#I really don't know what I'm doing here

[originalpandahoagieoperator]

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The Cure - Open

[poorly-drawn-mdzs]

Archery Nemesis.

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[ineed-to-sleep]

Yeah I would like to have uhhhhh whatever the hell these two have got going on

[teaboot]

tranny freak :)

[hyakunana]

I hate the sewers . jpg

[nonasbirthday]

of course you can read necros and cavs as a parallel to the gender binary bc A) you can do whatever you want forever and B) yeah there's plenty of textual evidence comparing the necro-cav bond to a marriage. however one thing i think many of these discussions keep missing is the fact that most people in the nine houses are not necros or cavs and do in fact exist outside of this binary. which would make it. not really much of a binary

[unproduciblesmackdown]

Lackadaisy Enrichment

[tzarrz]

to all people who said PART 1 made them laugh - i lov u 💗 this is for u

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[benevolenterrancy]

this description made me realise what one of my favourite MXTX character tropes is: Over-Worked, Under-Appreciated Employee Who Is Not Above Becoming Somewhat Evil About It

[m-a-d-e-l-e-i-n-e]

I hope leftists who think they’re above voting for president or are voting for Jill Stein or whoever because it’s their stupid way of protesting the system feel good about themselves, especially if Trump wins partly because of your negligence 😍 I know you’re not doing shit to plan the proletarian revolution, especially before January, so you guys better not complain about something harming you that you didn’t even bother to try and change

(edit: changed the last part bc I wrote “…if life gets a lot worse for you” cause that does nottt sound right at all and I apologize for writing that)

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[blackkatdraws2]

The Curator (White) [Blank Scripts AU]

[egophiliac]

so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms

this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...

Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.

Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏

Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:

and then when he gets back from his nice mushroom-foraging hike, you get this Jade:

Scara - Kalim, my sweet little moron. such a good heart, so few braincells.

Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!

except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:

this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.

Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him

...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!

[traumacatholic]

I would really appreciate some prayers. I've been having so much money problems recently and I'm just not sure what to do. Every month I end up either in the negative or close to the negative. And it doesn't help that each month I have ended up having to make some big spendings because something essential has broken which needed replaced or whatever else. I can't currently get any help to cover my rent, because I'm still couchsurfing. The landlord of the place that I'm couchsurfing at isn't happy with my finances, and may refuse to add me to the tenancy, which would mean I would have to leave here. I don't even know why the landlord has an issue, because the rent has been getting paid on time without any difficulties. If I were to get added to the tenancy, I could finally ask for extra benefits to help me with the rent which would give me more money for living. But right now rent takes away from most of my benefits. I've been trying to cut spending where I can, but it's so stressful and miserable and overwhelming. I hate that I'm still in the same position I was in, where I'm just couchsurfing and trying to catch a break. I'm not currently in a position where I can save any money at all. And there's still the possibility that I'll be in a worse place housing wise if I'm not allowed to stay here. The fact that this has dragged out for so many months, and I'm still in the position of losing so much has me constantly depressed and suicidal. I just don't know what to do. Everywhere I have reached out to has been unable to assist me

[kazbiter]

very interested in how the storyline of ronan's sexuality is developed in the dream thieves as a battle between kavinsky and gansey while adam is almost never present in these scenes, which makes it even more interesting that we found out in CDTH that ronan was set on adam the moment he saw him. i think that ronan is attracted on some level to both gansey and kavinsky (you can draw the lines of how much romantic intention you think he hold towards either of the yourself, that's a rabbit hole I would need a whole other post to go down) but more so I think he was attracted to the IDEA of both of them and certain qualities that each possessed, and that the real question wasn't does ronan want gansey or kavinsky because we know he wants adam but rather who's qualities resonate more with who ronan is, or who he is choosing to be at this critical moment in his character development. kavinsky is a dangerous thrill and often comes wrapped in ronan's other favorite self destructive attempts to outrun himself, while gansey is ronan's history and proof of his deep capacities for loyalty and love. he tells kavinsky it was never going to be me and you and that it's not going to be ronan and gansey because that was never the question- maggie was obviously always planning on bluesy and pynch. the answer to who ronan WANTS in adam. the question of who ronan IS- that's what he's trying to decide here. his self hatred is such a heavy weight on him and theme in tdt, and the kavinsky/gansey dichotomy represents the the path he will choose to take to deal with it- keep try to drive faster than his demons or accept that he can still be loved even if he isn't the person he once was. the dream thieves my beloved ronan lynch my beloved