#I really don't reblog posts much this feels weird

[mage-ical-character-person]

Time for more because. Because!

first off: wanna point this out: Meme games

The fact that the minigame format like Meme is used for WOTFI instead of the using the usual non-minigame challenges, or the choose your own adventure of WOTFI 2023 despite the whole “We should really do this again sometime”

And Just... That's Puzzles' whole thing. Don't know what to make of that!

and... this

hehehe… sillies… Second, some stuff from other posts I’ve made and discussions I’ve had I wanna stick here so it’s all in one place. Colored text is new stuff if you've read the other posts already and don't want to read repeat info and musings. Alternatively if you haven’t read the post and you want to. I got links.

First from here: Puzzles and Four both struggle with empathy to some extent. Four has more practice with the aspects of empathy that can be learned (cognitive empathy) but it’s still something he usually needs to actively think about, which is something he forgets to do sometimes. Puzzles sucks at just about every form of empathy. But they both still care very deeply for the people they consider friends (see reblog above about protectiveness)

Also Four and Puzzles both put people through torment for content. Puzzles with just about everything he does, Four with stuff like “I put Mario in Danger for Views” “Mario Does Literally Anything for Views” and this

Next, this.

Mario only is friends with SMG4 as a result of not being the Mario he was before Four showed up. When Mario is briefly turned back during the Lawsuit arc, Four and Meggy make him back into the Mario they're friends with without any input from him. This sorta parallels the whole Leggy situation in a weird way. In addition, Puzzles brainwashes people to make them more entertaining and cooperative for his shows. The USB SMG4 arrived in did the same thing for Four automatically as soon as he arrived.

And!

We're talking about It's Gotta Be Perfect again. Puzzles gets a fatal error that tells him to contact the manufacturers, then we get eye imagery. Then we get the IGBP Goop.

Notably, this happens when Leggy is turned back into Meggy. In other words, when Puzzles loses his only friend and source of support. I've gone on and on about how what snapped Four out of it in IGBP is his friends and being reassured they'll always be by his side, and what that means for Puzzles. and this is just... another instance of that.

But with the Goop, there's something else. It seems to be tied to strong emotions, but the fact that it shows up when Four is worried about being left behind for not being good enough--and being reassured otherwise is what allows him to break free-- AND the fact that with Puzzles it shows up when he loses his only friend and wants her back...

And, well... This...

(Seriously what was up with the stuff that happened to Three in IGBP I feel like we don’t talk about it enough) It's... well, it's something. Puzzles would do ANYTHING anything to not lose his friend, regardless of if said friend is okay with it. I don't know if Four's quite to that point, but he's... adjacent to that, at the very least.

The desperation to be seen... and the eye imagery associated with the Goop... it’s something

...Not wanting to be left behind, wanting to hold on to the people you have... wanting to be perfect...

Well... I mean, it parallels other characters, too.

(With Niles Specifically, I can't help but think that the Goop is some kind of virus similar to Niles/Eldritch Zero. I mean, it was invoked by an adware)

On the subject of characters other than SMG3 and SMG4 that parallel Puzzles, let's talk about Clench and Tari.

Both Puzzles' TV head Clench are prosthetics in a way, and Puzzles can transport people into TV shows, while Tari can, with Clench, do the same with video games. And for what it's worth, with Western Spaghetti, they're sort of on the same... frequency? Tari being able to interface with the simulation and hijack Puzzles' signal to bring forth dancing Mario.

AND

Oh and also Puzzle has parallels with Axol as well.

I mean just...

friendless childhood to becoming obsessed with media to creating that media (still obsessive).

And.. resourcefulness?

Yeah we'll call it resourcefulness.

Puzzles Parallels Post

feel like I keep repeating things over various reblog chains and stuff and my thoughts are never all in one place so. This where I keep linking said reblog chains. One of which has an endpoint that does not involve me but sshhh.

Mr. Puzzles and SMG4 have SO much in common. Four comes pretty close to Puzzles-level bad on some occasions and they share a lot of the same insecurities

I believe part of the reason Puzzles targeted Four in the first place (because I doubt “You’re the stupidest show I’ve ever seen!” Is the only reason) is because it’s easy to exploit the insecurities of someone who has the same insecurities as you, because you know that feeling in and out. Even if for Puzzles he probably didn’t have a lot of self awareness about it. Probably something more along the lines of “Oh, this guy clearly cares the correct amount about pleasing an audience and the quality of his content! But he’s not even good at it! I can use this!”

The difference is that Four has friends. He has a support system to pull him out of it when these insecurities start to make him spiral. Puzzles does not have that and frankly seems to have given up on ever attaining it. Twice.

AND THEN THERE’S ALSO THE PARALLELS WITH SMG3

Because part of it is because SMG3 and SMG4 already parallel each other so you can’t have Puzzles parallel one without the other.

But ALSO! Very similar motivations of wanting to be seen and appreciated. With a side of pettiness and jealousy. Also this

And this was also an incredibly SMG3 adjacent moment

But also the show keeps calling attention to SMG3’s difficulty making friends. Which is also Puzzles’ whole thing.

I need them to actually go somewhere with this so bad. Because 3 and 4 might be the only people who can actually understand Puzzles. Or at least let them understand themselves better as a result of Puzzles.

I NEED the “You and I aren’t so different” moment SO BAD!!

[velvet-vox]

Why King Candy has been so underrated and misunderstood for a long time (Still is, but to a lesser extent)

(All the images in this post come from the video linked below)

Hi everyone; so, usually, I'm not a trend chaser, in fact, I completely missed out on the hype of the Murder Drones finale by not releasing something for the occasion, as I have been very busy this past couple of months, and still am, but I've decided to make a special, out of program post just for my new current hyper fixation, that being King Candy from Wreck-It Ralph, who, for the past couple of weeks, has slowly risen up to become my third favourite Disney movie villain of all time.

And all of that, as some of you might have guessed, happened because I watched @king-crawler 's two hour long video essay on the character and the movie that he comes from.

Needless to say, just like many others before, it inspired me to add my own two cents to the conversation, and talk about some points that I haven't seen mentioned anywhere else.

This is probably the only Wreck-It Ralph related analysis that I'm ever going to make.

I even thought about scrapping this whole analysis, because midway through development I thought that I was just spewing out nonsense, but I kept going because some of my points may give food for thought to someone who understood this character way better than me.

I may reblog some analysis/art posts of this character, but I'm not going to turn WIR into a staple of my blog; however, if I see a lot of people in the comments or the reblogs adding stuff or points to my arguments, I could always make a sequel post to this one.

But first, I need to get something out of the way immediately.

Spoilers below the cut if you never saw this movie, kind of important, as it is the movie's major plot twist:

King Candy is Turbo.

Who's Turbo? Watch the movie.

With all that said, enjoy the read, I'll now elaborate on the meaning of my title, also, here's the video in question; I highly encourage everyone to check it out, as it is a way better sequel to Wreck-It Ralph than the one who was lost in the depths of Lake Laogai:

Clarifications:

Wreck-It Ralph is an amazing movie, but one for which I've never had much to think about.

Don't get me wrong, I always considered it to be the smartest Disney movie ever made since my first watch, but I saw it for the first time relatively late, after I had consumed other Disney movies as childhood classics and other crossover movies featuring video game characters, so it never had neither a nostalgia nor hyper fixation factor as reasons as to why I should have put the story under a microscope after that.

Also, as Rando says at the beginning of their video, it is not a movie that blew me away after my first watch. Or the second. Or the third.

Why is this section important? It is important because these are my subjective opinions of the movie, which are unfortunately going to subtly influence what I'm about to say in one way or another, regardless of me trying to speak from a place of supposed "objectivity".

I'm really passionate about this world now thanks to Randomalistic, but you won't get the same vibe from this post as you would get from one made by long time fans of this movie.

Ok?

Good.

Next:

King Candy/Turbo has always been... in a weird spot for me.

Just like the movie where he comes from, I never really cared about Turbo until a month ago, despite always feeling like I should have loved him a lot more, especially since Deltarune chapter 2 released a while ago, and the character of Spamton G Spamton is someone for whom I have very strong feelings about; and Turbo, in a technical sense, is literally the spiritual predecessor of that guy (actually, Turbo is the spiritual predecessor of a lot of similar characters, he kinda was ahead of his time).

If I had made a Disney tier list for their movie villains, a completely subjective one for that matter, I would have put him in A tier, but thinking that he should have gone in B tier... while also feeling like neither were appropriate placements for him.

Randomalistic's video finally helped me fall in love with the character; so much in fact, that it got me thinking:

"Damn, if Turbo is actually this amazing of a villain, why was(is) he so underrated and overlooked by general audiences, when he admittedly is, in my opinion, one of the best Disney villains of all time? Frollo is by and large considered the best villain out of any Disney movie, and the HOND was nowhere near as successful as Wreck-It Ralph when it first released, so it can't just be a matter of first impressions (?). Maybe there are other factors, that stop audiences from recognizing Turbo as the Magnum Opus of villainy that he truly is..."

... And that's exactly what I'm going to discuss!

Let's get right into it.

The minor stuff.

First things first:

He's ugly. I'm sorry to all of the people who ironically and unironically simp for him, but that's a design only a mother could love.

On a serious note, KC and Turbo's designs always felt... not very eye-catching to me? (The bug form is excluded from this conversation)

I'm not saying these are bad designs, far from it; but each form has on them a certain amount of design decisions that, by the authors own decisions, make them unappealing to a viewer like me (I'm using myself as reference point because the topic that I'm talking about is inherently subjective).

Starting off with King Candy, is design has to balance a lot of different aspects simultaneously: it has to be eyecatching, so that the viewer can pay attention to him as an antagonist, and believable enough so that the watchers buy the fact that he is the King of Sugar Rush and not someone else, but it also has to be generic and fake enough so that it can later on add up to the fact this is just a performance, a facade, a ruse, a costume, and not the real character, it also needs to be friendly enough so that the audience can be manipulated together with Ralph into believing that he actually is a good guy;

I could go on and on listing off all the amazing things, that the King Candy facade pulls off simultaneously, but exactly because the design has to feel real and fake at the same time, it also, by proxy, ends up feeling weird, and that inexplicable sentiment can end up alienating the viewers who are watching the movie and the ones who have finished consuming it without thinking too deeply about what the meaning of the KC's facade actually was.

In the case of Turbo's design, all the people working behind the movie did such an amazing job making him look as scary, ugly, alien, and deranged as possible, all the while keeping him relatively PG friendly; the result clearly paid off, but Turbo's ugliness is not as slick as the likes of Ratigan's, nor is it as nightmarishly horrifying as the Other Mother's.

The most nightmare fuel qualities of Turbo's design are hidden out of plain sight, which is basically a recurring theme with his character.

To put it in a funny way, his looks neither end up in the conventionally attractive territory that most other Disney villains fall into, nor do they grab the attention of the Monster Fu###rs crowd.

I have zero things to say about the Cy-bug form, but I do have a section later on where I talk about that entire scene in and of itself.

All in all, it might just be me, but the first impressions of this character's design don't really do him any favours when it comes to his popularity.

I now love both designs, but before, they just didn't click with me, and I think some other people might understand what I'm talking about.

Admittedly, I could have explained this section better, but these were mostly my personal opinions and they are not really important in the grand scheme of things, unless somebody else agrees with me, in that case I'd have to take a closer look at the situation.

Second of all:

The marketing.

To be honest, I feel like what really elevated all of the most iconic Disney villains into pop culture status was a joint push from the company and the artists to include these characters into more stories and products.

Like, sorry to all of the Oogie Boogie fans, but that character is barely in his movie and doesn't do a lot, and he wouldn't be nearly as iconic as he is if Disney didn't use him again multiple times after his first debut.

And the same can honestly be said for all of Disney's most popular villains; they got used multiple times in multiple different projects, that either kept them mostly the same, changed them with some unique twists (that change in quality, but that's up to you), expanded on their preestablished characters, or put them into unique situations that showcased just how versatile they are.

Kingdom Hearts, The House Of Mouse and Descendants are very obvious examples of what I'm talking about, but even appearances in lesser known stories like Lady Tremaine in Cinderella 3, Captain Hook in Jake and the Neverland pirates, or the entirety of Disney Twisted Wonderland help solidify these characters as pop culture icons;

All except Frollo.

Frollo is the only one whose hype and cultural recognizability wasn't built up by the company or the media in which he was featured, but by the fans of the original movie.

And despite Disney almost never used that character ever again after his debut, he, his movie, and Hellfire still get a lot of prise and are talked about classics to this very day.

Because Frollo is just that freaking awesome.

Turbo, on the other hand... is barely in anything.

Let's get the most obvious stuff out of the way first: King Candy is a relatively new character, released in an era where Disney was slowly starting to integrate the new, corporate ideals that we see today.

All of the villains that I've mentioned previously already became tried and true successes by that point, so even if the company doesn't care about having good villains anymore they still use their likeability because it has already shown in the past to bring in audiences.

It's also the main reason as to why Mother Gothel is used so rarely: King Candy, as the last truly great Disney movie villain (excluding Tamatoa, who's barely used anyway, and movies not produced by their main animation studio), arrived at a point in time when the company wasn't pushing for their villains anymore, and instead actively sanitized some of them in their new stories (you know what I'm talking about); therefore, Turbo, being actually incredibly dark on second look, and with no actual intention of tuning him down like Jafar because he hadn't already reached the iconic status by that point, had no reason to make any big appearance ever again or be paraded around as much.

There are some more reasons as to why Turbo likely doesn't have more stuff dedicated to him, like the fact that he is technically 3 characters at the same time, but I don't want to prolong this section too much.

So instead, how about we take a look at some of his other appearances outside of Wreck-It Ralph?

Let's see...

He has various cards in Lorcana, which is his most recent appearance, mind you;

He became a playable character in the 7th season of Disney Speedstorm, a game where I was hoping he would be the main villain, due to a variety of reasons, but hey, that's perfectly fine;

And he was mentioned multiple times in Disney Heroes Battle Mode, a game where he hopefully is the secret main villain, as it would pay off a large amount of story and design decisions chosen for that game, but it's probably just wishful thinking and unless the game's plug is pulled, I doubt we'll see him anytime soon.

Ok, it's more than nothing, but it's also not that special if you ask me.

But hey! At least he got a boss fight in a Kingdom Hearts game! That's more than Randall can say! He was a major boss in Union Cross... the mobile game... that you can't play anymore... and since KH adheres strictly to its own canon most of the time, it also probably means that we'll never get to play through the storyline of the first WIR in any future mainline game, and we're more likely to see a world based around the second movie instead.......

Yeah.

That seems to be it, unless I'm missing something huge (feel free to let me know).

This section is important because Cruella De Vil became one of my favourite Disney villains of all time not after seeing her in the original movie, but after I saw her in 101 Dalmatian Street, a niche show that almost nobody knows; so other medium appearances are important to these characters popularity, especially when not all of these villains are Frollo.

ALSO, PLUS 1+, I was originally going to cut this point, but I decided to add it anyway: the Italian voice actor.

After recently rewatching this movie in English, (I'm Italian, we in Italy translate the movies to our language because it's easier than learning an entirely different language for them), I have to really admit that Alan Tudik's voice performance really does a lot of heavy lifting for the character's memorability.

This is not to say that the Italian voice dub sucks or that King Candy's Italian voice actor does a bad job, in fact, the voices are actually quite similar to each other, it's just that Alan's performance has that small edge of hidden bitterness that really brings the character together; though I do prefer Turbo's Italian voice for its twist reveal: the more raspy, heavy tone of the actor really highlights the vicious, alien nature of his character, as well as the sense of dread that Vanellope is feeling in this moment; I encourage you to give it a watch.

Again, this is extremely minor, and it really only affects me specifically, but don't worry, it's not going to have influence over the rest of this post.

These were just additional points and not the actual meat of my argument, so now I'll start discussing what I actually wanted to talk about from the very beginning:

Who is he?

I think that one of the main reasons as to why Turbo is so underrated is because we spend way less time than with most other Disney villains (before him) to know him as a person.

Think about it:

Most other Disney villains, or at least the most popular ones, all have moments where they are doing nothing to progress the plot, that are dedicated solely to get us to know them better.

Hades has several moments with his minions to show off his personality and anger, Jafar has silly little moments with Iago that show off his depravity, Maleficent has talks with her crow that make her more dynamic, Ursula has her introduction scene where she spies on Ariel and does nothing but talking, and Captain Hook... has 30% of his screen time dedicated to just that.

Heck, Hellfire, one of the most iconic sequences in all of Disney, is just a character set piece for Frollo, and it's arguably completely disposable, as it doesn't really do anything to progress the story, it just explores Frollo's character in deeper depth and that happens to make the big difference when it comes to him.

King Candy doesn't really have an obvious character centric moment, something easy for the audience to quickly latch onto: every time we see him, he is always doing something to push the plot forward.

Yeah, there's that small character interaction with the Donut cops when he gets glasses, and other small moments here and there, like the would you hit a guy with glasses joke, but nothing truly character-defying.

I also don't count King Candy's first scene as a character centric moment, as that's more of an introduction rather than an elaboration, but it is technically valid, even if it ultimately is just a facade that he puts up to serve his needs.

Speaking of which: the fact that most of what we see of Turbo throughout the story could be entirely fake is definitely something that I could use to make the argument in this section stronger, but I'd rather save it up for later.

Also, side note:

I think that the moment most dedicated to him only, to show off a different, "true" aspect of his personality, is when he is walking back and forth in the castle waiting for his cops to show up again.

This moment is so interesting on rewatch, as it is one of the few moments in the entire movie where I can safely say that Turbo is being 100% genuine and isn't putting up any facade whatsoever, as there really is no benefit to him appearing distressed in this situation.

In general, it's funny to think that Turbo's most genuine reactions are of fear.

Back to point one, do you wanna know why Maleficent was given a crow in Sleeping Beauty? The reason as to why was for her to have someone to bounce off, a way for the writers to showcase more facets of her character, and while Candy has Sour Bill, the movie never uses the relationship between the two to show off a different aspect of his character.

To be clear, I'm not saying that Turbo is a worse character than these other Disney villains, or that without these moments of calmness he doesn't work, one great example

Do you know that Calhoun in early development had a camouflage ability, meant to highlight how she hides her feelings but was scrapped because it made her harder to relate to? Well, let's just say that Turbo's entire character is a What If scenario where that idea actually went through.

It's a double edged sword: King Candy is so interesting because he is so mysterious and surprising all throughout the movie, but exactly because he has to be so mysterious, he is not a character as easy to understand as some of the other villains from the company; it's incredibly easy to miss out on just how cruel he is and the full scale of all the damage that he has done.

I, AM, .......the twist villain.

There's also something to be said about how popular to the conversation the twist that King Candy is Turbo became.

Everyone loves this reveal, am I right?

It may not be the best moment in the movie, but my god if it isn't hype, all thanks to the music, the lighting, the setup, yada yada yada....

But the identity reveal scene is to Candy what the Genocide Boss Fight is to Sans: it's the most impactful moment about his character, to the point where it becomes the entire baseline where most discussions are built around, which, more often than not, lead a lot of people to overlook other things about Turbo.

Let me explain: how many analysis videos have you seen where the person making it talks more about the setup and subtle hints present in King Candy's earlier scenes that slowly build up to the twist and less about the events happening in it?

The reveal is amazing, don't get me wrong, but if Rando's video didn't come along to dive deep into King Candy's earlier scenes with the twist already in mind, the true impact of what Candy had been doing throughout the entire movie up to this point would have been lost on me, and I can imagine someone else feeling the same, as me, casual enjoyer of WIR, have been conditioned to think of Candy more for his well planned out surprise, rather than for how that surprise makes the character more engaging (I hope this makes sense).

I also want to mention this video ranking all the different twist villains from Disney and Pixar where CellSpex says that the Turbo twist is useless, since the movie doesn't do much with it afterwards.

Now, aside from the fact that CellSpex is clearly in the wrong and she's missing the point, I think this lack of reconsideration highlights that casual viewers care more about the Turbo plot twist than they care about Turbo himself.

But honestly, I don't believe people focusing too much on the twist is that big of a problem, more so, the problem stems when you want to use the twist... to discuss something else.

Now, I think it's perfectly fine if you want to use Turbo to explain why other Disney twist villains don't work, but when the villains that King Candy is compared to the most are Hans, Yokai, and Bellwether, you kind of start to think that he is only the best of the worst, and not an actual amazing antagonist in his own right.

It may not be a message that was intended to be sent, but it is something that may subconsciously cling to someone's brain, especially when you consider that there might be a huge audience of people who watch these videos because they saw Hans in the title (wishing for the video to bash him), and have seen Frozen, Zootopia and Big Hero 6, but have never seen Wreck-It Ralph in their lives, and they get all their knowledge of Turbo from them.

It's exasperating, especially when King Candy has way more in common with renaissance Disney villains than contemporary ones.

Yes, through technicality, he is a twist villain, but he's more so a hybrid antagonist to be honest.

And even worse than people just grouping up Candy with a bunch of morons, as I've just discovered by reading a comment from this Turbo Tribute, is that some people apparently despise him for starting the Disney Twist villain trend: even if he's leagues better than his competition, the simple fact that you can attribute some of the blame for the fall of villainy onto him, is enough for someone to despise him.

King of the Cy-bugs (feat Rockotar):

Very recently, I've rewatched Rockotar's video analysis of the first Wreck-It Ralph, and when he arrived at the "Welcome, to the Boss Level!" scene, I decided to analyse all the possible reasons as to why he (and possibly many others, such as, admittedly, myself) wasn't as entranced by it as basically any other scene from the movie, who he had been praising non-stop up until this point.

And I think I understood why: aside from the fact that this scene is only a setup for Ralph's sacrifice (and I wished the actual boss fight to be longer and more creative), the Boss Fight is less of a climax for Ralph's journey and more so a character study for who Turbo/King Candy is.

In my opinion, this is the closest we ever get to a "villain at rest" moment with Turbo because in every other scene of the movie, King Candy is always doing something, he's always active and we never see him doing anything that doesn't coincide with his role.

And, paradoxically to what I've just said about this being a "villain at rest" moment, in this scene, he is still doing something and being active in the plot, only that this time, instead of advancing the story, he's holding it back from its conclusion.

This scene simplifies Turbo's character to his most bare bone essentials: he's a short-tempered jerk, a power hungry murderer, a virus; it's all pretty interesting stuff once you take a sweet moment to break it down.

However, there's a point that I briefly mentioned before that I want to bring up; this creature that we are laying your eyes upon, is now three different people all at once, King Candy (anxious, quiet and manipulative), Turbo (short-tempered, competitive and spiteful), and now this Cy-bug hybrid.

To reiterate what I've said before, if you don't think about it for long enough, you aren't going to understand who either character is exactly.

Because that's the big thing: all of his facades, implied development off screen and reactions are so well constructed that at certain points, it feels like we're following two different characters simultaneously, which fits perfectly with the narrative that so called "real" Turbo died and now he's no longer himself, but...

I'm scratching the bottom of the barrel to bring up other possible points as to why this character is so underrated, and the lack of a clear identity seems like a pretty obvious thing to me.

But that's only two out of the three characters I mentioned; we need to take a second look at the Cy-bug form, who, in many ways, is simultaneously the thesis and antithesis of his character.

In particular, there's one thing I want to consider:

There's this theory made by somebody else that says Turbo, upon getting eaten by the Cy-bug, didn't take over the animal's conscience and control his body, instead, upon eating King Candy, the Cy-bug took upon himself his mannerisms, meaning that, according to this theory, neither King Candy nor Turbo technically survived the encounter.

If we accept this theory as true, then that means that even during what is supposed to be a character study, the character that the movie is highlighting may also be just as fake as the act that was put up until this point, meaning that, in a sense, we never saw the real Turbo in the movie.

He was three people at once.

(Yes, I've been spamming this image everywhere, and I'll keep doing so because I can)

In Conclusion:

Turbo is, ironically and unironically, an incredibly subtle character, and that makes it extremely easy for a lot of people to overlook and miss out on the most subtle details and characteristics that make him truly exceptional;

Him being so deceptive and mysterious helps and hinders his popularity, as some either love the mystery surrounding him, others fail to get a good grasp on who he truly is and become disinterested.

He is, by design, a building block, a puzzle to be solved, a character to piece together, that makes him so much fun!

But also, if you aren't interested in putting the pieces together, then he may not be up everyone's alley.

I definitely feel like the best thing that Randomalistic did in her/their video on Wreck-It Ralph was create an easy jumping point for new fans/casual watchers of the movie to get insanely invested over the story and characters;

I'm sure it was incredibly easy for many other people like me to focus only on the most talked about aspect of Turbo, aka the plot twist, and overlook all the other things that were not as much in your face as that; I was blinded by the spotlight, and it made it hard to see the genius that was put everything else;

Now, thanks to Random highlighting King Candy's cruelty and repulsive behaviour, my favourite thing about Turbo is how he weaponized the "disability" of a child to marginalise and persecute her, discriminating her for it all of her life WHEN HE'S THE ONE WHO MADE HER "DISABLED" IN THE FIRST PLACE.

This man, is so HORRIBLE, and he deserves to be publicly exposed for all the heinous s##t that he did, not just for being the best of a bunch of villains who frankly he shouldn't even be attempted to be compared to.

Anyway, I hope someone had fun reading this. I definitely felt like I started to write this with some really good ideas that I wanted to share, but in the end, I feel like they weren't all that interesting to begin with.

Feel free to share your own opinions, and have a great day!

[epickiya722]

Thank you Kiya for being The Number 1 Defender of Izuku and Yuuji...😆😁😄🎖

Every time I read your posts about them, I'm so happy and proudly reblog and even show your metas to anyone who like to badmouth Izuku and Yuuji.

What I love about your metas about them are they're all based on canon. Yes, you also loce made headcanons about your favorite characters but when you defend them against those haters, all your analysis are based on canon material that most people don't really paid attention, too...🥇🏅💐

From that anon before, yes, I've read them in twitter, and got so mad, like why you have to hate Izuku and Katsuki that much?! Thanks for your posts, Kiya...💐🌻

Anon, I am sending so many hugs to you right now! You're too sweet! 😭💜

Yuji and Izuku are my boys, my faves, I just adore them, you know?

This past year or so, I just find myself wanting to ramble whether it do be meta posts or fun little headcanons and I'm glad to see you enjoy them!

Honestly, while sometimes I feel like I maybe reading a little much into the mangas (or anything), I like going back and taking in each detail bit by bit. From what I have seen, sometimes those little details do matter.

(Right now, I have two posts about the last volume covers for JJK and MHA because I have thoughts and I feel like I must say these things before they stay in my head rotating over and over.)

It's really just I have my favorite characters and I hate it when I see people hate on them for reasons that don't really make sense at all!

Like, hate them if you want, alright. Not everyone will like that character. I have characters I don't feel a lot of hype for.

However, when I see people hate on Izuku and Yuji, it's like they post anything just to be "right" about their hatred. Like "I hate this character and I'm right because of this reason." You don't hate to be right about how you feel. Your opinion of a character isn't a fact! It's based on feelings!

You don't have to throw anything to be like "my opinion is a fact".

No, your opinion is BASED on a fact.

When I have my meta rambles, they're my opinions, they're my theories. But I don't just have them and think I'm right. I have them because of what I interpret from canon and then the gears in my head get to turning.

I honestly feel like it's just the "Let's hate on New Gen MCs" trend. Which is weird to me because these some of these new MCs are no different and just as great as their predecessors.

Maybe it's just me, I don't know, but when people say they hate Izuku or Yuji I'm just like "huh".

I'm still trying to process how anybody can find Yuji or Izuku "boring" or "have no development". HUH?! I don't know if they just see that sunshine personality and they're stuck on that "nice characters are boring" mentality. Maybe it's that.

Like, they're both nice and compassionate, but they can also have their moments when they're not. Neither of them is as "pure, naive and innocent" as some people try to portray them as and when people do that, sometimes it is to say "see they're not that badass, not like my GOAT who would body their enemies".

Watching the Izuku vs Muscular fight, I thought Izuku killed that man. Yuji literally has put fear into the curse that embodies the fear of humans... HOW DO YOU MAKE FEAR FEAR YOU?!

Really, it's gotten to the point that even characters that aren't my favorites (or my number one faves) will get hate and that hate make no sense that it makes me go "am... am I reading a different manga?" Yeah, Katsuki is definitely an example. Like, I get it and as I said, hate him if you want. Not everyone will like him.

But if you actually read the manga and watched the anime from start to finish and say "Katsuki doesn't have development", I don't trust you. Yeah, he's an ass and all that but even he is aware. I have seen people defend WORSE characters and hate him..

Could be just me, but I don't know what's fun about being a hater. And I mean, someone is constantly hates and hates and post about it endlessly.

I have things I hate, too and yeah, I will express it. But to do it every single second that you're known to be a hater is wild. And then calling it being "critical"? No, criticism can be helpful. You're not helpful if you just say you hate this thing and then make up something.

That's enough rambling! 😆

Again, Anon, thank you so much!! And I hope you have a lovely day! 💜

[c00kietin]

I'm so normal about them 😊

[sweetnsour-stuff]

This is kinda random fanart but y'know, when the inspiration strikes and all that

Honestly not sure how I feel about the overall final product but I am happy with my Garchomp! I absolutely love the way you drew Jörmun, he just looks so particularly imposing that I ended up drawing him completely differently to how I probably otherwise would have drawn a Garchomp lol

Bonus terrible meme bc I thought that frame looked silly (Just after I said how intimidating he looked lmao)

SUBTEMBER DAY 5 - HURT

I made this animatic for my upcoming fic, I Won't Leave You Behind, a little bit back, and decided to hold off posting it for today's subtember prompt, hurt!! (I know Emmet is not in this animatic, so I hope it still counts lol)

I'd really like to animate this at some point, but we'll see.

Song used - (Don't Fear) The Reaper, LeveR Remix

[lunarharp]

figured i'd do this again..bit early i guess..

[thatonegayship]

I loved the cowboy comic so much that I wrote a oneshot for it. https://archiveofourown.org/works/50934235 🥺 your art is BEYOND amazing, ty for the food

INCREDIBLE!!!!!

[ghostoffuturespast]

Being a writer is weird.

[icharchivist]

something about Dracula Daily that can’t leave my mind this year is how much i remember when it started last year, there were so many people saying stuff like “you all are getting into it right now while it’s new and everything and you’re making it trending, but you’ll see everyone is going to drop it eventually, none of you have this commitment for so many months”

and while people did drop out, obviously, the activity of this little “book club”, of the people who didn’t drop out, still made it trend up until the very end, there were enough people who were still motivated enough to read this book in this format that it carried on all the way to November

and now it’s starting again. now people who were sad they didn’t jump on the bandwagon last year AND people who loved the ride so much last year they’re participating again (and it being kept spicy thanks to the Re:Dracula podcast) are STILL participating to this tumblr bookclub enough to make it trend.

There were so many messages about how “you’ll see you’ll get tired of it so quickly”, and yet people made it a yearly commitment

there’s something so endearing about that

[the-mehlwurm]

PLEASE RECOMMEND ME MOVIES (OR SERIES, I DONT REALLY CARE) BECAUSE I WILL HAVE THE APARTMENT TO MYSELF FOR 2 DAYS SO I CAN WATCH ANYTHING I WANT IN THE LIVING ROOM. ILL BE ABLE TO WATCH TV, GET THIS, ON AN ACTUAL TV! BUT I DONT KNOW WHAT TO WATCH.

[buckleydiazmp4]

sometimes the smallest things annoy me

[svtiddiess]

Nom Nom

Synopsis: After what seems like years of asking, your boyfriend has finally allowed you to bite his tiddies.

Pairing: Seungcheol x afab!reader

Genre: suggestive, mini-series, established relationship

Rating: suggestive/mature

Word count: 1.4k

Warnings: biting, marking, nipple play, dry humping, lemme know if I missed anything!

Note: This is kind of a continuation of the boyfriend texts post, but it's not really necessary to read it! It will help with some context though!

Thank you so much to @seokgyuu for beta reading!

Tagging @brownsugarbaybee as usual!

This feels very on-brand for me.

Read the sequel: Nom Nom: The Revenge

Read part 3: Nom Nom: The Gyutiddies

Click here to join my taglist!

Reblogs are appreciated ♡

.ᐟMinors/blank/no age indicator blogs will be blocked.ᐟ

You giggle to yourself as you enter your shared apartment. You can't believe Seungcheol actually agreed to it; after what seems like months of asking, he's finally agreed to let you bite his tiddies. Although you had to admit you were only joking when you asked him those 500 or so times, you were actually kind of excited to finally have this opportunity.

As you enter the living room, you find Seungcheol seated on the couch in an oversized hoodie with a pout plastered on his face. You look at him quizzically as you approach him.

"I thought I asked you to be prepped and ready on the bed," you huff, half-joking with him.

He looks up at you with wide eyes, his pout somehow deepening. "You were actually serious about that?" he asks, exasperated.

"Of course I was serious," you scoff. "When am I ever not serious?"

"Pretty much all the time," he huffs. You let out a small "hey" and playfully hit his shoulder.

"Now stop dilly-dallying and go lie down on the bed," you demand, crossing your arms. He lets out a whine and wraps his arms around your torso, snuggling his face into your abdomen.

"Princess," he whines, then looks up at you with puppy eyes. "Please don't do this to me," he pleads.

"Nope, not happening. No amount of whining and pouting is getting you out of this Cheollie. It's too late now. You already agreed to it," you look down at him and grin. He groans and hides his face in your abdomen.

"Now chop chop. Or else no kisses for a week," you state. His head jerks up, and his eyes widen.

"No kisses for a week?!" He exclaims.

"Princess, you can't do this to me!" He complains.

"I can and I will," you huff. "Now hurry up!"

With a final grumble, he reluctantly lets go of you and stands up.

"Please let Cheollie go," he pouts and cups your face.

"Cheollie is about to get his ass whooped if he doesn't get on the bed within the next five seconds," you sarcastically grin.

Shoulders slumping at his last ditch effort, he makes his way to the bedroom with you closely following behind.

He sits on the bed, fidgeting with his fingers while staring at the floor. You giggle at how shy he seems.

"Well, what're you waiting for? Strip," you smirk.

He looks at you with a pout, a blush dusting his cheeks as he slowly reaches for the hem of his hoodie. He slowly pulls off his hoodie and quickly covers his chest with his arms, causing you to laugh. Your boyfriend, who was usually dominant in bed, is now acting like a shy virgin; you can't help but laugh at his actions.

"Stop laughing," he whines, blushing harder.

"I can't help it," you giggle. "You're acting like I've never seen you naked before."

"Well, it feels weird, okay?" He grumbles with a pout.

You can't help but coo at him. You move to straddle his lap and cup his blushing face.

"I promise I'll be gentle. You can ask me to stop anytime," you whisper. You lean in to gently kiss him as reassurance that you won't do anything he's uncomfortable with.

"Now, lean against the headboard," you murmur. You get off his lap to allow him to lean against the headboard and get comfortable.

Once he's comfortable, you straddle his waist and start leaving wet kisses along his jaw, helping him relax. You smile to yourself when you feel him slowly relax under you.

Slowly making your way to his lips, you capture them into a passionate kiss, moaning at the feeling of his tongue against yours. You lightly grind against him, causing him to groan into your mouth.

You pull away from him, both of you panting. He looks incredible beneath you, his eyes dazed, lips swollen, and breathless. You shift to leave kisses down his neck, your teeth grazing against his skin.

You hear his breath hitch when you reach his chest. They feel so firm beneath you that you can’t resist moving your hands to squeeze them.

"Princess," he groans.

"God, I love how firm your chest feels," you whine, squeezing him harder.

You lean down to lick one of his nipples, causing him to shut his eyes and moan out loud.

"F-Fuck princess," he groans as you start sucking on the bud.

He throws his head back and shuts his eyes when he feels your teeth lightly digging into his skin. You start sucking on the bud, causing him to let out a string of curses. After finishing marking the bud, you move on to the other one, giving it equal attention. He lets out a loud groan when you pinch his puffed-up nipple. You feel his bulge growing as he ruts against you.

"Feel good Cheollie?" You purr after sitting up to look at him.

"Feels so good princess," he moans, eyes screwed shut.

You grin, then lean down to start marking his chest. He lets out a long groan and arches his back. Small pants and moans escape his lips as your marks get deeper and rougher. Blotches of red and purple slowly bloom across his chest, painting it with your mark. His hips jerk up, and a whimper escapes his lips when you bite down particularly hard.

Enjoying his reactions, you continue to abuse his chest, savouring every moment. You lean back to take a minute and cherish your work. You beam when you see his chest covered in bruises, bites, and saliva.

"Look at me Cheollie," you purr. He opens his eyes to look at you, his eyes blown out and a fucked out expression on his face.

"Are you alright baby?" You murmur, caressing his flushed cheeks. He nods breathlessly, the corner of his lips lifting up into a fucked out smile.

Just then, an idea strikes you, and you smirk before leaning in close to his ear.

"I'm going to mark you with my initials," you purr. "After all, an artist has to sign their painting to show who it belongs to, right baby?" You giggle. You feel his dick twitch at your words.

"You like that Cheollie? You like being marked by me?" You smirk. He lets out a soft whimper and grinds against you, causing you to let out a giggle.

"I am an artist, and you are my canvas baby," you whisper before shifting back to his chest.

You lean down and begin biting and sucking the skin, marking your initials into his left chest cause it's closer to his heart, making sure they take up most of the space. You have to show him and everyone else who belongs in his heart, of course. You hear him moan and groan under you, his hands on your hips to keep you steady. After embedding your initials into his skin, you sit up and admire your handiwork.

You look down and pout, still unsatisfied with your work, feeling like something was missing. That's when it hits you; you giggle as you lean back down to encapsulate your initials with a heart.

"Princess, what—" his question is abruptly cut off by a moan as you bite down harder than usual, silently asking him to simply let you do what you want.

You sit up after finishing the heart, finally satisfied with your work.

"So pretty Cheollie," you purr as you gently trace your fingers across your artwork. "I need to take a picture."

"A picture?" he asks, a puzzled expression crossing his face.

"Of course! I need to forever encapsulate my masterpiece after all," you giggle. You shift to reach for your phone on the side table, causing him to groan.

"Princess, you're killing me here," he mutters.

"Hush! I'm busy taking pretty pictures of my pretty man," you grin as you proceed to take multiple pictures of him.

Your words make him blush, and you squeal, thrilled that the pictures are turning out even better than you expected. He looks so pretty with your mark on him, his cheeks flushed red and his eyes dazed. You're definitely going to use them as your wallpaper for a while.

"Enough," he growls, snatching your phone and tossing it back onto the table. You let out a gasp when he suddenly flips you over, him now on top of you.

"I've let you have your fun, but now it's my turn."

[redwinelew]

you're my best friend | lewis hamilton [1/3]

social media au. black + actress!reader

summary — you and lewis have been the best of friends for years but the world thinks there might be something more. until.... (read part two here)

face claim — taylor russell

song — you are in love by taylor swift (taylor's version)

warnings — fluff (for now, more angst in the future lol), inconsistent timeline, lmk what else i missed

author's note — as always pls ignore the dates, time, likes, rts etc i really can't be bothered to change them 😭😭

all pictures taken from pinterest. credit to owners.

instagram!

liked by hoooooyeony, ayoedebiri and 2,473,928 others

tagged ynln

lewishamilton happy birthday to the girl who always puts the biggest smile on my face. i love you sweetheart.

view all 4,847 comments

user1 the caption is so fucking insane lmfao

user2 show this post to someone who doesn't know who they are and i bet that person will most definitely that they're dating

user3 user2 ???? are friends not allowed to wish each other happy birthday now or did i miss something

user2 user3 not with that kind of caption no you don't lmfao

francolapinto happy birthday ynln !

ynln francolapinto thank you franco!! ❤️❤️

user4 they're just friends yall they've been friends for years pls

user2 user4 uh huh yeah sure jane

user5 user2 maybe don't speculate about real people's personal life??

user2 user5 can't i'm too nosy

user5 user2 ok yk what what's kinda valid

user6 thank god they're just friends actually cause otherwise the age gap would be insane

user7 user6 1) none of your business if they're dating or not 2) she's a grown 30 year old woman???? istg why can't yall just let ppl be happy

chappellroan happy birthday baddie

ynln chappellroan *totally not freaking out that my fave singer just wished my happy birthday* thank u queen!!

user8 ynln bestie that is SO real of u

ynln you're extra sappy today

lewishamilton ynln it's your birthday of course i'm sappy. i'm always sappy for you.

ynln lewishamilton loser

lewishamilton ynln just for you

user9 ynln lewishamilton i'm gonna jump off a cliff

twitter!

instagram!

liked by mercedesamgf1, tomholland1996 and 5,387,282 others

tagged lewishamilton and mercedesamgf1

ynln i was lucky to have been there during your glory days, but i think i was even luckier to get to support you through one of the most difficult moments in your career and maybe even your life back in 2021 because i know that those dark days would not last forever. i hope you know that you deserve every bit of this win, my darling angel. i love you so much lewishamilton.

view all 7,383 comments

user1 i feel so normal about this caption

user2 what kind of friends call each other sweetheart and my darling angel

user3 user2 ikr like atp they're def oblivious

user4 user3 or maybe they're just scared to confess bcs they don't want to ruin their friendship

user5 user2 there's no way that they're dating like have u guys seen his dating history? he likes older women (nicole, shakira). yn is only 30. maybe they really are just friends

user6 user5 yeah now that u mention her age...... kinda weird to ship them idk

user7 user6 girl she's a grown ass adult woman tf are u on about 😭😭

zendaya send my congrats to him ❤️❤️

ynln zendaya i will!!

messages!

twitter!

messages!

— thank you for reading! part 2 is coming soon <33 as always reblogs and feedbacks are always appreciated!!

[fivewholeminutes]

HEY LOOK I BLINKED AND IT'S ANOTHER WEEKEND ALREADY time is an illusion which hates me

Y'all i love u not ignoring u, just having a busy weekend, but i am kissing on the mouth everyone who sent me an ask lately 🥺

[anim-ttrpgs]

Help Save the World of TTRPGs and Their Creators.

Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.

This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)

If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.

If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.

[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]

Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.

You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)

You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.

Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.

“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”

Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.

“D&D5e has all of these extra online tools to help you play it.”

So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.

“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”

There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.

“I can’t afford to play another TTRPG.”

You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.

(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)

“If I don’t play D&D5e, which TTRPG should I play?”

That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.

“I want to play something besides D&D5e, but my friends won’t play anything else!”

I have several answers to this.

Try showing them this post.

If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.

If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.

“I only watch actual plays.”

Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.

“I can just homebrew away all the problems with D&D5e.”

Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.

“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”

Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.

“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”

Then you’re still not supporting the smaller developers that this monopoly is crushing, either.

Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.

Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.

First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.

Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.

@indierpgnewsletter

@indie-ttrpg-of-the-day

@theresattrpgforthat

@haveyouplayedthisttrpg

@indiepressrevolution

Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:

Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)

Seth Skorkowsky

Questing Beast

The Gaming Table

Rascal News

Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.

Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!

Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)

We also have merchanise.

[catboybiologist]

saw a call out post that said you used to be an alt-right reddit white supremacist edgelord prior to transition. is that true???

EDIT: HEY IF YOURE GOING TO REBLOG OR RESPOND TO THIS PLEASE REBLOG MY OTHER VERSION OKAY? Don't be weird about speaking over people whoa actually experience racism please.

Yeah yeah, this is bait, and I doubt that the callout post you're referring to even exists.

But seriously.

Have we not learned by now not to believe callout posts, especially about trans women?

Seriously. I'm only answering this ask as a PSA. People can and will invent shit about trans women all the time. I've made it on kiwifarms at least once, and don't care to check if its happened again. I'm not big enough to have organized crusades against me, but people write false fallout posts about smaller blogs all the time.

This is one mechanism that makes Tumblr feel increasingly hostile to trans women- false dog piles organized by transphobes masquerading as whatever they need to be to get the dogpile started.

Beyond online interactions, myself and many other trans women have transphobes that they knew irl who might be compelled to pull the same bullshit.

I thought we were beyond this.

If you want an actual response (although I feel like I shouldn't grace this with any):

Closest thing to this being true is that I was a pro-capitalist neolib when I was like, 15, and didn't really leave much online trace of it. Had a touch of new atheism type arrogance and "le enlightened" type stuff. Didn't fall down the alt right pipeline, and def was not a white supremacist.

That's over a decade ago.

My reddit femboy days predate my transition by two years, btw, and I was already well into my faggot leftism by then.