#I need to come up with some tags but! here's a nice easy verse page
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𝐌𝐎𝐁𝐈𝐋𝐄-𝐅𝐑𝐈𝐄𝐍𝐃𝐋𝐘 𝐕𝐄𝐑𝐒𝐄𝐒 / [ doc ]
CANON. DEFAULT. ( 27+ ) High King Peter rules Narnia with his siblings; for ten years they have expanded the borders of their country and brought peace to the land. Summer has finally set in and the long century of Jadis’s winter is a fading memory. But the giants are on the move in the north, and the last of the White Witch’s supporters continue to cause trouble in the Western Wilds. Charlie Hunnam.
CANON-DIVERGENT. ( 27+ ) Peter and his siblings do not chase the mythical golden stag, and instead remain to rule Narnia, continuing the Golden Age for many more years to come. Having deviated from Aslan's plan, however, their grip on their regime is crumbling, and the rumblings from Ettinsmoor grow ever stronger, luring Peter and his force north. Charlie Hunnam.
CANON. ( 18+ ) The Pevensie siblings have ruled Narnia for barely a year, and though Jadis is defeated, her troops still roam the land, burning orchards, slaughtering centaurs. A young man, barely eighteen, Peter has no experience of leadership, but must rise to the challenge or see Narnia descend into anarchy and violence once again. Toby Regbo.
CANON. ( 18+ ) Set during the events of Prince Caspian. Peter always believed that they would be brought back to Narnia, and is deeply relieved to have escaped the humdrum boredom of his school life. Newly eighteen, he has lived more than thirty years all told, and does not take kindly to being told what to do by a new Prince. Toby Regbo.
CANON. Set during the events of the Lion the Witch and the Wardrobe. Peter is seventeen and tasked with protecting his younger siblings as they flee the Blitz. Falling through into another world was never part of the plan, but the four find their way with Aslan’s help. William Moseley. NB. Peter is aged up but still a minor.
CANON-DIVERGENT. ( 27+ ) When the Pevensies fall back through from Narnia, they find themselves stranded in London, no longer children, and cut off from their families. Unable to explain their sudden age, they try to build themselves a life in the Blitz. Peter joins the RAF during the Battle of Britain. Compatible with 40s fandoms & modern adjacent. Charlie Hunnam.
ASOIAF [ one ]. ( 30 ). with @clutchofmuses. Narnia is a Kingdom far south of Westeros, where Old Valyria never held any sway. After the Dance of the Dragons destroyed the Targaryen dynasty, Princess Jaehaera is sent to wed High King Peter, hoping that any children of theirs might be born dragon-riders.
ASOIAF [ two ]. ( plotting dependent. ) Narnia is a Kingdom far south of Westeros, never ruled by Old Valyria and unknowing of the existence of dragons. Your muse travels to Cair Paravel.
ASOIAF [ three]. ( plotting dependent. ) Peter Hill was raised in Lannisport, the eldest of four children. Determined to protect them after the death of their parents, he enters service at Casterly Rock as a man-at-arms, unaware that his true parentage could be revealed.
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Hi, it's me again, I was wondering if it is okay if I can ask a question? I know you rp a lot and Cat is amazing by the way! I was wondering how you started rp and creating a character, I have made character's before in the past but never rp much, I wanted to find a safe space to try and rp again, (As I have had bad experiences in the past) and was wondering if you have any tips on what I should do?
hello !!! i do know there are resource blogs out there that could also be of use for giving you some advice... but i can't name them off the top of my head so if any lovely mutuals who reads this know of any, please comment on this post !!! but for getting started on tumblr, i would recommend giving the character their own blog. it could be a sideblog if needed, but high-key recommend a separate one because a lot of rp blogs tend to block personals unless they know you have a roleplay sideblog. a rules page to just go over what helps make your experience comfy. this don't have to be long and can be updated as you learn the ropes and figure out your expectations, but giving a smidge of info on yourself ( a nickname and general age ) is smart to have and just general info! and then an about page for your muse! stats are important - age and name and the little deets. when it comes to appearance, personality, and backstory ( lore/powers/species info if character isn't human ), these don't need to be SUPER in depth if you don't have it all fleshed out and ready. some bullet points to really help give an idea of your character is still very important, though, because people need an idea of what your character is like in order to approach them in threads :D honestly those are the main things for getting the blog set up i think! it can be on basic tumblr pages and you can have a basic theme ( recommend still finding a not-tumblr-made theme, there's theme-hunter as one place to look for things! )... whatever is most organized and easy enough to read! if you want to make/use fancier pages and stuff, that's up to you! i use a special page for cat's verses because there's so many, it helps me organize everything lol. graphics and icons aren't necessary. they're nice for the tumblr environment because that's just how most people rp here, but not critical. i'd recommend at least icons if you can get a fc, you can find icons around tumblr as there's a number of rp resource blogs! icons are honestly just fun imo! they make the character feel more special in a way. then just get some things on your blog... aesthetic posts, fc images, tag drops ( tags are very very nifty for rp blogs when it comes to verses and organizing posts like aesthetic, musings, headcanon tags ). uhm... maybe an open or two just to give an example of your writing, and then you gotta be bold and follow people and start reaching out! starting a blog fresh can be hard and a lot of work, but if you love roleplaying, it's a lot of fun once you get in the zone! hopefully this advice is like. somewhat useful. and if any of my lovely friends have any other tips, i hope they leave some things here for you!! good luck, happy to try and answer any more questions if i can !!!
@angelicprincessdestiny
#angelicprincessdestiny#&&. ooc ( an athlete with nerd credentials )#&&. asks ( sometimes you gotta know )
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About/Rules/Verses
Hello, and welcome to my Bofur RP blog. This post is a HUGE wall of text, if you are on desktop and would like to see it a little tidier, please see the separate pages in the sidebar to the right.
Promo Post Found Here
About the Mun
1. Firstly I am over 30, own a house, have a husband, 1 baby, 2 cats, and a wealth of commitments and responsibilities. I will do my best to reply in a timely manner, but will state up front that sometimes life gets in the way.
2. I am in EST and work M-F from 9-5, plus a half hour commute. Please understand that I can not post from work, and will not be posting during those times.
3. In addition, I am Mom to a very active toddler who is my priority over writing and who’s nap schedule tends to dictate when I can post.
4. My native language is English, though I can understand French, and a little bit of Spanish and Japanese. Don’t bank on me carrying on a decent conversation in any of those languages though.
About the Blog
1. When I first set up this blog I didn’t realize that secondary blogs can’t follow back, ask, or submit. My main blog name is Saffity, so if you see that blog follow you, it’s me. If I send an ask or submit, I will mention this blog name so you don’t get confused.
2. My inbox, ask, etc. is open. Please feel free to write me any starters, questions, or whatever.
3. Please send any critiques or suggestions to me. I’ve been on Tumblr forever, but have never really been a poster. If you see me doing basic noob mistakes with my posts that can be easily fixed, please let me know.
4. I will be tracking #yourehomesickiunderstand so please use that tag with our threads.
Mun’s Playing Style
1. I prefer my Bofur straight. I understand Boffins and other ships and have no qualms with them, I’ve been known to enjoy a good fluff fic once in a while, but this Bofur is straight.
2. Please send me an ask or fan mail if you would like our characters to have an already established relationship, I’m totally cool with it. I respond to all cannon characters as known as it shows in the books or movies, but if you are an OC and want something other than a “Nice to meet you” please let me know first.
3. I’m willing to do some fluffies, but not full on smut, if the thread calls for smut (which will often happen), I’ll fade to black when I’ve gone as far as I feel comfortable with. (Don’t worry, I’ll fade when I’m ready, you’ll never get any angry messages from me about going too far.)
4. Bofur here is multiverse, au, indie, whatever you want to call it. I’m sure he’ll fit into whatever crossover or world you decide to drop him in, he’s very easy going after all.
5. I tend to write in the past tense, third person. If you’d prefer a different style, just let me know and I’ll try to accommodate.
6. I’m bad with my images, so bad! I’m still figuring everything out, so if I’ve royally screwed something up, please let me know and I will delete and repost correctly.
7. I am super okay with editing anything I write if it doesn’t jive with your character or where you want the plot to go, please just let me know.
8. I mainly play on mobile, as such, I’m not able to cut my posts down. Please do so whenever you feel the need/want, I won’t be upset.
Head Cannons that go across all verses
1. Bofur has a Northern Irish accent and his hat, always his hat.
2. Bofur has named his hat Bundushathur, which in Khuzdul means “Cloudyhead” and will sometimes refer to his hat as a sleeping rabbit. If Khuzdul does not exist in the verse (like Modern) then the hat is called Cloudyhead and still referred to as a rabbit.
3. Bofur is the everyman, he isn’t special or high born. He is good natured, friendly, and the world’s best wingman, even if it means connecting someone he pines after with someone else. He would rather see them happy and keep their friendship than try to force his feelings on them or lose their friendship because of his pride.
4. The main characteristic about Bofur is that he is unimportant in the hierarchy of society.
Main Verse - The Hobbit/LOTR
Bofur is 4'6" but fairly thin for a dwarf.
Bofur is a dwarf who’s family line comes from Moria. He is of the mining class. He was born and raised in Ered Luin with his brother. Shortly after Bofur became an adult, his parents died, leaving him to raise his brother. Shortly after that, Bifur was injured in an orc attack. Bofur and Bombur took Bifur in, however there were a number of difficult years as they all got used to Bifur’s new personality.
Once Bifur was stable enough, the brothers decided it would be a good idea to head out and find new customers for their skills. They ended up at Bree, opening up a shop to sell Bifur’s fabulous toys, and offer tinkering services.
During their stay in Bree, Bombur got married to a passing female dwarf and moved his overly large family near the shop. Bifur and Bofur live together in living quarters at the back of the shop, Bombur lived with them until he got married.
Bofur travels around Middle Earth, usually west of the Misty Mountains, and most often between Bree and Ered Luin by way of the Shire. He collects supplies, sells wares, and visits many friends and family that are about the lands.
When Thorin calls for assistance in taking back Erebor, Bofur and his kin lock up their shop and head for the Shire.
After the quest they settle in Erebor, though Bofur heads back to Bree to close up their shop and settle accounts prior to settling in for a long life of enjoying his 14th share of the treasure.
Head Cannons that can totally change if my partner is a Bifur or Bombur
1. Bofur’s father was killed in Moria at the battle of Azanulbizar, his Mother died in an Orc attack when Bofur was in his 40s. He has taken care of his brother ever since.
2. Bofur took Bifur in after Bifur was orphaned as well, the three are like brothers, having shared the experience of loss and growing up together.
3. Bombur stopped speaking after their mother died. Bofur’s tried to get him to speak, and has managed to get him to speak sometimes, but usually just small replies and often with much prodding. Bifur and Bombur use the same sign language to speak to each other and those who don’t speak Khuzdul. Bofur takes care of both of them and is the one who speaks to customers.
Modern Verse
High School
Bofur is not popular, though he’s friendly and basically knows everyone. He enjoys shop class, classical music, and historical literature.
Studious and hard working, Bofur can often be found with his nose in a book, when not sitting on the bleachers playing the tin flute he always has on him.
College Student
Bofur is a TA in college. His major is historical literature, and his goal is to eventually become a professor. His passion is delving into historical fanatasy from cultures other than England and Western Europe.
He enjoys learning languages in order to read what he is researching in its original state.
General Modern Adult
In most modern adult verses Bofur is a general labourer, most often a janitor. If he is a teacher, he teaches music and drama.
Ice Cream Shop
Bofur runs a small home made ice cream shop that is part of a coffee shop run with a companion or family member (his partner can be any member of the company). He makes a variety of flavours, and offers lactose and gluten free varieties.
He prides himself on being able to guess his customers’ favourites on sight (like the movie Chocolat).
Marvel
Bofur is a janitor within shield. He can be found on the helicarrier, within the Avengers training base, or basically anywhere the heroes may be destroying things that need to be cleaned up.
While he is quiet and without powers, he has wisdom and a patient ear to lend to those supers who require a moment to vent.
Star Trek
This is the only verse where Bofur stands out. Bofur is a red shirt, but by some miraculous turn of events, he has gone on a number of away missions and made it back alive. Poor Bofur would love to get off the enterprise with his life, and shirt, in tact, but it appears some of the higher officers like to see him lose his mind and suggest him for more away missions, even if only in jest.
Head cannons that exist in all modern verses
1. Bofur and his family are from Northern Ireland, though Bofur travels around, goes to school abroad, and in general can pop up anywhere in the world.
2. Bofur is short for a male - 5'6", with a stocky build, and fairly strong.
3. Bofur’s younger brother Bombur is still at home (or married with kids depending on their age).
4. Bofur’s parents took Bifur in after he got injured during Armed Forces training, as Bofur’s family lives closer to the rehab resources that Bifur requires.
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Night Road quote text dump, because I've been deluging a friend with quotes and want a place to keep them all.
We're a bit like that, yeah:
They direct you to a hulking Malkavian named Severian, and the sullen giant directs you in turn to Gibberish Mike.
Fortunately, it turns out that "Gibberish" Mike is just Australian.
Practical concerns:
"That's it!" Elena says, leaning over your shoulder. "That's his yacht. Oh, and this is all about him. Very useful." She snaps a picture of the email with her phone, then the two of you get out of there before the technician returns. You head down the elevator and then back to Elena's Datsun.
You're so pleased by how well that went that that it takes you a few minutes to remember you're in Arizona.
"His yacht?" you finally ask.
Fun with bungalow ownership:
After a day of fitful dreams, you throw on your leather jacket and engineer boots and get ready for another night. You step outside to check your Integra. A neighbor parks next door in her Ford Super Duty and gives you a friendly little wave. You've been practicing this. You're ready.
"Howdy, neighbor."
"Howdy!" she responds before heading inside.
Fucking nailed it. You're one of them.
This is legitimately how I got the Messy Critical achievement:
You grab a hoe.
You rip through the underbrush with savage efficiency, staying a few steps ahead of the pushcart as Julian scans. You work in a trance, chopping and hammering. Only when you hear Julian shouting do you realize that you're holding a busted length of wood.
The head of your hoe is buried in the beautiful round black door of Prince Lettow's Rolls-Royce.
Raúlblocked:
You head to Raúl's place, but he's not there. You find a note hidden above the door that reads, "Problems in Phoenix. (Jesus Christ has returned? Stole a car?) Contact me right away for major jobs and I'll come back. Already missing you." And there's a ProtonMail address with some of the security contact codes you agreed upon earlier.
But it looks like Raúl will be occupied dealing with the Lord and His automotive crimes, and he won't be able to wander around Tucson with you.
Pattermuster doesn't get paid enough:
"Hello? What? Well, the blood can't be 'everywhere.' Surely that's an exagger—okay—okay, fine. Okay. Okay, I'll get—okay. Five minutes. What? No, Sissy Spacek. No, Sissy—you're thinking of Rosemary's Baby. No, Carrie had the prom scene. With all the pig's—yes, it was Sissy Spacek, I'm sure. That much blood? Jesus. Okay, hold—five—okay, five minutes."
Valid question:
Do they teach ax fighting at Quantico?
Julian Meyer:
"Man, it's been a while," Julian says, leaning against your door frame. "I remember the nights we spent keeping that elder asleep with offerings of blood, the days curled up together in the desert. Wasn't it romantic?"
"That never happened, Julian. You made up our relationship and tried to sell it as a novel until the old Prince of Tucson threatened to execute you." '
"Vampire romance was big at the time," Julian says with a shrug. "And I changed our names. I still don't know why no one wanted to buy it."
Dammit I thought I was done with uni:
"Awful," Dr. Caul says with a little shudder. "But now your real studies can begin."
Your real studies consist of a syllabus (thirty pages) and a trunk full of books (35,000 pages).
"Are you disappointed, Rook?" she says with a little laugh. "Were you expecting something more mystical? A bolt of cosmic enlightenment? A conversation with your Holy Guardian Angel, who would reveal the answers you seek?" She bangs the trunk as technicians get ready to load it into your car. "Get reading."
An enthusiastic boss:
You reunite with Pattermuster down in the morgue, where he's pumping his fists as a thin-blood on a gaming laptop watches with a worried expression because she can't tell if he's incredibly happy or insanely mad.
"Rook!" Pattermuster shouts, his eyes full of Blood, "you did it! You brilliant child, you did it! We're safe. Oh, thank God, we're safe." He pulls you into an embrace, then punches a brick wall because he's so happy, showering all three of you in dust.
I thought that was Finland?:
You catch all sorts of whispered gossip as you cross the rooftop garden.
"Camp Scheffler?"
"Gone. That Outlander courier had something to do with it."
"I heard the Russians helped the SI burn it down."
"That's ridiculous. There's no such thing as Russians."
Pot, kettle:
"Julian," the Eagle Prince says, "you will locate Reremouse with the equipment Vane brought. Once we find him, we will strike shortly before dawn. I have prepared a stake sufficient to pierce even his old hide."
"That easy, huh?" Julian says.
"No, but—"
"Your plan is ridiculous, convoluted, and dangerous," Julian says.
"And you have a better one?"
"Absolutely," Julian says. "We use Stonehenge to teleport him to Mesopotamia."
The must-have appliance:
He's a black outline in the glow of a single yellow bulb... and then the bats descend.
And then the bats get torn to pieces, because Pattermuster pulls his two katanas out of nothing and turns into an undead Cuisinart for a few seconds.
But aesthetic:
Leave it to a vampire to bring a sword to a gunfight.
It is pretty cool though:
"Oh my God," Julian says. "You're going to use the car engine to fling Prometheus into Reremouse's heart."
"Dammit, Julian, I am not doing this because it's fun. I am scrambling for every advantage I can because we only have one chance to stop Reremouse, and if we fail, the Second Inquisition will descend on us like wolves on a wounded deer."
"It's still cool," Julian mutters.
A e s t h e t i c:
The Camarilla looks unkindly on vampires who dress like Elvira, Mistress of the Dark, but what's the point of being dead if you can't look the part?
#JustToreadorThings:
You sleep badly and awaken to an aching and acute Hunger that crowds out other thoughts. But when you approach the Rolls-Royce, you find Lettow and Julian seated on a blanket, evidently in fine spirits. They're holding stainless steel mugs as they watch the last purple streaks fade from the western sky. There's something perfect about the composition before you: the two Kindred in their working clothes with their backs to you, the blue-black clouds, the faraway mesas framing the scene.
"I fear we've lost the Aesthete," Lettow muses. "Luka? Luka!"
It's just good sense:
A lot of keypads use 0911 as an emergency override for police and fire. That doesn't work, but a common default password causes the elevator doors to slide right open.
Change your defaults, people.
They draw the line at 31%:
Not all problems can be solved by putting a brick through a window, but at least 30 percent can.
Descriptive:
That's when your Nissan makes a sound like a bunch of typewriter keys dropped in a blender, and the whole truck lurches to a halt.
Munch munch:
"There are tags attached to all the payroll numbers," you say. "FNMA. PFC. What are they?"
"FNMA?" Antonio says. "That's Fannie Mae. The loan commission. Privatized in 1968. PFC…"
"Pavlodar Fried Chicken," Janet says. "Damn Commies."
Courier what did you do:
When you try to start your Mercedes, it vomits black smoke. That's not good. You kill the engine.
"Pop the hood," Julian says. "I'll get it up and running."
He checks the motor. There's a long pause.
"Did you melt a bunch of cheese in here or something, Vane?"
“I remember crawling out of a Nieuport 20 outside Gibraltar," Prince Lettow says. "The engine looked like that. Of course, ours had been on fire."
"Engine looks like Vane fed a bunch of sardine cans into a paper shredder," Julian says.
Almost!:
So Lettow is cute. I'm going to talk to him and see if he might be interested in a handsome young courier who almost has his own car.
Scientist life:
A beaker of cold coffee on her desk has a pencil in it; she flicks the pencil away and drains the entire beaker, then looks you in the eyes.
Domesticity:
"Wow, Vane," the Banu Haqim says, "did you finally settle down. Where's the wife and kids? Why don't you get me a beer, and we can talk about football and quote some Bible verses at each other?"
I really want to know where the fake werewolf came in:
"...so the whole fucking Cadillac is on fire, and I'm kicking and kicking, trying to get the window to break!" Dove says.
"Right, right, because —" You're trying to follow this story, and it isn't easy.
"Because I'm still handcuffed to the guy who was pretending to be a werewolf, right. And I finally kick through the window, rip half the dead fake werewolf's arm off to get free — I'm out of my fucking mind now, with all the fire — and I finally crawl out of the car."
"And get clear before it — do they blow up?"
"Escalades? I dunno, probably not," Dove says. "But anyway, I'm finally clear, so I run across the parking lot, laughing because I'm just thrilled not to have met final death chained up to that guy. And I barely have time to look up before Lettow comes screaming around the corner in a Ford Bronco with the lights off and runs me over. I was in the wrong Cadillac the whole time."
"No!"
"Two black Cadillac Escalades in the parking lot of the Marriott," Dove says. "How was I supposed to know which one — anyway, that's why I don't get to drive anymore. That's why Lettow wants assholes like you driving."
"Driving what?" you ask. "Because I need a car."
Dove shakes her ugly head. "I'll get you something. Give me a few hours to work on it, and I'll send someone to find you."
Cars are everything:
You still don't know how Julian plans to go from "divert a few funds and data streams from the Camarilla" to "transform the global information panopticon in a way that ends the Masquerade but keeps vampires safe," but he has a nicer car than last time, so he must be doing something right.
Guys please be nice to Raul:
"There appears to be a vampire hunter outside," he says, "investigating your electric vehicle."
"Send your bird to peck his eyes out," Julian says. "I'm not going outside until I find my sneakers."
Cheese?:
Over the next few minutes, you cough up a glorious wad of bullshit involving MKUltra, the Philadelphia Experiment, Star Wars (the movie), Star Wars (the Reagan-era government program), Jackson Pollack's CIA connections, the history of federal cheese, and the secret mastermind behind the seventies gas crunch.
In fairness it's a pretty rare sound:
You're way up in Limberlost, near the mall and the Walmart, when Riga settles on the roof of a Safeway. You reverse into the parking lot in case you need to get out fast and scan the cars at the pumps. It looks quiet. Then you hear a faint ringing.
The sound is musical, hypnotic. It reminds you of your childhood, and for a long time you just sit there in the driver's seat, remembering what it was like to be alive. But what is that sound? What memory from…?
Oh, right.
The pay phone next to the ice merchandiser is ringing.
It's a skill!:
Not every member of Clan Toreador joins their august ranks because of their great beauty or artistic genius. Some people end up vampires because of their extensive knowledge of Adobe After Effects.
Big Pirates of the Caribbean energy:
"I'd kind of like to give Lettow here a horse and a sword and let him tear through an entire police barracks," Julian says. "Tell me that wouldn't be fun."
"One thing I learned from Napoleon," Lettow says, "is that the most powerful cannon is useless if you cannot see your target. We know the location of one small encampment. That isn't enough to start shooting."
"You knew Napoleon?" Julian asks.
"Napoleon was my horse," Lettow says.
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Chapter 19
![Tumblr media](https://64.media.tumblr.com/7054468e52453f7decbced357881b1c1/0b2568560d8761ab-e9/s540x810/8a42f78d43bd3d3f15d0542a564147d3bc877061.jpg)
Grand Masterlist
Series Masterlist
I’m sorry that this is posted a little late today! Lmao I’ve just been super busy with a lot of shit going on. I’ll keep trying to post up more chapters for y’all! I hope you guys enjoy chapter 19! I was gonna put the music video that Johann did of “Treat You Better” in this chapter, but I don’t want to give him more exposure and tag his shit in my story LMAO oops
Previous Chapter
~1 Week Later~
Joel’s P.O.V.
“Hola cncowners!” I smiled at my phone screen as more and more people started pouring in, watching my live stream. I had my laptop next to me playing some music while I waited a few moments, letting everyone get settled in. “How are you guys?” I asked and reached for my bottled water I had off to the side. I took a sip and started reading the comments of what everyone was saying.
“Uh I’m good. I’m just hanging out here in the hotel with Richard, but he’s currently FaceTiming Aaliyah right now.” I chuckled and switched the camera so it showed him holding his phone up to his face and smiling at his baby girl.
I turned the camera back to me and read the next following questions. “The rest of the boys are in their rooms probably sleeping or something, I don’t know.” I laughed. “I just wanted to check up on you guys and see how you’re doing.” I cleared my throat and continued reading the comments that popped up on my screen.
“Um.. ‘Mexico misses you! Please come back soon’. We miss you too! I love getting to travel and seeing new faces everywhere I go.” I smiled as more questions were being asked and I began answering them as much as I can. I turned my attention back to my laptop when a song ended and I looked for another video to play. “Hey, do you guys have any song recommendations? Any songs you wanna listen to?” I asked as I had looked back at my phone screen.
So many song titles came through and I waited until I kept seeing a repeat. I saw a few that told me to react to music videos and whatnot, but I played their songs and answered their questions while Richard was laughing at what his daughter was doing on the other line. “Okay you guys. I gotta head to bed really soon, so I’ll play one more song for you guys and then I’m off.” I smiled.
My good mood slowly went out the window as I saw Johann’s name pop up on my YouTube page with a new video that had been posted recently. I was going to scroll past it until I saw someone who looks very familiar on the cover. I sat there in shock, not quite sure if what I was seeing is true. “Uh actually.. I see something on here that caught my attention. I can stay for one more song after this one. Let me just..”
It’s peaked my curiosity though and I can’t help but wonder what he put out. I clicked on the video and was met with her beautiful face on my laptop screen. I felt my breath get stuck in the back of my throat for a few seconds as I heard Johann’s voice start singing to my girl..
“Huh…” It’s like all the butterflies in my stomach had just died watching his hands on her waist.. his face buried in her hair.. her smile. This doesn’t just mentally hurt, this physically hurts. “Treat You Better.. this is uh..” I cleared my throat and continued to watch Johann hold her close to him. I bit my lip and slowly brought my head down. I don’t know if I can continue watching this.
The way he looked at her made my blood boil and I wished that it was me instead of him. It’s been a few months, but I didn’t really think she would… I thought maybe we can… why does my heart hurt so much?
“Alrights, mamas, papá has to get going. I love you!” I looked up at Richard blow a kiss and say goodnight before turning his attention back to me, smiling. He placed his phone inside his front pocket and sat on the bed next to me. “What are you doing?” He asked as he looked at the video playing on my laptop. “I’m just.. I’m.. watching a music video and doing a live..”
He went silent for a few moments as he looked at who was on my screen. “Hey.. isn’t that – ”
“Yeah.” I cut him off and looked away from my laptop as Johann leaned down close to her face, indicating that there must’ve been a kiss at the end. I cleared my throat and exited out that video. “Okay uh.. one last song before I head to bed. How about we let Richard pick out what we listen to next, yeah?” I pushed my laptop closer to him as I looked down at the comments.
“Hola.” Rich spoke and waved at the camera as the cncowners greeted him. He typed in one of our songs and let it play for everyone to hear. I could feel him staring at me from the corner of my eye as I tried to not think about what I just saw. Richard pretty much took over as he started reading an answering questions they were asking as I got up and walked to the other side of the room.
“I’ll be right back. I’m gonna head to the bathroom real quick.” I spoke as I turned my back towards him and walked into the restroom, closing the door behind me. I’m just reminded of the fact that I can’t talk to her and now she’s in his arms. Then again, this could just be acting and nothing more, but it still doesn’t stop the hurt I feel in my chest. He’s rubbing this in my face, I know he is. Why else would he have picked her and sing that song?
I have to find a way to get the ball back in my court without damaging more relationships and my career that I’ve worked so hard to get where I am. Should I even attempt to fight for her back? I know you shouldn’t give up on people you love, but I don’t know if she loves me anymore. Is it worth the fight?
I walked out of the bathroom as I realized the song was just about finished. “Okay you guys.. it was nice getting to talk to you all, pero necesitamos dormir.” Richard spoke as he saw me walk back out of the bathroom and walk towards him. I put on a smile and waved goodbye. “Buenas noches.” I turned off the live and grabbed my phone, tossing it onto the bed carelessly without another thought.
“Bro – ”
“No.. you know what? This is what I get. I don’t deserve to feel the way I do because I did this. I just wish..” I bit my lip and shook my head, ripping open the blankets as I lied down. “I think I’m just gonna sleep on it…” I heard him sigh and walk around, but was shocked when he sat on the edge of my bed. “She’s moving on..” I softly spoke and brought the blanket close to my face. “With him..” He stayed silent for a few moments before speaking up.
“You still love her?” He asked. “What kind of question is that? Of course I do.” I spoke and gripped onto my blanket. “Do you want that second chance?” His eyebrows scrunched together as my body turned towards him. “Yeah..” I said, looking up at him. “Dude, what are you – ”
“Just answer the damn questions.”
“Why? What difference does it make?”
“’Cause I’m willing to help you pendejo, but only if it means that much to you. Now answer the fucking questions. Do you or do you not want that second chance?”
“Well of course I do!”
“You want to try again?”
“Yeah, but she won’t – ”
“Are you gonna give up on her?”
“No! No, I don’t want to. But Johann said – ” I sat up he kept going. “You want to be able to continue where you left off and grow together as a couple?” The tone of his voice grew a little louder as I became irritated and answered him back.
“Yes! Yes, okay!” I exclaimed and slowly brought my head down, angry at myself. “… But I can’t. I want.. I want to be able to do all of that and more without anything else getting in the way. I want to start over.” He slowly nodded and held up his hands as in question.
“Okay… so the question is, what are you gonna do about it and what do you need me to do to help you?”
~~
‘Why did the color drain from Joel’s face when he saw Johann’s new music video on his live a few days ago??’
‘Joel looked so sad at the end of his live recently :( are you okay bb? We love you! x’
‘Is anyone else gonna ignore the fact that Joel unfollowed Johann or…?’
‘Does that girl in Johann’s video mean anything to him or something? Was it the song he didn’t like? He looked so upset but didn’t say much about it’
‘I thought the video was good, I don’t know why he got quiet the way he did’
I shouldn’t have watched that during my live a few days ago ‘cause now the fans are asking why my mood changed right after. I haven’t addressed any of them and just continued like nothing happened.
“Alright, this song is fire because it’s telling your girl, or telling that one person ‘I don’t wanna keep fighting’, you know? ‘I don’t wanna keep bugging about things that happened before, let’s just start from zero. Get to know each other again.’” Richard spoke as the rest of us all sat around holding microphones in our hands, getting ready to perform.
“Well, we’re coming out with our new EP that we wrote like maybe 85% of it and we’re really really excited for the people to listen to it. Just going around and spreading our music and hopefully go around the country.” Chris smiled as he looked directly into the camera and cleared his throat. Now it’s time to introduce ourselves..
“Hola, soy Erick.”
“I’m Christopher.”
“I’m Joel.”
“I’m Richard.”
“Yo soy Zabdiel y nosotros somos – ”
“CNCO.”
“Y bueno este es nuestro más reciente sencillo, De Cero.” Zabdiel spoke as he started to strum his guitar. Music is a powerful weapon and can be used in any way you want. A love song to somebody? You got it. Breaking up and moving on? You’ll find one. Going out with friends and partying the night away? Pretty easy to find. Wanting to start over with someone you love? That’s promising..
youtube
“Niña, tanto tiempo
¿Qué estás haciendo?
¿Qué es de tu vida?
Dicen que estás sufriendo
Creo que tengo
Una salida”
I’m talking to her through the lyrics without mentioning her name. This is my apology and it’s the only way I can talk about it in public without Johann spilling the beans. I frowned as I brought the mic up to my lips, continuing the next verse.
“Cuando dejemos el orgullo
Y las barreras entre tú y yo
Soltamos lo malo
Nos inventamos un atardecer
Sin mente yo me entregaré
El pasado olvidamos”
I pictured her face and thought about her listening to us perform this song. I wonder if she would even listen to this and know that I’m sorry? I’m singing this for you, (Y/N)..
“Y de cero empezamos
Otro chance nos damos los dos
Mejor dejemos la estupidez (Oh)
Que el amor llega solo una vez
De cero empezamos
Otro chance nos damos tú y yo
Mejor dejemos la estupidez
Que el amor llega solo una vez”
I never thought I would relate so much to a song as I do now. I don’t want to give up on the possibility that we can make us work, but considering the way things are right now, I don’t think she’ll even give me the time of day.
Erick started to sing his next part as I thought about what I’ll do if she were to take me back. I’ll definitely work harder to make sure she feels loved and not a second choice ever again, that’s for damn sure. Have I even considered the possibility that she would just tell me to leave and never see her again? Yes.. yes, I’ve thought about that.
I heard Christopher’s voce start singing and knew my part was almost here. If I can’t have her, I at least want someone who will treat her like I should’ve done. Someone who will give her all the love she deserves and never make her second guess herself. Someone who will make time for her, make her happy and never break her heart. If it’s not me, it’s definitely not Johann. I need to know that she’ll be in good hands if I don’t get a second chance.
“Can we accept all of our differences
And put aside all of the pettiness
Just forget, no regret
I'll take you anywhere you wanna go
I got so much I want to show
Let's restart and we'll go far”
I guess I got so caught up with the cncowners shipping me with Emilia so much that I started to believe that there was something between us. I became nervous whenever I was around her and felt butterflies in my stomach, but nothing compared to the feeling I had whenever I was with (Y/N).
I never knew I could feel like this. Listen to my heart, (Y/N). Can you hear it sing? Please come back to me and forgive everything..
I can’t get that image out of my head. Johann’s hands resting on her waist… his lips just inches away from hers. She’s been seeing him more and more since I left and is getting comfortable around him. My mind became all discombobulated after that video and my heart literally ached at the thought of her falling for someone new.. someone like Johann.
Before I knew it, the song was over and we were free to get up and walk around. “Thank you for doing this for us. You guys were amazing!”
“Thank you for having us.” Richard smiled and shook hands with the video producer. I stood up and stretched, craning my neck back and forth. “We’ll have this video up soon and notify you guys when it’s posted.”
I zoned out the conversations around me as I thought about Richard’s words he said to me that night.
“What are you going to do about it?”
That’s a good question. A very good question indeed..
Next Chapter
~~
Wanna be tagged for future fics?
@apla-o-eaytos-mou @pretendcnco @joelitos-baby @chellybear98 @ericksmamita @littlestripmix @pizzaspirits @theweirdsideofstuff @cncoaddicted @prettymuch-cnco @guitargirl006 @cncoawo @ash-zahira @ashhemmingsstylesvelez @cncohhhhwoah @pimentelssmile @shordyfromdablock @h-bea92 @xxxstormyninixxx @buttercup-chey @cncogirl18 @urafakebetch @boundtobreakk
#cnco#cnco imagines#cnco imagine#cnco fic#joel pimentel#joel pimentel imagine#Joel Pimentel series#cnco angst#Joel Pimentel angst#mistakes were made#Joel Pimentel fic#joel fic#I HOPE THIS ISNT SHIT LMAOOOO
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A Guide to RPing on Tumblr
I’ve been getting a lot of questions lately, so here’s my complete walkthrough on how to create a Tumblr RP blog.
If you’d rather view on a Google Doc, here’s a link.
Enjoy.
Create Blog
Howdy, so the first thing you’ll have to do is click ‘register’ and make yourself a blog. You also have the choice of making a sideblog instead. I’m a person who likes to have this separated, so if you are only thinking of playing a couple characters, this might be the way to go for you. Here’s the difference between main/side blogs (taken from Tumblr’s help center):
Choose any url for now (we’ll talk about that later), and go to the next section.
Please note: When you make a new blog, it won’t show up in the search/people’s notifications for a bit of time (a day or so). Make sure you validate your email address asap.
Get xKit
If you haven’t installed xKit, I highly suggest it. Go to their blog here, and get it for Chrome, Firefox, Edge, or Opera.
What is it? A little toolkit to make Tumblr easier to use.
When you install it, it’ll pop up on your top bar thing next to the lightning bolt like this:
It’s that thing with the x’s on it.
When you click the x’s this pops up:
Brill.
You can click ‘Get Extensions’ at the bottom and basically choose whatever you want, but may I recommend the following:
1) Editable Reblogs allows you to edit reblogs. Right. This is good because when you are replying to RP threads they tend to get rather long. Some advice that was given to me when I started: when you add your reply, delete everything before your partner’s last reply. So you should have your partner’s post and your post and that’s all. You just click ‘reblog’ and it pops up like normal, except now there’s this little guy:
If you click that, it will make everything in your reblog box editable.
2) One-Click Postage gives you a little box if you hover over the reblog button. It lets you reblog, queue, draft, tag, and add replies right from that page. You can even choose which blog (main/side) you want it to go to. It looks like this:
The rest I will just say play around with! They are easy to add and take away.
Decide what kind of blog you want.
Multimuse Vs. Single muse:
Do you want to play one character or a bunch of them? If you choose one character, your blog icon and theme will presumably feature that character or something to do with them. If you choose to focus on one, you should have info about your character available on your blog somewhere. If you choose to have more than one muse, you’ll need a list of the characters you offer and some info about them.
When choosing a url for a multimuse, choose something that encompasses the spirit of you and your characters.
When choosing a url for a single muse, I go for quotes, nicknames, something about where they are from, what they like, their name, etc. Note: if you have dashes in your url (like mine @strings-have-been-cut) these won’t work with tags. People will have to turn them into separate words or one big word.
I do not have a multimuse, but I have seen them done all sorts of ways. Some people offer characters from all different fandoms, some are just one fandom, one genre, OCs, canons, a mixture...you can do what you like.
If your blog is not affiliated with any sort of organized game, this is referred to as ‘independent’ often shortened to ‘idie’.
Your blog description should mention which kind it is. For example: a sci-fi multimuse blog; a Star Trek OC blog; an indie Bill S. Preston Esq. from Bill and Ted RP blog. Details help sometimes.
Canon Character Vs. Original Character
If you decide to make a canon character, make sure you have it clear somewhere where they are from! Canon characters can be canon divergent (your own version), they can crossover into other fandoms, they can be exactly as they are in your favourite book/show/movie/podcast...each version of a canon is unique and lovely.
If you decide to make an original character, make sure you give plenty of info about them! You want to tell people what fandom they fit into or if they are fandomless. ‘About’ pages are really important for OCs because there is no fanbase for them (yet!).
What should be in your description?
When someone clicks your blog, they will first see a dash preview sort of thing. It shows a description and a small header, along with the posts you’ve made. This description also shows up somewhere on your actual blog and on the top of the page on mobile view. It’s a great spot to give all the info about your blog real quick. I always include the following:
What is it? (Independent Data from Star Trek RP blog)
Age restrictions (21+)
Who you will RP with (mutuals only is called ‘private’ and choosing who you follow back is called ‘selective’.)
Mun’s name (played by [insert your name])
Possibly a link to your about/rules for easy access on desktop and mobile. I’ll talk about this more below. I call this ‘navigation’, but it varies. Note: if you edit your icon/dash header, any html links seem to go away. I’ve needed to go back into the theme customizer and add them back in. To add a link to your description, go into your customizer, go to the description section, and add the html as follows:
<a href=”url goes here”>link text goes here</a>
So mine is: <a href=”https://data-all-in-one.carrd.co”>Indie Data from Star Trek blog.</a>
The description for my Data blog reads: ‘Indie Data from Star Trek RP blog. Click here for navigation. 21+. Private/selective. Played by Fool.
What should be on this blog?
In my experience, you need a couple of pages on your blog to get you started:
About the character - basically a biography
Rules - so people know what you are about
About the mun - so people can know about the person they are writing with
Possibly a link to your ‘ask memes’ tag - see below.
These can be organized however you like, but people tend to look for a few specific things.
About the Character
This should read like a biography. Back in the day, we used to call them ‘character apps’ and they had all your basic info about the character. Sometimes this section contains a subsection called ‘verses’ in which the mun spells out what universes they exist in. Say I had an AU where Data owns an arcade in San Francisco in the 80’s. I’d list that as one of his ‘verses’. This is extremely important for OCs, but very helpful for canons too.
Data has four: TNG era, TNG movie era, AU where he lives after Nemesis, AU where he’s around during Star Trek: Picard. I gave a little info about both.
Rules
Rules are usually organized into the things people are looking for before they start playing with you. Some good info to include:
Mun age
Your policy on adult content
How you deal with tagging triggers
Your policy on following back
Your policy on writing with mutuals vs. anyone
Do you allow personal blogs (non RP blogs) to follow you?
How fast do you reply?
How does your tagging system work?
How do you deal with shipping?
Here is a link to my usual Rules page for reference. Remember, it’s not wrong if it’s different than mine!
Note: People will look for how old you are. Many people in the RPC are adults, and they want to write with people their own age. If your age is not posted somewhere clearly, they may not follow you back.
About the Mun
This is really just a little blurb about you. Some people include their age here. Some people include links to their other blogs. Some people include their Discord info, as that’s really popular right now. It’s just nice to know who you are writing with.
It’s important to note that there are different ways to present all of these blogs. Some people have them as pages on their Tumblr blog itself, some people put all of this (Bio, About, Rules, etc) in a Google Doc and link it, some people use Carrd.co - there are a ton of ways. A friend of mine did this amazing post about some options out there. I personally go for Carrd.co, seeing as I am on mobile a lot and I find it very helpful, but it’s up to you.
Now I have a blog with all the info. How do I get started?
Well there are a few things you can do to get yourself out there.
Make yourself a promo. It’s basically an advertisement for your blog. If you aren’t good at graphics, you can head to an RP Resource blog and see if they have any you can use with their permission. You can also just post a picture with some info. For me, the info on this promo matches that of my blog description - I want people to know what I’m all about as soon as they look at it. Then you can tag for your appropriate fandom RP. Your mutuals will likely reblog to help spread the word. Yay.
Find a directory for your RPC by searching in the search. This will allow you to a) reblog your info and be listen in a place where people can find you and b) allow you to find others in your RPC in an organized way. Then you can go through, find people you think you’d like to follow, and follow them.
Make a starter or plotter call. This is, again, just a picture or graphic and some information about it. Here is one I made for Data specifically asking for Picard threads:
I asked for a specific universe and a specific character here. I also put all relative tags in case someone is just searching Tumblr (although I think it’s more for the people who follow me). Here’s a simpler one I made for B-4 that’s a lot more open.
They don’t have to be super fancy.
When people see a starter call, they can like your post. This is a quick an easy way to let you know they are interested in a thread.
4. Ask Memes. Asks are invaluable. There are whole blogs dedicated to ask memes that you can post to your blog, and these can be really easy ways for people to come up with plot ideas or just to read some of your writing. I always keep a link on my blog to everything tagged ‘ask meme’ so if people want to find a meme they have choices!
It seems like there’s a certain aesthetic on these new fangled RP blogs. Do I have to do that?
No! But you can, if you want. If you aren’t good at coding and graphics, there are a lot of RP resource sites that can help you. (Can I recommend this one?) It is nice to have things like a face claim, a nice looking promo, a cool theme, etc. but at the end of the day, we all just want to write and have fun.
Advice?
Look, I’ve only been RPing on Tumblr for a couple of months and I am by NO MEANS an expert. I have gotten all of this knowledge through the help of friends and nice strangers willing to answer questions for me. Here are a few things I have picked up:
Respect people’s rules - We are all shy and all have our own thing going on. If someone says they’re uncomfortable doing one thing, just like...don’t do it.
Talk to other people - Don’t ignore the mun! Unless they really want you to. It’s better to ask questions, compliment writing, talk about your plots and stuff...it’s so much harder than trying to figure out what the other person feels/wants.
Ask questions - I’m a 6th grade teacher, and I get a million and fuckton questions every minute usually. It’s been eye-opening, because now I’m all about asking questions about everything all the time. I think knowledge is amazing. People know all different things, and the most logical way to be a productive society is to share knowledge (that’s one of the main teachings of Surak) so ask some questions! Hell, ask me some questions! Reach out to someone who seems nice!
Okay, that’s all. Good luck!
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the positive & negative : mun & muse / fill out & repost .
EKKO
MY MUSE IS : canon / oc / au / slightly canon - divergent / fandomless / complicated
i try to stay mostly close to ekko’s canon but i also have a fuckton of aus for him including some real self-indulgent bullshit that isn’t even on his verses page. if you want me to make a new au for ekko to fit him into a different skin line or something, i’ll probably do it tbh.
IS YOUR CHARACTER POPULAR IN THE FANDOM ? YES / NO / I DON’T KNOW
IS YOUR CHARACTER CONSIDERED HOT™ IN THE FANDOM ? YES / NO / IDK
for better or worse. when “giants” first came out, i had more ekko smut on my dash than i ever cared to see.
IS YOUR CHARACTER CONSIDERED STRONG IN THE FANDOM ? YES / NO / IDK
i can tell you what i think of ekko’s strength, and i can tell you that... it isn’t much. he’s not the most adept fighter in the series, and most of the time, he wins fights by cheesing them with time travel. in my thread with @uncaged-bloodhunter ekko would be DEAD four times over by now if not for the zero drive.
however, i haven’t seen much fandom opinion about his strength? i’m going to go out on a limb and say most people probably don’t find him very strong bc? i don’t see a lot of people saying that but. who knows.
ARE THEY UNDERRATED ? YES / NO / IDK
canon-wise, fandom-wise, and on this blog, ekko gets a lot of attention, which i’m not complaining about. he’s a fav.
WERE THEY RELEVANT FOR THE MAIN STORY ? YES / NO / IDK
he is important around zaun, but considering he won’t LEAVE that place, i doubt we’ll see him achieve much relevance in the bigger overarching conflicts in the league universe anytime soon.
WERE THEY RELEVANT FOR THE MAIN CHARACTER ? YES / NO / IDK
if league did have a main character, i’m sure he would never meet them unless they were from piltover or zaun lol
ARE THEY WIDELY KNOWN IN THEIR WORLD ? YES / NO / IDK
around piltover/zaun, all the academics are trying to get him to sit down with them, but overall? nah. if he went anywhere other than piltover or zaun, they would have no fucking idea who he was.
HOW’S THEIR REPUTATION ? GOOD / BAD / NEUTRAL
pilties HATE him! click to find out why!
no, but in seriousness, around zaun, his reputation is quite good as one of the few decent souls in the city. but in piltover, he’s just another thuggish troublemaker on a spree of petty crimes, as if zaun doesn’t already have enough of those...
HOW STRICTLY DO YOU FOLLOW CANON ?
shrugs. i don’t actively think about adhering to canon with every thread i write, of course, but i do think i have a pretty good handle on his character so.
SELL YOUR MUSE !( try to list everything that makes your muse interesting to make them spicy for your mutuals )
he is a nice sweet boy who WILL adopt every single child and will go out of his way to help those in need. he also has plenty of spunk and a real get-up-and-go kind of personality, he’s not the kind of person who likes just “hanging around” so he’s a perfect companion for someone who likes to get out and adventure as long as you don’t go outside of piltover/zaun. he’s very loyal and will stick up for his friends, even when it would be more convenient to sell them out. and of course, he’s willing to call authority figures out on their bullshit and doesn’t sit back and passively watch injustices happen.
NOW THE OPPOSITE !( list everything why your muse could not be so interesting . even if you may not agree. what does the fandom perhaps think ? )
he’s got abandonment issues up to HERE, and because of that, he is c l i n g y. if he gets attached to you in any way, he will NOT let you go. he will NOT get over you. he will probably keep trying to worm his way back into your life for months or YEARS because he just doesn’t know how to deal with being left.
furthermore, he represses every negative emotion he has ever felt because he feels like his problems are trivial compared to other people’s so he bottles that shit right on up like cheap cough-syrup-tastin’ whiskey. he holds onto a LOT of resentment - at piltover, at the chembarons, at himself, at the world - and because he doesn’t allow himself to DO anything with said resentment, he’s a ticking time bomb (pun fully intended). i do have... timelines... where all that internalized hostility blows up in a really messy way. and by messy, i mean bloody.
WHAT INSPIRED YOU TO RP YOUR MUSE ?
around the time i first started getting into league, a bitch was going through it. we were pretty destitute and received an eviction notice, and i had to work my ass off to keep us from losing our apartment. it was a very depressing time for everyone involved. but then i found ekko, this boy who had even less than i did but made the most of it, who always found some way to make the day better. writing him became very cathartic for me because it allowed me to take something positive away from what was one of the worst years of my life.
WHAT KEEPS YOUR INSPIRATION GOING ?
punk rock music, haha! especially that of billy talent. their whole dead silence album is pretty ekko, but they have a lot of bangers that remind me of him scattered across all their albums. we deserved punk rock ekko and instead we got fucking true damage because riot didn’t wanna get political, i guess. smh.
some more personal questions for the mun . give your mutuals some insight about the way you are in some matters , which could lead them to get more comfortable with you or perhaps not .
DO YOU THINK YOU GIVE YOUR CHARACTER JUSTICE ? YES / NO / IDK
DO YOU FREQUENTLY WRITE HEADCANONS ? YES / NO / IDK
i kind of only address headcanons as they come up. very occasionally i will drop a few for a new muse just so that people get a better feel for who they are before writing them but... yeah written headcanons are pretty few and far between here. it’s really not even worth me having a headcanon banner lmao
DO YOU SOMETIMES WRITE DRABBLES ? YES / NO / IDK
i would like to, but writing my replies here kind of sucks up most of my time!
DO YOU THINK A LOT ABOUT YOUR MUSE DURING THE DAY ? YES / NO / IDK
ARE YOU CONFIDENT IN YOUR PORTRAYAL ? YES / NO / IDK
too confident some might say, but those people would be silly fools
ARE YOU CONFIDENT IN YOUR WRITING ? YES / NO / IDK
ARE YOU A SENSITIVE PERSON ? YES / NO / IDK
sometimes i get anxiety about stupid shit but i try and often fail to be secure
DO YOU ACCEPT CRITICISM WELL ABOUT YOUR PORTRAYAL ?
nope, i ain’t changing a thing. i’m the best ekko on this site, and you are free to disagree with that because everyone is entitled to their wrong opinion, but my askbox is closed to those kinds of complaints. :)
DO YOU LIKE QUESTIONS , WHICH HELP YOU TO EXPLORE YOUR CHARACTER ?
yeah, sure, although i understand why people don’t send them because i often draw blanks on what to send without somebody reblogging a headcanon meme or something. if you just reblog “send my character questions on anon!” i’m probably not gonna do it bc i have no idea what kinds of questions would even be relevant or helpful for you.
IF SOMEONE DISAGREES TO A HEADCANON OF YOURS , DO YOU WANT TO KNOW WHY
nah, everyone can do what they want. i usually won’t follow people if i don’t agree with their headcanons, but i’m not about to get all up in somebody’s business about it.
IF SOMEONE DISAGREES WITH YOUR PORTRAYAL , HOW WOULD YOU TAKE IT ?
again, wrong opinion, but you’re allowed to have it and you’re also allowed to SMASH that unfollow button.
IF SOMEONE REALLY HATES YOUR CHARACTER , HOW DO YOU TAKE IT ?
who hates ekko of all people, first of all? but second of all, i don’t care. just don’t get in my dms about it ‘cause i’ll block you. i’m not really interested in somebody bashing one of my muses to my face.
ARE YOU OKAY WITH PEOPLE POINTING OUT YOUR GRAMMATICAL ERRORS ?
shrugs. yeah, i guess. i usually leave other people’s grammatical errors alone as long as i can read their stuff.
DO YOU THINK YOU ARE EASY GOING AS A MUN ?
yeah i think so. i try to be, anyway. i like to make ooc friendships bc i find it way more satisfying and easy to write with friends. although i sound a little bitchy in parts of this, it’s mostly jokes for exaggeration effects.
tagged by: @bikmui
tagging: @storiestotell (akutagawa), @bystcrdust, @dimensionaljumper (for eliza ‘cause i always send stuff for scribe lol)
#sad sappy sucker [ooc]#//thanks for the tag cas!#//this was a welcome distraction from the shitshow that has been the past couple days <3
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Another Page
Summary: Belle doesn’t go looking for love, but that doesn’t stop love from finding her. A 5B Divergence ‘verse snippet. Rated G. ~3.7K. Also on AO3.
~~~~~
A/N: I’m back! Remember when I threatened to pair Belle up with someone plucked from literature? This is that fic. I just really want her to get a happy ending, okay?
Super thanks to @snidgetsafan for helping me come up with this and plot it, and then beta-ing last minute. Seriously, she’s the best.
Tagging the interested parties/those I’ve been whining to: @thejollyroger-writer, @spartanguard, @phiralovesloki, @profdanglaisstuff, @optomisticgirl, @ohmightydevviepuu, @thisonesatellite, @let-it-raines, @scientificapricot, @aerica13, @welllpthisishappening, @kmomof4, @snowbellewells, @searchingwardrobes, @teamhook, @winterbaby89, @katie-dub. I’ve probably missed folks, but I don’t even remember my own tag list anymore.
Enjoy - and let me know what you think!
~~~~~
The unfortunate truth is that it was probably always going to come to this - Rumple waging war on Storybrooke. Today, Belle and her unborn son are just an excuse.
That doesn’t mean she doesn’t feel guilty that other people have been dragged into it.
She barely even knows the man who has been asked to guard her inside the library as David and Robin hold down the proverbial fort outside and Killian, Emma, and Regina face Rumple elsewhere. Well, at least she barely knows him personally; his literary reputation, small as it is, has preceded him.
Colonel James Fitzwilliam, commonly called Fitz. Young, courteous, and handsome (or so she’d say if she were looking, and didn’t have a million other concerns on her mind). She knows he arrived with the rest of the inhabitants of the Land of Untold Stories almost 2 months ago now, doing his best to keep all his compatriots organized and calm amongst the chaos of their arrival (Rumple’s doing, of course, and Belle should have seen it earlier as the distraction tactic it had been). All he’d offered as his reason for stranding himself in the Land of Untold Stories was a desire to escape all the expectations his family had placed upon him; Belle supposes she can understand that. Whatever the case, he seems… honorable. Level-headed. Capable of endearing himself even to Emma and David, enough for them to recruit him into their fledgling sheriff’s department and assign him to watch over Belle as her ex-husband does his best to tear the world apart outside to try and seize her back into his grasp and control.
“I really am sorry,” Belle says softly, and not for the first time.
“I can’t imagine why,” Fitz says mildly as he peers out the front windows. Things are blessedly quiet here for now, but that will undoubtedly change at any moment.
“This is all my fault.”
Fitz turns back to face Belle. “Perhaps I’m mistaken - I was under the impression that the Dark One was responsible for this current… tension, shall we say.” It’s kind of him not to say attack, even if that’s a more accurate word; she could do without that particular reminder. “Are you actually the rampaging maniac I’ve been warned about? Because if so - I must say, madam, that your rampaging needs work.”
He says it lightly, as a joke, but Belle has trouble finding the humor in it. “The maniac wouldn’t be, as you say, rampaging if it weren’t for me. He’s doing this because he thinks he can steal me back.”
“That may be so,” Fitz shrugs, “but from everything I’ve heard, he would have found another reason to strike. The only difference would have been your compromised safety, and I can’t believe that you believe you deserve that. Let alone your child.”
“But maybe if I hadn’t been so willfully blind - if I hadn’t been so quick to trust that he’d changed — ”
“There’s no use fixating on such things,” he tells her firmly. “Maybe things would have been different; maybe they wouldn’t have. But you wouldn’t have your child if things didn’t happen the way they did, and I have to believe that your son or daughter will be a bright spot to come from all of this.”
“Son.” Fitz’s brow wrinkles in confusion at Belle’s declaration, and she abruptly remembers that he’s still so new to the Land Without Magic that he doesn’t know yet of all its new technological capabilities. “There are machines now that can tell before the baby is even born. It’s a boy.”
“That’s wonderful,” he smiles. “This realm will never cease to amaze me, I’m sure of it.”
“It is wonderful.” Inside her belly, the baby moves and kicks, as if he knows they’re discussing him.
Fitz gentles his tone for a moment. “You deserve that, Ms. French. Every bit of happiness that little boy will bring to your life. I know this is all a mess, but he came from it too, and no one blames you for a moment. You shouldn’t blame yourself either.”
Belle blinks back tears at his kindness, choosing to focus on the easiest bit of it. “You know, after all this, I think you should call me Belle.”
“Belle, then,” he smiles. “Well, Belle, I think this will all be over soon, and you’ll have so many good things ahead of you.”
“I hope you’re right.”
———
All things considered, it’s a very good day.
Sure, bits of her body she didn’t know were capable of pain are sore, and no one has ever claimed that hospital beds are comfortable, but Belle has a son now. And he’s perfect.
Her greatest fear in all of this has been the prospect of having to do it all alone, but if the last hours are any indication, that’s not something she has to worry about. The people of Storybrooke had seemed determined to collect her and her son into the fold, starting with Emma and Ruby holding her hands throughout and a parade of friends (who just might be family now) coming to check on Belle and meet little Gideon.
(It’s a little fanciful, she knows, to name the baby after one of her favorite books, but Belle has room for a little fanciful in her life. Besides, she’s determined that her son be all the “handsome hero” that she needs.)
Of all the people she expected to drop by, however, James Fitzwilliam isn’t one of them. He looks very out of place in the hospital - this tall, solid man, who shuffles his feet as if he’s not sure how to act in this setting.
“I’m sorry to intrude,” he hazards, but Belle waves him off with a cautious smile.
“You’re not intruding at all,” she assures him. “There’s been several visitors today. It’s rather nice, actually.”
“I’m glad you think so,” he smiles back, before thrusting a bouquet towards her. “These are for you.”
Belle thumbs at the soft yellow petals, delicately. “Daisies,” she murmurs.
“Sheriff Swan’s son seemed determined that roses would be a bad idea. These looked… cheerful.”
“They are, thank you.” Bless Henry for his advice; roses are still tainted for her, at least for the moment.
“I take it this is the little one?” Fitz asks, nodding towards the cradle at the side of her bed. Her son lies inside, happily asleep, lips making little sucking motions in slumber.
“Yeah, that’s him. Gideon.” Belle can hear the soft awe in her own voice, but finds no reason to temper it.
Fitz bends over the cradle for a closer look. “He’s a handsome lad,” he decrees with a wide smile. “I see a lot of you in his features. You must be very proud.”
“I am. Thank you.” Truthfully, she sees a lot more of Rumple in her son, but they’re comforting words to hear all the same. Gideon will grow to look like his own person in time, anyways.
“I know you must be tired,” Fitz says, “but I wanted to drop by, just for a brief moment, to congratulate you. Especially after our little adventure holed up in the library,” he winks. “You’ll let me know if you need anything?”
Belle nods, and Fitz nods back, almost like a nervous tic.
“Good. Well then, I’ll be…” he jerks his head towards the door.
“Thank you for stopping by,” Belle offers. This has been a bit of an odd visit, but cheering, somehow.
“Of course.” Fitz is nearly out the door before he turns back around to say one last thing. “I’m happy for you, Belle. No one deserves this more than you do.”
And then he’s gone.
(The flowers don’t last forever, of course, but Belle takes care to press one between the pages of a book to preserve it just a little bit longer.)
———
Belle has never been much for "going out", whether by circumstance, inclination, or lack of invitation. It seems like she's been rushing, rushing, rushing, ever since she first stepped out of the asylum beneath Storybrooke Hospital and into the town proper. There's been monsters and demons and death and criss-crossing the realms and a baby, of all things, but little to no going out. Belle could probably count the instances on one hand.
But there's high reason to celebrate this time. Emma is finally getting married, after all, and Ruby has arranged a bachelorette party. Belle is a little wary about any Ruby-planned event, but at the same time, she's excited. It'll be nice to have a little break, to experience the concept of a "girl's night" for herself.
It's less clear how she ends up asking Fitz to babysit. Truthfully, it would have made more sense to leave Gideon with Killian and Charlie, or David and the rest of the Charming brood, or even with Granny. Gideon is so very fond of the colonel-turned-deputy sheriff, however, which is probably why Belle finds herself asking the favor without any prior thought.
(She's rather fond of him herself, she must admit. In the past few years, their acquaintance has strengthened into a strong friendship, built upon morning breakfasts at Granny's and his easy willingness to assist at the library whenever she needs and quiet movie nights in her apartment below the clock tower when she just needs some low-key adult company. Fitz is always there, with his easy going smile and his gentle sense of humor, happy to help and never asking more of her than she can give.)
(More and more lately, she's found a new kind of excitement and nerves brewing whenever Fitz is around, but Belle is doing her best to ignore those feelings.)
"I'm sure you must be busy on a Saturday night, and I know it's a lot to ask - it's perfectly fine if you say no -" she'd rambled, but Fitz had cut her off with a gentle hand on her arm and a warm smile.
"It's really not a problem," he'd assured her. "I'd be happy to watch the boy."
Sure enough, Gideon had squealed with glee and rushed across the room with all the boundless energy a boy just shy of two years old can possess as Fitz had appeared in the doorway. His giggles had filled the room and warmed Belle's heart as Fitz had swept her son up into the air and upside down.
"Go have fun," he'd said. "We'll be fine here."
And she does have fun. There's dancing, and drinking - so much drinking - and plenty of laughter. Belle just might like this going out business; she's certainly not opposed to a repeat sometime, if they can arrange it with all of their wild schedules. There'd been passing concerns throughout the night about how Gideon is doing, but she trusts Fitz with her son. She's sure they're having a lovely time, and Gideon is long since sound asleep.
She expects a quiet home after climbing the stairs to the little flat above the library - which is more treacherous than usual with her balance compromised by the combination of a variety of brightly colored drinks with ridiculous names and high heels - and she's not surprised to find it. What's more surprising is to see both Fitz and Gideon curled up on the couch with the tv playing softly in the background, her son plastered to the older man's side.
It's such a simple, domestic little thing, to see how comfortable Gideon is with Fitz; it shouldn't affect her the way it does. Gideon is a trusting child, anyways, by some miracle of fate, immediately everyone's best friend. What really melts her heart is to see the protective arm Fitz has slung around his waist and the soft smile he wears, even in sleep. He's happy to be here, just existing with her son in the heart of their domain. It's jarring in the best way, near revolutionary.
She loves him, she realizes in that moment - loves the way he's always there in his unobtrusive matter, that he fits into the little family unit that she and Gideon comprise. The problem is that a friend can do those things too, and even if Belle knows her own feelings, she can't speak for his, and her heart is still too fragile to try.
She tries to pry Gideon out of Fitz's arms as gently as she can to properly put him to bed, but Fitz wakes up anyways as his arm falls away.
"Sorry, darling, we got a little caught up in a movie," he whispers with a sheepish smile. Belle tries to ignore the way her pulse picks up at the little endearment, though she can’t help but sway - a combination of her drunkenness and a sudden surge of emotion. Fitz’s hand quickly flies out to brace and steady her, pulling himself to a sitting position as he does so. "Do you need any help?"
"That's alright, I've got him." By some miracle, her whisper doesn't shake as it trickles out. "Thanks for doing this."
"It was my pleasure, truly," he assures her, prying himself off the couch.
They stand for a quiet moment, just staring at each other. Can he feel this same tension, these same feelings? She's not nearly bold enough to ask; maybe he can just see it in her eyes.
But no such luck. "I'll let you get to bed then," he says to break the silence. "I'll see you tomorrow? A late breakfast, perhaps?"
"Tomorrow," she agrees. "Goodnight, Fitz."
"Goodnight, Belle."
Even if he doesn't live here, the apartment feels emptier without him in it.
———
Fitz comes by every morning to help Belle with the outdoor book drop, rain or shine, 8:30 AM, unless he’s ill or caught up with some kind of inescapable deputy business. He’d started after Gideon was born, when it seemed like half the town had taken a turn helping her out at the library when she was exhausted with her newborn and still couldn’t lift any weight. Nearly four years later now, it’s their routine, and if pressed, Belle will admit that she treasures these minutes they share each morning, retrieving books, checking them back in, and sorting them back out at the circulation desk. If he has time, Fitz often even stays to help shelve them.
(There’s something especially touching about the way he so carefully handles each volume every step of the way, especially knowing that he’s not much of a reader.)
Belle needs his help more when the weather is accommodating, but she loves watching him on sunny days like this, where the early sun shines in his hair like burnished gold. He’d cut his hair a couple of years back, and as fitting as the short ponytail at the nape of his neck had seemed, he’s impossibly handsome with his hair cropped short at the sides and just long enough to bounce and swoop at the top.
(She’s got it bad, truly, and none of the bravery required to act on it.)
Maybe the sun on his hair hypnotized her. Or she finally just burst with feelings in a display of foolishness. Whatever the case, even as Belle feels like she’s watching a car crash in slow motion, she can’t stop her mouth from blurting out words like some terrible word vomit.
“Ruby thinks I should start dating,” she declares suddenly. Like that was even remotely a thing she planned on saying.
(It is the truth, at least; Ruby does think she should start dating. The fact that Ruby thinks she should start dating Fitz is the real crux of the issue at hand.)
Maybe anyone else would miss the way that Fitz stutters for a moment, his entire body freezing up before he continues unloading books. Then again, Belle isn’t most people, and she’s almost painfully aware of his every breath and movement after nearly five years spent dancing around one another. It gives her a bit of hope, that maybe she isn’t quite so alone in this pining. “And what do you want, Belle?”
She shrugs casually before reaching in beside him, their arms brushing along the way. “I’m not really sure, truthfully. Gideon and I have always been fine by ourselves.”
“But?”
“It would be nice, wouldn’t it? To have someone to care for me like that,” she replies wistfully. “It’s easy to feel a little lonely, when everyone else around here seems to have found their true love, their person.” Are you my person? Would you ever want to be?
“You’re not alone, you know.” Fitz’s voice is almost too casual, like he’s trying to conceal something else.
“I know.” She lines the books up neatly on the cart as an excuse not to meet Fitz’s eyes, spines facing upwards. “I’ve never really done it before, though. Dating. Or even really proper courting like we might have done in the other realms. There was nothing really ordinary about what happened between Rumplestiltskin and I. There was a little in between when Rumple was banished beyond the borders, and I tried to move on, but… Will was never properly much for dating. A quick drink and kissing behind the bar? Yes. Courtship? No. Maybe it’s foolish, but I’d like to at least try. Be taken to dinner and pampered a little. I think I deserve that.”
“You do,” Fitz tells her gently, prying her hands away from where they’ve been nervously alphabetizing. “And it’s not foolish.”
“I don’t know that anything will come of it,” she says, blushing in the face of his compliments. “I’m a bookish single mother with enough baggage for a world tour. That may be too much for many men.”
“But you do want this? Dating? That’s a step you’re ready to take?”
Belle inhales, gathering her courage in a great breath before nodding. “I do.”
Fitz visibly swallows, as if he’s got his own nerves. Still, he squeezes her hands where they’re still clasped in his. “Then I’d like to be the first to take you to dinner. If you like.”
Belle can feel a smile start to spread across her face, her eyes crinkling as her mouth catches up. “You’d want that? Truly? Not just to be kind?”
“Truly,” he nods. “And very much. I’ve been terribly smitten with you for a long time, Belle, but I never wanted to overstep my bounds. I didn’t want to be some pushy bastard so soon after everything he did.”
He doesn’t need speaking. It’s terribly considerate of Fitz, and maybe even necessary. After all, it brought them here.
“Would it be horribly forward of me to kiss you?” Belle murmurs, stepping further into his space as happy, anticipatory butterflies take flight in her stomach.
“Maybe,” he smiles back. “But I say we make our own rules.”
“Then I’d very much like to kiss you.”
(And reader - she does.)
———
“Darling, could you spare a minute?” Fitz calls from the bedroom. “This tie is giving me trouble.”
It’s such a simple domestic request, but it still sends little flutters of happiness through Belle’s veins. Even after three years together, and four years before that as friends, Fitz is still ever inch the gentleman in every way. Loving him is warm, and gentle, and comforting. Loving him is home, in a way she hadn’t realized was possible.
Home these days, at least in the physical sense, is no longer the little apartment above the library, but a cheery yellow bungalow on a quiet street lined with lush trees. It’s a good place for Gideon to grow up, with a peaceful backyard and kids just next door right around his age, but it’s a perfect space for the three of them to grow, too - her, Gideon and Fitz. There’s space for a small study lined with bookshelves, and a spacious bedroom for a young boy to make his own, and a bright kitchen for family meals - not to mention, a master bedroom far enough removed from young ears at the top of the house in a converted attic space.
Climbing those stairs now, she finds Fitz fiddling with his necktie in the full length mirror they keep along one wall. It doesn’t look like he’s struggling that much with the garment, but it is lovely to see the way he practically lights up when she walks to him.
“Now I know you’ve had to deal with much more complicated neckties than this,” she scolds lightly, reaching for the silk ends. “You just wanted to see me.”
“Guilty as charged,” he admits with a smile. “But can you blame a man for wanting to see his wife, especially when she looks so beautiful?”
(That’s a welcome change, too - a ring and a white dress and so many other promises that she’s confident, finally, will be honored as a personal gospel.)
“Kiss-up.” Still, she blushes.
“Just honest.” He leans in to softly kiss her forehead, perfectly in reach with Belle lifted up on high heels.
“Nervous?” she asks, pulling the last loop of fabric through and down.
Fitz shrugs. “Not particularly. It’s just a formality, really. Why, do you think I should be?”
“Not at all,” she smiles back, tweaking his lapels for good measure.
And he shouldn’t be. Because this really is a formality; just a piece of paper. Fitz has been Gideon’s dad for years, happily, and both her boys had been ecstatic when she suggested they make it official. Today is just the day that a judge makes it official, with a small party with their friends to follow.
“I love you,” Belle murmurs. It’s still wonderful even to say the words - a warmth and a peace that suffuses her entire soul.
“And I love you,” Fitz echoes back, leaning down for a brief kiss. It’s not anything particularly involved, but that’s nice in it’s own way - comforting, a promise that there will always be time for more and later and anything they want.
It has to be short, too, because Belle can already hear feet pounding up the stairs. “Are you ready yet?” Gideon demands. His soft brown hair has somehow been tamed into submission, and she’d wrestled him into a nice shirt just before Fitz had called her upstairs.
“We’ll be down in just a moment, bud,” Fitz tells their son. “Go ahead and wait by the door, we’re right behind you.”
As the footsteps rush back down the stairs, he offers her a chivalrous arm. “Shall we, darling?”
“We shall.”
The rest of their life is waiting, after all.
#ouat ff#belle french#anti-rumbelle#Belle/OC#Belle/Colonel Fitzwilliam#Belle/Literally Anyone Else 2k20#Friends to Lovers#Slow Burn#5B divergence verse#If I Could See Your Face Once More#Another Page#my writing#look I just want her to be happy#and that means really weird shipping sometimes
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hoooo my god. this is for ME
for me. for godzilla. :’)
➤ rules; make headcanons of you and a character of your choice, be it sfw or nsfw.
Thank you so much for tagging me @spicyness! I’m gonna SKAJHDSKJ. HHHHH. This is everything? Fuck I just want a purple boyfriend 😫 this will be about Shinsou because I like him a normal amount :-)
First off, I’m a pain in the ass. My sense of humor is wack (it’s basically just ‘annoy my friends and loved ones’), I’m always fricken TANKING The Mood (because it’s funny and I physically cannot resist making a Funny if the opportunity’s there), everything turns into a game unless you make me stop wink wonk. Shinsou seems like the type to snort in amusement and roll his eyes at my dumb antics, and I appreciate that! If I could make him legit laugh I’d die happy. (I am also emotionally savvy enough to know when to draw the line though, don’t worry. It’s just, man, my idea of fun is ‘LET’S ROAST ‘EM’)
I love cats. I’ll lose my whole mind over them. They NEED head kisses. Shinsou also likes cats. He also needs head kisses. That’s it, that’s the bullet point
Being open and honest and genuine is important to me. I believe most any relationship (friendship or otherwise) can work if you’re willing to communicate and empathize with the other person: I would 100% be willing to hear Shinsou’s shit, and he seems like he’d be a good listener too. I’m also good at logicking things through and he seems like he’d appreciate that. Likewise, he seems like he’d do the same for me, and as long as we stayed humble and weren’t looking to be offended (I don’t Do That -- he’s a Cancer -- love you, Cancers -- so it might take him a minute to get on the same page, but he’s emotionally smort and cares about me so I think he’d be willing to work at it) then we could help each other through emotionally hard stuff with hard truths. Plus, I’m a super honest person: if he was in a relationship with me he’d probably be pretty secure in knowing I wouldn’t hurt him on purpose. If past shit comes up with him, I’ll talk to him. Talking’s the good shit, y’all: utilize patience and empathy and you’ll be so well off!
I also battle, with a big fucking sword, a lot with mental health stuff (LMAOOOO WHO DON’T!!! YEET). I used to struggle with agoraphobia and still deal with anxiety and depression. On top of that, I have something like chronic fatigue -- I’ve been calling it chronic fatigue because I’m fucking tired, all the time. My top energy levels are like a 35% on a fantastic day. I really like the idea of this boye seeing me melting into a puddle, face down on the carpet, and bein like “how’s it going down there? you okay?” and the answer being obviously no, but him just like. Man I dunno. He seems like the kind of person who’s tired, but who can live with it. I can’t! When I’m tired, that’s it babes! I hit a 0% on my battery and I’ll collapse! So I just, hhhh. Don’t laugh, but I like to fantasize about him bundling me up and into bed. Thinkin’ about Birthday Snoot by my good friend @lord-explosion-baku and melting, okay?? OKAY???? I’m soft, the truth’s OUT, FUCK! I want to be taken care of like a sad but pampered cat.
(Please read Birthday Snoot I still cry over it)
Also I’m gross and struggle to shower often enough because it’s exhausting so bein given a gentle bath? oh MAN. Hands softly running through my stupid, terrible hair...asking me about my day and if anything happened that triggered me feeling this bad...just....the tenderness....the gentle affection.....being loved even when I’m at my lowest. Being cared for when I can’t do it myself. That’s a legit fantasy y’all. We out here!
I love to SNOOZE. I love being COZY. You bet your sweet bippy I’m gonna sprawl over a couch and take up the whole thing. Shinsou’d better be willing to snuggle the fuck up. I’ve got great squish which I personally feel like’s great for cuddling: I’m like warm taffy. How better to gently seep into every crevasse of your Favorite Person while enjoying a cozy cuddle?
Listen, everyone fucks hard with Shinsou calling his S/O ‘kitten’, and I agree (def have written leetle -- HOO -- leetle scenarios with that nickname because wow) but I get all wibbly with the idea of He calling me ‘Angel’. A joke at first because, like, guys, I’m really nice. (I know it sounds bad when people say they’re nice and LSDFLKJDF I AM, OKAY. I’ve worked on it. Cultivated the skill of kindness! Being kind isn’t easy, and sometimes you just wanna go apeshit, but I’ve worked hard to improve upon myself! Yeet!) But I also just really fucking love being annoying. I simply cannot resist the urge to sneak up behind someone and poke them in the ribs. I rib-poke while in the deep depths of making out too, I’ve tanked the mood a lot so picture my dumb ass Pink Panther’ing behind Shinsou, prepared to be Evil while he’s, idk, making breakfast or something, and before I can commit a Rib Crime he uses his hero training and fast reflexes and honed senses and all that good stuff to snatch my wrist and ask “what’re you up to, angel?” the answer is nothing, because he’s killed me by being sexy and fast and hero-y, and he’s probably actually killed me by startling me into collapsing like a fainting goat
He gets the deep stuff. Unfortunately for everyone and especially myself, I’m a Thinker with a capital T: it never fucking stops. I had an existential crisis for like three years in a row because of course, but I feel like he knows what it’s like to get lost in your head. Working each other out of panic attacks because holy jesus the universe sure is fucking huge huh? We’re not even a blip on the radar in the history of existence and we’re gonna be dead basically tomorrow aaaand that’s why we’d be good for each other, because I feel like we both have coping mechanisms that keep us from spiraling too bad, and we could share them with each other.
I also so fucking admire his drive, but it makes me angry that stupid fucking hero society would discriminate in the first place.
Oh, yeah, that’s another good point: I’m hella mad about 98% of the time and I work hard to hide it! Because innocent people don’t deserve to get yelled at! I feel like Shinsou’s smart enough to sense when I’m about to pop and he can be like “heyyyyy...you wanna talk this out constructively instead of getting into a public brawl?” and I’ll be like “NO but I’ll do it for you because I love you” and then we get pizza.
Because I’m fine and balanced and stuff, I made a quirk for myself if I was in the BNHA-verse, and basically I can get stronger at the expense of higher thinking skills and will turn into a weapon of mass destruction against whatever I’m pointing at (ugh, that’s so sexy. Fuck I wanna be a big spooky buff as shit monster thing), friend or foe, so Shinsou and I would work well in tandem because if I got too rowdy he could use his quirk and get me to calm down! Keep me from accidentally doing a murder! Nice!
Okay this is nsfw so if you’re under 18 DON’T READ IT. I’LL CALL YOUR PARENTS. GET OFF MY BLOG.
Relating to the point above, QUIRKPLAY. Mind control me into stuff I want to do but am too awkward to ask for, please and THANK you. Also, Shinsou’s a top. Gotta be, and thank god for it because I’m certainly not. I’m not happy about being a fucking bottom, because my first and most powerful personalty trait is ‘be as annoying as possible to the people you like; don’t let them tell you what to do.’ Can’t make it easy on myself, nope. Anyway, I want the appearance of being a top without the responsibility because damn, gotta be like, suave and shit. Gotta plan stuff. I don’t like that! I do that enough in real life and I don’t like it there, either! But whatever. I’m a brat and I feel betrayed by my coochie for it. But Shinsou’s a top and he’d tease me for being Fucking Terrible, and suddenly I wouldn’t be so mad at my coochie. She has her reasons.
I...like Shinsou for a lot of reasons, but a really big one, for sure, is that I feel like he can communicate about the important stuff. He likes to tease, but he knows when to be serious too. I’m really wack about being close and intimate with people and I have, hhh, special requirements to be able to sleep with them, and I feel like he’d both be able to respect AND honor that. Like, run through the rest of the BNHA boys with me here: would Bakugou be able to be completely cool, calm, and collected while still teasing, but knowing where to draw the line? Todoroki’s closer maybe, but he’s not as people-smart (which is also a big thing for me). Confidence (or at least the appearance of it when it’s important), respect, communication, listening and respecting what I ask for even if it seems wack -- Shinsou has that, and god is it attractive.
Also, mind control.
Also, his capture weapon.
Also you know this motherfucker is kinky as shit. Thank the good lord.
Also, sexy-slow makeouts with his long, nimble hands running up my outer thighs to squeeze my waist -- teeth on neck, stolen gasps of breath --
\\\\\\
I feel bad because all of this, fuckin, WALL of text is pretty much ‘this is what purble boy can do for me’ and I don’t say a lot I’d do for him, but if I got someone like him I’d go to the end of the earth for them. I may be a perpetually-sleepy bitch, but one of my best -- and worst -- character traits is my unwavering loyalty. I’ll be 110% down to kick anyone’s ass who insults him: he can fight his own battles, but he shouldn’t have to over some dumbass with a big mouth and a little brain. Making him smile and laugh, oof, be still my beating heart. Words of encouragement when life gets too much. Genuine thanks for his help, whatever it may be. Hugs, because we’re both touch-starved as fuck and he deserves gentleness, dammit. He doesn’t seem like his love language is receiving gifts -- more like quality time and words of affirmation? Maybe physical touch? -- but I’d still get him little things that made me think of him, that could help him in his day to day life or maybe just bring a smile to his face. We could rescue each other at social conventions, have dates to the humane society and play with cats. Support each other through our depression days, prove that even having a brain that’s mean to you sometimes doesn’t make you unlovable. Man, idk. The whole thing’s soft and makes my heart go doki-doki. Hitoshi Shinsou is an extremely good person and god damn I’d want to show him I appreciated him and existing at the same time as him. He deserves love and kindness. He deserves someone to kiss every knuckle of his hand. He deserves hugs in the kitchen and blankets being pulled over his shoulders when he falls asleep at the desk. He deserves only good things, and I’d be honored to give them to him.
HHHHH.
Okay! If you made it to the end of this, congratulations! You don’t actually get anything, but boy oh boy you have a lot of information about ME now! Aren’t you delighted? Heh. So! You tag people for this stuff, and I’m gonna tag @lord-explosion-baku, @bnhascribbles, @perpetual-bed-head, @russianonion, @weebsinstash, and last but certainly not least, @usernamekate94. Tell me about Monoma, Kate. Tell me.
#god this is a mess. anyway#I just! he's a good boy brent!!!! ;_;#self ship meme#author x character#I would feel embarrassed if I possessed the ability to feel embarrassed#I'm weak for one (1) man: so WHAT if he's fictional#I can daydream about giving him the hugs he deserves!!! AND I WILL
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AMBITION Season 2 ♫ “Callbacks” [ 2.01 ]
CREATED BY Esther (rapunzles) & Maggie (daphnegolshiri) || S2 Tag || Official Page
THE SHOW MUST GO ON – A new year at AAA promises new troubles on top of the chaos left behind from the last. Angela’s replacement meets the junior class. While some students aim to embrace the change, others may never make it back through the doors.
55 Minutes (12.5K+ words) || No warning apply.
[ ← The World Will Never Be The Same ] [ S2 Synopsis ] [ Second Choice → ]
( Follow along with the music on Spotify here! )
INT. BABINEAUX HOME - ZAY’S ROOM - DAY
We’re close on a phone, laying on the surface of a vanity dresser. The screen lights up, displaying a notification from Instagram. The moment does give us a bit of AAAC-induced PTSD, but it’s innocuous -- “wholemayahartedly liked your photo.”
Underneath the notification, a reminder sits waiting. “Welcome back to AAA.”
As the clock hits 7:00AM, an alarm begins to go off, but the owner is already awake. A hand reaches out to quickly swipe away the alarm, and ZAY BABINEAUX returns to our screens once again. He’s already geared up for the day, looking fresh and cool as ever.
He glances at himself in the mirror, adjusting his hair and rolling his shoulders before letting out a sigh. Welcome back, indeed. As jaunty, cool beats float in…
Song Cue ♫ ♪ “New Shoes” as performed by Paolo Nutini || Performed by Zay Babineaux
As Zay gears up to head out for the day, he sings and freestyles to this easy-going tune. After so long without his impressive dance moves, it sure is good to see them again.
INT. BABINEAUX HOME - DAY
Zay continues his journey out the door, sliding down the banister and landing with a flourish. He breezes through the house, grabs some fruit from the counter. He greets his parents, OMAR BABINEAUX with a nod and DONNA BABINEAUX with a kiss on the cheek.
He makes his way out the front door…
EXT. NEW YORK STREETS - DAY
And emerges from the subway, continuing his stylings down the streets of Manhattan. He performs with confidence, comfort, the visuals a far cry from his more somber explorations of the city in 1.06.
Finally, he approaches the familiar institution of AAA.
INT. AAA - HALLWAY - DAY
Zay travels through the halls as he descends into the second verse, slowing down a bit as he takes stock of the setting in the new year. Despite all that’s happened here, it looks about the same as it did last year. He nods to friends as he passes, carrying a new sense of power as the reigning recipient of the Kossal Summer Program.
More familiar faces begin to join in on the choreography through the hallway -- NIGEL CHEY, YINDRA AMINO, HALEY FISHER and CLARISSA CRUZ. Zay dances with each of them, moving us through to the bridge…
INT. AAA - AUDITORIUM - DAY
Zay is showing off his freestylings on the AAA stage, suddenly alone again. The spotlight is on him and the number is clearly a performance, but it’s unclear for whom and why. Either way, he shines as he completes the routine, running through the final chorus with energy and obvious talent.
When he finishes, breathless and squinting into the lights, there are no applause. No standing ovation. Just quiet, save for the quiet scribbling of pens on paper. It’s clear there’s a panel of some kind seated in the back of the auditorium, but no other information.
Then, a familiar voice through the darkness:
Eric: Thank you, Zay. We’ll let you know.
Zay exhales, offering a tight smile and nodding a thank you. As he turns to exit the stage, his confident exterior falters somewhat.
What will they let him know? Who will let him know it? What the knick knack patty whack is going on, chief?
Another year, another jampacked adventure. Welcome back to Adams, indeed.
Cue opening titles.
INT. AAA - HALLWAY - DAY
Through the scope of an A/V club camera, DAVE WILLIAMS eagerly welcomes back the junior class as he and NICK YOGI, behind the camera, kick off the back-to-school cheer. Standing outside the doors to the black box theater, Dave waits for a cue from Yogi.
Dave: Is it -- are we ready? Are you rolling?
Yogi: It’s rolling.
Dave: There’s no like -- shouldn’t there be a light? Blinking or something?
Yogi: Just trust me, it’s rolling.
Dave: You know I trust you with my life.
Yogi: And me, you. It’s David and Goliath, baby.
Dave: It’s David and Goliath! Welcome back, AAA thotties, to the thunderdome.
Yogi explains that he and Dave are endeavoring to reinstate the A/V club to its former glory, and part of this task involves getting the scoop before anyone else. So they’ll be going around and catching up with their classmates after the disastrous way that last year wrapped up, offering what they refer to as “Dogi Exclusives.”
The whole sequence is a bit jarring considering Yogi is filming and Dave is a whole foot taller than him, but they make it work. And boy, do they certainly have some exclusives.
Song Cue ♫ ♪ “Shining Star” as performed by Jump5 || Instrumental
As the quick-paced montage kicks off, Dave and Yogi pursue Zay first. They follow him as he parades through the halls with his new level of confidence. He claims that his summer break was excellent, completely fulfilling in every possible way.
Although Dogi want to dig deeper on that, their questioning is interrupted by the trio of them running into MAYA HART. She looks even more polished than last year, radiating diva and her envy-worthy blonde locks as shiny and voluminous as ever. She and Zay exchange a quick, snappy handshake, indicating they’ve become better friends in the time we’ve spent away.
The two of them state that this year is going to be unlike any other, and all the bullshit from last year is completely irrelevant.
Dave: And all the stuff from the AAAC --
Maya: Old news.
Zay: The drama? The fakeness?
Maya: Farkle Minkus?
Zay: Gone. Caput.
Dave: What about the fact that you’re on scholarship --
Maya: Here’s what you need to focus on, Davis. Nothing that parasitic pinnacle of a page had to say means anything. And we’d all be wise to forget about it, because there are far more interesting things for us to be focused on this year.
When Dave and Yogi ask for elaboration, all that Maya will say is that there may very well be a new diva rising through the ranks in the junior class. Not above her or Zayby, of course, but someone with a lot of starpower is going to make Minkus more irrelevant than he already is.
An interesting promise…
INT. AAA - AUDITORIUM - DAY
In the auditorium, Dave attempts to interview RILEY MATTHEWS. She’s more soft-spoken and reserved than last year, obviously hesitant as she talks with them. All that growing from the previous year, and for what…
She glances over her shoulder towards the technician’s booth as Dave asks her another question, growing pensive and distracted.
Dave: Riley. Riley. Superklutz. Riley.
Riley: [ blinking out of it ] Sorry, um, what was the question?
INT. AAA - HALLWAY - DAY
Dave convenes with his techie pals ASHER GARCIA and DYLAN ORLANDO, both looking fresh and friendly upon their return from summer. As he attempts to talk with them about how they spent their break, Asher keeps having to interrupt Dylan to keep him from saying things it seems he’s not supposed to mention.
Dave: So how did you spend your summer?
Asher: Oh, nothing much. Went to the museums a couple times.
Dylan: Asher’s underselling. Summer was a hoot. We did so much wild stuff, man. [ Laughing. ] One day we met Lucas at grand central market and he made up this game where we --
Asher: Really. Nothing much at all.
INT. AAA - HALLWAY - DAY
Across the hall, Dave attempts to interview CHARLIE GARDNER in front of his locker. Although he seems to be doing a fair amount of damage control, for what it’s worth his outward appearance seems more relaxed than sophomore year.
He’s softened his attire to less straight-laced and more casual for his standards -- nice sweaters and plain tees. His hair has grown out over the summer, trimmed for back-to-school yet still more wild and free than before.
Exterior mellow aside, as he talks to Dave and Yogi he appears a bit shifty. He comes off like a politician rather than a peer, rehearsed and vague. Expert at avoiding confrontation.
Charlie: I’ve done a lot of self-reflection this summer, and I realize that sending those posts was the wrong decision. Those were the actions of someone who I do not wish to be, so I’m trying to do better and make up for those mistakes.
Dave: But why did you do it?
Charlie: I think what’s more important is how we move forward.
Charlie offers a thin smile. Dave gives the camera a look.
INT. AAA - HALLWAY - DAY
Back with Asher and Dylan. Yogi poses a new question.
Yogi: Speaking of Lucas, no one has seen him this morning for an illustrious comeback. Any idea where he is?
Dylan: [ with a snort ] Do we have any idea where he is? Our best friend --
Asher: [ hurriedly ] Nope, haven’t seen him.
INT. AAA - HALLWAY - DAY
Dave has to jog to keep up with the power walk of ISADORA DE LA CRUZ. She looks as fierce as ever, wearing her usual attire of ripped jeans (ripped not for fashion’s sake, but because they’ve been completely worn through) and a dark tee shirt sporting a reference to a film of some sort. The look is completed of course with Converse, although we note that she’s wearing a new pair of yellow high tops rather than her usual old black pair. Presumably a gift from someone (mayhaps a starlet mother?), since Isa isn’t inclined to spend her money on clothes.
Yogi asks if she’s worked on any short films over the summer, and she retorts that she actually spent more time focusing on her performance chops for this year. This is a bombshell revelation -- Isadora De La Cruz is going to take the stage! -- and Dave and Yogi are shook.
Dave: Breaking news!
Yogi: You heard it from Dogi FIRST!
Isadora doesn’t seem interested in humoring them further. Dave shouts one more question after her as she marches away, lucky that she turns around to gift them a snarky answer.
Dave: So where’s Lucas?
Isadora: Do I look like his keeper? Hell if I know.
INT. AAA - AUDITORIUM - DAY
Jumping back to Riley, Yogi asks Riley what she’s most excited about for the new year. She takes a long pause, evidently at a total loss for how to answer. She finally manages to stammer out a vague sentiment.
Riley: I’m mostly looking forward to everyone… coming back together. And um, renewed camaraderie.
Yogi: [ with a laugh ] Yeah, right.
Riley doesn’t seem thrilled with his dismissive comment.
INT. AAA - HALLWAY - DAY
Back to Dylan and Asher. They’ve gotten distracted, Asher focusing on nitpicking Dylan’s jacket collar while Dylan attempts to divide his attention between his boyfriend and the question at hand.
Yogi: So with Alvin out of commission, how are the two remaining chipmunks functioning then?
Dave: Yeah, how are things going for you two?
Dylan, enthusiastically: [ snapping to attention ] Oh, are you kidding? Things are great. We’ve had the best summer.
Asher, agreeably: Not wrong.
Dave: [ to the camera ] Dogi can confirm: “Dasher” are alive and well.
Dylan: We’re thriving, good sir. I can tell you, as a kissing expert --
Asher: Oh boy.
Dylan: Never been better. In fact, this summer we made some major strides --
Asher: [ covering Dylan’s mouth, dragging him away ] OKAY so we really have to go now, nice chatting with you Dave --
INT. AAA - HALLWAY - DAY
Back outside the black box theater, Dave summarizes their video and prepares to wrap it up.
Dave: So as you can see, lots of tides shifting here in the bonkers halls of Triple A. Whether or not good ol’ Principal Cracker Jack and our faculty fave Mister E will be able to pull this clusterfuck back together remains to be seen.
Yogi: And whether Mister Shawn will be able to handle a new first-in-command.
Dave: Oh, yes, we are all eagerly awaiting to see which poor soul is going to attempt to fill the late and great Miss Moore’s large and insanely hot shoes.
Yogi: Press F to pay respects.
Dave, solemnly: F.
Which poor soul indeed? It will take a brave, ambitious warrior to tackle the monster that is the junior A class…
INT. AAA - JACK’S OFFICE - DAY
And that warrior takes a human form in HARPER BURGESS (26). She’s petite and baby-faced, an eager smile on her face as she finishes signing last minute paperwork for her employment. But don’t let her size be deceiving -- underneath the leather jacket and driven sparkle in her eyes is the fiery personality of a former AAA alumna returning to the homestead after being forged to steel in the real world.
She passes the finished papers across the desk to JACK HUNTER, who takes them happily. Given how run ragged he appeared at the end of last season, it is a relief to see him seemingly well and back on top of things. Polished as usual, in any case.
Jack congratulates Harper and welcomes her to the AAA team, both of them rising as he shakes her hand. He reiterates a fair warning that the junior class is no easy group, but Harper expresses optimism that she can handle it. After all, she was once a student just like them.
Harper: I survived my four years at this school fighting for my scrap of the spotlight, Jack. I think if I can do that, then I can survive just about anything.
Jack: Well, believe me when I say this crop of students isn’t quite like any other.
Still, he admires her optimism, and sends her off with the assurance that he also believes she will do an excellent job. As she heads out she bumps into ERIC MATTHEWS, who gives her a playful salute.
Eric: Welcome to the force, soldier.
Harper awkwardly returns the salute, trying her best to adjust to this new team of oddballs as efficiently as possible. Eric waits until she departs to shift his focus, questioning if Jack still wants to go over their game plan for the first week. He figures it would be good to double check that they’re both on the same page.
Jack enthusiastically agrees, gesturing Eric in and grabbing his coffee thermos. As Eric settles in the chair opposite his desk, we get the sense that the two administrators have done a lot of collaborating over the summer. They demonstrate a comfortable new rapport, definitely closer to being on the same wavelength than last year.
It’s also clear, for what it’s worth, that Eric is enjoying their dual efforts. He listens intently as Jack speaks, a light smile on his face as he flips through his notes. Jack paces the floor, walking through their thought process with zeal.
Jack: All of the students enrolled here are talented, there’s no doubt about that. Even the junior class specifically, I’ll say, has some of the brightest students I think we’ve had at Adams. They are not short of starpower.
Eric: Certainly not.
Jack: But the behavior we’ve witnessed over the last couple of years is unacceptable, and it reached a fever pitch in May. There’s no excuse for that sort of culture, and they all had their hand to play in it. We’re not letting it slide from here on out.
Eric: No, sir, we are not.
Jack: The fact of the matter is, as you and I have had to come to Jesus over --
Eric: Please, remind me for the hundredth time --
Jack: -- talent isn’t everything. Success requires hard work. Compassion. Integrity. These are the values we are going to uphold at Adams, and anyone who deems themselves above it all will find themselves facing a swift kick of reality. Mister Livingston was the first, and he doesn’t have to be the last.
Jack and Eric go on to discuss the logistics of their back-to-school shake-up, which contextualizes Zay’s solo from earlier (a flashforward, we now realize) -- they will be requiring every junior to “reaudition” over the course of the week. This is in terms of their performance, but also their attitudes and behavior.
Jack: They earned their places at this school, I firmly believe that. But they have to put the work in to prove they still deserve it. Because there are dozens of equally talented young dreamers out there with just as much ambition as them who would kill to have their place in this class. They need to remember that.
Eric, although disappointed with how things have ended up, nods in agreement. The mere shake-up of the reaudition should be a subtle but important wake up call.
Jack takes a sip of his coffee, glancing down at the new hire paperwork on his desk. So many changes already in effect.
Jack: If they want to see the success of their futures realized, then they better show up.
INT. AAA - AUDITORIUM - DAY
Isadora makes her way through the empty auditorium, early before class. She jogs up the stairs to the technician’s booth.
INT. AAA - TECHNICIAN’S BOOTH - DAY
Isadora cautiously pokes her head in, listening for any signs of life. She wanders further in, heading to the center of the cramped space and getting a good look around.
It’s empty. Untouched. The panel by the electrical cabinet is secure and in place, not acting as a living space by any means. It feels abandoned.
It feels wrong.
With an unsurprised sigh, Isadora heads back out before first bell.
INT. AAA - BLACK BOX THEATER - DAY
The performing students have congregated in the black box classroom, chattering amongst themselves. Isadora hesitantly peers through the doors, cautious to step into her first official day as a performing arts student.
As she stands in the doorway, a ripple of reaction seems to go through the assembled class. Suddenly, a techie in their midst? Isadora clearly doesn’t know where to go. There’s a moment where she locks eyes with Riley sitting by Zay, but the way Isadora quickly averts her gaze from Riley’s awkward smile indicates that things aren’t all well and good in that camp.
Instead, another unlikely ally throws her a life preserver. Maya perks up when she spots her, eagerly waving her over to join her, Darby, and Yindra.
Maya: Izzy. Izzy, over here!
Isadora is grateful for the save, rushing over and sliding into the seat behind her. Maya whips around to give her a playful swat and eyebrow wiggle, just as Harper arrives and sends the room into uncertain silence.
There’s a long beat of trepidation, Harper gazing at her new classroom and the throng of her new students staring back at her. Taking a deep breath, she marches into the room with authority and greets them all, introducing herself as their new performance coach. She explains that she was once a student just like them, although she admittedly dabbled a bit more in the technical arts than she thinks most of them have these days.
Sarah: And you came back to teach us? Couldn’t catch a break, huh?
A few snickers through the room throw Harper off her game. She cheekily acknowledges Sarah’s comment, stating that she had her run in the backstages of Broadway, but she thought coming back here when the position miraculously opened up felt like a can’t-miss opportunity.
Still, the introduction has been sabotaged and the rest of her opening is on shaky ground. Many of her little asides don’t garner any favor, and the junior class is already proving to be a tough room. When Charlie, seated with Clarissa and Haley although somewhat removed, throws her a few words of encouragement it is met with a subtly coughed “teacher’s pet.”
Harper changes tact, choosing to redirect focus to attendance. She makes her way through the list until she hits a snag on Farkle, silence heavy in the room after she states his name. She repeats it, uncertainly given its odd status, but it’s clear he’s a no-show. Absent.
Ditching on the very first day. Maya and Zay exchange a look, obviously unimpressed.
INT. MINKUS HOME - DAY
At the luxurious Minkus suite, things admittedly feel somewhat muted. Most of the Minki children and Stuart are gone for school and work, only JENNIFER MINKUS present. She’s on the phone, pacing as she recounts to Stuart that Farkle has opted to stay home from school.
It’s evident she’s concerned, claiming that he’s been under the weather for “at least a month now.” She’s wondering if perhaps they should call the family doctor.
Jennifer: He could be iron deficient. Or anemic, you know how that runs in my family. And the amount of medications I take alone per day just to keep this body up and running in working order, maybe we should have him checked out for similar things...
INT. MINKUS HOME - FARKLE’S ROOM - DAY
Despite the morning hour, the room is dark when Jennifer pokes her head in to check on her son. The curtains are drawn, and the space itself feels stagnant. Somewhere in the mess of blankets on the bed is Farkle, barely visible in the dark.
Jennifer informs him gently that she called him in, but it would be a shame if he were to fully miss out on his first day back for junior year. Maybe later, depending on how he’s feeling, he can go in for the second half of the school day. Farkle doesn’t seem enthused, plaintively stating that he would like to keep resting.
It’s clear that this answer concerns Jennifer, but she gives him space as requested. It’s out of sorts for him to be so unmoved about missing time at AAA, but then, she has absolutely no idea what unfolded at the end of last year.
She closes the door, allowing him to rest and sheltering him back in the dark.
INT. AAA - AUDITORIUM - DAY
In the first performance class of the semester, the entirely of the junior A class reunites and watches as SHAWN HUNTER and Harper take the stage together. It’s pointed from the get-go that they have no idea how to act around one another or work effectively in their new partnership, Harper looking for clues from Shawn while he’s attempting to just pretend everything is the same. In this case, that means proceeding as if she’s hardly there.
He takes the reins in dropping the new year bombshell on them, which is that they will be required over the course of the first week back to reaudition for their spot at AAA. Given how much of a mess the end of last year was, it was determined that a procedure was necessary to ensure that each of them are still eligible in their attendance.
Naturally, the students are not pleased about this announcement. The performers immediately start complaining about how unfair it is, while the techies seem particularly spooked by the notion considering they’re not performers. They’re not “audition” material.
Harper speaks up, hoping to alleviate some of the stress.
Harper: Well, actually, that’s one thing we’re hoping to work on this year. We’d love to see more engagement with the technical aspects from our performing students, as well as more performance participation from the technicians. That way, all of us will have a well-rounded understanding and appreciation for all angles of education at Adams.
A wonderful sentiment, but not what they want to hear right now. The uproar grows worse, Harper obviously stunned by the theatrics of this collective group. Turns out Jack was not kidding around about the junior class.
Shawn brings them back to Earth, assuring the techies that their auditions do not necessarily need to be performance-based. All they need to do in some fashion is demonstrate their skillset and why they deserve their spot at AAA. Just like when they applied the first time.
Part of this, as mentioned before, is reflected just in the act of showing up ready to learn. Farkle’s absence is pointed, as is Lucas’s. Shawn doesn’t look pleased as he scans the center section and finds no sign of his head technician.
Harper manages to interject over Shawn again, also explaining that they will be doing performance drills throughout the week to see what shape all of them are in after summer break. It’s important that they’re able to keep up to keep their spot. Isadora seems particularly intimidated by this information.
As they split for their first breakout groups of the year, Riley catches up to Isadora. She attempts to have a conversation with her and reassure her that she’ll be fine at drills, but Isadora ignores her. Somewhat isolated, Riley takes the hit and heads in the other direction.
Shawn pulls Dylan and Asher aside, asking them where the hell Lucas is. They unconvincingly claim that they have no idea. Shawn posits that this is a real shame, considering a) if Lucas doesn’t show up this week and participate in the stupid reaudition scheme he might very well be kicked out, and b) with Isadora having jumped ship they need a strong technician present to steer the ship with the rest of them.
Asher: Well, Mister Shawn, all due respect, but I think we deserve a little more credit --
Shawn: Oh, yeah? You wanna take charge, Garcia?
Asher: Absolutely not. Hopefully Lucas will get the message.
Shawn, flatly: Yeah. Hopefully.
INT. AAA - ERIC’S OFFICE - DAY
Per tradition, Riley meets up with Eric for lunch given that it’s the first day. After settling in, she asks him what he thinks about the whole reaudition process. He claims it was the only solution he and Jack could come up with.
Eric: It’s only meant to be a reminder that your acceptance here is conditional. The opportunities all of you are benefitting from and the exposure to fellow talents is contingent upon your willingness to help foster a creative, collaborative community.
[ Riley nods along. That sounds too good to be true, at this point. ]
Eric: You all have all the talent in the world, you know I believe it. But there have to be lines, there have to be consequences for our actions. If you push it too far, then we’re going to push back.
Speaking of the negative climate, Eric asks Riley how she’s handling the less-than-stellar current atmosphere between the students. Is she feeling okay? She claims it’s fine -- after all, it’s nothing she couldn’t handle last year.
Eric points out that this is quite a bit different than the situation she entered before, but Riley doesn’t seem ready to confront that reality. She’s opting for denial, choosing to believe that this is merely another gap between her peers that she can bridge.
INT. AAA - JACK’S OFFICE - DAY
Isadora is meeting with Jack, finalizing the details to change her core focus from film studies to a dual focus in film and vocal performance.
Jack asks her to confirm that she’s certain about this change. Although there is a moment of hesitation, she does assure him that she’s serious about it. He doesn’t seem displeased, reminding her that all of this is of course contingent upon her reaudition but also stating that he’s proud of her for deciding to try something out of her comfort zone. Especially given her natural talent.
As she starts to head out, Jack ventures another query.
Jack: Have you -- do you have any idea what the deal is with Mister Friar? Is he planning on coming back to school?
[ The question is a bit sarcastic, but the genuine concern behind it is loud and clear. ]
Isadora: [ with an uncertain shrug ] Believe me, Principal Hunter. If Lucas were here, I think we’d both know pretty quickly.
Jack nods acquiescence, dismissing her. After she’s gone, he sighs, reaching forward to pick up his phone and make a call.
INT. MATTHEWS APARTMENT - NIGHT
Riley is eating dinner with CORY MATTHEWS, the only two present. As we learn through the sparse conversation, Auggie is out with Topanga, demonstrating how the separation is impacting the familial dynamic.
Cory can tell that the first day back did not go swimmingly. He attempts to get Riley to talk about it, but she shrugs off the concern. He goes on to explain that when he was in high school he had tiffs with his friends too -- Shawn, even! -- but he never gave up on them. So if she feels like people are slipping away from her, then she should do everything in her power to close the distance. She’s always been impressive at that, after all.
Although Riley is down, she chews on the sentiment. Adding fuel to her problem-solving fire.
INT. MINKUS HOME - KITCHEN - NIGHT
Jennifer hits the play button on the voicemail machine as she’s preparing for dinner, listening as Jack’s message comes through on the speaker.
Jack: I hope all things are well. I’m calling in regards to Farkle’s absence today. While we all wish him better health and a quick recovery, due to the circumstances surrounding the junior class and our newly implemented special policies, it is imperative that he return to school within the week to maintain his enrollment.
In the midst of the recording, a door in the hall creaks open. Timidly, FARKLE MINKUS emerges from the dark and pads into the room, catching the end of the message as Jack wishes them well again.
To be frank, he’s looked better. He’s slighter than when we last saw him, dressed rather slovenly in his large sweater and sweats. The perpetual bedhead doesn’t help, especially when paired with the glazed, unmoved expression on his face. Whether or not he’s actually ill, he sure looks the part.
He approaches the countertop as Jennifer pauses the message machine, examining him. She makes playful commentary about how he’s finally risen from the dead, explaining that dinner will be ready soon. They’re planning on calling Lila at university as a family afterwards to see how she’s settling in, so she’s happy he’s up and moving.
Farkle: Will dad be here?
Jennifer: … well, you know how busy your father is. He may dial in, but --
Farkle: So it’s not really as a family, is it?
Jennifer gives him a disappointed look, then dodges the question as she changes the subject. She states that she hopes he’ll be better for school tomorrow. It would be horrible for this illness to affect his time at AAA. He, personally, doesn’t seem all that concerned.
INT. FOSTER HOME - ISADORA’S ROOM - NIGHT
Isadora is on the phone, blocking out her foster siblings as she attempts to talk to Maya. The latter is giving her reassurance, reminding her that they went over her audition a hundred times and she’s going to kill it. No sweat. When Isadora asks what she’s planning to do for her audition, Maya plays coy and says it’s a surprise. Only time will tell, won’t it?
After they hang up, CATHERINA GONZALEZ enters and makes a comment about it’s nice to be let back into her own room. Isadora sneers at her sass, Catherina asking who the hell she was even talking to.
Catherina: It didn’t sound like Lucas.
Isadora: I have other friends, you know.
Catherina: [ with a scoff ] Since when?
Isadora opts to go back to tuning Catherina out, focusing on a different conversation. It’s a text conversation with her mother, Valerie De La Cruz. The last message that Isadora sent is an audio message, and from the message Valerie sent in reply it must be a recording of her audition.
Valerie expresses high praise, lauding how great she sounds and how her training is already shining through. She assures her that she’s going to ace this “audition” -- just don’t forget to breathe! Use diaphragm breaths! Isadora absorbs the sentiment again, taking it to heart.
INT. MAYA’S APARTMENT - NIGHT
Maya is crashed in her loft bed, having just hung up with Isadora. She hangs on her phone, scrolling through her other conversations. She hesitates when she sees Farkle, the last time they texted being as far back as summer. It wasn’t a very long or good conversation, and they’ve been silent since.
But now, she breaks the stalemate. She types a new message with a scowl on her face, obviously not pleased with his disappearance.
INT. MINKUS HOME - FARKLE’S ROOM - NIGHT
Farkle gets the message just as he’s climbing back into bed, about to go back to sleep. The message is simple, straight-forward, and gets the message across: “You really blew everything up, and now you won’t even come back to face it? Coward.”
As he reads, some of that natural manic spark we’re so familiar with seems to return to Farkle’s eyes. He may be a mess, and he may not be up for a scrap, but he most certainly is not going to get talked down to by Maya Penelope Hart.
He throws the blankets off of him, getting to his feet with renewed purpose.
INT. AAA - HALLWAY - DAY
Farkle isn’t the only one on the warpath. Riley is in hot pursuit of the techies, trying to get them to talk to her so she can start piecing together a way to reconnect with them. But all of them are freezing her out, albeit some more effectively than others.
JADE BEAMON is horrible at avoiding her, and she can’t even make eye contact as she jogs away from her. JEFF MONROE makes up an excuse, stating if he doesn’t set up the lighting booth, well, who will? NATE MARTINEZ lies and claims he’s running late for class, even though Riley points out that they have fifteen minutes until first bell.
Nate: Late to be early. I like to be punctual. Punctually punctual. Okay, see you later.
When she finally reaches Dave, he is by far the worst at subtlety.
Riley: Could you at least explain why you’re all running from me?
Dave: We’re not running.
Riley: Dave, we’re literally speedwalking like soccer moms right now. What is going on?
Dave: I can’t say.
Riley: Sure you can. We can talk about whatever it is --
Dave: No, Lucas and Isadora said we’re not supposed to talk to you. That’s the whole point. And now I’m fucking it up -- come on, Dave!
He marches onward, leaving Riley even more confused and more than a little stung. Ouch. But she’s not going to give up that easily.
INT. AAA - ERIC’S OFFICE - DAY
Shawn is pacing, lamenting how doesn’t know how he’s going to handle this new teaching arrangement. He and Harper are not on the same page, and he has no idea how to communicate with her. She doesn’t know how things work around here. It’s all a mess. It’s not going to work.
Eric: It’s been one day, Shawn.
Still, Shawn claims he cannot get through these drills and auditions without someone he knows he can rely on there to keep things running. He needed someone who knows what they’re doing, so he called in for back up.
Before Eric can verbally ask for clarification, as if on cue ANGELA MOORE flurries into the office. She’s frazzled, wondering if everyone is okay. Shawn said there was an emergency. Eric rolls his eyes.
Eric: No, your grown man of a boyfriend is just a big baby.
Shawn clearly resents the implication, but Angela is totally lost. Eric gives her the quick rundown of the situation, also pointing out that this certainly won’t make Harper feel like her authority is being undermined.
Angela gives Shawn a disdainful look, but ultimately agrees to stick around for drills. It was nice to come back into the halls of AAA, surprisingly. So she’ll help where she can.
INT. AAA - HALLWAY - DAY
Charlie is at his locker, chatting with Haley and Clarissa. They tell him that they need to go get changed for drills, but they’ll see him in rehearsal. He nods them on their way, grabbing his things and getting ready to go himself.
But someone bumps into his locker and makes him drop his books, everything tumbling to the floor at their feet. Both of them immediately drop down to start picking things up, Charlie only lifting his head when the person apologizes.
It’s Zay. He offers another apology and helps collect the books, Charlie speechless for a second before assuring him it’s fine. They both rise back to their feet, Zay offering an awkward smile as he hands the books back to him.
His touch lingers. Charlie meets his eyes, and a tacit exchange passes between them. It’s hard to tell where they stand -- are they back to being acquaintances? Is this some kind of weird game? Or did they truly leave the summer on an uneven foot?
Either way, the tension of whatever kind is palpable. Zay says he’ll see him in class, passing him by and heading down the hall. Charlie takes a deep breath, closing his eyes and taking a moment before closing his locker.
EXT. AAA - DAY
Farkle makes his triumphant march back into school, returned to his former blazer glory… sort of. He’s nowhere near as put together as he was at the beginning of sophomore year, his hair barely combed and still all over the place. He looks more exhausted than impassioned, but he’s nothing if not dedicated to the dream.
Glaring up at the institution, he stomps up the steps and through the doors as the jaunty drill piano riff leads us in…
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “I Hope I Get It” as performed by A Chorus Line Original Broadway Cast || Performed by AAA Juniors (feat. Angela Moore)
Matching the frenzy of the Broadway classic, Angela leads the performing students through an intense and fast-paced routine for drills. The opening sequence alone feels like a true return to form, and from the get-go the sense is clear that everything is going to be heightened this season, especially the singing and dancing.
Farkle takes the first solo about “needing this job.” As the ballet combination sequence ensues, the section is split between the junior girls performing the dance and the techie crew each giving their “auditions.”
Jade displays some of the costume pieces she created for the shows in the past, as well as projects she worked on over the summer. Dylan enthusiastically plays his guitar, as well as giving an excited speech of some kind that involves a lot of jumping around. Asher sits on the edge of the stage and shows off set designs he did for the last four productions.
Nate coolly shrugs and clearly makes a point of wondering why they have to be doing this at all, yet still obliging. Jeff waves at them from the lighting booth, doing all the work. Dave haphazardly wields a power tool and gabs on about all the set building he does, Eric, Jack, and Harper ready to hide behind their notepads in self-defense just in case.
When Angela beckons the boys to come forward, Farkle takes center stage with Zay on his left and Charlie his right. Zay tosses a glare to Farkle, who gives him a snide look in return. Charlie glances to Zay. Then Angela counts them in, sending them on a tight, impressive run through of the complicated routine.
As the girls are beckoned back to join, Maya steps back up next to Farkle. They exchange derisive stares, before putting more energy into the routine than ever before. Riley is managing to keep up after a year at AAA, but Isadora is clearly struggling.
On the last verse, the junior class makes their way to the front of the stage. Each blare of the horn sends one of the main players dropping into a crouch and spinning away from the front (the students behind them following suit), until it’s just Charlie standing in the center.
He takes the delicate final solo (“Who am I anyway? Am I my resume?”), seemingly frozen in time against his fellow classmates. As he steps cautiously forward...
INT. GARDNER HOME - LIVING ROOM - DAY
Charlie is in front of his family fireplace, staring at the perfect photos on the mantle (“That is a picture of a person I don’t know.”)
INT. AAA - AUDITORIUM - DAY
The rest of the number is split between scrutinizing his own image and the stage, Charlie carefully stepping around the crouched shadows of his peers as to not make a disturbance.
He sings the last line wistfully, staring out at the stage lights and emphatically declaring how much he wants to remain at AAA (“I need this job, oh God, I need this show…”). Seems like there will be much to explore with the resident prince charming this season…
INT. AAA - GIRLS DRESSING ROOM - DAY
All the girls are lamenting the drills, complaining about how dumb the whole reaudition process is. Isadora is so exhausted, she doesn’t even have the energy to join in. While everyone else is merely vexed, she has so much catching up to do. The pressure is definitely catching up to her.
Maya asks if she’s okay, but she states she’s just overwhelmed and needs some space and quiet for a bit. She respects this, backing off and heading out with the others.
Isadora paces the confines of the dressing room, but it’s not calming to her. It’s not her place. She changes tracks, going in search of a safer place.
INT. AAA - CATWALK - DAY
From the top of the catwalk, Isadora can be above it all for a moment again. Isolated, protected, back where she belongs. She settles onto the metal walkway and looks out towards the house, gazing towards the empty booth with its dark windows. Emptier than it should be.
Pulling out her phone, she goes to her message thread with Lucas. The last couple of texts have been her, asking where he is and if he’s coming to school. Unanswered.
Dissatisfied, Isadora opts to make a call instead. It goes to voicemail, which she clearly isn’t surprised by. She debates hanging up, then decides to wait for the beep to signal her message.
Isadora: Hey, it’s Dora. Again. Just wondering where the fuck you are and why you’re ghosting me? Or just ghosting in general, I guess. You need to come back, they’re doing this weird reaudition thing and if you don’t participate… I don’t know. I don’t know what’ll happen. But things are changing around here, and I don’t think you want to get left behind. I know how you hate that. Also… I need you here. I need you to come back, or at least tell me you’re okay. [ A beat, then in frustration. ] Mostly, I need you to answer your damn phone.
She hangs up, releasing an exhausted sigh. She tilts her head back against the rail, closing her eyes and settling into the quiet.
INT. AAA - BLACK BOX THEATER - DAY
Angela makes her way into the black box theater, exhaling a happy sigh as she steps back into her former domain. Shawn is on her heels, disrupting Harper as she continues to set up her classroom during lunch break.
Angela makes a point of introducing herself, obviously intending for no bad blood between the two women. Harper seems willing to meet her at that level, holding clear respect for her and commending her ability to handle this job so long and so well. But she shoots a pointed jab in Shawn’s direction, pointing out that a heads up about her arrival would’ve been nice.
It’s evident that Shawn and Harper are not going to make easy collaborators.
INT. AAA - HALLWAY - DAY
Farkle is heading to his locker, nearly running into Riley on the way. They make tentative eye contact, but when Farkle starts to say something she moves past him without allowing him the chance. The dismissal stings, especially from Riley, but he can’t very well blame her.
Facing his locker, he’s startled to find Maya there waiting for him, although her greeting is far from friendly. She glowers at him, questioning why he even bothered to come back.
Farkle: Oh, oh, sorry, was that Degrassi-style text you sent yesterday a butt dial? Was I not supposed to interpret “coward” as a challenge, or what other convoluted mixed message were you attempting to convey?
It’s clear that Maya doesn’t know what she wants from him either. She searches for something to say but comes up short, instead warning him to stay the hell out of her way before ramming into him as she storms past him. Farkle takes the hit, smiling sardonically and glancing over his shoulder to watch her go.
Once she’s gone, he opens his locker. It’s startling to see it as almost a time capsule from the year before, as he never bothered to clean it out after the fallout. Remnants of how things used to be are all over -- photos of him and Maya, mementos from the lighter parts of the school year, a playbill from Les Mis.
All of that, completely useless now. He remains passive, grabbing his books as the opening chords of his audition song fade in…
Song Cue ♫ ♪ “Dancing With Myself” as performed by Glee Cast || Performed by Farkle Minkus
Starting in the hallway by himself, Farkle kicks off his reaudition by sauntering through the halls on his own. He snaps his fingers as he wanders backwards through the hallway, lightly grooving to the beat as he carries us through the first third of the song.
INT. AAA - AUDITORIUM - DAY
Things take on a bit of a surrealist slant as Farkle transitions to the auditorium, now on the stage. Only he’s not alone -- the rest of the core students (Riley, Maya, Zay, Charlie, Isadora) are frozen on stage, almost like wax figures rather than themselves. He dances around them as he continues, emphasizing how he’s essentially being frozen out of their lives.
During the bridge, the others disappear as the lights go down on each of them. Eventually it’s just Farkle in the middle of the stage with a light shining down from directly above, casting him in shadow as he sings the last “Cause it’ll give me… time to think.”
INT. AAA - HALLWAY - DAY
As he rounds out the final chorus, Farkle is back in the hallway again on his way to class. He’s constantly overlooked or ignored as people pass him by, literally getting bumped into a couple of times without apology. He doesn’t even seem bothered, taking the stride with a blank, somewhat neutral smile on his face.
He disappears around a corner, focus shifting as Isadora catches up to Dylan and Asher outside the doors to the auditorium. She corners them both, claiming that she knows they know where Lucas is. They can’t bullshit her, although they weakly refute it.
Irritation aside, Isadora tells them that they better make sure he gets the message about the audition bullshit. Also, he should really fucking answer his phone.
Then, attempting to break the awkwardness, she asks how the techie side of things are going now that she’s spending her time with the performers. They assure her that all is well, nothing new, and she has to accept that. While it seems like nothing is going to change between Isadora and her former crew, there’s a lot of room for her absence to make waves…
INT. AAA - BLACK BOX THEATER - DAY
Farkle pokes his head in after school, swinging by to pick up the start of term paperwork he missed from Harper. They exchange more formal introductions, although it is clear neither of them are all that impressed by the other.
Harper comments on Farkle’s absence from the first day, insinuating that it doesn’t indicate great work ethic. She hopes he proves her wrong. He makes a flippant retort about how he didn’t realize illness was suddenly a punishable offense, and she is not pleased with it. If there’s a surefire way to start off on a bad foot, the two of them have found it.
INT. AAA - HALLWAY - DAY
As Farkle is making his way out, he runs into Angela. For the no good day he’s having, it’s honestly nice to see her again. Angela treats him just as warmly as she always did even in his worst moments, asking him how things are going and if he’s feeling better -- she heard he missed the first day.
He brushes off the concern, instead changing the subject to her Off-Broadway rehearsal process. She invites him to walk with her, the two of them heading down the hall as she starts to recount what the experience has been like.
It’s the most at peace Farkle has seemed since our return.
INT. CHUBBIE’S DINER - DAY
KATY HART is working hard behind the counter, but food is not her focus. She’s hunched over the countertop with a calculator, crunching the numbers on bills. Her expression conveys the distress she’s feeling over the ordeal. When Maya shows up, she frantically hides it all away, putting on her usual smile as her daughter hops up onto a stool at the counter to talk to her.
Maya spares a second to talk about the idiocy of the reaudition thing, offhandedly complains about Lucas’s obnoxious absence as well as Farkle’s infamous return, and then eagerly swaps topics. She explains this outing that she, Zay, Charlie, Izzy, and Yindra want to do next weekend. It costs some money -- not a lot, but worth noting -- so she’s wondering if she’ll be able to go. Can they afford it?
Despite what we saw earlier, Katy offers another loving smile and says they’ll figure it out. Seems Riley isn’t the only one dealing in denial.
EXT. LUCAS’S APARTMENT - DAY
On the opposite end of Manhattan, Isadora is marching down Lucas’s street. She buzzes herself into the shabby building.
INT. LUCAS’S APARTMENT - HALL - DAY
Once she reaches his apartment, it’s not him who answers the door, but rather GRACE FRIAR. She is tense, distracted as Isadora attempts to have a conversation with her about whether or not Lucas is home. She keeps checking over her shoulder, and she’s absentmindedly adjusting the collar of her blouse to make sure it’s covering her collarbone. Isadora has to keep bringing her focus back, pushing more and more as she appears to be more of a dead end.
After a certain point, she gives Isadora a warning look.
Grace: Lucas isn’t here. I think you should really get going.
The tone of her words is pretty hard to misunderstand, so Isadora takes heed and heads out. But she’s clearly frustrated, retreating with no more answers than before.
EXT. LUCAS’S APARTMENT - DAY
As Isadora descends the steps to the building, she finally makes a break through. She glances down the street just as LUCAS FRIAR is skulking back home, backpack on his shoulder although he clearly wasn’t at school.
They lock eyes, surprise and recognition coloring both of their features. Then Isadora sighs, expression shifting to a frustrated glare.
EXT. TOMPKINS SQUARE PARK - DAY
Lucas and Isadora have relocated to the park a couple of blocks from his apartment. She sits cross-legged on a picnic table bench while he sits on the ground with his knees pulled up, not looking at her as he rips blades of grass.
For what it’s worth, he doesn’t seem to have changed much since we last saw him. But considering the state that was, broken down in the booth, that’s not necessarily a good thing. He’s in his usual dark ensemble and sporting a snapback, black with a deep blue band. He has a brace on his left wrist, and although the reason why remains unstated, it goes without saying it’s probably not great.
Isadora is filling the silence, methodically explaining the reaudition process with far more detail than Lucas wants or needs. She starts to discuss how he’s going to need to throw something together, but he interrupts by tersely stating that he told her not to come to his apartment.
She fires back, acknowledging that agreement but claiming its null and void when he decides to drop off the fucking face of the Earth. He wasn’t answering her messages or calls. She didn’t know what else to do, or what to think. The reasons he doesn’t want her over are the exact reasons she had to come check that he was simply being a jackass rather than something worse.
Isadora: Look, I get… I get wanting to avoid everything. I get wanting space, you know I do. But to go completely off the grid is a whole other thing, and then [ with a scoff ] to keep Asher and Dylan in the loop and not me? The tweedledum and tweedledummer of our crew?
Lucas: [ warningly ] Hey, don’t --
Isadora: I’m sorry. I’m sorry, but that’s insane. That’s bullshit.
Lucas: Well you wouldn’t have wanted to know what we were up to anyway, so.
Isadora claims that’s not the point, the conversation dead-ending again. Silence settles over them. Finally, Isadora sighs.
Isadora: You cannot just ghost like that. You know what people suddenly disappearing does to me, Lucas.
Lucas: … I know. I’m sorry.
[ Another pointed silence. He still won’t look at her. She shakes her head. ]
Isadora: Listen, I’m sorry that things didn’t work out the way you wanted them to. I’m sorry shit sucks. It does. And I know you’re pissed about McCullough, but are you really going to blow the only other option you have? [ a beat ] More than that, are you really going to let Farkle Minkus have the last word?
Nothing is more powerful a motivator than spite, as Farkle himself can attest. Now that seems to spark something in Lucas. Not necessarily a good spark, but it’s better than nothing.
INT. AAA - JACK’S OFFICE - DAY
Eric swings by Jack’s office the next morning to confer, only to discover he’s not alone. He accidentally walks in on Jack exchanging a goodbye kiss with his new girlfriend, ANNE MARIE WINTHROP (38). She’s fair-haired, rather pretty, and carries herself with an air of composure and authority that Jack himself puts out.
Eric profusely apologizes but Jack waves him off, quickly introducing the two. Anne Marie accepts Eric’s hand shake, the latter nervously stumbling into a goofy greeting.
Eric: Anne Marie. Oh. Two names for the price of one, huh? Good deal!
Jack makes a face, obviously wondering why his usually tactful counselor is being so weird. Anne Marie takes it in stride, claiming he’s no bother at all and that she was just heading out. She confirms with Jack that he’ll meet her at the office for dinner, then gives them both a wave farewell. Seems like a lovely gal!
Jack asks Eric what he’s got, and he explains that the auditions are going relatively well given that the students absolutely hate them. He’s more unsettled by what he’s observed of the Shawn and Harper dynamic, as he has no idea how that partnership is going to fare without Angela there to smooth things over.
Jack defends his hiring of Harper, and both of them agree that transitions like these mostly just take time to set. The other news Eric has is much more pertinent and promises some real potential friction.
Because guess who’s back and ready to thrash...
INT. AAA - AUDITORIUM - DAY
The class has assembled, there to witness Lucas’s grand return to AAA. He’s standing center stage, a covered object placed on a couple of acting blocks beside him.
He first gives a small speech about how this whole audition process is bullshit and made specifically to punish a subsection of the class, so it’s not fair that he and the techies have to go through the motions.
Lucas: But then, when has anyone ever cared about the techies? This seems just about typical. I’d refuse to do it in protest, especially considering I’m the only multi-faceted technician aside from Dora and it would truly be a self-inflicted bullet wound if they expelled me...
Maya: God, if only.
Lucas: But I’ve already orchestrated one school-wide revolt, so whatever, I’ll play along.
Thusly, Lucas removes the tarp from his project, revealing a scaled-down diorama of the auditorium featuring little replicas the typical AAA junior class. A production design / tactile display, in a sense.
Nigel: Oh my God, you made little voodoo dolls.
Maybe so, Nigel. Maybe so. He also has commentary to go with the presentation, and suffice to say, it’s far from tame.
Lucas: So here’s Hart standing center stage and soaking up all the spotlight. Unfortunately, I couldn’t find the time to add vocal tracks -- actually, I just didn’t care -- so just imagine a cat screeching bloody murder and you’ll get the full effect.
Maya looks like she’s about to commit murder. Isadora grimaces.
Lucas: This is Dave over here -- he’s holding pizza even though we’re not supposed to eat in the auditorium.
Dave: [ touched ] He knows me so well. :’)
The techies are far more amused by the whole thing than the performers. Charlie leans forward, squinting to get a better look.
Charlie: Do I not have a face?
Lucas: Oh, do you not? [ glancing to check ] Well. That can’t be a subconscious message, can it?
Once he’s run the full gamut, one creative choice becomes pointedly clear.
Darby: Where’s Riley?
Lucas: Oh.
[ Lucas glances at the diorama where she is clearly left out. Then he looks right at her, completely deadpan. ]
Lucas: Guess I forgot her.
Yikes. Riley tries not to let it get to her. She chews her lip, maintaining a neutral expression.
INT. AAA - CAFETERIA - DAY
Farkle faces the lunch room shuffle, pausing by the entrance and scanning for where to plant himself. He eyes his former table where Maya, Zay, and Riley are currently situated… and opts to go in the other direction given the way Maya is glaring at him.
He takes an isolated seat at the other end of the table where Clarissa, Haley, and Darby are chatting. They’re discussing how much it’s going to suck now that Isadora is joining the ranks of the performers, as she’ll likely eat up any of the slim chances they had at getting good solos. Farkle is shocked by this news.
Farkle: I’m sorry, what?
Haley: Um, eavesdrop much?
Farkle: Smackle is joining our class? You can’t be serious.
Darby: That’s what happens when you miss the first day. Miss all the new developments.
Clarissa: Why do you even care, Farkle? It’s not like she’s really a threat for a tenor.
Haley: Oh, he doesn’t care about that. He’s just worried she’ll beat him out for other opportunities since he’s determined himself the most deserving.
Farkle rolls his eyes, suddenly not at all interested in eating. He seems more perturbed by this development than he maybe should be, but it’s not clear why.
Haley: Just don’t make another tantrum video, okay?
Clarissa: Yeah, we’ve had enough drama for a lifetime thanks to you.
He shoots them a glare, getting to his feet. He tosses his lunch without eating it, marching out of the cafeteria.
EXT. AAA - LUNCH COURTYARD - DAY
The techie table seems to be mostly back in order with Lucas back in their ranks. All seems to be well and good again… until Jade makes the mistake of innocently asking Isadora what her reaudition song is going to be. Lucas is disturbed by the notion.
Lucas: Why are you performing? You know you don’t have to do that, right? You can do something else. They can’t make you perform.
Isadora: … yes, I know. The thing is --
Before Isadora can break the news, Yindra interrupts. She pulls that Hermione-Granger-I’m-not-an-owl nonsense, and poorly delivers a message of Maya that it would be smart for all of them to attend her reaudition after lunch.
Yindra: I was chosen as the best representative to come bearing the… holy gospel… that Maya intends to knock all of our socks… no, she said something about water too --
Asher: Aren’t you an actor? You’re supposed to be good at memorizing stuff.
Yindra: Not when it’s nonsense.
Lucas: Get on with it, Yindra.
Yindra: Basically, Maya wants you all there for her reaudition. Specifically.
Nate: [ with a snort ] Why? As if we care about Broadway Barbie’s five hundredth solo?
Yindra: I’m just telling you what she told me. She has some… things she wants to say.
Ominous, but effective. Dylan and Asher look to Lucas, waiting to see what he does next.
INT. AAA - AUDITORIUM - DAY
And so the techies show up, along with just about everyone else in their class. Maya eagerly takes the stage, delivering her first diva look of the season and confidently proclaiming that she’s about to set the tone for the rest of the year -- the year of Maya Hart.
Song Cue ♫ ♪ “Sue Me” as performed by Sabrina Carpenter || Performed by Maya Hart
Aside from an absolute bop and an impressive display of vocal chops, the things that Maya intends to say with her reaudition become pretty clear. She’s back with renewed fire as promised, and the number serves as a big “fuck you” to everyone who has wronged her or is pissing her off.
Namely, Lucas and Farkle. Maya basically sings the line “I know it’s hard to see me on when you’ve been off as hell / But I’m not gonna dull myself because you dull yourself” directly to Lucas, shrugging him off and flipping her hair over her shoulder with a flourish.
While it’s an undeniable good show and such a banger, and a majority of the class seems to be enjoying it, Farkle looks miserable. He slouches in his seat, gritting his teeth.
INT. AAA - DRESSING ROOM HALL - DAY
Farkle is hanging around in the hall, managing to catch Isadora just before her audition. She seems surprised he’s talking to her, until his intentions become clear -- he’s trying to convince her not to go through with it.
His motivations seem pretty transparent, and Isadora doesn’t hesitate to tell him to take a hike. She’s got enough doubt surrounding this decision, she doesn’t need him to echo it too just so he doesn’t have to have a little more competition. Still, certain things he says to try and convince her hint that maybe his intentions are more complex than they seem.
Farkle: Think about it. You hate the performers. You hate the way we act, how selfish we are, how nothing matters but the spotlight. Do you really want to dive right into the middle of that shallow pool?
Isadora: That’s funny, coming from you.
Farkle: Exactly. [ a beat ] Do you really want to end up like me?
There’s a chilling thought. Isadora hesitates, matching his glare… but no. She’s not taking any shit. Isadora is done letting people dictate which direction she’s allowed to go, and she’s not letting anyone stop her -- least of all Farkle Minkus.
INT. AAA - AUDITORIUM - DAY
Song Cue ♫ ♪ “Don’t Rain On My Parade” as performed by Glee Cast || Performed by Isadora De La Cruz
Isadora bursts through the doors to the wings, marching into the limelight as she launches into an impassioned rendition of the belter classic. She’s singing deep from the soul, pouring everything she’s got onto the stage for the chance to be taken seriously. And boy, is it a compelling plea.
All of the techies are there to support her, as well as Maya and Zay. Riley is also present, although she’s somewhat isolated from the others. Still, she has a proud smile on her face as Isadora commands the stage.
INT. AAA - TECHNICIAN’S BOOTH - DAY
Lucas isn’t with the rest of the crew, hidden away in the booth and watching from above. Although his best friend is inarguably dynamite, he doesn’t look thrilled as she wraps up her performance.
INT. BABINEAUX HOME - ZAY’S ROOM - DAY
Zay is back at home, destressing from the week and touching up his hair in the mirror. He’s dressed in the same outfit we saw from the opening, so it’s evident his audition was also today.
He’s going on and on about how ridiculous the whole process is, making fun of the “we’ll let you know” tomfoolery of it all. It seems as though he’s just thinking out loud… until someone else joins in the exchange, jokingly stating that it would be “bananas” for them to kick him out, and he knows it. Zay cracks a smile, glancing at his reflection before looking over his shoulder…
At Charlie, seated cross-legged on his bed and watching him nitpick himself. He looks relaxed, far more comfortable and natural than we’ve seen him thus far. He props his chin on his hands, looking Zay over before raising his eyebrows to accent the point.
Given the way they banter back and forth about the auditions, it’s clear that Zay and Charlie now have a familiar rapport. Zay saunters over and settles down onto the bed next to him, nudging him playfully and leaning in rather close. Charlie doesn’t seem at all shaken by the proximity, nausea a long-forgotten side effect.
Zay alludes to how they spent a majority of the summer together after his return from Kossal, clarifying some of the gaps in their development.
Charlie: If I think you’re still worth keeping around after three months, I don’t see how they would get rid of you after three years.
Zay: Well, to be fair, the... talents that I’m sharing with you are a little more convincing than my dancing.
[ Charlie makes a face, scrunching his nose. Zay gasps in faux offense. ]
Zay: Are you shading my romantic prowess? [ at Charlie’s shrug ] Or do you just really love dance.
Charlie: [ grinning ] I think I just really love dance. But uh… [ glancing at his lips ] show me again what I’m judging?
Zay smirks, leaning forward to give him a kiss. The moment lingers, Charlie smiling in spite of himself.
Charlie: Oh, yeah. Right. That’s pretty good.
Zay: Uh-huh, yeah, sure.
The two of them kiss again, descending into laughter as they fall back against the mattress. The long and short of it is crystal clear -- Zay and Charlie are officially together.
INT. AAA - HALLWAY - DAY
Riley jogs after Dylan and Asher, desperate to break through the embargo in any way possible. She basically begs the two of them to hear her out, pulling them aside by the dressing room doors and out of the way of other students. She requests just two minutes of their time, which they grant. It’s clear neither of them are all that keen about the situation.
Finally being heard, Riley laments how stupid this whole situation is. She explains that she never meant to hurt anybody, especially considering the thing wasn’t even her words, and especially not Lucas.
Riley: You both know I was never… it wasn’t fake. Not for me. You guys have to know that.
[ Asher and Dylan exchange a look. ]
Riley: And I know that you’re talking to him, so could you just…
She trails off, able to tell from their expressions that they’re not going to be much help. They believe her, but it’s not their opinion that makes a difference. Even if they did tell him what she just told them -- if they haven’t already -- there’s little chance it would make a difference.
Still, they seem genuinely sympathetic. Asher reaches out and touches her arm, frowning.
Asher: I’m sorry, Riley. Really.
She meets his eyes, giving him a resigned nod. She watches them walk away, left alone in the hallway as everyone continues on their business around her.
Song Cue ♫ ♪ “Reason Why” as performed by Rachael Yamagata || Performed by Riley Matthews
INT. AAA - AUDITORIUM - DAY
Riley delivers a sobering take on their current straits for her reaudition, alone under a single spotlight on the stage. No fanfare, no glitz -- just her and her emotions, as she operates best. The lyrics truly cut, her vocals tearing through them given how difficult the last few months have been. It’s a pertinent song for the world they exist in now, and her rendition of it is chilling.
Only a few other people are present, mainly Zay and Charlie as well as a couple of other stray classmates. The techies are nowhere to be found, Lucas most notably, though unsurprisingly.
When the song wraps, even the judging panel is feeling the low mood. Eric thanks Riley, barely getting the sentiment out before she dashes her way off stage.
Zay and Charlie exchange a look.
INT. AAA - TECHNICIAN’S BOOTH - DAY
Isadora finds Lucas in the booth later, the latter clearly having an off start to the school year. He’s oddly cold to her as she attempts to start a conversation, so she pokes at him to try and figure out what the hell is up with him. He coolly points out that she certainly didn’t tell him about her plans to jump to the other side of the tracks.
Isadora: Is that what this is about? Seriously? [ off his shrug ] I’m … I’m going to do both. You can do both.
Lucas: [ with a snort ] Okay.
When she pushes him on it, he brings up all of the contrary arguments to the decision that she’s been trying to ignore. The piss poor track record of the collective performer attitude. The cut-throat nature. The fact that she has no proper training and is leagues behind, which is only going to make her more overwhelmed.
When he brings up Valerie, it’s a bridge too far.
Lucas: Or what about how your mom literally dumped you because she cared more about the spotlight than raising her child? And you really want to follow in those footsteps --
Isadora, snapping: So you don’t speak to me for days, and now you’re offering your input? Now you think it’s cool to just waltz back in and say whatever the fuck you want?
A harsh dig, but a valid one. Lucas backs off, obviously unprepared for her sharp reaction. Both of them end up back under silence, not sure what to say next. Their exchange is softer when they speak again.
Lucas: I didn’t… I’m just looking out for you.
Isadora: I know.
Lucas: I didn’t mean to upset you, or whatever.
Isadora: Well, okay.
Lucas: Okay.
But it doesn’t really feel okay. Things are changing just like Isadora said they were, but perhaps even more than either of them recognized. And more than either of them know how to handle.
INT. AAA - PROP LOFT - DAY
Zay climbs his way up to the prop loft, startling Riley. She’s curled up by the shelf of set decor pieces, crying and growing embarrassed once she realizes she’s been caught. She starts to wipe her eyes and make up an excuse but Zay doesn’t harp on it, simply walking over and settling down next to her.
Riley: [ wiping her eyes, huffing ] Sorry.
Zay: What are you apologizing to me for? I’m the one who disrupted your space.
Riley laughs a little, even though nothing is funny. Zay doesn’t pressure her, but he’s there. Available to talk, if she wants to talk.
After a bout of quiet, Riley explains that this situation is harder for her than it probably should be. She states that this whole experience is reminiscent of things she’s already been through, going on to confide in Zay that reason she transferred to Adams in sophomore year was because of the intense bullying she endured at her former school.
Riley: Don’t get me wrong, I’d still much rather be here. And the situations aren’t really all that similar. But the feeling… going back to being isolated because of something that really doesn’t have anything to do with me, just because, it’s --
Zay: Just because it’s marginally better doesn’t make this experience hurt any less.
Riley could certainly use the validation. She nods, wiping her eyes with her sleeve.
Zay notes that he’s no stranger to bullying, growing up Black and queer. But he reassures Riley that he’s going to be there for her -- she’s not isolated. She’s not going through it alone. Everything else can fall apart, but he’s not going anywhere.
Riley smiles, nodding gratefully. Zay puts his arm around her and she leans into his shoulder, the two of them taking in the peace and allowing it to hurt. Letting the hurt happen, before they have to rebuild again.
INT. AAA - ERIC’S OFFICE - DAY
The faculty five are assembled in Eric’s office, discussing the auditions and how they want to maneuver where things go from here on out. None of them are getting cut, of course, but they need to decide how to effectively get the message across with the announcement that that doesn’t mean there’s a free pass for more bullshit.
Case in point, Jack reiterates the point that they are lucky to be here. All of them are, and that’s what he wants this whole experiment to drive home. They had to fight for their spot again, and they should remember to cherish how privileged they are to have these opportunities even when things get tense.
INT. AAA - AUDITORIUM - DAY
So that’s the message Harper delivers when she informs the assembled junior class that no one will be getting asked to leave. They all stand together on the stage as she gives a heartwarming speech about how lucky they all are to be in this position, and she hopes they remember that as they move through the challenges of this year. It’s a moving argument.
This sentiment goes over less smoothly in execution, however, as the juniors are pissed that the whole thing was just some elaborate mind game that they exerted time and energy towards. The jabs thrown around escalate, until somehow it all comes back to blaming Farkle for how the entire thing is his fault because of his stupid meltdown video.
Finally having had enough, Farkle snaps. He essentially gives a live show of the aforementioned meltdown, railing about how it’s bullshit that he’s getting the blame for everything when they’re all just as bitter and petty as he is. Sure, he sent in the video and yes, he shouldn’t have said the things he did, but all of them also submitted rude posts about one another. They all sent in bullshit for their own selfish reasons -- whether to tear down someone else or prop themselves up. Charlie casts a nervous glance to Riley, who avoids eye contact with him.
Harper is unimpressed with Farkle’s tirade, but she’s even more overwhelmed with how to bring this trainwreck back on track. Angela takes the reins instead, stepping forward and attempting to rally home Jack’s point that they should all feel lucky to be here.
Song Cue ♫ ♪ “Show People” as performed by Curtains Original Broadway Cast || Performed by Jack Hunter & Angela Moore (feat. AAA Juniors) (starting at 00:30)
[ Lyrics specific to characters -- follow along here! ]
Specifics of the situation modified, Angela covers the opening bit of the song in essentially trying to guilt and bully the junior class into realizing they’re being ridiculous.
When she claims the show must go on and they call horseshit, Jack steps up to take the soapbox. He elaborates how not only are they lucky to be here, they’re lucky to be performers at all. People all around the world wish they were in their shoes, people would kill to be where they are right now with all this talent and opportunity at their fingertips. Surrounded by other talented, passionate people. Doing what they love.
Of course, it’s appealing to that intrinsic love of the art that starts to win people over. First Angela and Jack carry the song, but then students begin to join in. Nigel, then Yindra. Yogi has the bad joke about tree surgeons.
For once, it’s clear that the junior class is having fun again. It’s also the first taste we’re getting of the full ensemble at work, the techies participating in the performance just as much as the rest. This season Harper said there would be more crossover, and that promise will indeed hold true!
About five minutes in, the performers come together in a kick line and declare that they are, in fact, show people. There’s a sense of unity for the first time all season, this rooted passion unlike any other that ties all of them together in spite of everything else.
As Angela takes the last few “and on” notes, she dances with a few key groups. Charlie and Zay are standing together in a half-circle with Yindra and Nigel, exchanging a playful look with Angela as she sings with them. Then she flutters over to the techie crew, pulling them back into the number with a flourish.
On the final, climactic repetition of the chorus, the entire ensemble is up on stage participating. Yes, all of them. As they march towards the front of the stage, Angela leading the charge, she makes one final definitive stomp that sends us smashing to black.
This is it! Round 2!
END OF EPISODE.
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rp guidelines.
Mun is Ash. She/Her. 21+. Ruthless Drama King keeps me prisoner.
This blog is 21+ Nsfw/smut will not be written with those under 21 years old. I will not write with minors.
I know there are a lot of rules here now but incidents, past stuff in rp scene kind of made it mandatory for myself to put down. Common sense lacks in some too so sorry it’s so long but ya know. Gotta do what we rpers gotta do. <3
tw: potential for triggering content & subject matter due to crime scene investigations/forensic profiling. strong language expected. he is simply a problematic aggressive character in most verses.
no godmodding. unspoken rule but please do not control my character under any circumstances. if you continue to break this rule however I may have to cancel our thread. only in extreme cases.
Don’t have personal triggers but I will not write my muse forcing themselves on any other muse.
any personal triggers you are uncomfortable with I will not write and vice versa.
multiverse/oc friendly. au friendly: discussion on AU’s are love. same char different mun friendly. duplicates are always welcome. personally I love OC’s and this boy cannot get enough interaction from them ever. just so you know.
Do not screenshot my posts: ooc, threads etc. It is MY content. I should not have to add this but yes this has happened without my knowledge - at first.
Unfollowing: If there is something you disagree with, do not favor about my writing, portrayal, muse(s) or views the button is always there. Please soft block to unfollow. I will do the same and quietly if it calls for it.
PSA: Don’t call 60 Connor. He is not Connor. He is his own person. This sort of trumps the significance I have built for him as an individual entity in my characterization/ headcanons/ personal iteration in a fandom where he is overlooked. Also if you do refer to him as such verbally to his face you consent to the wrath and animosity he will bestow upon you be it verbal or potentially physical. Trust me 60 is not fond of being mistaken for his predecessor. (It’s a pet peeve and I’m sorry lol but they’re two separate people. I mean I write Connor too so bear with me.)
plots are love. let's discuss story, char relationships, just anything really. down for plotted, random prompts and memes. my dm’s are always open. if I don’t respond straight away I’m either not on at the moment or I’m just swamped in drafts. I still want you to drop in tho.
replies may take a bit. this is a hobby. if I take a while it doesn’t mean I don’t want to rp. sometimes I forget, tumblr eats my notifs or I haven’t thought up a decent reply as of yet. please be patient. I always offer the same to my rp partners. also I do get swamped in drafts and asks so this does contribute to my reply speed. TLDR: I am slow af but I want to write with you.
want to drop a thread? we all lose muse, get too busy, overwhelmed at times. it is perfectly OK. when I do thread purges I will always post an update and @ those I am keeping threads with. the number of follows I have it is just easier for me to do it this way.
shipping: will ship with chars but there are some I may turn down depending on personal preference. typically ships with another RK800/RK900 are a no. sibling, platonic, enemies is where I go. some exceptions may apply depending on verse type but his exclusive and only RK800 ship is with @rob0badge . 60 also would like platonic, friend and enemy ships to counter his romantic ships. any and all are appreciated.
open to smut threads. 21+ very explicit at times depending on verse. 60 is ruthless. fair warning. also smut is not a requirement for romantic ships. if you’re not down for that then 60 is all about the respect of his partner’s wishes.
multiship friendly: winning rk800-60's affection is not easy in the long run. remember he is not easy to get along with.
Shipping Additions: I WILL NOT ship cross unless it is plotted mutually between all parties. even then I will be selective about it. please respect this. multiverse is a thing and that is what my blog is. it will just be ignored.
Content Trigger: 60 is very much ruthless despite his fall into deviancy. if you are uncomfortable with intense personalities this may not be the rp blog for you. certain themes will be highly thematic, problematic and even controversial at times. all of these will be tagged accordingly and put under read more for my followers/mutuals. he will be aggressive and hateful depending on circumstances. he is not very nice. however, the mun does not reflect this characterization and is extremely nice to followers. 60 may not share that affinity but the mun has no malicious intent. Only this ruthless boy does.
threads containing 18/21+ material always go under read more. please adhere to all warnings. some subject matter may be unsettling. remember any dark or triggering themes are NOT condoned by me irl. it just needs to be said.
Interactions: non-rp blogs, personals or those not part of current threads: DO NOT REBLOG. this is becoming a problem lately and I really don’t want to be that person but please follow this rule.If you continue to do so you will be BLOCKED. You can like my posts just fine however. In fact it’s welcome! I like to see others enjoying what I write for the ruthless king.
DBH VERSE REQUIRED: It just works better to be able to write adequately and since my muse is from this universe it’s a given. I rarely do crossovers as I feel some just do not work or fit my muse. If I do they are with main mutuals depending on fandom or personal preference.
Mutual Exclusive/RP Blogs Only: This blog is now private. If you follow me and I do the same back it means I want to interact. Otherwise assume I won’t be following back if I haven’t in a week. I have had some odd things come 60′s way and it is why this blog is locked down now.
Follows: If I follow back it means I want to interact with you. If you're a mutual and you still have not interacted with me after several weeks I WILL unfollow. This is nothing against anyone or meant to be unfair/mean spirited. The blog is an rp blog so of course I want to interact with you all. Also I do not just give free follows since this is not a personal blog.
I would love to follow back depending but if I see no rules or somewhere that states 21 and above for the mun on your blog I won’t. I interact solely with those 21+. I myself am 28 years old. Respect this and don’t lie about your age to me. I have had people lie to me in the past and they’ve been dropped faster then you can shout “Deviant Spotted!”
I reserve the right to unfollow anyone for whatever reason including but not limited to rp politics. Ya gurl not here for rp snobbery or assumptions made. If I become uncomfortable I will soft block to unfollow quietly. I also practice block back. Meaning if I’m hardblocked (which is in anyone’s right who is uncomfortable with my content) I will hardblock back. It’s only fair and honestly it’s a lovely page taken out of one of my waifu’s books.
OOC: If you post a crap ton of ooc posts (I mean plz it’s your blog and your content is yours so go for it) I may unfollow if I cannot blacklist them properly. I mean things that aren’t rp related. This is only in extreme cases. My blog has overwhelmed me so the dash being flooded is something I want to clean up.
Replies: As I have stated in updates on this blog I am super busy and backed up. My reply speed is slower due to lots of drafts and asks. You can remind me but please don’t come at me or try to push me. Muse can be fickle. Some days I have it for a specific verse, others I have it for shorter convos or text threads. I aim to reply to everyone but keep in mind running this blog is not easy and I want it be fun for me. It’s a hobby. When I have to worry and hide from people this is no longer that. If it continues I will drop the thread completely. Only in extreme cases.
Pressuring: Do not come into my inbox on anon passive aggressively asking when I will reply to threads. If you honestly want to remind me like a normal person my dms are open to mutuals only. Do not guilt me into rping. If you pressure and attempt manipulating me you will be blocked. This has happened and I will not put up with it.
Please reblog any memes/prompts from the source and not this blog. I am not an rp source or creator of these. If you continue to do this and just harvest my blog for memes without even interacting I will unfollow/block. If you reblog send me one then. If not well do not do it. non-mutuals do not reblog anything at all from this blog. Also I have to mention some people have used me as a source WITHOUT reblogging from me. Meaning they see the meme and reblog it for themselves as a means of bypassing sending in anything. If we’re mutuals why are you doing this? It will just make me think you do not want to interact.
Asks: Do not reblog asks. Please if you wish to continue make a new post and link back to ask. It just makes my dash a little cleaner and I want to avoid extra asks in the inbox continuing it when we can turn them into convo threads. So please don’t keep sending asks to continue a plot line. Thread it.
IMPORTANT NOTE ABOUT HATE & ASSUMPTIONS: If I discover you sending hate on anon to anybody you’re gone. If you send hate to people about what they ship, especially to female muns/muses, you’re gone. I will not tolerate hate of any kind and if I see you talking negatively about any female muse I will soft block you quietly. I just do not want to interact with you. People who assume generalized posts are about them when I follow you will be softblocked as well. Honestly it’s a given that if I’m following it’s not directed at you. I will not put up with assumptions or continue to view it on my dash. Unfollow me, softblock me, etc. It’s not difficult. My comfort levels are important to me as well as yours should be.
I will not interact with egoists. If I see anything that wigs me out I will just softblock quietly. Elitists go home. I don’t want you here.
I will never rush or be pushy at my partners. I’m so chill about threads. please take your time. let’s never take the fun out of it. never think you’re taking too long or bothering me. DM’s are open to my mutuals only.
I do not do passwords or send messages of any kind. If I am following you rest assured that I have read your rules. I do this automatically when someone follows me and vice versa since I expect the same. If I’m liking update posts you can consider that me seeing it as well.
unfollowing/refollowing: Don’t do it on my blog. If you follow and then unfollow but for some reason come back to follow you get blocked from my side. I don’t need the bs or the attention seeking.
Duplicates are amazing but I will be selective who I follow back and interact with. Nothing personal but I have been the victim of theft in the past. It’s an unfortunate thing but my characterization and headcanons for 60 are my own. I have been writing this boy forever even long before I made this blog. I’m highly protective of my ruthless king. He is my baby after all.
softblocks: I remove people by doing this. It could be for any reason to be honest. We never interact, you keep dropping our stuff, show no interest, I don’t see us interacting after all or any number of reasons to make my dash more comfortable. Do not ask me why I did it. That’s my comfort. No hard feelings. Just move on. I don’t have to cater to you. If you don’t like my methods use the unfollow button and leave my blog. Simple enough.
hardbocking/blacklisting: Yes I have done it. Am I going to blatantly broadcast it for all to see? Nope. I am not obligated to explain why I blocked you. Most times you have broken my rules despite me reminding to read them. Other times there are people I just do not want to see and that is my right not to see them. Same goes for you. Block me if you do not like what you see. I will not censor myself, my writing or who I interact with.
ostracizing people in the rpc: If you don’t like who I am interacting with use your blacklist function. NEVER tell me not to interact with them. If I find out you practice this exclusion tactic on others in the rpc I will purge you off my blog no questions or explanation needed. I totally get it. There are people I don’t like. No one is going to like everyone but do you see me telling others NOT to write with them? Hell no because I know for a fact they have done it to me and others love to listen without all sides to a story.
I also drop people who vague in public servers because it’s straight up childish behavior. I also will not follow or interact with anyone who guilt trips, suicide baits or lies with a pity party song and dance. When you’re found out to be lying or telling other people not to interact with somebody in this RPC I want nothing to do with you. Move on. That’s it.
Drop a like if you made it this far. Whew! No passwords needed. Even if you don’t drop a like it won’t prevent me interacting it’s just nice to see.
#[ooc files]#{~status: updates}#{~status: guidelines}#{{rule post to be linked for a more mobile friendly view}}#{{new rules fully integrated}}#{{thank you loves}}
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Do you have any tips or pieces of advice for someone who's looking to start up an rp blog for a character? I have plenty of experience roleplaying, but none of it is with tumblr.
//OH sure sure !!
lets get the technical stuff out first, make the account for your new blog in advance, before you prepare anything else because tumblr has this anti-bots security system in place which doesnt allow new blog’s posts to show up in the tags (and tags such as #indie rp, #anime rp, #insert show here rp are pretty important in getting ur blog out there). you’ll also have to follow some people, get followed back by at least one, reblog+like some posts before your stuff starts showing up in the tags
of course u can disregard the whole promotion thing and just follow people and wait for them to follow you back, but if u want new people to find you without you actively looking for them, its good to drop something in the rp tag. but again, you dont have to do any of this.
ALSO IM PUTTING THE REST UNDER READ MORE BC IT GOT LENGTHY:
so heres stuff you can prepare (or not, its totally up to you !!)
icons - a relict of dreamwidth era , not necessary but i find that they add some zest to the interactions so personally, im a fan. usually 100px x 100px u can make them fancy or not, your choice. just get some basic facial expressions (but again, you dont NEED them)
themes - some rpers pay a lot of attention to blog themes, i used to be like that but tbh rn i dont think anything beats a nice basic theme w/ a readable font. hit up theme hunter and snag a theme u like !!! OR DON’T, thats totally up to you !!!
also you can set your blog to dash only in the blog’s settings which means u dont have to bother w/ a theme !! its a popular thing in rpc nowadays !!!
oh and just a hint – id avoid using somebody’s art for icons or elements of theme… i mean sure u can credit them but hardly anybody looks at credits so idk id just avoid it altogether cuz the artists dont like that and theyre absolutely right. i used to use peoples art for icons and i had some artists reach out to me and ask that i dont do that and tbh now i cringe at my past-self for not seeing that its soo disrespectful of the artists
what to put on blog:
about page - its a page where rpers put some basic information about the character they write as. it can be super important if youre writing as an OC (not many people will follow an OC if they dont know anything about them tbh) !!! if youre writing a canon character u can just resort to filling out a basic dossier (like listing their name, age, whatever… YOU CAN USE THIS and fill out what u like). or you know, do whatever. on cell, i just wrote a piece of Something and linked his wikipedia page lol. do what you feel like, its just a thing in rp community.
rules page - slightly more important. this is where you set boundaries and introduce yourself ooc. after introductions ur expected to tell people what’s NOT ok by you, for example, you say that godmodding is not ok (godmodding is when people write in their own responses what ur character is doing), maybe shipping is not ok by you, maybe u dont want to write smut ever etc. you put all of that there and any additional info you feel the need to add (for example, asking people to tag certain triggers etc). try to browse other peoples rules pages to get the feel
verses page - some blogs have a lot of specific verses like idk, an AU in which ur character is evil etc. this is a page where u can put them and add descriptions, UP TO YOU. i find that its less important than about or rules page, focus on those 2 first, especially the rules page bc its what people usually check out first before writing with u!! add verses later !!!
how to start an rp blog:
OK so lets say you’re prepared and ready to write. i usually post a promo to announce my Arrival to the rp market. take a look at what’s in the indie rp tag for example, just to give you an idea what ppl post there. it used to be REQUIRED to post like… a graphic advertising ur blog but tbh these days u can just drop a text post (preferably with ur icon so that people know which character u write) and you say smth like ‘HELLO, a new (character here) RP blog here!!! like/reblog if youre interested in writing with me!!’ (ofc write whats natural to you, just introduce ur blog in whatever way u feel like it– OR DONT, YOU DONT HAVE TO DO THIS)
BEFORE POSTING A PROMO MAKE SURE YOUR POSTS SHOW UP IN TAGS FIRST. YOU MIGHT HAVE TO FOLLOW SOME PEOPLE FIRST (refer to this) – where to find those rp blogs?? refer to tags below.
what to tag your promo with: remember that only 5 first tags will show up in the search results. so pick some good tags, i think the most important tag is #(show/movie/books name) rp. heres my promo, u can check the tags i used there and come up with your own accordingly. and also browse these tags to find people to follow, like idk, lets say u wanna rp sb from naruto, then u hit up #naruto rp and just scroll and follow ! also avoid using swear words or nsfw words in ur promo bc tumblr will censor it lol
but remember YOU DONT HAVE TO POST A PROMO, THIS IS ENTIRELY UP TO YOU !!!!!
how to start WRITING on an rp blog:
ok so youve gathered some followers, now what. i usually just post a starter call! this is a post that people who want to write with you will like and you in turn will start a thread with them (doesnt have to be IMMEDIATELY, take ur time). you can also reblog rp memes which are like writing prompts people send to you (but i dont recommend starting ur rp blog w/ a memes barrage, people usually want to get to know your blog a little bit more before they send you a prompt).
you can also wait for other people to post starter calls and then you like them (but check their rules first !!! for example, most people have a rule about being mutuals only, which means they will write you something only if youre following each other back), which also works.
AND THATS HOW IT GOES !!! you are now writing on an rp blog. remember to take it easy and do what feels natural !!! browse some other rp blogs to get Inspired (but dont just lift things, stealing is a big no-no in the community). do what you feel comfortable with, if you dont want to make icons then dont! you’ll always find somebody who’ll write with you without icons (we just rly like them lol). be patient with others and yourself, read peoples rules, be nice, dont reblog an rp meme without sending a prompt to the person youre reblogging from (thats called reblog karma, if you dont wanna send a prompt then rb from the source), put yourself out there and UHH have fun !
#if u have any other questions feel free to ask IVE BEEN AT IT FOR A LOOONG TIME i am a fountain of knowledge#Unfortunately.#Anonymous#and again you dont have to do any ot this its jsut advice. there is no RP police that will hunt you down if you dont have an about page#those r just standards people are most familiar with !
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![Tumblr media](https://64.media.tumblr.com/81e93c414abdf238fb76ffeebeb012da/tumblr_inline_pq5svk9bPj1vx9q52_540.jpg)
Thank you to all these amazing people for participating in the Profound Bond’s Fairy Tale Exchange 2019! I hope everyone enjoyed their amazing gifts. The next round opens up soon, so keep an eye open on that! And special thanks to @foxymoley for creating this beautiful banner for us!!!
If you’d like to join the exchange, then head on over and join our discord! Information can be found on the wiki which you can access here.
List of creations below the cut.
A Kissing Story by @nickelkeep for morrigan (eliza_sugarcane)
Dean is nursing a cold and because he wants to make sure his immune system stays up to snuff, he refuses to let Cas heal him. Cas plays along and heals him in the old fashion way. With Orange Juice, Chicken Noodle Soup... and a Bedtime Story?
General Rating
Tags: Fairy Tale Retelling, Domestic Fluff, Established Destiel, Story within a Story, The Princess Bride References
Pearl Diving and Other Magical Acts by @drawlight for JessJessTheBest
There are no such things as fairytales. Except maybe the one about the angel with the human heart. How does it go? Oh yes, that's right, Once Upon A Time.
Teen Rating
Tags: Soulmates, True Love, Pining, Fairytale Elements, The Snow Queen Elements
Turning Pages by @tobythewise for saltnhalo
When Dean and Castiel find themselves thrust into the pages of a storybook, Dean has flashbacks of Gabriel's tricks. He assumes that if he can go through with how the story is supposed to be told, he can navigate himself back out. But can he really go through with what the Book expects him to do? OR The one where Dean attempts to be Prince Charming five times and fails and the one time Castiel succeeds.
General Rating
Tags: Canon Divergent, True Love's kiss, Fairytale elements, Crack treated Seriously
I Found by @unholy-wine for Jess [thatpeculiarone]
On the day his new neighbor moves in, Dean finds a plant on the sidewalk in front of his house. Perhaps it’s generous to call it a plant: it’s small, and doesn’t seem like it has much of a life left without interference. He hesitates. Maybe the plant is his neighbor's. He should go ask.
Teen Rating
Tags: Fluff, Witch!Cas
With Conviction by @profound-boning for iCeDreams
Once upon a time, a simple encounter changes the course of two boys’ lives forever. It all begins at the market.
General Rating
Tags: No warnings apply, historical au, royalty au, fantasy au, alternating POVs, love at first sight, happy ending
The Hunter and the Angel by @a-insominia for snarkysnartes
The monsters are still around, but so is the angel. And on the darkest of nights when your blood could freeze, when you hear a creak on the floorboard, see a shadow at the window, hear a whisper on the wind - that's when he comes, fulfilling a promise he made to the hunter.
Teen Rating
Tags: Major Character Death, Post-Canon, Heavy Angst, Post-Canon, References to Canon, Winchesters in Heaven, Future Fic
The Happiest Place on Earth by thatpeculiarone for robotsnchicks
Somehow Team Free Will 2.0 end up in Florida and somehow, they end up in Disney World. Dean finds himself in a land of fairy tales and make believe but is ultimately prepared for a day of nightmares. Yet, it turns out Disney World has a lot of surprises.
Teen Rating
Tags: Disney World, First Kiss, Canon Universe, Dean's Fear of Heights
Aladdean by @alessariel for profound-boning
There’s no nice way to put it: Dean’s a thief (among other unsavory things). But no matter what the palace guard claims, Dean only steals what he and his brother need to survive. Down on his luck and starving, Dean is approached by a strange man offering him the chance of a lifetime. It’s supposed to be an easy job. What could possibly go wrong? *** After the storm summoned by his rage and desperation had died down, Castiel collapsed on the smooth metallic floor. Castiel‘s mind wandered back to the one thing occupying it since he’d found himself imprisoned here once more. For an ageless being of insurmountable powers it was kind of pathetic how he couldn‘t stop thinking about one lowly, inconsequential human. Only Dean was anything but low or inconsequential, at least to Castiel.
Mature Rating
Tags: Fairytale Fusion, Angst, First Kiss, Wingfic, Djinn!Cas, Mentions of Prostitution, Desperate Dean, no smut, minor Charlie/Meg
Kiss Me Like One Of Your French Frogs by @nox-lee for sunny/blueeyesandpie
When a routine hunt goes sideways, Cas is hit with a curse and turned into a frog. Sam and Dean hit the books to find a cure, and Dean finds more than he bargained for.
Teen Rating
Tags: canon universe, fairy tale curses, animal transformation, true love's kiss
(Pillowfort)
Disappear in the Trees by @wildsofourhearts for MalMuses
In a library that once entered, can't be exited, Castiel, against his will, works as the lone librarian, doing his best to make the people who wander inside comfortable in their final moments. Forced to weave human lives into storybooks for the library to devour, he hasn't seen the outside world in decades. Enter Dean Winchester. Can the chains of the library hold Castiel with another, more profound, bond forming between he and Dean?
Teen Rating
Tags: Hunter Dean Winchester, Librarian Castiel, Dark Fairy Tale Elements, Castiel and Dean Winchester Have a Profound Bond, Falling in Love, Hurt Castiel, Protective Dean Winchester
Under the Red Hood by iCeDreams for noxlee
Do not go into the woods, do not go when the moon is full and the wolf howls, hiding in the thicket. Having been under Wolf’s Night for more than ten generations, Dean trained under the Order of the Hunters to slay the wolf that has been taking the children from Chesterford. Donning his red hood, he seeks out this monster to make Silver Ash safe again.
Teen Rating
Tags: Injured Dean Winchester, Mentor/Protégé, Snarky Castiel, Alternate Universe - Fantasy, Red Riding Hood,
(Fanfiction.Net)
Of Bears and Dinosaurs by @elizasugarcane for canadduh
Dean sometimes wonders what he did to deserve this.
Teen Rating
Tags: Fluff, parent cas, bedtime story, cute
You Broke Up With Me by turningthepages for Pimmy
"Fairytales ain’t real and if they were I wouldn’t wanna have that shit. I mean who’s that happy all the damn time? If you always have sunshine coming outta your ass then where’s the passion?"
Mature Rating
Tags: Alternate Universe - Modern Setting, Friends to Lovers
What All Fairy Tales Have in Common by @blueeyesandpie for Insominia
Dean is struck by a sleeping curse, and there doesn't appear to be a cure...
Teen Rating
Tags: Fairytale elements, Sleeping Beauty, angst with a happy ending, canon compliant, Sam feels guilty when he shouldn't
i'm where i'm meant to be by @hanneswrites for usarechan
DeanCas Tangled AU || Fluff Dean has been crushing on Cas since they first met, their feelings come to a head during the yearly Lantern Celebration (from Tangled).
General Rating
Tags: Shipper Sam, Oblivious Dean, Alternate Universe - Tangled (2010), First Kiss, Getting Together
Old Tales Made New by @malmuses for sternchencas
Cas enjoyed a quiet, pleasant life. A little lonely in the love department, perhaps, but he had a pleasant rhythm to his days thanks to running his basement bookstore, Subtext. His days got a pleasant little shake-up when a hurricane blew a fantastically beautiful book-lover into his store; Unfortunately, Dean wasn't from Sioux Falls, and Cas wasn't sure if he was interested in any more than a dry place to pass the time. Obviously, Cas didn't pine. He was far too sensible for that. Or so he told himself.
Teen Rating
Tags: Alternate Universe - Bookstore, Bookstore Owner Castiel, Mechanic Dean Winchester, Mutual Pining, Epistolary, POV Castiel, First Kiss, Awkward Flirting, Castiel recites Shakespeare
Shifting Stories by @malmuses for turningthepages
Gabriel had seen a lot of pining in his time. Over the slow passing of millennia, he’d observed some of the world’s greatest love stories. Antony and Cleopatra. Orpheus and Eurydice. Mary and Joseph, not to toot his own horn. But these two… these two might be the death of him... Gabriel had only been in the bunker three days, but he was already totally done watching Dean and Cas dance around each other, awkwardly no-homoing their way through life. So, he came to a decision. He was going to make them fake it. He might have been a little low on grace, but pocket dimensions and reality manipulation? Child's play, for him! Time for some new roles for Dean and Cas, in their very own fairytales. "Changing Channels" but with fairytales. Or, when Gabriel gets fed up and forces the hunter and the angel to play at getting together... repeatedly.
Teen Rating
Tags: Alternate Universe - Canon Divergence, Inspired by Changing Channels, Fake/Pretend Relationship (or kind of), Dean Winchester Needs to Use Actual Words, Friends to Lovers, Gabriel Ex Machina, Miscommunication
Groundhogs in Sweaters by @saywhatjessie for unholywine (floor)
“You ever think about what our lives would be like if the monsters looked like how they were supposed to?” Or Dean muses over what life could be like and Cas is too cute for words about it.
General Rating
Tags: Castiel/Dean Winchester, Dean Winchester, Sam Winchester, Castiel (Supernatural), Canon verse, fairytales - Freeform Profound Bond Gift Exchange, Crack
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@propinquitous tagged me to talk about myself, and yeah, I generally do that when people don't run away fast enough, so here we go!
Name: Hth is my real-live name; it is pronounced “Heather.”
Fandoms: Oh, I dunno, I guess it depends on the entrance requirements? Right now I'm pretty absorbed in The Magicians, but I also follow fannishly and have recently written for Schitt's Creek and Supernatural, and I follow fannishly but do not write for the MCU and Star Trek and Star Wars and, like – other things, as they catch my fancy? Also many others over the years, but that's kind of where I am these days.
Where You Post: AO3, like all the classy bitches.
Most Popular Oneshot: According to kudos on AO3, it's In the Hands of Yes, a Stargate: Atlantis fic which I posted there in the Year of Gay Jesus 2009. Aliens make Rodney and Ronon get married; they're fine with it.
Most Popular Multi-Chapter Story: I actually very rarely wrote those until pretty late in my fannish career and I really only have four or five to choose from, but so far it's my current Magicians coffeeshop-AU-with-no-coffeeshop WIP, Pretty Good Year.
Favorite Story You Wrote: My favorite is always the one I'm currently writing, so definitely Pretty Good Year, but if you exclude that one as having an unfair advantage, I think – damn, I don't know. I'm pretty partial to Casanova (Fucked Me Over), the canon-verse Supernatural story I spent half a year on and nobody besides me gives a shit about (that's not true, I had some very nice commenters, but it's – more true than not). I don't know, I think maybe it's just too personal to resonate with other people? But I reread it periodically, and it's really satisfying to me every time, which is rare.
How You Choose Your Titles: I either jack a lyric from one of the songs I was listening to as I brainstormed the story, or else I lean toward really lean, noun-based titles that kind of underscore whatever I think is the High Concept of this particular story (T-Minus 1 is about the dramatic irony of David being on the verge of his big love story and not realizing it yet, The Bee-Charmer is about slowly approaching people without spooking them, wherein Ronon is both the bee-charmer and the swarm of bees, Lexicon is about communicating with actions vs with words. Yadda yadda.)
Do You Outline?: Depends on the length of the story. If it's a genine one-shot, where I don't plan on very many scene changes, it may just be in my head as a complete entity and I don't need to bother. If it takes place over any span of time, and I intend to show things developing and changing, yeah, I can't pace that out mentally without taking at least a few notes. Sometimes it's just a page or so of bullet-points to make sure I get from one place to the next, and sometimes when I'm feeling my way through a story, I'll just start writing, and I'll have a mini-draft that's just like “and then this happens and then they do this, and then Character X is like, I will never forgive you! And Character Y gets drunk and” I don't know, whatever. Those tend to run anywhere from five pages to twelve or fourteen. My outlines usually look – mostly like the finished versions, although there's always at least one point where they start to diverge enough that I have to reconcile the two versions somehow, and that's fun.
Complete: So on AO3 I have 44 complete stories, but that is a serious lowball in terms of my whole fannish career, which – I started writing X-Files fic in 96 or 97, and then wrote voluminously until I burned out on fandom in around 2009 or 10. Not everything I wrote during those thirteen years or so is up on AO3 – some of it I just don't like well enough to want it to be that easy to find (I mean, it's all on the internet somewhere, I don't kid myself that it's not findable, I just don't want to help), and a lot of it always felt like ephemera to me – 2k or 3k of something I just wanted to try in a particular voice or a tense or commentary on a minor character or a wonky crossover idea, stuff that I feel weird about Archiving as though it was ever meant to be a published product rather than me dicking around on mailing lists or on LJ. Also, I don't have any of the stories I wrote under the Betty Plotnick pseud on AO3, which was something like a dozen interconnected Sentinel stories and around the same number of unconnected boyband stories. I think they're still up on the internet somewhere too, but – I don't know, it's not that they weren't good, because some of them were. They just come from a weird part of my life and I haven't been motivated to think about them or look at them for a long time. Maybe someday. Anyway, if you add it all up it's a fucking lot of fic, but I think all the significant stuff is part of those 44 stories on AO3.
Coming Soon/Not Yet Started: I'm bailing through a Schitt's Creek story I signed up for right now; I think it'll be short but sweet, which seems to be the role that Schitt's Creek fandom is filling in my life at this time. There's also an Eliot-centric fic event happening at the end of the month, and I thought I'd knock something out for that, although I still haven't decided what, exactly. In terms of big projects, I have a running file of outlines and notes for, hrm, I think five Magicians stories and six or seven Supernatural stories (some of which I have actual words on and some of which I don't), and when I'm done with Pretty Good Year, I'll probably throw a dart at my laptop and pick one of those to actually write.
Do You Accept Prompts?: I mean – theoretically? I never know what's going to spark in my head and what's not, but I really like hearing ideas. I guess I accept “you should totally write this!” as long as it's understood that my response is likely to be “omg, I totally should!” followed by never doing that.
Upcoming Story You Are Most Excited to Write: I don't know, going back to that file of stuff, all of it is exciting enough to me to have put some thought into. Maybe the Lisa/Dean/Castiel story I outlined when I got really annoyed thinking about how much wiping Lisa's memory and leaving her with a dead boyfriend in her living room would have fucked up her life, and I decided I could come up with something better than that nonsense. I don't know if anyone would ever in a million years read a Lisa-POV story that spans four years and kind of makes Dean look like a careless dick, but it interests me, at least.
I don't know who I know that hasn't been tagged, but – how about @orchardsinsnow and @amagpie if they haven't been yet?
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You’re Not Too Bad Yourself (Yondu + OC -Platonic) [Part Two]
Back at it again
Part One
“Here’s the bag ya came on the ship with.” Kraglin handed Red a black bookbag and she took it, opening it to make sure everything was in place. Four holographic spacesuits, two guns, a few knives, and a cassette player with a few extra tapes. There was also a picture that Kraglin couldn’t get a good look at. He leaned in a bit, trying to look at the picture.
“I will gut you.” Red glanced up at Kraglin. There wasn’t a big height difference; he was just a few inches taller than her. Kraglin slowly leaned away and looked forward gain as they walked through the ship.
Red was okay with the silence since she wasn’t really for talking at the moment; unlike Kraglin. The man seemed to get a bit fidgety, making Red raise an eyebrow. He took that as a signal to start a conversation.
“So you’re Terran, right?”
Red slowly nodded as her eyes went to her bag again, zipping it up.
“Thought all their teeth were white.”
Red ran her tongue along her teeth before responding, “Yeah, they are. I just decided I wanted sharper, golden canines. Lots of humans get gold or silver teeth. At least, they do where I’m from.” She shrugged. “Since ya wanna talk so much, where are you from?”
“Xandar.” Kraglin watched as Red flung her bookbag over her shoulder. She caught his gaze and glared at him.
“Whatcha lookin’ at?”
“Ya got yourself caught.” It didn’t come out as a question, more of a statement, like he knew he was right. They both stopped walking now and Red stared at him, a bit baffled.
“What? Why would I--”
“Well ‘s kinda easy to tell,” Kraglin started, hands on his hips. His eyes wandered up to the ceiling as he rocked back and forth on his feet, “You’re the infamous Red Widow. A spy. Sneakin’ around is your job. If ya didn’t wanna get caught, ya wouldn’t ‘ve gotten caught.”
“Well, I can’t be perfect all the time.” Red retorted, raising an eyebrow.
“Yeah.” Kraglin looked at Red again, “But I can tell ya forgot about that map in the pocket of that bag. The map of this ship. ‘N it looks like ya drew it yourself too.”
Red’s eyes widened and her hand went to the packet of her bookbag, gripping the map as she bit her tongue.
“Just came for Cap’n’s help, huh?”
“Don’t. Say. A word to him, Kraglin. I’d rather die than have him know that I needed his help.” Red hissed as Kraglin smirked.
“Nah, I won’t tell.” He chuckled and started to walk again. Red took a breath and continued to follow him. She took her hair tie out and ran her fingers through her hair as it grew silent again.
“It’s not a good idea to have ya close to the rest of the boys so I guess I’ll give up my room ‘til all of this is over.”
Red quickly put her hair back into a messy bun as Kraglin led her into the room. It wasn’t very big, but there was a bed, a dresser and a bit of extra room to walk around.
“You sure?”
“I can sleep somewhere else.” Kraglin shrugged.
Red let out a hum and walked towards the bed, putting down her bag. She pulled out her cassette player and examined it to make sure it wasn’t broken.
“Ya know, I think a thank you is in order.”
“Yeah?” Red scoffed, looking at him, “That might be true. It ain’t happening though.”
“Worth a shot.” Kraglin crossed his arms. “...You ‘n Peter listen to the same music?”
“Eh. I don’t know. Sit down and we’ll find out.”
“So that was the key conversation starter all along.” Kraglin moved to sit next to the redhead, but he made sure there was decent space in between them.
“I like to talk about music.” Red smiled then paused, “But we ain’t friends. You know that, right?” She glanced up from her cassette player.
“Of course.”
“Good. We’re still on the same page.” Red pressed play and set the player down. “This song came out in 1998.”
“Yeah?”
It’s been three weeks since you been looking for your friend
The one you let hit it and never called you again
‘Member when he told you he was ‘bout the Benjamins
You act like you ain’t hear him then give him a little trim
“She isn’t singing, is she?” Kraglin asked.
“She’s rapping,” Red responded. “This woman could rap and sing. Her voice was beautiful.”
It was silent between the two again but this time it wasn’t a problem. Kraglin found himself enjoying the flow of the music.
“I think Peter listens to music that’s older than this.”
“Yeah? I see. I think I have some songs he might like. But this is usually what I listen to.” red nodded to the beat of the music.
Guys you know you better watch out
Some girls, some girls are only about
That thing, that thing, that thing
That thing, that thing, that thing
Red sung along to the chorus and Kraglin raised his eyebrows. “At least ya sing better than Peter.”
Red chuckled in response, shaking her head.
This second verse is dedicated to the men
More concerned with his rims and his Timbs than his women
Him and his men, come in the club like hooligans
Don’t care who they offend, poppin’ yang
“Yeah, this songs sounds right up your alley.”
“Oh, whatever. Men are like that. She’s just telling the truth.” Red shrugged.
“Ya really think all men are like that?”
“I ain’t gonna let a Ravager of all men try ‘n tell me otherwise.” Red raised her eyebrows.
“Point taken.” Kraglin raised his hands up.
Money taking and heartbreaking, now you wonder why women hate men
The sleepy silent men
The punk, domestic violent men
Quick to shoot the semen stop acting like boys and be men
“Strong lyrics. What’s her name?”
“Lauryn Hill.” Red stopped the song and grabbed another tape. “But this tape has music that’s probably up Peter’s alley.” She switched the tapes and pressed play again. “I didn’t expect to talk to you for this long.”
“Well, I’m pretty talkative.” Kraglin shrugged.
“Yeah, a bit too talkative.”
Steve walks warily down the street
With the brim pulled way down low
Ain’t no sound but the sound of his feet
Machine guns ready to go
Are you ready, hey
Are you ready for this?
Are you hanging on the edge of your seat?
“This does sound like something he’d like.” Kraglin nodded.
“Everybody loves Queen.” Red winked then chuckled. “Shouldn’t you be up your Captain’s ass somewhere?”
Kraglin chuckled. “Nice talkin’ to ya too.” He stood up. “Don’t destroy my stuff.”
“You won’t even know I was here.” Red cooed, watching him leave. “And if I feel up to it I might show you some TLC later.”
“Sounds interesting. Keep the door closed ‘nless ya leave out.”
“Yeah, yeah.” Red waved her hand in a dismissive manner as Kraglin closed the door, leaving her alone.
She turned off her music and let out a sigh, laying back on the bed and closing her eyes. She flinched a bit and opened one eye once she heard yelling; Yondu being the loudest out of all of them. She turned on her music again to drown them out.
“Hooligans.” She mumbled, closing her eye again.
This was just temporary. She’d be gone as soon as possible.
Music: Doo Wop (That Thing) by Lauryn Hill & Another One Bites The Dust by Queen
Tags: @my-world-of-imagines
If you want to be tagged in ANYTHING just let me know!
#gotgvol2#gotg#gotg fanfiction#yondu udonta#yondu#guardians of the galaxy#marvel fanfiction#marvel fandom#marvel fanfic#gotg fanfic#writers on tumblr#creative writing#fanfiction#fanfic#spilled words#mgwrites#red widow#spy!au#my ocs#oc#ocs#original character#original characters
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I’m on mobile. Can I get a link to your rules?
Hello my dear! My Rules page is a pop up so let me go ahead and copy and paste them and put them under a read more for you.
RULES AND GUIDLINES
Hey there! My name is Luna! and you have managed to find my rules page. Please take the time to read over them. Most of my rules are the basic ‘don’t be a dick’ rules, so hopefully it won’t be too hard to get through. If you have any questions please feel free to ask me.
LAST UPDATED: 09/17/2018
ABOUT
This is a Tamaki Suoh blog from Ouran High School Host Club. My interpretation of him is based on the anime and manga so please expect me to incorporate things from both! I will also be throwing in the flare of my own headcanons into the mix, so please expect that.
I am SEMI-SELECTIVE blog. What this means is that I am reserving the right to decide who I want to roleplay with at any given time. I do this for my anxiety sake, and I don’t ever want to roleplay with someone out of guilt or obligation. All I am asking is that you please respect this, I have a hard time with confrontation, but I am not about to be bullied either.
My activity often varies day to day, there are some days that I’m on all day long, and other days where I don’t touch my computer at all. I’m a stay at home mom, and sometimes my children don’t exactly make it easy to actively be online. I also have other hobbies like video games, and sometimes I’m just in the mood to binge watch a show rather than trying to do drafts.
DRAFTS & MEMES & OPENS & VERSES
When it comes to DRAFTS, and replies I want it to be known that I am not fast most days. I have my good days and my bad days when it comes to writing, and even on my good days I’ve been known to queue things if I feel like I need a chance to get caught up. I ask nicely that you don’t harass me for a reply, though if it has been over two weeks you can kindly ask me if I’ve seen your reply because sometimes tumblr can be dumb, or I can be spacey.
Anyone is allowed to send in MEMES, however I reserve the right to decide not to answer it for whatever reason. You are totally allowed to turn any meme I answer into a thread, AS LONG AS YOU MAKE IT A NEW POST.
Along with memes, anyone is allowed to reply to one of my OPENS or like one of my STARTER CALLS. The only time this changes is if I specifically tag it as 'mutuals only’, and I ask that you please respect that. Though I do try to write everyone a starter or make sure I answer everyone’s reply to an open, I’m not perfect. I may miss one or two, or I may not be able to come up with something decent.
I am a multi-ship and multi-verse blog, and what this means is that any and all interactions I have with fellow rp partners are all in their own separate verses. Unless discussed ahead of time by all parties involved. I love all forms of AUS and CROSSOVERS and most of the time am more than willing to figure out something with my rp partner if their character isn’t from the Ouran canon. Especially since Ouran isn’t exactly an active fandom, i plan on making plenty of different possible Aus for Tamaki to make him more accessible for crossovers!
SHIPPING & PLOTTING & MAINS & NSFW
When it comes to shipping, I have been often times described as a shipping hoarder. I am also someone who can see a potential ship quite easily. However, I’m still a fan of chemistry between characters. I am of course always willing to hear someone out of they think there is a chance that a ship can be formed, however this does not give anyone the right to push their muse onto me or Tamaki. Please respect this. If I think the ship feels forced in any regard there is a good chance I will drop it.
Plotting is a team effort, no one person should be expected to come up with the entirety of any plot. With that being said, if you approach me for plotting, or like a plotting call, please be prepared to actively engage with me and work with me to try and come up with something for our characters. If it seems like you are unwilling to actively help me out then there is a good chance that I will lose interest and give up altogether.
If you are an ORIGINAL CHARACTER looking to interact with me I am totally game! The only thing I ask is that you have at least some sort of about page so I can read up on your character, or be willing to answer any and all questions I may have about your character.
When it comes to nsfw content such as roleplaying out a sex scene it goes without saying that I will only write such things with someone who is 18+, even then I rarely ever write out sex scenes. This is honestly because I feel uncomfortable and am never satisfied with my writing. However I do still write it from time to time with people I know ooc and am comfortable with and those threads will be tagged.
Another added note about NSFW content is that there will be no sex scenes happening within Tamaki’s main verse because he is still a minor by U.S. Standards and since that is where I live I’m going to abide by that law. HOWEVER. I have verses where Tamaki is over 18 and am more than willing to discuss such things in those verses, though like i said before I rarely ever write sex scenes to begin with.
I rarely do exclusives, the reason being that every time I was involved exclusively with someone it went to shit and only caused problems and unneeded drama. I will however take on mains and all that means is that muse permitting those people will have priority, along with having to deal with my ass sending them songs, feels, memes and writing them random starters from time to time.My current mains can be found in the next tab over titled 'mains’.OOC DRAMA
Alright here is the dealio my friends.
I am not a fan of OOC Drama, i’ve seen my fair share of it and i’m just not a fan. With that being said, I want to be left out of it. Whatever the drama is, just leave me out of it all. I’m not a fan of callout posts in almost every capacity. I think they are beyond childish, and scream ‘high school drama bullshit’, like it’ a goddamn burn book and no one needs that shit okay? Dragging your personal beef with someone like that is just.. -deep breath- my point is, I don’t like it.
Obviously i’m not a fan of anon hate, and I won’t tolerate it on this blog at all. You can expect them to be blocked immediately. I am here to have fun writing a character that I love with all my heart, and i’m not about to let tumblr’s toxic nature ruin that for me. So please if you have a problem with the way I run my blog then just unfollow me, or even block me if you have to. I’ll do what is good for me, and you do what is good for you.
Also, don’t warn me about people. I know you probably think you are just doing something nice and looking out for people. But more often than not, you are just putting me in a really uncomfortable position that I don’t want to be in. So do yourself a favor and just.. Don’t.
MISCELLANEOUS
For the most part I am a relatively laid back person, I love to chat with my roleplay partners OOC, because a lot of time that helps me get to know them and it just helps for world building and creating something truly amazing together. With that being said, if we are writing together, especially if we have a ship.. I can be a babbler. I tend to get excited about ships and the things we plan to do and i love talking headcanons and ‘what ifs’ situations that can be created into plots. If this is something that bothers you, or you aren’t a fan of it? Tell me up front. If it’s the case then I’ll refrain to a pace that you are more comfortable with. I say this because if you say you are okay with it, and then proceed to.. give me short answers and make me feel like you aren’t interested, I will probably drop the ship because my anxiety can’t handle that.
Another thing to keep in mind, I have anxieties myself. Sometimes I don’t click with people as easily as I do others and that’s okay! However please remember that I’m occasionally busy and I may not always be around and on my computer. Sometimes I am forgetful, especially with the tumblr IMs system. However please please don’t spam me there with questions of like ‘did i do something wrong?’ or ‘ am i annoying you?’ etc. this makes me extremely uncomfortable and make me more likely to just nore reply at all as horrible as it sounds, but anxiety is a bitch and no one is perfect.
When it comes to following blogs, I do my best to look over new followers in a timely manner and a lot goes into my decision on whether or not I’ll follow a blog back. Please keep in mind that I obviously can’t follow everyone back because that would make my blog way too fast pace and I can’t have that.
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