#me: I want to make some thematically poignant art with these characters. maybe some short comics to explore those ideas.

[red-moon-at-night]

I drew Paris not smiling within Helen's proximity for once because he's focusing (something something they're lost in each other's eyes).

Inspired by that one greek vase where they're practically touching nose to nose

also you get a close up because you clicked on the read more :) <3

[comicteaparty]

March 2nd-March 8th, 2020 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from March 2nd, 2020 to March 8th, 2020.  The chat focused on VALERIE by Rebecca Reynolds.

Featured Comment:

Chat:

Comic Tea Party

BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Book Club~! This week we’ll be focusing on VALERIE by Rebecca Reynolds~! (https://valerie-comic.com/)

You are free to read and comment about the comic all week at your own pace until March 8th, so stop on by whenever it suits your schedule! Discussions are freeform, but we do offer discussion prompts in the pins for those who’d like to have them. Additionally, remember that while constructive criticism is allowed, our focus is to have fun and appreciate the comic! Whether you finish the comic or can only read a few pages, everyone is welcome to join and chat with us!

DISCUSSION PROMPTS – PART 1

1. What did you like about the beginning of the comic?

2. What has been your favorite moment in the comic (so far)?

3. Who is your favorite character?

4. Which characters do like seeing interact the most?

5. What is something you like about the art? If you have a favorite illustration, please share it!

6. What is a theme you like that the comic explores?

7. What do you like about the comic’s story or overall related content?

8. Overall, what do you think the comic’s strengths are?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

Eightfish (Puppeteer)

I've read this comic before and recommend it! I'm gonna go reread it and catch up on the latest pages before I comment, but I wanted to pop in and say that other people should read it too first!

eli [a winged tale]

This is a beautiful comic and I read it all in one go. 1. I thought it was spooky! Great atmosphere and the characters are spunky. Love the dialogue. 2. Favourite moment is Valerie talking about her past. I thought it was very poignant. 3. I love both Gab and Valerie. They both feel so real and relatable. 4. ? 5. I love the colours and lighting! I’ll get a link later :3 6. I love the theme about taking time to find out what you want in life. Especially in the current state life feels like a rush to get to the finish, I think it’s important to take a moment to reorient ourselves. 7. Loved the tone and mood of the overall story. Really polished. 8. The pacing, characters and story were all lovely. I followed the creator on my social media and I can’t wait to see more works from Rebecca.

Eightfish (Puppeteer)

Oh, the comic finished since the last time I read it!

So refreshing and satisfying to read a completed, cohesive short story like this

4. Well, Gab and Val were the majority of the comic. So, them. Seeing someone just talk to a ghost like a normal person was very cool. Love that dynamic- a supernatural encounter that's not anything to be scared of.(edited)

5. The backgrounds look structured and solid, which makes the characters stand out because they're drawn so softly. They look 'blobby,' in a good way. They look light and airy.

This page with the glass and the mirrors made me stop for a second and go, 'damn that's cool'

https://valerie-comic.com/post/182899830167

I like how Valerie's outfit looks outdated.

I wonder if Valerie disappearing on that one page means that she passed on in that moment?

On critique is that I found it a bit strange that the font size got smaller when the characters got farther away. I had to keep zooming in and out

RebelVampire

I like the color choices in the beginning of the comic. They provide a great atmospheric backdrop for the conversation. Plus, I kind of like that the story starts off with a transition from day to night, as it kind of gives off that feeling like you know something is about to change and really gives you expectations for something significant is gonna happen to Gab. As for favorite overall moment, I probably like the end where Gab and Valerie have to say good bye. There's just some beautiful emotional expressions in that scene and you can taste Gab's reluctance to leave. And I just love how that scene had the emotional weight that was needed. As for favorite character, probably Valerie. I like how, despite the circumstances, Valerie just kind of accepts them to a degree and makes the most of it in her own way. And I really admire characters who are able to do that since its a good showcase you dont have to let dire circumstances bring you down. In regards to characters interacting, I mean, I think for most it's gonna be Gab and Valerie. They do get the most screentime. And their relationship is pretty beautiful in the sense that even though it's fleeting, you can see how they help each other have a moment of respite and gain insight into themselves.

Something I like about the art is how its simultaneously clean and loose. Like the lines themselves are very clean, perfect for details and just general stylization. And yet, they aren't perfect. Like some lines don't connect, etc. I think it's just a nice style that suits the tone of the comic. I like that the comic explores the idea of finding out what you want to do with your life while also exploring the idea that what we think we want to do sometimes winds up not being that. I think it's kind of something important thing to talk about - that plans change. And that things we like can stop bringing up happiness sometimes and that committing to one thing for your entire life is hard. So I really like that this comic shows this side of things, since I feel contemporary works are pretty saturated with characters who know exactly what they want to do. What I like about the comic's overall story is just kind of the healing aspect of it. Like this is the perfect kind of story to read when feeling lost, cause it shows that sometimes all you need to do is talk to someone. Even if it only helps a little, it still helps. For strengths, I actually think it's the the overall story structure. Short stories can be deceptively hard since you have limited space and time to convey something. But I think the story here is structured perfectly with its simplicity. Interesting, but not overly complicated where you need tons of exposition pages. It's just the right length that it comes off as a tight and strong story that gets its messages in and leaves you with a strong impact since this is the entirety of it, if that makes sense.

Eightfish (Puppeteer)

i agree with your thought about the comic capturing that feeling of a momentary meaningful interaction with a stranger you'll never see again

Comic Tea Party

DISCUSSION PROMPTS – PART 2

9. Why do you think Valerie is anchored to the mall and hasn’t passed on (assuming that’s possible)? What do you think will happen to Valerie if and when the mall is torn down?

10. Why do you think Gab of all people was able to see Valerie? How do you think both characters have changed from their brief encounter, if at all?

11. Do you think Gab will pursue photography after meeting Valerie, or will another path call Gab? Overall, what do you think the comic teaches us about career pursuits and how to find what makes us happy?

12. Thematically speaking, what role did Feebs and Casper play in Gab’s story in your opinion? How do you think these characters will be affected by the experience at the mall?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

Eightfish (Puppeteer)

9. maybe she just needed a chance to tell her story. She felt when she was alive that she wasn't living genuinely, right?

snuffysam (Super Galaxy Knights)

This was a fun, short read! I'm very interested by the parallels between Gab and Valerie. Like, Valerie was pushed into a career she didn't want to, then ran away and ended up killed. So... what does that tell us about Gab? She was pursuing photography, but ran away. But, it seems like something she was really passionate about and pushed out of, rather something she was dispassionate about and was pushed into. So... what does Gab learn from this experience? It's very interesting.

eli [a winged tale]

I agree with Eightfish. Valerie mentioned only a select few can see her. I think she wanted to share her story and feel like there was a purpose for her being there

RebelVampire

@snuffysam (Super Galaxy Knights) I really like the differences between Gab and Valerie, as I think you're right. Their experiences with their career are quite a bit different, even if it resulted in the same feeling of being lost.

I think Valeria is anchored to the mall, cause ya know, murder. Most ghost lore holds that it's people with extremely regrets and/or people who met extremely horrific ends. And I'm pretty sure Valerie hits both of those. I'd like to believe Valerie will move on once the mall is torn down, but ghost lore so...she'll probably get to haunt whatever is built on top of it. Hopefully it'll be a starbucks. As for why Gab was able to see Valerie, I think it has to do with the fact they both have similar emotional circumstances of being lost. And I think that emotional connection bridged the afterlife to living gap. Gab might have also just been more open to the experience, as people who tend to be skeptical of the supernatural don't often see it. As for how they changed, I think Gab definitely got some insight into how to continue forward. Whereas I think Valerie was probably given some hope that even as a ghost, there can be purpose. Something like that.

I think Gab will eventually pursue photography, but I also feel like Gab might try other things first. Like take some pottery classes. Cause even if she aims for photography, trying new things helps ppl out of creative ruts which I'm willing to guess Gab is in. As for the overall message here, I think the comic shows that being happy is hard, careers are hard, everyone is lost on the inside, and that as we age, things we used to like we might no longer like.

Eightfish (Puppeteer)

Can I just say that I really liked the names in this comic

Eightfish (Puppeteer)

"Valerie Williams"

It sounds so rhythmic, like a celebrity's name

keii’ii (Heart of Keol)

That was a really good read. My takeaway message is, "you're not alone, even if those around you (like the two friends) don't seem to get you." Maybe your friends understand more than they seem, or maybe you'll find your connection in an unexpected time and place like Gab and Valerie did.

Comic Tea Party

DISCUSSION PROMPTS – PART 3

13. What are you most looking forward to seeing in regards to the comic?

14. Any final words of encouragement for the comic?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

RebelVampire

So I needed extra time to consider Feebs and Caspar's role, and I think that thematically that sort of represent a disconnect. Like of coruse Gab still likes them and they're her friends. But sometimes we can't talk to the ppl close to us about certain things. Sometimes because they wouldn't understand, or sometimes just because it's embarassing. However, I think at the same time at the end that they help ground Gab back to reality and give Gab a sort of safe space to continue to work on her new insights. As for how they'll be effected...probably not at all cause I think the point is how they effect Gab. Anyway, all in all this was a well-structured short story with a very tight narrative, very nice art, and just really I have nothing bad to say about it.

Comic Tea Party

BOOK CLUB END!

Thank you everyone so much for reading and chatting about VALERIE this week! Please also give a special thank you to Rebecca Reynolds for volunteering the comic and creating it! If you liked VALERIE, make sure to continue to support it via some of the links below!

Read and Comment: https://valerie-comic.com/%3E

Rebecca’s Patreon: https://www.patreon.com/brobexx

Rebecca’s Ko-Fi: https://ko-fi.com/rebeccareynolds

Rebecca’s Etsy: https://www.etsy.com/ie/shop/brobexx

Rebecca’s Gumborad Page: https://gumroad.com/rebeccareynolds

Rebecca’s Twitter: https://twitter.com/brobexx

[onestowatch]

Yoste Weaves Together Dance, James Turrell, and a Poignant Narrative in the “Blue” Video [PREMIERE + Q&A]

If you were to combine the poignant lyricism of Bon Iver and the moving production of James Blake, you would arrive at Yoste. Over the course of a handful of releases, the Austrailian producer and singer has weaved together a discography that may be limited in terms of number but already feels grand in musical breadth. It is a testament to Yoste’s innate talent for infusing a profound sense of sentimentality within his lush, sweeping downtempo electronica soundscapes.

October saw the rising Australian producer release “Blue,” a track which we hailed as an impeccable addition to the world of emotive electronic music. Today, we here at Ones To Watch have the pleasure of premiering the visual accompaniment to “Blue.” We spoke to Yoste about finding his musical identity, the spellbinding music video for “Blue,” and the future of Yoste as a project. 

OTW: How did the Yoste project first start, and what is it like looking back from then to where you stand now?

Yoste: I was in and out of so many bands and projects throughout high school. I was trying to find a musical identity that fit. The idea for Yoste began to develop when I was traveling through Turkey for a month. Maybe it was the right time in my life or maybe it was the different environment, maybe all or none of the above, but I realized if I was going to make the kind of music I really wanted to that I'd have to learn to do it myself. The idea of Yoste as my solo project began there. A lot of people view their musical "persona" as just that, not really them but more a character they play. I think that's beginning to break down a lot, at least for me. So much of my identity is tied up with the project and being a musician that I think there's only a fine distinction now between who I am day to day and Yoste as a project. A lot has happened since I started a couple of years ago... more than ever recently, but I'm not looking back, just forward.

OTW: You instill a great deal of emotion into your distinctive brand of electronic music. Is there something specific you hope people take away from “Blue”?

Yoste: I'm not a great fan of specifics... that's probably why I didn't love law school. In all seriousness though, I don't mind giving general themes to songs most times, but beyond that, I'd really rather people mine the music and lyrics for their own meaning. Ultimately, I take David Lynch's view that the art is the thing. If what I was trying to say could be better said in a paragraph of text then I'd do that, but I think the music and lyrics alone are more powerful.

OTW: How did the concept for the music video of “Blue” originally come together?

Yoste: As with so many things, it was based on a back and forth of ideas between myself and the production company pixelframe via email. It was important to me that I wasn't the focus of the narrative, but more the narrator - a side character. I'm not sure that will always be the case, but it worked neatly in this case.

OTW:  The music video for “Blue” utilizes a work of James Turell as its background. Was there a particular element that drew you to incorporate that work into your video?

Yoste: It's a stunning piece, and it was just an opportunity to mess around in a beautiful part of my home city for a night. The memory of making the video is actually more valuable to me than the end result, great as it is.

OTW: “Blue” not only synthesizes your work with Turell’s but also a tender bout of choreography. What drew you to incorporate so many moving parts?

Yoste: Dance is always such a brilliant way to say a lot without being too explicit. It's not just a bunch of shots of people crying in kitchens, slamming doors or sinking to the floor, not to disrespect those things, but they require a certain finesse to do well. Then again so does dance. I don't know why I went on that tangent - Dance is great basically, and the choreographers/dancers Sophie and Jack did an amazing job. In the past year, I've been sent or tagged in so many videos of people dancing emotively to my music and I absolutely adore it. Dance will continue to be a big part of the project's visuals I'm sure.

OTW: You’ve released a series of phenomenal singles, but we’ve yet to hear a full EP or album. Is this something we can expect in the future?

Yoste: Yes. My debut EP try to be okay will be out in February. I can't wait. As you might expect, it'll be a summary of the first couple of years of the project and everything that's happened... my ideal starting point. Beyond that, I'm already deep into the process of writing and producing my second EP. It's very focused on youth and reconciling some pretty heavy insights and struggles, as one might expect from someone in their early twenties. It's been an absolute pleasure to make on the whole. The vision has been so clear and I'm incredibly excited to finish it and get it out. In short, there will be a lot of new music next year. I'm in a really solid place creatively now.

OTW: If so, what can we expect thematically and sonically from a Yoste EP or album?

Yoste: I'm very much continuing to incorporate ambient textural elements and quirky sonic palettes into my music, but beginning to move towards a slightly more raw and upbeat side of pop as well. As my production and recording skills improve, I have the luxury and responsibility of learning which elements to deliberately keep raw in order to not polish out some of the emotion of the tracks. Themes will range from seemingly unconquerable apathy to intense emotion, feelings of inadequacy, feelings of comfort. There's a lot I want to say. I don't really mind that I don't have all the answers - that's a large part of what makes these things attractive. That's my view at least haha.

OTW: Any New Year’s resolutions for 2019?

Yoste: As I've said, I'm in a great place creatively, so I hope to keep that up. Beyond that, I expect to be playing live a lot more. I'm so excited to head on tour and meet some of the people connecting with the music face to face. I worry that the impact gets lost digitally.

OTW: Who are your Ones To Watch?

Yoste: I'm a bit worried that all my "ones to watch" are already being watched! These days I feel like an uncool dad. I'll often go to my friends or girlfriend and rave about some new artist I've discovered, only to have them tell me they've been listening to them for months... Having said that, I've recently listened to Leif Vollebekk and Heilaker and they're both lovely