#I really like this sketch so maybe at some point I'll do something with it.

[red-moon-at-night]

I drew Paris not smiling within Helen's proximity for once because he's focusing (something something they're lost in each other's eyes).

Inspired by that one greek vase where they're practically touching nose to nose

also you get a close up because you clicked on the read more :) <3

[tavyliasin]

BG3 2025 Creative Challenge!

Baldur's Gate 3 Fandom Artists, Writers, and Creatives!

I would like to invite you to a year of prompts to create whatever you would like! SFW, NSFW, whatever medium you would like to create in, the choice is yours! The idea is that we have on prompt per month so it should be easier to follow along without becoming overloaded. You don't have to create something specifically for the event either - if you have a WIP or other work you're publishing that month that fits the description you are more than welcome to add that in! I'll make a new post at the start of each month with the details of that month's challenge prompt, but this will be our masterpost to start the year off with a bang. Details below the cut!

The Year Of Prompts

January - New Year New You Pick a new character, trope, or pairing. Something you haven’t tried before. Make it a challenge to do something new and different! February - Romance Novels Go for something romantic, or if romance isn’t your cup of tea try something around the Necromancy of Thay instead! March - Marching Forwards March to your goal to finish a WIP or LongFic, or March into a new world by making something in an AU! April - Fools Rush In Make something humorous, something fun, whether it’s based on a meme or a joke pairing or just something with a bit more whimsy and some laughs~ May - Maybe? What If? Reverse a trope or reimagine a part of the canon - what if things were different? 

June - June Bugs Create something centred around a game glitch or exploit, past or present! July - Why Would July To Me? A piece around lies, deceptions, and other ways the truth can be twisted or obscured. August - When In Rome… A piece themed around the customs of specific races, backgrounds, regions, or Guilds. Are they followed or broken? That’s up to you! September - Seven Deadly Sins Pick one, or more, of the classic “seven deadly sins” and see how that can relate to one or more characters or tropes. October - Days of the Dead Create something around a character death, a memorial, a lingering ghost, or find a way a character might cheat their death or be brought back from it~ 

November - Gnomevember Either create something centred on Gnome characters from the game, or the other story points around them (Steel Watch, Iron Throne, Runepowder, etc) December - Season of Giving Create a surprise gift for someone in fandom, or write a piece around a gift being given by or to a character or characters!

Rules

The rules are very simple!

Create your piece in 2025, preferably within the prompt month but if you post a little early or late that's fine too!

All pieces must be your creations or a collaboration - No AI or chatbot content

You are free to work in whatever medium you like for each and every prompt!

Set your own goal - you can do a short 100-500 word minific, some simple sketches, or write a whole 10k word one shot epic, or draw a full page comic. What matters is that it's a goal YOU want to achieve!

There will be options to submit prompts and fill prompts in the AO3 collections - this is entirely your choice! You can take a prompt if you like, work on something you had already started, or create something entirely new!

Have fun!

The Goal

The aim really is simple - to set some targets, and work on at least 12 things this year so at this time next year you can look back on your progress and celebrate your achievements. If you miss a month or turn in late, that's fine! Do what works for you!

AO3 Collections

For those of you that would like to, there will be a parent collection for the year event as a whole and some sub-collections for each month to allow us to keep everything nice and organised. It's completely optional if you would like to put your work on AO3 or not - you're more than welcome to just keep it on Tumblr or wherever you usually share your works!

This event is for you to use however you feel best, to inspire creativity, working towards manageable goals, and trying something different.

Social Media Tags

Use the tag #BG32025 if you would like to! I don't know if anyone else is using this one but I'll cross my fingers that we're the only ones~ Feel free to share the event and please do support each other through our creativity! A character or pairing or kink or trope might not be your cup of tea, but let's celebrate how it is there for someone else who might really enjoy it, and keep a positive and passionate view whilst respecting boundaries by tagging works appropriately as always <3

Thank you for reading this far and I hope to see you all through they year adding your works and creativity to our fandom <3 we have so much amazing talent here, I'm delighted to have the privilege of seeing it all~

[turbo-tsundere]

Content warning for gore, blood, burns & body horror.

A king with no crown and a holy fool.

(The element of venom/poison, stabbing/puncture wounds and destruction of a whole body is present in both of their deaths. Kokichi's pristine white clothes also end up being shoved down the toilet, and the poison made it difficult for him to breathe, so there's plausible callback to Miu also. Karma at its finest?)

If I could be the devil, you could be the sinner.

(Don't mind them, they're just spilling their guts)

(...)

(Concepts for scenes from a Gonta-centric survival horror game I'll never make. But it was fun to daydream about - maybe one day I'll finish other sketches and doodles relating to it into a more presentable state. The Cat Lady OST was playing on constant repeat while I drew this - Lily of the Valley, Don't Follow the Light, String, Plainwalker, Early Winter, Storytelling, Susan's Blue Sheep (alone again) - those in particular are now stuck in my brain when I look at those drawings, and what I imagine the "game's" mood to be like, at least the opening segment.)

(I felt both heartbroken and like a monster when drawing this one... But I wanted to draw something that doesn't conveniently erase nor tuck his mangled, swollen face away from view. Sure... in game it looks goofy. But I think mockingly disfiguring him was the point in all of this, too. And given the venom, the Schmidt pain index, how it rates some wasp species, the fact that those robot wasps could be packed with anything necessary really... it had to be awful. Really, every stage of Gonta's execution was excruciating and enough to kill a person on its own, but due to his strength he likely suffered through them all. I remember begging in my head he was at least spared the flame, that he was already gone by this point... But it's foolish to pretend it definitely was the case.)

I wanted to post something new, but I was either busy, ill, or focused on something else, so another sketchdump with oldies and wips it is. This time strictly 2020-21 stuff, drawn during the first few months after finishing the game; mostly to process the post-game/Ch4 sorrows. All very emotionally raw, very edgy stuff that I felt, to be honest, too shy to show before.

Like with any wip I posted before, I do hope to finish some of them properly one day, even though I don't know when. But that's fine, I've signed up for a very long ride with the bug man. Taking it easy is the priority.

Speaking of long-term projects, maybe there's no need to, but I do want to talk about my Gonta fancomic, so here goes.

It's a bit long, so I will continue under the cut.

(Some panel teasers first! ...Gonta sanity fine.)

I took a few months long break from personal drawings - an *actual* break, not just sitting in front of a screen, tired, stewing in guilt that I'm tired, and that I can't magically muscle through burnout, or headache, or exhaustion.

My brain was stuck in a loop of berating myself for underperforming, not doing well enough, for taking so long on "mere" 27 pages, when in the past I could finish a 90-page webcomic chapter much faster. I wouldn't let myself rest, because I didn't do enough; but I couldn't do enough, because I didn't allow myself to rest. And it's been going on for months and months.

What a stupid, unconstructive thing to do to myself. I was only spiralling down, intimidating and overwhelming myself with work on the one thing I specifically wanted to keep doing out of joy, not ambition and pedantism. So I decided to just say "fuck it" and stop for a while. Like, actually stop, do something else and try to feel unapologetic about it.

So I briefly took up sewing, a creative activity I had no personal stake in, and then I started PVP-ing in DS3 (sorry if I happened to kick your butt in there. Rest assured my butt gets kicked just as much), which did wonders, too, as non-artistic pastime.

And, in the end, it seems it worked.

I finally feel this internal drive to draw again. Sadly, I can't spend all of my free time on the doujin (I might need to open commissions soon), so my pacing will still be glacial... But there was an internal change from "I have to, I have to, I must..." back to "I want to". And this is all that matters.

Still, that makes me think... while technically I don't have deadlines, the comic has taken so much longer than I thought it would - and it will take a while still. Thus, I wonder if I shouldn't change my approach re publishing it.

The initial idea was to post it all at once when it's fully finished, but I debate releasing it one page at a time instead, while it's still work in progress.

Thing is, I don't think it would be good for overall pacing. I don't want to sacrifice it, plus I can't guarantee regular uploads, esp since I don't exactly work on the pages in chronological order (While the first page is done, it was drawn after I finished a few in the middle & at the end; and there are still a few important pages/panels in first half I'm a bit too afraid of touching just yet, wanting to do them justice. This is how I work in general, jumping around rather than sticking to overly strict linear order.)

The compromise would be to post like 3-5 pages per post, making it so each upload covers a specific scene, however, same issue arises - I can't promise regular uploads. In the end it feels like a half-measure. But maybe it's a good idea, despite that impression?

There's a secret option, too - if this takes absurdly long, my plan was to just post the storyboard, after replacing some panels/pages with already finished drawings. The thing is readable as is, and long finished on that front anyway. My personal deadline for that was "right before my current lease ends", but, well… I plan on extending it anyway, and again... it's just a back-up option for when everything else fails. In the end, I just want to finish the comic, and present it how it's meant to be presented, however long it will take.

All those things considered, I'll stick to the original plan for now... and then we shall see. I simply wanted to share where things stand currently, and where they might go.

And that's it! If you've read this far, thank you. See you in the undetermined future.

[myebi]

art vs artist 2024 ✨ can't believe we're here!

i've been thinking about this year a little bit these past few days, with the holidays being under special circumstances for me. the past month passed quickly but very gently, which I'm grateful for all things considered. i think it's now safe to say that after some reflecting 2024 was one of - if not the - best year of my life. I've never experienced such a whirlwind of gratifying experiences in the span of twelve months: i met so many new and nice people, had my first con experiences in amazing settings and my first job opportunities in a field i wanted an experience in for a long time, traveled the world somehow, got 10x more attached to my characters than i already was - and I'm quitting the year with just as many projects as i did when i entered it. granted, new problems came up and still persist, but with every year that passes i get one step to catching up with the anxiety and fears that hold me back, and it's that one step that each time allows me to surpass fear and welcome something new. every leap of faith partially led to the beautiful things i experienced throughout the year like a ripple effect (partially). it's gratifying and humbling in equal measure. so cool!!

art wise, i'm a lot more satisfied with the direction my art is taking than i used to be in the past two years. i came up with brush settings that shifted my line dynamic and i discovered a new rendering technique i really enjoy that allows me to balance time-efficient with textured together. i think my art has been getting a lot more expressive and while sometimes it makes me feel like I'm straying away from a more sanitized, thought through illustrative style, maybe it's worth it for the feelings to be conveyed the way i want them to. i haven't gotten to a point where i'm experimenting with my shapes, compositions and palettes in a way that shakes up my habits in a good way, but I'll get there.

I've also come to realize while making the meme that i actually have very few finalized personal works to show this year! i made most of my personal work posts on a time rush (they usually were made for specific days). I've been working on a set of drawings that required some tweaking and a few days to sketch properly, but the result is worth it, I'm so proud of them!! i wanted to get them out before the NY but it convinced me that rendering had to take its time as well, i don't always want to rush things nowadays. being on a time limit and taking all the time necessary are both good drawing exercises nonetheless.

lots of rambling, but i had lots of thoughts. I'm so grateful that some people are still in my life as we inch toward the new year. to my moulin squad, to my tol staw, to all the new friends i made this year, to my kitty, to my family. i love you like the world. and of course, to all the people who follow my work from up close or from afar, thank you so much. to know i bring a bit of inspiration, thought and color into your day has a lot more worth to me than you can imagine. thank you for manifesting your interest and your support whenever you do!! 🙏

i hope you all have safe and healthy holidays 💛 drive safely and tell your loved ones you love them. my thoughts are with Ukraine and the people of Palestine.

[anakinstwinklebunny]

Bunny!! I have a request if you don't mind :>

I was thinking maybe headcanons of Sam and Mermaid!Reader (kinda like H2o if you ever watched it). Like stuff of how they met, how he found out and started dating, whatever you feel like it

Just an idea. It's my first request but i'll try to interact more because i really liked your blog

Luv your writing pookie, can i be 🦢 anon?

SAM MONROE X MERMAID!READER HEADCANONS 🧜🏻‍♀️🌊

Author's note: welcome 🦢 Nonnie 🙂‍↕️ that is actually such a creative idea oh myyyyy but I haven't watched H20, only heard of it :(( I hope it's up to your liking :((

🧜🏻‍♀️SAM MONROE who met you on one of his «get the hell away from everything» afternoons. He’d wander down to the rocky beach near his house, chain-smoking and throwing rocks into the water, just trying to avoid his dad and all the shitty stuff happening back home. You had been reckless, resting on a rock, just takin' in the sun..you liked this beach, it was quiet, people rarely came there. But fate had other plans today..When you heard a grumpy curse, your body stiffened and you immediately made your way back to the water. Yet, it was too slow for Sam not to see. He had spotted your tail diving under the water, his brows softening, expression going blank and he really thought he was going insane after pills he just took. "Hey! What the—" he run to the spot you were just by "Are you a freakin’ fish?" He yelled after you

🧜🏻‍♀️SAM MONROE who came back to the place where he had seen you to make sure he's not going insane

🧜🏻‍♀️SAM MONROE who actually one night sneaked out to see if you're there, and when you were, he hadn't stopped looking at you from behind. “So... you’re part fish? Do you eat people?” he'd blurt out, making you jump, before pointing at you like you were a science experiment.

🧜🏻‍♀️SAM MONROE who cursed the life out of him when he saw you become a human again after stepping out of the water. That guy stumbled over his own steps, thinking you're about to..he doesn't even know what, he just let out a breathless, shaky "shit!" before running away as fast as he could

🧜🏻‍♀️SAM MONROE who still came back to this place and this time didn't run away but the interaction between you two was.. awkward..a little but somehow you two got along with each other

🧜🏻‍♀️SAM MONROE who was protective of your secret, often glaring at people who give you, weirdly, too much attention. «Mind your business, freak.»

🧜🏻‍♀️SAM MONROE who secretly loves watching you swim. He’ll sit on the beach with his arms crossed, pretending he’s not impressed, but you catch the way his lips twitch into a smile when you do something cool.

🧜🏻‍♀️SAM MONROE who began bringing you little sea gifts—sea glass, weird shells, all while acting like it’s no big deal. «Found this dumb rock. Thought you’d like it.»

🧜🏻‍♀️SAM MONROE who teased you about your mermaid-ness. «Do you talk to dolphins or something?»

🧜🏻‍♀️SAM MONROE who sometimes asks you quiet, serious questions, frowning at you in the water. «What’s it like down there? Do you miss it?»

🧜🏻‍♀️SAM MONROE who draws you sometimes. Sketches of you on rocks or swimming. When you catch him, he simply plays it off. «It’s not you. Just some random fish person.»

🧜🏻‍♀️ SAM MONROE who spent hours smiling like a fool after the first time you kissed him underwater «Holy shit..that was..uh..wow»

🧜🏻‍♀️ SAM MONROE who, sometimes, let you take him into the water with you; jeans soaked up to his knees, just so he can kiss you properly while you float in the waves. «Don’t make me regret this. My shoes are already ruined.»

🧜🏻‍♀️SAM MONROE who teases you about being a mermaid all the time. "So, do you, like, talk to dolphins? Bet they’re better company than me, huh?" Yet when it he chills out, Sam’s completely enamored by your world. He’ll constantly ask quiet, curious questions late at night, when it’s just the two of you. "What’s it like down there? Do you miss it? Being in the water all the time? Is it worse than being out there?"

🧜🏻‍♀️SAM MONROE who you catch sketching you sometimes--little doodles of you sitting on a rock or swimming in the waves. He would deny it, of course. "It’s not you. It’s just some random fish person."

🧜🏻‍♀️ SAM MONROE who struggled with feeling like he’s somehow not enough for you, in a way. He thinks you deserve someone more “magical” or less messed up. «You’re out here being, like, a mystical sea goddess or whatever, and I’m just...me.»

🧜🏻‍♀️SAM MONROE who, whenever you’re upset, he’ll let you drag him into the water (even though he grumbles about it). "Fine, but if I drown, I’m haunting you."

🧜🏻‍♀️ SAM MONROE who gave you your first cigarette

🧜🏻‍♀️SAM MONROE who literally thought you were Ariel;

"So, uh," he started, scratching the back of his neck. He hesitated, the words seeming to stick in his throat before he finally blurted out, "Are you... some kind of Ariel or something?"

You blinked, tilting your head. "Who’s Ariel?"

Sam froze, lips parting like he was about to explain. But then, his brow furrowed, and he let out a long breath through his nose. "Eh… never mind," he muttered, taking a long drag of his cigarette

"No, wait," you pressed, frowning now. "Who is this Ariel? Another mermaid?"

"Not—well, kinda," Sam admitted, rubbing the bridge of his nose. He glanced at you, cheeks faintly pink. "She’s from a movie. Some Disney thing."

"Disney?" you repeated, your confusion deepening.

"Forget it," he grumbled, tossing another pebble into the water with more force this time. "It’s stupid. You're, like, way cooler anyway. Ariel’s just a cartoon."

You didn’t fully understand what he meant, but the faint praise made your lips curl into a smile. "So, this Ariel isn’t real?"

"Nope," Sam said, leaning back on his palms. "You, on the other hand…" His voice trailed off, and he looked at you again, blue eyes tracing the curve of your tail in the clear, shining water. "You’re, like… real as it gets."

You grinned before flicking water at him with your tail. "Good. I’d hate to have competition."

Sam chuckled, wiping the water from his face. "Yeah, well, you’re safe. Ain’t nobody like you, Ariel or not."

TAG LIST: @kingdomhate @divineani @haydensprettyprincess @skyguys-princess @catnipaddictt @heartscone @haydensbbg @inneedsoffanfics @jediavengers @literally-izzy @anisluvrgirl @slutforfinnickodair @xhunnybeeex @fuckmyskywalker @gallerygourmet @deceptiive @ysrjune @anakinskwkler @bimbo-baggins17 @cookybananas @emotionallybruisedx @diorvalentina @sevinax @throughparisallthroughrome @aniiuv @ritosparty @ninastyless @lily-strnlo @thesassypadawan @awhhayden @sydkneez @anisangeldust @l1ttle-misssunsh1ne @anakinca @rubiesarepretty

[kozachenko]

Don't really have much to post again aside from some more sketching that I've done recently, this time of Reimu and Marisa, mainly because I just need a starting point as to how I would go about drawing them in my style (which is why the poses are so boring lol).

Artist's Notes;

So I mentioned in the last post how I've been wanting to experiment with how I wanted to draw Reimu, and I then got an idea for Marisa. So I wanted to try and contrast the two of them with each other via their shape language and body types. For scale I also put some numbers on the side just as a visualizing aid so I can imagine them easier. I wanted to make Reimu very tall and lanky and Marisa to be short and rounder. Also, this provides some interesting contrast in their shape language, and Marisa ends up being more round and Reimu ends up feeling more sharp.

I think what I'm most worried about is mainly that I don't 100% know if these two drawings still...feel like Reimu and Marisa. MMaybe because I made so many changes to both of them, but I feel like it's mostly in their faces. I kept the little personal touches that would add when I would draw them in the past (i.e. Reimu's tiny eyebrows and Marisa's freckles) but I dunno, maybe it's in the eyes? Like, Marisa's bigger eyes and eyebrows are definitley ideas that I want to play with in the future, but Reimu.... I dunno, I like the idea of her face shape in this drawing specifically, and I defnitely feel like I got closer to the monilid eye look I was trying to achieve in my previous attempt at drawing her eyes, but something still feels off with her.

When I drew Marisa, I really wanted to explore some other ideas for her body type, mainly in contrast to Reimu, so I wanted to give her a fuller figure and make her shorter than Reimu. I do feel like her eyes could be a bit sharper as eyes look maybe a little too innocent for Marisa, but I do still want to use these eyes I drew for her as a springboard for later attempts. I made some adjustments to her dress so that they would look good on the body type I gave her. I also need to draw shoes more because those boots....I just, I don't even know, I probably just need to draw that specific body type more wearing those types of boots or find references because I am not happy with how they turned out. Out of the two of them, Marisa was definitely my favourite to draw. I really enjoying drawing different body types when I get the chance to, and I feel like it's important to try your best to expand your variety when it comes to drawing the human body, I'm glad that I'm comfortable with drawing different body types. I do still have a long ways to go with this as I just need to do it more often and still need to do this but with different body shapes and weights and how to combine those two aspects to create unique body types and silhouettes. Also, please feel free to give me any critiques to how these two designs turned out, I remember that I drew Reimu when it was late at night and spent the entire day on Marisa so I defnitely feel like there's some things to critque here.

I'll be honest... I don't really like how Reimu turned out too much. Not to say it's a bad drawing, but I dunno. I think I just need to draw Reimu more, but she's honestly the hardest character to translate into my style. The thing is, I have an idea for her in my head but I just have a hard time putting it to paper. It's not like I've never drawn her before, in fact, aside from the height I really like how she looked in this piece of fanart (why tf did I make her so short in that piece) I did a while back despite the fact that I've imrpoved on my faces a lot since then (again, I do want to try my lineless style again, I just need to find the chance to do so), maybe because that was the drawing that provided me with some of my ideas on how to draw Reimu in my style? I do think I'm definitely in the rut of the "not knowing how to draw a character's face in your style" phase that I'm sure many fan-artists go through, so with enough drawings I'll get through it eventually, just gotta suffer through several more hours of trial and error though so yipeeeeeeee... As for things I do like, Reimu's hair turned out nicely. I did my usual technique for drawing Reimu's hair and then pasted the lineart layer underneath the main lineart layer and changed the colour to give it some extra pizzaz, and I do like how Reimu and Marisa contrast each other a lot. I just need to find a way to make them feel more like themselves while still taking liberties with their designs in my style.

Even if these are just sketches and me laying the groundwork for how I want to draw these two in the future, I still want to improve how I draw them a lot (also I don't like how much these two look like teenagers, I see both of them as being in their late 20s-early 30s and it just doesn't read like that and I definitely need to do more studies in the future to get them right in my style).

[nana-b0b]

》🔞 These panels are censored, you can go to the last of the post to find out where to see them!

A little historical info to better understand:

♡♡♡♡♡!!! I really feel happy and overcome with these panels, I was thinking a lot about how to make them since there were several obstacles: I had never drawn something NSFW before as it should be 😅 I never got that far so to speak, there was always a line that prevented me from taking that step, since it is not the same to draw some small scene where you only see something specific to a whole pose as such and all that implies. But after many ideas and turns I managed to take that step (maybe small for some but for me it was like reaching the moon 😂) and the most important and most feared was that the essence of the drawings and the style would be lost but I could keep it well and make it coexist ♡.

Note: as for the text accompanying the panels I want to say that it's not my best work as a narrator hahaha I don't write anything since I was about fifteen and it was my era of fanfics and stuff, so I feel its very basic and empty! 😅 ♥!

Now, let's talk a bit about the panels! Well, as we all knew this moment was coming, it was no surprise -3- Ryomen really had to be patient to get what he had been thinking for a while, but he didn't want it to be something random as it could be with any woman he wanted, he was really curious to see how Aurora could look like with the full appearance of a lady of the Heian era and when he saw her, he just couldn't resist. One thing will be clear: Aurora won't wear black teeth again, there will be no way to paint her teeth again without someone losing a limb. As for her eyebrows: she's really mad about that, but I'll let it go.

And to close this post I come with a novelty (I've been thinking about this for days) now we are going to be able to have these drawings completely uncensored on patreon.

I'm not going to lie, using more than two social networks for me is already a lot 😥 if it were up to me I would only post everything in one place but we know how the rules are and we have to respect them, if just by showing a nipple (which is a pixel 😂 ) they almost censored me on Instagram I knew this would be difficult and Tumblr is not lagging behind, while there are things that it lets pass there are others that it doesn't and it's not nice to have to make such complex drawings so that the AI doesn't detect them as 🔞 since there comes a certain point that you get tired too and it loses the grace.

My patreon will be the place for all my works 🔞 without any censorship already, you are going to be able to enjoy both public and private content depending on the type of work ♡. I think also for me it's an incentive to be able to start letting go more of my ideas and continue with everything I want to do :)

To say goodbye first I want to always thank you for all the support you give me and all your messages 🖤 and second to warn you that this CAP of Ren will be in patreon already published privately but all the other censored drawings are public for you to see and enjoy them as they should ⭐

Here are the publications that I censored and that you can now see, there are not many at the moment x'D

[viperbunnies]

It's officially New years for me here! I am not the best at words, but I'm thankful for the support that I've received for the short amount of time that I've started posting art more often.

What started off as me wanting to just Archive some art I'm proud of snowballed to so many memories that I'll look back fondly to, so many silly ideas that breached containment that I remember seeing people do (Like the draw your oc reacting to their fave card that me and addie just talked about as a joke, and the Shroompocalypse that was just meant to be an Jade stealing people's yume joke)

I'm glad that I met so many amazing people and discovered new artists on this site! With that said I want to drop a few words of thanks to some of the amazing people that I've met here <3

Firstly, thank you to @oya-oya-okay being my first ever follower and mutual! If it weren't for you sharing my art I wouldn't be able to meet so many of my moots, your words of encouragement means a lot to me (and to other people that you also support!) I wish you well in life!

Thank you to @natsukishinomiyaswife ! If it weren't for you reaching out to me back then I probably would've continued lurking. You're a dear friend to me and I enjoy our random talks! May it be about life, or our own interests 💕 I hope the new year treats you kindly.

Thank you to @justm3di0cr3 ! For giving me so many ideas (some I've yet to finish...) and for listening to me whatever the topic maybe. I'm thankful that I met you! You're such a considerate person, always checking in on me whenever I feel down. If something's bugging you, I'm always all ears!

Thank you to @scint1llat3 , your overwhelming support has helped me so much. It's always fun seeing your currynoodles, and just your art in general. But it's just as fun just reading your thoughts! Your comments/tags are always so fun to read 😭 I hope you never get tired doing what you love! Labyu lodicakes (/p) kain ka ng madaming pansit sa new years for long life

Thank you to @jovieinramshackle ! I remember feeling so scared due to some inevitable changes, but seeing your general words of encouragement during that time helped me so much. Wishing you the best on your journey as well!

Thank you to @fell-e ! Your keysmashes and memes are so fun to see 😭 Genuinely need to know how you make them so quickly. Thank you as well for being my earliest supporters, I probably would've been burnt out so quickly if you didn't show genuine interest in my arts.

Thank you to @part-sadist ! For the laughs that you give me from your silly sketches, and for acknowledging some of my ideas. You've contributed so much ideas to my to do list as well, to the point that I don't think I'm gonna run out of any drawing prompts any time soon (They just need to give me the time already...)

Thank you to @taruruchi ! for being one of my earliest supporters, it's just so nice to see someone with similar interests as me! I still have so many Oz and Taru interactions that I want to make, so I hope you look forward to them hehe.

Thank you to @jadelover69 (i miss your old name /j) Thank you as well for your overwhelming support! I love seeing the things you rb on my tl, may it be twst or different fandoms you're interested in. They help lighten up my mood whenever I need it!

Thank you to @the-travelling-witch ! We haven't been mutuals for long, but you've always been so supportive of me! Thank you for showing genuine interests in my ocs! And for sharing me rambles about yours as well! If you ever get any new ideas, I'd love to hear them :> (Probably not asap due to Timezones and schedules, but of course I'll get to you soon!)

Thank you to my friend (alias Melone) If you see this I hope you know that I'm thankful that you pushed me to draw more. You'll always be my no. 1 hypeman, and I wish we can spend more time together soon. 2024 really is cursed-- our annual meetup didn't happen 😔 I hope we can meet soon! I still need to give you my gifts from your birthday.

If I could add everyone I've met here I genuinely would 😭 I love all of my moots/supporters /p.

Honestly I feel like I'm more cynical qnd negative irl... due to many reasons, but perhaps it's due to the people that I've met here that I'e had such a positive influence, which I'm honestly so thankful for. It's helped a lot with my personal struggles.

If you've made it this far, I hope you know that life gets better. A struggle today, doesn't determine the wind's path tomorrow. Wishing you all Happy new years! I hope that this coming year will be kind to us as all ^^

[catsfor2]

hit me, part 1.5 (bonussss!)

wc: 1.5k, largely unedited warnings: swearing/language, very very light talk of smut, drug use (alcohol) a/n: hi everyone. the feedback on part one made me so so happy that i wanted to drop this for ya'll. i hope u like it ;) tags: @elliewilliamsmunch@intrnetdoll@me-and-your-husband@3zae-zae3@milahnoz@elliescumm

For context, this chapter takes place 4 years before part one, or where *reader is 16 and Ellie is 19*.This part is simply to explore an interesting friendship dynamic, teenage sexuality, and some backstory to Ellie + reader.

*I do not condone underage relationships and there will be no insinuations, assumptions, or even words that would suggest Ellie being romantically interested in reader at this point considering their age gap.*

I know this makes it sound super serious but i PROMISE YOU its not. i had to put in a disclaimer simply for respect and safety reasons. enjoy!

-j

part 1

"'Natty Light'? What the hell is that?"

"It's beer," Ellie reassures you. "it's what the college folk drink. Want some?" She says, offering out the can in her hand.

"I think I'll wait until I become...college folk." You remark, unsure.

Ellie liked being around you. When your dumbass boyfriend wasn't trying drown you with his spit every six minutes. God, he's such a dick. Ellie couldn't wait for you to grow up and see the scum of the world without youth clouding your eyes. Scum not just including your boyfriend, obviously, but mainly him.

You sit on Ellie's bed, flipping your phone back and forth between your hands like you'd been doing the entire hour you've been here.

Ellie knew what that meant. It meant that he hadn't responded for a couple days, and you're just starting to get anxious about it.

Fucking. Dick.

"What do you do in college?" You ponder.

"Fuck girls, get high, get drunk, and maybe learn. Not sure." Ellie says mindlessly. She didn't see the point in college. Thought it was a waste of time and energy. She also didn't have the money to attend.

"Or at least, that's what I would do." Ellie finishes, snatching your phone from your hands.

She chugs around half of the can after she finishes talking, topping it off with a burp.

"Give it back, Ellie." You demand.

"Why? If he hasn't texted in four days he's not gonna start now."

Ellie regretted saying that almost immediately. Sometimes you seemed so...grown up. It was hard to censor herself around you. Especially when it's something she's been trying to tell you forever.

She sees your face fall, head turn swiftly towards her window. You liked how she had a bunch of sketches up there, and when the sun shined through it you'd always say it 'looked like all of her drawings were glowing'. Ellie smiled so hard when you'd said that. One million watts for sure.

Some of them were of her current girlfriend. Some of them of her ex-girlfriends. Some of them of Dina. All you really wanted was to see yourself up there.

You were too nervous around Ellie to ask her to do anything like that. Like drawing you.

"Y'know he wasn't that way in the beginning. I used to really...like him, I think." You mutter, still facing the window.

Ellie scoffs.

"You think?"

"I'm being serious, Ellie. It's like you don't listen to me cause you think you know everything. You're not even that much older than me."

"Oh yeah? What's a condom?" She asks, eyeing you.

You don't even say anything.

"So is that because you don't know? Or--"

"Shut the fuck up. Give me my phone back already." You huff, frustrated.

"Oooh shes swearing now?" Ellie teases. She watches as your face gets all pink as you get more irritated. You cross your arms hastily. It was fun to make you mad, Ellie thought.

"You should break up with Cat."

Uh, what?

"I'm sorry?" Ellie questions, less upbeat than she was a moment ago.

"I'm tired of you nagging me about my boyfriend. Cat's not very much better than he is. In my opinion."

"Christ, you sound like Joel," Ellie spits.

If there's one thing Ellie never expected from you, it was this. You usually never breached the subject of Ellie's love life. Ellie didn't mind not talking about it, she knew you weren't homophobic or anything. She just thought, honestly, that you were disinterested. So she never really...brings Cat up.

"If you can talk about my boyfriend than I can talk about Cat. It's...fair."

"It's fucking different. You don't get it."

"Why?! You always say that," You retort, sitting up a little taller on the bed. "Just—just because I'm dating a guy and you're dating a girl?"

"Yes. Literally, yes. It's fuckin' different, I don't know what else to say." Ellie remarks, throwing the can she emptied minutes ago onto the floor. She grabs a new can from the pack, cracking it open on the spot.

"Tell me, then." You say. "Tell me how it's different."

"Well, first of all, no dicks—"

"Ellie."

She huffs out a big sigh before starting again.

"I don't even—" She burps.

"I don't even know why you wanna know. And like, right now, of all times."

When Ellie asks you that, you freeze. Obviously, noticeably, freeze. Because, well, you didn't even know why you wanted to know. You just did.

"I—I just wanna know more about you, I guess." You stutter out.

Ellie's eyes narrow. Are you...nervous?

"I know he's not a good boyfriend. I know that, Ellie. You think I'm stupid and I'm not. But I can't break up with him."

Ellie still feels like that's total bull.

"Why not."

"I just can't! It's like—it feels, like, safer, to be with him."

"That guy is anything but fucking safe—"

"You know what I mean." You say quietly.

"No, I don't." Ellie says, trying to look into your eyes.

Your head was faced downward toward the bed. Ellie practically screamed through her thoughts. You couldn't even look at her. Had she been too mean to you? In Ellie's mind, it always feels lighthearted. She didn't always take the time to make sure other people took it that way.

Finally, you look up, meeting Ellie's eyes.

"You...don't? You don’t get what I mean?”

"No, y/n. I have zero fuckin' clue. Am I...supposed to?" She questions, clearly starting to get confused.

Safe? Safe? It feels safer?! Ellie was fucking lost.

How could being with that piece of shit feel any safer than being fucking alone?

"I—y'know what, nevermind. It's dumb. I don't even know what I mean. I just thought that you would get it—for some reason. It's stupid. Sorry." You mumble out, trying to forget whatever miniscule things you were telling her.

"Don't say sorry, you didn't even fuckin' do anything," Ellie quips. "Why me?"

"I don't know. I just...thought of...you." You trail off, rubbing at your shoulders.

Yeah, whatever you were talking about? It made you really fucking nervous.

"Hmm..." Ellie hums, hopping off of the bed and beginning to rummage through a desk drawer. "Here."

"...What."

"Would you like to hear the story of my first gay crush?" She grins, knowing absolutely that you'll want to hear.

She hops back onto the bed, sitting a little closer to you.

Ellie knew she was a good storyteller, but you were by far her best listener. It's endearing, how engaged you get. Never even daring to take a glance anywhere but at Ellie.

"So her name was Riley. And I was...youngish, but—I knew for sure that my feelings were...gay feelings, y'know?"

"Well how'd you know?" You ask bluntly.

"Well I wanted to like, hold her hand? And stuff? I wanted to...to take her places. Like, cool places I found outside, and like, dumb little lookout points. I'd draw her tiny pictures of things she liked. Write stupid little notes and shit. I would make her...bracelets and, things she could wear. Stuff that didn't really cost anything. I don't know...I just kinda...knew."

You don't respond. Your eyes are glossy, barely gazing at Ellie.

"Y/N, you good?" Ellie laughs, grabbing your shoulder and shaking it a bit to get your attention.

"Yeah! I'm fine, sorry. Got in my head a little."

"Right, right, wanna see somethin' stupid?" She says, awaiting your response.

"Sure."

She picks up the item she was rummaging for a minute ago. It's a post it note.

"Oh! Can I read it?" You beg, excited to see the parts of Ellie's life you're so unfamiliar with.

"Hah, yeah, go for it. I promise you it's...underwhelming." She hands you the blue paper, drawing side down.

You begin to read.

"You are the prettiest girl I've ever seen. I drew you a penguin wearing a hat that says, 'you are the prettiest…princess…ever'. Best wishes, Ellie." You smile without meaning to.

You give her the post-it note back.

"I wish I got notes like this. Do guys...do that?" You ask.

"Um, maybe some? I wouldn't know." Ellie admits.

She wanted to say no, y/n, no guy will do that until you get married, probably, because that was the truth. However, seeing how happy you were at somebody else's love note, she didn't have the heart to say it. Ellie didn't mind letting you be sheltered a little longer if it made you happy.

Before the two of you could say anything else, a phone chimes.

Your phone.

It's him.

"Oh thank god. Ellie, I have to call him. Can I call him? I'll be back in a second I swear," You ramble, basically sprinting out the door to talk to the meathead in your phone.

Fuck.

One day you'll grow up. Ellie knows this. She sees how you change every day. It still makes her feel funny to see you so...dishonest with yourself.

The day you break up with that dick is the day I fucking win, Ellie thinks.

And that day occurred exactly a week later.

After Ellie had already left.

[chriskotiesen]

How do you think of your wonderful beasts?

Usually I start with really vague ideas for shapes or colour schemes and just make the creatures up as I go along. Most of the time I'm aiming to make something that has personality but isn't too easy to compare to any existing animal. If it's too boring then I'll weird it up a bit by rearranging parts or throwing on extra shapes. If it's too abstract then I'll swap in some more realistic animal features.

I saved some in-progress pics of yesterday's creature to step through the process:

I started by giving myself the very open-ended task of drawing a creature with a mouth in an unusual place. When sketching digitally I often like to forgo lineart and just play with blocks of colour.

Why is it crescent shaped? Why is it orange? I dunno. But I think that I can turn this into a body with the mouth at the centre of the mass. There are certainly weirder and more interesting places to put a mouth then in the belly, but I don't really know how this sketch is going to go from here. Maybe I'll put more mouths on the feet or something. Finding out is part of the fun.

Let's start simple. I figure that it should have arms to pick up food, as well as eyes and a nose to clearly define a 'head' somewhere away from the mouth. Okay now it looks like a creature, but not one that I particularly like. Also there's nothing between the nose and the mouth so it looks less like it has a mouth in its stomach and more like it just has a really big, weirdly-shaped head. I can fix that if I move the arms above the mouth. And I'll give it a tail and another bend in the torso to balance it out and make it less front-heavy.

Now we're getting somewhere. I'm starting to like this for reasons entirely unrelated to the mouth, so I'll just remove it completely. It's getting in the way of the rest of the anatomy. There's no client or art director dictating what I need to make here. The initial premise is just a jumping-off point and I can ditch it entirely if the design works better without it. I like this bug-eyed, cobra-hooded aardvark-centaur-dragon-thing. That seems like enough of a creature without throwing on extra features.

I try to keep my palette organized and only add more colours when they feel necessary. The countershading here helps to define the creature's shape a bit better and break up all of that orange, as well as just making it a little more realistic. I made the tail bigger just because I like what that does for the 2d composition of the picture.

Cleaning up the shadows also helps to make the volume read a bit better. The stripes help too, but I mostly added them to break up the orange some more and make the creature more interesting. I also started laying in some blobs of colour for a background. Now that all of the basics are in place it's just a matter of adjusting colours and polishing out details until I'm either happy with it or just sick of looking at it!

Done!

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[diana-bluewolf]

For @lil-grem-draws ↓↓↓

Chris and Misha sat on a carpet of fallen leaves at the edge of the Forbidden Forest. It was a perfect autumn day, warm and sunny. Chris’s mood wasn’t so bright, though. He looked down to a piece of parchment in his hands, then leaned back on Misha.

“Today is Elland’s birthday,” he said gloomily.

Misha perked up his ears. 

“What’s a birthday? To be honest, I don’t fully understand it, but it’s the day when a person was born. Humans often celebrate it. Some kind of tradition, people love those meaningless things.”

Misha yawned.

"Exactly! Anyway, they give that person presents. Don't ask why - I don't know. Maybe so that they don't feel depressed about being a year closer to death," Chris shrugged and looked at the parchment again. 

"I hope he never knows how many attempts it took me, but I sketched something. I don't even know what for; he doesn't look like the kind of person who enjoys staring at themselves," Chris paused, absentmindedly scratching behind Misha's ear, his gaze fixed on the dance of shadows cast by the leaves on the ground.

Then he suddenly flipped the parchment over and scribbled something on the back. "There, I fixed it. But there's another problem I can't solve."

He wrinkled his nose.

“The last time we talked… I think I might have offended him. You see, he had always been so,” Chris waved his hand as if shooing away an annoying fly, “kind. So generous and always ready to help. Of course, I thought he needed something from me. So I finally asked him about it directly.”

Misha rested his head on his paws and didn’t look intrigued.

“All normal people would have already told me what’s the deal, but he…Well, I know, it’s stupid, but what if he…What if there was really nothing hidden behind his kindness? What if he is just like that? Just recently, I thought unicorns were a fairytale, so what if he is, you know, a unicorn?” 

Misha snorted.

"Look, I know it's hard to believe, but I have no more theories left; he's just that weird," Chris tiredly rubbed his forehead. "There's that new book about that clever bloke in a hat. He said, "When you have eliminated the impossible, whatever remains, however improbable, must be the truth." 

They kept silent for a while, listening to the forest’s soothing sounds. 

"He once met me drunk at Hogsmeade," Chris finally continued. "Don't look at me like this! I had never tried alcohol before, and I had no idea that even a small amount of it would impact me that much, alright? Still can't forgive myself for being that vulnerable in public. Anyway, my point is, even though I don't remember much, he looked…worried? Besides, wouldn't you try to use this opportunity to your advantage if you need something from someone?” 

Misha sneezed.

"Yes! I would for sure, too! But he didn't."

Chris held the parchment out in front of Misha's nose. 

“So what do you think? Should I give it to him?” 

Misha looked at the parchment, tilting his head as if pondering about a wise response to the situation, and then slapped his paw on it, leaving a big dirty footprint. 

“Oh, thank you very much,” Chris mumbled sarcastically, pulling the parchment out from under the paw, “I guess it’s a no since it's spoiled anyway. Fine, that makes things easier.” He sighed, crumpled the parchment and carelessly shoved it into his pocket. 

They had sat in silence for several minutes before Chris attempted to stand up, but Misha hastily grabbed the boy’s sleeve with his teeth. 

"Sorry buddy, I don't want to come back, too,” Chris gently petted Misha's ear, smiling guiltily, “but people think I'm one of them, so I have to follow their rules and school schedule. Well, sometimes. I'll visit you as soon as I can, deal?"

***

Elland was sitting in the Great Hall during dinner when a crumpled piece of parchment hit the back of his head. He looked around, but there weren't any signs of someone who could throw it.

[late-draft]

Hello! I just saw your posts about the Last Air Keyholder AU and—dear Agni!

Listen, this is beautiful. This is awestriking. This is *chef kiss*. I've always loved the initial sci-fi designs for ATLA, so it's incredible that someone's using them as a base/inspiration for an AU.

Also—your unapologetic, deliberate use of tropes? This is something extremely rare to see in narrative (tropes being intentionally used as a device) and I can't wait to see what shape they take here. Count me in!

I love this AU so far and have so many questions!

What is the vibe for the Fire Nation here? The vibe for the cities, the architecture, the worldbuilding, the culture—things like that. From the brief description we got, some parts of your world reminded me of Neo Tokyo from Akira, but maybe that's not what you're going for.

According to your previous sketch (and my inner romantic); is ZK going to happen in this AU? How do you see a possible relationship between them developing here?

Are you planning on adapting major canon plot points moving forward?

I have, like I said earlier, a lot of questions about this! But I don't want to smother you so this is all I'll ask for now. Can't wait to see what you show us next.

Have a nice day!

Hello! Thank you!! Yess a good usage of tropes is like running into a song you love that you heard many times, and still you crank the volume up! The fandom is like 20 years old, is it possible that not much stuff has been made for the sci-fi idea?

You're absolutely right, I gotta lean onto the king of megacities Neo Tokyo from Akira, but I wouldn't have the aesthetic be completely identical to it. There's mystical aspects in this AU too, and here's my initial attempt to throw together a fast vertical slice.

Light conditions are really important in a setting and in this AU I'd have a lot of the runtime happening during dawn or sunset. There's an aura of orange light floating in but very rarely direct sun rays due to the high buildings. There should however, be lots of traffic lights of all kinds. I'm already immersed in quite a few projects that feature megacities, but each one has a different flavour and I'd be overjoyed if I manage to correctly convey each one. In this ATLA AU, there's no specific time period from IRL that would be used as a reference. All nations are grouped and mixed similar to Republic City from LoK, but this AU is noticeably way more sci-fi than the 1920s LoK. There's a large focus on all kinds of transportation and roads/railways that accompany them. Highrise buildings are specifically Fire Nation in design and ownership (usually). Lower levels have a mix of everything but they do use leftover materials and mostly cement and metal. Ground and below ground levels are brick and a maze of pipes, through which strange disused cables snake. Sometimes they tangle in great masses…

I'm certain important characters from canon will appear, but I'm definitely not gonna follow the canon plotline strictly. Stuff like "Well there was a village being attacked by Hei Bai, so this AU has to have a village being attacked by Hei Bai…" nothing like that. I'm taking way more freedom in this AU to ensure that characters go through specific things that would be very useful to them and which allow the natural usage of respectively fitting tropes. But I'm not treating this AU as exclusively mine and nobody else's, so anyone can give suggestions! (please give suggestions!!)

Katara and Zuko first meet "racing on the opposite sides" of Aang. From starting out as Katara on her bike assisting the Avatar during chases while the banished prince is attempting to capture him, they sort of move into situations where they race each other. Zuko figures out that Katara is a major reason why all of his attempts thus far failed so he tries to change strategies and trip up Katara in whatever non-harmful way he can imagine. He's convinced, he must demonstrate, that her speed on a bike is not unreachable to him on his rollerblades. And if he shows off a couple of tricks along the way, so be it. :)

More stuff coming up

[mantequillamcwhoremick]

Mysterion in Chaos Plan

Upon request I'm gonna translate my elaborations on this post on Mysterion's design in my fic :> I wish I could actually present you guys with a drawn design but i haven't had time to draw lately plus all my attempts to draw him until now haven't been satisfactory to me, but I still wanna rant about my choices.

[Anyways, first things first, IF anyone ever is tempted to draw any fanart (giggles and kicks feet uncontrollably) I want y'all to know there's no pressure to stay true to these ideas. The descriptions & details for Mysterion's getup in my fic are purely practical, because design is a visual element that isn't considered in questions of practicality and realism. If you have any ideas you like better for his design, or if you feel like any of this is hindering your creative freedom, by all means throw this in the trash and do what you want instead. I love seeing people's individual creative interpretations and I don't wanna hinder anyone's creativity.]

Anyways, with that out of the way, let's get to it.

(from chapter 2 of Chaos Plan)

I'm a SUCKER for Miles Morales' silhouette as Spiderman in the first movie, and because both Mysterion and Spiderman are both vigilante/heroes with working class roots I love to find similarities between the two of them. So I'll be referring to Miles a few times in this post >:)

I like the idea of Kenny using really old maybe counterfeit brand basketball shorts that he used to wear to sleep or something. I'm not yet settled on the specific patterns/lines that I want them to be adorned with, so just for reference you can imagine something like this:

As for colors; I like the idea that these shorts might be the brightest part of his outfit as a reference to Kenny's dumbass "underwear over pants" design in canon.

His canon design is also the main reason I don't wanna give him just normal long pants, and instead stick with the Miles-Morales-type shorts-over-thermal leggins idea.

I like to think that Kenny got thermal ski underwear (pants and undershirt) from Kyle or Stan at some point for when they went camping (bc ain't no way Kenny would go skiing), and he just forgot to return it aka they forgot to ask for it back, so that's what he uses underneath his hoodie & shorts to keep warm.

For colors, I like the idea that they're a dark color to contrast the light-colored shorts but have lines similar to these in a neon green color. Just to add a fun something

And well, then there's his hoodie. Just a regular ol' hoodie, a dark one of course to blend in better into the night (dramatic ass bitch), dark purple like Mysterion's cape in canon except he has no cape because. well. realistically, impractical. But yeah, I imagine it to look a little makeshift, which is why I have Kenny spray-paint the question mark in the front (and an unmentioned "M" on the back of his hoodie) to give it that tacky look. Again, like Miles does his Spiderman costume in the first movie.

(screenshot from chapter 6 of Chaos Plan)

As for his pouch/fanny pack; I was very inspired by the type of clothes people who do parkour wear, and that shit has to be very light for maximum mobility. A utility belt wouldn't be the best choice for hip mobility, so a fanny pack he can slap across his chest and back would be the way to go. It just needs to be big enough to store some fireworks, a gun (the one he stole from Harris lmao), cigarettes and other miscellaneous things like a lighter, lock picks, his small knife, maybe a chapstick idk he definitely should

Something like this but, again, creative freedom is welcome.

And well, then there's Kenny's gloves (crucial!! bc it's cold as balls plus he CANNOT LEAVE FINGERPRINTS ANYWHERE!!), his mask, and a bandana to hold back his hair. Here's a really old shitty sketch I did once gashagdha (yes he has long hair that he has to tie together. I haven't mentioned this in the fic because i'm an idiot)

And well, for warmth & anonymity reasons I often describe him wearing a thermal tube scarf, kinda something like what I often see in Princess Kenny fanart to cover his mouth. But I haven't yet found a way to make this look cool in combination with the mask so maybe this will only stay in written word...

As for his shoes, I'm not really attached to any specific type but I do find it significant that they look like they're being held together by hopes and prayers. Tongue, collar and lining sticking out upward as the shoelaces wrap tight around the ankle to ensure it doesn't slip. Maybe duck-taped together at the tip or something. Listen, it's hard to buy new shoes when you don't want any purchases to get traced back to your identity, okay. He's forced to raw-dog this shit and we respect that.

Anyways that's it!! someday i'm going to edit this monster fic and all these details will be much clearer from the text alone, but for now we're running on the first version of the story so bear with me. I might do a similar post for Chaos too if I don't manage to draw him first :)

[being-addie]

Rest Days

It's currently peak summer where I live, and it is SWELTERING. While I'm planning to be as productive as possible (I'm not kidding my sketchbook is with me 24/7 at this point), thanks to the heat, I'm finding it really hard to stay focused sometimes. So when I'm feeling particularly lazy, or just distracted I take a rest day. I feel like I can afford this right now more often because it's the holidays, but when my classes restart in June I won't be able to even sit down.

ANYWAYS. Here's what I'm currently doing during an easy rest day. Maybe you can take some inspiration <3

My rest days:

Sleep in: I sleep until it's nearly 7:30 - 8:00 am. It's late for me because usually, I wake up at 6:00 am

Move around: If it's cloudy, I'll go for a walk, otherwise, I'll cycle to the gym.

Breakfast: I usually have this thing, where I saute some veggies, scramble eggs, and cook savoury oatmeal, then mix it all together. It's healthy and filling and it's amazing with barbeque sauce. If I'm craving something sweet, I make banana-oat pancakes (which taste and look so much better than regular pancakes I swear)

Sit in the sun: It's morning, and the sun isn't harsh, so I sit in the balcony with my cold coffee and chat with my mom as I soak up that Vitamin D

Watch a little TV: I'll watch like 2 episodes of the show I'm invested in (I'm watching Big Bang Theory)

Get ready: Take my sweet time bathing, doing my hair and getting dressed.

Sketch: So this is both productive and relaxing for me, so I'll pull up Pinterest and do some practice or I'll go to a cafe and do a live study.

Do a little crafting: Ok so this is my therapy. I'm not joking. I put on some Lana Del Rey, and make a mess of my desk. I love making little handmade gifts for family (I just made this insane exploding box thing for Mother's Day lol) or making paper crafts. I'm learning how to crochet as well. Highly recommend it. Put in your earphones, get your scissors out and start making something. Doesn't have to be pretty, just keep going.

Watch the sunset: My gallery is so full of pictures, I don't have any room for anything at this point. 85% is just sunset pictures.

Evening: I just eat dinner with my sister and grandpa, and then we like to sing and dance as I load the dishwasher and she cleans the table.

Read: After chores are done, I read on my tablet for a while.

Sleep: Bedtime skincare and lights off at 10:30.

I've actually done this in way more detail than I thought haha, but this is basically a way more relaxed version of my daily routine, just no studying?? But yeah here it is.

Understand that rest days are required. You do not have to constantly work. Humans are meant to socialise and have fun, as well as work. We aren't worker ants or bees. Relax, and remember to breathe. Everything will be ok. xoxo.

<3

[1driedpersimmon]

Do you have any advice for people who might want to get into making comics like yours? I'm always pleasantly surprised by how fast you pump them out and even have other little projects/doodles on the side. How do you keep the quality consistent?

(sorry if this sounds a lil cold (?) i rlly love your peppercakes they r so skrunkly)

First off - Thank you !! I'm honored you like my lil guys and comics hehe! (and no worries on the tone !! I didn't think it sounded cold at all!)

Alright secondly lets see...

Short answer: You really just gotta start and keep going!! Once you start you get the momentum and it gets much easier (like riding a bike, which people like to use as comparison often).

Long answer:

Alright I thought about how to answer for this for a bit and I think I'll break it down to the main aspects.

So timing ! Basically I'm drawing 24/7 (and I'm currently not working as it's an off time for me, but I shall in a week and you will see that my posting frequency will decrease substantially). Ok maybe not 24/7 but I essentially am drawing from the moment I wake up to when I sleep (minus eating, restroom, working out, some errands) and while I do not say this is the key to being better, I'm just realistically displaying how much time I'm spending on drawing. (... one of my new years resolution is to not in fact do that and go out more because I feel like I'm being cooped up in my room a lot haha). But minus the amount of time I spend itself a lot of it has to do with the importance I take in speed drawing. And when I say that I mean quite literally how fast I can draw. AND I think a large part of where that speed comes from is how I like to generalize designs and just my overall process of drawing. (Which, I will not go over now but if you'd like I could make a separate post on how I go about doing my usual sketch, lines, colors, etc) Like, I love ff and all of it's crazy designs but it's so complicated I simplify everything till it's juussstt recognizable, and that's something I feel like really adds to the speed of things.

Also that's sweet of you to say for the quality haha (I always am thinking stuff like ah man this aint it... not my finest work, and then just post anyways cuz who cares I already made it heh)! That being said my quality wasn't alwaysss consistent! Here's an example of my very first "comic" I made for my characters:

And here's the same 4 panels I redrew just about 2 years later:

So I've been basically drawing comics for this for just about 2 years now (will be 2 years officially in a few months) and I most certainly did not get here in one night. I think, as I've mentioned, it's really important to keep up with the comic making (or drawing in general) so that, yes, you can get better, but the way you get better is that it becomes familiar to you. So you can approach concepts and ideas with a more experience. And I think a large part of what holds alot of people back is the idea that "ah I can't do this idea I'm not good enough." So what !! Still do it, I most certainly did it a couple years ago when I barely scribbled my ideas. And then you can totally go back and redraw it ! no "Rule" saying you can't go back and revisit your ideas, like hell even professional artists go back and republish their works with their improved art styles ! (ex. Tokyo Ghoul... even though I don't care for the story, it's still pretty cool! I think he even added more scenes? Anyways..). I think there was that one post going around where it was something like do it scared and that's really REALLY what you gotta do.

And that leads to my final point. You gotta love doing it. I like to make comics because I LOVE my characters, their story, and actually the act of putting it all together into a story, drawn comic, visuals, etc. And, I found my method of loving them. For me, what held me back was the "structure" of comics. I mean you can p much see that the way I like to do things is def not the "traditional" manga/western comic book style right? I won't go as far to say that I "made up this way" of comic making where it's one panel at a time but it certainly worked for me. (I have no idea how many comic wips I have collecting dust in my folders from my earilier days of making this comic where I just gave up 20% of the way in because I really could not vibe with the formatting, but then I figured out I really like to "thumbnail" comics (a result of when I was studying storyboards alot imo) and I went on from there).

This is where I feel like alot of people get stuck too. Where they really do like their ideas, their character, their stories and such, but as soon as they try and go through the process of creating in a certain way... the wind is just instantly taken out of their sails. And while I do believe sometimes you just gotta push through and do it anyways, sometimes that's not the right method to go about it. So instead of brute forcing a method of creation and eventually forming a bad relationship with the process, find a method that works for you. And maybe it doesn't look all that great or good compared to others, but that comes in time and as long as you like doing it, that's what really matters at the end of the day.

Tl;dr: be a lil freak, and lil weird about what you do (this applies to everything, not only art :3)

Alright so I think that's all the points? idk if you still want to ask me stuff, feel free to anytime :) Always happy to share my thoughts!