#I need to find a less famous subject to blog about | Explore Tumblr posts and blogs

osamosa11 · 8 months ago

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*cough* here i am 1223423 years later as usual ... but here we go hehe (also im too lazy to deal with the font sizes i apologize in advance)

nine albums or songs I've been listening to lately x nine people I’d like to get to know better x tag game with no name

1. why did you choose your url? once when i had hopes and dreams my purpose in life was to find a miya twins enthusiast willing to twin usernames with me ... chaatsumu and osamosa because miya atsumu & osamu + samosa chaat .... but alas it never happened so now im osamosa on here and my ao3 is chaatsumu and just matching with myself like a loser /J /LH KASJDHNK

2. any sideblogs? if you have them name them and why you have them. my dude. i barely have one blog much less a sideblog JBHDSJKSB

3. how long have you been on tumblr? gmail says 2021!! i haven't actually posted/interacted outside of liking before this month though (it's evo's fault yall are now subjected to my presence JHBDC)

4. do you have a queue tag? i just learned how to reblog .

5. why did you start your blog in the first place? sigh i was gonna make it for fic recs when i started and then promptly abandoned it like everything else that doesnt remain in my attention span for over 5 minutes JKBHDC

6. why did you choose your icon/pfp? nan feng!!! beat up because he deserves to be bullied!!! /affectionate

7. why did you choose your header? pretty fictional people !!! bullying nan feng !!! sqx is my wife !!!!

8. what’s your post with the most notes? my sunflower fx art teehee <333 (she's at 69 votes rn actually ... we all know what that means *waggles eyebrows and then cringes*) but im so emo about him and sunflowers so it makes me v happy :3

9. how many mutuals do you have? idek how i would go about checking this but i probably have like . maybe 8 followers if that idk and i follow all of them back im pretty sure

10. how many followers do you have? refer to above hehe

11. how many people do you follow? mmm around 35?

12. have you ever made a shitpost? i shitpost on twt enough, the world wouldnt be able to handle me there and on tumblr

13. how often do you use tumblr each day? once or twice if that?

14. did you have a fight/argument with another blog once? ive spoken to maybe 3 in total but theyve all been super super sweet <333 yall are so nice . i have been getting slandered and bullied by my friendo mi for years who also happens to be my mootie here tho someone save me /j

15. how do you feel about ‘you need to reblog this’ posts i dont think ive come across this ?

16. do you like tag games? always appreciate the opportunity to yap * nods sagely*

17. do you like ask games? once again idk what this is JKDVBSDB i know what asks are but game...?

18. which of your mutuals do you think is tumblr famous? basically everyone ever is more famous than me so i think all of them are hehe

19. do you have a crush on a mutual? nope!

20. what is the last song you listened to? saturn - sza is playing rn hehe

21. what are you currently watching? link click live action! also remembered the tgcf donghua exists and watched all fengqing fight scenes yesterday LOL

22. sweet/ savoury/ spicy? i love love sweet and spicy!! preference depends on my mood hehe

23. what is your current relationship status? single pringle, just as it has always been !

24. what is your current obsession? fengxinfengxin and also my oc that evo knows about teehee ACTUALLY . GO READ THEIR FIC WITH HIM IN IT RIGHT NEOWWW ITS BEAUTIFUL ITS EVERYTHING THE UNIVERSE HAS EVER NEEDED

25. what are nine albums/ songs you've been listening to lately?

good days - sza

sunflower - rex orange county

alive - kehlani

best friend - laufey

the things you leave behind - maruwhat & anthony lazaro

the ballad of lucy gray baird - rachel zegler

blue neighborhood - troye sivan

manta rays - chloe moriondo

you were good to me - jeremy zucker, chelsea cutler

@beemilo @rampagingnoble @sugisyakult pokes you with a stick (v lovingly hehe <33) if you wanna do this !!!

nine albums or songs I've been listening to lately x nine people I’d like to get to know better x tag game with no name

(thank you for the tag @lianhuajing !!)

1. why did you choose your url? uh. it was a play on "rose tinted glasses"

2. any sideblogs? if you have them name them and why you have them. nope!

3. how long have you been on tumblr? I think 2022? i knew about it before, just never bothered to make a blog

4. do you have a queue tag? don't kill me, what's a queue tag?

5. why did you start your blog in the first place? I had some Thoughts about Blue Lock and wanted to post meta for it

6. why did you choose your icon/pfp? uhh Flora.

7. why did you choose your header? Reo is one of my Blorbos and I just really liked that panel of him

8. what’s your post with the most notes? probably the "do you download fics" poll

9. how many mutuals do you have? about 20? i don't remember

10. how many followers do you have? 120?

11. how many people do you follow? 91

12. have you ever made a shitpost? yes. i think.

13. how often do you use tumblr each day? an hour?

14. did you have a fight/argument with another blog once? nope

15. how do you feel about ‘you need to reblog this’ posts meh. some of them are funny i guess

16. do you like tag games? yep! it's nice interaction

17. do you like ask games? i do! but uh. it's a silent empty void here. an echo chamber, if you will.

18. which of your mutuals do you think is tumblr famous? i have no idea but i see @kingsandbastardz a lot in the mlc community

19. do you have a crush on a mutual? nope

20. what is the last song you listened to? 若梦 by 周深

21. what are you currently watching? i just finished The Double! probably starting on Dashing Youth next

22. sweet/ savoury/ spicy? savoury!

23. what is your current relationship status? single

24. what is your current obsession? The Double,,,,

25. what are nine albums/ songs you've been listening to lately?

若梦 by 周深

如故 by 张碧晨

如初 by 张碧晨

借过一下 by 周深

万物不如你 by 张杰

Our dawn is hotter than day by Seventeen

Hitorijana by Seventeen

my music taste is kinda...i tend to stick to a few artists...

26. tagging (no obligation to do this!) @randomingoftherandomness @good-vs-evo @chrysofightme @bbcphile

#tag game

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redspiderling · 4 years ago

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You'll die on this hill huh? Blog for a racist, antisemite, transphobe, who supports paedophiles. Sorry but I don't think I can follow you anymore.

Hello to you too anon,

I don't even know how to unpack this. I'm so tired of having to answer to this fucking nonsensical narrative you guys have built. This is why if Scarlett ever went on social she'd just post a middle finger and then ghost all of you. Beyond that, it really pisses me off that you keep flooding my inbox with this bullshit. I don't come to your blog to tell you what to talk about anon. I see a lot of stupid things posted on here, but I don't go in people's spaces and say "you're stupid", because that's just not productive, and it's not nice.

But lets do this again anon, let's roll one last time, and then goodbye to you, have a nice life. Let's take it by subject:

Racist: Really? I googled racist Scarlett Johansson and literally nothing came up, other than the whitewashing accusations over her Ghost in the Shell casting. First of all, while the race of an android is something that we can go on about for a long time, and the casting of adaptations of Japanese content is another thing we can go on about for a long time (because e.g. a couple of years after GitS came out, nobody accused the actors or producers of Detective Pikachu for whitewashing, even though most of the actors on it were white), lets say I agree with you, that Scarlett shouldn't have been cast in that film. She apologised at the time, and said she wouldn't knowingly take away a role that was meant for a person from another race. After all, the role was meant to go to Margot Robbie initially, and when she dropped out due to scheduling issues, it went to Scarlett. So, the role of Major in Ghost in the Shell actually went from one white woman, to another white woman. Are you gonna go after the casting people for this, or are you gonna keep accusing Scarlett for accepting a role that she thought was meant for a white lead? You don't need to reply, it was a rhetorical question, I know you're not actually interested in figuring out how racism works in showbusiness. Lets keep going, let's say you don't believe her, and that it was entirely her fault, that at the time she took away a role that would otherwise have gone to a person of colour. Well, it's been 7 years since she was cast for that role. She's been in many, many films since then, and not once has she taken a role from a non-white person. I think 7 years is enough time passed to think this person has learned their lesson, and won't make the same mistake again.

Anti-Semite: ..................... Scarlett is Jewish, anon. She has family that died in concentration camps. See, this is how I know that you don't actually care about any of this, you just enjoy bitching on tumblr, so thanks for making my life easier. I guess I'd feel bad if I thought I actually made you uncomfortable.

Transphobe: We cannot actually know that? She hasn't made any anti-trans comments, but she hasn't supported the cause either so, who knows? Accepting the role in Rub and Tug was a mistake, and once she figured that out she admitted it, made an apology, and dropped the project. And don't make me go over the whole "I could be a tree" thing again. I can't deal. She was giving an interview for a pretentious French magazine, and the interviewer was going on and on about the art that is acting (and saying some pretty questionable things while at it), and when he asked her "what do you think is the job of an actor?" she replied that actors are people who emulate other people and can transform themselves to anyone or anything else. That was on a philosophical discussion about the actor's "job". She wasn't making a statement against trans people, in any way. She was a USB stick by the end of Lucy in 2014, she was just pointing out the obvious and then it was taken entirely out of context, and I swear my eyes will one day get stuck rolled at the back of my head, reading yet another tree "joke".

Supports paedophiles: No. What she's said is that she's known Woody Allen personally for 20 years, and that he's told her he didn't abuse his daughter, and that she believes him. That he isn't a paedophile. That is in no way "supporting paedophiles". Do I agree with this? No. I think Woody Allen is a questionable figure, at best, but I can sorta understand her position. I've said this before, I don't know how I would feel if a friend of mine was hated by the general public because he was accused of doing a horrendous crime that had actually never been proven (or disproven), and therefore I can't judge her for deciding to stand by him on this, I don't think I would have been able to do the same, but Scarlett has proven that she'll say what she believes and deal with the consequences. Fair enough.

That's it anon. Thank you for sitting around for one last rant. If Scarlett has been accused for some other shit while I was writing this, maybe for killing Kermit the frog, who knows at this point, please, don't slide in my inbox, I'm done with this and I'm certainly not above blocking. Go on and live your guilt free life, stanning white men who have done waaaay more questionable things than most female celebrities could ever hope to do in a lifetime, and yet get away from scot free for you to drool over without shame.

#anons #asks #Scarlett Johansson #the same vent #I need to find a less famous subject to blog about #my life would certainly be easier

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one-additional-time · 2 years ago

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Daft Punk in Chronic'art 2007/2008 - scans & translated interview

Here it is, the long-awaited monster interview that sat untouched on my bookshelf for 6 years. I bought this magazine on eBay in 2017, fresh off the Grammys performance with The Weeknd, and I was really excited when I realized it was a huge 10 page spread... Until I started translating and realized the content was extremely in-depth and complicated. So, it got put to the side and accidentally left there for many years.

Anyway, here we go. Buckle in for a long read! Please note that I did not translate the extra sections of the article titled "Discovered" and "Very Disco" as these are just basic information about DP's discography and samples they've used- they are not part of the interview.

My usual disclaimer- I am not French, nor am I fluent in French, so some of this may be incorrect or interpreted differently than the author intended. If you find any glaring errors, my ask box is open for feedback and I can update the post/files as needed. (Post updated May 2023 with corrections)

Feel free to repost to other platforms/social media sites, but I humbly beg that you link back here or give me credit because I really spent a lot of time slaving over this (like 50+ hours).

Thank you so much for sticking around my blog after so many years. I really appreciate this fandom and community and I'm excited to experience new music with you all soon!

(Trigger warning for discussion of suicide [Electroma] in the interview!)

Download full scans and translation at my Dropbox.

Full translation below the cut.

In ten years, from Homework in 1997 to Alive 2007 and Electroma, the electro duo Daft Punk have popularized electronic music, launched fads (the French Touch, filtered house, monumental live shows), and transformed a simple music project into a verifiable universal, even metaphysical, concept. Are Daft Punk dropping the helmets?

BY: WILFRIED PARIS & OLIVIER LAMM | PHOTOS: © MAUD BERNOS

SCANS AND TRANSLATION BY STEPH @ ONE-ADDITIONAL-TIME.TUMBLR.COM

(Please see the downloadable PDF file for translation notes/comments)

Everyone has been hearing about Daft Punk for the last two months, because their live CD (Alive 2007, from EMI) and the DVD of their robotic road-movie Electroma are being released for the holidays. We wanted to go a little bit beyond the obligated promo, and the repeated wooden language found in all the media, by trapping Thomas Bangalter and Guy-Manuel de Homem-Christo for an hour and a half in a restaurant in the Latin Quarter, subjecting them to questioning, and if possible, making them drop the helmets a little bit, over ten pages and many questions.

We’re not going to harp on what you already know (the French touch, the robot helmets, the live pyrotechnics), we’ll just say that we wanted to do this thorough interview with Daft Punk because they’re more than a CD or a DVD, more than music, more than any current pop group. They are an essential symbol of our post-post-modern times, speaking in a very clear yet always paradoxical voice (between hedonistic joy and profound existential sadness) on the human condition, no less. Over the ten years of their career (Homework, like Chronic’art, again, decidedly, appeared in 1997), Daft Punk have invented a new way of presenting music to the world. The robot helmets reveal (social uniformity) more than they cover (buried humanity) and have given them perfect anonymity, which seems like the anonymity of those who succeeded, not in annihilating the self, but becoming self-less. This anonymity accentuates the dominance of the art over the artist, and it has made Daft Punk a universally well-liked and famous group.

A conceptual, pop, philosophical, even metaphysical group, Daft Punk mixes Andy Warhol (seriality, pop art, emptiness) and Friedrich Nietzsche (the man who wanted to die in Electroma, the superhuman for and against technology), mass culture (disco, Albator, Star Wars) and esoteric symbols (the masonic pyramid), the dancing body and thinking brain. In that respect, they are a purely manufactured product of our culture and likely represent the completion of the pop figure began by the Beatles: fragmented culture (the sample) and repetition, theatricality and abstraction, universalism and experimentation, technological innovation and advanced marketing, refusal of the embodiment and worship of the personality…

The current tour (Alive can also mean “en vie”) also refers to an interstellar voyage, like Discovery and Interstella, which seemed to mean that humanity is, by nature, dispossessed, that humans do not belong on Earth but came from Heaven and are destined to return there, that they are “stardust.” They themselves [Daft Punk] are probably not aware of the symbolic and almost metaphysical significance of their creations, and they always prefer to talk about “emotions” rather than thoughts, the heart instead of the head, and they act as the “guinea pigs” for their own experiments. Listening to them, we realized that Thomas Bangalter and Guy-Manuel de Homem-Christo do not really theorize their work, their music, or their image, but that they react to the infinite accumulation of data from our culture of abundance, that they are indeed the guinea pigs of an experience that has outrun them, marionettes played by “high culture,” pop culture, and the entertainment industry. Maybe Daft Punk really are robots, and no one is pulling the strings, certainly not them.

Chronic’art: Between Homework, which would correspond to your schoolwork or your learning phase, Discovery, which would represent your adolescence, the discovery of the world, microscopic to macroscopic, and Human After All, a moment of reset before a new cycle, it seems to us like you have come full circle, which would be represented by the mirroring of your two live albums, in 1997 and in 2007. Could you have scripted your career?

Thomas Bangalter: It’s strange. We have never written out any part of our career, because even ten years ago we didn’t think we would do this for a long time. After the fact, without having planned it, we realize more that we had sort of reset prior to the live show from 2007. For us, these concerts, this tour, this CD, they are more of a new step than a conclusion. We had not done concerts for 10 years, and there was something very exciting about doing things that weren’t technologically possible when we started. With the last live, we wanted to produce something original, that could predict what might become the norm of tomorrow. We know that we’ve done certain things in the past that were five years ahead of their time, and we are happy to be trying something no one else has done right now. We feel like, during each album, we’ve started back at zero and have had to create a new process, even if it’s true that there is a consistency which emerges in the straight line of our career. But this consistency is not defined a priori, we just emphasize working on projects that can become sort of a realignment of everything we’ve accomplished until now. Interstella was consistent with Discovery, the live show was consistent with our third album compared to the two previous albums, but each step represents, in the moment, the desire to start a new cycle. As for Human After All and Electroma, they’re about something darker, less celebratory… Maybe the live show is a loop; our record label released a Best Of last year, but the concert itself and the way we worked on it is more a way of combining things and expressing them in a new way, rather than celebrating a sort of anniversary or something from the past. We definitely didn’t want to give people the impression that they were in 1997, in a continuation of past music: we instead wanted to give them the chance to feel like they were really in 2007.

During the live shows, you mix together your own tracks, referencing and quoting yourselves. It’s like being simultaneously and precisely between 1997 and 2007, as if the past and the present were merging. All of your songs evolving in a sort of loop…

T.B.: It’s almost the third generation of sampling: us sampling ourselves. At the same time, it’s like having created a universe and an aesthetic that is more than the music, or that the music isn’t actually a central vector. Our approach isn’t at all demonstrative, it’s entirely sensory. There isn’t another message to understand. That being said, there is a desire for cohesion, to make sure that each element added to the structure resonates with the others, with the little mythology that governs this universe. It’s a bit like in a video game, each new element opens a new level in a new environment rather than replacing an older element. We wanted, for example, to break these things with Human After All, but in the end we realized that the album was very cohesive in the continuity of our work.

There is a very strong sense of nostalgia, mixed with a strangeness, in the timeless juxtapositions listeners are subjected to in the tracks. They seem to be complementing and responding to each other, as much musically as thematically…

Guy-Manuel de Homem-Christo: It’s especially very exciting to see that twelve or thirteen years after our first maxi, our music has not aged too much. There is a sense of nostalgia1, but it still works in the present, and it’s very strange to see that we can mix four tracks from four different eras simultaneously, and not a single one kills the mood. Right after we started making music, we were seeking timelessness. It’s the same with Electroma. At our core, we are fans of timeless things. If you listen to the Beatles, aside from their very first period which is a little bit stuck in the past, you notice that time doesn’t touch their music. We are following that: we are trying to move through time without getting stuck in it. In the same way, we are trying to make sure that our music can be listened to by a lot of different people, without having to worry about languages or genres.

The Beatles were, for that matter, the first group to reference themselves, for example in All You Need is Love, where John Lennon sings She Loves You…

G-M.H-C.: We don’t compare ourselves to the Beatles, either…

T.B.: The idea is constructing a cohesive universe from a series of spontaneous attempts. If you watch Star Wars, people don’t seem to come from when the film was made. It’s as if the 70s have no effect on the film’s universe. Its atmosphere is its own, even if mixes a lot of things together. For about five or six years we have tried not to let the times we live in make an impression on us.

You are very privileged to be in a time when everything moves so fast, or everything ages so fast, right in the middle of acceleration. For example, you did a massive world tour without having an album to promote…

G-M.H-C.: The day before the first concert of the tour, at Coachella, we were terrified, we weren’t sure of anything. Every time we try something new, we start back at zero.

T.B.: It’s the live show that sparked the craze, I think, truly. The success was really unintentional. Separate from that, being immersed in a certain underground before our first album taught us a lot. We’ve seen all the trends come and go—jungle, speed garage, electroclash, new rave, French touch, revival—and we are really surprised to have slipped by all of that. We didn’t want to be specifically concentrated on music, we only released three albums in 15 years, and we had a lot of luck. The legitimacy of our music, the future of our music lives in the combination of different forms of expression, the scope of influences, the mixing of techno with funk, with metal, the intermingling of rules and cliches. A lot of important decisions have been roughly made; also by means of spending time solidifying this roughness in order to share it. In fact, electronic music, in the 90s, put you in a state of experimentation, urgency, innovation, it literally prohibited you from repeating yourself. Electronic music was still very elitist, because it was expensive—you had to go to the library to find out about these musicians, you had to go to Beaubourg to make photocopies of books on filmmakers, you had to go to small shops to buy old drum machines. We know what changed, we’re familiar with the saturation that followed. We were also lucky because actually there wasn’t much of that happening when we started out.

The permanence of Daft Punk is also really linked to your image. People don’t only dance to your music, they dance with your personas, with the robots, like you predicted the fatal characteristic of the embodiment of rock (John Lennon, Kurt Cobain). With your robot helmets, you have made the entire process of love, requisition, and the sacrificial reclaiming in your place impossible. You come across as impersonal and therefore verifiably impossible to sacrifice. Not gods, rockers, heroes, nor rulers. The helmet prohibits any kind of identification process. When put on, they show the listener-viewer their own reflection. By giving nothing, the helmet says (silently), “Know thyself.” Can your work be considered an invitation for people to know themselves?

G-M.H-C.: Yes, I agree with that interpretation. At least, that’s what happens with our concerts. Audience members, rather than being lost in the view of a far-off guy, Mick Jagger or another inaccessible idol above the audience, find themselves between us, or even with themselves. It’s kind of like a rave, without superstars, like in the era of anonymity. The robots don’t give the audience much except music. There are robots in a pyramid, but the audience enjoys it in a more selfish, more self-centered way.

T.B.: It’s a mixture—the chance to show the listener their own reflection, to respond to a question with another question, but also the opportunity to go back to a fiction, in a cult that isn’t the cult of a personality, but of an art, of an image, of an aesthetic. Without personification. Then we can let ourselves to be two robots in a pyramid of light. If our faces were uncovered, it would be the most megalomaniacal thing in the world; with the helmets, no one sees us because we stay within the fiction. And without wanting to make a joke, there is also a degree of separation, a distance. A distance from the reflection, like in Electroma, or a distance from the entertainment, softer.

All the lines from Human After All work in the same way. They recall Kraftwerk, but Kraftwerk developed a precise message about celebrating, in a way, the immediate future. Your messages are a lot more ambiguous: are they critical, ironic, devoid of meaning? Like we see so well in Electroma, your helmets are, above all else, mirrors…

T.B.: Ambiguity is good, because it allows for a certain interaction between the viewer and the artist; between what the viewer interprets and what the artist is trying to depict. It’s very participative, and that comes from a desire to go against the demonstration. We are the first consumers of our music, and we hold the view that we can’t make any judgement values by calling things into question. In speaking about technology, about consumer society, which completely inhabits our art, we don’t want to teach a lesson, or offer a point of view or a judgement, we just want to find paradoxes and point them out as is. For example, we’re dependent on consumer society and it’s so appealing, productive, optimized, and at the same time totally terrifying, horrible, and very funny.

Your work is dialectical: sometimes it seems to denounce a sort of robotic totalitarianism (like in the Technologic video which depicts propaganda of a robot on top of a pyramid) and at the same time it plays with this imagery, strikingly. The video for Around The World also shows how robots surround and surveil the population; they are in the last circle, and they are the ones who chant the phrase “Around The World.” Does the video denounce the surveillance of us by nonhumans, or does it condition us to accept it? We never know if you’re denouncing a conspiracy against humanity or if you’re participating in it. You use of language is equally dialectical. Your language is refined, born from catchphrases and words of totalitarian order (Technologic), and if taken literally, it’s this: the phrase “Television Rules The Nation” can be taken as the assertion of an established fact. It then becomes constraint, manipulation. At the same time, the distance imposed by the performance can give the words a double meaning, and adds to them a critique of this established fact, even the denunciation of a totalitarian power. This recalls the “doublethink” in Orwell’s 1984: the capacity to simultaneously accept two opposing points of view and thereby put critical thinking on the back burner. Where do you situate yourselves in this in-betweenness?

T.B.: But it’s inside this paradox where we progress. In terms of our experimentation, we are in fact the heart of the system; it would be totally obscene to lean more to one side or the other, to claim to be part of a totalitarian system, as if we were giving lectures. It’s because this is so interesting that we refused to do any promotion for Human After All, because there couldn’t be a willingness on our part to encourage people to buy the album, because of this paradox. Because it’s like an unbiased opinion on technology, on consumer society. The video for Technologic actually gives you the keys to derive an ironic and scary message from the track, but it has since been used by Apple in a commercial for the iPod, and there the lyrics turned into blind praise for technology! It’s funny seeing to what extent the double meaning has effectively functioned. That’s why we so often refer to Andy Warhol who had an experimental approach through his connection to pop culture that, depending on the project, had as much a place in very elitist and private circles as it did on supermarket shelves. Creating with perplexity, in short.

Nevertheless, you use very strongly significant symbols, like the robots or the pyramid. The pyramid that you use on stage is a Masonic symbol. It is on the dollar bill, with George Washington and the note, “New World Order.” The pyramid represents the structure of society, from the masses up to the elites and the leaders. The cornerstone with the “all-seeing eye” surely represents the summation of technology which, though it could be plainly operational, will make sure that the “New World Order” can truly start coming forward and establishing itself on Earth. Some interpret it like the construction of a new technology, a technologic eye that would see all, through a generalized surveillance. With that said, the presence of robots like operators of this pyramid makes a lot of sense. How do you fit in with regard to these symbols and this story?

T.B.: We work a lot with the senses, with the power of symbols on the subconscious, and the pyramid, in effect, is a very heavy symbol, in terms of the senses. We don’t want to discuss the details of the symbolism, but to question its power without its history. The pyramid has become a symbol because, geometrically, harmonically, it’s a magical, occult, mysterious object. There is also this mysterious and occult, on the verge of paranormal, power in music. No one can really theorize about the effects of music on the body and mind, so it’s incredible. We just try to pass on that magic in a rather empirical way. Moreover, we could carry out experiments on the way in which light or sound intensity acts on the body and on crowds, to see which types of sensations or emotions are provoked by one frequency or another. But we could never really explain the reason for these effects.

G-M.H-C.: We are the guinea pigs of our own universe. We managed to create a sort of self-sufficiency between the two of us, which lets us experiment with a consistent voice, and what works for us tends to work for the audience, it’s like a small miracle. We put a pyramid on stage because we think it’s cool, and it makes everyone trip out.

When you talk about guinea pigs, it’s as if you were manipulated from the outside, by a mysterious third-party, as if you were also puppets. There is a determinism there, but one that serves humanity. According to the Laws of Robotics by Isaac Asimov, it’s humankind who constructed the robot, and the robot is at its service…

T.B.: Above all we want to express a paradox on the discussion of human dependency on technology. We’re not virtuosos and we rely on technology like a crutch. We could never do it without technology, and at the same time, we try to value, like any artists, the human element in our work. The process we’ve used for these fifteen years has been to try merging the machines and us. We are the operators of these machines, the editors of the experiments: we select them, we choose them, and we decide to keep them or not. Daft Punk is the product of a tug of war between human and technology, always questioning the place of technology in the project.

Electroma addresses this discussion between human and machine, in a sort of grand general inversion. Electroma seems to be the account of a traumatic experience: in the world of robots, the two characters presented a human face to the others, in openness, generosity, expressiveness. The result of this demonstration of humanity leaves them ostracized, chased, and reduced to aimlessness and suicide. Do you think that showing your humanity is dangerous?

T.B.: Yes, that’s the background of the film. But speaking more broadly, formally, it’s part of the same approach as what we’ve been able to do before; to know how to create emotion while using machines, in a creative process. Without actors, without a script, without a real plotline, but with photography, color, framing, made from machines, objects, just like a still life. We began with creating an environment around the spectator, who is almost like the only actor in the film, and wondering how to make them experience these emotions, which are not the same as those on the dancefloor, but aesthetic emotions, where the spectator can project onto themselves. The film is totally open, and we thought a lot about Magritte when making the plans. What you can see in Electroma is essentially sensation, that’s a lot more at the level of the gut or the eyes than of the brain…

Robots After All by Philippe Katerine was clearly inspired by your album Human After All and touches on the idea that human society has attained such a degree of conditioning and conforming that humanity became a species of robot, a determined creature, ruled by automation, in their language as much as their everyday comportment. When we recently asked what he thought about your music, Katerine told us, “I hear nothingness in it, so I want to find a place there.” Is the universality of your music due to the fact that it’s also, in a sense, empty?

T.B.: It’s empty because it’s more sensory than significance, yes. Theoretically devoid of sense, it allows people to see something from nothing and project themselves there. We just heard Katerine’s single. Our music is open, it can be interpreted and taken in different ways.

The musical abstraction and loops that by and large make up your music allow each person to take possession of the music and go beyond it. There is a shamanic aspect in this usage of emptiness and repetition. As a matter of fact, musicians like Animal Collective, who were inspired by shamanic trances, now cite you as an influence. Also, you could interpret the end of Electroma, when the two robots die by explosion and combustion, as referring to shamanic initiation rituals, in which one goes through a symbolic death by division of the body or self-combustion. Could you say that the end of Electroma represents, in some sort, this symbolic and initiatory death? In other words, do you perceive a shamanic side to your music?

T.B.: Yes, it’s a trance: the loop, the heartbeats… We use samples to express the desire of prolonging a strong sensation that comes during one or two seconds in a track, and wanting to repeat this sensation, not only feeling it for ten minutes, but also seeing what consequences come from ten minutes of that feeling, how everything unfolds. Visually, with Electroma, our desire is the same: to create images or an assembly of images that produce a physical sensation, a feeling of hypnosis, wandering, or weariness; in any case a state of mind that you can only reach by feeling this sensation for a certain time, for quite a long time.

Wandering, loss of identity, and expropriation are pop themes in a sense. If you think of the Beatles, the “Magical Mystery Tour,” the transformation of the Beatles into the “Lonely Hearts Club Band.” As of now, you are a group that “turns,” that travels, to those “lonely hearts.” Is there a “trip” pop?

T.B.: It’s true that during this tour, we felt a little bit of a psychedelic thing: there are people who saw and re-watched the concert multiple times, almost like a Grateful Dead concert, with this idea of there being, during the concert, something imperceptible that you can never capture on disc or on film: an experience which was unique and can only live in reality, at a time where everything is virtualized. We felt like people wanted happenings, concrete experiences, which could consequently be produced by advanced technology: we could multiply the giant screens, have a very strong sound, and combine everything into these unprecedented audiovisual processes, which had never been seen anywhere before. Even a film projected in an IMAX theater could be no more than the “ghettoblaster” from another experiment with new technologies. Our music is moving: it was within an industrial system which ended, it was dependent on the economy. And the economy was destroying itself, it influenced new formats and new ways of creation, like the tours we’re doing currently.

Today, music needs to find new ways for distribution, with the death of the record industry and the virtualization of music. The live show, as a unique experience, is a response to this situation. You were the first to start a download site on the internet, with the Daft Club in 2001, which didn’t work out. Was it five years too early?

T.B.: Being current five years too early is really better than we can hope for. It’s good to be precursory, it’s almost our principal objective. Speaking about the musical economy, I think that music has never been as important as it is now, and the concert isn’t a response to difficulty selling CDs nowadays, because live shows are also very expensive. Economic upheavals are interesting: I read a book recently by Jacques Attali, Bruits, which talks about the musical economy and its power since the Middle Ages, and if you look at the place of music in the world in the last 2 thousand or 3 thousand years, the place of the record and pop music industries will have not been an end in itself, compared to music as a whole. It’s interesting to try to find out where music will go and what it will generate, in the sense that it is often a precursor of the relationship to come between social and economic powers. But we define ourselves less as musicians than as artists and creators, in trying to combine things and experiment with new formats and new technologies. We aren’t uniquely musicians.

Homework represents a sort of pinnacle of the age where a certain technologic novelty was expressed directly through music. You could literally hear knobs being turned. Does Daft Punk necessarily have to excel technologically in an age where all these methods have become normalized? Were the concerts from your new tour sort of like an advantage?

T.B.: It’s not an advantage, it’s a set of challenges that could be technological, actually. You wind up with a concert that looks sort of futuristic, like a remake of Close Encounters of the Third Kind or a mix of a Grateful Dead and a Kraftwerk concert. Making something that we couldn’t make before. We pick up the tools, we manipulate them, we try to progress. Electronic music in itself, in 2007, doesn’t seem to me to be very conducive to experimentation from a strictly musical point of view. I’m waiting for the new generations to prove to me otherwise… We pay attention to technological developments because we’re interested in them, and because they are at the heart of our art. Musical instruments are advanced technologies which have continuously reinvented music.

Since Human After All was released online, there were a lot of rumors about the album, which was an indication that people were waiting for you. In that context, are you able to feel free as musicians? Have you produced things in reaction to the public’s expectations?

T.B.: Actually, we aren’t free relative to our own expectations. We can’t totally set the public aside, but we have our own demands and we respond to our own vision of what we make, while taking into account paradoxes, contradictions, restarts, new beginnings. But we don’t think about the public: it’s both selfish and more respectful for people because we don’t have the pretentiousness of putting ourselves in their shoes.

G-M.H-C.: We are our own fans. We work until we find moments of pleasure in our work, and when we save those moments and explore them on an album or in a film which we release, that resonates for people. But within those moments, which are like lightning, we are like spectators—we feel like we’re revealing something, and discovering something we created at the same time. In this way we are ourselves in the position of spectators and fans. I imagine that this process is even more evident in painting: you have a piece of canvas in front of you, and there is a tangible process of creation. Creation is a mystery and you can really speak about magic when it comes to music or art.

Could the image of the pyramid that you use be a graphic representation of your music? With its foundations, progressions, ascents, and its climax? Bercy, it so happens, also has a pyramid shape…

G-M.H-C.: Not all of our songs follow a progression. We have flat songs, square songs, round songs… And in the live show, there are a few final moments where the tension comes back down. Bercy really does have a pyramid shape, but the top is missing. And it’s true that we would have really liked to play on top of it (laughs)…

#daft punk #HAA #interviews #translations #thomas #guyman #PHEW it's finally done #I really spent so many nights poring over this #including painting out cat hairs and ink spots in photoshop :')#ifcwdjd- master- how did you do it so many times

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springmachinery · 4 years ago

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The super detailed eyebrow guide Part 1

Hello everyone, this will be my first post on this blog. Let’s cut to the chase, the first thing we will be talking about is eyebrow styling. There is no one “ideal” eyebrow shape that suits everyone and likely you suit a couple of eyebrow styles yourself. There is no absolute “wrong” answer when it comes to eyebrows, it greatly depends on what kind of vibe you desire to give off: cute, professional, sexy, mature, innocent, anything goes. These will just be some tips that might help you to figure out what works for you, just remember that it is very difficult to make an absolutely accurate guess without seeing your full face, this is ideally a self-help resource.

First of all, you will often see the basic styling guide that goes something like this:

However, I found that this wasn’t absolutely helpful to me. What about thickness? The height of the brow? How arched should I go? Some girls look amazing with perfectly straight brows, right? Is this the only arch that looks good? It’s hard to find info on all of this so let me start:

The thickness of the brows

Think of it this way: The eyebrows are supposed to accentuate what is already there or balance it, as such it is important to follow the lines of the face to create appropriate harmony. Faces are complicated and you may even suit a different type of eyebrows when you have more weight on you, I know I do. Along with that, when it comes to eyebrows, the eyes are the most important determinant, but not the ONLY determinant. Some faces need more softness/sharpness so you add the appropriate eyebrows, at other times, you want to play exactly into the type of features that you have.

Would you say your facial features are more elongated, narrow and have a certain lightness? None of your features stand out, rather they all work together, no facial feature is too large. Then go for a thinner brow. Think of celebrities like Taylor Swift

Or Charlize Theron

Heather Morris

Hyuna ( kpop idols rarely rock completely thin eyebrows, but you can see that among them she has a thinner variant)

Another point to present is the “chubbiness” vs “dryness” of your face. The more “dry” your face is, meaning the less facial fat and roundness you have, the more likely thin brows suit you. Let’s look at Halle Berry - the thinner her face became, the more she suited thin brows.

And the midpoint:

One thing to notice is that her eyebrows were never TOO thick - her balanced features would simply never allow for it. Look at someone like Charlize with thick eyebrows, it just didn’t suit her. Her features are simply too delicate for that.

Are your features larger, heavier, more "in your face" - especially the eyes? Consider a much thicker brow like the following ladies. The brows need to follow the lines of your face, if your eyes are very “strong”, they deserve an appropriate assistant! Lucy Hale

Sofia Vergara

Sofia Loren

Lilly Collins

Aisha

Look how much better Beyonce looks with thicker brows, these eyebrows are not that thin to begin with, now imagine how much less flattering thinner eyebrows would be for her face:

The same can be said about Lykke Li, her face is much more balanced when she sports thicker brows due to her beautiful heavy features.

Notice that many of these women have either rounder or wide cheeks, even if their faces may not hold onto more flesh, that’s the bone structure. That is a trait that suits thicker brows, on the other hand, the ladies in the “thin eyebrows” category often have slightly narrower lines and sharper bones. The thin eyebrows soften them up.

However, there are some exceptions to this. If all of your features a very large or maybe even your forehead is smaller than you’d prefer, you may go the complete opposite route and take thin brows.

A youtube Anncy is a beautiful example of someone who made the right call going for thin brows instead of thick ones. Larger brows would wear down her face and perhaps take more space away from the rest of her features. When you have large features, sometimes it is difficult to juggle proportions: adding large eyebrows can take away either from eyebrow height or forehead length so if you recognize yourself in this, consider going for thinner brows even though your features are large. The only image of thick brows on her I could find offhand is this but I felt it would be unfair to put them with the other ones, as I feel the lightning and angle isn’t equal or as flattering, but hopefully you get the point.

Another example of this is Angelina Jolie. She goes for much thinner eyebrows than you’d expect from someone with features as large as those.

Big eyebrows would simply be too much competition for the rest of her face:

However, many people don’t fit any type perfectly and that’s also perfectly fine. Most are in the hybrid category, so they have to pay attention to various features.

Kerry Washington is one such example. Her features are larger, yet her eyes are very delicate. Her face is narrow, but there is much fleshiness to it. She goes for a brow that isn’t too thick or too thin. They’re narrow to follow the longer line of the face, yet not too thin to harmonize with the roundness of her features, cheeks and chin.

Megan Fox has fairly small features and yet she looks better with thicker brows? Why? Because her face possesses a certain sharpness, particularly in her features, that needs thick eyebrows to balance them out. This also has to do with her coloring and contrast, but that will be its own category in a following post.

Also, while it may seem like blondes suit thinner brows and brunettes thicker ones, that may not exactly be it. I put the example of Lykke Li who shows that a blonde can perfectly rock thick eyebrows, and Hyuna and Halle, as an example that brunettes can also look beautiful with thin ones. I’ll go more in depth about this in the Coloring section.

Arched vs Straight eyebrows

The arch of the brow depends on your overall features and the style you want to convey. A longer midface may suit straighter, longer eyebrows to add width to the face. Straight eyebrows also make you look younger and more cute. They can also help the forehead look wider. An example of this is Yoona, this girl has a longer midface and the brows add a vertical line that breaks apart the length of the midface. The straight brows also suit her cute and youthful appeal.

Mina from Twice is another good example of this. The straight brows add balance to the length of the face.

I would suggest straighter brows to people who’d prefer a cuter look usually, however many sexpots, so to speak, go for this look to balance out their features. Look how much width these straight brows, that extend far out, allow Jessica Alba’s longer face.

Straight eyebrows, depending on how dark they are, can also add drama and make the face seem more symmetrical and lifted, especially if the ends of the brows point up - that’s why they’re popular with models. Notice how symmetrical and compact, or even wide, a lot of these faces appear due to this effect. Additionally, these faces appear more dominant or modelesque and may even photograph better, which is why you may want to try them out.

Let’s look at Nyane, her straight brows with a slight elevation towards the end point out the beautiful symmetry and sharpness of her face. When they are arched, there is too much sharpness. Even if they were shaped differently, the elevated arch would take away from a more balanced look.

On the other hand, for the e-girl or cute girl look, the straight eyebrows don’t point up, rather, they point down. Look at the classic e-girl Belle Delphine for that. For the cute girl look, choose either an end that points neutrally or down. Beware that an eyebrow that point down may make your face appear less lifted, but many faces can handle it pretty well. It’s all subjective and not everyone wants the lifted look.

As for arched brows, they definitely bring up the sex appeal and make your eyes appear lifted. This is great if you want to go for enhanced sex appeal or have a negative canthal tilt (downturned eyes) that you’d like to change. Arched eyebrows are a classic and they add that “wow” factor to the face, in addition to that, it’s also a great choice for those who have a baby face and want to stray away from that. It’s great to add that arched eyebrows can break up a wide face and add “length”, it can also shrink the forehead and make the eyes appear larger, but that will be further covered in the placement section.

Gigi Hadid has beautiful eyebrows that make her eyes appear huge due to the high arch point. The eyebrows are her best feature and certainly add something to her look. Pay attention to how babylike her face would look without those eyebrows, if you’d cover them, her face would seem so much softer. The arched brows are exactly what make her face model like. It’s that extra something.

Aishwarya Rai is famous for her sex appeal and beauty and her eyebrows play up that aspect - she often lifts up one or both brows in photos to get an even more pronounced arch.

When her eyebrows are straighter, she loses some of that seductiveness.

Anne Hathaway has beautiful downturned eyes, however, in case one would like to “lift” the area up, so to speak, they could try out this type of style. The arch of the brow is exactly above where her eye ends and goes down, making for beautiful harmony.

Eyebrows can also be more sharply arched or have a more rounded arch. A sharper arch can add more dimension to the face, as well as sex appeal, while the rounded one can accentuate femininity (look Gigi and A,R, or someone like Sofia Vergara). Marylin Monroe, in tune with old Hollywood beauties, sported a sharper arch often, as did Olivia Wilde, to suit her sharp features.

Naomi, is also an example of beautiful arched eyebrows, that mix up both the rounded and sharp aspect by going to no extreme. This can suit you really well if you have a mix of sharp and round features like she does (high cheekbones, elongated face + full lips, rounded cheeks etc.)

If you can’t decide which eyebrow to go for, consider the mix of the two: where the eyebrows bottom line is more straight and the top of it is arched. It is often seen on women with cat eyes that want to add softness but also show off that allure. Notice how the bottom of Barbara’s eyebrow here is straight and the top is arched - this is also great if you have difficulty with shaping your brows as it is forgiving for filling in + it looks very natural.

All of this said, it is up to you if you want to add sharpness or softness to your face - there is no right call and a lot of it has to do with what your style and taste is. Many of these women have tried out all types of arches and found that each look “sold” something, a particular essence. It is up to you to choose what you like, however, I hope this guide helped you in discovering which eyebrows suit what style.

I wish to also address more finely tuned details of the eyebrow such as:

-Eyebrow placement (Low and High placed)

-The placement of the arch and its effects on the look you are portraying

-Having eyebrows compliment individual features (close set eyes, wide set eyes, broad noses etc)

-Coloring of the eyebrows

and perhaps some more. Stay tuned!

#beauty #eyebrows #style advice #style #advice #mua #makeup #brows

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queensgaybeach1d · 5 years ago

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HELLOOO, I just discovered your blog, shame on me. So, I read your masterpost about the stunts in the industry (great work btw) and was wondering how to tell if something is real or purely pr. Would you mind giving me a few pointers ?? Answer however and whenever you can.

Hello Sweetie,

Thank you so much for your lovely words. I would love to help you dig deeper into the PR industry. In fact, I did some research myself and I stumbled upon a great confirmation on how everything works. I think it is just the right fit for you, sweetheart.

Please take your time reading the post and if you have any questions or suggestions, please do not hesitate to ask me. Have a great day and enjoy!

Kisses,

Suman 😊

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How to spot a PR relationship?!

This post is made for everyone who would like to learn how to spot a fake relationship in Hollywood. This information is supported by a very reliable source. The name of the source is Jack Ketsoyan, he set up two PR relationships himself. If you would try to compare this to your favourite Hollywood couple, you might be surprised of the outcome. I wish you all the best while reading this and if you have any questions/suggestions please do not hesitate to ask. Enjoy! :)

This is the link of the podcast about the PR relationships (skip to 5.40). I will make a little summary of the very important things Jack said. There is also another man who is speaking about this subject. His name is Christopher and he is a lawyer who has worked with cases like these for a long time.

(Please note that I am in no way hating on anyone. I have a strong dislike for all ‘’beards’’, but what they do with their lives is their responsibility. Therefore I mean no harm to any of these people. It would be very sad if any of these people would do it because they needed money for their families. If that was the case I would truly feel sorry for them, but the thing is they want to become famous by dating someone else who put his/her hard work in his/her career. That it just not fair. There are plenty of ways to become famous by dedication, hard work and staying yourself.)

I want to give compliments to the lovely @Totallylost4you on twitter. She made me aware of the podcast.

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-’’To hide the artist’s sexuality; boosting of the careers.’’ --> (Louis, Harry, Zayn, Liam and Niall. Also, Kristen Stewart, Cara Delevigne and Taylor Swift) -->

‘’It is more common on the male side than on the female side. There are certain celebrities who were, back in the day, in the closet and it was not okay to be out. We live in a completely different time nowadays, these days being gay is okay. So back in the day that was the biggest secret, it was a big taboo, if a certain high profiled male, the heartthrob is all of a sudden gay, they were not going to get the bigger roles anymore. They were going to be type casted, so that was the big way of hiding things. Them hiding their sexuality was dating a female who would keep them in the limelight basically and cover it up.’’ [about closeting] ‘’Times have changed, it still happens, but a lot has changed.’’ --> There are still people who would not like attending a Harry Styles (the heartthrob) concert when he comes out as gay.

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-’’To be able to sell the hype of it.’’ --> (Whenever a picture of Taylor and Tom or Louis and Eleanor comes out, people are quick to retweet, post and talk about what happened. Within no time the pictures have traveled through the internet. Which automatically means that a lot of people have seen it. All of this gives the label/couple/artist attention and money. --> Whether it is bad attention or good attention, attention means money.) a few examples of these couples are also: Haylor, Zigi and Elounor.

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-’’To sell tickets to concerts or movies.’’ --> 1D world tours and solo tours. That is also why beards like Camille Rowe, Eleanor Calder and Maya Henry attend their concerts. As for movies think about Robert Pattinson and Kristen Stewart (who is gay) fake dating, moments after Twilight came out. Think about 1D bringing their fake girlfriends to the world premiere and Zayn and Perrie getting engaged a second after. The purpose of these events are attention. Sweethearts, whenever people go to these shows/movies all they will focus on is 1D and their ‘girlfriends’. Photos will spread faster than ever and people will talk about how ‘real’ they are. Their aim is to kill two birds with one stone; making them look like a ‘real’ couple whilst promoting their movie/album.

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-’’To sell albums.’’ --> (Zigi, Chiam, Elounor, Hamille, Nailee, Haylor.) Let us be honest, are they not the biggest reasons why antis buy the album? Just to see what stuff they write about their fake girlfriends/boyfriends. Just to see how ‘Camille’ pronounces ‘’Coucou’’or just because Gigi Hadid starred in Zayn’s music video. Or maybe to finally know the ‘truth’ about Taylor’s fake relationships.

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-’’It's all about the hype at the moment. Especially with the social media world.’’ --> I am going to point out an important thing Jack said. He said ‘’especially with the social media world.’’ Remember when there were only rumours of Louis and Eleanor being back together? The whole fandom tweeted about it. This made it popular and that was the solid moment 1D’s label knew that Elounor 2.0 would do it for them. They would earn a lot by it. The same thing counts for Zigi, Chiam, Haylor, Hamille. Hamille is a good example too. When all of you heard that Harry wrote a song about her and that her voice was going to be included in his song, what happened? Exactly, everyone went nuts and made sure to listen to that exact song. That is exactly what they want. They want that power over you, that is what gives them the money. Another example, how fast do you think solo Zayn stans and Directioners tweeted about a ‘power couple’ when the news broke that Zayn and Gigi are ‘expecting a child’? How fast did people open their social media accounts when Kylie Jenner was pregnant for the Kardashian’s 10th anniversary? (Social media does A LOT. Whenever a picture of Eleanor (beard) and Clifford (Louis’ dog) arrives on the internet, people automatically assume they are together in a room. This, is not the case. That is how convenient social media is to arranged relationships. Why start a rumour by hiring newspapers instead of posting a message on social media? It is much cheaper and more people will know about it in less than four hours.)

Promoting certain brand like Coca Cola (Elounor), YSL, Gucci, Vogue (Zigi) and Hugo Boss are also a part of it. Celebrities wearing those brands make their fans want to buy it too, think of the Kardashians promoting Adidas and other expensive brands. Also think of people like Briana Jungwirth promoting flat tummy tea. This is called ‘celebrity branding.’

Tell me, how many times do you get HQ pic of your PR couple on your phone? People tend to go out of their mind when pictures come out. That is the immediate effect Hollywood has on social media/ you. That gives them the promo they need, even during quarantine the beards post pictures of themselves, making you think they are together when in reality they are not. :)

{About why Jack hooked an arranged relationship up himself} --> ‘’It was more of a mutual agreement between the agents. {Tells a story about an actor getting bad reviews for a movie and in order to let people focus on something else they got the actor a girl, so the media would focus on the girl instead of the bad movie.}’’ --> ‘’Just a one year deal. Basically they finished of the press and the international press and then they went their separate ways, because she did not want to do a two year deal.’’ {interviewer asks if it worked} --> ‘’It worked.’’ --> A few examples of (approximately) a one-year deal: Calvin Harris and Taylor Swift, Niall Horan and Hailee Steinfield and Louis Tomlinson and Danielle Campbell. It is also good to point out that the beard can decide whether she wants to continue or not, but the celebrity has to do what the agent arranges.

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{Interviewer asks what reasons people might have to agree to one of these PR relationships} --> Different reasons, that could be to deflect attention away from a controversy (damage control. think of something Larry or Ziam related happening and the next day Zigi and Elouno are papped. Or fans finding out Louis is in the same country as Harry and the next day they will let Elouno do a pap walk. Another example is when Ziammies find out a Zigi picture is photoshopped, the next day you will see Zigi in person. This happens when their stunts fail). So if an actor has drugs and alcohol problems they may want to give the appearance that they have settled down and are in a committed relationships so that they can banked for films. Or they are going to be able to get bonded and get work and people will trust them, because they have settled down. It also could be done to create a brand. Two celebs getting together and 'now there's this tremendous interest about them being a power couple.' [...] We create strong provision against the disclosure of any negative facts against the celebrity - with consequences. So these agreements need to be structured with a hold back of money so that over time if they have complied with the agreement and not disclosed ehh no personal information and violation the agreement then they would be entitled the payment, so under the agreement. " --> The last part might be difficult to understand, because the lawyer uses difficult words, but what he is actually saying is very important. He says if the celebrities who are in the PR relationship have done their part (parading around with each other) then they will receive their money (please correct me if I am wrong). The host also confirmed that contracts like these are the reason why a lot of celebrities do not admit they had a PR relationships.

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Clues on how to spot a PR relationship:

-‘’The main clue you would see is if, you know, a certain high profiled male is dating a female (or when a high profiled female is dating a regular male), who was not high profile. All of a sudden, she is, overnight, the most talked about girl in Hollywood and everyone want a piece of them. That is the biggest thing, you know, it is such a career boost for the female that some females end up taking the deal.’’ --> Zigi, Elounor, Chiam, Brouis, Haylor, Taylor and Calvin. How does the world know Eleanor Calder? Because of Louis Tomlinson. No one knew her before, except her family. How did Gigi gain so many followers? Because she started dating Zayn Malik. Gigi already had a platform for herself, but she gained a lot of followers by dating Zayn. Zayn also gained followers by dating Gigi. Gigi needed promo and Zayn was in the spotlight, because he just ‘left 1D.’ This made him the perfect target. I hope all of you also notice that when beards/fake girlfriends post pictures of them with their fake boyfriend, it gets way more likes than their usual pictures.

{What was the benefit for the girl in the scenario?} --> ‘’Ehm, she has a huge career at the moment. She benefit from that by becoming a household name (someone that is well known) and getting bigger roles than she would have. She would use to be the 3rd or the 4th lead in any auditions or any jobs that she was getting. She then became the first lead. She got a great career boost out of it, for sure.’’ --> Gigi Hadid, Eleanor Calder, Sophia Smith, Cheryl Cole, Maya, Camille Rowe and Kendall Jenner are just a few examples.

How did the world know Townes? Because ‘Harry named’ her in one of his songs. How did the world know about Maya Henry? Because Liam Payne started dating her. Before this, she was just a fan. How did Cheryl Cole get the attention back? Because of baby gate and by fake dating Liam Payne. How did Briana gain so many followers? Because Louis Tomlinson fans gave her the attention and because she participated in faking a pregnancy. How did Shawn and Camilla become a couple in the spotlight? Because people have always shipped them, ever since the beginning and their label gave the fans what they wanted. How did Kim Kardashian become famous? A *** tape of her and Ray J leaked and she became famous. Now, she is a lot richer and more famous than he is. A quick note, not many people know how Kim Kardashian became famous. They only really know her from Keeping Up With The Kardashians. The newer generation does not know about the tape scandal, and that is what they do. You need to dig a little deeper to see that. This all is an on-going cycle and it will not stop unless we all stop believing it. 😊

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What do they do in order to make a PR relationship look real?

{Interviewer asks what the clauses in an arranged relationships contract are} --> ‘’An arranged relationship is estranged by definition. So certainly we are going to see requests that are equally odd. They are certainly going to have requirements as to how they hold themselves out to the public as a couple. This would mean appearances at award shows, parties or events together as a couple and that there would be requirements maybe for specific events.’’ --> Eleanor attending Jay’s wedding and being ‘maid of honor’, Calvin and Taylor at Award shows, Elounor at the fashions show 2013, Haylor and their NYE ‘kiss’, Zigi at the MET gala and Chiam at the Brits, celebs at after parties with their ‘girlfriends’. All of these couples have also pictures with each other’s family members. That made a lot of you think they are close and real, well my loves, now you finally know that it is all part of a PR stunt. The fake girlfriends also have to look supportive, that is why they have to be there at concerts, soccer matches, award shows etcetera. 😊

Remember when Eleanor (beard) posted a picture of herself and in the background you could see a picture of her and Louis in 2012 and ‘Louis’ written on a board? Remember when she posted a picture of herself with her and Louis’ boots in the background in 2018? All of these things are there to make it look like they truly live together and that they truly own each other’s stuff. The same thing counts for Haylor’s airplane necklace. Do you genuinely think they did that by accident? No, that is the purpose of the whole picture. 😊

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‘’Then there is going to be particularly some none disclosure issues surrounding them as to what cannot be said about the relationship and what needs to be said. There could be a script even as to what they have to say if asked about the relationships. There would be photo sessions showing them as a couple. And then I have seen issues of sexual relationships and specific whether this would happen or not happen in an agreement. But if it is truly a PR relationships then sex would not be a part of that relationship, because it is not real.’’ --> Loves, do you remember a moment when someone asked a celebrity about his/her relationships and they stuttered and looked uncomfortable, or they just said something wrong or embarrassing or tried to talk themselves out of it? Well, that happens when you have to make up stuff that never happened. Louis Tomlinson confirmed his interviews are scripted, so this one is just an extra thick layer of confirmation. I also recall Gigi doing a live and someone asked about Zayn and she just stuttered and looked away, not knowing how to answer a question. (I think there have definitely been times when two people who were in an arranged relationship gave different answers to the same question, why? Because they do not know anything about each other.) Here is an example of a moment that is repeated and scripted about Louis’ ‘relationship’ with Eleanor, even know we have legit proof that is not what happened:

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Now I can hear all your lovely brains working and thinking whether a celebrity is willing to sign a contract like that or if their label is making them sign it. Well, if you have read my previous masterpost about the music industry you can see confirmations of the label making the artist their puppet. They own you, so if they think you should have a girlfriend to hide gay rumours then they will give you one. ‘A label cannot force you anything’, but it does make you sign a contract. When you sign the contract without reading it carefully, then your label will mess you up. In those contracts they do not write ‘’Taylor Swift has to agree to arranged relationships.’’ They write stuff like ‘’When signing the contract, Taylor Swift allows the label to make changes in order to get her to fame.’’ Of course Taylor (and other artists) would think that they mean changing her outfit and looks, but no. The label thinks being gay is something that will not get people enough fame. So what do they do? They change her, they change her sexuality. They closet her and even though Taylor and other LGBTQ artists do not want that. You cannot deny because when you do so, the label will show you the contract you signed. A contract like that is never written literally, they can manipulate their words. To the label ‘’being gay or a part of the LGBTQ+ community’’ falls under ‘’making changes’’ in order to make her famous. Of course there are celebrities who willingly closet themselves for various reasons. I hope to create a single post about how devious these contracts are for you all! 😊

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Here are a few things I hope you have learned from this: 😊

- Fake relationships still exist and they will always exist. It has been confirmed, so no one can deny this anymore.

- The girl and boy have to go to special events, such as award shows, family dinners and weddings in order to make it look real.

- Homophobia is still a thing and the biggest reason why arranged relationships exist.

- The beard has a contract too, so your idol has no say in how long she can or cannot stay. If she does good then she will stay. (I see many people say that Louis chose Eleanor because they are friends and that is why she is back, but he actually has no say in anything. Your idol is their product to sell. Your idol is basically a marionette.)

-The PR team does everything to make it look like they are truly together, think of photos of each other in each other’s homes and ‘personal gifts.’

-Celebrities get an enormous boost on their social media accounts when they start being part of an arranged relationship. Something I have always thought was a bit odd, is the fact that Eleanor never created an insta account until her and Louis’ ‘relationship’ had its peak; in the middle of June 2012. When in reality, insta was created in 2010. She also created twitter in 2012. Exactly when the first few big events were attended by them. (I genuinely think she did that, because everyone wanted to see more of her. Plus, she has always wanted to be a fashion blogger and this was her ‘big moment’ to do so.)

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The credits for this post go to @Totallylost4you. They made me aware of the podcast and they continue to shine light on hidden treasures like this one. They also hardly get credits for their solid hard work and I hope they will continue doing this! Thank you!

Thank you so much for your attention. If you have any question/suggestion, please do not hesitate to ask/tell me! I wish all of you the best and please stay safe. Have an amazing day!

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thetypedwriter · 5 years ago

Text

Midnight Sun Book Review

Midnight Sun Book Review by Stephenie Meyer

Oh my god, you guys.

Just. Oh. My. God.

This book took ten years off of my life.

As a heavy reminder, these book reviews are entirely subjective and my very personal opinion. I don’t need the hoards of Twihards coming after me with pitchforks and pretend fangs from Party City because I didn’t fall head-over-heels with this canon spinoff like my fourteen-year-old self would have.

With that measly disclaimer out of the way, let’s move onto the actual book review. If you haven’t heard of Midnight Sun or don’t know what it is, then I don’t know what to tell you except that you avoided 600 plus pages of stream of conscious ranting.

For those of you that would like to be enlightened, Midnight Sun is the retelling of the infamous Twilight book-yes, that Twilight, Robert Pattinson as Edward Cullen Twilight, complete with vampires, not so-stellar acting, and the more than notorious forest scene of Edward demanding she say… “vampire!” Gasp.

But no really, like most women in my now mid-20’s, as a teenager, I was obsessed with the Twilight saga and everything it had to offer, especially the dreamy, chivalrous, too good to be true Edward Cullen (fuck Jacob).

I voraciously devoured the books while I was in middle school, attended the midnight book premier for Breaking Dawn, and stayed up way too late for each and every movie screening that followed, a loyal fan to the end. To give you some perspective, I even joined the Twilight club my freshman year of high school.

Yes, if you were wondering, I was indeed that cool.

I was obsessed and in love and outside of Harry Potter, it’s still one of the few book fandoms and series that I was truly enveloped and consumed by. Whether that was due to my age, the experience of the fandom, the cultural phenomena that was following the movies and new releases, or for other reasons, it was an experience I look back on now with simultaneous fondness and slight embarrassment.

I wasn’t embarrassed by my involvement or my experience in the fandom, like many other people, I made great friends through Twilight (including my best friend, whom I met in college when we mutually bonded over our love of Twilight), read countless fanfiction that, to this day, I still remember and cherish with my heart, and it was one of the series that cemented my love of reading and book culture as a whole for me.

However, like everyone else, I inevitably grew up, matured, and my reading tastes changed and became more refined. As an avid re-reader of books, I have tried going back to re-read the Twilight saga multiple times...

...and failed.

The books had simply lost their magic for me.

The story seemed dull and nonsensical, Bella had become the epitome of a Mary Sue, the writing was now apparently mediocre, and Breaking Dawn’s lackluster climax angered me to the point of speechlessness (it still does).

So, I gave up re-reading the series and while I deemed that it was perhaps not as wonderful and life-changing as it had been for 8th grade Melissa, I still appreciated what it had done for me personally and the experiences that I had gained through the books.

Speaking of 8th grade Melissa, the original Midnight Sun, that being twelve chapters of the original manuscript that had been leaked back in 2008, had been put up on Stephenie Meyer’s website for all to enjoy.

Like the good, whipped fangirl I was, I devoured all 12 chapters with ease and lamented the loss of never getting more than that snapshot of Edward’s thoughts and musings.

Now, twelve years later, the full book has been written, published, and released to the delight and downright shock to many age-old Twilight fans that had believed that series to be dead and buried, myself included.

So, when the book came out this August, I swallowed my trepidation, knowing that my love for the characters was now long gone, but I believed that the sentimentality of 8th grade Melissa’s obsession would long linger, making this a pleasant blast from the past to lift my mood.

Unfortunately, this wasn’t the case.

Now, that I’ve told you my whole life story in an effort to explain why I have the feelings I do and to justify that I’m not just being negative for the sake of being negative, this book did not hold up to any of my expectations.

One, it was so freaking long.

Holy shit, was this book long.

As I have said countless times on this blog, I like big books (and I cannot lie). It’s the best feeling in the world when you get into a story and you realize that you have many days ahead of you of being engulfed within this new world that you’ve fallen head-over-heels for.

It’s the opposite, sinking feeling of dread when you feel like you’ve been reading the book for weeks and are getting nothing out of it.

Midnight Sun was a lot like that.

It was too long to be good, especially considering the length was not generally driven by plot, but instead driven by Edward thinking of every fucking thing to the nth degree and driving me crazy in the process.

Homeboy needs to take a chill pill, he overstresses, overthinks, and overanalyzes everything to the point of irritation as a reader.

Meyer’s editor really needed to step in and say, “Hey, Stephenie...is all of this really necessary?” and then proceed to cut out at least 300 pages of nonsense.

But that didn’t happen, probably because first and foremost, the book was already going to sell no matter what changes or edits were made, and this seemed like a book more for Stephenie than anyone else.

It was very much stream of consciousness like I’ve already said, a style of writing defined as a literary style in which a character's thoughts, feelings, and reactions are depicted in a continuous flow uninterrupted by objective description or conventional dialogue.

It wasn’t on the level of James Joyce’s Ulysses or other notable works, but damn was it close.

This writing style I found abhorrently repetitive and exceptionally dull.

Perhaps my fourteen-year-old self would have felt differently and would have sucked up anything about Edward Cullen eagerly considering he was the fictional love of my life.

Or perhaps this book would have made me go running and screaming in the opposite direction as Edward is...kind of awful?

One positive thing I can say about this book is that it paints Bella Swan in a very rosy light, which was actually very refreshing. One of the most famous criticisms that Meyer’s has received is Bella’s lack of character, development, and attributes.

Seeing Bella from Edward’s perspective instead of vice-versa actually showed how kind, thoughtful, and selfless she is, all things that I had never really picked up on before.

I still find her inexcusably dumb sometimes, but much of time during this book, Bella was actually far favorable to Edward or any other character, a blasphemous statement of irony if I had ever heard one.

The payoff, however, is Edward’s reveal as not chivalrous, not gentlemanly, and not as wonderful as I remember. He’s arrogant, selfish, obsessive, and honestly? Downright creepy.

The stalking reaches new levels of not okay, often with him trying to justify his less than criminal activities with the notion of her “safety” as the priority, which I found complete bullshit.

I found Edward domineering, cold, aggravating, and lackluster, statements which would literally have made my old self sob, which I honestly did when Edward left in New Moon.

I used to be an avid Jacob hater and lover of Edward to the extreme back in the day. Now, I would weep for joy if he left, root for Jacob all the way, and hope that the horrible name of Renesmee never needed to come to fruition in the first place.

Oh, how the turns have tabled.

Other than the atrocious length, my other large criticism came in the form of well...the book was naturally boring in my opinion. Meyer tries to create tension and moments of suspense, but...we already know what happens.

We know the next few years actually. We know they get married, have a baby, and Bella gets turned into a vampire. So all moments of tension and suspense are unceremoniously tossed out the window.

You might say, typedwriter, that’s unfair! We didn’t read this for the tension and suspenseful plot that we already know! We read this to get new information and insight into the Cullens and Edward especially. What do the Cullens do at home? How do they interact? What does this juicy insider insight look like?

Well, I still don’t know because we hardly saw any of it.

I was the most curious about the Cullens as a family unit and more information into how they functioned, interacted, and cohabited. I even wrote a fanfiction back in the day about what freaking Esme did home alone because I was so intrigued by the idea, but nope!

Edward was always stalking Bella 24/7 so almost no new information was gleaned about the Cullens, sucks for you.

There would be little nuggets here and there, little bouts of cool information (Apparently Esme just stays home all day every day doing….nothing?), but not nearly enough to justify a 600+ page book of a recycled plot that we were already familiar with.

I needed more from this book, craved all the little moments in between, and it was a letdown to the most extreme proportions.

Recommendation: I didn’t really enjoy this read despite my past involvement with the series, my lingering fondness for the movies on a cold, rainy day, and the still sporadic delves into Twilight fanfiction that maintains its reputation of quality and characters.

Twilight will always have a special place in my heart for what it did for me and the people it brought into my life, but I wish I had remembered Midnight Sun as the 12 chapters I read on Stephenie Meyer’s website when I was fourteen and infatuated instead of 26 and uninterested and unforgiving.

Score: 4/10

#midnight sun #stephenie meyer #twilight #new moon #eclipse #breaking dawn #twihard #book blog #book review #Book Recommendations #YA Books #YA Book Review #edward cullen #bella swan #fanfiction #book blogger #book photography #book analysis #book aesthetic

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wildlyminiaturesandwich · 6 years ago

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It’s time we talk about SimsDom again.

Most of you probably already know who and what Simsdom is but for those that don’t, Simsdom (or SimsDomination) claim to essentially be a CC finds website, which in essence I suppose they are... But don’t get your hopes up for a Lana replacement because they are SO much more than that. And not in a good way.

I know this is an old subject, and most people probably thought it was all over and done with, but Simsdom is still around and what’s worse is that I’ve noticed a growing trend among my fellow Game Changers who create content for Youtuber and Twitch/Mixer of promoting the site by using it to do CC shopping haul videos and streams, which is encouraging their viewers to use Simsdom. I’m not going to name names or point fingers but it made me realise that maybe some people don’t understand just how bad Simsdom is for the community in general, but especially for the amazingly dedicated CC creators of Simblr. And it’s just so disappointing to see people that some many in the community, including myself, look up to promoting this garbage site!

If you’re curious to know why this is a problem, I’ll explain under the cut. If not, keep scrolling... But don’t say I didn’t warn you.

If you visit the Simsdom website (which I’ve purposely not provided a link to because you absolutely shouldn’t visit it) you’ll notice a whole bunch of custom content is available there, more than likely you’ll even find quite a bit from some of your faves like @peacemaker-ic, @nolan-sims, @storylegacysims, @crypticsim, @renorasims, @savvysweet and MANY more. My stuff is even on there as well and if you’re a creator, the chances are high your stuff is too; whether you want it to be or not.

But don’t be fooled, myself and most of the other creators whose content appears on their site did not give permission for our content to be shared on there. In fact, most of us have specifically asked Simsdom to remove our content from their site. I say “most” because there are some people who willing uploading their content there (god knows why). The easiest way to the tell the difference is to look at who posted the content. If you see this:

That content has been shared by a bot, without the creator’s permission and more than likely against their many requests that Simsdom NOT share their content. If it says the name of the actual creator instead of “Exchange”, that creator uploaded it themselves.

You might also ask why anyone would care if their content was shared on a CC finds blog, after all, it means more traffic to our blogs and content, right? First of all, whether it brings in more traffic or not, is beside point. These creators have specifically requested Simsdom not share their content and they have been ignored, disrespected, threatened, and harassed. Simsdom claims that their users make up 30-90% of Tumblr creators traffic, but I call bullshit. I check my Google analytics every single month for traffic coming in to both my Tumblr and Blogger from Simsdom and I can tell you that LESS THAN 1% of the COMBINED TOTAL traffic from BOTH BLOGS comes from there. And when you understand how they operate, you’ll understand why that is.

- UPDATE -

In reference to Simsdom’s response to this post, they linked 5 creators that they claim meet their crazy statement that their site provides creators with 30-90% of their traffic. So I just thought I’d point out some interesting facts I noticed while looking at those sites.

One of those sites is dead; literally, it doesn’t exist anymore, if it ever even did. Another, @simiracle, is a fellow Game Changer who reblogged this post, so I’m guessing they don’t have support there. And the other 3 are alpha CC creators, none of whom have ever uploaded any of their CC to Simdom, nor have they ever mentioned Simsdom on their sites in any way. However, all three earn money on their own content via either adfly, adsense, patreon, or some combination of the three; my guess would be they wouldn’t be too happy to find out Simsdom is making money off them too.

You see, Simsdom might sometimes link back to the original creators site, but often times they don’t. I’ve noticed quite a bit of the content of my own on their site directly links to the file on SimFileShare, completely bypassing both my Tumblr and my Blogger. This might not seem like a big problem, but what about if the creator has put specific instructions, requirements, or notes on the original download page that if the downloader doesn’t read could result in broken/unusable CC, or worse, a broken game?

- UPDATE -

In reference to Simsdom’s response to this post, they linked to SimFileShare’s page on SimilarWeb and claimed that I was lying about direct-linking to my files there because their site does not appear in the list of referring sites. What they failed to mention is that that list only shows the TOP 5 sites that link to SimFileShare regularly. There are still 385 other sites that aren’t shown and can’t be seen without having an account with SimilarWeb. Convenient, huh?

I also said they only direct-linked SOME content. With my content it was only about 4 or 5 things out of the 15 or so they have on their site and I didn’t check anyone else’s stuff but I have heard other creators say the same thing. So of course they’re not going to show up in the top 5 if it’s only SOME links.

But wait, there’s more.

Anyone downloading from their website without an adblocker is forced to wade through potentially harmful ads as well. Notice the blue button that says “download” at the top? That’s not a real download button and if you click it, it will instantly begin shoving pop ups in your face claiming you have a system error or that your local law enforcement agency has detected illegal activity from your IP. Yes, I clicked it. There is nothing of importance left on my HDD (it’s all stored safely on an external drive that isn’t connected to the PC at all) because this drive has been slowly dying for weeks and I’m destroying it tomorrow and replacing it with a brand new one, so I decided to take a chance.

These ads, which are on pretty much every page of Simsdom, are what’s called “Ransomware”, and it’s whole purpose is to distract you with fake pop up “warnings” when you click on it so that you don’t realise it’s actually downloading a very harmful file to your computer in the background. It’s designed to be next to impossible to close the pop ups, so that even if you somehow became aware of the download happening, you couldn’t get past the pop ups to stop it before it’s had time to finish downloading and automatically begin running it’s payload when it’s done.

What payload? That’s the scariest part, you won’t know until it’s too late. It could be something as simple as a trojan that will force your PC to mine bitcoins, which is still harmful because these mining trojans are resource hogs and put a massive strain on your CPU. Or a trojan designed to target and encrypt specific files on your computer (usually sensitive ones) and demand you pay a literal ransom (usually either in bitcoin or pre-paid cash) and if you don’t, your files will either be complete erased or leaked.

Or worse still, it could be something even more sinister such as a key-logger; a piece of spyware that is designed to track and log EVERY. SINGLE. KEY. you touch on your keyboard. So every password you use, every online banking key code you enter, all the conversations you have via Discord, Twitter, Tumblr, or any other form of instant messaging, that fanfiction you’ve been working on that you are too scared to show anyone in case they think you’re a pervert, your credit card and bank account number you use to shop online, what porn you look for, even your Google search history (regardless of if you’re incognito); all of it will be no longer private and in the hands of someone who could use it to steal your identity, empty out your bank accounts, charge thousands of dollars worth of goods to your credit card, or expose every little strange thing you do on your computer that you thought no one would ever find out about, unless you pay their ransom.

Scary huh?

Also notice that those Get Famous recolours I made don’t say that they actually require Get Famous? Why is that a problem, you say? For most people it’s not, you see “Get Famous Recolours” and you automatically know you need Get Famous to use them, but what about people who are new to using CC and don’t know that for my recolours to work you need the pack they came from? Yeh, that’s a problem, because that particular download is one of those ones that leads straight to SimFileShare:

It leads directly to the merged file, which is NOT the only file available for download in that set, just the largest. But no one who finds my content on Simsdom will ever know that will they? Nor will they read the part of the download page that clearly states Get Famous is required to use the recolours.

I hear you saying “But adblockers are a thing”. Yes they are, but that doesn’t solve the issue of them linking straight to the file. And also, here’s what happens when you try to download something from Simsdom with an adblocker enabled:

You’re forced to wait 180 seconds before the download button appears. THREE WHOLE MINUTES in which you cannot move from that page or the counter will stop, and it will only restart when you go back to that page and stay there for the entire three minutes. Even Adfly isn’t that gross.

So, all of that isn’t enough to discourage you from using this vile site you say? Well, let me introduce you to the person/people who run the site. There are plenty of examples floating around Tumblr of how disrespectful, arrogant, immature, and disturbing the owner/s are (just search for “Simsdom” and you’ll see) but here’s just a few posts showing “receipts” of what happened to creators when they ask for their content to be removed from the site: Here, here, and here.

They have threatened to doxx several creators, tried to blackmail others, threatened to shut down some people’s sites, and even actually refused to remove people’s content unless they say “please”; as though these creators are six year old children who need to learn a lesson for not wanting THEIR content on someone else’s website!

All of this was said AFTER they made a post on their Tumblr saying they would respect creators wishes to not have their content on their site. I myself had a run-in with them as well but I don’t have the receipts because as soon as they finally agreed to remove my content (after almost 4 days of arguing with them and being threatened several times) they blocked me... and they continue to share my content to this day. That’s part of the reason why my motivation to create has been so low lately; I know its just going to end up over there, locked behind a paywall making money for these disgusting people and tricking simmers into thinking they have to pay to access my stuff.

But back to the story! Once they realised 99% of Tumblr creators — the people they get most of their content from — were going to ask to have their creations removed however, they changed their mind and instead started refusing to remove content. In fact, if you go to their website and use the contact form and choose the option “Remove my Content” they literally ask if you are Tumblr creator or not, and if you say you are, this is what you get:

And that “Our Rights here” link? That leads to this nonsense that literally contradicts itself with almost every single sentence:

“Creations can’t be uploaded without the creators permission... but we do not need permission to share your creations” “Feel free to contact us to ask to remove your content... but actually don’t bother contacting us asking to remove your content because we won’t” “SimsDomination is a free website... We don’t steal any content... *literally has other people’s free content locked behind a paywall and charges people membership fees to remove said paywall*”

And as for the EA terms part... I have news for you Simsdom, YOU are the only one breaking EA’s terms of use by putting content behind paywalls. I’m an EA Game Changer, I have actually read the terms of use AND spoken at length on the topics of earning revenue from CC, and why paywalls/memberships/exclusives are against EA’s terms of use with the Sim Gurus, have you? Didn’t think so.

If you had, you’d realise that we are allowed to earn revenue from our CC by having ads on our blogs/sites provided they aren’t deceptive — you know, like that ad with the big blue button you have that shows up on every single page of your site — and don’t lead to anything malicious, which yours do. I clicked several of the ads on your site and they all either lead to disgusting 18+ websites, started producing ransomware pop ups like I described earlier, or tried to download a mysterious file called setup.exe to my computer (which was most likely a trojan as well). We are also allowed to earn revenue via donations and Patreon early access systems provided the content is also made available for free to the general public within 14 days.

We are not, however, allowed to lock content behind Patreon exclusives, memberships and paywalls such as Adfly; which is exactly what you are doing. Like Adfly, you are not only potentially exposing underage children to 18+ content and risking the safety of people’s PCs, but you are also forcing them to wait to click a link and charging membership fees to avoid having to wait to download said content that isn’t even yours; content that you have been asked REPEATEDLY to remove. That is the very definition of a paywall. It is NOT the same as Pinterest or Facebook AT ALL, they might have ads but they aren’t malicious and they do not force people to wait to view content.

- UPDATE -

In reference to Simsdom’s response to this post, this is probably one of my most favourite Simsdom lies, because it never changes but it’s so easy to prove false! “Users don’t need to pay to download any content and don’t need to wait to download them” Oh really? Shall we take a look at your site on the old SimilarWeb that you love so much?

How strange. If you don’t make people wait, then why do you need adfly? And if no one has to pay, then why do you need premium memberships to get rid of the ads and wait time you don’t have? Odd.

Also, lets talk Adsense. I never said I had a problem with you having ads on your site; I said I had a problem with the TYPE of ads on your site. If you seriously don’t think your ads are in any way harmful, I’d suggest you take another look at your Adsense, because either it’s been hacked or you seriously don’t know what you’re doing. Oh, but that’s right, “Google will never display suspicious ADs“... Mmm hmm, you just go right on believe that. Yeh, it’s definitely not possible for Google to be hacked... Nope, definitely not.

Also, if you use your Adsense revenue to pay for your site.... what happens to the extra? Because based on your SimilarWeb page I can take a rough guess at how much you earn every month through Adsense alone and there’s no way your site costs that much to run. For that matter, where does all the extra revenue from Adfly, Short.st and this mysterious “other” go? And all the revenue you get from your premium subscriptions that you totally don’t charge people money for?...

Is that fish I smell?

You are not doing anyone any favours here, so stop pretending that you’re in this for anything other than money. Stop sharing content you’ve been asked REPEATEDLY to remove/not share and breaking EA’s and many creators TOUs!

If you’ve managed to make it this far, congrats lol I know this has been long and probably boring but thank you for taking the time to read the whole thing. All this post was meant to do was explain why people should not support Simsdom, and why I’m so disappointed in other Game Changers for promoting it, but it kind of got away from me a little.

Oh well, now you know what Simsdom is and why I will NEVER support them or willingly allow my content to be shared on their site. And if you do decide to still use their site, just... please be careful. My content will always be free and safe to download, just like the majority or CC creators here on Tumblr. Don’t pay for something you can get for free from the original source.

Also, if you’re looking for a Lana replacement (aka a good CC finds blogs that isn’t shady af like Simsdom) check out @maxismatchccworld!

- UPDATE -

This isn’t in relation to anything specific, just the situation as a whole. It seems Simsdom has just removed the search box from their website completely:

I’m sure it was totally legit reasons and not at all because they didn’t want anyone searching for their own content on the Simsdom website. Just like it wasn’t for that reason the last time too...

#VERY IMPORTANT #DownWithSimsdom #Boycott Simsdom

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karinzany · 4 years ago

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Tagged by @silvadour (thank you for the mention and sorry for the late reply).

Why did you choose your url?: When I was in 9th grade, all of the guys in my class were playing League of Legends. So I caved in under peer pressure and installed it. I had to make up an original username, so I chose something that sounded whimsical but was still similar to my real name. Since it's so weird, I can use it everywhere, because no one has copied it. (Btw, I only played the tutorial, it was too boring for me)

Any side blogs? Nope, everything goes in this one. It's mostly One Piece or other anime, so it's cool.

How long have you been on tumblr? According to the archives, my first post was on August 15th 2015, but it feels like it's been less time, honestly.

Do you have a queue tag? No, I don't see the reason to do that. I just log in, reblog 20 posts in a row, and sign out.

Why did you start your blog in the first place? I've noticed tumblr is a great place to find fanart and fanfiction of my favorite series, so I started a blog just to archive the things I like all in one place. I don't usually post original content, but when I do, it's One Piece related.

Why did you choose your header? Cool group shot with the Strawhats looking badass. Never found out who the author was.

Why did you choose your icon? Because Jinbei became an official member of the crew and I love him, so I edited one of his pictures to match my header. My previous icon was also Jinbei.

What’s your post with the most notes? I Unfortunately, it's a collage I did in 2018 with the "The One Piece ships that aren’t canon yet". When I get notifications, I cringe internally, but it's a reminder that I've grown older and wiser.

How many followers do you have? Right now, 679. Not sure if they are all "real", but I'm not gonna check.

How many people do you follow? 3988, and counting. It's never enough.

Have you ever made a shitpost? Yes, mostly One Piece memes.

How often do you use Tumblr? Everyday I'm tumblin'

Did you have a fight/argument with a blog once? Nope. I have no idea who anyone his.

How do you feel about “you need to reblog this post”? I fucking hate it. I actively avoid reblogging those. I came here to have a good time, not to be guilt tripped into reblogging something I don't even care that much about.

Do you like tag games? Do you like ask games? I like them, but it depends on the subject. I ignore the ones that make very personal questions. I prefer the ones about a particular fandom.

Which of your mutuals do you think is tumblr famous? Probably none, let's be honest. I also don't know who the famous users are.

Do you have a crush on a mutual? As I said before, I don't really know who these people are. But I feel proud when my mutuals reblog my posts, I'm like "thank you for the validation, bestie".

Tagging: @blueboltkatana @biscuithead20 @tevali @aster-ria @pancakeitaliano @useless-bi-otch @ii-luffy-i

#tag game

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freebooter4ever · 4 years ago

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i’ve seen the discussion going back and forth on boundaries and sexual objectification, and i don’t have much to add to the conversation other than to say everyone is allowed to determine their OWN ‘lines’ and just because we don’t vocalize them doesn’t make them any less valid. but here’s the limits i set for my blog if anyone feels it is important for them to know (<3):

personally I consider ‘characters’ fair game for anything goes, with ‘public personas’ a little more iffy. ‘RPF’ isn’t new - it just takes on a new more accessible/visible form nowadays. i remember reading my first fic about a ‘real person’ back in my LOTR fandom days - it was a story in first person perspective about the main character meeting orlando bloom on a plane before he was ‘famous’. like a lot of these types of stories, it wasnt so much about the person as it was about the meet cute. the actor was just a convenient placeholder with a handsome face and some personality quirks thrown in to make the romance/dialogue more specific. i personally dont read much xReader fic nowadays, but mostly only cause i’m an old fart who can’t relate to the ‘you’ format. i miss the good old days when people actually created OC’s and then inserted them into things LOL. but also LOL if you think i’ve gone an entire year of quarantine without some imagined personal fantasies of joe mazzello (or steve aoki in the years before)(ramilicious can attest to this. she can also attest to most of these fantasies ending in friendship rather than anything explicit cause that’s just how i roll these days lol). the line i draw is i would never post these types of fics in a place where the subject could accidentally find them - you have to go looking for this stuff on tumblr, most fics are given explicit ratings and under read-mores. with the blacklist tags it’s pretty easy to filter things out. its even easier to add filters to ao3 searches. i am NOT going to do something like message steve aoki and say ‘yeah i watched that movie Ibiza like five times, here is my 1k fic where you’re the dj and i’m the one night stand’. but obviously people still enjoy imagining scenarios like these otherwise movies like Ibiza wouldn’t exist?

for art, i consider anything already on display up for grabs, we all know a certain person’s ass is all over the place...all you have to do is google ‘need for speed’ and rami’s name. HOWEVER, in the case of actors i personally would not draw anything more explicit than what’s already there. i’m not gonna draw full frontal nudity for rami (unless he gifts us with it in a movie, i suppose) or anyone. this is 100% a personal choice for me.

i was a sophomore or junior in college when i volunteered as a figure drawing monitor where i’d time the nude model’s poses and help them set up the stage and lighting and such. there was this one guy in his mid forties probably, a regular who came every week, and i always thought of him fondly till one day (the day after i ran into my Hot Programming TA during dinner and later sent him an email begging him to go on a date with me because i was desperate for kissing experience)(and Hot Programming TA emailed me back within minutes saying yes) this artist guy who i saw all the time and thought i knew fairly well, decided to draw me instead of the model. which would have been fine except he drew me naked. i was NOT naked at the time, i was wearing a shirt, and a bra, and a full prairie skirt with alternating calico and floral patterns. he drew what he imagined was underneath all that. he came up to me after the figure drawing session and showed me his drawings and told me i had been ‘glowing’ and my response was to laugh it off awkwardly and get the hell out of there as soon as i gave the model their pay check. but inwardly i was thinking a) i was NOT glowing for this creepy man twice my age and b) i did NOT give him consent to sexualize my body under my clothes and then SHOW me that objectification. i never said anything to him or anything else, i continued to be the monitor, and i continued to field off creepy advances from him including multiple job offers, but when i finally realized i could just...stop..and i passed the student volunteer monitor job on to my friend naeem, i also realized that what that older male artist did was NOT ok in my book. and it was probably not something he would do while naeem was monitoring.

nowadays im working in an industry that regularly objectifies female bodies. in the past year alone i have had to deal with requests to make breasts bigger, i have been given character rigs that in addition to the usual elbow, knee, and spine joints also have ‘nipple’ joints but ONLY for the women (to make them jiggle for animation), every time i send out a female pose i get it back with notes that push it further into the sexy type of body language reserved for women (twist the spine more! sway the back more! give it ‘energy!’), i have been told to erase wrinkles and fat and pores but ONLY for the women (men you ADD pores bc realism! and manliness!) and this is all me working for a company that is actually fairly progressive in terms of sexism compared to OTHER studios.

like it or not, sexual objectification is a huge part of specifically women’s lives and how we react to that is our business. for me, turning the tables and putting men on display feels like fair’s fair. i cant stop the men from doing it, so if i want to enjoy sexualizing male bodies, damn it im gonna! like dang it, boy do i want to send steve aoki a thank you note every time he posts a video of himself doing those ice baths during the sunset golden hour bc holy shit gorgeous or working out in his gym wearing VERY little clothes, but i dont because i know what its like when someone imposes their personal fantasies on the subject. or, god, there was that time i had to unfollow nicole’s insta for a while bc i had a very explicit dream about her and realized, shit, i need to take a break and get my emotions under control before i can refollow. and god some of the stuff i see dudes sending her during her live videos on mental illness/meditation is TOTALLY gross and not something they should be confronting her with. and she’s not even ‘famous’ famous. or how some fans send their idols explicit direct messages without consent. THAT feels inappropriate to me.

a part of me feels like i shouldn’t have to defend this. men don’t. they’re even encouraged in mass media to sexualize women. but i also recognize the importance of talking about consent. the importance of recognizing that a celebrity deserves to have their boundaries respected. these are my lines in fandom. other people have different lines they won’t cross, and that’s okay to me. i block or blacklist any blogs or tags i think go over the top.

heck, even in fandom-only spaces i still try to keep my own more sexual fantasies off this blog and only in private messages with my friends and mutuals, and i feel like that might come across as unintentionally prudish or judgmental sometimes. i’m not ‘horny on main’ very often. but like...every time i reblog that particular ‘washing machine’ gif of joe mazzello am i thinking about him naked and thinking about how he’s got very loooooong feet, and ‘gee i wonder if that means /other/ things are Too Big for my tastes’ but also ‘gosh wouldnt that make a pretty picture to draw’???? hell yeah.

i dont know who is gonna actually read this essay but yolo i guess :)

#journal shit

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yandere-ac · 5 years ago

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I love your blog so much!! 💞💞💞💞 If you want to, maybe a yandere K.K. Slider 🥺👉👈

Yandere K.K. Slider X Reader

Star

(There were two requests for this but I accidentally deleted one because I’m a dumb fuck)

C / O/C = Coffee of choice

K.K. Slider was not your average dog. You see, he was a world famous celebrity who was popular for his music. He was a dog who had it all yet...had nothing. He had money, fame, friends, fans, people throwing themselves at him! But he’d never really felt happy with any of it. Because of his fame, people put him up on a pedestal. And become of THAT he couldn’t interact with anyone like a normal person. He was always THE world famous K.K. Slider to these people, not ever just K.K.

But he had to accept it, if he didn’t he’d have gone depressed by now. At least he wasn’t famous for doing something proper, then people would call him stuff like “Mr. Slider” good lord, then he would DEFINITELY be depressed. But still, he did have some close friends who treated him like an equal instead of some star.

In a studio not far off, a cat with fluffy white fur was storming around, checking so that everything was in place. He was wearing a white checkered muffler, topping it off with a brown paperboy hat. “Mic? Check! Guitar? Check! Amplifiers? Check! K.K.?...god damnit- where the hell is he at?” The felines tail whisked in annoyance as he pinched the bridge of his tiny, pink nose. “Umm...we don’t know sir-“ “stay here I’ll get him. Make sure everything’s in check, CRACK ON EVERYONE! ...this dog is going to be the death of me” He mumbles the last part under his breath as everyone around him continued to unload all of the equipment, walking at a brisk pace he was wondering how he got into this situation. The cat looked all over, in his lounge, all over the studio, he made multiple calls to him only to get no response. He knew that there was only one place left where he hadn’t looked. The roof. “God damnit Tota...” and so he climbed up the studio latter up to the roof, and sure enough. There he sat. Totakeke Slider.

“The latter again? When are you actually gonna climb like a normal Cat?” The white dog said, staring off into the distance, not turning around to look at the cat behind him. “Really Totakeke? The roof? What is this, the third time? Ye can’t just bunk off work when there’s a rehearsal about to begin” K.K. felt himself chuckle as he turned around to look at his frustrated friend. “Wow, three times now and you’ve yet to look up here first” he smiled, making the cat tense up. “Uh!- don’t change the subject! You’re the one who’s not at his own bloody rehearsal!” He approached his friend only to be pulled down to the ground next to him. “Chill out daddio. It’s in two hours” K.K looked out over the sky, letting out a wonderful sigh. “Yeah? And ye are supposed to be practicing! What happens if ye forget the lyrics? If ye forget what to play?” “Seamus” “if ye mess up the song?” “Seamus!” What if-“ K.K. grabbed ahold of his friends face, mushing his cheeks in between his paws. “Dude, chill out. I’m not gonna forget the lyrics to the songs. I wrote them!” K.K. said, letting out a little laugh at his agents spastic behaviour. Seamus face got light pink as he realized that he was rambling. “Ah yes of course...I’m sorry” K.K.s muffled laugh was now more amplified, he patted Seamus on the back as he did so. “No worries, I just wished you didn’t stress so much. I’m tellin ya, everyday I swear I can see grey hair on that scalp of yours” “dONT YER EVEN JOKE ABOUT THAT TOTA!”

“Alright people lets wrap it up! Ye did good today!” K.K. was walking off stage when he heard the gentle pats against the floor, he knew who was approaching him. “What’s happening Shimo!” He turned around to greet the little penguin as she ran towards him. “O-Oh! Did you hear me? K.K.?” She asked, very much startled about the musicians ability to know she was coming. “The whole studio hear ye lass” Seamus was quick to reply as he helped the others with carrying all the equipments. “Ah! I see...eheheh” Shimo gave a sheepish smile as she scratched her neck. “Heh, well did ya need something butternut?” K.K. asked her. “Well...I was gonna ask...after the next show, would you maybe give two cans of yours private autographs?” She asked, twiddling her fins together. “Of course I can! I love giving fans autographs! Who are they?” He asked excitedly. He always loved giving back to his fans, back when he wasn’t as popular and more of a freelance artist he didn’t even make people pay for his music. But that was then. Now his agents where always pushing him to capitalise on his fame. So nowadays he always took any chance possible to give back to the ones who took him as to where he is now. “Well, they’re two kids, one of the is a boy. His name is joji, he’s a five year human and the other one is a girl, kim, also five and a human” “A human?! Hah! Haven’t seen me one o’ those for quite some time!” Seamus was, once again, quick to quip in. Was that true? He was gonna meet not one but two humans? He’d seen many humans before at his concerts and he’d met a few of them but it was always so interesting to see them. Because for every human there was at least 4 animals to accompany them. It was just much rarer to be a human than to be an animal. “Well I would love to, and I’m sure we can made time after the show right Seamus?” K.K. and Shimo turned to his agent whom only responded by looking at the pair with a displeased look. “Well...I guess if they’re willin ta stay for a while after the show than sure, I don’t see a problem” this made the penguins eyes light up. “Oh thank you guys! They’ll be so happy to hear this!”

“Ahh it’s nothin lass. But uh these kids, they’re gonna have a parent accompanying them right? We don’t want two little children runnin’ around our studio without supervision” Seamus said walking towards the two. Shimo gave him a smile. “Yes! They’ll be accompanied by a family member! Don’t worry they won’t cause any trouble, Joji is an angel” Shimo assures the cat infront of her. “Right, right. Well, again, then there won’t be any trou-“ before Seamus could could finish his sentence, Shimo tackled him into a hug. And soon after that K.K. let out a small chuckle as he took the annoyed cat into a side hug. “Oh thank you Seamus! Thank you thank you thank you!”

“Agh! Get off me! Quit laughin’ Tota before I smack yer face off!”

“WE LOVE YOU K.K.!”

“DO BUBBLEGUM K.K.!”

“K.K.! K.K.!”

“Thank you! Everyone! I love you all! You’re all amazing!” The sound of his adoring fans was almost ear deafening, but he wouldn’t have it any other way. He loved each and everyone of them just as much as way back when he had about 30 fans. He still remember the day when he blew out and gained a large following, he remembered how happy he felt knowing that people enjoyed his music. And still today he loved his fans. Even if they were a little...intense. As he went backstage a white arm clung around him by the shoulder and he was walked away from all the noice. “Alright so you go change, tidy up, drink some water, just freshen up. We’ll get the wee lad and lass in `ere shortly alright?”

“Okey, thanks Seamus” The star said, walking to his lounge. This had been a good show, or at least he felt so. After washing off and chilling for a while he went out of his lounge to find Shimo. He opened his door and-

“Agh!”

Oh no. He hit someone in the face with the door. He ran out to help whoever he hit. “Oh my god are you oke-“ he stoppped himself before he could even start. Looking at the person before him, It was a human. They were rubbing one spot on their forehead bending over. “...uh...oh! Are you alright? I didn’t mean to hit you? Do you like...need ice?” The human groaned as they rose up again to meet his gaze. “No no, it’s- it’s alright I just- I got scared by the door suddenly just swinging open. It’s okey really” they looked at him and...my god. This human was very cute. Suddenly, a second smaller human popped out behind them. He was grabbing the fabric that surrounded the older ones legs with one arm while the other one was surrounded by a red cast. And then a thing small human ran out from behind the first ones legs and looked at him with big eyes...oh!

“You’re Kim and joji right?” He asked looking at the small girl and boy. At that they let out a little gasp and nodded. They boy seeming less shy. “Well, do you want an autograph little dudes?” He said as he crouched down to be on the same level as the kid. The boy, joji nodded as he ran up to him. K.K. snickered at the kids sudden enthusiasm as he took out a pen and paper. He looked first at the girl. “What do you want it to say?”

“To Kim, from your grooviest pop star ever! K.K. Slider! And then a buncha hearts and starts!” She said very enthusiastically. “Righto” he signed the paper and gave it to her. “Well little guy, what do you want it to say?”

“...to...to my biggest fan, Joji. Rock on, From K.K. Slider” joji said. This kid was just adorable. As he reached out for more paper the boy declined and pointed to his cats. Oh right! K.K. felt a little stupid for not realising that he wanted his cast signed, but he of course signed it. “Now what do we say kids?” The older one said. “Thank you K.K. Slider” the two of them said, as they said this they ran over to him and gave him a big hug. It took K.K. Of guard but he happily returned the hug. After a few seconds he got a bright idea. “Hey, wanna check out the stage?” The kids let out yet another gasp as he said this. “Yes! Please! Y/N can we please go see the stage?” They turned around to look at the older one, seemingly named Y/N. “Well, if it’s okey for K.K. Slider. Then sure. I do have to talk to Shimo about something”

And so the four went towards the stage. Joji was riding on K.K. Sliders back and Kim was happily skipping besides them, holding K.Ks hand. Y/N was trailing behind them. As K.K. opened the door to a bunch of animals running around, none of them really paying any mind to the dog. “Alright where do you wanna go to first? The production team? The stage?” Before they could answer Y/N walked up to one of the agents and tried to get their attention. “Exude me ms. Do you know where Shimo is? I have to ask her something” when the agent shook her head Y/N simply let out a sigh. “I think I know where she is. Hey frans could you show the kids around? I’ll help Y/N out” K.K. said as he helped Joji off his back. The two children followed after the agent as K.K. motioned for Y/N to follow him. “Shall we?”

“Sure”

As the two of them walked, they stroke up a conversation. “So are you a fan? Or just here for your kids?” “Oh well, i wouldn’t say I’m a fan. I do listen to some of your music now and again but this is the first time I’ve been to one of your concerts. Also, Kim and Joji aren’t my kids, they’re my sisters kids. I’m just their sitter for the evening” “Ah yes of course. Well did you enjoy the concert?” He asked as he walked closer to them. “I did. You’re a very talented musician K.K. Slider” “you can just call me Totakeke, it’s alright” K.K. Said with a grin. “okey, totakeke” they relied smiling back at him. They were so beautiful/handsome/stylish. Their lushes hair, their shining eyes, their soft skin. Everything about them, it drove him nuts. He’s never felt this about anyone even if he’s been in countless relationships. This wasn’t your average crush or even love. He wanted to have them. He wanted to cherish them. He wanted to-

“Oh! Shimo! There you are! I wanted to ask you if” the rest of the conversation became blurred for K.K.. He couldn’t focus on anything but them. What was this feeling! It was like a drug! And like every addict, he wanted more. He waited until the conversation was over to approach Y/N once more. “Hey Y/N...I just wanted to ask you if...umm...if you’d like to...maybe like...go out sometime?” God damn it. Why was he acting so awkwardly, he’s usually such a smooth talker but- “like a date? Sure I’d be happy to” at that moment K.K. Could feel his heart explode! “O-Oh! Yeah! Groovy! Well do you wanna meet up at the park at 3?” The two of them made plans to meet and the whole time, K.K. could feel his tail wag more and more violently. He couldn’t wait until 3 tomorrow.

Where were you!? Where you not coming!? Oh god he scared you off didn’t he? He really didn’t want to do something drastic but if you’re not gonna show up he might have to go against his rules. But just as he was considering doing something crazy he heard the sound of footsteps coming close. “Hi! I’m so sorry I’m late! Traffic was holding me up” It was you! You had arrived after all! “Oh! No worries daddio. Traffic can be a little extreme around these parts. But don’t worry, where we’re going is not very crowded and it won’t be overflowing with people” k.k. Said, flashing a toothy grin. “Oh where are we going?” y/N asked tilting their head slightly. “Oh you’ll see, c'mon!” With that K.K. Grabbed ahold of Y/N’s hand as they started running somewhere. All while Y/N had no clue of where they were going. After awhile, the pare arrived at a cozy little establishment called “brewsters coffie”. As the two walked in, K.K. grabbed Y/Ns hand. As they opened the door, the bell on top of it made a little sound. “Yo brews!” K.K. Greeted the bird behind the counter. “Hello K.K. who’s the lady friend?” The bird, Brewster, asked. “This is Y/N, they’re my date” K.K. responded. “Well you know our couples discount right? Also, it’s karaoke night so feel free to put on any old song” Brewster said going back to cleaning a cup.

“Alright so what do you want? I’m gonna take a (C/ O/C)” Y/N said as they sat down in a booth. “I think I’m just gonna have a latte” K.K. replied. And so, the two ordered and waited. As the date progressed both of them engaged more and more in their conversation, telling each other about them self’s and asking about each other. “So yeah, I started singing way back when I was just a lil pupper. It’s been my passion ever since” K.K. Said resting his chin in his one paw. As he looked at Y/N, the only thing he could think of was how amazing they were. Not only were their looks stunning but they were so interesting. Anytime they told him about something of themself he could feel his heart skip a beat. He wanted this human all for himself. If only there was a way for him to keep them. “Yeah, it must be cool to be a super star, practically everyone knows you. It’s silly really but...well I’ve always wanted to be a singer. I’ve written some songs but none have really ever gained any attention. I figured that I didn’t have time to try and get recognition right now. I got a job and such” Y/N said sheepishly, as if their dream was dumb. “Wait, stop the press. Say what? Can you sing or do you play instruments?” K.K. asked, even more excited now. If Y/N sang, they were a package deal. “Well, I do know how to play a few instruments but I mainly sing.” OH. MY. GOD. “Well come on! Show me what you got! Let’s do some karaoke!” Without giving his date a chance to respond he quickly grabbed ahold of their hand and booked it to the karaoke machine. “What do you wanna play? Good ol Brewster has a lotta songs and artists” Y/N thought for a moment before they lit up. “Oh! Does it have the ink spots? It’s a little old but I like the vibe of their songs” Y/N said as they typed in the song of their choosing. And luckily enough, it came up. ”Nice! Do you wanna do it on duet mode?” They asked him. In which he happily agreed. They started up the song and let the first line of text appear with the song.

“I don’t wanna set the world on fire...I just want to start a flame in your heart...” K.K. started, soon the timer ticked down for Y/N to sing their part. “In my heart I have but one desire, and that one is you. No other will do” as Y/N sung their first part. K.K. Could feel himself almost explode. Their voice, it was smooth as butter, yet soft and clean. He loved it, it was amazing! He wanted to only hear that voice! The two of them sang through the whole song. And then another one. And then another one. They say there for 40 minutes, just singing. Getting lost in each other’s eyes. After some songs they sat back down at their booth, having a breather as they were both exhausted. “Wow, Y/N your voice...it’s...it’s angelic! You should absolutely do this for a living!” K.K. said eccentric. “Oh stop it you” Y/N said bashfully as a light pink blush appeared on their face. “No I’m serious! You’re voice is so good! I wish you would get more attention....wait! I got it!” K.K. Exclaimed as he grabbed a hold of Y/Ns shoulders. “I’m about to go on a tour soon, why don’t you follow with! That way you can gain attention to your singing and we could maybe continue this relationship!” K.K. said happily. “Oh...I don’t know Tota...isn’t it a bit soon?” They asked in return. “Maybe but what’s life if you don’t take any chances, imagine it! You could become rich and famous! If you ever feel like backing out you can totally do so as well!” He wanted them to join him so desperately. If they didn’t say yes, he might have to trap them in his tour buss...

“Okey! Let’s do it! I’d love to tour with you Totakeke!” They’re eyes lit up when they answered.

Yes! Finally! He had a way of keeping them with him for a couple of months. And by then they were absolutely gonna fall for him! It was a perfect plan! His fans would love the two of them and if they ever tried to break up, his fans would peer pressure them into getting back together with them! It was the perfect plan! Oh Y/N! The tour was in a couple of weeks but he couldn’t wait until then! The idea of you being trapped with him. With nowhere to run to, it made his tail wag.

#yandere #yandere acnh #acnh #k.k. slider #yandere k.k. slider #animal crossing x reader #animal crossing oc #yandere animal crossing #tw yandere #tw swearing #tw controling

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derireo · 5 years ago

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a3! as part-timers

I FINALLY FINISHED IT AGAIN. Thank you all for being patient with me because I really liked these headcanons and Tumblr just decided to delete them all <3

WARNING: rookie Chikage Utsuki will be included! (this means spoilers for Act 5 are present throughout).

It's canon that Sakuya works with Misumi, but I have no clue as to what their jobs are. Let's safely assume that Sakuya works at a cafe! His bright disposition and cheerful smile is bound to put a smile on customer's face, but he's a little clumsy when it comes to making drinks so his co-workers always tell him to stick to the cash register. It suits him anyways, being able to talk to different people of different walks of life. He mostly works in the mornings, only after he manages to get Masumi to school on time. He is a customer favourite no doubt, and he brings in a lot of tips for all of the workers to share! Many of the children that come by love him, and especially teachers who are running late to work deem him the sunshine in their life.

Masumi would work at a music shop. Not to be obvious or anything, but music is possibly one of the only constants in his life and he grew a deep bond with it while staying alone at home for most of his life. So when he manages to get a job at shop in inside Veludo Mall, he's ecstatic. Although he gets to spend less time in the dorm (which means less time with the Director), Masumi absolutely loves perusing the endless aisles of music cds, vinyl records, posters, and so much more. He's also very diligent at his job, organizing things perfectly and on time and even helping out customers even though he doesn't really want to. His coworkers grow so fond of him to the point that they let him listen to his own music while doing his job, headphones on while he reorganizes things on the shelves.

I don't really know what part-time job Citron would have, but I know he hangs around the Veludo markets a lot. He's there all the time, helping out the lovely ladies at their food stalls by actively advertising their products of the day and even charming young couples into buying some trinkets at another stall. His charm is very effective, smile so dazzling and eyes so hypnotizing that you can't help but follow him towards a stall where they're selling handmade mochi or fresh produce. This is all volunteering though, Citron doesn't get paid with money. What he does get paid with is lots of hugs and groceries to bring home to the dorm-- much to the delight of Izumi and Omi! Citron's so popular at the markets that he receives a greeting from every single stall while he passes by. And he never leaves empty handed!

Tsuzuru tends to boast about the countless number of part-time jobs he's had. From gas station worker, to waiter, to library work, he has done a lot of things. I don't really think it's something to brag about because if I had that many jobs I would probably d-word. But working at Mankai as a playwright, that's already his dream come true. I don't think he'd want to work anywhere else when he's writing stories and bringing them to life like he has always wanted and it makes me happy to see that he's living out his dream. If anything, if he does work a part-time job, it's probably to get extra money to spend on his younger and older brothers since he's such a family man. And because his stories bring so much attention to Mankai, Sakyo compensates Tsuzuru very generously.

Gaming is Itaru's part-time job. Taruchi is a mysterious persona who is crazy good at video games and has a soothing voice. The kick is that nobody knows what he looks like and Itaru would like to keep it that way. He's a popular streamer and Let's Player so there's no doubt that he is raking in a lot of cash. How he finds time to juggle an office job, Mankai, and streaming is beyond me, but it is absolutely impressive because despite how lazy he seems to be, he is a diligent worker who is very good at entertaining people. Plus, nobody knowing what his face looks like brings in a lot of intrigue and fans. Itaru always baits his fans that just maybe he'll reveal his face to them, but never does. Everyone loves his teasing and Itaru loves messing with people. One of the top streamers on his platform and he's proud of it. The appearance of Banri's NEO also helps a lot with bringing in viewers. (The extra money he makes is donated to the Mankai fund box)

Not gonna lie, but with Chikage being a spy as well as an office worker, I don't think he has enough time to have another job on top of that. As we saw in Act 5, he worked tirelessly on his computer, rarely sleeping. Being a spy is hard work, and now that he realizes that Hisoka may not have betrayed the organization, he now has to work to keep Hisoka's location hidden from enemies. Can you imagine being an office worker tho.... could never be me. Sry Chikage and Itaru lmfao but that sounds painful. Anyways, if Chikage isn't actively working for the organization and isn't posting on his curry blog, maybe he's doing tech support? He's always sitting at his computer so he might as well you know lmfaoo

"I'm too famous to work a part-time job" he says while at the same time applying to work at a bonsai shop. Who are you kidding, Tenma? Also pretty sure the owners don't really care so he gets the job right away since they're in desperate need of help. Tenma acts kind of bratty as it is his first time having a job that isn't acting, but he gets knocked down a few pegs when he has to carry around heavy bags of soil and nutrients for the bonsai trees. Eventually, he comes to love his job, seeing the owners as part of his family as they take great care of him while he works at their shop. Unfortunately, there will still be those fans who will watch him as he works at the bonsai shop, but Tenma uses it to his advantage, saying that if they want to look a little more, they're going to have to buy a bonsai tree. The owners are like ??? wtf tenma ??? but inevitably, it brings in a lot of business;;;

Yuki would definitely work at a boutique as an apprentice!! Working with different types of fabric and body shapes and frills, god, what a dream come true for him! Sure, making costumes for Mankai is one thing, but those are costumes, not actual clothes you would wear outside on the daily. His skill in clothes is amazing and it amazes his mentor who watches on proudly as Yuki sews something gorgeous every single time he comes to help. And Yuki absolutely loves being there too, getting to work on normal every day people who aren't huge hulking men that manage to ruin their measurements every time Yuki makes something for them. Plus, using this experience from his apprenticeship helps him a lot if he so chooses to go to a school for fashion. I'm rooting for you, Yuki!

Working at a manga store, Muku is absolutely in love. He's already in the Library Committee at school so might as well work somewhere book related, right? The boy was lucky to get the job at his favourite manga shop at the mall, and he doesn't even need to wear a uniform! As long as he wears his employee lanyard and name tag, he is all good to go! Being surrounded with his favourite book series and figurines and posters alike is very exciting for Muku, and he works extremely well with customers who need help looking for recommendations or gifts. His enthusiasm charms everyone he talks to and he becomes a customer and workplace favourite after a couple of days. His avid hobby of reading manga is apparent to everyone he comes across, and when he meets another customer who is just as dedicated to manga as he, they have long talks while Muku convinces them to buy more books.

Kazunari would definitely work at an arts store. Cliche, I know, but he wouldn't want to be anywhere else! Michaels would be a good place to start, but knowing how great he is at aesthetics, I think a paint store would do him well too. Both places would mostly have university students as their workers anyways so Kazunari would fit in right away! Popular with customers due to his enthusiasm with art, Kazunari gets a lot of requests for help when choosing certain pigments and wallpapers for bedrooms and large scale art projects. His knowledge with the subject of art is deep and wide, so he is able to answer any questions thrown his way. He is so loved at his job that when he eventually quits to achieve bigger things, they throw a party for him and all promise to visit and watch his next play!

It's canon that Misumi is a freelancer, which means he works any type of odd job and never sticks to one for too long. The job that he has kept the longest is the cafe one where he's with Sakuya. He actually helped Sakuya get this job at the first place, and when they work together, they're a force to be reckoned with! They bring in a lot of tips together and since Misumi is so quick on his feet and speedy with his hands, there's never a line up for drinks. Everything goes out the door just as fast as they had come in and his co-workers love him for it. He is also very popular for his fanged tooth and eye crinkling smile! Many regulars give him triangles as their tips! And if Misumi isn't working at the cafe, he's helping out as a mover because he's quick and strong (like we saw in HaGT), or he is helping out the local mailman. Because the mailman is growing older in age, Misumi takes it upon himself to help him deliver the rest of the mail so that the sweet old man can go home early. Misumi is always seen running around the neighbourhood with the mailbag!

I know this will sound weird, but I think Banri would fare well as a tutor. Knowing that he can just flip through a textbook once and immediately know what to do, I think it would do everyone good if he helped tutor those who struggle. Although I bash Banri a lot (as a joke) I am still able to see that he cares very much for others. He has rarely struggled in his life and clearly doesn't understand the hardships of the other members when they can't seem to do this or that, so he does his best to put himself in their shoes so he knows what he can do to help others who are struggling much the same. So Tsumugi helps him get a tutoring gig, and he hits it off right away. It's impressive really, how he's able to help students understand concepts they once thought they would never be able to get and it makes Banri happy. Banri is someone who wishes to help others-- he even says that he wants to help Mankai grow by bringing back the knowledge he learns at Veludo Arts. And I don't think he'd need the money, so he donates most of it to the Mankai funds.

Is it cliche of me to put Juza in a bakery? You know, sweets, confectionaries. BREAD. God, knowing how Juza grew up with a loving mom who almost always baked sweets for him and Kumon makes me want to cry. I love them so much. Anyways, he'd be a little clumsy in the back kitchen so I think he would just stick to decorating pastries and mini cakes and all that. It's a very curious thing to watch as a customer, a young, mean looking man scrunching his eyebrows as he puts a smiley face on a cupcake. It's cute. There's also another part of me that wants to see him work as an apprentice for shūji, or traditional Japanese calligraphy. Knowing that Juza studied it when he was younger (and that's why his signature is nice), it would definitely be pretty cool for him to do scrolls and stuff. It's a tough job though, considering the art of Japanese calligraphy is an important thing, and every stroke and word you write counts. It's a beautiful art form though, and Juza could make a pretty penny out of commissions.

After learning about journalling from Izumi, Taichi most definitely applied to work at a stationary shop. He's a bit clumsy with it, but he's got the spirit and that's all that matters! Strangely enough, this is one of the rare times where he isn't actively vying for attention, but for some reason he gets it a lot here. It's not like he minds or anything, but please, ladies, quiet down ^^; He is a favourite in the workplace though since he's so energetic and is always eager to help out customers; especially the old grandmas who are looking for gifts to give their grandchildren. The old ladies love him too, and they pamper him a lot much to his bashful enjoyment. And since his coworkers know that he loves journalling so much, they give him a lot of extra stock to bring home so that he can share it with Izumi and Omi! On a less serious note, he'd probably do public dance battles outside with his friends to get a quick buck.

Man... Omi would work at a bakery too. Most likely he would work with Juza because that would make sense, and both of their presences at the bakery shop would attract a lot of attention. Two, hulking dudes working at a bakery shop? Count me in pls. He'd be the one working at the back kitchen, baking everything and such. I would have also liked to put him in a restaurant, but considering that you can't become a sous chef or even a head chef until years later (due to the hierarchy and training), I don't think I want him to do that. He's already studying to become a business major after all so it would be difficult to juggle two separate things to study for. He would also work great as a photographer, but he doesn't do any taxing jobs unless it's for Mankai or very close friends. His friends always pay him too much, but they insist he keeps the money (which he puts into Mankai funds) and as compensation from Sakyo, the older man lets Omi indulge in buying expensive ingredients for that night's dinner.

Why is Sakyo working so hard? I'm getting worried. He works as Mankai's accountant and is part of the Yakuza; those are already two stressful things to work for. He has so much to do and there's always a lot of plate considering he manages a lot of Mankai with Matsukawa and Izumi, and on top of that he always acts as Mankai's Papa, Accountant, and Grumpy Old Man at the End of the Street. And when he isn't doing anything at Mankai, Patriarch Izumida calls him in for a task to do at Ginsenkai or the area they patrol. He also owns a freakin' diner that is under Ginsenkai's care like?? wtf Sakyo. He works so hard, spends tireless days to help keep Mankai afloat and it makes my heart hurty </3 Sakyo was my first crush so I can't help but worry a little and he's my comfort character whenever I'm way too engrossed at looking at Omi's huge bahonkerz so pls... Sakyo take care of urself I'm begging. Also most of the money he earns goes to his family, and the rest is for Mankai's funds.

Tsumugi on the other hand would stay as a tutor since it's canon! Sure, he has a bit of competition now that he's helped Banri enter the tutoring scene, but he's still got his loyal students to take care of. He is a very diligent worker and is very smart so working out problems is nothing too hard for him. He cares for each and every student he has, writing personalized study outlines for them as well as keeping notes on them with what they're struggling on, what they're excelling at, and even takes notes on their study habits and how long their attention lasts for until they need to take a break. Tsumugi makes sure that he is teaching his students properly and cares for them a lot. If not tutoring, he is helping at the local Veludo flower boutique and is very popular there. He helps create a lot of bouquets with deep meanings, but sometimes those bouquets he makes are gifting to him right after, lmao

Ugh as for Tasuku, knowing how good he is at fixing things, he would be great at an electronics store or a mechanics shop. He has a natural talent at fixing things and I can only assume it's because as a child, he really loved tinkering with items that were laying around the house. Plus, knowing that he has an older brother, he probably had a lot of Gundam sets laying around that sparked his interest in building things. You've seen him fix a lot of things right? To his motorcycle, his car, the television, my heart, omfg he can do it all like wtf. He becomes so skilled at fixing cars that he somehow acquires the skill to soup them up too?? When did those big ass rims get there? Where the hell did those damn hydraulics come from? That sort of thing. God he would look so sexy in a classic Ford Mustang </3 On the other hand, I think he would be great at becoming an acting coach. He might give Yuzo a run for his money.

It's canon that Hisoka has a job, but no one really knows what it is I think. I believe he would be a mattress tester! Remember that backstage story with the All Male Lap Pillow Competition or whatever? Hisoka is basically a connoisseur at all things soft and comfortable because he chose Izumi's lap as the most comfortable. He said it was so soft (god I wish I were him) that he could fall asleep and he did!!! Absolutely amazing. With his picky sleeping choices, Hisoka is able to tell whether this or that mattress prototype is good to go or needs some working on. The benefits to this job is that he gets to sleep a lot too because of course, they need to see if the mattress is good enough to sleep on!! Of course he gets paid in money, but since his managers know that he loves marshmallows, they pay him in that too.

Does Homare really need a part-time job? He's basically a renowned writer, it's just that Mankai seems ignorant to the fact. Tsuzuru and Muku has found a whole bunch of his books in the library for goodness sake so of course he's making mad bank! In HaGT he had a business meeting with a publisher/editor so you can't really tell me that he isn't good at his job because if he's having international meetings?? UHM. Of course he's famous literally what is he at Mankai for? The Found Family??? GOD OF COURSE you can stay Homare I love you so much. But seriously, he is super rich, and because he loves Mankai so much, he helps out and chips in to fill the Mankai funds so that they can stay afloat.

And here we have Azuma. I am not going to lie, but I am very protective over Azuma when it comes to his part-time job. Azuma was lonely for a huge chunk of life, unable to fill the void where his family used to sit in his heart. So he picked up skincare, and then he picked up cuddling/escort. His job in the past was full of false security and fake love that would never seal the cracks in his body, but when he found Mankai, something was different. He felt like he belonged somewhere. Especially after Nocturnality, it's obvious that Azuma has finally found his home. So I don't want him to go back to his cuddling/escort job;;; but if he wants to work again, I think being a skincare consultant would be really good! Since his skin is so flawless, many customers would flock to him for advice and the best products to use. His gentle voice and soothing caress as he rubs cream into his customer's skin is hypnotizing, and he shares his skincare routine with anyone who is willing to spend the time, effort, and money into making their skin look pretty like his.

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superfanficnatural · 5 years ago

Text

Fact, not Fiction

Well it’s been long enough and I’ve decided to just write this all out so everyone doesn’t have to read a series of reblogs and that they can have all the information in one place. Without further adieu *cracks knuckles* let’s get started.

So this entire story between Beka (Impala-dreamer) and Vanessa (flamencodiva) is being told one sided, so I’m here to tell the other side and yeah.

Vanessa had unfollowed Beka, not blocked, unfollowed because she didn’t appreciate the way that she did things and who she is as a person. Beka had messaged her asking why and the entire thing was born.

“I blocked you because you ruined my night, by writing me a 90 page essay on why I’m terrible and called me a Narcissist who only cares about people who kiss my ass.” Now, I want all of you to pay attention to how Beka so expertly framed her message to make her out to be the victim. Vanessa had unfollowed her, not publicly said anything, not messaged her anything because she wanted to keep from conflict and not make it a spectacle. Then, Beka makes a post that includes the above quotation making Vanessa out to be the villain. Beka had asked exactly why Vanessa unfollowed her and she told her why, she didn’t sugarcoat it because if she did, then that would be unfair to Beka. Beka then proceeds to post about it in order to make herself out to be the victim, once again claiming, “You are a very mean, heartless person, and you think the world revolves around you and it does not. Not everyone has to like you.” I had initially made a reblog of that very post including this quote and I had responded with -

“Please allow me to bring to light a situation that had occurred about a month or two ago. I don’t remember exactly what it was, but you had posted something that required follower interaction and after only a single hour, you had ran to the pond discord server and began complaining about how no one looks at your account and your followers don’t like you. From then on, you had gotten a lot of support from a lot of the writers in the pond. I did not want to say this because of privacy, but the fact that you have given zero privacy to Vanessa with this post, I’ve also decided to shed light on something as well.”

This was one of the many situations and events that Beka had complained about her followers. Unfortunately, I have nothing but my own word along with others that have been subjected to or have witnessed events like these. Constantly, I have found Beka complaining about how one of her fic’s flopped, how her followers don’t interact with her, and how she doesn’t like the drama from Tumblr. I think we can all agree with not liking the drama on Tumblr, but when you yourself are creating that drama, it makes it nothing less than hypocrisy. Throughout the entire post of Beka’s response she never explained anything and only told her side of the story - meaning that she is playing the victim. She expertly weaved her web of deceit and left things out on purpose to gain the support of the public so she can have all of the attention. Another thing both myself and MANY other people agree on is that Beka loves attention, constantly posting about things that make people feel bad and send her messages of encouragement even though the very things she’s complaining about, she has started. Allow me to provide some examples.

The fact that she included her almost getting into “two accidents” already makes everyone feel bad for her, getting roped into her web. The repetition of her saying that she’s the “bad guy” implants into everyone's head that she’s pleading. What else screams out “Guys come support me because everyone is making me out to be the bad guy.” Maybe you really are the bad guy, ever thought about that? The “she” that she is referring to is Vanessa and I don’t think I can find a single example of her “terrorism” ever. Oh do you mean when she “terrorizes” other writers by reblogging their stuff with encouraging messages? Is she “terrorizing” her friends when she tags them in a funny gif set? If so wow, she really does terrorize people, you’re right!

This really made me laugh out loud.

Let me start off by reminding all of you that Vanessa is also considered a “big blog” so you going after her for doing everything you have listed here is wrong, but when you do it, you’re allowed to complain about it? Let me also direct your attention over to the hashtag, “I’m out” The sheer amount of times I have witnessed Beka hashtag something with “I’m out” is abysmal. It’s another technique she uses to get people to message her going “oh no please don’t leave!” And what makes me know that for a fact is that every single time she says that she’s “out” I see her responding to asks from people sending encouraging messages. I’m really fed up about it and I just want to share it with all of you who might not be aware of all of these things so you don’t blindly follow and defend her. I used to follow her myself, but when I realized all of these things, I separated myself from that negativity and attention seeking.

The second I had made my initial reblog, Beka had blocked me even though I had said nothing negative and only shed light on something. That shows that she’s trying to cover it up so her image doesn’t get tarnaged. Does this not show how desperate she is to play victim? In this entire little post, she didn’t address a single thing that anyone had responded with and instead found more things to complain about, once again leaving things out to keep her status as the victim.

Now, some people might take what I’m about to say as insensitive but I’m really only stating the facts because I am not appeased by Beka’s self victimization.

#fine if you want me dead, ...who said that they wanted you dead? I apologize but I don’t remember a single person saying that. This is yet ANOTHER way she is trying to get people to go “Oh no! Don’t think like that! Don’t listen to the haters!” It really baffles me how good she is at playing the victim but also at how ridiculous her antics are.

Another thing I want to add in is a post that Beka had made however many months ago talking about how the “SPN Family” was becoming negative and toxic.

Now to be honest, I think that we can all agree with this at least somewhat and I was actually proud of Beka for writing and posting this. That is, until she made it ALL about herself again.

The second that post was posted, many people tried to spread positivity and love to a lot of others by tagging all of their friends and saying that they are grateful for them and that they love them. Beka then posted the picture above. That’s when I knew she really hadn’t changed at all. She’s proving herself that she just wanted attention in that post by saying “Beka who?” Meaning that she wanted everyone to go to either her DM’s, the comment section, or her asks to send words of encouragement as ALWAYS.

The reason this is so long is because if I simply claimed that Beka was an attention seeker, it wouldn’t make sense to have no evidence or even just a single piece of evidence. So I’ve provided many, and trust me, there are more.

This entire thing is simply to educate everyone who is either involved or is curious in the current situation, even though it seems like a diss, it’s really me just exposing Beka with facts, not fiction.

Since Beka deleted my reblog off of her page, I’ll just paste what I said here.

This entire situation really disheartens me.

Let me start off with the fact that Vanessa (flamencodiva) has DELETED her account because of this.

The fact that you came after her for wanting to be Tumblr famous is really wrong and allow me to explain why it is. Vanessa is a close friend of mine and I talk to her almost every single day. She is THE most selfless person I have ever met and is always trying to make others happy even if it makes her sad. She constantly reblogs everyone’s writing to encourage new and upcoming writers, and writers who have been around for a while to spread POSITIVITY. She has never once complained about notes, likes, or follows so I genuinely want to know why you felt the need to say she wants to be Tumblr famous. The only reason she went on anon for that message is because you blocked her so she had no other way of contacting you about why you had blocked her.

She had privately messaged you to keep this between the two of you but you decided to turn it public, which doesn’t make her the victim, it makes YOU the victim. Right now, everyone who have seen this post knows YOUR side of the story but not hers. Yes, she comes across aggressive, but that’s only if you give her a good reason because you had upset either her or one of her friends which she cherishes.

“You are a very mean, heartless person, and you think the world revolves around you and it does not. Not everyone has to like you”

Please allow me to bring to light a situation that had occurred about a month or two ago. I don’t remember exactly what it was, but you had posted something that required follower interaction and after only a single hour, you had ran to the pond discord server and began complaining about how no one looks at your account and your followers don’t like you. From then on, you had gotten a lot of support from a lot of the writers in the pond.

I did not want to say this because of privacy, but the fact that you have given zero privacy to Vanessa with this post, I’ve also decided to shed light on something as well.

Her deleting her account ABSOLUTELY discredits your argument of her wanting to be famous because now she has no account, no followers, no fics, nothing.

I’m not writing all of this to create more conflict, only to further educate a lot of the people reblogging this and supporting Beka and being extremely negative to Vanessa right now. I personally have unfollowed you for personal reasons but I have not blocked you because I do not deem it necessary and I do not encourage negativity. This post really just oozes negativity and self victimization so I had decided to throw in my ten cents. You can come after me for this or not it’s really up to you but I did not write this with the intent to attack or diss, only to educate. Have a nice day everyone ❤

#the low down

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