, but it is a cute idea and Jinjoo's confidence is enough to convince you.

The next day after work, you head to the company and order takeout for a late dinner for you and Chan, picking it up along the way. It reminds you of earlier in your relationship before you had gotten your current position and when Stray Kids were just gaining popularity. Both of you enjoyed having more casual date nights that provided more privacy as opposed to going out to fancy places and it makes you even more excited to see his reaction.

About a year after you started dating Chan, he insisted that you get a pass to get into JYP Entertainment without having to fill out a visitor's form and have someone pick you up. It has definitely come in handy more than a few times, although you try to limit the number of visits you make. Even though you're allowed to be there, it still feels intimidating to be in the building, like someone is going to recognize that you're not an employee and accuse you of being a sasaeng.

Luckily the late hour means that you make it to Chan's studio without having to interact with anybody except the security at the door, who had waved you through without a second thought. You had double checked with Felix earlier in the day to make sure that Chan didn't have any schedules or dinner plans, so you directly knock on his door without texting or calling him beforehand. 

“Y/n?” he asks, a bit baffled when he sees you. “Did we- Did I forget that we had plans tonight?”

“No,” you say, a little nervous for some reason. It's just Chan, you tell yourself, but it doesn't make you feel any better. “I didn't think that you had dinner yet and wanted to see you.”

“Oh, I see. Come in,” Chan responds slowly, still processing your sudden appearance. “I just have something that I need to finish up-”

“It's fine! You can work,” you assure him quickly. “I don't want to interrupt you too much, I just wanted to drop by since I don't have plans and wanted to make sure that you're eating well.”

Chan’s studio isn’t messy at all, but he still gets up to clear some space on a side table for you, before returning back to where he has Cubase opened up. You pass over his food and feel relieved when he immediately digs in, but your appetite seems to have vanished, you can only get yourself to pick at your meal.

Chan is short with his responses all evening and continues to work on his laptop, even while eating. It throws you off a bit, you thought that he would be able to get to a stopping point and at least make a bit of time for you, but you did tell him that he could. Even so, you're determined to make the most of the last time that you’re going to see them for a while. You know they’ve been super busy the past few days, or more like the past few weeks, but still you had thought he would be a little bit more engaged or at the very least seem happy to see you.

Finally, after half an hour of eating with minimal conversation, you decide to broach the subject that’s been on your mind this entire time. Chan’s finished his food and you know that you won’t be able to get yourself to eat anymore, so you shuffle everything off to the side and inch closer to Chan. 

“You know that client we’ve been trying to work with for a while?” you start tentatively.

Chan hums noncommittally, continuing to type on his computer. Not quite the reaction that you're hoping for, but you forge on anyway.

“We got awarded the job! It’s a great opportunity for the company and everyone is really excited, but-”

“Y/n,” he interrupts. “I’m sorry, that’s amazing and all, but you know that it’s not a good time for me right now. I have something I really need to work on and now that you’ve finished eating, can we please not bother with the small talk?”

“Oh,” you say, a bit caught off guard. Chan has never been the type to cut you off when you're speaking. “No, yeah, I get it. Uhm. I’m sorry.”

“Yeah, just-” he sighs, sounding frustrated. “Next time can you please ask me when you want to visit in advance so this doesn’t happen again? You chose the worst timing to come by. I just need some space, from all of… this,” he says, waving a hand between the two of you.

“Sorry, I know it’s a busy time, but I just wanted to see-”

At that moment, an alarm on Chan's phone goes off, interrupting you. When he turns it off and notices the time, he swears lowly, unlocking his phone and typing out a message to somebody. You’re scared to break the silence. Less than a minute later, someone knocks on the door.

“Come in,” Chan calls. When Changbin and Jisung step into the room, they eye you curiously. You keep your head down and try to prevent your hands from shaking as you stand and start to haphazardly shove away all your belongings and the garbage from your dinner into bags. 

“Noona, it's good to see you!” Jisung says brightly, although his smile dims when you make eye contact and can only manage to weakly return the smile. “Sorry for interrupting you two.”

“Hi Hannie,” you reply quietly, not wanting to make conversation, but not wanting to be rude.

“It’s okay, Y/n was just leaving,” Chan says, his obvious annoyance making things even more awkward.

You say bye to the boys quietly and apologise as you shuffle past them to the door.

The handles of the bag from your dinner are digging into your hand painfully and your purse can’t close with the way that you’ve thrown everything into it. You only take a few steps before you have to stop for a moment to save a container from falling and decide to put down everything and reorganise it all.

When you crouch down, you take a second to mentally berate yourself. Everything you had worried about had come true. Instead of being a pleasant surprise, you had come across as a nuisance.

In your rush, you hadn't fully closed the studio door behind you and you're close enough that you can just barely pick up the conversation that happens inside.

“Sorry,” you hear Chan say faintly. “I don't know what's been going on, but Y/n has been… really clingy these days. She just showed up today without asking and I hate-”

You leave before he has the chance to say anything else. You look like a mess for sure, you had just grabbed all the empty containers without bothering to put them back into the plastic bag, your jacket is partially dragging on the ground, and your purse is hanging off your elbow, having slipped off your shoulder. You're pretty sure you hear an empty drink bottle clatter to the floor behind you, but you don't look back to check.

You don't have it in you to care, you just need to leave.

Even waiting for the elevator feels humiliating, so you bypass it and stumble down the stairs. You dump the garbage into a bin on the first floor, not bothering to sort it properly, and step out onto the street, bee-lining to the nearest subway station.

The ride home passes by in a blur.

It hurts, of course it hurts. 

Honestly the reason that your relationship had worked out so far was because you weren’t the kind of person that needed a lot of attention. You understood that both of you were busy and were content to just exchange messages every couple of days because you knew how important Stray Kids was to Chan. Of course you did, they were just as important to you.

If Chan wanted space, well. You were more than capable of giving it to him.

In fact, your upcoming schedule had been the reason that you had wanted to meet up in the first place, the source of your so-called clinginess. You’d never been called that before. You were hyper-independent and tended to get lost in your own mind, easily distracted by different thoughts. It had gotten to a point that most of your exes had complained at least once about you being distant or inattentive.

With Chan, you had been determined not to be the same. It had been difficult at first, to make the effort to send messages throughout the day. You had to convince yourself not to spend too long drafting replies in your head and try not to worry that you were bothering him, especially if you knew that he had schedules at the same time that you were texting.

By the time that you make it to your apartment, your pain has faded into a mixture of resignation and numbness. You don't want to talk to Chan about how you feel, it's your clinginess that he didn't like in the first place, and you don't think you'll have time or the energy for a long, emotional conversation in the next few weeks anyway. If you keep your distance for a while, it just benefits both of you, you tell yourself. You won’t be a distraction to Chan as Stray Kids has their comeback and he won’t be one to you as you take on this new project. 

As much as you want to spend the rest of your night overthinking- something you’ve done more than you’d like to admit- you know that you have a busy day at work tomorrow. Feeling a bit like a zombie, you force yourself to shuffle through your usual nighttime routine, swallowing a melatonin pill before climbing into bed.

Normally, you would send Chan a good night message. Actually, normally you would have sent him a message the second that you arrived home. It was something that he was insistent on starting from early on in your relationship, wanting to make sure that you were safe.

Tonight, you just turn off your phone, plug it into its charger, and sleep.

—

In the morning, you allow yourself to wallow in bed for 5 minutes, before you get ready for work. You’ve never been good at eating breakfast and today’s no exception. Your stomach turns uneasily at the thought of food so you only force yourself to drink some water before you leave.

Your team at work has agreed to get to work earlier than usual just to get a headstart on everything. Though you’re more of a night owl, you’re grateful to find that deviating from your usual routine means that the subway is empty enough that you can find an empty seat, a luxury that you’ve rarely experienced.

It feels eerie to walk through the streets of Seoul when the sun has just started to rise and you’re relieved when you finally make it to your office.

Unsurprisingly, you’re one of the first to arrive. You’re grateful for the time that you have to unpack your things and make a much needed coffee before the rest of your team shows up.

“How did it go last night?” Jinjoo asks you excitedly when she comes in.

“Uhm, it was okay,” you reply noncommittally. “He was definitely surprised.”

“Oh,” Jinjoo pouts at your lack of enthusiasm.

“I mean, it wasn’t bad,” you backtrack, hating to see her disappointed. “It was just so short, he was kind of… busy. But that’s what I expected anyway so that's fine I guess. Thanks for suggesting it to me though! I really appreciate it.”

“That’s good,” Jinjoo brightens. “At least you got to see him one last time.”

“Oh yeah for sure! I think that after seeing him yesterday, it’ll be easier to deal with how busy we’re going to be for the next few weeks,” you say truthfully. 

It’s not a lie, you justify. For the first time since you started dating, you’re not looking forward to the next time that you’re going to see Chan.

You know that your communication is about to reduce to an all time low for the next few weeks, and while you had originally been worried about how Chan would react, now you’re thinking that he’s just going to be relieved not to hear from you. You’ve never thought yourself to have been overly chatty with Chan during the day though, preferring in-person conversation over texting and knowing that he’s generally not available to read your messages anyway, much less send you a reply. It seemed that you were wrong. 

Luckily your team now has to use a shared box that you’re required to put your personal phones into during working hours and only have a little bit of time during lunch and dinner breaks, if you take them, to fish them out. It’s a policy that your company enforces when teams are working on confidential projects and you can’t blame them due to past litigation that they’ve been involved in after a former employee leaked sensitive information.

For once, you're glad for this excuse to not look at your phone, even if you feel a little bit naked to look at the side of your desk or reach into your pocket and not have your phone there. You’re relieved to bury yourself in your work and forget all about your personal life. Even though your project is just starting, you feel like you're already behind. 

When you're finished work for the day and take back your phone, you find yourself reluctant to check your notifications. It's only when you're waiting for the subway to arrive at your station that you finally force yourself to take a look.

No new messages or calls from Chan.

You’re not sure what you expected, but somehow you’re still disappointed.

You get back to your apartment late, you had wanted to finish a couple of things before you left the office and it had led to you being one of the last to leave. You had also stopped by the convenience store closest to your place, not having the energy to cook anything for yourself.

You pick at your dinner half-heartedly. You're used to eating alone, Chan often had his meals at odd times due to his schedules, but tonight the silence feels more oppressive. 

It haunts you, the tail end of the overheard conversation. You have no idea how Chan was going to complete the sentence, but your mind unhelpfully fills in the blanks with worse and worse suggestions.

He hates the timing of your visit.

He hates that you visited at all.

He hates that he has such a clingy girlfriend.

He hates that you are his clingy, annoying, bothersome girlfriend.

He hates you.

In moments of clarity, you can recognize that it's not true. That's not the Chan that you know and he would never say something like that about anybody, least of all you. It's just hard when a small part of you has never really been able to believe that someone as talented and amazing as Chan would want to date someone as unremarkable as you.

You find yourself falling into a new routine, waking early, working overtime, and trying not to cry yourself to sleep. You succeed most of the time, you keep yourself occupied by thinking about work and you're so physically exhausted by your long hours that you fall asleep the second that you get into bed. Luckily, your coworkers are just as overworked as you are and it’s easy to blame your declining condition on the project. Weekends don't help you rest at all, you've committed to your manager that you can work on Saturdays and Sundays are spent completing the chores that you've neglected during the week.

You still talk to Chan sometimes, either right when you wake up or on the way home after work. The conversation is stilted though, both because of the long delays between messages when you text and the limited time that you have when you call. It's enough of a difference that Chan asks you multiple times if everything is okay. Even though you try your best to assure him that you're fine, just busy, you're sure he knows that something is off, although he doesn't question you further.

Most exciting is the day that the new Stray Kids album releases. You've already heard most of the songs for this comeback, perks of dating the member that's the most involved in the writing and production of the album, but it's different now that they're available to the public too. You make sure to organise your schedule so that you're on break when the music video drops and you send a number of messages in the group chat that you have with the group cheering them on. Usually, you try to take a day off to deliver some food to them at the music shows, but you've had to settle for arranging with one of their managers to treat them to a meal.

You can tell when they get breaks because when you check your phone after work, notifications from the members are all in the same blocks of time. It's mostly them thanking you, taking pictures of the food you sent, flowers that they've been gifted, and letters from fans. They have a short promotion period this comeback, but it's packed with different interviews, performances, and fanmeets. At one point, Felix even sends you a picture of Chan sleeping slumped over on one of the waiting room couches. As much as you're relieved to see that he's able to get some rest, the picture has your stomach twisting uncomfortably.

You're proud of Chan, of all of the boys. They've worked so hard and each comeback seems to be more and more successful. Even if you're not confident in what's going to happen with you and Chan in the future, you want to celebrate with them while you still can.

—

After almost four weeks, your project is nearing completion and you've never been more grateful to have a deadline arrive.

You only have a couple more days left until your last submittal is due and after getting off work, you want nothing more than to collapse into bed even though your stomach has been growling the whole walk from the bus to your building. You had caught a significant mistake in a document right before it was going to be sent to a client and the whole afternoon had been spent trying to fix it in time. Your team had just barely managed it, but your head has been pounding for hours and your whole body is tight with stress.

You’re not quite sure how you make it to your apartment, your exhaustion has made you clumsy. You struggle a couple times to enter in the code to unlock your door and trip over a pair of shoes that are scattered in the entryway.

You manage to catch yourself before you fall, then squint back. Yes, you haven’t had the chance to tidy your apartment in a couple weeks, but you’ve never been the type to leave your shoes on the walking path.

A light is on, further in your apartment. You know for a fact it wasn’t like that when you left this morning, it would have been obvious since you've been leaving before the sun rises. Someone else is here.

You stare at the light for a few seconds in disbelief, then slowly reach to grab something, anything that you might be able to use to defend yourself. Your shaking hands close around a full sized umbrella that you keep beside your closet. 

You’ve already made enough commotion that there’s no way the intruder didn’t hear, but you try to keep your footsteps light as you creep down the hall to where your kitchen is. It’s stupid to try and confront them, but the idea of someone in your space, potentially taking your things, is enough to inspire a sudden bout of bravery.

You hold your breath as you turn the corner, launching forward to attack the second that you see someone. You recognise the figure halfway through your swing, and though it’s too late to fully stop, you manage to pull back enough that they’re able to easily catch the umbrella before it hits them.

Chan wraps his arms around you then eases the umbrella out of your hands, resting it against the wall. You sag into his embrace, adrenaline draining away, leaving you exhausted again. 

“Chan?”

You've missed this. His warmth, his comforting scent, the reassuring steadiness that he always provides. You can almost pretend that everything is fine.

“Sorry for scaring you,” he says, sounding more amused than apologetic.

“You should be,” you grumble into his shirt. “I could have seriously injured you if I didn't realise it was you!”

“I don't think that was going to be a problem.” Even though you can't see Chan, you can hear the grin in his voice.

“Hey!” You lightly smack his arm. “You take that back!”

“Fine, fine,” Chan acquiesces, holding up both his hands in surrender. “I'm very glad that I didn't have to experience the full power of your self defence.”

“Yeah yeah,” you huff. “What are you doing here anyway? Other than trying to give me a heart attack, that is.”

“I made you dinner,” Chan says shyly, turning pink.

“For what?” you ask suspiciously. It's easy to fall back into the banter that you typically exchange with Chan, but you can't help but be a bit wary these days.

“No reason. I uh, just haven't seen you in a while,” Chan says sheepishly, scratching at the back of his neck where it’s now flushed red. “We had so much preparation to do and then all our schedules… Anyway, I wanted to surprise you, so I thought I could cook for us.”

Now that he's mentioned it, you can see that he's set your tiny kitchen table and that there's a couple of pots on the stove. Chan doesn’t cook often, but he’s expressed a desire to learn before and you’ve taught him how to make a few of your favourite recipes.

You stare at him for a moment, lost for words.

It's only been a few weeks, but you feel like you've forgotten how to act around Chan. Instead of a comfortable silence, it's almost awkward, neither of you knowing what to say.

“Oh,” you say finally, touched and still a little shocked that he's actually here. “That's- that's so nice, I just- is it okay if I wash up a bit quickly first?”

“No, yeah, of course. I'm sure you had a long day,” Chan says. “Go ahead, I’ll- the food should be reheated anyway so I’ll get on that. Take your time.”

You skirt around him to go to the bathroom, taking a moment to splash yourself with water. This feels like a bizarre dream and you wonder for a moment if you’re making this all up. But when you leave to go to your bedroom, Chan’s still there, puttering around in front of your kitchenette. You change your clothes slowly, mind racing as you try to puzzle together why Chan has decided to visit all of a sudden.

You eventually settle on the most logical reason that you can think of.

He’s finally decided to break up with you.

You’ve figured that this was coming for weeks by now, but somehow it still hurts. Instead of feeling resigned, it feels like you’re shattering into little pieces. You twist your work blouse into a tiny ball as you try not to cry, even though you know the fabric is going to wrinkle terribly. You finish cleaning up in a daze, already drafting what you're going to have to message your manager later. There's no way that you're going to be in any shape to work tomorrow if you’re right.

“Y/n?” Chan calls eventually. You know you're procrastinating leaving your room, but you want to put this off for as long as possible even though you know it’s just delaying the inevitable. “Is everything okay?”

“Yeah,” you reply with a heavy heart. “I’m fine. I'll just be another second.”

You can tell that Chan doesn’t quite believe you. He hovers around you when you emerge from your bedroom, knocking away your hand when you try to pull out your own chair from the table.

He's set the table, going so far as to fold little napkins under your utensils. There's even a tiny vase with your favourite flowers as a centrepiece. All this effort just hurts more.

“You look exhausted. You got home so late. Where were you?” he asks.

“I was at work,” you reply stiffly. You know that if you try and say any more, your emotions are going to spill over and you're either going to scream or cry. Maybe both.

“So late?” Chan's forehead creases with some sort of emotion. You can't quite tell if it's concern or scepticism.

“You're not the only one that has a demanding job.”

“Y/n, you know that's not what I meant-”

“Sure,” you say. “Whatever, let's just eat. Thank you for the food.”

You don't want to deal with this. You're so tired.

You have no idea why Chan’s dragging this out longer than it needs to be. Why he’s forcing you to sit through a meal with him like he’s not about to break your heart. Chan is one of the kindest people you know, he’s probably trying to make this easier for you, giving you one last nice memory, but it just feels cruel.

Chan reaches out, stopping you before you can pick up your chopsticks. He stares at the way his fingers overlap each other around your wrist.

“You’ve lost weight,” he says quietly. You look away, watching steam curl from the bowl of rice that has been set in front of you instead of returning eye contact.

“I’ve been busy.” Is all you can say in response. 

You don’t want to tell him that you’ve been basically subsisting on iced americanos and various convenience store meals in part because of your work schedule, but mostly because of your lack of appetite. Every time you thought of Chan, it made your stomach turn and well, everything reminded you of him. You hadn’t realised how much it had actually affected your physical condition until now though.

“You're not taking care of yourself,” he scolds you. You can feel yourself bristle at his comment even though you know it’s true. “I haven't been around to take care of you either. I'm sorry.”

“Chan,” you protest. It has been weeks since you last saw him in person and you’ve spent more time that you’d like to admit micro analysing your relationship, but you still can’t make sense of his behaviour, especially how he keeps switching between criticism and tenderness.

“What?” he asks in genuine confusion.

“Why are you here?”

“I missed you,” Chan says, sounding hurt and confused. “I haven’t seen you in so long.”

“I just- I don’t understand what you want from me!” You run your hands through your hair in frustration. “One day you don’t want me around, we go weeks without seeing each other, then you’re at my place cooking me dinner? You said you needed space, I gave you space."

“Woah woah woah, what do you mean I don’t want you around?” Chan asks, alarmed. “When have I ever said that?”

“You made it pretty clear that you didn’t appreciate it when I went to bring you dinner that day,” you start.

“No, baby!” Chan stands up abruptly before you can say anything else. He falters when the loud scrape of his chair causes you to flinch back. He slowly walks towards you and kneels in front of you, reaching out to hold your hands in his. His eyes are wide with earnestness. “Of course I wanted to spend time with you. I always want to be with you.”

“So why did you call me clingy?” you ask in a small voice. Gone is your anger, replaced with a self-consciousness that you can’t hide. You look away as tears prickle your eyes.

Gently, Chan lets go of your hands and cups your cheeks instead, turning your face so that he can see you better. His thumbs swipe under your eyes, brushing away the tears that have managed to escape.

“Baby,” he says, sounding even more upset and angry than you feel. “I'm sorry. Did someone tell you I said that?”

“Nobody had to tell me, I heard you say it myself!” you burst out, pushing Chan away. You know that you’re being dramatic, that you keep oscillating between different emotions, but you don’t care. “That day, in your studio, you told Han and Changbin that I was really clingy.”

“You heard me talking to Binnie and Hannie?” Chan asks slowly.

“I didn't mean to eavesdrop,” you sniffle. One of Chan's hands shifts and he carefully tucks behind a lock of hair that has fallen in front of your face. The gentleness makes even more tears well up.

“It's okay, I think I know what you overheard now. It must have hurt, right?”

You can't muster up a response, choosing instead to just nod slightly.

“I’m sorry, I'm sorry,” he soothes you. “Can I explain myself?”

You pause for a moment, then slowly nod again.

“I don't mind that you're clingy, actually, I like it. I shouldn't have used that word. I like that you want to spend time with me, Y/n,” Chan says carefully. “I like that you take time to visit me, even though I know that your work is busy too. I think that it's cute and thoughtful that you think of me and try to take care of me by bringing me food. I know that you intentionally take the time out of your day to text me because you know that I like hearing from you, even though I might not see it or respond right away.”

Chan pauses for a second and you use it as an opportunity to pull away slightly. His hands tighten briefly, before he lets them fall away, giving you the space to process.

It's not that you don't like what Chan is saying, it's just hard to reconcile it with the thoughts that have been eating away at you for the past few weeks. You still don't understand what you overheard though, how it fits into all of this. When you voice your concerns to Chan, he sighs, before continuing to speak.

“I don't know what I did to have someone as caring and thoughtful as you in my life.” You want to protest, but Chan carries on before you can say anything. “It's just that- you visited me without notice and were the sweetest person in the world. I wanted to spend time with you, believe me, I did, but I can't just ignore my deadlines when the rest of the members are relying on me. It makes me feel like garbage when I can’t give you all my attention. That's the thing I hate the most. That I can't be the boyfriend that you deserve. That I can't show you how much you mean to me the way that I want to.”

It makes sense, in some sort of twisted way. You know that similarly to you, Chan often feels insecure. It had taken a while before you had been able to convince him that you really did want to be in a relationship with him even with all of the difficulties that were associated with being an idol. You hadn't realised that your visit had fed into his worries that he wasn’t enough.

“I didn't know,” you say quietly. “I'm sorry.”

“Hey, I didn't tell you how I was feeling and that's on me. I’m the one that’s sorry, you have no reason to be. I should have been clearer about what was going through my mind and it wasn't any excuse for the way that spoke to you. Even if I wasn't at my best, I can't believe that I made you feel like I didn't want you to be around.” Chan shakes his head and you can tell that he's beating himself up about it. This time, you're the one that reaches out to him, grabbing one of his hands in both of yours.

“I am sorry that I put you into that position, though. I got caught up in the idea of how fun and romantic it might be, that I didn't give enough consideration to your schedule. Even though I wanted to surprise you, it would have been better to check with you beforehand. I don't ever want you to have to feel like you have to choose between me and work.”

“It was a really nice surprise,” Chan agrees. “I wish that I hadn't been so wrapped up that I wasn't able to enjoy spending time with you. I really hated not being able to see you these past few weeks.”

“It was really hard for me too,” you admit.

“I missed you so much. I missed your beautiful voice, hearing your laugh, seeing your smile. I missed all the texts that you usually send, they make me feel like I'm not as far away, that I'm a part of your day too. You kept saying that everything was fine and- I know it's hard for you, especially during comeback periods when I'm not as responsive. I didn't want to pressure you into messaging me more often if I'm not able to do the same.”

“No, it's not that. It doesn't bother me. Work was, is still really busy for me,” you explain. “I was trying to tell you that day, but-”

“But I basically shut you down,” Chan realises. He laughs bitterly. “I’m just the worst, aren't I? No wonder you were so confused by why I was here.”

“I thought you were going to break up with me tonight,” you whisper. Chan looks devastated by your statement.

 “No- you know I wouldn't-” Chan stumbles on his words in his haste to correct you.

“I don't think that anymore,” you reassure him. “I understand everything now, it was just that we didn't communicate well and I assumed… It's okay, we're together now, this won't happen again.”

“I promise that I will make it up to you. I love you and I will prove it to you in every way possible. And I'm going to start right now. You still haven't eaten yet, please go ahead.” Chan moves back to his abandoned chair and doles out a portion of the stew from the pot that's on the table. 

“I am really hungry,” you confess. Your stomach chooses that exact moment to growl loudly and the two of you can’t help but burst into laughter. 

Just like that, it feels like things are back to normal.

You know that there's still more that you and Chan have to talk about. The two of you have only scratched the surface on your insecurities, communication, and how those things led to such a significant misunderstanding.

But tonight, it's enough that you get to share a meal with the man that you love.

read it on ao3 | masterlist

[emhoover]

This is my fan translation of Kairi Seidouitusei Shougai no Chiguhagu na Hibi by Tokin! I love this manga so much. It’s a wonderful autobiography about DID and a representation with a tone we don’t usually get in English. Tokin-sensei gave me permission to translate the prologue and share it with an English audience because I know so many people would want to read it! I am not going to translate the entire text, but I do really really want to encourage people to submit it in this month’s Seven Seas interest survey!! Please help support Tokin-sensei’s wonderful work!

(Submitting with the Japanese title I wrote above or a link to this post would be best for clarity, my English title is not a literal translation)

[hkcomplex]

There is a fairly significant bit of wordplay in Frieren that will escape the notice of most English-speaking viewers, but I quite like it so I’ll explain it here. The title of the series in Japanese is 葬送のフリーレン (Sousou no Furiiren). “Furiiren” is of course Frieren; “sousou” means “funeral rites” or “attending a funeral”, but can literally be translated as “sending to the grave”. Since the story opens with Frieren watching her old adventuring pals growing old and passing away, we’re naturally led to the simple interpretation of the title: she’s attending her friends’ funerals.

(The full official English title is Frieren: Beyond Journey’s End, because literal translations rarely make catchy titles.)

Later, as Frieren is fighting Aura, Lügner explains that Frieren is the most prolific demon-killer in history. In the English translations I’ve seen, this earns her the nickname “Frieren the Slayer”. But in the original Japanese, this nickname is 葬送のフリーレン: “Sousou no Furiiren”, the title of the series.

In this context, this line (and the title, too) could be more literally interpreted as “Frieren, who sends you to your grave”. It also means the line is a little more impactful in Japanese — you’re supposed to point at the screen and yell “hey that’s the name of the show!!”

There’s really just no way to preserve wordplay like this through translation so I can’t fault the translators at all for not trying, but it’s a fun thing that’s worth pointing out nonetheless. I just love that this was clearly something the author was setting up from the very beginning.

[barbieaemond]

And I dream of a grave

Header by the lovely @ewanmitchellcrumbs 💕💕

Pairing: Aemond Targaryen x wife!reader

Warnings: angst (!), smut, too many references to graves/burying, mentions of Blood & Cheese, miscommunication, Aemond's coping mechanism is violence and sex, in this order (good for him)

Word count: 3.8k

Author's note: the gif is self explanatory. This is a prequel to A Curse for a Curse, but can be read as a standalone. Big thank you to @irenadel for giving me the idea and being one of the most supportive souls <3

Taglist: @ladystarksneedle @arcielee @multyfangirl

MASTERLIST | English is not my first language

This is more than tempting the Gods. This is forsaking and impudently turning their backs on them.

As she sits down at the banquet, her mother’s words echo through her mind like the vexing sound of the wind on a storm’s night. It sets an unpleasant weight on her lungs, the close and yet shapeless feel of something dreadful. She’s almost grateful, looking around, to ascertain she’s not the only fool dreading this whole act.

The Dowager Queen sits at the table, barely able to contain a grimace. Queen Helaena, she is certain, has never looked so pale, her eyes so vacuous and yet so full of something unknown, elusive, smoke clouding and clearing her unnatural stare. The Hand has conveniently made himself absent. She can’t blame him. Actually, she envies him. If only she too could have been spared such a farce. But as the wife of the King’s brother, the very one they’re all supposed to celebrate tonight, she cannot do that, can she?

To cheers and the blaring of trumpets, the King enters shoulder to shoulder with his brother, tall and proud in his stride, wearing dark green velvet for such a special occasion, and such a special title.

“Do you know how they’re going to call you from now on?” the Queen Mother had asked when he came back from Storm’s end, dripping rain and mud and war.

“I do, Mother.” Aegon had answered, twisting a knife from his seat at the head of the table; she had never caught that glint of satisfaction in his eyes, not like that; it wasn’t dimmed by wine or flesh, but sharp as the blade in his hand. “A title he should be proud of.”

Pride was ever the easiest thing to wear for Aemond, the softest glove gliding on his skin, born out of a pit so deep and full of insecurities and negligence that that same endless depth had grown out of proportion in order to fill itself. To even try scratching his pride was like trying to climb the highest mountain with bare hands. She had cut her palms open to do so.

“What happened, Aemond?” she had asked once alone in their chambers.

“You know what happened.”

“What really happened?”

His good eye had pierced her as if she were made of crystal, but his jaw was too set, on the verge of breaking his own teeth if he carried on keeping the guilt, and truth, trapped inside.

“I didn’t want to.” He whispered, coming down from the peak, “I didn’t want to kill him. I only wanted—”

“Revenge? Well, you had it. Did it make you feel good? Did you bring that boy peace at last?”

It took him a lifetime to say no; a whispered sound, choked even, as if he had bitten off his tongue to get it out of that pit where he had never looked again.

He was biting his tongue in the council, the faintest clench in his jaw but here, here in the council, here in the world, he had to keep that pit buried and stand straight on the highest peak, looking up and up, never down, never back. How could he, how could he admit he had lost control. It was easier, safer, to let them think of him a monster, rather than just human.

“I salute you, brother.” The King had said, raising his cup “True blood of the dragon! We shall have a feast in your honor!" Otto had merely lowered his head in defiance, going unnoticed in the eyes of his King and grandson, drunk with power and finally free of his mother's leash, unaware that a golden noose now held him in check.

He had summoned jesters, musicians, even some dancers to coddle his brother, and raise him higher and higher. She imagined she just had to wait for the fall. Or perhaps pray to the Seven to overlook the insult, to keep a mortal up there with them for a little more. But then again, they shouldn’t ask the Gods for mercy. Someone more unforgiving, more bloodthirsty. Someone who, just as her husband and his brother and each one of their cursed dynasty, did not listen to either Gods or men.

“A toast!” the King says at one point, turning to his left. “To my brother Aemond and a long overdue justice, is it not?”

Out of courtesy and duty, she grabs her cup and raises it, but as everyone at the table sips their wine, all she tastes is contempt, and the cup hits the surface untouched. But not unseen.

“Brother, wine may cloud my judgment, but it seems to me that your beloved wife does not share the sentiment of this fine evening. I wonder why.”

She holds the King’s demanding stare with a firm one, aware of Aemond looking at her even if his eye is fixed on the table. He has ignored her for the whole night, not sparing her a single glance. Because she owns the truth, doesn’t she, and it’s a knife pointed at his back.  

“May I speak my mind, your Grace?”

There’s the slightest shift in Alicent’s posture, as if she were desperately waiting for her, or anyone, to cease all of this, to say this isn’t right.

Aegon pulls a thin, lazy smile and tilts his silver head, swirling his cup. “Why, of course, Princess. My brother tells me you have a habit of doing so.”

“Did he, now?” she resists the urge to scoff; such a despicable habit for a woman in this world.

“Fret not, good sister, I’m certain he holds no grudges against you for your silver tongue.”

“Oh, I’m quite certain too, your Grace. I know for a fact that he likes it.”

A few lords can do very little to hold their snickering, Aegon himself does not hide his malicious smirk, petty at the edges. It must run in the blood.

“Careful though, you don’t want to spend too much time talking, lest you leave my poor brother without any heir! It’s been a while since you two lovebirds tied the knot, isn’t that right?”

She glances beside her, surely Aemond won’t let that slight insult pass, but he stays still and silent like a statue. She can’t quite believe what she’s witnessing. This is the same man who would call the crowned head at the table wastrel, depraved, disgrace.

So much for a disgrace, now that he fosters your pride and lies.

“I can assure you, good brother, that the talking is well outweighed by other activities that involve very few words.”

Aegon plasters a big grin on his face, yet she’s not finished. “But perhaps the Gods are sparing me the burden of bringing a child in such troubled times. A realm at war is not the best place to live in, is it not?”

“It depends on which side you’re on, Princess.”

There’s suspicion in his tone, but she just blinks at him. “My apologies, I was not aware that my loyalty to your House, and my husband’s, was to be questioned.”

“Come now. We are bound by what if not words?”

“I was under the impression that the Crown should fear his own kin more than a simple foreign girl from the West.”

At that, Helaena lets out a strange noise, something close to a wince, and silence falls all over. It is only now that Aemond undoes the stone he walled himself in and acts as he always does when he feels belittled, or worse, threatened. He shuts her out.

“I’m afraid my wife is growing tired, brother. ’Tis best for her to retire.”

She bites her tongue and turns her head. There’s no mistake in his tone, that is an order. She stares at him and he stares back, blankly, and then, just as it is expected of her, she obeys.

She goes without saying a word, aware of Aemond’s eye on her, of Aegon’s little victorious giggle. He snaps his fingers and two dancing girls flock to his brother. She knows this because she can’t resist but turning before disappearing. The girls are said to come from Lys, no less. But he’s not sparing them a single glance. His eye follows her out of the hall, and even after.

Candles almost extinguished, casting a soft glow in the bedchamber, dim but enough to make the shape of her body visible under the covers.

“I know you’re pretending to be asleep.” He says, placing his dagger and eyepatch on the nightstand.

She doesn’t bother to wait a single moment to fly her eyes open. “Was I not supposed to pretend I was tired?”

When she gets no answer, she turns to face him, finding him on his feet near the bed, undoing the buttons of his doublet. His eye is on her, though, wide, as someone ready to hunt but seeing traps everywhere.

“Did you enjoy your feast?” she asks with piqued interest. “Such a shame that I missed most of it. I was eager to watch the girls from Lys dance. How were they?”

“Enough. You should thank me for dismissing you. You were bordering on high treason.”

“Since when telling the truth is considered high treason?”

“Is that what you were going to say? The truth? To make me look like a fool in front of the whole court?”

“I was only going to say that the feast was an insult and a challenge to the Gods or any common sense. And I know that beneath all the pats on the shoulder and the endorsement on your brother’s part, you are of the same mind.” she hopes to see the barest glimpse of validation on his face, at least here, where he can leave behind his pride and admit he made a mistake. Is that what you call starting a war?

But his expression is as closed as ever, wary.

She wishes it would hurt less than it does. “Of all the people ready to betray you, how quick you are to assume I’d be the first.”

“We’re bound by words, are we not?”

“Take your brother off your mouth.” She says absentmindedly; she tries to not let it sting, but it does anyway. It is a low blow, and she knows he does not believe it. He has raised the walls, coiling like a snake, and there’s no point trying to climb and risk cracking her skull open on the ground. She will have to wait for him to come down. “Then perhaps I should consider my father’s proposal.”

She leaves the bed and grabs a letter lying open on the desk. “He wrote me this letter. That is why my mother came all the way here, apparently to see how her daughter was faring.”

Aemond eyes it with the barest twitch in his lips, then looks up into her eyes and, with a sigh, she clears her throat.

“My dearest daughter,

It is with great concern and sadness that I write you this letter.

Words have reached me about the recent events involving Storm’s End and young Prince Lucerys’ demise. My spirits are low when thinking of the fate you’re enduring. But I want you to think carefully of this: annulments are rare but possible. Even more so since you bore no heirs yet. You cannot remain married to a Kinslayer, it is the highest of sins. I only need a word from you, daughter, and I shall hastily consult with a High Septon.”

She can barely register his arm moving, only sees his hand snatching the letter out of her grip, crumpling the paper between his fingers. Nostrils flaring, eye widening, she reads insult all over his face. About time.

“Is that it, Aemond? Is that the reason you’d think I would betray you? Because I didn’t bleed on a birthing bed yet? Is that how you measure my loyalty? What of all the times I drew your bath, washed your hair, pulled the boots off your feet? What about that curtain—“ she adds, pointing to the windows “and the fact that I told the maid to keep that side always closed so the sun will not bother your eye? Do you think I did all of this because of some empty words?”

He looks as if she has just slapped him. Mistrust and bewilderment run together all over his sharp features, trying to win one another, and she waits and waits, and she begs as all the purest things must be pleaded, wordlessly.

Come down. Come down. Lay down with me. In our bed, a grave, it matters not. I'll take the shovel and do the burying.

But he stands still on his high and cursed perch, the grip on the letter loosens, his shoulders slump a little, because this, this comes so easily. Violence. It’s the other glove he wears like second skin.

“You will write to your father and tell him if I hear another word about annulments, I will have his head for treason. And as for you… you tell a living soul what you know, and you shall join the Silent Sisters. You won’t even have to vow your silence, for I shall take your sharp tongue first.”

She watches him go, standing in the middle of the room like a fool; her hands bleeding still and a plea, unheard, choking to death in her chest.

Her hands heal, stay whole for so long. She feels she cannot reach him this time, no matter how hard she tries to climb. She finds no footholds, no inlets, until she stops looking for any.

She finds she has no strength to do it anymore. They’re all dead anyway, each of them in their own way, their own burial.

The king drinks and rages and drinks and rages. Helaena rocks on herself all day long, chasing the highs and lows of her laments. Jaehaera stares at her mother with her small lips sewn, her eyes wide and the Queen Mother weeps and weeps, wondering if the little girl is watching her mother go mad with grief or yet again her twin brother’s head rolling on the ground like one of her toys.

And Aemond…she does not know where Aemond chose to bury himself. He spends the day out, trying to escape the smothering grip of the Stranger’s claws, his curse…or is it only retribution?

Sometimes he’s in the training yard, sometimes that same yard becomes theater for revenge. He kills whoever helped Blood and Cheese enter the Keep, man or woman, he doesn’t care. He tortures them, and she wants to beg him to stop, to tell him that torturing one, two, or one hundred men won’t stop guilt from torturing him.

So, he wanders restlessly, basks in small and big cruelties, until the sun sets and she’s aware, as the bed dips under his weight, that she is his own burial. He takes her at any time, in any place, be it the bed, the desk, or bent over the vanity, she cannot do anything to stop him. She doesn’t want to and yet she aches to do it. Because it’s always sudden, and harsh and hurtful when he pulls her hair, when he spares no time to stoke her desire, when he keeps her bent with her back turned and a firm hand on her neck like some kind of punishment.

It never used to be like this. It had been playful, teasing, painfully slow as if he were separating salt from water, and then fast, urgent, unraveling for two inexperienced newlyweds.

But it had never been like that. There was no joy in it. Only a duty to be fulfilled. Some twisted way to gain control, while anyone else kept slipping from his hands. Just as Vhagar slipped out of his control on that fateful night of storm.

He remembered that dark thrill pounding in his veins, the laughter gushing out of his throat like poison. He couldn’t bring himself to stop. He didn’t know whether Vhagar was fueling his fire or the other way around, perhaps both. Just a little more, he’d thought, as Arrax batted his wings frantically, desperate, mirroring his young rider, to escape the gaping jaws of the Queen of All Dragons.

That’s what he wanted. He wanted to relish in his nephew’s dread, he wanted to drink it. He wanted him alone, desperate, hopeless, just as he had been.

And then he felt it, the shift in the ancient fire pit he was riding, like a boat tipping over and there was no helm to grab onto and bring it back to land. He had sunk his own family into the bleak abyss of Daemon Targaryen’s soul.

He had come to collect, thoroughly. A son for a son, yes, but he had taken much more than Jaehaerys. He’d taken Helaena as well. Even Jaehaera.

Will she ever be able to speak again?

Will my Mother ever forgive me?

Words never spoken, stuck on his tongue and then gagged and swallowed. He cannot look down, cannot look back. He must look up and forward, like soldiers do. To the next battle, to war.

But there’s this woman. And the sight of her in his bed that makes his breath hitch and for two reasons entirely opposite to one another. The first is the most ancient one. But she’s also a thorn in his side, for she knows. She knows everything. She knows all his peaks and depths, every brick in his walls and how to dismantle them; she knows he’s strong and weak, that he’s scared and guilty and worthy of his mother’s contempt, but he cannot bear any of this in front of her.

He flees her presence during the day, only to impose himself on her for the whole night. She cannot refuse him. And he cannot have her prying and dismantling his well-crafted walls and lies, so he takes her and takes her and takes her until he works themselves up to exhaustion and she’s a rag doll in his hands. It serves the purpose, though. As long as she has his cock in her mouth, as long as he harshly pounds into her, cutting her breath from the inside, she cannot ask questions. As long as he keeps chasing his pleasure, and his rugged breaths muffle his own ears, he cannot think straight.  

He's close now and it’s the second time already. The sheets are damp beneath their bodies, his back glints with sweat, damps his forehead as he thrusts inside her one more time. They’re lying on their side, but he keeps her caged against him, his arm has slipped on the mattress and under her neck to keep her still, with her back to him. With his cheek glued to hers, he croons praises in her ear, falling mindlessly from his lips but like drops in the ocean. Once, she would redden, smile blissfully, or challenge him, to go deeper, or harder, or both, but she’s a limp thing now. A mere body panting upon being fucked by another, that’s all.

This is possession. Or a desperate attempt to. Each night, he holds her as if it’s the last time and she could slip away from him at any moment, turning her back on him. She can feel it now, in the way he’s gripping her shoulder, the way his nails dig in her skin, carving into her bones: stay with me. Please. Don’t leave. Please, don’t leave.

But it’s him keeping her away, turning her own back on him.

Don’t you know, she wishes to tell him, that I won’t, ever. I won’t. No matter how cursed you are. I won’t. I won’t.

He grabs her thigh, resting it on his hip, spreading his long fingers on her skin, spreading her legs so he can find the perfect angle and picks up the pace. She shudders with every thrust, gasping with her throat dry, feeling the long bridge of his nose sinking in her cheek, his grunts growing rougher and deeper; some strange choked sound at the back of his throat.

He comes quietly, panting shallowly against the damp fabric of her nightgown. And he stays there, claw gripping her shoulder, head sunk between her neck and collarbone, and deep to the hilt buried in her.

A tear rolls down her cheek. She doesn’t know where it comes from, who she is mourning, she can’t tell these days. Perhaps she’s mourning him, who he was, who he is now and who he is forcing himself to be. She doesn’t know where the deception lies anymore. She wishes she could push it back in, prays that it goes unnoticed, swallowed along with all the others, but she should know by now, the Gods are not in her favor anymore, if they ever had been.

“Why are you crying?”

She turns her head, and her breath hitches. The gemstone glints, yes, but she’s too struck by his eye to even notice the sapphire. There’s something raw there, bare, more than his very skin now. It’s the first time she sees that look on him, torn, heavy lidded and not by pleasure.

This is the burden of grief.

She wonders if that’s the reason he’s so keen on fucking her with her back turned, so she can’t see him. Perhaps she didn’t look hard enough. She thought he had risen too high, out of her reach, of anyone’s. She thought he would never fall, not in every sense of the word.

Hence, she’s at a loss for words, slightly pulling herself up, when he slowly comes down; he curls into himself, into her lap, resting his head there like a child. No Kinslayer, no Dragon Prince, no son, no brother. No husband. Just a human, bare in the skin and soul.

Aemond wraps his hand around her knee, gently, and then tighter and tighter, shutting his eye. He’s on land now, but the room is spinning, the whole world is spinning and he doesn’t know how to stop it. He feels he started it all, he threw a spinning top and got sucked into it. And she’s the only firm thing he can hold onto.

“Do you think I’m cursed?” he whispers, the barest flutter of his long eyelashes against his cheekbone.

But she has no answer. All she has are her hands, sliding on his naked skin, through his loose hair, gently, as if touching the thinnest glass, sealing the cracks. Her palms slice open again.  

“Aren’t we all?”

And I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more."

- The Castle, Franz Kafka.