#I rambled too much about my characters but ��

[nekole-doodles]

I'm also gonna add to this but for the actual DSMP members because I want to ramble about this for a bit

Here are some of my thoughts for the origins of some DSMP members who have murky origins(like C! Tommy) or who's origins should literally be impossible if it's through normal means(like C! Fundy). Btw, Tommy's origin is the idea I've developed most while the others are barely developed at all:

C! Tommy - This idea is very inspired by C! Tommy's origin in the fanfic The Dreamwalker by Hydre. In my headcanons, Tommy is a shapeshifter and shapeshifters are created by the magic of the world from emotions so strong that a living thing is literally manifested or they become the personification of something(since monsters that come out at night are also manifestations of magic, why can't people and animals also pop up due to magic too?). For Tommy, he came into existence due to the emotions and wants of the Minecraft family(made up of Philza, Kristin, Technoblade, and Wilbur). The most prominent things that caused Tommy's existence was the love of their family and desire for another member, but other elements of their family influenced how Tommy turned out. A few things Tommy was also created from were Wilbur's passion for music, Phil's love of flying freely in the sky, and a dash of Techno's obsession over gold(for funsies). This was translated into Tommy loving music, being a free and wild spirit, having sky blue eyes and gold eyes, and really liking gold items like jewelry and golden apples(Techno is ironically the indirect reason Tommy steals gapples from him).

C! Fundy - He's the manifestation of Wilbur and Sally's love for one another because it wouldn't make sense for Fundy to be as old as he is in comparison to Wilbur :/ In my headcanons, Sally(who was a merling hybrid) and Wilbur were very much in love(it was mutual) and wanted to build a life together. Fundy either manifested with the body of a 6-10 year old or he grows much faster than a normal person(because magic is funny like that). Unfortunately, Sally died due to a disease a few years later :(

C! Quackity - Kinda inspired by C! Quackity's origin from The Dreamwalker. I'm still not completely sure what his origins are but I definitely can't imagine him with parents and I really want him to be a shapeshifter. I feel like he'd be the personification of fire(which is where greed and wrath come into his character) or the sun, of course with a few other factors influencing his creation but yeah.

C! Technoblade - I'm so conflicted and indecisive on his origons, but if he isn't the literal Blood God, then he is the manifestation of the Nether. Just- as a whole. Or he manifested after a huge and bloody war between conflicting piglin tribes.

There's a post I saw a while ago about where fantasy races get their children. It was like, dwarfs carve their children out of stone, goblins steal their children, elves find random animals and teach them until they reach elven intelligence... And I think that's how children work on the dream smp. You could do it the old fashioned way, or you can teach a fox how to talk until it's at human intelligence, you can cast a baby out of gold and wait for it to start moving on its own or you can terraform a mountain and call it a baby until it walks away, you can find any random mob, object, or land form and just, it's your baby now, it'll start walking and talking soon.

oh my god everybody shut the fuck up and unfollow me, i want to be alone with this person and discuss worldbuilding with them

[revelboo]

Rambles/ clarification of my nonsense

• I just wanted to go ahead and clarify something before you guys make the connection between the TF One Megatron fic and the latest Thundercracker bit and start asking. First off, I have a fated mate series I write. I do love that trope, but I have an issue with how it’s handled sometimes so I will gently poke fun at it from time to time.

• I don’t like the insta-love eyes meeting across a room and falling hopelessly in love that some novels incorporate. I prefer love/affection to be earned over time through actions. Insta-love always comes across to me as losing a piece of yourself to another person, losing free will. Instant attraction or lust? I can work with that, tie it to a sense of belonging that keeps dragging you into that person’s gravity whether you want to be there or not. Just because it’s fated doesn’t mean it’s perfect or easy. I want the characters to clash, to fight that sense of need and maybe even resent that bond at first. Slowly building up trust and getting to know each other.

• If I write more TF One characters, I’ll probably use fated mates in that universe because I’m a gremlin and I like writing conflict. I wouldn’t mind writing that version of Starscream, B127, or Optimus Prime at some point.

• This blog started as a venting space. I needed to work on manuscripts, but I was so burnt out and my usual tactic of just swapping to a different project wasn’t working. I’d open the documents and just stare at the screen in dread. So, I wrote a silly little Starscream snippet, because I used to write fanfiction on FFN years ago under a different handle. And I missed writing silly, self indulgent nonsense that didn’t have to be perfect. The quick bullet point snippets I do are actually how I quickly get scenes down to expand later.

• I only meant to make a few characters and scenarios and then go back and start fleshing them out like a properly formatted story. Then you guys started asking questions, asking about different characters. So I just kept going, because I honestly missed writing for fun, for myself. Nothing serious, just telling a story to amuse myself. I needed an outlet for the stress and this is it.

• So, thank you guys so much. I’ll keep these going as long as folks want to read them, because I really did miss the Transformers community. There’s a sense that when you swap to professionally writing, you’re not supposed to keep doing the fanfiction stuff. You’re supposed to grow up and just write novels, nothing else. And that’s why I stopped ten years ago, but this makes me happy. I can do both and it’s not like I follow normal writing rules anyway. I’ve been told my writing can be too visceral, too much like a stream of consciousness instead of a literary work. That used to bother me, but that ship’s not only sailed, it caught on fire and sank with no survivors. Never been great at following rules anyway.

• And maybe someone else needs to hear that. You don’t have to stop what you enjoy because it’s ’unprofessional.’ Keep it separate, but keep doing it if it makes you happy. It shouldn’t be a trade off.

[raven-at-the-writing-desk]

I don't know if this has already been asked, but what did you think of the Halloween event? Is it too early to ask? How did it compare with the other events?

Aaaaah, thank you for asking!! I was actually in the middle of writing my own "these are my thoughts" post even if no one specifically asked 😂 but I'm glad I can just reply to this ask with what I was cooking up~

***Warning: SPOILERS AHEAD!!*** ***Please also note: these are just my OWN thoughts and opinions! In sharing them, I do not mean to disparage those who think differently than me; I only mean to contribute to the discussion.***

I'll be quick and rip off the band-aid now: I liked this event about as much as I did Stage in Playful Land, maybe a little better than Playful Land if I think about it. If you know anything about my thoughts on the previous Halloween event, well... Let's just say it's a mixed bag. Neither of them comes close to toppling the peak that was Glorious Masquerade. (Fandom consensus seems to be quite positive though, with many liking Nightmare more than, if not the same as, GloMasq while Playful Land is still considered the weakest of the bunch.) Playful Land and Lost in the Book with Nightmare Before Christmas both suffer from general pacing issues. The former had an intriguing premise and setting but also many plot holes, a lack of active involvement from the SSR squad, and a resolution that was way too convenient. The latter, Nightmare, was very boring throughout because the majority of the event was centered on party preparations. I enjoyed everyone's bickering and the SSR squad's role in the event, but I wanted more than just that. It's basically like Terror is Trending, but if it had the Nightmare Before Christmas characters also featured. However, Nightmare did have a really interesting ending that played with amnesia and time paradox tropes. It's just that the road to get there wasn't anything special. I'll now get into all of this in detail, but it's quite long. Ready for a read? Then let's go ^^

My Extended Ramblings:

The initial aesthetic is strong. VERY strong, especially to me, a girlie that loves Nightmare Before Christmas and formal wear😭 BY GOD DOES EVERYONE LOOK SHARP AND DRESSED TO KILL IN THOSE NIGHTMARE SUITS... The devs totally popped off with the fits. I also loved how all the characters' coloring shifted once they entered the book; there's notable hatch marks on their shadows and even their skin and hair adopt bleaker saturations. These are SO much better outfits than the GloMaq and Playful Land ones, I'M SORRY BUT THAT'S JUST THE TRUTH. The other events tended to have chunky silhouettes and/or overly embellished elements to their designs that didn't sit quite right with me. NIGHTMARE SUITS HOWEVER ARE PERFECT AS THEY ARE...

... That being said, I think this event's premise was not great. I know everyone's mileage with this will vary greatly, but personally I don't like Lost in the Book events. I don't enjoy having Disney properties so blatantly shoved at my face; I'd prefer it to just be a distant part of the lore and history of the Twst world. The other issue with the event being so closely tied to its Disney film is that the story becomes so predictable. You can't really explore beyond the bonds of what the film has already set up, so you're trapped with whatever status quo Disney has mandated is "okay". (For example, in Nightmare, it has to be set BEFORE the events of the actual film in order to keep things "the same" when the film events actually play out.) Lost in the Books rely on individual nostalgia to some extent to get you invested in what it's trying to sell. This was particularly evident in this event, which featured several characters from the film and made Jack a very big fixture in the story. I for one was not sold on it despite my own fond feelings for Nightmare Before Christmas. I needed it to prove its own merits to me, and I'm not entirely sure if it was successful on that front.

I have made it no secret that I don't like most Twst events in general. Too often does it feel like pointless meandering and sightseeing without anything of real substance happening (though I do enjoy meeting new characters and learning new lore). That's also the case with Nightmare; the scale of the conflict isn't anything spectacular--but that's fine, it can still work as is, even if I don't personally find it interesting. I was still plenty entertained by all the bickering between the boys and between them and the residents of Halloween Town. The highlights for me definitely have to be Jade being a little shit to everyone, Jamil being tormented with bugs, Sebek's big speech in the climax, and Leona just beefing with EVERYONE in sight (particularly Malleus). The comedy and character interactions helped the middle part of the event not feel dull. I do feel like them having to switch groups around halfway through was short of a shoehorned way to prolong the middle of the event though 💦

One thing I noticed like, right away as I was playing this event was how disjointed it felt. And for the life of me, I could not pinpoint why… until I went back and compared the number of chapters per part. This is how the parts break down:

Part 1 - 13 chapters

Part 2 - 22 chapters

Part 3 - 20 chapters

Part 4 - 13 chapters

Part 5 - 16 chapters

For comparison, Glomasq:

Part 1 - 15 chapters

Part 2 - 18 chapters

Part 3 - 17 chapters

Part 4 - 19 chapters

Part 5 - 18 chapters

And Playful Land:

Part 1 - 16 chapters

Part 2 - 21 chapters

Part 3 - 11 chapters

Part 4 - 16 chapters

Part 5 - 18 chapters

Generally, Part 1 is dedicated to setting up the scenario and reason for travel. Parts 2 and 3 are meant for exploring the new location, with a big reveal dropping towards the end of 3 that kicks the conflict into high-gear. Part 4 is for combat, and then Part 5 is the continuation of the combat (with a focus on confronting the Big Bad), climax, and resolution. … Did you notice it? GloMasq (the only event of the three I consider overall excellent) is pretty evenly spaced out. Playful Land meanwhile has a weirdly short 11 chapters in Part 3 but had the extremely long 21 chapters in Part 2 beforehand. The discrepancy is made even worse in Nightmare, with Parts 1 and 4 being woefully short and Parts 2 and 3 being 20+ chapters each. It has the (likely unintended) effect of making the conflict resolution feel really rushed.

Alright, I think I've held off for long enough. Let's talk about the elephant in the room, our new addition to the Halloweenies, Mister Skully J. Graves himself. Right from the get-go, he had a mysterious air about him, especially since he's the first ever character to meet his twisted inspiration. Like I said in my first impressions post, I'm really into his design, but his personality shocked me. I expect some whimsy, but not a guy that flat-out kisses everyone he meets and calls total strangers "lovely dears". At the same time, he has the spirit of "sad wet cat" energy, and his expressions can whiplash between that and being absolutely deranged, which I found kinda charming. I get the feeling that he charmed a LOT of fans, as I saw many gushing about his otome-esque behavior and loving how he always calls attention to Yuu and Yuu's opinions. Unfortunately, Skully has what I lovingly dub "Ashengrotto Syndrome" due to my own experiences with Azul. That is to say, I started off liking both Azul and Skully, but after a certain point (book 3 for Azul, part 2 for Skully) they both took a nosedive right into my dislike zone. This is something I vaguely alluded to in my halfway through the event impressions post. I'm under the impression that this is a surprising opinion, so I'll try to do my best to explain why Skully lost his appeal to me. So the initial deterrent was his defensive and controlling behavior surrounding Halloween. He also gets so nasty and speaks down to others who don't see his perspective, which I don't find cute at all. I've mentioned before that I hate it when characters act elitist/gate-keepy and refuse to accept other opinions or change, and Skully fits that bill to a T. Sure, he might have his reasons, but I still find the result of his reasons distasteful. It's fine if he wants to respect the past or celebrate Halloween the way he's been taught, but it's another thing entirely to force those views on others. I've been on the receiving end of this kind of attitude and it was very unpleasant; I would not wish that upon anyone. (To make a long story short, I had invited a friend from outside my culture for a holiday meal so neither of us would be alone that year. That friend then complained that I was eating "non-traditional" food for the holiday.) Really rubbed me the wrong way when Skully started to tell others about HIS Halloween while being totally against everyone else's suggestions. Some of the others (like Jamil) even made an effort to try and include him anyway after his outbursts, and Skully was still unable to accept this lying down.

The hand-kissing thing was... charming at first, because I thought it was just his way of greeting people. But the more Skully did it, the less charming it seemed to me because of how everyone reacts to it. The others are CLEARLY uncomfortable with it, but he disrespects their boundaries by continuing to do so. To me, that seems very invasive and rude. Skully especially kisses Yuu a lot, and whether or not you like it will be up to individual preference--but personally, as someone who doesn't like strangers touching me intimately, I'm not into it.

During the Halloween planning, I noticed Skully speaking to Yuu directly quite often, which is different than the previous Halloween events. I started to feel a little uneasy about this, and for the longest time I could not tell you why. Then I realized. I don't think I can explain it any better than how I did in a previous post, so I'll copy and paste from there:

Another thing that really bothered me was that Skully keeps asking Yuu for their opinion. It SEEMS polite to consider them, but his intentions are way less selfless than they appear. Skully is often asking Yuu for their thoughts AFTER some other character has disagreed with him. So he is literally only consulting Yuu because he wants someone on HIS side. If you ever pick the dialogue option where you disagree with him, Skully insists there must be a misunderstanding and he will explain it to you no matter how long it takes. Don’t you see??? He doesn’t want to know what Yuu truly thinks; he wants validation in his own way of thinking. That’s NOT actually being considerate. The same shit happens when Skully tries to kiss Grim again. Grim dodges but Skully sneaks behind him and kisses him anyway because I guess that’s what gentlemen do according to him. Bro has demonstrated time and time again he does not value consent nor what others’ thoughts are on anything that differs from his own thoughts.

Skully lets his true colors show around the end of the third part. There, he feeds Jack Skellington a sleeping poison, turns Grim into a pumpkin, then takes Jack, Grim, AND Yuu as his hostages while claiming he'll reign over Halloween. Okay, that sounds great on paper, right? But there's so many practical problems with this.

Firstly, HOW does Skully plan to achieve this??? He's not that powerful since he's a first year; how does he intend to stand up to the NRC students? We even know at this point that he can't use his UM that much. Skully has shown he is impulsive and doesn't think ahead too, because he just assumes that Grim figured him out after walking in on the scene of the crime instead of lying/deceiving him about who poisoned Jack. He could have easily blamed someone else or claimed he walked in and found Jack like this already, but he didn't. It comes off as very near-sighted and not well planned out on Skully's part (which may very well be intentional; I don't think he was written to be a large threat.) I know this event's plot isn't meant to be as serious as prior iterations of Halloween events, but it sure doesn't help build tension for the finale.

We find out later in the event that Skully isn't mistreating his captives; he's keeping them in the bathtub Lock, Shock, and Barrel ride around in, feeding Grim and Yuu snacks, and asking them to please keep quiet. He also rambles on a lot about how he admires Yuu and how he wants to grant them a perfect Halloween, etc. That's... wholesome for a kidnapper, I guess??? But what I don't appreciate is (again) how he keeps shoving his ideas onto me and acting like he knows what's best for everyone. He’s not respecting my autonomy or right to think how I want. Skully is literally made of the most negative traits of Idia and Malleus while having none of the danger level of either one/j 😭 This makes me continue to not take him seriously and think that Skully could easily be beaten up--which does, in fact, end up being the case.

The ones who truly shine in this event are Sebek, Jamil, and Leona. The implementation of the SSR squad in Nightmare is much better than Playful Land. In Playful, it felt like Kalim, Ace, and Ortho hardly did anything unique to save the day; instead, it was a convenient phone call that rescued them from demise. The most I can say is Kalim was open-minded and tried to welcome Fellow and hear him out. Most of the other things could have been fulfilled by any other character, which didn't make the SSRs feel as integral as they were in GloMasq (with Azul's UM being needed, Malleus being the one Rollo has beef with, and Idia understanding the feeling of losing a younger brother and mourning). In Nightmare, each of the SSRs is similarly given a chance to shine with their special skills and UMs.

Beginning with Sebek! He leads a lot of the planning and serves as the one to draw up plans, which earns him praise from everyone, including his seniors. It's excellent set-up for him to later confront Skully about the idea of being recognized and acknowledged by one's idols (which I will discuss later in this post). Sebek is also the first to confront Skully on Spiral Hill after Skully has kidnapped Grim, Yuu, and Jack. In an act of desperation, Skully starts firing off magic and making really deranged expressions; Sebek unleashes his own UM, Living Bolt. This results in a strong flash of light in their location. The impact destroys Skully's shades and causes him to break down--he wore them as part of his ensemble, trying so hard to emulate his Halloween idol, Jack. Skully manages to pumpkin Sebek in the midst of his fit, and Sebek insists that Malleus--his own idol--will surely rescue him. NEXT UP IS L*ONA OTL WHO HAS MADE ME SO ILL THE ENTIRE MONTH OF OCTOBER, HURK 🤢 who heard the shouting. He rescues Sebek (he’s de-pumpkin’d) and Skully isn’t able to touch him because King’s Roar is just too OP 😭 (I’m sort of confused about how tf Leona’s UM works though?????? He seems to be sanding Skully’s MAGIC, which shouldn’t even be tangible???) I’m confused. dbsvsjsnskwk And he tells Skully to get back up do he can keep beating him back down????? BRUTAL. Leona’s been pretty useful up until this point too, taking charge in leading the group, strategizing, sussing Skully out, and thinking long and hard about what his true identity is. Bro’s really working those fat brain cells of his, huh…

I think this is the first of the Halloween events (that introduce new characters) where the new guy’s explicitly said to be in danger of OB. Not sure why that is, it’s just interesting to note???

SkULLy RUNS FOR IT and bumps into Lock, Shock, and Barrel, who proceed to subdue him. Surprise, turns out that Jamil had gotten to them first and Snake Whispered the trio. The kids call Jamil MASTER and -SAMA… My guy, you are so repressed 💀 (I recall it being said in book 4 that using his UM on multiple people can result in rapid blog accumulation so UHHHH I guess I’ll overlook this for now or assume 3 people isn’t an issue????) Earlier in the event, Jamil was like the only person to approach Skully to try and include him in the planning. Must be used to this being a big brother + always dealing with his dorm.

I’m not sure if it’s just me but??? It feels like they overlooked how some of the SSR trio’s UMs worked just to have it fit in the context of the climax they wrote. For Jamil’s, maybe you can excuse the fact that he’s controlling 3 kids by saying it’s easier for him to manipulate young minds. BUT THERE’S NO EXCUSING HOW LEONA CAN SAND MAGIC 😭 At least say he has strong defensive magic that Skully cannot break through????

It’s times like these that make me really question whether or not Yuu is actually important for helping these people learn to get along, because they seemed to have resolved the issue just fine without any kind of intervention from Yuu. Yeah, they bickered and picked on each other too, but they still fixed things on their own (albeit on their own, but it comes together in the end anyway) while Yuu is kidnapped and completely out of the picture.

Vcdnsksksksn The moment that follows is kinda funny and wholesome… Well, for the SSR trio, not for Skully. They all sort of rub it in Skully’s face that he lost and then praise each other but in a back-handed way??? Like they call each other nasty and shit at planning, etc. Leona says Jamil bullied Skully so much that the poor thing started crying, then Jamil accuses Leona of threatening Skully a ton… then they gang up on Sebek (wow, they’re both awful and I love that for them).

Seeing this camaraderie makes Skully throw ANOTHER fit because he’s jealous that Sebek gets all this praise and attention. Meanwhile, Skully is all alone, always alone. Though it’s not explicitly stated, it’s implied Skully is deeply insecure about being by himself, as his classmates at school don’t understand him and rejected him + his interests. He extols a lonely and desolate version of Halloween too, something that reflects his own soul... clinging to the only solace he has in this world, the one constant. A holiday that he cherishes so very much--to the point where his own UM is linked back to it. The big dilemma he goes through this event seems to be a mix of having his own views being questioned as well as having his impression of his Halloween idol challenged. This makes Sebek a good foil character for him, similar to how Kalim was for Fellow and Idia for Rollo in the previous Halloween events. Skully even calls out Sebek explicitly, saying that he has all of the things he has never had. He'll never be disappointed by his idol Malleus (sadhbaslidbas this is ironic, considering the events of book 7), he has senpai who praise him, he has Zero for a friend, etc. Life’s soooo unfair, Skully claims. And like??? I was so shocked to see Sebek acting mature about the whole thing??????? He refutes Skully's claims and tells him straight up that to believe in someone isn't to force your own views onto them so your idol stays how you pictures them in your head. It's a mistake to think of one's idol as perfect--not even Malleus is perfect. Even so, Sebek explains that agreeing with someone and loving/respecting them are very different things... so he will accept Malleus's flaws and love him nevertheless. Even if he disagrees with Malleus, even if they have to part ways, Sebek will accept it. That's really surprising coming from him, seeing as how Sebek acts absolutely SURE of Malleus's absolute goodness in the main story... Now I'm wondering if this event must take place after book 7??? Because that's when Sebek has his own views on Malleus totally shaken. Still, I'm so proud of Sebek for dropping this hard truth on Skully--it's definitely something Skully needed to hear and be reminded of to be pulled back to reality. He also just outright calls Skully put for all his cowardly moves, including going after those who cannot fight back 💀 Very Ace of him to do…

Speaking of Skully, what really put the final nail in his coffin and sent him to the Shadow Realm (my dislike tier lol) was all the tantrums he threw this event. I understand being upset and frustrated. Really, I do. I understand being envious of others, of feeling like you've got no one by your side. But is it REALLY necessary to react like that…? And so frequently… He just shouts “shut up” over and over again… OTL I don't know, it feels like I could sympathize with him more if they properly explained why it is Skully is so into Halloween (besides his hometown being the same) and why he holds the past in such high regard. The most we get is it's just something his hometown is into and when he left for school, none of his peers really accepted that. Is the implication that Skully retreated further into his hyperfixation to cope with his loneliness????? If so, I'm not sure if this was properly conveyed so now Skully is left acting like a big baby and overreacting to everyone trying to get him to calm down. The worst of it is when he claims he’s the one who TRULY loves Halloween and everyone else is fake. That sounds like something straight out of an angry elitist otaku’s vent post. Other characters acted similar to this when on the brink of OB (which Skully was) but never so childishly. This might just be a me thing though, I don't really care for overly emotional characters; they're usually not my cup of tea.

I'm not sure how I feel about everyone forgiving Skully and partying with him at the end for the Halloween celebration. On one hand, yeah, forgiving him makes sense because it's not like he was plotting anything crazily world shattering like Rollo or a participating in a large-scale crime ring like Fellow. Skully didn't really harm anyone (though he did try to shatter someone he pumpkin’d), at least not on a large scale like Rollo and Fellow did. On the other hand, I think it was a little bit too overdone with how sappy it was??? Like why did Jack say he was PROUD of Skully for being so passionate that he went to these extremes for Halloween? Why did Jack give Skully a HEAD PAT after the shenanigans he pulled?? I felt that saying he's forgiven and inviting him to join the festivities anyway would be sufficient. And again, I detest how Skully disregarded everyone’s consent and kissed them (Yuu and the SSR trio) as an apology even when they (SSR trio) already made it clear they didn’t want to be kissed. That just felt super gross to me, not funny or cute 😔

One of the big highlights of this event was, of course, the Twst cover of This is Halloween. Everything about it is just so... *chef's kiss* from the strong vocal performance to the perfect selection of characters to recreate each scene. It's a shame that we can't access the song outside of this event, but I know that I'll be playing it on an endless loop off of Youtube 😂

For all of the issues I had with the story up until this point, I'll be the first to say that the ending was genuinely sweet. Skully actually expresses gratitude towards everyone (a first, lmao) and calls us his friends, the best thing that has ever happened to him, etc. He wants to meet with everyone and celebrate Halloween with them again. BUT. I don't like that he singled out Yuu specifically as someone he really likes. I get the same feelings from him as I do with Malleus... Like, there's a weird over-familiarity and attachment he has with Yuu despite Yuu not doing or saying much to bond with him. His reaction seems unwarranted to me, with a lot of the appeal of his friendship coming from how much the player projects onto him. (And to be clear, I say this ONLY for myself, as Yuu is meant to be a character for self-inserting; in the case where I put myself in Yuu's shoes, I would be uncomfortable with how Skully is acting toward me.)

Now we get to the ending that seems to have emotionally broken the fandom.

I said earlier in this post that I don't like Lost in the Book events, and another reason for that is because there's amnesia involved at the end. I feel like an event isn't worth it if the memories get wiped anyway because then it's like the events never happened at all. However, Nightmare actually played with this trope and did something really cool with it. Even though those who leave the book have their memories erased, they're still left with some residual feelings that can propel people to act. In the Stitch event, this resulted in the boys wanted to vacation to the beach. In Nightmare, Skully--who was transported within the book from his original time HUNDREDS OF YEARS AGO--was so touched by the connections he made in the book that he essentially becomes a changed man. He graduates from NRC and travels the world to spread the joy of Halloween, thus being responsible for why it's such a big holiday in modern Twisted Wonderland, the era which our main cast is from.

No one remembers the book's events, but Skully is so thoroughly motivated by his lost memories... He somehow recreates the Nightmare Suit, BUT DROPS THE SHADES (a symbol of him trying to emulate Jack) BECAUSE HE HAS NOW BECOME HIS OWN PERSON. He shares a jubilant version of Halloween because that's the version he cherished celebrating with his idol and first real friends. History doesn't remember him, but his legacy is still going strong. LIKE THE GAO POSE... DID IT ORIGINATE FROM HIM???? ? ? ? ??????? ?? AND NOW I'M THINKING ABOUT ALL THE FUN THE GHOSTS AND STUDENTS HAD IN THE FIRST EVER HALLOWEEN EVENT... BECAUSE OF HIM SPREADING THE HOLIDAY AROUND

The NRC students don't remember him either, but they must somewhere in the deepest recesses of their hearts... CUZ THEY ALL STILL MAKE COMMENTS ABOUT HIM, LIKE LEONA SAYING BRO LOOKS LIKE A PATHETIC LITTLE MEOWMEOW (exaggeration). There's also the implication that Skully's spirit is still around, since the characters remark feeling a strange cooling sensation on the back of their hands. We never SEE him, but we sense that there's something there. In the end, they promise that they'll make the best Halloween ever in honor of his legacy and we get sequel bait.

Twst REALLY had to go and drop that ending on us and then peace out, huh 🤡 It's hard to put my feelings about this ending into words, but I think I would personally describe it as very bittersweet yet romantic. Not lovey-dovey romantic, but like... it portrays a hopeful future even though it's sad too. Like, it's tragic that the NRC students and Skully will never be able to celebrate together again. But isn't it cool that even though they were born in totally different eras, fate still allowed them to meet and completely change the course of history? And even if they forget about their encounter, that meeting still impacts them to this very day. It changed the world and their lives forever. Reaching for that thing you're missins and forgetting, without really know what it is... Something lingering there, without a form... There's something so dream-like about the concept, I have to commend the Twst devs for coming up with it. In that sense, I'm quite satisfied with the conclusion despite the bumps in the road I ran into on the way.

IN CONCLUSION. Yeah, I thought this event was another mixed bag. The pacing was bad and nothing that interesting happened since the story was mainly about preparing for Halloween. I'm not a fan of Skully. However, what I can say is that Nightmare had a good showcase of Sebek, Jamil, and Leona's strong suits and actually allowed them to resolve the crisis. The ending is also much stronger than Playful Land's and poses many interesting questions about Skully and his impact on history.

[the-art-of-sanshoku]

I really like having random fandom artbooks so you know I tracked this down the minute I learned of its existence

It came with some other stuff as a part of the Kuuga collection box, more pics below the cut and some ramblings (i am not a great cameraman...)

Got it in pretty good condition, the box is a little crumpled in the corners but thats fine

From The Visual of Kuuga a lot of stills from the show of all the characters but also some rare images I've never seen before, like these:

This layout of Godai looking wistfully at Ichijou in his joggers very funny to me

Some other misc pages, 2 page spread entirely dedicated to Goma also very funny. As are the extremely blurry bug on bike images

Btw this is the final page of the book 🙃(technically there's like an extra credits page with sakurako's pc but shh)

From The Art of Kuuga a lot cool concept art/designs from super early to much more finalized

This gold cape design goes hard ngl and I like this one and another one above where he has bug wings- guessing they were scrapped because of the gouram

Also some other cool production pages like some stuff on the grongi/linto alphabet and a page on planning some of the grongi civilian outfits and things like that

Didn't take any pics from Story of Kuuga because it's all just japanese text lol

Also came with a figure of amazing mighty form, the not quite ultimate form you see for like 10 seconds one episode lol. His packaging and him had some sort of residue on it but I wiped him down

Lastly there were some sheets of the grongi logos and honestly who cares about that it comes with godai yusuke business cards and no im not emotional over index cards shut up

As per usual the books are too tall for my lower shelves so its just set up like this for now (my rider collection of stuff pitifully small atm i haven't event built my Build, but hey look my ayami kojima of castlevania fame shouwa doujin)

[petite-madame]

I just found again your account. I first saw your art when I was a teenager. And its been a while. Your art has felt like coming back to a brewed coffee and some pastries. Winter wind blowing against the coffee shop windows.

It feels like coming back home to fandoms i used to adore. And look at it fondly, in a nostalgic lense. You've worked very hard and honed your skill. I'm proud of how long you've been drawing and how you provided such joy and excitement in so many people. Heck even just sparked a glint in their eye whilst being on the internet.

Tu est merveilleuse. Tu as tellement contribué pour les fandoms. Merci énormément ♡

Hi anon ^^

First, I apologize it took me so long to answer. Messages kept piling up and it took me time to reach yours. 😳

This is one of the kindest messages I ever received. Not that other messages are not kind or sincere, or that I don't enjoy receiving or reading them but...you see what I mean ? 😳 Comparing my art and the feeling it brings you to "coming back to a brewed coffee and some pastries. Winter wind blowing against the coffee shop windows." is so...so poetic ? And strong ? And it talks to me, you see ? The nostalgia, the feels. 😭

It's really funny because I received a message from another anon who told me they hadn't "seen (my) art for years but it randomly came across (their) dash and (they) recognized the style right away" and I compared the experience to finding out that an old restaurant you used to go to as a kid was still open. That's me, I'm the restaurant, this little coffee shop that still tries to bring you good pastries. 🥳Sometimes, the menu changes a bit but it's still the same recipe and the same owner, who starts to get a bit old, but who is still enthusiastic about the new cakes available in his tiny shop.

I'm proud of how long you've been drawing and how you provided such joy and excitement in so many people.

I've always drawn, I think I will carry on as much as I can. And even if I draw for me (almost like a compulsion, a need), it's messages like yours that makes me carry on sharing my art on the internet because even if I have a "successful coffee shop", sometimes, I can't help thinking about some drawings I do "Nah, nobody's going to care about this one". 🤓 I forget about it but then, sometimes a few weeks later, I post the art and I receive messages from people telling me I made their day, that they were having a bad time but that my art cheered them up. It's incredible, right ? Someone is having a bad day in Milwaukee or Jakarta and me, and my stupid little "bakeries" helped them smile (*) for a couple of minutes. I think it's fantastic. So even if as an artist I love to share what I do, sometimes when I think that "nobody cares", I think about some random people and the possible positive outcome that my art can produce.

(*) Sometimes, I make people cry too because of death art and pretty angsty illustrations but that's another story. You're welcome, by the way 🤓

Of course, my artworks are not masterpieces, I'm not starting a pictural revolution, it's just TV show and movie characters doing "random stuff" but if these artworks that will be forgotten in 10 minutes will make someone smile just a couple of seconds at some point in time then, it was worth it. I guess. I hope so. (And sometimes, it's more than a couple of seconds because some people put my art as their desktop wallpaper or phone background. How awesome is that ? 🤩🥳)

Anyway, I'm rambling. 🙃🙃🙃 Thank you so much for this amazing message and for enjoying my art all these years. (Because I write, I write but I didn't even thank you!!)

I wish you a great weekend and I hope that you'll stop by my coffee shop again. 💗

[celtrist]

I'm not sorry for loving you~

Really doesn't need to involve the obsession au, but the au is what I had in mind. And maybe that song would work better with someone than Mimzy, but Mimzy is probably one of the more sane-ish? Characters in this AU.

So I have to admit, Mimzy was just one of those characters that slipped my mind when thinking of the obsession AU. Granted the docket of characters was very filled in the original piece, and despite the history of these two characters (both in-universe as well as their development history), their relationship whether romantic or platonic is incredibly overlooked. I feel like it's pretty common knowledge concerning Hazbin, but when I talk about the character's developments, I mean that they were originally a romantic couple. Despite this fact, Almimzy is an incredibly non-existent ship, and that makes sense. Alastor and Mimzy barely interacted in the official show, and while she was planned to be a guest, she wasn't really present in the pilot or anything. With so little content even when the official show came out, it's kinda no wonder but it's still a little surprising considering their old status as a couple.

Ah, but I'm rambling! Back on topic, I didn't think of Mimzy until I was asked about it (which as silly as it is, it was really neat to see people ask about this au!). So I've since thought a bit more and all that I've said in the ask is pretty much close to on point with how she acts. I do think, however, that considering she ALSO knew Alastor in life just as he had her, she would be slightly aware of... something being amiss with her feelings. Not insanely, she's just as bad and unaware as everyone else with the obsession she has over him. She just is able to remember her feelings on Earth and compare them to her current feelings and recognize that they're not exactly the same. The problem is that, she's Mimzy. She seems like the type who'd be in denial about something being wrong with her, but I feel like she'd recognize while not thinking too hard about it that the love she felt on Earth is seemingly altered in Hell. The line "I'm not sorry for loving you" feels really good for her here when considering most of everyone else around Alastor WOULD be sorry if they had a more clear mind about it. But Mimzy wouldn't be sorry about it because she always loved Alastor, even back on Earth (in this AU anyway)

Mimzy's obsession is unique in that, rather than doing anything to Alastor she does things to HERSELF to get to Alastor, she doesn't have as much to be guilty of compared to others in her actions due to the curse. She gets herself into trouble, makes herself sick, self-harms, and has probably threatened to kill herself to get his attention, which not great and all very manipulative, but she never forces Alastor to do anything and could be (I don't know if I'm settled on this idea yet) rooted in her own self-esteem concerning the self-harm stuff. And it works. Alastor is canonically close to Rosie, but he never knew her until Hell so in this AU, he doesn't know who the real Rosie is. He knows who the real Mimzy is though, and he doesn't want anything bad to happen to her. So ironically, the person who pushes themselves onto Alastor the least does probably get most of his attention.

I can imagine a scene like this where he's patching her up and they're talking and Mimzy brings up how she's perhaps confused with her own feelings considering how different they are from life. And I can just imagine Alastor feeling more ill at the idea of Mimzy having always loved him romantically but never saying anything if she confessed that, despite how crazy her feelings for him feel in Hell are, the feeling of love and wanting him in a way he doesn't reciprocate was always true since their time alive.

I'm just rambling, but like I said in the ask Mimzy is probably one of the more tragic cases of what the curse does to Alastor's relationships. She's also probably the closest Alastor can feel to having a true friend again, even if Mimzy is still pretty far from her actual self around him. But she's familiar and would probably be the biggest driving force for him to try and get rid of the curse (other than the obvious harassment). He enjoyed Rosie before she made him sick, and he enjoyed Vox before he revealed to be the absolute worst in his thoughts about what he wanted from and to do to Alastor, but Alastor only knew them in Hell. And as far as he's aware, the curse starts immediately, so he NEVER knew the real Rosie or Vox. But Mimzy was someone he knew and wanted to be real with again... and could pretend to be real with again given a few drinks.

[minathered]

If you enjoy a polarizing work of art...

People are going to criticize it. Hell people criticize works of art widely regarded to be masterpieces. Its a fundamental part of all art. And the thing is? Someone critiquing something you like or love should never stop you from loving it.

I'm a World of Darkness fan and holy shit there's a lot to critique about WoD over the years.

I'm a Warhammer 40k fan, there's a lot people dislike about that setting. Some is fair, some isn't.

I am a FFXIV player lord knows I know the pacing of ARR is a fucking mess.

But all these critiques and more have never stopped me loving the stuff I love. They've never come across as attacks on me or as though they're trying to take my happiness away. They've never come across as me being told I can't like a thing.

Which brings me to Dragon Age and yes I will eventually stop rambling about it and no this isn't unique to Dragon Age but new release the topic's coming up.

I've seen on here and on Reddit and Twitter (Its Twitter, Elon, not X) that people criticizing the game are somehow "Taking away the joy" or "Making people feel guilty" for liking it and I'm sorry but that's unhealthy, right?

When art is reduced to a product to zealously defend, when you refuse to engage in any criticism of the thing you like for fear it'll "Take away your joy" its...well worrying.

Here's the thing, if you love Veilguard? Man am I happy for you. Maybe even a little envious cause I wanted to buy the game and love it. But I can't and that's a little sad to me.

I love Dragon Age. Leliana and Zevran and later Anders (Oh sweet sweet Anders) helped a scared and lonely closeted Mina feel a little less alone.

Dragon Age means a lot to me. It clearly means a lot to lot of you and the thing is, most people with issues with VG aren't trying to take that away from you. Obviously there are a lot of anti-woke gifting shitheads, but those assholes aren't worth your time or mine. Block em if you can.

Because ultimately, if you like or love Veilguard, nothing I say should take that away from you. And if the discourse is too much right now? If you genuinely can't handle seeing the negative posts? Take a step back from the internet, avoid the critical tags and just...enjoy the game. Make memories with the characters and quests you love.

Truly, I'm happy for you all. Even with all my issues, it makes me glad to know Dragon Age does have passionate fans. I don't want you to stop having fun.

I just wish Bioware gave you all a better game, in my opinion.

[felikatze]

I think Happily Ever After and The Cage both explore some similar topics in inverse ways and once again the Prisoner and the Damsel are twisted mirrors of one another

Pristine Cut spoilers and discussion of abusive relationships below. One suicide mention but it's STP what do you expect tbh

Compilation of rant I went on on discord 👍

prisoner and damsel are very much always parallels since u take the same path to get to them so they're both versions of the princess that you the player Trust, right. and the Greys are a betrayal of that trust if you kill them, and all that. obvs w the prisoner being reluctant trust and the damsel being unconditional because Knife.

but HEA and Cage are both about being Trapped. In Cage, the Princess has seen the same thing happen twice now, she's disillusioned, she's never going to escape. It will be The Same Thing, Forever.

WHICH IS. THE EXACT SAME AS HEA. The Princess believes she is never going to escape. That it will be Just This, Forever. And both of them believe that it *has* to be Just This Forever even if they don't *want* it to be.

Both of this is shown through an Externalized Force. in Cage, that is the Princess' body, which she has conceived as separate from herself. The body simply acts as it must, which she has no input over. Ignoring, of course, that she can *make it stop.*

And that's the same way HEA can't imagine she'll ever escape the Smitten! She's afraid and scared of change, of the torches going out!! But she wants it more than anything!!

Yet these two routes are foils for each other, too. Bcuz in Cage, it's the Princess who enforces the pattern, and in HEA it's the Hero. (part of him, anyways.) What's interesting here too that both of the routes result from a breakdown of communications.

I said in my big long rambly Cage post, but Cage route doesn't happen bcuz Fate, it's bcuz the Princess wants the Hero to carry her head out and he just *doesn't get it.* He just didn't understand what she wanted.

And the leadup to HEA, everyone in Hero's head is upset because they can't communicate to the Princess what is freaking him out, and Smitten tries to... well... show her, I guess.

(Post-rant addition: Hey, both the Prisoned and the Smitten kill themselves to get their points across. Add that to the parallels tally!)

also like abusive relationship metaphors on both ends tbh. Smitten doesn't respect Princess' autonomy at all. I think part of that is the end of Damsel means he doesn't think she *has* any interiority when it's Hero + Paranoid/Opportunist who want the Princess to be a person instead of a doll, which causes her to be a Person Again in HEA. But Smitten is, again, just so stuck on the vision of Damsel who no longer exists.

+ you could also read Damsel chapter in the context of HEA as just seeing that this is the first person who could conceivably save her so she is leaning in HARD to the romance angle because she sees it as the best way to finally get out. Got herself into the romance out of desparation and now she's stuck and regretting it.

So TLDR Smitten doesn't actually respect Princess as a person and just wants her to be this perfect image he has of her, and we see also in HEA how he literally restrains Princess + Hero and deliberately scares Princess when she even dares voice her own opinion. Smitten sucks so bad in this one and it's shit of him but also thematically interesting and again a good escalation of his character.

Cage on the flipside is the typical "I can't help myself" excuse. See, *she's* not at fault here. It's her *body* doing this! Really, nothing could change this. And u see the rebuttal of that angle from the Hero's dialogue options ("You're making a choice. You're choosing violence *right now.*)

No matter how often she says she's just a head, she's still the one who physically restrained the Hero (wow, just like the Smitten!), it's her who refuses to listen to anything the Hero has to say (wonder who that reminds me of), and it's her who is hurting him, on purpose, to feel better about herself.

the "good" endings to these chapters (as much as there are no wrong endings) meaning leaving with the cage's head / dancing with hea under the stars, both of these only occur once Hero/HEA are finally heard and acknowledged. Cage is so rattled that the Hero didn't bring the knife that she finally actually listens to a single word he's got to say and the two can break out, and the final torch in HEA only goes out once Princess says "I'm so tired of this." and has the courage to say what *she* wants and is *listened to.*

in conclusion (x2): STP good 👍 i love you missus the cage

[autumnmist101]

Wild Life Fanfic

Hi! This is a story that's rattled around in my brain for the last couple weeks. Before you read, there are a few things to note.

On breaks and in-between sessions, the server is turned to peaceful, all cameras are shut off, and wild cards are deactivated. This is to preserve food and lives. Any lives lost during these times are restored back to the player before the session begins/continues.

Pearl has L.I.M.S. (Lag Induced Muscle Spasms) I seen a post by @hermitcraftheadcanons and they talked about how lag is an illness and how Aussie ping could be like a chronic illness in the Minecraft universe. I took this and ran with it.

These are in fact the characters not content creators. The characters are staying in their Traffic personas during recording but being themselves off camera. This will make more sense as you read.

Nothing happens if they do go out of character, but because the sessions are timed, they need to get as much usable footage as possible.

Enough of the author rambles! Onto the story!

_______________________________________

“So, you two have been going around, mildly making people our enemies and neither of you two are on red yet!” Scott scolds to the two mischief makers in front of him. Pearl rolls her head back, tuning out her teammate’s voice. The session had already been rough for her and now they have a fight to deal with.

“I’m close enough to red to warrant some mischief, and it’s not like everyone’s gonna stay allied to the end anyways.” Pearl states, silently wishing their comms would go off alerting them of the break, until then, they needed to remain in character.

“Still though, we don’t want to be making mo-” Cleo starts before freezing. Pearl mentally readies herself for the onslaught of pain she was about to endure.

“-more enemies.” They finish once the lag spike passes. Pearl leans onto the sheep fence as a sharp stabbing pain shot through her abdomen. Cleo lifts a hand from her hip, before placing it back. Good. Stay in character.

“We’re friends with literally most, if not half, the server. I-I’m sure we can do with some enemies.” The Aussie defends checking the time. Two minutes till break.

“Pearl, making enemies is how we die! And with the wild cards, who knows what kind of things they can do to us!”

“You worry to mu—” Pearl’s voice caught in her throat. Another spike. A sharper pain now.

“Much, Scott.” She finishes, now gripping onto the fence, her nails digging into the wood. A moment of concern flashes into Scott’s eyes before he blinks it away. Stay. In. Character.

“I worry just enough, and I don’t want you two putting our team in danger. We can do that when we all get to red.”

“But Scott, it’s been going so well!” Impulse finally chimes in, “Get one here. Get one there, and little by little we get to the end.”

“Yeah, then we have to fight each other.” Cleo brings up as Pearl looks back at the clock. One minute.

“Not like you haven’t killed your teammates before.” Pearl huffs as the pain slowly begins to ease.

“You're one t-” Pearl flinches as the pain shoots through her again.

“To talk, Pearl.” Cleo says, doing her best to ignore Pearl’s swaying as Impulse checks the time. Thirty seconds.

“I . . .” Pearl breathes doing everything to ignore the pain of her stomach, “didn’t kill a . . . a teammate, Cleo. . . I . . . killed . . . an enemy. . . You. . . and Scott. . . back. . . backstabbed me.”

“We would have had to fight each other anyways.” Cleo waves off, “It was us, Gem and Martyn. She was going after him, and you were the closest one too us.”

“St– Still . . . a backstab . . . though.” Pearl breathes before all of their comms buzzed. Pearl lets out a pained whine as she drops to her knees holding her stomach. Her friends immediately race to her side.

“I’m fine.”

“You’re not.” Cleo says before another spike comes. It was a long one this time, a solid 20 seconds. Once the world unfreezes, Pearl falls onto Scott.

“Get her in bed!”

“Cl-Cleo.” Pearl whines as her soulmate lifts her.

“Impulse, best be making– Oh you are.” Cleo stops turning to find the imp already with bowls and ingredients over a crafting bench.

“I got it, but best let Grian know we'll need a bit longer of a break.”

“That’s not necessary.” Pearl’s voice rang out, sounding almost too pained to speak.

“It is necessary, and we are doing it. One way or another.” Cleo says, their voice stern. She heads to the far edge of the island before looking at her comm to see she had missed some messages.

Grian> Everyone okay after that lag spike?

Renthedog> All good here.

Ethoslab > that was a big one.

GoodtimewithScar> *couf* Thats waht she said *couf*

SolidarityGaming> Good here

Gem> Me and Joel are alright.

Grain> Impulse? Cleo? How’s your group?

Cloe takes a breath. Hoping their message wasn’t going to have the whole server come sprinting over.

Zombiecleo> Impulse, Scott, and I are okay, but the lag hit Pearl pretty hard. She’s in bed now, but may need a bit longer of a break.

Pearlescentmoon: I’m fine!

Grian> omw

SolidarityGaming> same

“Hey.”

“Ah!” Cleo screams turning to find BigB. They slap his arm. “BigB! You know I hate that!” The man giggles.

“Sorry. Sorry. Forget you scare easily.” He pauses, “How’s Pearl?”

“Her stomach seems to have gotten the brunt of it. She’s lying down now, at least, she should be.” Cleo explains looking into the distance. They bite their lip for BigB to pat their shoulder.

“Hey, she’ll be alright. I mean, yeah, she’ll need to take it easy on this next part of the session, but. . . She’s tough. She’ll make it through.”

“Yeah.” Cloe breathes before the two start their way over to the others. They find Tango, Skizz and Gem had decided to pop over unannounced. The latter coming to apparently shake the daylights out of Grian.

“FIX. YOUR. GAME! FIX. YOUR. GAME! YOU CRIPTIC BIRDMAN! SO HELP ME!”

“G-e-e-e-e-e-e-e-m!” Grian tries to say.

“The lag spike nearly killed me! It nearly killed Joel! It practically could have killed the whole server! And I know you had something to do with it! So, you’re going to fix it, you feathered freak!”

“Alright Gem, no killing the bird man on break. Save it for the cameras.” Cleo says for the fox hybrid to release the red sweatered avian. She storms back to the patient at hand for the zombie to look at the main admin.

“So, what exactly caused the spikes to happen?”

“Heh, um,” Grian chuckles, ducking his head, “would you believe me if I said chickens?” Cleo pauses folding her arms.

“Strangely enough, yes, but I have a feeling that wasn’t the case this time.”

“That’s because it wasn’t.” Grian smiles nervously, “Creepers were blowing up our chests. We were lucky none of us died on that last one.”

“I’m sure you’d replace the lives if you had. I mean the break was already called before it happened. Just needed time for the mode to change.” Cleo pauses looking over at the small crowd of nurses tending to their begrudging patient. “Will her recovery be long? She'll be insistent on getting back to work.”

“With a spike like that, she'll need to take it slow for a while. Probably two, maybe three days. Should be back to normal by then, that is, as long as no more spikes happen.” Grian explains before the two walk over to join the chaotic party.

“It's dandelion so it will help more than regular. Just remember to drink it slowly.” Impulse says giving a bowl to Pearl as Big B sits on the end of the bed, looking in his inventory.

“Muscle relaxer Muscle relaxer. Hmmm, maybe if we combined pufferfish and glow-berries? Or snow and carrots?”

“What got hurt Poppers?" Skizz questions, standing overhead, "Head? Stomach? How many fingers am I holding up?” He holds up two fingers before Jimmy chimes in.

“Are you warm enough Pearl? I can craft a blanket if you'd like.”

"And I can get a campfire going." Tango states going to chop down a tree as Scott starts up a brewing stand.

"Are you sure it was just your stomach muscles affected? Your back's fine? What about your limbs?"

“Oh my Notch.” Pearl says, looking away from the group. Gem chuckles before turning to the mother hens.

“Hey guys?” The four stop what they're doing and look at the Canadian, “Maybe you should try to find some snow? It will help relieve some of the pain in her joints.” There's a pause.

"Powder snow for Pearlie!" Tango yells rushing off the island.

"For Pearlie!" The others cheer racing after him, dragging Grian along. Cleo chuckles before turning their attention back to the disgruntled Australian.

“Did you enjoy the attention, Love?” They joke sitting on the side of the bed. Pearl rolls her eyes, hoping her face wasn't too red.

“When’s the break supposed to end?” She questions as Gem pets her hair back.

“Soon enough. As of now, you need rest.”

“I need everyone to stop making such a big deal about this.” Pearl huffs, wiping soup from her chin. “It was just a spasm. It’s gone now. I’m fine.”

“Pearl, you had four of them. Back-to-back I might add. and with that last one I thought you were going to pass out.”

“According to Scott, I did.” She huffs, rolling her eyes again, “But look, I’ll take it easy for the next part of the session. I have that storage room I want to build anyways.”

The two red heads glance at each other. They knew Pearl well enough to know that, while she could spend twenty minutes deciding on what flower to put in a flowerpot, she was also likely to get a build burst and expand said storage room twenty blocks in all directions.

“How about this,” Cleo pauses, brushing some hair from Pearl’s face, “build the storage room, but you have to take five-to-ten-minute breaks every thirty minutes.”

"Can't it be every hour?"

"Nope." Gem pops, "Every thirty minutes, that way you're not overworking yourself."

"Fine." Pearl sighs, not happy with the arrangement but it was better than staying up here and farming.

"Good." Cleo smiles, cupping Pearl's face. "We worry about you, Love."

"I know." Pearl mutters, snuggling into their hand, "I jus-" The world stops again.

"Ah!" Pearl whines curling inwards. Gem takes the bowl as Cleo helps her to lay on her side.

"Ah. Guess they. . . . found snow."

"I'll kill them when they get back." Gem states rubbing circles on Pearl's shoulder. Cleo questions if there's anything they can do to help.

"Magma cream might work?" Gem pauses, "Heat is best for stomach muscles. Honestly, I should have thought of it earlier."

"Ah, with the lot that was here fussing about, I don't blame you for not thinking of it." Cleo says opening a chest. "I'll be surprise if they don't come back with a mountain's worth of snow for you, Pearl."

"Great, build a snow tower out of it." She hums, "Did Griba extend the break? Felt like it should have ended by now."

"He did. We have ten extra minutes." Cleo comes back and sits down, "Meaning you have more time to rest."

"Easier said than done." Pearl pauses as she turns onto her back. Gem runs her fingers through the Aussie's hair as Cleo applies the cream. "Why did it have to be L.I.M.S.?"

"Because the universe needed to nerf you somehow. You're too powerful otherwise." Gem explains, "Now rest up. Gonna be a long rest of the session if you don't."

"Gonna be a long rest of break." Pearl pauses before giving a small smile, "Thanks for this though."

"Of course, Love." Cleo says, smiling down at her before their comms buzz.

Grian> Incoming!

Tango> Stack of snow blocks for Pearlie!

Skizzleman> And we picked up more visitors! :D

“Oh, for the love of Void!”

Hi again! So, I've been half MIA for the last. . . . idk how long. . . . and there are reasons. Family stuff, Halloween things but also . . . the toxic-ish GGG discourse at the start of WL . . . Didn't like it. Didn't like seeing it. Didn't like how reading it made me feel and I didn't want to be dragged into it by posting my own head-cannons and such. Luckily, things have cooled down. So, I will possibly be back to posting when I can.

As for this story, I wanted some hurt/comfort, and to be reminded that while they may fight on camera, at the end of the day, they are all still friends who love and care for each other, and that's what matters. <3

[loveandleases]

Heyyy I assume you're a fan of the entire DA series, right? So what are your first Veilguard impressions? I've heard bad rumours of the game. I'm downloading it right now to test and don't have people to talk about :( (can I ramble about the game with you pretty please? 👉👈)

Hiya, and you would be correct! I'm going to put it under a cut because I will ramble.

So, I've not gotten to play it too much. Just a few hours in, and I won't lie and pretend that 30+ minutes weren't spent in the CC. I'll admit ahead of time I'm a glass-half-empty kind of person. I've played the series since 2009 so…that's to say I have high expectations and I won't pretend otherwise.

I'll also admit that I don't like the art direction. I prefer the dark fantasy look that prior games had. (But updated of course.) I'm a simple gal, as a chaotic bisexual, and learning that Lucanis is also a chaotic bisexual, well that just sealed the deal.

I can't say I like/dislike it just yet since I'm still in the early stages of the game. I hope that I'll enjoy it more..and I'm excited to see the old Gods. I love the DA lore, so this just scratches that itch. I've been on a fantasy kick ( I blame Rogue Cam ) I even recently replayed Origins (which is still my favorite). I love Assan (the griffon). But, I still need to see a Mabari, bring back my Mabari!!!!! Also Varric <3 He is easily my favorite character of the series.

Also, ngl I really really hope Sandal makes an appearance. I'd love to see him again.

Feel free to ramble!

Also some shots of my rook because i spent so long in the cc!!!

[karasbroken]

I'm not 100% convinced, "desperate to be kissed and about to cry" is also a very good look, and I'm partial to Aeryn in that unbelievably sexy long red-lined coat.

But here is some propaganda from the ur-episode of the tank top/messy ponytail look, Mind the Baby.

Now usually of a Tuesday, this is where I'd throw in some long ramble of dubious interest on the meaning of Aeryn's pony tail. I also usually just dump one gif a week, but let's just say I'm feeling rather fragmented at the moment.

The potential end to democracy in my country has me alternating between seeking escape and dwelling too much on what I can't change. So why not make gifs of pretty former fascists?

Somewhere out there is an exhaustive pic set of Aeryn's hair in every episode that would make for great essay fodder. Of course a lot of the changes were because of new hair and makeup or the needs of Claudia's hair. But I do think that sometimes it was also about her character's internal life.

And this is an interesting, transitional time, when she is taking big steps to unwind herself from Peacekeeper thinking and Peacekeeper loyalties, and her hair is rarely more untamed than this as a result. (Gotta love how it flies when she punches Crais.)

I'm hoping this last gif isn't in any way prophetic. But if so, then I will take hope that things can always get worse, but they can also always get better. Be grateful for what we have, yet never stop trying to be something more.

Aeryn never looks hotter than in a tank top with her hair frizzing out of her ponytail.

[bilehwit]

Just read your Bilehwit Au on Ao3 and was greetes by the amazing ref for the lamb here on tumblr!

And yes i absolutely love it when people explain clothing choices in character design especially since you wrote Lamb culture is based on the Old English pls do ramble 🙏

Well hello!! This my first ask from someone I've never met before, so I'll ask you to please be patient with my wild trails of thought.

This will be a long one, but I'll focus on two main outfits - the daily wear and the ritual outfit, as they have the most symbolism.

The easiest one is obviously the leaf outfit - cute, I love it so much!

The leaf was chosen for its symbolism in English mythology. The tree itself is well beloved as a symbol of strength and a symbol of fertility - acorns are often depicted as lucky, and an oak full of acorns is a good sign of fertility!

I also chose oak because I think they're very beautiful trees - they can live for up to 1,000 years, and they can grow to 30 meters wide in their leaves. That's amazing to me. They also smell nice, and I remember climbing them when I was little, so it's nice to share the oak with my lambsona.

Next, let's talk about the sacrifice outfit - it's oddly bridal, no?

Well it's intended to be!

The use of white/silver to denote Purity is an old concept, but white wedding dresses in England were only truly popularised after Queen Victoria wore the colour to her wedding - previously a mourning shade.

I chose silver satin as the fabric, and a simple design, as I wanted a bridal look but also something that felt sleek and pure. Bilehwit is a virgin (virgin sacrifice in all ways) and it's a cruel trick to play.

Also, Shamura in my fic struggles to see/differentiate between objects, so having an all white lamb made it easier for them to stay focused.

So while this outfit feels bridal to us, the symbolism in fic is more that it was easier than dying fabric, just raw spider thread spun into a dress.

Shamura did make the veil themself, though, for reasons you will see later ;3

Now, we get to the heavy hitters! First up, the daily outfit.

Now, Anglo-Saxons were all about those layers! So this outfit actually has more layers than you'd even think.

Under the base dress is a thin cotton chemise, or under dress, made to soak up the oils of the skin and sweat, changed most often. Bilehwit would use these as pyjamas in the summer months, too, to keep cool while covered and decent.

The next layer is the linen, with the thin dark band. This would be a slightly tighter layer to the body, and would be long sleeved to offer protection from the sun and the cold. Linen would be the lighter colours, as they'd be protected more, and linen was used as a middling layer to hold heat in winter. Air would be trapped between layers and keep people warm, and also it protected them from any scratchy wool. The woven ribbon at the bottom is decorative.

The next layer is my favourite. This is the red layer, the thicker dress, made often from wool or from linen again. This is made from wool, using a technique called naalbinding, which is what the Anglo-Saxons would have used, as they didn't knit like is common today.

Anglo-Saxon embroidery and weaving was actually really well known in Europe for its fine work and was gifted to Emissaries and Kings. The weaving and sewing business in England went hard as hell, and it's where most people would be employed for personal use or as gifts.

The embroidery of flowers on the cuffs of the red dress, as well as the colar, are those of Achillea millefolium, or 'Red Velvet', flowers. These tiny buds are native to Europe, western Asia and North America, and are small blooms that self seed and explode into colour. I chose them after seeing the flowers on a sketch, and decided that I had to include them.

Red in flower language is always to do with romance and passion. I wanted Bilehwit to show that desire, as they are a hopeless romantic at heart, and they also just feel a deep-seated loneliness that they want filled. The red flowers are the only flowers they've ever been given, and they've spent hours tracing the embroidery threads and staring silently at the sky.

The final apron layer is just that - an apron. It's a thin, boxy piece of fabric that is played on top to ensure the front of the dress stays somewhat clean, and there is a secret pocket behind it that they store honey-sweets in for children (and themself). Just a length of plain cut cloth!

Tied together with a woven belt, this outfit is my second favourite - I love every detail, and when I can talk in fic about it, I will spend thousands of words trying to detail what it means to me, and probably failing.

The final outfit now, one that definitely won't be seen in fic for a good long while - the Fancy/Ritual set.

Look at ittttt ahahahahagahqabqgagagquipqguqugjv

Okay, keysmash over, serious time!

Now, this outfit is interesting, because not only does it have embroidery and styles of old English culture, it also has mixes of Indian influence too!

"Well, that's random to add," I hear you murmur, and you're right. Why would I add that?

Well, because originally I was going to make Narinder have a more Egyptian vibe! I thought; ah, perfect, he'd do great as a Sphynx cat, the Egyptians loved those cats.

See, as it turns out, Narinder is actually a Sanskrit/Hindu name. It's a form of the name Narendra, a masculine name that means "Lord of Men". It's a very formal name, and one I immediately knew I had to switch things around for.

Following this, I was also able to determine the domains and cultures of each other Bishop, by tracing back names and meanings! That's a whole other post I fear.

Back to the dress!

The outline is far more recent than Old English, medieval style dresses, and that's because, uh... I wanted it. (This one is not very historically accurate. Forgive me.)

I wanted a mix of English style embroidery and Indian embroidery styles. Will come back and edit in which style I went with specifically, but I wanted the ritual set to be a touch more dedicated to Narinder, with darker colours, and more Indian fusion embroidery.

The black is velvet, the red is silk, and the white is linen - why? Again, it looks cool.

I can't lie, I have very little explanation for this besides the fact it looks bangin'.

But yes!! That's all my explanations at this current point in time for outfits! However, if you have any further questions, please ask away, and I will happily detail everything and anything about my AU and fic! Thank you for joining me on my rambling!

[a-drama-addict]

not caring too much about a fandom’s favourite guy is the worst. you’ll think “oh i’ll look into the tag see if anything new and cool’s there” and it’s just that fucking guy again

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.