#I need to use this method more

[stargirl230]

ghost of you

super quick Sua screencap redraw to celebrate the new video release - no I was not expecting it to be Like That and yes I was devastated

(no reposts; reblogs appreciated)

[arolegos]

urrmmm tried a new drawing method :3

[frobby]

i think a core component of the okumura twins relationship is that if you told them before the series what happens in the future, they would worry about each other before themselves

[shmorp-mcdurgen]

gee wiz, it sure is cool that Gordon survived the resonance cascade, I sure hope he's doing well

Finally decided to give Gordon a ref for my au Aftermath (which i've talked about here. Once.)

Also bonus:

[serpentface]

Omg, is there any more about Odonii battlefield performance?

Faiza giving a full battlefield performance, which includes grimacing, sinister looks, letting out terrifying war cries, and banging on her shield with her dagger's pommel. She's wearing a full set of armor, which is functional but highly decorative. A squire will be present somewhere nearby to carry the rest of her weaponry.

As mentioned in the other post, Odonii generally do not actually Participate in fighting. Their perpetual armament and training to correctly Use this armament has predominantly symbolic functions, with their bodies as vessels for state and military empowerment and integrity.

Their normal role on the battlefield is:

a) Spiritual protection for their associated warriors and intimidation of enemies.

Their role is partially to be the ‘guardian lion’ figure in human form, their presence and performance in of itself is considered metaphysically protective. This guardian lion nature is played up and reinforced with their dress and behavior- they wear lion skins over their armor, paint their faces red to obscure human features, perform war cries tailored to sound inhuman (not like lions, just a very shrill and frightening sound). They perform ‘frenzied’ movements that intend to evoke an enraged animal- pacing, banging on their shields, biting their weapons/shields, baring teeth, exaggerated glances that emphasize the whites of their eyes, etc. This can be a disturbing sight- reassuring to their allies who know a frightening spiritual guardian figure is on their side, and demoralizing to an enemy (the latter especially in conjunction with common beliefs that Odonii are witches/shapeshifters)

b) A motivating factor to get the men to fight more bravely.

This is partly out of religious belief (you will probably be a little bolder if you feel reassurance that God is very much present and on your side, via Its priestesses), partly out of esteem for the order (you are highly motivated to perform for their recognition and protect them from harm). In a way, their role on the battlefield is the Least masculinized aspect of their performance- they are in part there to remind men of their mothers, wives, and daughters, who they are supposed to be the protectors of and whose benefit they are ultimately (at least deemed to be) fighting for.

In some cases, this is taken to a (cultural relative) extreme wherein they will expose their breasts towards their own men as a part of battlefield performance, in the form of a supplicatory gesture (bearing the breasts and thumping on the chest with a fist). (The Odomache’s nude body should never be publicly seen under any circumstances, limited and controlled exposure by Odonii Can be appropriate). Breasts are not sexualized in this cultural sphere, but are not treated as neutral body parts either, instead having values of motherly nurturing and feminine vulnerability projected onto them. Odonii showing tits will be a DISTINCT reminder of the ‘vulnerable female’ elements that the men should be protecting, and can be highly motivating (especially in the context of a figure who is otherwise behaviorally ‘masculinized’, it’s jarring and can have useful emotional impact).

c) General spiritual leadership (in connection to a & b).

Weapons dances are an aspect of military training and the kagnoma odo dance is always performed prior to conventional battles, Odonii lead these dances. This has multifacted functions- it is believed to spiritually bless the troops, it is a means of practicing with weaponry/limbering up, it is a psychological rallying point and good for morale, and it may intimidate your enemy who can see it happening from a distance (by displaying readiness/eagerness to battle, good discipline, unity, and physical might). Odonii also perform personalized blessings of soldiers, weapons, and armor.

c) Filling gaps in the command structure or acting as commanders

Odonii are involved in strategic meetings, and ones who receive battlefield roles are very well studied in military tactics. As a matter of technicality, their commands to the body of Imperial Wardi troops do not override those of generals or other ranking soldiers (though they will often be deferred to regardless), but they can fill in gaps in the command structure in case of death of high ranking soldiers or if lines become scattered and communication breaks down.

Additionally, there are two elite warrior orders presided over by the Odonii priesthood (the rest answer directly to the Usoma's court appointed general), with senior Odonii as their commanders and the Odomache as their general. (This is one of many political tension points between the priesthood and monarchy, given that the Odonii have managed to get themselves about 200 high skill, firearm'ed warriors that are separate from the normal military structure, only as loyal to the Usoma as their current general is, and Very beloved among the public so you can't just like, outright kill or disarm this very obvious threat.)

d) A strategic flexing of eastern seaway honorable combat norms

Conventions of honorable warfare have broad commonalities across the eastern seaway peoples, one of which is that noncombatants (by default- women, girls, prepubsecent boys, unarmed elderly men) are not legitimate targets in the normal process of open war (but are fair game in contexts like sieges when a foe has refused to surrender on behalf of their population). Odonii being armed throws a wrinkle into this - they are still effectively ‘noncombatants’ by virtue of being women, but if they actually Engage in fighting they do present a threat that could be justifiably neutralized.

If they do not actually Use their arms they are not legitimate targets, and an enemy concerned with honorable combat will have to work around their presence (or risk social/retaliatory consequences if he does not). They are thus effectively human shields- at the very least introducing an additional layer of difficulties for an opponent to navigate, and sometimes actively putting their bodies between their men and their opponents.

e) as a factor of D, potential mediator figures.

When in conventional battles, Odonii on losing sides are usually expected to allow themselves to be captured without resistance. They stand a very high chance of being taken alive and remaining unharmed due to a combination of factors- baseline honorable warfare practices (which are ABSOLUTELY not always followed, but at least Influence behavior), fears of material consequences in retribution for harming the priestess, fears of spiritual consequences for harming a potentially powerful witch, knowledge that releasing an Odonii unscathed may give the captors a better negotiating position down the line, or knowledge that an Odonii is a very valuable hostage and can make for a good bargaining chip.

Because of this element, captured Odonii are expected to perform mediation roles, negotiate the release of hostages, carry messages from their captors, or bravely tolerate hostage conditions (ideally while gaining intelligence on their captors)

---

Odonii very, very rarely actually participate in combat (and are in fact not Supposed To in the vast majority of circumstances).

They are, however, fairly well equipped for it. Their perpetual armament is symbolic in nature, but its intended function of empowering their bodies and the state by proxy additionally requires them to know how to Use It. They are trained and regularly drill and engage in mock battles in each of their key weapons/defensive combinations (sword, sword and shield, spear, spear and shield, longgun, handgun) and are expected to be adept at their use. Odonii who attend battlefields, while not being directly engaged, are still in very high-stress and dangerous environments and will have to learn to stay calm and collected under duress. All this doesn't mean every Odonii would be a skilled warrior in an actual combat situation (given that most will have no experience fighting someone who is actually trying to Kill Them), but it does mean they have enough technical skill and mental fortitude to stand a decent chance.

The only times where they are SUPPOSED to actively engage is when a battle is deemed as an existential struggle and is being lost (in practice, the main context for this is a siege), or losing against a foe deemed so thoroughly depraved that they won’t even slightly follow wartime conventions. The idea in these situations is that they are most likely already doomed, and that they should die protecting their people in battle.

Wardi history is filled with stories of Odonii fighting and dying in desperate conflicts (particularly against Imperial Bur), but this is at least Partly historical revisionism (there WERE some women in proto-Odonii roles involved in these conflicts, but these retellings project the modern Odonii order onto its multiple progenitor practices).

Odonii are frequently present on battlefields, but there are only two major instances of modern era Odonii participating in battle as full combatants, both involving conflict with Finnerich

---

The fully modern incarnation of the order can be defined as starting in the late period of Burri occupation, in which multiple Wardi city-states and kingdoms allied against a common foe, and the separate progenitors of the Odonii tradition began to coelesce into a single practice. These alliances were mostly dropped after Burri withdrawal, and the immediate post-withdrawal period was a chaotic scrambling to politically stabilize and assert old territorial claims- thus most Wardi states resumed hostile or indifferent relations with one another. (The one exception is that Wardin and Ephennos remained allied, which shortly would become a Big Deal). Forms of early Odonii now existed throughout most of these states, just not united under a single banner.

The city of Godsmouth was blockaded and besieged by Finnerich during this period (taking advantage of its historical rival’s weakness in the political chaos of de-occupation and hoping to capture or at least maim the city), and some of these early Odonii were involved in this conflict and are known to have engaged.

Godsmouth was a rival to its neighboring states more than anything else- there was little reason for others to send aid in the conflict, and it was left to fend for itself. It was and is a heavily fortified city, and thus the siege lasted for months, with the strategy turning to starving the population out rather than the risky maneuver of throwing troops at well-defended gates to force entry. The Finn forces never managed to breach the inner walls, but were very successful at starving the city's population, raiding its farmlands and villages, and destroying its ports and capturing or burning its ships, all with minimal casualties on their side.

The strategy of the siege finally turned to a risky push to breach and capture the city (due to Finnerich’s own dwindling resources and logistical difficulties in restocking due to storms at sea, and news that an allied Wardin and Ephennos had, in an unprecedented move, been persuaded to send reinforcements (in return for Godsmouth's sworn fealty and absorption into their alliance)), and Finn forces succeeded in breaking through the outer walls. This developed into a very dramatic standoff in which the remaining warriors and/or civilians of Godsmouth attempted to fend off the attack long enough for reinforcements to arrive (which would take days by sea).

Odonii are very famously known to have fully engaged in this stretch of the conflict on the front lines, as it represented an existential threat to the city-state (it’s a fortified settlement, if it was captured, reinforcements would not matter). Some of the recountings are distinctly fanciful (describing Odonii and noblemen leading Siege Of Helms Deep style khaitback charges into masses of enemies, or SWEARING that one of them actually did turn into a lion and ripped apart a hundred Finns before she succumbed to her wounds). An At Least Partially True Story With Exaggerated Elements of the final days of the siege describes the Odonii priestess Hibrides Odiboe rallying a group of elderly men into battle by baring her breasts and scratching deep, bleeding wounds into her chest, declaring herself as 'your mothers, your wives, your daughters, and look how I bleed while you hide behind your walls and wait to die.' While accounts have fantastical elements, it is factual that Odonii priestesses fought and died defending the city's inner walls, notably filling command positions left vacant by slain or starved leaders and rallying citizens to the front lines.

The end of the siege was ultimately a pyrrhic victory for Godsmouth- the city was never actually taken but its population was starved and riddled with disease, its farmlands were burned, and its ports were destroyed. Finnerich forces retreated before reinforcements arrived after failing to break through the inner walls in time, but had succeeded in most objectives of severely wounding their historical enemy. It has been a source of collective trauma in Godsmouth since that point (it is now out of living memory, but vivid stories remain of seeing the dead eaten by dogs and the starving eating the dogs that ate the dead, watching family members succumb to disease and starvation, all while hearing the sounds of fighting draw closer and closer with no reason to believe that any help would ever come), but ultimately recontextualized as a victory, a turning point in the arc of modern history. (The Wardin-Ephennos-Godsmouth alliance, which formed in full as a result of this conflict, would become the triple state that conquered the rest of the region and formed Imperial Wardin).

The direct participation of Odonii in this conflict is heavily played up in the narrative as the order in its purest form as sovereignty incarnate, the priestesses bravely fighting for (what would turn out to be) the beginnings of the Imperial Wardi state. The 11 Odonii who died fighting in the siege have been bestowed sainthood and are memorialized in a series of guardian lion statue-shrines overlooking Godsmouth’s ports (in which their ashes and bones are stored).

---

The other instance of modern era Odonii engaging in conflict is significantly less romantic, occurring in the context of the Extremely failed second invasion of Finnerich.

During and after the rout that resulted in the Odomache's capture and killing, it became exceptionally clear to the Imperial Wardi forces that They Were Fucked. The conflict veered with REMARKABLE speed from being an attempt end the state's civil war between the Imperial Wardi-loyalist provincial puppet government and its rebelling northwest population, to a desperate struggle for Wardi forces to get out of Finnerich Alive. At this point it was assumed (fairly accurately) that any defeated party would be summarily executed, so most Odonii present ended up directly engaging in battle. Two are known to have died leading soldiers in a bid to retrieve the Odomache's body, others fought and/or died while defending the retreat.

A few Finn Odonii (women appointed as a local sect of the priesthood after the initial takeover) remained in the capital after the Wardi forces fucked off overseas, and were executed along with the rest of the installed loyalist government and priests (though it's unlikely that they were involved in any fighting, as the provincial government surrendered after the withdrawal).

Odonii veterans of the invading force have not fared well in the aftermath. Most of those who survived the ambush in which the Odomache was captured have ended up committing honorable suicide due to breaking vows in abandoning their leader in retreat, failing to retrieve her body, and/or being assaulted in capture. More have committed (ostensibly ritual, probably emotionally driven) suicide in the years that followed, with the knowledge that their leader's death and defilement and this severing of God's spirit has brought doom upon their land in the form of an unbroken drought and famine, and that they failed to prevent this. The priestess who was captured alive to witness the Odomache's death and released unharmed to report it was the first.

All this has opened some vacancies in the order's leadership, and given things a very somber tone. It is currently in debate as to whether the ones who died on Finn soil (particularly those who died attempting to retrieve their leader's body) should be canonized as saints or if it's a little too soon for all that.

[eggtomatosoup]

How do you pick colors for the gore rendering? I'm mesmerized withe the vibrant yet mildly sickly tone of colors you use, that along with the paint marker way of shading is amazing, I love it

thanks!! admittedly I've been meaning to do more studies and such bc I'm missing out on a lot of things imo but here's my lazy guy method where I put varying reds down regardless of lighting....

i generally go between dark reds and lighter pinks/oranges, and then have some "blue(grey or just Less Red Reds" and green/yellow. green and red are just fun to work with so I think a lot of my drawings have that. Pinks and greys can be fun too so I'm trying to do more w those..... bleh. I'm very much not an expert at drawing or anatomy so. You know how it is. Here's a picture i tried to explain with a while ago

[jackobbit]

ITS ALIVE!! ITS ALIIIIVEEE!!

Please forgive the jankiness of it, I haven’t animated since I was 14 and I had no clue how to use this app

But yay!! I can officially make my blorbo move :]

[valgeristik]

twilight princess + skyward sword stuff ive been drawing the past few days for practice and for fun <3 (you can take TP link's mustache out of my cold, dead hands)

Vetted Gaza Evacuation Fundraiser List

E-sims donation

[irminsuls]

wanderer and nahida at the end of ‘a parade of providence: act 3’ ♡

[quietlyblooms]

alright, friends, it's time for a lil heart-to-heart.

for quite a while now, i've struggled with feeling like the rpc is an actual community. there's a few things that contribute to this feeling, but it mostly comes down to a lack of interaction and visible interest. sometimes i feel very one-sided in my interest and attachment to my mutuals bc when i see their ooc posts or headcanons, i like them or comment, yet this isn't reciprocated by everyone. i can usually guess who i'm about to see in my notifications, and to be absolutely clear, i'm very grateful for those people!! it's a handful or two of you, but it could be just one and i'd be grateful. it's not about numbers whatsoever but rather growing uncomfortable that not all of my mutuals are all that interested in my character or me.

i write on here to share the excitement of creating with other people. i write on here to create together, too, but i'm also here to share characters and ideas and lore with people i know are happy to hear me ramble. i'm just getting to the point in which i'm questioning how many of you are actually happy to listen, and that's just not a good feeling at all. i'm not a mind reader, y'all. if you don't tell or show me that you care about the things i talk about or even about interacting, there's no way for me to know. eventually, i'm going to question why you're following me if i never see or hear from you, and eventually, i'm going to softblock and move on. that's the only way forward i see right now because i just do not feel comfortable on my own blog. i feel like i'm retreating into this quiet bubble to avoid discomfort, and it really sucks. it's killing my muse.

i'm not perfect. none of us are, and we can't be online at all times to catch every little post. but if we're a community, then we should be supporting each other when we can and liking headcanons, liking/commenting on those lil ooc posts that remind us our writing partners are humans with lives outside this site, reblogging their promo posts, sending in that meme they've reblogged even if we're nervous to reach out first -- if we're a roleplaying community, then we need to act like it. " community " implies connection, and a connection doesn't really begin when you follow each other. it begins when you reach out, even if it's in some small way.

tldr: i think we can all do better to support our mutuals and to connect, and i'm going to softblock people rather than continue to feel unsure where i stand with my mutuals. i won't start until sometime next week, and i won't make one of those " like this to remain mutuals " posts. they're not helpful to me, if i'm honest. if you're worried, just reach out. i'm literally a 4'9'' gremlin who sleeps with a m.unchlax plushie -- i promise i'm not scary despite this post uvu

[keeps-ache]

that crushed sugar feel

[rigelmejo]

@earlgrey--tea you asked who learned French just by watching TV shows and I'm thrilled you asked.

Here is the paper Peter Llewellyn Foley published: Picking up a second language from television: an autoethnographic L2 simulation of L1 French learning. Looking over the paper again now, he did 1500 hours of audio-visual French material for native speakers. He read toward the end of that period for some hundreds of hours, and he talked to people in French similarly toward the end of that period for some hundreds of hours. I read the whole thing, and I recommend anyone else who's curious reads the whole thing. Because my takeaways may not be the same as another person's. The paper includes what he did, how he studied, how he tracked his study, what study materials worked best (he found children's cartoons with a lot of visuals of what is being talked about were the easiest to learn from in the first few hundred hours - and adult television where they talk about things not directly visually shown as some of the hardest stuff that he used once he had more understanding of the language).

His paper shows at least 1 person could learn French by watching shows (with children's cartoons being best at the beginning stage until you learn more words), and trying to figure out what each thing means as you hear it. He did a lot of puzzling out the sounds he heard, using context and guessing what was being talked about (for curiosity's sake he did the opposite of what ALG Automatic Language Growth articles tend to suggest people do). He did not do any reading later sometime after 1000 hours, and it's fascinating how different he imagined French spelling was based on his guesses from the sound, compared to how it is actually spelled. He did use some graded readers for learners once he was reading.

He did not look any word translations up when watching all those shows. He personally makes the guess that if he HAD looked up words, if he HAD used French subtitles, and if he had focused entirely on children's shows at first, his progress might have taken less time. But his experiment did not do that, so it's only a guess, and actual success of people who've looked up words should be referenced instead for how successful or not it is (people like r/Refold learners look up words while watching shows), and he did not use any video materials made for language learners but my personal thinking is that Comprehensible Input type lessons at the beginning stage may have worked even better than children's cartoons.

To me, his level of understanding and ability to do things lines up fairly well with Dreaming Spanish's roadmap estimated hours to do X things. That makes sense to me as Peter basically studied with stuff made for native speakers, which eventually became more comprehensible. And Dreaming Spanish is designed to be fully comprehensible to a learner, until they can comprehend stuff for native speakers. I imagine Peter had a harder time initially, but as an English speaker learning French, with all the cognates, maybe he didn't have to learn as much to cross the threshold into comprehending children's shows as someone learning a language with no cognates.

I wrote my in depth thoughts about his paper here but it's mostly just rambling.

[dctrfate]

one of the fundamental issues i see with post-resurrection barry allen is that both writers and fans need to elevate him to a more “powerful” position than wally to prove he’s better or equal to his flash. but like. that's not how barry functions as a character. barry is a creative problem solver who doesn't need speed because he uses his powers as a secondary tool in preference to his mind. meanwhile, wally is far more intuitive and his powers work as an extension of his own consciousness so he'll resort to speed first and a viable plan of action second. to remove this characteristic from barry and make him so reliant on speed inadvertantly proves that he can't stand on his own BECAUSE of this constant comparison. tldr; barry shouldn't be the fastest most specialist speedster to ever have been created because he has his own strengths apart from speed mcgee wally and so engages with the audience differently to begin with.

[creatively-cosmic]

we figured out a better way to do sprites (instead of freeballing it i edit and frankenstein other sprites together and THEN draw over and recolor it. its proven effective thus far) so heres some kantonians!!

[bigboobshaunt]

The thing about PLZA theorizing rn is that, with only one game in that subseries out, it's pretty hard to define what a Legends game is. Yeah, Legend Arceus dealt with time travel, but time and space were themes of the Sinnoh titles, so is Legends Z A guaranteed to follow suit? I guess not...

Kalos' themes, for like 5 minutes, were life and death, so is that why Lumiose City is going through a "Redevelopment" which could be akin to a renewal, so in a sense it'd part of that cycle?

[coquelicoq]

watching cdramas with french subtitles is the best idea i ever had. if the show is in a language i don't speak i'm already going to have to be closely reading the subtitles, so why not also use it as language practice? the subs go by so fast i don't have time to translate them internally into english, i just have to absorb the meaning without doing that (which is how it's supposed to work but i've never been fully able to do that before). AND the best part is that when i'm going about my day i'm finding that some of my internal monologue is just in french now?? i think it's because subs are almost entirely dialogue...i'm getting hours of dialogue practice without actually having to converse. it's also fun with cdramas specifically because i have by now picked up some chinese vocabulary from watching tv and i get to see how that vocabulary is translated into french. idk man i'm just having a great time.