#I needed to get it all out

[thesupernaturalhouse]

Okay, I can't be the only one, who thinks it's kinda ridiculous how people hate Lilith right?

And I think it's even more hypocritical of people to hate Lilith but love Lucifer/Alastor/Adam

Now- I'm not saying you can't dislike a character, no....but we've seen this women ONCE, not counting the story/flashback

And frankly, I don't think she's done anything worthy of, you know, being hated as much as she is

"She took Charlie form lucifer" the fuck she did, im 90% sure that Charlie snuck out of bed and went to find Luci and Lilith(if it was Lilith) jsut went 'no- no. You're supposed to be asleep'

There was no clear context that Charlie was being taken away form Lucifer- not to mention even-

Okay, let's say that they did divorce, which I'm not even sure if they did, and Lilith took Charlie to live with her

She CLEARLY did not keep Charlie AWAY from Luci, we see portraits/pictures of Charlie as a kid young adult, teenager, etc, in her dad's office/home

We even see family portraits with her as a kid and teen/young adult, so the divorce was also probably not until she was already fully grown

Keep in mind, Chalrie is canonically 200 years old, or older, this divorce could've been when she was, like, 180 she probably wasn't a kid when the separated

So even if she was taking Charlie away in that scene, it clearly was not forever and honestly doesn't seem possible with the timeline

"She abandoned charlie" so did....Lucifer??

Like, she mentions him not contacting her for a long time, the one phone call she DOES get from him is about a meeting, not exactly a meaningful conversation

And if he became like this after the 'divorce', then unless lilith divorced him and then left. That probably means Charlie hasn't had a meaningful talk with her dad for longer than 7 years

Or even seen him, I forget if Charlie says that 'this is the first time I'm seeing him in years' or smth

Not to mention Charlie clearly still loves her and views her in a positive light

"Shes in heaven" Okay....we don't know why tho??

I mean, personally, I like to think she's planning war crimes against heaven and is using whatever deal she and Adam had as a cover up

But we don't know the reason, it could be a good one! it could be a shitty one! We don't know!!

We know, like, 4 things about this women and people are already hating her, and I just don't get it

Like why?? What's the reason??

And maybe im overreacting or yall havnt seen the same fans/thing I have

But I've seen people say they hate Lilith but love Lucifer, I've seen people paint her in a bad light to either have a villian/antagonist or to show Adam in a better light, or to victomize/pity Alastor

And I just don't get it, how is she worse then Alastor or Lucifer here?

Which, even if she does own Al's soul, I don't think it'd be a big deal?? Like....Alastor owns souls to, and Lilith isn't abusing her power over him(unlike Al with Husk), I think if she did own his soul, she would've stoped him from suggesting a deal/favor to Charlie

I can't be the only one who thinks like this either right?

i also personally dont want her to be a villian and i also dont want sera to be a villian either; Lute is a good enough villian

Sera ALSO gets hate, which I don't really get. Like this women is trying her best to run heaven by herself and make sure nobody dies under her care

Like this, women clearly has truama/ptsd, just as lucifer does about his falling. And for the exterminations to be fair, if I was told a bunch of rapists and serial killers were coming to my house, I'd grab the gun too!!

Doesn't mean all sinners are like that, I'm sure a lot are in hell for minor crimes, but heaven doesn't know that!

Cut her some slack man, I doubt she's had a nap in 4+ billion years

Also this isn't hate on any of the characters, I absolutely love lucifer, I just think that people needa stop painting lilith and/or sera to be the bad guy

[kensatou]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[snarkspawn]

the devil you know

[sergle]

ALSO IMPORTANT TO NOTE, people dropping mad mad sums of money on gfms and charities and stuff are extremely impressive but that DOES NOT MEAN that putting like $5 towards someone's fund or any good cause is any less valuable, a lot of crowdfunding is about momentum and those single digits add up super fast, you do not need to be Rolling In The Dough to make someone's day!! moving the dial at all is extremely positive!!

[anna-scribbles]

adrinette exes and marichat and marichat exes part five!!!!

parts one / two / three / four

[marciaillust]

almost blown out bsky / twt / ig

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[noodles-and-tea]

twins in time continuation of that blue doodle comic thingy, but fidd is forced to take care of stan when Ford gets into the portal stuff, leaving him behind.

I reckon he teaches him math…

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[chloesimaginationthings]

Michael learns of Jeff’s pizza from FNAF Into the pit

[800db-cloud]

i’m literally shaking buy them brown contacts pls

[kensatou]

if nothing else can save america this zero-year-old fairy baby otter with no gender can. chiitan's platform is love. and chaos.

[leoktzchen]

I think I’ve seen some similar takes on this already but the whole lila and five get stuck in the time line subway subplot had a lot of potential actually but they just BUTCHERED it with the whole romance thing

imo the could have just done this:

- show them bickering and arguing, fighting over wich station/line to chose next in a sibling like manner

- show lila falling asleep on fives shoulder as she keeps mumbling about some stupid thing Diego has done while five tops that story with an even more stupid anecdote from their childhood

- show five trying to shave himself without a mirror and failing miserably until lila rolls her eyes and goes “give it here you absolute imbecile” and then helping him out BUT STAYING AT A REASONABLE DISTANCE AND NOT BREATHING ALL OVER HIS FACE

- show them freezing on the subway floor, five mentioning how they could save body heat by staying close to each other, visibly uncomfortable, and lila pulls a face but they end up falling asleep shoulder to shoulder NOT CUDDLING

- show them at the greenhouse timeline, covering the walls with self-drawn maps and complicated calculations, brooding night after day after night, trying to figure this out with lila drawing little hearts on the paper with her kids initials in it

- show five finding the map on the subway, immediately rushing to tell lila whose face lights up like a supernova and as she exclaims “fuck, we’re going home!” she tries to high five him (it doesn’t really work, because five does NOT do high fives) and then pulls him in for a hug. five just about lets that happen, but he smiles a tiny smile and they arrive just in time for Christmas

basically instead of the romance that gave everyone the ick, they could have just gone for the whole sibling like dynamic between the two of them that I adored a lot in the previous season(s)!!!!

[maiaczy]

Sometimes taking a leap forward means leaving a few things behind.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show: