#I might polish this up one day and post it as a real fic

[mx-loar-tev]

Okay but imagine, Regina waking up one morning to a baby crying.

She's confused, why is there a baby in her house? She should be alone, Henry had left months ago.

She investigates the noise and finds the child in Henry's old room, now back to the state his nursery was when Henry was an infant.

She then realises the baby IS Henry. Somehow she got back in time.

After taking care of baby Henry, she goes on research mode, pouring over old grimoires all day.

Around midnight, someone rings at the door.

It's Emma. She looks so young, she's only eighteen after all. She looks harried and can't seem to utter a word. Speech seems to have deserted Regina as well. They look at each other like deers stuck in headlights.

"Emma?"

All the tension seems to leave her at once. "Please tell me that means you remember too."

"You means the futur?"

"yeah."

"Yes I remember. Come on, you look like you could use a drink."

"You have no idea. I woke up this morning in a fricking cell. Good thing it was my last day behind bars and that I had the car. Spent all the money I had in gas."

Regina serves her a drink but Emma just fidgets with the glass.

"You want to see Henry?"

Emma looks terrified but nods anyway.

Regina leads her to the nursery where the baby is sound asleep. Emma is transfixed.

"God he's so small. I missed so much of his life."

Regina knows Emma would like to stay here and live the life she missed, just like Regina would like a do-over and have the chance to correct all her mistakes. But she knows they can't stay here, there could be too many consequences. They need to go back.

Emma stays in the house while they search for a way to undo whatever happened. She stays inside, not wanting to risk changing the past by interacting with the denizens of Storybrook. But staying inside means staying with Henry. Each passing day the thought of leaving the past (and the son she gave up once) is more and more painful.

"How are we even supposed to go back to our time without magic? It's not like we could steal the bottle of love or whatever it is that is inside Maleficent without changing the future."

"You managed to break the curse without magic the first time. We just need to figure out how you did that."

In the end they get nowhere. They resolve to ask for help the last person they want to speak too. After all Rumplestillskin from that time is certainly not the friendliest of man.

"I can't help you to go back to the future. You see, the curse that sent you back in time had a purpose. You need to find what it was to be able to go home."

Emma isn't having any of this crap. "Look Gold. I know you and you're hidden agenda. You're always hiding something. So tell us what it is already."

"Oh you're a feisty one aren't you? Just like your mother. Let me tell you, dearie, magic always comes with a price. What the price would be, I can't decide. Those laws can't be broken, only sometimes bent. I don't make them. You're here to find something and until you do, you're stuck here. If you're not willing to play by the rules, maybe you should make yourself comfortable then."

They go back to the mansion on Milffin feeling dejected. Gold's riddle is not helping. How are you supposed to find something when you don't know what to look for or where to start searching?

Two weeks pass and there's nothing new. Emma has decided she'll enjoy every stollen moment with her son. One afternoon, she's lounging on the sofa, thumbing an old spell book absentmindedly while keeping an eye on Henry squirming on his play mat.

Regina comes home from city hall and goes to pick up the baby for a quick cuddle.

Barely a second later, the ceiling lights come crashing down on the ground where Henry was a moment ago.

Both mothers are in shock and Henry is wailing.

Regina comes to her sense first and starts humming and rocking Henry to calm him down.

Emma is not moving, she's just staring to mother and son and to the shattered lights on the floor.

"I remember that," she says faintly.

"What do you mean?"

"I remember that. When I left Storybrook and you gave me these memories... This, this... I remember that. It was real?"

"Of course it was real. Where do you think those memories came from? It takes a really powerful curse to make up whole backstories. I barely had a minute to give you a past with Henry, so I used my own memories."

"So it was real, all of it?"

"Most of it, yes. I just had to tweak it a little. Your mind adjusted it itself mostly on its own."

Emma cries.

Later that day, they're finishing eating dinner.

"You know, it gives me a different perspective, those memories. I dismissed them back then to the point I've barely been remembering them, but now it's coming back. Parenting, it's hard. I know you probably gave me the good stuff, but the hard times are there too. I think I understand how you two ended up at odds to the point he came looking for me."

"I felt like I was doing everything wrong back then. Well, I did do a lot of things wrong."

"I don't think it was all on you. It was the situation too, you know. The adoption. I remember when I was a kid wondering why I've been abandoned. I remember those not-so-fake memories when Henry had found out I almost gave him up and was mad at me, or when he was asking questions about his dad. You just do your best, but sometimes it's impossible to make things perfect, because that's life and life is not perfect. So yeah, I get it. I get you and Henry."

Regina cries.

Two nights later Emma can't sleep. She tosses and turns but can't find sleep. She gets up and leaves the guestroom to go to the bathroom. She stops short when she hears Regina. She shared a room for enough years to recognise the noises someone makes when they're having a nightmare.

She enters Regina's room, trying to decide if she should try to calm her or wake her up instead. The choice is taken from her when Regina jerks awake, panting and crying.

"Hey, it's Emma. It's okay. You're safe. You're in your room."

She keeps reassuring her and reminding her where she is until Regina's breathing has returned to a normal rhythm.

She asks what she needs, if she wants to go back to sleep of if she wants hot chocolate.

That's how they end up in the couch at three am with steaming mugs of hot chocolate warming their hands.

Regina opens to her that night. It's unexpected for both of them but it feels right somehow.

Regina tells of her childhood, growing under the care of a loving father that was still too weak to protect her from an abusive heartless mother that she still couldn't help but love anyway. She tells of her first love, of the grief of losing him in such a terrible way, how she still see the life leaving his face every time she closes her eyes. She tells of being trapped in a loveless marriage with an indifferent man so old he could have been her father, of the horror of her wedding night with a spouse that believed a wife should submit to her husband in the marital bed. She tells of a girl that felt trapped in a never-ending nightmare, that didn't find another coping mechanism other than making other as miserable as she was feeling. She tells about a strange little man whose offer to help was too good to be true and sincere. She tells of how destruction felt like salvation for a girl that had never known anything but the cold pain of abuse and manipulation.

And Emma is listening. And she understands. She always had an intuition of what Regina's life must have been like, but hearing it is different. This is the cold reality, and Emma knows she was right when she decided to give Regina a second chance all those years ago, when she fought for her happiness because this woman deserves to experience it at least once in her life. She's also proud of Regina for everything she accomplished since they both met.

Emma tells her all of this.

They wake up on the couch the next morning with crooked neck and stiff limbs.

Emma goes to make coffee while Regina checks on Henry. When she's back with the baby, they starts preparing breakfast, they move around the kitchen with enough ease until they both reach for the fridge at the same time. They're so close, faces almost touching. They can't help but stare at the other while a strange electric feeling passes between them.

Then Henry gurgles and the moment is broken. They are awkward around each other now. They eat in silence barely broken by everyday talks, requests of syrup or jam, asks about which one should wash the dish while the other dry them.

Then Regina has to leave for work and Emma is left alone with Henry and her own toughts.

She's feeling bereft.

What happened earlier means something, she's sure of it. She tries to be honnest with herself, to admit what she might have known for a while but ignored. What she feels for Regina is not strictly platonic. The last few weeks spent living with her in the same house, taking care of baby Henry, only confirms that. She dreads going back to the future not only because of loosing this chance to experience Henry's early childhood, but also because she'll miss this domesticity with Regina. They won't keep playing house in the future, they'll go back to their own separate life. Well, not that separate, they'll still be friend, they'll still orbit around each other, but since Henry is grown up, they have less reasons to see each other.

So Emma will go back to a cold appartement, alone since the break up with Killian. She will mourn the loss of what she thought was her happy ending. She doubts those actually exist. Magic, dragons, fairytale characters, sure, it's normal for her now. But happily ever afters? They're myths, hopeful nonsense.

Unless...

Unless she goes for it. Unless she risks everything and confesses her feelings to Regina. Before this trip through time she wouldn't have thought for a second these feelings might be reciprocated, but after these last few weeks? After whatever it was in the kitchen earlier? Maybe there is hope here.

Emma devises a plan then.

Regina comes home earlier than Emma has planned. The mayor seems eager to be back home. Emma hopes it's a good sign for them, but Regina might have just missed Henry. Baby cuddles are addictive after all, and they both knows the are on borrowed time and soon they'll be back to their time.

"What are you up to?" Regina asked curiously.

Emma has been in the middle of her preparations. She has pushed the coffee table away and spread a thick blanket on the floor with a assortment of throw pillows over it.

She has been in the process of arranging decorations on the coffee table that serves as a sort of buffet table. The plates, glasses, silverware and foods were still waiting in the kitchen.

"Hum, we're having an indoor picnic?"

The surprised smile that graces Regina's face tells Emma that the idea was a good one after all. She was starting to feel anxious about it.

"What have you prepared?"

"Tacos. And there's apple cheesecake from your favorite bakery. Also sparkling wine."

Regina looks at her strangely for a moment. Finally she thanks her, her voice suspiciously hoarse. "Thank you, that seems wondeful."

Regina dismisses Emma's complaints that she is the one making this for her so that the mayor shouldn't helping with the preparations. A few minutes later they are lounging on the blanket, sipping the wine while Henry is napping in his basket a few paces away.

They are mostly silent, both of them sensing the charged atmosphere between them.

Finally, Emma breaks the silence. "Am I imagining things? About you? About us?"

"You mean..."

"Yeah."

Regina sighs. "I thought I had no chance in that department. So I kept it to myself."

"How long? How long have you known?"

"For sure? When you became the dark one. But before that... Before Robin."

Emma gapes. So long? There could have been something between them for this long? Her head spins.

There has been Killian though. Emma feels stupid going for him while Regina was right there all this time.

"Do you, do you want... This?"

"Yes. Do you?"

"God, yes."

Tentatively Emma reaches for Regina, caresses her cheek with a gentle hand. Regina closes her eyes, overcome with anticipation. And finally, finally, their lips meet.

Regina opens her eyes.

She's in her bed. Her lips are tingling.

Was it all a dream?

No, it can't be. It was all too real.

In a frenzy, she gets dressed and in minutes she's driving through town. Halfway through the drive to Emma's place she spots the yellow bug.

Both of them stop in the middle of the lane, get out of the cars and rush toward each other.

When they meet, they are breathless.

"You remember?" they both say at the same time.

"Yes, yes, I remember."

They are laughing with relief now, uncaring of the curious looks of passing people.

Wiping tears, Regina is the one offering they go back to the mansion.

They push the coffee table away, throw an afghan on the floor with a few pillows and resume what has been their first date, even if it's now seven am.

"I miss Henry already," admits Emma.

"I miss him too. Both as a baby and as a grown-up."

"I'm glad I had those few weeks. Even if there's nothing left of it."

"Not quite." Emma looks at her, confused. "Let me show you."

Regina opens the ventilation grating in the corner of the room. She plunges her arm deep, looking for something. She takes out an envelope from the opening and offers it to Emma.

Emma takes it with trembling hands.

Inside are a dozen Polaroids. Pictures of her with baby Henry, taken apparently without her noticing.

Emma can't help the tears falling as she looks at each picture with delight.

"Thank you. Thank you."

Emma surges forwards and kisses Regina as if it was the last thing she would do.

"I can't wait for Henry to visit. He needs to see these pictures."

"He always cringes when he sees himself as a baby," Regina laughs. "He started saying he's like fine wine, getting better with time, when he was only six. I don't think he knew what that means then."

"I remember that too," Emma realises. "It's strange, I had almost forgot all of these memories and now they're back in full details. As if experiencing some of them myself made them real and tangible."

She sniffs and shakes her head.

"Maybe that's what I need to find in the past."

"Or maybe it was the magic of the kiss."

"Maybe it was all of it. Everything that happened back then."

"Maybe. Where do we go from here?"

"Forwards?"

"Forwards sounds good."

And they lived happily ever afters.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

��Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[stop-talking]

Mike & Abby Easter Headcannons

---------------------------------------

• Mike always hides eggs for her. Without fail. Every year. He probably enjoys hiding them more than she enjoys finding them, honestly.

• He's super annoying about not just TELLING her where one is when she can't find it, he'll just go "warmer..." or "colder...!" until she gets fed up and throws empty plastic eggshells at him.

• Abby knows the Easter bunny isn't real. She's not dumb. But it's a fun tradition, and she's willing to play pretend for as long as Mike is.

• Mike never busy himself any Easter candy. He "doesn't need the extra calories". Yet every year without fail, he ends up bumming Abby for candy, stealing a chocolate here and there. (She acts annoyed, but secretly doesn't mind sharing.)

• The first time Mike showed Abby the "draw with white crayon on an egg before dyeing it and the dye won't stick there" trick, she thought he was magic. Now, she draws a doodle on every single egg before dunking it in the colored water. Mike always makes comments on how they look "too good to eat," then eats one before they're even done dying them anyways.

• Once he forgot where he hid one of the hard boiled eggs... until it stank up the front porch. He nearly gagged when he found it two weeks later, tucked into an old flowerpot.

• Easter is like, the one time a year Mike drags Abby to church... If only for the giant egg hunt they host. He definitely has some kind of religious guilt from not going more often, but he's just too busy and tired. (He used to use Abby as an excuse, since she refused to sit still when she was younger. Now that she's older, he could go, but just doesn't care to. Neither does Abby.)

• (Post-movie) He and Abby happened to run into someone dressed as the Easter bunny outside of, like Walmart. And it just so happened to be a YELLOW bunny. Mike jumped two feet in the air and nearly pissed himself, and Abby just laughed at him. The guy in the costume thought it was hilarious to see a grown man so scared of a bunny, and the high-five he gave Abby made Mike just want to punch him. He didn't, thankfully.

How Mike would treat his 💙partner💙 on Easter:

(slight NSFW warning)

• He'd definitely make you an Easter basket. Nothing super fancy or expensive, he spends most of his budget on Abby. But he'd make sure you feel included and appreciated.

• Your basket would include: Your favorite candy, a pack of gum, something related to one of your hobbies, (ex: guitar pick, yarn, nail polish, colored pencils, etc), a cheesy hand-written note, a few plastic eggs with candy, a small stuffed animal, and a savory snack, like chips or pretzels. He's attentive, and knows what you prefer.

• Depending on how long you've been dating, he might even throw in something a little raunchy... like a pack of flavored condoms, lube, or a "toy". More as a gift to himself than you.

• He'd absolutely let you spend Easter with him and Abby, but wouldn't pressure you if you wanted to be with your family. If YOU invited HIM to spend the day with YOUR family, though? He'd fucking melt. ESPECIALLY if they were warm and welcoming to him. It'd make him cry like a baby to see Abby getting along with the other kids.

---------------------------------------------

Happy Easter to those who celebrate!! I thought about writing a whole fic on this but just don't have time. If anyone wants to steal these ideas, be my guest. Love y'all!! 💖

[anika-ann]

Pomiluj me (Love Me Tender) - S.R.

Type: medieval/fantasy/fairy tale AU; standalone (NOT a part of this medieval AU)

Pairing: knight Steve Rogers x reader   Word Count: 10k 😁 best possible division if needed is at the first divider

Summary: Knight Steven Rogers and his brothers in arms are returning home after having tackled an unruly creature terrorizing the people of Starkerbürg. Upon encountering an injured woman, Steven offers to bring her – carry her, truly – back to her home. How could he deserve a knighthood if he left a woman in distress to her fate, after all? 

But not everything it as it seems. And love blooms in the most unlikely of places. 

Warnings: 18+, nsfw, smut, unprotected sex (shocking in medieval times huh), bit of angst, tons of fluff, himbo knights in BBC Merlin style (long live the legends), knight Steve ‘cause he’s a warning, Slovak language ‘cause I can

A/N: Title from the song which inspired the story, Pomiluj mě (Love on Me/Love Me Tender)...tumblr cannot handle an “ě “in their title 🙃 Lyrics, translation and link here, you’ll find a few lines in the fic as well - truly recommend. DIVIDER by @firefly-graphics

A/N/2: AO3 says this is my 100th work (as posted here anyway) and I’m brushing 1,680k of words written according to the counter. Which… whoa. And it’s almost six years since I first posted a marvel fic 🥺 Enjoy!

Alone, you only wander in the dark Chased by the cold I shall light up the torch you’re guarding

Should I be worried about you That all you do is take When are you coming back to me?

The cavalry moved rather slowly.

The noble men appeared a far cry from the polished image known from books, even as they had attempted to wash in a river. They reeked of battle, smoke and blood still; and the drying blood in their wounds was just as red as that of ordinary men, the scent of sweat and fear having seeped into their clothes and armour. And yet, their vests carried the sigil of Starkerbürg with pride, signaling the knights’ dedication to the protection of their kingdom.

With only horse left, they truly might make a pitiful sight, certain weariness to their step; but an air of victory and camaraderie made for a picture of life instead. Laughter sounded between the group, a joke thrown around here and there, a tease about a wound each of them suffered, particularly the youngest one. Despite those, true concern for their new friend, Sir Parker, could be read in their eyes. He was the youngest to ever been dubbed in the history of Starkerbürg; it was no wonder the good men assigned him the role he would have played had the bond they shared been one of a blood family. The youngest of brothers was as much made fun of as protected, since he was eager to prove he deserved the honour to ride with the knights of Starkerbürg just like any other. Now he sat on the horse in front of Sir Barton, the eldest, as they made their way back after successfully ridding the kingdom of a horrific creature: the chimera had been believed to only exist in old tales until it brought terrible and painfully real suffering to the people of the west of the kingdom and so the king’s loyal servants were tasked to ride at dawn five days ago.

“Alright, alright, let us leave the poor lad,” Sir Barton said, patting the young Sir Parker on his shoulder a little too hard. “He shall do better next time.”

Peter smiled over his shoulder gratefully, having started to feel not humbled, but humiliated.

“Yes, yes, we should let him be,” Sir Maximoff agreed, side-eyeing the two riders mischievously. “We should talk about how you moved like an old lady.”

The collective ooooooh and chuckles might have as well come from a group of children, rather than grown men, causing Sir Barton to glare at the cheeky lad he called a friend.

“Old ladies are wise and worth of respect, Maximoff. You could learn a thing or two from them, as you had learned from me,” he scoffed, feigning offence. “Do not forget who taught you how to swing a sword, kiddo.”

“There is a point in what Clint is saying,” Sir Wilson hummed good-naturedly, raising his eyebrow at Pietro in challenge.

“Maybe. Does not change the fact he’s grown seven years older since then, while I have grown seven years more mature.”

The explosion of laughter following his statement was louder this time.

“In your dreams, maybe,” Sir Barnes snorted, elbowing his best of friends, Sir Rogers. “About as mature as this one was when he used to pick his battles with guys twice his size, eh?”

Sir Rogers, Steven to most, only smirked, speaking up for the first time in a while, since his thoughts were far far away. “Should we get technical, we all took up on an enemy twice our size only yesterday morning.”

“Oh?” Sir Barton feigned surprise. “Listen to the guy. He might tell you what brought the monster to its knees next – an arrow straight to its eye. Remind me, Maximoff, whose crossbow it was that fired it?” he asked pointedly, grinning down at the man walking by their horse, earning an eyeroll.

“Did it even have knees?” Sir Lang questioned, “All I know is that it was a nasty, nasty thing.”

“Nastier than Hydra? Cut off one had, two shall takes its place? I truly believed that was only a legend…” Sir Wilson said, a visible shiver of disgust shaking him.

“Not sure we can compare the two… maybe Barnes or Rogers could, huh?” Sir Maximoff suggested.

Steven’s face darkened; he did indeed remember the hydra creature very well for it nearly cost his best friend his arm. The scars still littered Bucky’s skin, from the back of his hand all the way up to his shoulder; Gods had blessed him enough that his ability to use his arm remained intact, even as its appearance did not.

As for the strange chimera they had slayed yesterday… it was true that Steven had gotten more familiar with it then he would have liked. He could recall it with uncomfortable clarity: its foul breath smelling of death on his face, feeling as if it had seeped deep into his very bones when he had finally thrusted his sword through its heart. He could still hear the clang of teeth near his neck, a near death sentence.

No, he would rather not compare the two. He would rather not think of either of the creatures at all.

“Why us, Maximoff? Because I nearly lost my arm to the former and my best friend to latter? No thanks,” Sir Barnes hissed, face turning ashen as well.

Steven instinctively reached for his friend, squeezing his arm, casting a concerned glance as he was torn away from his own dark memories.

“Buck…”

“Are you jesting? Sir Rogers was incredible,” Sir Parker cried out excitedly, having four of the knights groan, for Steven’s bravery – or idiocy, should anyone ask Sir Barnes, truly – was all the youngest knight had been talking about for the majority of their journey, causing Steven’s cheeks redden under his beard, sense of pride and satisfaction battling the terror of the memory. As for the remaining knights, well; while they did not diminish Steven’s important contribution of delivering the fatal blow, they had grown annoyed at the constant babble.

“Sure he was, kiddo.”

“Oh yes. They should probably knight him. Oh wait-“ Sir Wilson said, causing the men to laugh.

“Yeah, a set of deadly teeth perhaps three inches from his throat? Let him have all the glory and Princess Morgana’s hand too,” Sir Barnes grumbled, sending his friend both a proud and irked glance.

A sudden rustle of leaves and a woman’s yelp followed by a thud caused them all fall silent and turnbattle-ready in a split second, snapping in the direction of noise.

However, there was little need for caution. Their intruder barely appeared dangerous: the peasant woman observed them with wide eyes and forehead scrunched in pain, blossoms of common elder, spilled all around her like precious silks of a gown instead of the worn fabric of the simple shirt, shawl and ankle-length skirt, speaking thousand words of what she had been doing until she had fallen. Her fingers were clutching at her left foot, a clear sign of her ungraceful landing. The tree was by no means tall, but that should not mean the fall was what they could call comfortable.

For a moment, the group of knights stood frozen, rendered speechless as much as the poor woman who found herself face to face with not one but seven of the crown’s most loyal servants.

Steven, perhaps the kindest of them all, was the first to snap from the shock of an unexpected disturbance of their journey, releasing the grip on his sword, never having drawn it from its sheath. He took several long strides to the young woman, instantly capturing her attention.

“My lady, are you quite alright?” Steven inquired, gently as he realized his large frame, accentuated by his armour, might intimidate the poor sweetling.

And yet. Just as the question left his lips and his gaze met hers, he was the one rendered mute all of sudden.

Steven had never seen anyone more clearly, he was certain; and just as sure he was of the fact that no woman could ever hope to encompass sincerity and beauty in her eyes only as the one he was facing at the moment.

Her smile was but a shy little thing, pain masked by gratitude for the knight’s care. He was a handsome one, of robust built but with delicate lines to his face, bright blue irises with a speckle of green, plush lips framed by a short beard; distantly, she imagined his wide shoulders would barely fit the doorframe of her cabin – of her hut, truly. She found the imagery enticing, almost as much as the gentle tone he had spoken with despite his giant frame.

“’Quite aright’ seems accurate, sir. I am not hurting much beyond my left ankle,” she admitted, even as her source of discomfort was evident from her hand still covering the affected area.

Steven’s brows furrowed slightly in worry, yet he made no move, spoke no words, even as his lips parted. Instead, his eyes roamed the woman’s face, searching and fascinated. It was the silence which prompted his comrades to enter the interaction.

“Do you think you can walk?” Sir Wilson asked as he stepped forward – a movement barely acknowledged as the woman did not shift her gaze from Steven still.

“Wobble, perhaps,” she said, the corners of her lips briefly turning downwards. “Could perhaps one of you assist me? I should be most grateful for your chivalry.”

Sir Barnes could scoff at the absurdity of her wording; even as she suggested she would welcome anyone’s aid, her fixation on Steven was ridiculously evident. It almost scared him, how steadily she watched him; even as ladies’ interest in his best friend’s company had increased significantly along with how Steven’s muscles had grown, the way this woman observed him… unsettling him for some reason.

“Oh! We should borrow you the horse for a while-“ Sir Parker – bless him, the youngest and the purest of heart of them all – cried out, soon silenced by a more sombre voice of reason of Sir Barnes.

“Kid, you lose your leg should you put your weight on it now. Believe me, I have almost lost my arm to the same foolishness.”

“…oh.”

“Well, I suppose one of us should support you and walk you to your home,” Sir Barton suggested nonchalantly, preparing to dismount the horse. “The most experienced one of us, perhaps?”

“Truly? Is that so, Clinton?” Sir Wilson questioned as he eyed him, his tone carrying wryness of a man who would not care for nonsense – unless it was one that could earn him a great deal of fun. “Why you?”

“I have a pair of very well-working eyes for one,” the older man uttered, causing sir Maximoff to snicker silently.

“So do I and yet I would never offer!” Sir Lang opposed as soon as he understood the meanings behind Sir Barton’s words. “Must we remind you how inappropriate that would be, since you have a lovely wife and three kids at home?”

“And a knee that knows a rain is coming at least two sunsets ahead?” Sir Barnes added for honestly, the foolishness of Sir Barton’s idea battled the one of the youngling’s.

“Ugh, alright then. Spoilsports.”

Sir Maximoff, unsurprisingly, grinned and shrugged as he stepped forward. “Ah, well, fellas, it seems-“

“I can do it. I can even carry her.”

Sir Barnes sighed, an involuntary reaction to best of comrades choosing this moment to snap from his reverie. Speaking of foolishness.

Not once had Steven’s gaze left the beautiful woman since the very moment he had laid his eyes on her, almost as if he was drawn by ancient power whose pull not even his virtuous heart could resist. The pull had been literal too; while the movements had been subtle, step by step Steven inched closer to the woman, now standing barely three feet from her, way too close even as he had been the first to spring forward.

Sir Barnes would be amazed and certainly more than amused at his friend’s antics, had it not been for the fact the scene was as fascinating as disconcerting. For a myriad of reasons. Beginning with-

“You are injured as well,” Sir Wilson noted pointedly.

Sir Wilson appeared to be the only of the men aside from Sir Barnes who had not lost all reason in the midst of all of them having acquired an expression of awe and smugness. In all fairness, the reaction of the knights was nothing short of understandable, for Steven, Sir Rogers, who had kept from many women who had been rather literally battling for his attention, seemed enamoured all of sudden. And of all creatures, enamoured by a beautiful, yet the most ordinary of women. He appeared if not utterly lost to the fabled love at first sight, then certainly lost enough to abandon all reason.

“Oh no, if you are severely injured, I could not possibly-“ the woman resisted, gathering her skirt in attempt to stand up as if to prove she was considerably less inconvenienced by absence of aid than it had originally appeared.

Naturally, her efforts were doomed to failure – and just as naturally, Steve had been there to catch her, promptly supporting her weight. She had barely caught herself, one palm flat against his chest, the other on his bicep, lips parted in silent surprise; and much to the amusement of all knights, in awe of his strength.

Sir Rogers was certainly not the only one of the pair who appeared smitten.

“Thank you, good Sir.”

“Sir Steven Rogers, my lady. I should be happy to aid you,” he pronounced, the words ‘with anything’ unsaid but clearly implied as he helped her straighten up as much as her own injury allowed. “I have not been injured severely. Worry not.”

Needless to say, Sir Barnes would argue; bruised ribs, several cuts, more so when one of them sat right above his brow, should be considered severe enough not to carry a woman in his arms… particularly when these injuries were coupled with a heavy blow to the head. Before, Sir Barnes had not been sure how strong of a hit Steven had taken, but now, seeing how absent of any common sense Steven was-

Ah. His best friend was being quite himself, now that Sir Barnes thought of it.  

“…so we are to ignore there are at least three better candidates whose ribs are not bruised or-“ Peter muttered in low voice to his companions, all but earning a warning slap to his healthy leg as Sir Lang gently shushed him, himself charmed by the romantic ballad-worthy scene in front of them.

“Seeing as she does, I suppose we do too,” Sir Maximoff scoffed lowly, tilting his head to side as he observed his comrade, suddenly frowning, his voice dropping to a whisper. “And so does he. Is he alright? He looks… strange. Has any of you put something in his water?”

“You are saying this as if you were not as miffed about him being chosen by her as I am,” Sir Barton huffed, sourness turning into humour at the other man’s misery.

Pietro’s gaze torn away from the pair, their downright love-sick gazes suddenly difficult to watch; it almost felt as if by looking at them, they were prying on an intimate moment. Pietro thought it curious, for he had never had any issues of laughing loud at the displays of affection his fellow knights had offered in the Tower tavern for everyone to see, but he did not want to examine it too hard. He could find joy elsewhere once they had made it to the city, with no shortage of ladies no doubt willing to offer comfort to the heroes of Starkerbürg.

“He is one lucky bastard,” he sighed, patting the horse’s neck, preparing to take off.

“And lucky he might get…” Sir Wilson sing-sang quietly, causing the group to laugh as their gazes once again appreciated the almost palpable spark between the unlikely couple, exchanging knowing glances as the woman gasped when Steven sneaked his arms under her knees and back, lifting her into his arms with ease despite his gear weighting him down.

“Alright, it is settled. We are certain you are safe with Sir Rogers…” Sir Barton called out, entirely ignored by the pair who instead kept observing one another without as much as a blink, as if they could not bear losing even a fraction of the precious time they were given. “For he is-- they are not even listening to me, are they? No one cares about me anymore, I truly must be getting old-”

Sir Barnes sighed again, realization dawning to him; one he should never share with his companions, but one he would for certain inquire about later when Steven returned to the castle.

“We shall move then,” he muttered, beckoning others towards the road, not before sparing the couple a last slightly disapproving glance.

He feared not for his most precious friend’s safety; he only feared for his heart, too big even for the impressive size his body had grown into since his early days as a weakling. At the moment, it was his mind Bucky feared for, since it almost seemed feeble under a spell of a beautiful woman. A spell no one dared to break.

As the group walked away, each of their steps was uncharacteristically silent; until they believed to reach enough of a distance to have a boisterous laugh about Sir Rogers no doubt to be rewarded for his chivalry. The sound bothered not the pair as they smiled at each other softly, the woman’s thumb brushing over Steven’s sternum, covered by worn chainmail.

The simple touch seemed to reach his soul; his breathing, having already eased since he had first caught her, cleared completely, the ache in his bones gone. The woman’s smile widened, silently prompting Steven to start walking. He was not one to hesitate, his feet moving almost of their own volition.

“You are not obliged to carry me,” she said, a teasing note lacing her gentle voice. “I slowed the landing enough. It is nothing but a bruise.”

Steven shook his head, appearing as if he was barely holding back a grin. “But I must, my lady. It is my duty as a knight of Starkerbürg.”

She pursed her lips, one corner lifting in a smirk.

“Oh? Is it so, my good sir? Hm... speaking of knights of Starkerbürg, Sir Rogers,” she emphasized, a playful spark appearing in her eye, “your friends act like children.”

Undignified for a knight for certain – yet who was he to diminish the already scraped reputation of men who truly unsubtly jested about him taking advantage of the very woman in distress he was to help – Steven snorted.

“Don’t I know it.”

“But Samuel might not be wrong…“ she said, voice equally full of amusement and promise. “Set me down, Steven. You must be tired.”

Tired he was not. Not ever since he had met the woman’s eyes moments ago and recognized their beauty and depth as familiar. But who was he to deny a lady?

And a lady she was, for all she was and was not. They might have jested about it together, but in Steven’s mind, she was precisely that and nothing less, no matter what any half-wit of this kingdom would think. Slowly, he lowered her back to her feet, his heart thundering in his ribcage in anticipation as he focused on the sounds surrounding them.

Content with only gentle whisper of the wind and songs of robins for a company, his worn hands cradled the woman’s cheeks, thumbs brushing over her cheekbones, heart trembling when she leaned into his touch, her lips brushing his palm.

In return, the tips of her fingers ghosted over his brow, the nasty cut closing at once, without a single sting of pain. She focused on that aspect often, even as she knew he would try and not as much as flinch for her benefit, much like he had not when she healed his ribs earlier.

“Thank you. They must be far enough now, I am sure,” he whispered, stepping closer so their bodies aligned and nearly merged in one. “Do not hide from me, bosorka moja. Let me see you, beautiful.”

Her smile turned a little coy, even as her soul sang at his sweet words. Steven was quite a master of compliments; but not a shameless flirt or a rake. What he said always came from heart; that beautiful, beautiful heart he had sworn belonged to her and never made her question it despite their situation.

“As you wish, good sir,” she whispered, fingertips sliding down his cheekbone, repairing the darkening bruising in their wake, before she turned focus on her own transformation. “Close your eyes, love, release me for just a moment.”

With a sigh of disappointment – but eager to oblige – Steven lifted his hands an inch, missing the lovely heat under his touch at once, and let his eyes slide close. Soft light caressed his skin, flickering behind his closed eyelids as her features shifted, her cloaking spell dispersing.

Steven did not fight the smile tugging at his lips as he allowed himself to open his eyes again just as the glow was dying out, welcomed by the sight of his beloved in her true face. The spell she had casted changed her features but a bit, only enough to protect her from those who would still hunt her upon mere suspicion of her being a magical creature. She appeared just as human as before; but should a half-wit still nursing grudges against magic even century and half since its dark side caused people to suffer ever recognize her as anything else… Steven did not wish to imagine what hell would have been raised; even as it would have been one he would fight to death against.

Indeed, she appeared human even in her true form to most, Steven assumed. Yet, to him, she appeared almost ethereal; she always had. From the very moment she had walked into his life and took his world by gentle storm, slowly nursing him back to health day by day from multiple wounds which would have been his doom. She had risked her own life in process, revealing her talents to anyone, let alone a knight of Starkerbürg, but for a good deed, she had barely even hesitated.

Beautiful, powerful, brave and endlessly kind; and now, by the blessing of gods, even as Steven failed to be a proper gentleman, his.

He let his fingers slide into her hair, tilting her face up to feast his eyes on her features, heart humming pleasantly as only a person who owned it could make it hum.

It was clearer than the skies that she felt just the same. Drawing him close, not waiting for his prompting, she rose to her tiptoes and brushed his lips with hers, sweet and healing. No cut was there for her to fix, but it appeared that whenever she kissed him, even with no magic involved as she had claimed, Steven’s often weary soul was lifted.

He followed her lips, earning a hearty chuckle but no protest, a hand on his nape as her fingers curled in his hair as well.

“Bosorka moja,” he said softly against her lips before tasting them again, greedy for every stolen moment, every stolen kiss she was willing to give him.

And she would give him a lifetime, much like he would give his own to her.

But there was not a single reason to do it right where they stood. One more peck to his lips and she escaped his arms sneakily, only to grab at his hand with both of hers, tugging him down the now familiar path.

“Come, rytier moj.”

And so he followed her, without a word of protest. He would follow his heart anywhere.

Their destination was by no means far, they were in no rush. Unbeknownst to Sir Barnes, his thoughts had been precisely on point – the pair of lovers cherished every moment spent together, may it be walking with purpose or wandering.

This day, they chose the former, the hut soon appearing in a barely-there clearing among the trees. Steve’s lips curled in a smile on instinct as despite the humble outside state of the tiny house, he knew what he would find upon entering with his love and lover by his side. A home. Not only hers; theirs. A safe space for their love.

As soon as they entered, the air smelling of herbs and dried meadow flowers, ones he had picked and gifted her the last time he had escaped his knight-bound duties, hit his nostrils and widened his smile. It was met with her own, soft and welcoming, heartbreakingly beautiful; ache echoed in his heart, its emptiness present for the past few days without her suddenly dissolving into nothing.

He brought her hand to his lips, a gentle kiss to her knuckles before releasing her, so they could begin their routine.

From the mountains Wind, dust and defiance is rising I lay your armour to your feet Don’t let my skin get cold at night

Wind from the mountains

Wind, dust and defiance is rising I lay my armour to your feet Don’t let my skin get cold at night

You made your way to the pot, a simple curl of your wrist lighting up a fire to heat the water for tea. Steven’s gaze followed you as he stood by the door, blindly unclasping his belt, putting away his sword and chainmail. He had no need for weapons nor armour in his home; vulnerability in this house was no sign of weakness, but one of strength. It was a privilege he took upon proudly as you were blissfully aware.

Then, you ruminated through your dried herbs in search of chamomile and lavender, even as you knew the exact placement of every single item; once you heard Steven lose his armour and step forward, you looked over your shoulder, offering an unassuming smile – despite assuming quite a lot from the many encounters you had shared before.

“Tea, my love?”

Like clockwork, like the most beautiful habit, you barely got the chance to speak the question before he stood behind you, fingers cradling your chin, angling your head further to meet your lips again, an indulgent smile tasting indulgent smile as neither of you ever believed a tea was to be served. Not yet at least.

Where your first shared kiss after days of being apart tasted of longing, relief and soft smiles, this one tasted of feelings much more primal. Your breath hitched in the briefest surprise at the intensity, yet you responded in earnest, shifting to accommodate his large body, your hands finding purchase of his broad shoulders as soon as you spun around. He rewarded your cooperation with enthusiasm; you yielded to his force with a breathy laugh once he allowed you to retrieve the air he so lovingly stole from your lungs.

“No tea then?”

A hand previously grasping at your hips wrapped around your back to pull you to his chest, three steps leading you to walk backwards until your back brushed the makeshift table, Steven’s lips as urgent as sweet, his beard scratching at your sensitive skin, each breath tickling your lips.

“Would rather drink from your lips, love,” he whispered to your mouth, the only chance for both of you to breathe in before his lips returned. His hold tightened to ground you against his advances, trapping you in a cage of love you could have easily escaped should you wish; yet, you only withdrew for a moment, a cheeky retort on your tongue as your need for him grew with every touch.

“That could be arranged, I believe.”

Glancing up, you were met with his darkened eyes, his hand firm as he held onto your jaw; and yet, his thumb caressed your skin gently, the desire blending into softness and amusement at your bold demeanour. You lifted one corner of your lips in a smirk, gasping when his mouth possessed yours again, teeth tugging at your lower lip, his arm still holding onto your waist – the only thing keeping you from practically laying on the table, his hips pining yours against the hard surface, fingers squeezing your flesh.

Now there was a thought; Steve’s weight rendering you weightless as he’d coax peak after peak from your body laid on the dark wood as an offering to Gods at an altar…

The very thought, however, was fast to dissolve as Steven’s hips rocked into yours, allowing you to feel the outline of his burning need, having you clutch at his shirt as friction teased your throbbing core. He swallowed the needy noise he elicited from your lips, fingers slipping under your shirt, thumb pressing into your skin just above your hipbone as to guide your movements.

You shuddered upon his lips travelling down the column of your throat, teeth grazing skin alongside the hem of your shirt above your collarbone; your hands began their own quest over the hard planes of his body, appreciative of his truly impressive physique. Steven’s fingers roamed as well, caressing and squeezing, your given name but a breathy whisper when his fingertips stroked the underside of your breasts.

You nearly missed his words due to the blissful sensation, but you had heard the silent plea spoken so many times before there was no mistaking it.

“Dance for me, my love?”

Your swollen lips curled in a playful smile as his fingers carded through your hair, kiss brushing your cheek and jaw and finally your mouth again.

“Oh? Is that what you wish for, lover mine?”

His gaze followed the patterns his fingertips whispered over your face as if they were brushes painting the most precious canvas, a curious contradiction to his eager kisses and hardness.

“Would you hold it against me?” he inquired in a hushed voice, stealing yet another kiss from your waiting lips, his nose gently caressing yours before his gaze bore into yours with intensity again, “that I wish to see something so beautiful and so alive after a battle?”

The amusement slipped from your face, features softening as your heart sored at the subtle confession. The knights of Starkerbürg were full of jest and gestures so great they might border on insanity when situation allowed it. Their bravery was a thing of legends, as much of a legend as the thing you knew they had gone to fight days ago and were only now returning, having bested a mythical creature much more vicious and deadly than yourself, crushing life with not more than one bite to a man’s flesh.

Yet, for all their heroism, even knights, even the most precious of them all – even your Steven – felt the disarming fear of death itself, cruel and all too powerful. You would be always be more than willing to remind him of the power of life for a change, until you’d release yours with your last breath.

Ad so the answer was no – no, you would not hold it against him, whatever he would ask. Never him.

Standing on your tiptoes, framing his face with your hands, his whiskers and already messy hair ticking your palms, you told him as much, sealing your deal with a kiss.

Easing his grip, he allowed you to push against chest, easily giving in as you lead him to walk backwards until his calves hit the frame of your bed. He sat down obediently and you leaned into him, stealing another brief peck.

“Please, bosorka moja,” he pleaded once more as your forehead touched his, taking a moment to breathe him in, reminding yourself that both you indeed were still alive; and thus, such victory should be celebrated with joys life itself provided. “Dance for me, my love.”

Smiling, you placed a finger over his lips to shush him at last, gliding several steps back, mischief appearing in your eyes as his own followed your every movement hungrily, more so when you slipped out of your shawl, the shirt far from brushing the waist of the skirt suddenly hanging low on your hips, providing Steve with a silver of skin of your stomach.

There was no music but the howl of the wind carrying the occasional note by chaffinches and dunnocks and rustles of leaves. Yet, an old old melody echoed in your heart, guiding your movements and filling you with power and confidence of all witches that came before you and enchanted men into giving away their kingdom without as much as a fleeting thought, surrendering their strength and their hearts, all that only to be blessed with a single sinful glance, a single touch of magic as old as humanity itself. For a single drop of passion.

You could feel it fill the air, the longing and thirst for life and body, your lover’s eyes turning dark, hypnotized by the simple swirls of your wrists above your head, at your sides, following every slide of the back of your hands over your ribs, over your bare skin, his visceral need to replace your touch with his own. Drinking in but the smallest motions of your hips, breath hitching at the briefest tilt of your head back or to side, his lips tingling to attach themselves to the exposed skin of your throat, to taste, to suck a bruise. The force with which his fists curled into themselves seemed to ignite sparkles in the air, bringing a sensual smile to your lips as you let your eyes slip shut, feeling the energy hum louder when you moved closer; a sweet thunder within you, within Steve, all around you.

The thud of Steve’s knees on the floor came with his hands grasping your hips; needy but not firm, only to feel the slow movements of your hips and allow you to continue swinging freely. You released a breath, head tipping backwards as Steve’s hot lips found the now burning skin of your stomach, nosing his way up an inch at a time, beard tickling, an open-mouthed kiss following and causing you to shudder – with pleasure, with overwhelming power.

“Steven-“

“Keep dancing, bosorka moja,” he hummed into your skin with a pleased smile, teeth grazing over your belly button as if to distract you from his rough but deft fingers slipping under the waist on your skirt, inching it lower and lower until it hit the floor. Cold air brushed over your bare core, Steven’s lips trailing to the junction of your thigh, his smile growing wicked. “I shall help you dance.”

The very first flicker of his tongue over your pearl had you stutter in your movements, a whimper leaving your lips as Steven’s fingers dug deep into your flesh of your sides and thighs, a wordless warning not to cease the dance he had pleaded for. With a shudder of a breath, you willed yourself to continue, naturally rocking onto his hot tongue as it swept over your weeping core with indulgence, stars flashing behind your closed eyelids at the contrast of the slick muscle to the scrapes his beard left behind.

“Steven-“

“Shhh,” your lover whispered, the sound gentle and teasing at once, the pleasant vibration against your sensitive flesh causing your fingers to find way into his hair and grip, only earning another appreciative hum. “Keep dancing, love.”

And so you did. Leaning into the affection so willingly offered, you succumbed to a different kind of dance. Fingers flexing in Steven’s hair upon a particularly smart swirl of his tongue, breathless praise, calls to Gods and desperate pleas for more more more spilling from your lips. Meeting his ministrations without shame; guiding him, opening up for him as the liquid fire of pleasure spread through your veins, turning into an inferno when you found your thigh on his shoulder, completely out of your doing, an instinct to chase relief – but thoroughly appreciated as Steven’s arm circled your bottom, pulling you impossibly close and loving you deep enough to set you on fire entirely.

You let the primal hunger consume you as you climbed to your peak, crying out when you reached it, head spinning from the intensity; waves of bliss washed over you, body pliant and relaxed. You shrieked when you suddenly found yourself losing your footing, for a brief moment frustratingly empty and cold; and then you were spread on the table, your lover’s lips wrapped around your bundle of nerves, burning blue gaze swallowed by lust firmly set on your face as two thick fingers entered you, latching onto the last aftershocks of your peak. You reached a second high with dizzying speed, unable to tear your gaze away from your giving – and so, so wicked – lover. Gods could possess you at that moment and you would have not felt as if you ascended to such heights as you had while indulging on Earthly pleasures with him.

A soft trail of kisses and pets soothed you as you came down, a breathless chuckle bleeding into a sob when you noticed few of your possessions floating in the air, your magic quite literally having exploded outside of you.

Steven’s lips curled into a smile against your jaw and then you were tasting your essence – as well his much-satisfied grin – on your tongue, revelling in the warm weight of his body covering yours. It seemed your Steven had a few magic tricks up his sleeve too, mind-reading being one of them. You smiled into the kiss, using your grip on his hair to pull him even closer. He could never be close enough; and as he stood between your spread legs, his hard bulge brushing against your bare core, his lips and hands eager, you were certain he felt just the same.

“So beautiful for me,” he whispered to your mouth before retreating, darkened eyes sparkling with lust and pride as well as affection.

“And yours,” you hummed, fingers raking through his beard appreciatively, chuckling when fresh hunger flashed in his pupils. Oh how possessive your knight could be… how much joy it brought you to tease him. “Should I show you?”

A breathy yes was your only answer and so you gripped his shirt, using the fabric for leverage to you sit up. You kissed him again, hands sliding under his garments, gliding over his stomach, your magic flowing freely and healing whichever injuries you had missed earlier.

Easily ridding him of his shirt and pants in between sweet encounters of lips and shedding your clothes as well, you wrapped your legs around his waist, a faint whisper of ‘bed’ enough to have him pick you up without protest; on contrary, with quite the enthusiasm since his hardness throbbed when you led him to sit down with you in his lap.

“Missed you… love you… need you,” you confessed, his breathy voice echoing your sentiments as your lips brushed over every patch of his skin in reach, fingers wrapping around him and guiding him inside you, bliss surrounding you both when you finally sank yourself down his length in one fluid movement.

You rested your forehead against his and simply breathed, living in the moment of utter bliss; a different kind, not the almost primitive one, no, not the wild one. This moment belonged to serenity. Sharing air and warmth with your lover, tender hands appreciating the wide planes of his muscles, strength radiating from flesh and soul alike. And love. Always love.

As if he was able to read your mind once more, his lips sought out yours, a declaration of love indeed, simple, honest and unyielding. His thumb gently traced the pattern of your tattoo, its ink reaching from behind your ear over the side on your neck, a swirl over your left collarbone and spreading over your shoulder. I love you as you are, for all you are, his touch whispered even as no sound left his lips. And even if you felt no shame for your nature, your Steven’s acceptance caressed your soul as did his diligence; not once he had forgotten his ritual of reminding you that with him, your existence was not merely tolerated – but adored and celebrated. When you first understood the significance of this habit of his, tears had stung your eyes, kissed away before they could roll down your cheeks.

“Ľúbim ťa,” you had breathed out then, a love confession in the old language, and ever since, you had not failed to say it once in response to his gesture.

Then, rough fingertips carefully followed the line of a fine silver chain carrying a tear-shaped indigo sapphire, a token of affection usually hidden from plain sight, protected; a promise of faithfulness even as you remained unwed. You had no need for gemstones, but you understood its importance, the significance of the gesture; it made for your heart warm and safe upon its possession and for Steven’s heart lighter a pound of the burden of your circumstance.

Your circumstance was not one of the simple ones, a forbidden love one might say; in which you were the only forbidden thing. Forbidden to even live, let alone love or be loved; an abomination to some. A magic wielder, no doubt seducing the most honourable with her dark powers, for what other reason could be there for him to take liking in you? It mattered not that there was less than a little true to it, that your bond was of much purer nature, as common and as human as the blood you drew from your own veins to cast protection spells over your beloved. True did not matter. Should you reveal your relationship now, Steven would have been painted a victim; and you would have lived no more.

An easy circumstance yours was not at all; but your dedication to each other was to conquer all troubles. And in the meantime, you shall have moments of serenity and of passion, of you and him.

The smallest shift of Steven’s hand pulled from your thoughts, breath hitching when his fingers slid an inch lower, brushing over your nipple. Your hips buckled on instinct, drawing a groan from your lover’s lips, a grip on your bottom encouraging you to move.

Who were you to deny pleasure to you both?

Smiling, you withdrew, index finger covering Steve’s lips as he tried to follow, a discontent furrow to his brow. You tilted your head, thumb brushing over his swollen lips.

“Would you like me to dance still, lover mine?” you inquired teasingly, his disapproval at your actions wiped away in an instant, replaced by fire in his eyes.

Gentle flames of affection battled those of desire, his warm palm caressing over your lower cheeks, before he snapped you impossibly close, causing you to gasp – and to question who it was who had the upper hand here. Your hand fell to his chest, his heart beating wildly under your palm, an answer of its own.

Both then. It seemed you were both on top and simultaneously under the other’s thumb. Such a beautiful thing.  

“Would you, bosorka moja?”

Your smile grew, lips attaching to his once more and planning to remain for as long as possible, first careful rock of your hips the first step to reach for the stars – together this time.

“Oh Steven… for my honourable knight? For you, my love? With pleasure…”

An absent smile played on Steve’s lips, his fingers running up and down your arm, appreciating the softness and warmth of your skin. An air of comfort and contentedness hovered around you as he held you close, fast asleep in his arms, cheek pressed to his chest as if the very sound of his heart against your ear lulled you to peaceful slumber.

Despite the sweetness of the idea, Steve felt his brows furrow in concern. While as he was perfectly happy to serve as a pillow for his beautiful lover, aware there was barely any greater expression of trust than a shared sleep, worry seized him for this occurrence was beyond rare. He once asked whether your incredible magic was an effortless as you made it seem, met with a weary chuckle and a kind, if a little condescending smile and a confession that if seen weak, your kind would have been an easy prey. Having understood he had taken your answer as a testimony to the lack of trust you had laid in him, you had also admitted that while the teachings of your ancestors had been deeply ingrained in your instincts, part of your reluctance to show your weakness to him was precisely what weighted his conscience just now. You simply could not be bothered to make him fret too much.

The fact you had let sleep take you alone was truly worrisome and Steve pondered just how exhausted you must have been. Even as the fresh memory of your breathless pleas for more and the cries of pleasure as you rode him till you both tasted heaven were nothing short of precious to him, he could not but wonder whether he was taking too much; your magic healing his wounds, your body a sanctuary to his love and fears.

Perhaps he had. But who could ever blame him?

Steven had never known a woman like this – unafraid to give, just as unshy to take; one or the other, but never like this. He had fallen for you and had fallen hard, body and soul. Yes, should anyone call him selfish, they would not be wrong, because Gods, did he take what he craved and lusted – and yet. Yet, every moment with you felt ethereally right as your still unconscious form drifted closer, almost as if you sensed his thoughts and wished for them to evaporate. And so far, they always had, dissolved in your easy smile when you refused his offer and plea to come with him; to bring you to the castle with him so he could give as well, give more, provide and protect and worship you in his home, your new home, true home where you would not have to hide in the middle of the woods like some sort of an abomination.

It is not the time yet, my love. It will come, you would always say, washing away his guilt with a sweet kiss and a promise. One day. One day I shall come with you and we should be unabashedly happy with no fear, free to be you and me.

He had let your words and touch sooth him, always; but not today. Your body having melted into his had his protective instinct flare up, determination set in his very heart. He should convince you today, to make you his and him yours as two people in love deserved. He shall make an honest woman of you in the eyes of the whole kingdom at last. It was what you were worthy of, for you were worthy of anything and everything. And with you… he believed he deserved the same. He could not stand it anymore. Parting ways with you, only to hope for your next stolen moment to come the very minute after he had left. He could no longer bear you existing so close and yet so far out of his reach.

No, he shall convince you today, insist more than ever. He wanted this, he wished for nothing more than to lay to sleep like this every night, with you. You deserved it. You deserved the world and he shall lay it to your feet, for his honour and his benefit at once.

Any other day, you would have berated yourself for having fallen asleep; but knowing the changes your body was going through, weariness settling in sooner than it used to, it only brought a smile to your face when you found yourself waking to Steven’s tender fingers carding through your hair.

The night was slowly falling. Wandering the woods in darkness would have been an unnecessary risk for anyone, even for a skilled knight with your protective spell over him;  your lover was more than aware of it and still, you could tell it pained him to bring you out of your slumber nevertheless. It was no feat to kiss his guilt away, smiles adorning your faces, noses caressing, hands wandering, nearly leading you back into the clutches of lust.

He sat patiently on your bed now, half dressed as you took your blade, his eyes following your every move with more attention than ever as he absently sipped chamomile tea; he found himself deep in thought, such was obvious. It was not difficult to guess where his mind had trailed off to, for it had always been the same.

His voice was soft when he spoke the words, a soft wrinkle on his forehead as your cut your finger and stood between his spread legs.

“Come with me.”

A sad smile played in the corner of your lips as your heart fluttered at his plea, one he never failed to deliver, even as your sigh must have sounded weary every time.

“I cannot. Not yet.”

Steven was no half-wit, which was more than could said about many of the people of Starkerbürg. He knew precisely why you could not come; why you never could, at least not yet. Magic was still forbidden – as if it was a choice, as if one could choose to stop breathing and still live – hated for the pain and destruction the dark twisted witches and sorcerers had once left in their wake, misusing magic to spread fear and suffering. It was not just that all magic wielders were still paying the price for what their ancestors had done. It was even less just that you, not having done any harm unless you needed to escape imminent danger to your life, should live a hermit life, too far from your love and lover. Yet it was how times were, still.

But you were no fool either. You could feel Steven’s uneasiness growing heavier every time he left without you, for it went against his very nature, against the need to keep you close, to hold you, to love – to protect you from harm. You had no doubt he would lay his life for you. You could not allow him to do that, not when the time was finally growing near for your love to be cherished as any other, time for your kind to be free. You must not lose him to rushed foolishness. He was no longer only yours to lose.

“I would protect you,” he promised, steely conviction in his husky voice.

As sweet as the sentiment was, you could not but smirk, a knowing gaze reminding him that should the situation require it, you could very well protect yourself, even as your true gift – the one special talent every magic wielder had, naturally developed with barely any practice – was of the healing kind. Should you truly wished, you could burn villages with terrifying ease; gods knew sorcerers and sorceresses had done this and more with a single snap of their fingers.

Steve took no offence in your teasing gaze; but the determination in his own remained unshaken as you begun to draw the protective symbol over his sternum.

“The time is yet come for people to understand the blessings of magic again, for its light to outshine the darkness it had sowed,” you reasoned, as much as it pained you. “The time shall come soon, I promise. It is simply not today, my love.”

Long fingers circled your wrist, gentle but firm, having you cease your movement, your gaze meeting the brilliant blue roaming over your face.

“I miss you. All days, all nights. I-“ he paused, licking his lips, a shadow of hurt passing over his face. “Don’t you?”

Your heart soared, a sigh leaving your lips. Steven was not easy on you today; but your conviction and determination was just as strong as his. You had to be brave and so did he. A few days longer, that would be all you needed. The right time would come. You were certain of it, even as it was nothing but a whisper of intuition in the back of your mind. Wait, the voice said, the time grows near, but you must wait.

“Do not do this, rytier moj,” you scolded Steven, letting gentleness seep into your voice. “It does not suit you. You must know I love you. I miss you too. And I worry. All days. All nights. Therefore…”

You wiggled your fingers, Steven’s shoulders sagging as he released you, an exasperated pout to his lips – unjustly adorable – as you resumed your work. You smiled widely despite your unnerving circumstance; he would give you anything and everything. The knowledge of this, having been reminded by every little gesture, every word he spoke, made for the warmest feeling in your soul.

Content with your handiwork as you drew the last spiral, you had to swallow a chuckle when Steven’s brows furrowed in confusion, head bowing, eyes flickering over the unfamiliar pattern. A triskele instead of a simple two-headed spiral. A symbol speaking more words than your knight could ever imagine in his wildest dreams, you supposed.  

“It’s different.”

Shrugging, you withdrew your hand, calling to your magic to finish the ritual.

“You always draw two spirals connected…” Steve continued, eyes growing large and curious.

“I do”, you agreed softly.

He observed you, intrigued. He had once said he might not understand your power, but he swore he would always try. He would not dare to question your rituals, but you could almost feel how fast his thoughts whirled in a frantic search for an answer. The ritual had remained the same, always, countless times, over and over… why would you steer from it today of all days? What was its significance? What had changed?

Oh Steven. Your sweet, sweet Steven… if he only knew.

“You always say it is about love. The unity of us. You and me,” he said slowly and you nodded, unable to contain your joy any longer, eyes surely glimmering.

“Yes. Our love, you and me. Unity of two.”

His eyes, roaming your face in silent question still, suddenly widened, flickering down and snapping back up as the realization dawned on him, leaving his lips slightly parted.

You simply shrugged, a chuckle shaking your chest, while guilt already began to gnaw at your conscience. You should have not told him, not yet. But how could you have kept it for yourself? How could you have denied yourself a little indulgence, even when knowing nothing could change just yet? You simply wished to see him learn your sweet secret, yours and his, even if for a moment, see he was equally elated.

Your knight did not disappoint you, not that you believed he ever could. His face was a perfect blend of shock and delight, radiating joy and hope and shame and sadness in equal amount as he stammered, shaky hand reaching out to carefully brush his fingers over your belly showing no signs of the treasure growing inside yet.

“You- are you—are we? Oh gods-“ And then, as you predicted, his expression shifted in an instant, determination taking deep root. “Then you must come with me. Allow me to take care of you, to-“

Satisfied and aching at once, you promptly shushed him with your still bloody finger to his lips. A single tear rolled down your cheek; a testimony to happiness, reassured anew of your lover’s goodness and dedication to you. To your family. The wonder, the glimmer of hope and the conviction in Steven’s expression would stay with you till you could grant him his wish.

“The time has not yet come, my love. I share your joy. And your worry,” you whispered through the tightness of your throat, even as a smile adorned your lips. Your finger drew a small cross over his mouth despite the pain it caused you. You had had your moment – and that had to be enough for now. “I am sorry, rytier moj. But you shall not remember this, not yet.”  

Before he could as much as take a breath, you withdrew your hand, the symbols on his chest and lips disappearing with a soft glow. Disoriented, your knight blinked, steadying himself by the hand on your hip even as he remained seated.

With a shaky inhale you composed yourself before he could, leaning forward and planting a tender kiss on his lips, fingers raking through his hair. His hand cradled your jaw, adoring.

“Be careful,” you spoke against his lips, earning another small peck.

“Always.”

You retreated with a huff, shaking your head as you went to find an ointment you knew his friend would soon need.

“You speak as if I did not know you, Steven. A basilisk chimera’s teeth three inches from your throat, I heard? Careful indeed.”

His smile was sheepish as he rose to his full height, tying the top of his shirt before reaching for the garments you had so hastily rid him of earlier.

“I always try. The idea that should I fail, I shall never see you again… it can be quite a motivation,” he sweet-talked, succeeding just a bit in softening your exasperation.

Perhaps the vision of him dutifully putting on his armour, making his frame appear even larger – and protected – calmed you further.

“Well, Steven, try harder,” you snipped, pressing a tiny pot into his hand, earning a raised brow. “And take this to Peter, the wound on his leg was already turning foul. And this…”

You reached for a salve you had prepared for when a wave of nausea had taken you by surprise, dipped your finger in the dark substance and carefully patted it over Steven’s brow where his cut had been. You did not expect Steven to feel nauseous – after all he was not the one carrying a new life under his heart – but the colour was convenient. A cut healing so rapidly would have casted a dangerous suspicion on whoever he had interacted with – or worse, on Steven himself. You could not have that.

He observed you softly as you tended to him, adding a small tap where a bruise had begun to form earlier on his cheekbone. He did not utter a word until you were satisfied with your work. Once your hands fell to your sides, his own framed your face, pressing a kiss to your forehead, your nose and finally your mouth again, a bittersweet goodbye.

“Always so meticulous and careful… always so good. Taking care of me, of my friends…” he mused, breathing you in one last time, hovering, hesitating more than usual. Almost, almost as if your spell had not worked and he still knew. As if he still knew precisely what he was leaving behind this time. “Take care of the person most precious to me too? Until I come back again?”

There might be two of those for you now, you thought, the memory of his delight flashing in your mind, bringing a smile to your lips as you nuzzled into his touch and kissed his palm.

Looking up at his face, you echoed his own reassurance. “Always.”

With one last kiss and hearts as heavy as light, you declared your love to each other. You walked him out quietly, watching him disappear between the trees, his gaze turning to you several times, always finding you standing at the doorstep of his true home, a tender smile on your lips.

Once he was out of sight, you released a sigh, hand settling over your belly, a tear stinging in your eye despite the corners of your lips having been turn upwards.

Yes. The time was yet to come for the people to see again the blessings of magic. For now… the blessing of love already bloomed and it was enough.

Očaruj mě - Bewitch Me (a fic with the same pairing in the same universe)

Ochraňuj mě - Protect Me (a fic with the same pairing in the same universe)

S.R. masterlist - contains other knight!Steve fics, independent of this one

Complete masterlist

Yes, I’m mixing symbols, I know… do I care? Nope.

Terms of endearment/addressing used from Slovak language: bosorka moja = witch mine rytier môj = knight mine ľubim ťa = I love you

Thank you for reading!💕 I wrote it in between really difficult exams in the ocourse of two months and it needed a LOT of editing afterwards too, so... feedback is, as always, appreciated 🥰

[goldendiie]

I happened to watch call me by your name tonight, and it reminded me of this scene I wrote that was sort of directly inspired by it. This is from a defunct draft of mine that I wish I had the energy to finish. Basically, it was supposed to be a sargemore post-rt66 bypass vacation fic (not related to my AU) where they are camping to cope with all of the sudden changes in their lives. In this scene: they were swimming in a lake, and now they are laying on the shore to dry off. maybe one day I'll finally get around to polishing up this fic & posting it... perhaps if y'all want to see more?

They found themselves on the tiny shoreline bordering the lake, letting the sun dry them. They were inches apart, close enough that Sarge could feel the heat radiating off of Fillmore’s skin. He appeared to glow in the heat, and his eyes were closed. His breathing was slow, as though he’d fallen asleep.

Beautiful, Sarge thought. The thought did not startle him—not this time.  

He sat up onto his elbows, studying him. Fillmore’s hair was cast out on the ground underneath him, one arm behind his head. His lips were slightly parted, and there was a dewy sheen across his cheeks where the sun was hitting him. It felt as though he would not be real, not completely, if Sarge were to reach out and touch him.

“Do it,” Fillmore’s voice echoed in the back of his mind, coaxing, “Live a little.”

Suddenly, Fillmore’s lips curled into a slight smile. He sat up slightly, elbows digging into the sand. He murmured, “You’re confusing, soldier.”

Their noses were inches apart. Sarge’s heart pounded from his chest, and he felt himself beginning to unravel beneath his gaze. “I don’t know what you mean,” he managed.

“Really?” Fillmore spoke, barely above a whisper. He leant forward slightly, fingers brushing against Sarge’s jaw. “I think you do.”

His fingers moved downward, agonizingly cupping Sarge’s chin and pulling him closer still. One thumb swept across his lower lip, sending a bolt of electricity down his spine.

It was terrifying when Sarge kissed him. Fillmore—beautiful, untouchable, unshakeable—was reciprocating. Their noses bumped together awkwardly as they broke, but Sarge pulled him back in: his need for nationality was overpowered by his desire for more.

Fillmore turned his head, and it was over. Sarge let out a breath that he didn’t realize he’d been holding; he looked down and away, feeling as though the world was spinning.

“Sorry,” he heaved. “I don’t know what I was thinking.”

Fillmore did not respond. He sort of half-laughed, leaning back on his elbows.

Sarge focused entirely too hard on the dull brown of the sand on the beach. The world around him was vibrating: no longer peaceful, it had become a whirlwind of sounds and smells and bright sunlight. Blood pounded through his brain, and he somewhat felt as though he might pass out. Why did he do that? What made him think that was a good idea?

“I think we should start hiking back,” Fillmore said, infuriatingly easy. “The sun will set, soon.”

“You’re probably right,” Sarge replied.

[callsigns-haze]

Another announcement yet again

Two this week huh?! Probs not the best thing ever but yet here we are.

Tbh I don't think I have left too many things lying out unfinished I might delete one of my series and you know I was only one part in and not much attention either so no big deal.

I did post like a little peak of one but it's fine. That can wait or just never happen.

I have exams coming up soon and won't have any time to post anything but in fairness I feel like I'll be around here till the end of this month then I'll probably pull what I did from April to June but this time I'll probably be gone most of the time for possible 6 months maybe?!

I'll still be posting some fics if I have time. I'm about to close my requests because I won't have time. My exams are in January and then again in June and these go on my cert so this matters a lot to me.

Tbh some of my things don't even get acknowledged around here anymore so let me be honest this will be a small change to your blogging life.

I go back to sports in two weeks so then I'll be busy 24/7 and studying matters to me this year, a lot.

I've also been feeling really sick recently so this is not making anything better. I'm out of my hand brace and finger splints but still don't feel all nice and fuzzy.

Here's the real shit.

I have really bad anxiety. Like absolutely shit.

Over the period of my whole life I have ended up in hospital due to severe panic attacks and other issues.

It sucks how these things come back huh?

I was talking today with one of my friends Maria that last year was the worst year for me with my attacks but this year they seemed to calm down. In the month of September I would say I only had like 3.

I spoke about this to my doctor and she said maybe it's because I can do sports so I'm calm or maybe I found a better routine. Then why do I feel so shit on my day off?

I just had a conversation with a mutual and currently I'm legit on the edge like all this trauma and shit just flooded back and is sitting on my chest and yet I can't do shit about it.

Last year on the third of October someone passed away that was somewhat involved with me but that's nothing relevant to me or what I feel.

People on this very app ruined my experience at the end of last year and I was close to another attempt.

But right now out of September I only had 3 panic attacks that month I had 4 today and it's the first of fucking October.

Am I sobbing currently yes. I can't control it anymore. I don't want to have to keep on writing more as right now it doesn't please me.

My writing isn't so great in the first place. My first language was polish and I only started to get English properly by 8 so I see where my fics do not have the best range.

I really wanted to reach 1k followers by the end of this year but there's nothing to go off on anymore.

I will be online for a bit and I will be DM people I like to text but mostly don't be surprised if I don't answer too much. I'm not in a good space at all.

I'll probably be doing a bunch of rants on my blog and if you don't want to see it just don't read or just ignore.

I need the trauma to fucking go away but I'm shit at talking.

[auroralix]

✩ fairly odd christmas - part 1 ✩

read parts two and three here!

pairing: chanlix. everything on this account is chanlix.

summary: single and lonely on christmas, felix makes an offhand wish to have someone to love. the man who appears in his kitchen the next morning to make that wish come true is the last thing he expects.

song: fictional ~ khloe rose

this section’s word count: 4.2k

warnings: uhhhhhhh i don’t think there are many ?? some vEry light swearing, felix is already lowkey thirsting for chan’s ass bc aren’t we all, this is so sappy lovey dovey i love them, mentions of getting murdered bc felix thinks chan is an intruder at first, felix also tries to use a pen as a weapon, why am i treating this like ao3 tags

small a/n: welcome to my first fruity series! i’m still in the process of writing and polishing this but i had to post it before it became too long after christmas lol. everything should be posted by new year’s (: also forever big thanks to @awooghan for the fic title ilysm and thank you to both her and @ujimoo for beta reading and giving input ilyb 🫶

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈

Felix trudged into his apartment, closing the door behind himself and slumping against it. He got dumped again, and right before Christmas. It shouldn’t have surprised him but every time he hopes this time it might be the One. The one and only he couldn’t live without.

He made his way to the kitchen and opened the freezer, pulling out a tub of ice cream and a spoon. It wasn’t the most glamorous way to spend his night but he was past caring at this point.

After securing his ice cream, Felix crashed on the couch in his living room and turned on the tv. It was time to nurse his emotional wounds with any one of his favorite movies. He had a secret soft spot on his heart for sappier, more cliche movies; those normally seen as “girly.” He couldn’t help it, maybe it was the consequence of living with his sisters until he moved out after college.

Felix had always loved the idea of finding that one person who he loved more than anything else and that would love him back just as much. The books he read and movies he watched did nothing to help those notions; he was the notorious hopeless romantic in his friend group and had been since he was young.

It wasn’t his fault, he couldn’t help that the men in his books and movies were miles better than anyone he’d met in real life. He’d dated multiple people, men and women, and yet nobody ever compared to the people in his stories that lived day and night in his brain. It wasn’t that most of them were bad people (although he’d had his fair share of bad dates), it was just that none of them could give Felix half the amount of love he gave them.

When Felix loved someone, he jumped all in with both feet, not caring what may come. He knew he was being naïve about it, but he couldn’t help that either; it was just in his personality to love wholly and completely and to give as much of himself as he could to the other person. It led to him getting his heart stomped on more than once, like it had tonight.

He’d heard yet again that he was sweet and nice and everything else, but he just wasn’t what his date was looking for. Felix had nodded and smiled and taken it well, dragging himself out of the restaurant to walk home.

Of course it was just his luck that it started raining on his way. And of course it was his luck that he didn’t have anyone to be cliche in the rain with at that moment, under the bright city lights that were decked out in full Christmas decor. It was like the world loved to taunt him by dangling something he wanted desperately right in front of his face. So he had shuffled home through the cold, sludgy rain as quickly as he could, which was how he ended up where he was now.

Curled under a blanket and nursing a tub of melting ice cream while he dreamed about a love he’d probably never see. He just wanted someone that would love him as much as he loved them, was that too much to ask for?

Felix set the nearly empty ice cream tub on the coffee table in front of him and tucked his feet under himself, moving to lie on his side as he watched his movie. Before long, without him even realizing it, Felix was drifting off to sleep on the couch, sending a half asleep wish to the powers that be for a Christmas miracle– someone he could love unconditionally.

•••

Felix blinked his eyes open blearily, adjusting to the blinding sunlight streaming in through his curtains. He rolled onto his side, belatedly realizing he was in his bed, not on the couch as he had been when he fell asleep the night before.

He frowned a little to himself. He was sure he’d fallen asleep on the couch, but maybe he’d woken up long enough to drag himself into his room for the rest of the night.

He stretched his arms above his head and yawned before slowly hauling himself out of bed and trudging to clean up in the bathroom, not giving it a second thought.

When he was finished with his morning routine, Felix waddled out of his room and to the kitchen. He stilled just a second when he walked through the small living room, his mostly empty bucket of ice cream was gone. That made him pause, he knew he didn’t pick it up the night before. Maybe one of his friends randomly came over and threw it out, he rationalized to himself as he turned toward the kitchen.

His kitchen, that was currently occupied by another man that Felix didn’t know. Felix stopped right in his tracks at the sight of the intruder, heart rate immediately going through the roof.

“Who are you?!” he screeched at the man who looked up in surprise from whatever he was doing at the counter. Felix immediately started looking for something, anything to defend himself with.

The other man slowly put his hands up to show he meant no ill will. “I-I’m not here to hurt you, I promise.”

The kitchen knife in one of his hands gave Felix no confidence that what he said was true.

In another situation, Felix would be swooning at the sight and sound of the other man, but right now, he just wanted answers. He grabbed a nearby pen, his only weapon of defense against the mystery intruder and his kitchen knife.

“Who are you?! Why are you here?!” Felix asked again, his panic growing as he held the pen up, like it’d do anything against the impressive muscles on the other man.

“I’m not here to hurt you,” the other man started, lowering one hand to put the knife down as he spoke. “I- I was sent here, for… for you.”

Felix choked on a scoff as he shook his head. “You actually expect me to believe that? What the fuck do you want from me? Why are you here?!”

The other man blinked a couple times and looked like he was trying to think over the best way to answer Felix’s questions. “I-… I don’t know how to explain it. Um, y-you made a wish last night and brought me here. I’d never hurt you though, I promise.”

That stopped Felix dead in his defensive rampage. Yes, he had made a wish to the nonexistent Christmas fairies as he was falling asleep, but he didn’t expect anything to come from it. Much less it being answered with a random hot man deposited in his kitchen. He didn’t even know how it could’ve been answered.

Despite what the man in his kitchen said, Felix couldn’t and wouldn’t just trust whatever the he said. Not without substantial evidence of his claims or some very good persuading.

“How do I know I can trust you or- or that you won’t hurt me? You showed up in the middle of the night out of literally nowhere and- and started acting like you own the place! You’re- you’re just here! In my kitchen and eating my food!” Felix spit out, keeping his pen held high as he questioned the other man. “You haven’t even told me your name!”

“It’s, um, it’s Chan,” the man gulped nervously. “You’re going to think I’m crazy, but please, just hear me out. The reason I’m here is I’m a spirit of Christmas, here to answer your wish.”

Felix could do nothing but gawk at the man in disbelief. Surely he’d misheard? He must still be dreaming, there was no other explanation. It was just a dream that Felix’s lovesick brain had conjured up to make him feel worse when he woke up and saw it indeed wasn’t real.

“Y-You- you’re a what?” he sputtered, at a loss for all other words.

Chan just nodded his head slowly. “It’s true, I’m a spirit of Christmas. We go around this time of year spreading love and joy and sometimes we answer Christmas wishes. I- I heard your wish last night as you were falling asleep and I had to answer; I’d never heard such a sincere wish as yours.”

Felix took a shuddering breath. This man—Chan— had to be crazy. But, somehow he’d known about the wish half asleep Felix had sent into the ether the previous night. How had he known?

“If- if you’re a real Christmas spirit or whatever, then you must have some sort of powers, right?” he asked, deciding to put the whole thing to the test before he chose whether to listen to more of Chan’s story or call the police.

“I do, they’re not very powerful powers, but they get the job done, you know? I can show you if you’d like,” Chan said, giving Felix a hopeful little smile that brought out a pair of cute little dimples that definitely did nothing to Felix’s already racing pulse.

“Yes please. But nothing weird, okay?” Felix still did not loosen his grip on his pen. It may not do much if the other man tried to attack him, but he would go down swinging, if nothing else.

“I promise.” Chan gave him a quick wink before disappearing in a cloud of sparkles that looked like snow and reappeared in that same cloud of sparkles on the other side of the living room. He had stayed out of arm’s reach of Felix, which was appreciated.

“I can also fly, but it’s kind of impractical when nobody else on this planet can,” Chan mentioned like it was no big deal as his feet slowly lifted off the ground before he floated in Felix’s general direction, still staying out of his personal space bubble.

Felix couldn’t believe his eyes, or ears as he watched the man across the room from him. He could barely wrap his head around all that happened the past fifteen minutes.

“You- you’re- that was all true?” Felix was not having a good day with his words; although who could blame him? It’s not everyday he gets visited by beautiful Christmas spirits promising to fix his loveless life.

“Everything I told you is completely true. I’m here to make your Christmas wishes come to life.” Chan set his feet back on the floor, still a respectable amount of space away, a bright smile gracing his features once again.

Felix let out a small, disbelieving laugh and shook his head as he thought everything over. Either he was really going crazy, or there truly was a Christmas fairy in his living room offering to give him the best Christmas season he’d ever had. The spirit seemed to have no ill will and was admittedly one of the hottest people—beings?— Felix had ever seen.

With a shrug he decided that if this spirit was really out here to murder him, he would let him. At least he’d get murdered by a beautiful creature that, before now, were only thought to have existed in fiction. Felix would have a great death, but he really hoped it wouldn’t come to that.

Since there weren’t many downsides in his eyes, Felix thought it’d be fine to see where things went from here.

“Okay,” he said, releasing a deep breath. “As long as you don’t try and kill me, you can… grant my wish? How does that work?”

Chan chuckled, shrugging his broad shoulders just slightly. “Mostly, I’m here so you have someone to be with over Christmas. We’ll go on dates, you can take me to meet your friends, and I’ll take care of you the best I can this season.”

Felix considered the other’s words. It sounded too good to be true, but the hopeless romantic in him was screaming to give this a chance and see what would happen. He only had one question before he gave in completely.

“What do you get out of it?”

“For us spirits, trying to spread joy and happiness and granting wishes like this isn’t just what we do, it’s who we are. If your wish hadn’t called out to me as strongly as it did, I’d probably still be floating around, granting minor wishes to others without them even knowing it,” the spirit explained, a look of pure sincerity on his face as he spoke. “It’s something we do not for what we can get out of it, but for what we can give to others.”

If that didn’t sound like music to Felix’s ears. This wasn’t just some little thing, this was exactly what he wished for, dropped right in his lap. And Felix was a weak, weak man, especially when it came to other pretty men who offered to grant his wishes and take him on dates and be the perfect Christmas boyfriend.

“Okay,” he said again, “I guess let’s see where this goes.”

“You won’t be disappointed, Felix, I promise.” And there Chan was, smiling like it was his wish getting granted, not the other way around. His dimples were on full display, cheeks pushing his eyes into crescents, and right that moment, Felix knew he was already in deep trouble.

He blinked a couple times and forced his still racing heart to calm down a little lest it give out on him. Felix had more questions but before he could get one out, his stomach gave a loud growl, reminding him that it was time to eat. He laughed sheepishly and looked over at where Chan was still standing, looking none the wiser to the loud grumble that came from Felix’s stomach.

“What, um, what were you doing in the kitchen?” Felix asked as he meandered toward the kitchen. He’d finally put his makeshift pen weapon down and shook out his cramping fingers as he walked.

At his question, Chan perked up and hurried back to the kitchen to show Felix what he’d been working on.

“I- I knew me just… appearing like I did might have freaked you out, which it did, oops? But, I thought maybe making you food might help you calm down, so- so I was trying to make you pancakes,” Chan said with a tiny, sheepish smile crossing his face. “I didn’t really know what you liked, so I tried to find a bunch of different toppings.”

Felix hated to admit it but he couldn’t deny how his heart melted just a little at the gesture and hopeful expression on the other’s face. As he looked at the bowls of cut up fruit and chocolate chips scattered around a big batter bowl, he felt more and more sure that he’d made the right decision. This pancake-making spirit meant him no harm.

“Oh, Chan, this- this is actually really sweet.” Felix picked up a couple chips from one bowl and popped them into his mouth before adding, “Pancakes are always a nice touch, a surefire way to win over anyone who’s house you break into.”

At that, Chan’s eyes widened in concern, making him look more like a wounded puppy than a powerful being that could fly and teleport at will. Felix cringed internally, maybe 10 minutes into their—relationship? Was it a relationship? Could Felix call it that yet? He wasn’t sure— but maybe 10 minutes into their… thing was too early to break out the sarcasm.

“I’m sorry!” He hurried to correct himself, “That was a joke, a really bad one for right now. The pancakes are a really nice touch, end of sentence.”

“Do you mean it? I can just clean up if you don’t want any.” Chan still looked unsure and Felix felt like the worst person ever for making him feel bad.

“I promise,” Felix attempted to console the other. “I love pancakes and sweet things, you can ask any of my friends when you meet them.”

“If you’re sure then, I’ll start cooking them for you.” And just like that, the clouds lifted from Chan’s expression and he went back to his previously smiley self.

Chan promptly set back about his previous pancake mission focused, with one goal in mind. When Felix offered to help, Chan simply gave him disarmingly sweet smile and waved him off, stating he wanted to learn the kitchen for himself. It was no trouble really, and he was happy to do it, he wanted to do it, he reassured Felix and shooed him over to the living room to find a movie for them both to watch while they ate.

Felix wasn’t sure how he felt at first about being (albeit nicely) pushed out of his own kitchen. Although once he started smelling the delightful scent of fresh pancakes wafting his way, he decided he didn’t care quite as much. Plus, it wasn’t like he could’ve made anything better on his own. Felix was a phenomenal baker, but all of his attempts to make anything other than baked goods in the kitchen were far less than stellar at best.

He flopped on his couch and started scrolling through the list of movies he had saved, trying to find anything that didn’t scream “I’m very lonely and available and live out those feelings through the movies I watch, please love me!” He didn’t like his odds.

But finally, he decided that if Chan was going to be with him, he should know all the weird, sappy parts of him. Chan was the one who wanted to answer his wish and cure his loneliness, it would only be right to truly let him know what he was getting himself into. So, Felix picked out one of his favorite sappy Christmas movies and waited for Chan to announce when the pancakes were ready.

Breakfast went smoothly and Chan didn’t say a word about the movie choice. As they ate, Felix’s confidence in his decision completely solidified; Chan’s pancakes were out of this world.

The rest of the day passed without many mishaps, Felix showed Chan the rest of his apartment even though Chan already knew his way around from carrying Felix to bed the night before. Felix tidied up around the apartment and Chan insisted on helping even when he was told he didn’t need to.

Felix didn’t quite know how to treat Chan just yet. They weren’t an item but also they already were. Chan was a guest but also he wasn’t. In addition, Felix didn’t know what he was going to do about extra clothes for Chan yet or if the spirit had any money or if making things appear was another one of his abilities.

Chan certainly couldn’t wear Felix’s clothes, as despite them being roughly the same height, Chan had far more bulked out muscles than Felix. While Felix’s muscles were lean, Chan’s were thicker, much like his ass, that Felix had definitely not spent half the day trying not to look at when the spirit walked by. Felix could spend the next day or so figuring everything out and take him shopping for more clothes either way. He also made a mental note to ask the spirit about what other hidden abilities he may have.

Throughout the day, Felix had also taken plenty of opportunities to look at his new roommate. He didn’t want to seem creepy and stare at Chan, so he’d just sneak peeks out of the corner of his eye or when the other would turn his back.

There was no denying the spirit was beautiful, he was practically Felix’s perfect type. They were about the same height, but Chan was much more broad and muscular, he looked like he could lift Felix right off the ground without much strain at all. Chan’s face didn’t seem to match his strong body completely with dark curly hair that fluffed around his head and warm brown eyes that crinkled around the edges when he smiled. And Felix couldn’t get started on those dimples; he’d always been weak for them and now was no exception.

Felix was grateful that the Christmas spirit that heard his wish was as pretty as Chan. He didn’t know if all the spirits were this pretty, yet he still felt lucky that his not only seemed too sweet to be real, but was also just as nice to look at.

Felix was happy to have someone around for the day and just enjoyed slowly getting used to having another person in the house with him. Chan was sweet and insisted on making dinner after Felix beat him to lunch-making earlier in the day. He was phenomenal in the kitchen as Felix was quickly discovering and who was Felix to deny his new beautiful roommate the pleasure of making wonderful food for them?

It was after dinner, as they were planning to go to sleep that Felix realized a big mistake in he’d made when he agreed to let Chan stay with him.

Felix only had one bed.

He only had a couple options that he could think of to solve this. Let Chan have his bed while he took the couch; he wasn’t about to make Chan sleep on the couch, he was still new and Felix felt like it’d just be mean to take the bed from him.

There was one other option but he didn’t know he felt about it yet. They could both share Felix’s bed, it was big enough to fit them both comfortably but Felix was unsure if he should even bring that up. He and Chan had just met earlier that day and he didn’t know if this was truly moving too fast. Granted, they both knew why Chan was there so Felix was more inclined to give into his a bit too rapidly growing feelings, but he didn’t know if this step was too quick even for their situation.

“You can take the bed, I’ll sleep on the couch,” Felix said, trying to stay nonchalant as he handed Chan extra toiletries to use.

“O-Oh, um, that’s okay,” Chan replied, looking the smallest bit disappointed by Felix’s words. “I can sleep on the couch.”

Felix shook his head quickly. “No, you- you shouldn’t have to do that, it’d be wrong of me to make you sleep there. It’s okay, I promise.”

Chan just nodded, giving Felix a tiny, unsure smile back, looking very much like he’d just been accused of doing something wrong.

“Have- have I done something wrong?” Chan’s voice was hesitant and timid as he spoke, afraid of upsetting the human he now lived with.

Felix paused in the middle of putting toothpaste of his toothbrush to give Chan a look. “Of course not, why would you think that?”

Chan shrugged, looking down and fiddling with the toothbrush he still held in his hands. “Just… I thought we could both stay in your bed. That’s- that’s what I came I here for, to keep you safe and give you company. I can’t do that with either of us on the couch.”

Oh.

Felix really hadn’t thought this through. He never would’ve imagined something like this could’ve hurt Chan so badly. The more he pondered, the more it made sense; this was what the spirit came to him for, so turning him down after spending the whole day together must have felt like a horrible rejection.

“Oh… I understand that, I didn’t mean to make you feel unwanted,” Felix started, giving Chan a genuine smile. “I just didn’t want to make you uncomfortable but I’m okay staying in the same bed if you are.”

At his words, Chan’s shoulders seemed to sag slightly in relief and his face lightened up immediately.

“Really? Are you sure?”

“I’m positive. Plus, I- I like cuddles before sleeping,” Felix chuckled shyly, trying desperately to ignore the way his face flushed the more he spoke.

Chan positively beamed, the confirmation he was doing a good job was all he needed to fully relax once again. “I’m glad I can help with that, then. I quite literally live for joy and feelings like these.”

Felix’s face heated up more and he quickly went back about his business of brushing his teeth. It had been less than a full day and already this spirit was wiggling his way deep into Felix’s heart. Not that he was complaining, it seemed like for once, Felix might actually have a love that lasts.

The two went about their business of getting ready for sleep and tucked themselves into bed. It was a little awkward at first as Felix was completely overthinking every little twitch and move he or Chan made. That was until Chan let out a sleepy sigh and turned onto his side, throwing an arm over Felix’s middle and pulling him flush against his chest.

“I could hear you overthinking, stop stressing so much and just let it happen,” came the sleep-riddled mumble from behind Felix.

Truly, Felix didn’t know how Chan expected him to relax and fall asleep after that move. He had a beautiful man right behind him, his breath warm against the back of Felix’s neck and Felix was sure he’d never been quite as aware of his own existence as he was in that moment.

Eventually, through soft little reassurances that it was alright and sleep was good and that he didn’t need to worry so much, Felix slowly succumbed to the exhaustion that had overtaken him. And if the comforting weight of Chan’s arm across his middle did anything to push him closer to sleep, Felix would never admit it aloud.

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈

read part two here!

[wawamouse]

Fanfic ask game but I answer all the questions on my own because I can and I want to lol (and you can too 😌)

What was your first fic and could you stand to reread it today? My first fanfic was a Harry Potter fanfic I wrote in 3rd grade from the POV of James Potter going to Hogwarts (I had read books 1-6 in 2nd grade). I thought I was a genius for this because I had no idea fanfic was already a real thing.

What’s your most recent fic and how far do you think you’ve come? My most recent fic was "Riptide", answered for a kiss prompt. I've come very far! I wrote a bit of fanfic throughout high school years ago but didn't get heavy back into it until 4 years ago, during the height of the pandemic.

In your opinion, what’s your best fic? Honestly can't judge this. I have my most kudosed fic, but it definitely isn't my best. I think I would have pick one of my shorter Miguel/Chico fics, or else one of my longer rongzhi fics.

In your opinion and without looking at any numbers, what’s your most popular fic? It would have to be one of my HxH fics. I wrote a series for it in high school or college (idr). The show had seen a resurgence in popularity at the time, I think, because it was around when the remake anime was released on Netflix. I think it must be "We Who Have the Souls" that is my most kudosed fic.

Is there any fic that makes you super happy to reread and remember you wrote that? Off the top of my head: "For Nothing Tender About it" (MiguelChico), "At Rise" (M/C), "Exit Wound" (Sui Zhou/Wan Tong), and "A Dying Eye" (Ding Rong/Wang Zhi)... I've been re-reading a lot of my shorter fics lately. I really like "Alibi" lately...

Is there any fic that makes you super embarrassed to reread and remember you wrote that? Probably if I reread one of the ones I orphaned or one of the ones I wrote in my early days which only exists on a thumb drive now lol.

What’s the fic you most want to continue (unfinished or no)? "The Nineteenth Year of Chenghua". Zombie apocalypse fic. Someday….

What’s the oldest (longest since last update) fic you most want to continue (unfinished or no)? Out of Nowhere, I guess. But I don't remember anything to finish it. Next oldest is The Nineteenth Year of Chenghua.

Have you ever written for a fandom without watching/reading/playing the source material? No.

Have you ever written for a fandom without reading other fanfic for it? Yeah, The Sleuth of Ming Dynasty (I started the tag), Hamlet (wrote fanfic for a class), Rosencrantz & Guildenstern Are Dead. I also think I wrote Need For Speed (movie) fanfic before there were any other fics to read, but I might be wrong about that.

Have you ever written a fic for a concept you know someone else has done before? How did it impact your writing process or feelings after posting? I don't think so? Not if 'concept' means 'same plot premise'. Yeah, no, I don't think so. There are some stories where something necessarily has to be written to cross canon point A to B to get to where you want to be in the fanfic, but… no? Maybe "Collision Course"? I wrote the in the car talking concept originally as what was going to be a remix of @/merelyafigment's tumblr snippet.

Have you ever written a fic and decided never to publish it? Why? I write really trashy smut and wattpad level indulgence in my notes app as a fun activity before bed sometimes. But those are never really meant to be published, though they're there for me to steal bits and pieces from for actual fics. Actually, a good chunk of "For Nothing Tender About It" and "Countdown" and probably smaller portions of some other fics I'm forgetting came from that notes app. Sometimes I'll read back stuff and be like "hey, that's actually not that bad" and polish it up, chop off the trashier bits, and then turn it into a oneshot.

What’s the biggest change between your style when you started in fandom and today? I'm a better writer? Lol. Idk, punctuation, probably. I used to write X-men fic exclusively (the comics) so I had a horrible habit of writing out accents (think Gambit, Rogue, Wolverine, etc). I've shaken off a lot of that style, though I still like capturing some of a character's voice.

What’s the biggest change in your taste between when you started in fandom and today? I don't think I had much taste in the past… There was a point where I was very undiscerning about what I read.

Have you ever purposefully written one fandom/fic idea over another because you knew it’d be more popular? No, I don't think like that. For the longest time, I didn't engage in fandom or actually make friends in the fandom. I just posted stuff and if someone read it, nice. I was more free 😂

Have you ever stopped writing a fic/for a fandom because it wasn’t receiving enough attention? I have a fanfic for a ship I am the sole writer of that has exactly 2 kudos.

In your opinion, what’s your most overrated fic? One of my most kudosed fic (496 wtf, just checked) is a Glenn/Daryl fic for the Walking Dead. It's not particularly good. But the fandom is big, I guess, so even rarepairs thrive there.

What’s your most underrated fic? I would point to any number of my Miguel/Chico fics, except that all eyes looking for that pair at a given time have likely already read the fic, so it wouldn't really be correct to call any of them underrated. Underrated, maybe, in the sense of wOULD You LiKE tO TaLk AboUt IT PerHAPS?! MaY I wOrd VoMIT AbouT It?? HeLLo?

If you had to pick one fic/scene/chapter of your work to describe your entire portfolio to a stranger, which would you pick? What a funny question…

Well. He could feel quite senseless sometimes. Idle-minded, it had been said of him; and if not idle-minded, then fixating on idle pleasures. That was all it was.

—Surpassing Corridors

Have/Would you ever rewrite a fic? If yes, would you take the original down? No way. That's too much work. I just make changes directly into the fic lol.

If someone starts kudosing and commenting your fics in a spree and has a few works of their own, would you go look through theirs? I'll often go to their profile and see what other fics they're into or what fandoms they've written for, if they have. If they write a fic later for the pairing, I'll make sure to read their fic and comment.

Has there ever been anyone who’s made you freak out because they read your work and followed/favorited/reviewed? I have a mutual who me and a friend always refer to as "AO3 User [Full URL]" because her fanfic was amazing. Even to this day, I don't like to bother her too much 😂

What’s the nicest review you’ve ever gotten? There's a couple of people who've read my fics or have gotten friends to read my fics despite not being in the fandom, and I really treasure that. Of course the long comments are always the best :D <3 But I also really like short comments, and this one was really touching (commented on a (sort of) vampire AU I wrote): "What a great premise - totally unexpected (which after 25 years of fic, hard to find) and beautifully written."

What’s the meanest review you’ve ever gotten? Do you think the reviewer intended it? Someone flamed me on an Xmen fic I wrote years ago on ff.net, criticising the plot and my grammar. I didn't really care, though; my response upon reading it was like "Dude I am literally 12 years old" LOL.

What constructive criticism, however well-meaning, always makes you feel bad when you see it in a review? Never gotten any reviews like this, except maybe the one I mentioned above. I don't think I get enough comments to have seen the breadth of the type of negative reviews people leave.

What aspect of your writing do you most enjoy to see praised? Uhhh… When there was a nice thing in the plot or the dialogue and people say Wow or when they say they could imagine the character saying it or something… (< imagine I said that in a weird low voice like Eeyore)

If you could only ever write crossovers or single-fandom fics ever again, which would you pick? Single fandom fics. I'm really picky about crossovers and don't read them often.

if you could only ever write for a single crossover or a single fandom again, which would you pick? I'm gonna say Oz because that's my current interest right now LOL.

Does the division of your writing across fandoms line up with your reading? What’s the biggest discrepancy? I don't know what this means. No? I've written nearly 60 fics for both TSOMD and Oz for pairings that don't have that many fics to read if you subtract my contribution lol. There's some fandoms I've read an enormous amount of fic for (especially in the past) that I've never written for, too.

Do you continue to write for a fandom after you’ve moved on or do you focus solely on the new one? I'll still write for the past fandom when inspiration strikes, but I have a small brain so I forget plot stuff and can't capture the tone as well, I feel like.

Who’s the one character you’ve just never managed to get perfectly right? Can't say. A character I've never written, probably. I'm delusional in a way so I feel like all my characterisations are valid, even if on the surface, I wring my hands and go "sorry for the OOCness!" Also, once I get into the groove of writing a certain character, it comes easier. But I guess there are still moments where I freak out and think I've not been writing them properly. I still think I write Miguel as too nice or something.

Who’s the one character who shines without you even trying? Omar White…?

Is there any particular character whose scenes always wind up being longer/more frequent than you expected? Does the quality hold up? Hmm. Hm… Sister Peter Marie, maybe? Got her in some unpublished wips as well as "In the Blink of an Eye". She's useful as a therapist character lol.

Was there any fic that you wrote that really surprised you in the fandom reaction? Was it just by the numbers or did they take it an entirely different way? Nope. I don't have stats like that.

Have you ever written a ship into a fic without meaning to? No? I've added ships into wips as they've gone along and things developed. Is that the question? Then yes, I guess.

Have you ever sincerely written a ship you do not support into a fic? I wrote a fanfic for a ship that I don't really like for a fic donation drive event, if that counts. Oh wait, yeah, I've written two other ships I don't like into fics before. For the angst.

Have you ever purposefully bashed a character/ship in a fic? Only if it's in character for a character to shit on another one. I don't insert my meta author opinion like that, though. Kind of tasteless as well as pointless.

Have you ever purposefully written something you know your readers would find uncomfortable/would not enjoy? If yes, why? I don't think so? I don't assume anything about potential readers like that.

Do you consider yourself to have a readership? Yeah, in a sense. It's easier to identify the repeat readers when there's only like 5 of them, plus guests. I don't really consider all of you guys readership tho because I feel like that implies some kind of interaction between author and audience.

Do you feel like you put out enough content? 🤣🤣🤣 I probably put out TOO much content. "Readership", as they say, has dwindled. But by god, I'm still going.

If you cross-post your fics on multiple sites, do you have a favorite? Are there certain fics you would only post on certain site? I sometimes post to Tumblr (ask memes) or Dreamwidth (community prompts) but I prefer AO3, especially because for the rare comment that I do get, I can find it again easily. I don't really like posting fic directly to Tumblr because if someone comments on it the fic or post or whatever, I can't find it easily. And I have a really really bad memory 😭 I like things in one place.

How many views has your most popular fic gotten? Highest hit count is 12,026 hits on "We Who Have the Souls," which is my top kudosed fic (751).

Your least popular? My fic with the least kudos, "Prey Animal" (2), has 47 hits, but my fic with the lowest hits is tied between "Movie Time" and "Sore Spot" with 10 hits.

Do you follow/favorite/kudos/comment/review more stories than you have received? Yeah, I've been trying to leave kudos/comments on every story I've read since like two years ago? Sometimes if I really have no energy, I don't comment, but then I feel guilty. I'm only subscribed to one fic, though, and I'm not super into bookmarking.

If you had to call yourself an author of a single genre (besides fanfic) what label would you give yourself? I wanna say Action/Adventure, but the more accurate would be that broader genre, Drama.

Do you consider yourself a diverse author? Idk what this means. I'm a gay chinese dude, is that what this is asking? lol

If someone you know in real life who isn’t involved in fandoms asked to read your work, would you let them? If yes, what would you recommend they read first? I would give them my Hamlet or RAGAD fics bc they are the most respectable ones by virtue of proximity to Shakespeare lol.

Does anyone you know from outside of fandom know you write fanfic? Are they involved in the same fandom too? My IRL friends from high school (now internet friends :') ) and my sister. No to HS friends (not anymore, anyway). And my sister isn't in fandom.

Has anyone in your life ever read your fanfic just because you wrote it? :D Yes <3

Has writing fanfic had a significant impact on your life? Would you say it’s entirely positive? Yes and yes. I think fanfic has made me a better writer. I've made friends through fanfiction, and it's pretty much the only think in my life, besides other fandom creating, that keeps me creative and not wanting to slam my head into a wall <3

[22bananapudding]

masterpost / about me

my name is elijah/roma i go by she/he

polish/english POLSKA GUROM 🔥

ehh this is mainly an art blog/yapping blog usually abt whatever shit im fixated on currently

not rlly taking art requests currently but feel free to send me an ask!!!!!!!! or yap about whatever you want!!!! in my inbox its rlly whatever ehehe🤔🤔

dni

do not interact ⭐ proshipper[minorxadult, incest etc], homophobic/transphobic/whatever, racist/etc, anti palestine, pretentious :/, just dont be a bitch and we're good basically

yess 🍀 non problematic

i am a MINER INDEED‼️‼️‼️ blog is intended for 13+ people but i do not guarantee that I won't post mild suggestive or gore stuff (obviously all censored and with tw lol)

21+ you can follow and all i guess but dont interact w me directly

also if you're mdni and im following/interacting w you plsss tell me.. im a bit DUMB and probably didnt notice.......... same thing for if im interacting with problematic people/following them please js tell me that i should stop ty ty..... im pretty dense so ill mostly rely on clear communication for boundaries ok ty

ahhh idk where to put the keep reading cut so uhh lets just put it riiiiiight HERE

details 😁😁😁

🌈 current fandoms ; minecraft story mode, undertale, deltarune, mob psycho 100, breaking bad, better call saul, chainsaw man, yume nikki, petscop, vocaloid, inside job

🍮 current interests ; mineral/rock/crystal collection, nuclear history, rpgmaker mv gamedeving, other stupid nerd shit *kicks trash can*

🍌 content creators i like ; jacksfilms, danny gonzalez, kurtis conner, kwite, squiddo, mumbo jumbo, chad chad, pinely, ratskewer n putridslug

🧇 games i play or something i dunno ; slime rancher, ultrakill, roblox, minecraft

🎧lalalalala ; tyler the creator, 100 gecs, joost, weezer, goreshit, rory in early 20s, why the fuck did i write goreshit twice in the original iteration of this post and only now noticed it, my god im so stupid, whokilledxix, atols

currently hyperfixated on uhh mcsm like real bad so i reblog a lot of mcsm stuff especially umm romeo I LOVE THAT GUY romeo i love you romeo minecraft story mode.... sometimes i do stuff and i thnik to my self "damn..... im drinking water......heh.... romeo probably drinks water.........." ahhh romeoo ugh I HATE THAT GUY

i draw on a huion tablet with medibang paint ☀️

tags

#bananadraws - my original art

#bananaedit - edits of fandom stuff

#bananaocs - stuff about any of my ocs

#bananafd - yapping about my oc universe - fine day [name prone to change as it might be a placeholder]

#bananautdr - me blogs about undertale and deltarune stuff

#bananamcsm - minecraft story mode posts golly jee i will surely use this a lot ... me when the fandom loyalty from 2018 comes back full force 💯💯💯

#bananawrites - any fics or paragraph i write 🤔💭 will most likely just end up being mcsm stuff and maybe gasterxgrillby

#bananablogs - just life updates or whatevs heh not like YOU CARE... 😔😔

#bananabrbabcs - bcs and brba stuff, probably wont use this since i dont tag reblogs anyways

#bananaask - ask responses

more coming soon cuz i am SURELY forgetting something

☝️☝️☝️meee

💗strawpage 🎼prns🍇uh i'd post my toyhouse but its.... REAL BAD.... maybe one day tho 🌈

dividers taken from @/animatedglittergraphics-n-more yayy

[rallamajoop]

Hi !! I've followed your fics across multiple fandoms, and I've always been really impressed by how quickly and consistently you're able to put out works. How are you able to write seemingly so quickly?! Do you use betas? Do you spend a lot of time planning, or are you more of a chapter by chapter writer? I'm always really fascinated by people's process. Thank you if you answer this, and have a good day!! :D

Well, thank you first of all ‒ it's always such an ego-boost to know anyone's following me across fandoms! But as for 'how I write so fast', I think 'seemingly' may be most of your answer. I do like to have some fic to post every week or so, but my consistency on that comes and goes. I've done okay so far this year, but only if you ignore the part where I posted nothing during the whole month of February, or in the entire last quarter of 2023 ‒ and there was a solid 6 month gap where I posted nothing back in 2022 as well.

Back before I hit my current stride in Witcher fandom a few years back, months or longer between fics was even more the norm for me. Productivity on the fic-writing front comes and goes in bursts for me for all sorts of reasons. But it's not unusual for several bits and pieces I've had not-quite-finished for months to end up getting posted close together though, even after I've been quiet for a while, which might help with the illusion I'm better at keeping up that schedule than is really accurate.

Even when I am actually managing to keep that weekly schedule, a lot of what I post is short (2K or less), and gets lumped together into anthology-fics like Spare Parts, Viscera or The Beast of Castle Heisenberg (and other stories) (which also saves on the minor hassle of thinking up proper titles for them all). Coming up with short concepts like that is something I've always enjoyed doing (going all the way back to my time in xxxHolic fandom over a decade ago). Occasionally, I'll come back later and expand them into something longer (another habit that started way back in Holic fandom, actually), but posting them as shorts means that at least I've posted something, even if the longer version never happens. Whenever a fic works as shorter chapters, I'll post it that way ‒ it's just easier to edit in smaller chunks (and I can't really overstate how big of a motivator positive feedback is for me, if it does go down well with people).

Obviously, not everything I post lends itself to being broken down ‒ smut particularly tends to require much longer scenes, but stories like that have often been in progress for months before they actually get posted. At 15K in a single chapter, Quarantine stands out as the longest thing I've posted in years that I couldn't find any way to break down into shorter pieces ‒ and I'd been working on that one on-and-off since around, oh, August last year? Having multiple different things in progress at once works for me, because if I'm not in the mood to work on one, maybe I'm more in the mood to work on another. I'll often bash out rough drafts of various parts of a few different ideas in one spell if I'm in a good mood to just sit down and write, then come back to finish and polish them later. A lot of my ideas build themselves around dialogue ‒ having a good sense of the characters' voices is really central to how I think about writing for them ‒ so a lot of scenes might start as just dialogue, and then I'll come back and flesh out the rest later.

Planning… really depends on the length of the fic? Sometimes you need to know exactly where a story is going just to figure out how to start it, other times you don't realise half of what's really going on in a scene until you're in the middle of actually writing it down. For example, I currently have about three more (very rough) chapters of Follow Me Home sitting in a word document, which is as much of that story as I had planned out in real detail ‒ the rest consists of scattered scenes I know I'm aiming for later on. But in the process of writing them, I realised more or less exactly what needs to happen in chapter 4, so that's encouraging ‒ we'll see where it goes from there.

For years now, I've done most of my writing on laptops ‒ before that, first drafts were mostly scribbled down by hand in notebooks. I own a desktop computer too, but that gets used for so much else (work, gaming, watching videos, etc etc) that I find it's useful to have a separate platform that's 'for' writing, that's portable, something I can curl up with in a beanbag with, and (crucially) presents less distractions. A notebook or a low-spec laptop (my current one is a tiny tablet computer) is also something I can get out on the bus on the way to work or in a cafe while waiting for a meal. I wouldn't say I do most of my writing out of the home like that, but it's definitely a long-established habit.

It does help that I've been writing long enough to be reasonably confident with the general process of sitting down to make a story happen. I'm reasonably lucky just having the time and energy to dedicate to all this fannish nonsense, and to have an enthusiastic beta-reader/BFF who's always encouraging about my work ‒ she's seriously a huge help (and probably too kind with her critiques, if anything). It has taken many years of doing this to get to the point where I can do something like (for a recent example) realise there's a week or two left before the a challenge deadline and go, "oh, sure, I can bash out a few thousand words worth of smut in that time to fill a treat for that prompt I liked." But as a rule, a posting rate of maybe a couple thousand words a week, not every week, isn't that much of an output (it's probably a lot more if you count all the fannish meta I churn out too, but I mostly don't think about that too much). But writing means a lot to me, even if it's mostly fannish nonsense that makes no money, so it's something I'll make time for.

If I've got any advice that might be useful to someone else, it's to suggest that getting yourself to write something is usually better than sitting on something you're blocked on, even if that does mean perpetually getting distracted by the shiny new idea instead of staying bogged down on the huge WIP you promised yourself you'd finish (and maybe you will come back to that WIP later, fresher for having given your brain a change of scene ‒ or maybe not, that's not the end of the world either). Short fic is fine, more words do not automatically make a story better, and unfinished WIPs are just a fact of fandom (or even original writing). Part of the joy of fanfic is that you can jump straight to the novel bits, trusting your readers already know who these people are and how the base story goes (seriously, the number of fics out there that spend chapter after chapter just retelling canon in prose form boggles my brain).

But like all writing advice, if that doesn't sound like it'd be useful advice to you, it probably isn't ‒ what works for people can be terribly individual. No-one's obligated to aim for a couple of thousand words per week (let alone per day, to hit NaNoWriMo or Stephen King levels of productivity) if they're just writing as a hobby.

And I hope you're having a good day too. *g*

[kateofthecanals]

Re-Post Old Fics??

So it's been recently brought to my attention that apparently the admins of fanfiction.net have basically abandoned the site and left it to rot, leaving all of the fics on it, including mine, in imminent danger of being lost in the ether. After a bit of fancy footwork, I was able to rescue my two Peter Pan fics and save them to Google docs (I'm sure I backed them up back when I wrote them but it was probably on floppy disks... yes that's how old they are!!).

Now I am contemplating posting them on AO3 for more secure posterity -- like, one chapter at a time, real-time style. It might be fun to revisit these stories that I haven't laid eyes on in so long and share them with a new audience. :-)

My only concern is... I wrote these fics 20 years ago, when I was 20 years younger (and dumber), and they're not as pure™ and polished™ as so many fics are expected to be these days. I've seen people completely run out of fandoms over fics, and I know there is probably some stuff in these that isn't wholly PC. I can try to address these issues (at least the ones I'm cognizant of; I'm sure there's probably other stuff that will be brought to my attention in the most rational and helpful ways possible </s>), or I can just leave them as-is. I dunno. I am also not versed in the ways of fic tagging, so I would need some guidance in that regard too.

I also have artwork to go along with these fics, in case that sweetens the deal... ;-)

[allylikethecat]

ally! not you immediately gifting us with another infection verse fic five minutes after you finished the last one - when do you sleep??!!! the birthday fic is such a cool idea i cannot wait to see how this will one turn out

today’s on a friday update????? the angst is 10/10 no one will ever be as miserable as poor fictional!matty.

talkshop tuesday!! which of the fics that you are still working on/aren’t ready to publish are you most excited to eventually put out and why??

- 💌

Hello My Dearest 💌 Anon!

My deepest apologies for taking so long to respond to this ask! Real life was real life-ing between work and horse showing, I will also admit I prioritized finishing this weeks chapter updates over answering asks as well. HOWEVER we should be all good and back to regular business now!

In terms of when do I sleep... I do not which I think is part of my problem lol BUT the Birthday Fic has been in the works for longer than I have let on and I was super excited to share the first part on Matty's birthday. I'm super excited to share different milestone birthdays for Fictional!Matty - some better than others lol Thank you so much for reading and always being so supportive!

Hehe I'm happy to hear that you enjoyed the new On a Friday chapter as well! I know I said he was going to be miserable- but I wasn't sure if he was *too* miserable or not miserable enough lol But what can I say - every day is the new worst day of Fictional!Matty's life lol Now I just have to hype myself up for some upcoming spicy chapters!

TALK SHOP TUESDAY THANK YOU THANK YOU THANK YOU even though I am the worst and it is now Friday. Hmmm that's a good question, I'm excited about all of my upcoming WIPs in different ways. I think I might, at this particular moment be most excited about either the Vampire AU (because VAMPIRES!!) or the Teen Dad Fictional!Matty fic because I feel like that one is going to be extremely painful and very raw - hopefully in a good way! I'm excited to get them all polished up and ready to be posted!

Thank you so much for your patience as I took twelve years to respond and for sending this ask in the first place! I hope you are having a wonderful Friday and that you have the best weekend!

❤️Ally

[potatoesandsunshine]

SICKOS.JPG YES....YES!!! imagine me slowly dripping blood onto the floor of ur inbox its uhhhhh rough out here. tolkien gateway save me. but u did excellent here are ur BONUS FIC COMPLETION AO3 WRAPPED QUESTIONS :D 6, 9, 18, 28, + bonus pick any question u really wanna answer >:)

abby i'm sending you all my power not just bc i'm about to go to sleep but bc i believe! in! you!

6. Favorite title you used

again you do this to me, the song lyric as titles user..... forcing me to choose between songs... it's actually my silver smile knows your honest mouth, because i came up with that one myself and i'm really really proud of it!!!!! it's not from a song or anything it's from my BRAIN!!

9. Favorite pairing you wrote for this year?

yeah this one goes to pikelan. it's always a real nostalgia trip to write about them and i had a lot of fun with it this year. second place is cass/courier because i am just so in love with my cass characterization and the courier is an OC so she benefits from my predisposition to love my OCs

18.The character that gave you the most trouble writing this year?

so, there's this overzealous watch captain in 2006's very relevant to my life this year The Elder Scrolls IV: Oblivion. i wrote about hieronymus lex because he annoyed me so much that i wanted to give him a bad day personally. i had a lot of fun doing that with my deeply manipulative wizard OC alindra in polish every surface to a brilliant sheen, but then i wanted it to be from his perspective for some reason? so it was a challenge because i think he sucks but he would never think he sucks. still fun though and i like oblivion a lot so i might write more about it sometime. to me it simply does not matter when a game came out 👍

28. Favorite work you wrote this year?

this is the hardest question on this list in my opinion. it's kinda out of left field since i don't reread it very often but i think it's actually like flowers and blue skies, which is a. no way around it. it's a legally blonde fic set in a dungeons and dragons au. in the notes i literally say it has all the characterization of playing with paper dolls. i don't think it's the best thing i wrote this year by a longshot, but out of everything it was the most What I Wrote When I Needed To Write It. idk if that makes sense it's getting very late but it's like... this fic is summer 2023 to me in this weird trapped in amber way.

BONUS. 27. What do you listen to while writing?

i make fic playlists! it's one of the first things i do and then i just leave them looping as i write; i didn't used to link them or share them or anything but now if i think it's good enough i post it along with the fic :) probably 90% of the time i just put the playlist on and write for that fic. on rare occasions i just put a kind of chill background album on. for a few years i could only write to instrumentals but that has thankfully passed :)

[formula-fun]

Hello friend! How are you? I hope you’re okay and that finals are going easy on you, even though I know they never are but I really wish they are. ♥️

If you don’t mind me asking how are the final chapters coming together? Just curious!

I was rereading the whole series the other day, and I just love how you don’t portray Max’ relationship with Jos as black and white. In about a year of being in the fandom and reading fics, yours is the only one where Max doesn’t straight out hate Jos. I mean how could he?! I think every child has this resentment for their parents for screwing them up on different levels, but at the end of the day there is also unconditional love. I think Jos gave up a lot to be the parent he was for Max and whether he was a good or bad one is another question. This probably doesn’t make sense, but I just wanted to thank you for making your fic more human and complex like real-life people and relationships are. <3

Also, are you planning to write anything if and when the series are done? If yes, would you mind sharing what you have in mind? Obviously, please feel free to ignore both questions. 😊

Hi hi!! Thanks so much 💛 I’m doing okay! Finally wrapped the quarter up and now im on vacation, really glad it’s over. When im back in town I’ll be able to work on writing, which im really excited about! I have a lot written so it shouldn’t be too much to finish up, but I want to give it a good ending and that always takes time. So we’ll see!

And thanks, that’s so sweet! I’m definitely not high on the list of Jos fans fjgkhkhkhk but it’s so clear to see how much he and max love each other even if Max’s childhood was complicated, so I’ve always felt like just writing Jos off as a villain isn’t fair to either of them and oversimplifies how nuanced children’s relationships with their parents can be. 100% agree with you that no child has a perfect relationship with their parents and everyone resents their parents for something, but there’s also love and loyalty there. Jos was a lot of things to Max and to this day is still a huge part of his life and who he is, so writing that out doesn’t really make any sense to me.

And I’m not really sure yet!! I thought about a workplace au a little but I don’t know if I’m super compelled toward it. I also have a crack fic draft that I’ve posted pieces of in the past, so I might polish that up next. We’ll see 💛 if there’s anything in particular you want to see you can always let me know and I’ll see what I can do!

Thanks for the ask!

[dirty-bear-rick-sanchez]

Cold Nights

Just a very short little moment between Rick and Morty based on the comic where Morty falls asleep on the sofa next to Rick after asking him what death is like (I’m terrible with issue numbers so if anyone remembers please lmk!) and also the Rick giving Morty his lab coat thing since it looks like we’re finally getting that in canon and I thought I might as well do something with that. This isn’t super polished, I basically just crapped it out over the past hour but I’m gonna post it anyway lol. Nothing specific is referenced in this fic so you’re welcome to imagine whatever you want as the trigger event for this or to imagine it as being set after a particular episode. I was just too lazy to come up with any context for it 😅

Summary: After a tough day, Rick stays up late trying to distract himself from his negative thoughts. However, he’s soon joined by Morty, who seems to be having the same problem. Light hurt/comfort, ~850 words

Warning for canon-typical alcoholism

Rick half-lies, half-sits sprawled across the couch, bottle of vodka in hand. Now that the rest of the family - and his best distractions from his own thoughts - have gone to bed, he’s given up all pretence of even the slightest semblance of control, drinking it straight. The alcohol blurs his mind, but not quite enough. He tries to focus on the TV, but that’s not enough either. Thoughts of the day are moving slowly, as if through treacle, but they’re advancing nonetheless, and they’re not something he wants to deal with.

It comes as a welcome surprise when he hears a bedroom door open, followed by the creak of feet coming down the stairs. As people who share living space for long enough usually can, he identifies them as Morty’s. He has the lightest footsteps of anyone in the house, something almost hesitant in them. Through his drunken haze, Rick tries to pull himself together enough to feign surprise when Morty walks in, as well as to hide how relieved he is to have company.

When he turns around, he’s met with a sight that turns his fake expression of surprise into a real one. Morty’s face is tight and gaunt in a way that tells Rick he hasn’t forgotten that day’s events either.

“Morty?” he slurs, his voice quiet, even to him, but Morty startles anyway.

“Ah! Rick! D-don’t do that.” he cries. It strikes Rick that he somehow manages to look so young and vulnerable, yet so old and tired beneath the weight of the world at the same time.

“Sorry.” the word slips out past his defences before he has a chance to hide his vulnerability. “W-w-what are you doing up?”

“Me? I was just, I, um, g-g-getting a glass of water.”

Morty rushes through to the kitchen before returning, glass in hand. He hangs in the doorway awkwardly and Rick sighs and sits up, patting the now vacant cushion beside him. Morty’s face practically lights up with relief and he wastes no time in joining Rick.

The silence between the two is loaded and heavy, neither of them wanting to be the one to break it and bring the weight of the day crashing down on top of them. Rick continues to stare at the TV, not processing anything he’s seeing, but not wanting to look at Morty either.

“R-Rick? Can I… is it OK if I stay up and watch TV with you for a little bit?” Morty asks, finally breaking first. His voice is so desperate and pleading that Rick knows he wouldn’t have been able to bring himself to say no even if he hadn’t needed Morty’s company every bit as much as Morty needs his.

“Sure, Morty. Just… just don’t talk too much, OK?” 

He has to protect his character, after all. Besides, the less Morty talks, the less either of them talk, and the less likely they are to stumble upon topics Rick wants to avoid.

They watch for a while, Morty’s presence grounding Rick enough that he’s able to focus somewhat. He makes occasional comments and jokes, feeling just a little part of his heart come back to life when Morty chuckles quietly. 

So gradually that Rick almost doesn’t notice, Morty begins to move closer until his head is brushing Rick’s shoulder. He hears Morty’s breathing slow to a steady rate and feels his grandson’s head drooping onto his shoulder. The heavy weight is comforting, both for the deep pressure it provides and for the reminder that they’re both still alive.

Looking properly at Morty for the first time since he first came downstairs, Rick realises that Morty is wearing only thin pyjamas consisting of shorts and a t-shirt, despite the cool night air. Rick sighs and begins to struggle out of his lab coat as motionlessly as he can. He jerks Morty’s head more than he means to, but fortunately the kid doesn’t stir. He wraps the lab coat around the boy’s sleeping figure, shielding him from the cold. Morty is still so small that the lab coat covers him from shoulder to toe, reminding Rick of just how young he really is. Too young to be dealing with the things he is, the things Rick has put him through. 

After all, Rick knows he probably only has, what, a decade left at most, realistically less. But Morty? Morty has his whole life ahead of him - God, please let it be his whole life - and he’ll have to spend all that time dealing with this shit that Rick can just escape when his body finally gives up in a few years’ time. 

Rick knows he’s selfish, that he’s fucking Morty up for life, that he already has fucked him up for life. Still, he hopes that, at least, after he’s gone, maybe Morty will finally be able to heal.

Despite the fresh pain of his thoughts, alcohol and exhaustion are finally starting to win the battle, dragging him down into blissful unconsciousness. Before he slips away, he leans in and whispers to Morty.

“I’m sorry.” 

[psylunari]

Comments: thoughts, types, how-tos, and etiquette (part 2 of 4)

This is better read sequentially, but you can skip to any section. They are as numbered:

1) The basics

2) Thoughts on comment culture

3) Types of comments

4) Writing cohesive and coherent comments

5) Etiquette

6) Technical questions

7) Short-answer questions

8) Long-answer questions

Part 1: Sections 1 and 2.

Part 2: Sections 3 and 4 (you are here).

Part 3: Sections 5 and 6.

Part 4: Sections 7 and 8.

PDF version here, containing the whole thing. It has a table of contents and cute formatting.

♥ 3: Types of comments ♥

Comments are detailed below with a description and examples. I wrote all the examples. They might be based on comments I’ve seen, but aren’t real ones left by readers.

3.1 Emojis, keysmashes, second kudos, and not-so-verbal comments

Usually short. Might be hard to make heads or tails of them. If it’s all emojis/kaomojis, the comment is likely trying to express the reader’s emotions. The keysmash is internet “slang” for speechless or at a loss for words, but strong feelings about the thing, often positive. Second kudos are also emojis, but heart emojis, imitating the kudos/favorite button.

Example(s):

“😭😭😭😭😭😭” “ヽ(♡‿♡)ノ” “skjhgsdkfljgsdlkgfsjdh” “❤️” “!!!?????!!!!??????”

3.2 Short positive comments

One or two sentences expressing appreciation about the whole fic or some aspect of it.

Example(s):

“Loved it, thanks for sharing!” “This chapter is everything. Good to see this pairing more often in the fandom.”

3.3 Medium and long positive comments

Longer than the previous ones. Might delve into detailed opinions, quote the fic back to the author, and contain a deeper analysis of something.

Example(s):

“I’ve been reading this fic since day one. The writing is stellar and the characterization is on point. It’s good to see things getting finally resolved. Those two deserve peace and quiet in each other’s arms, after all.” “Ok, so it’s 3 am and I totally should be sleeping. My finals start tomorrow, and I was scribbling a few notes for an assignment, but I couldn’t resist this update. 5k words? How come?? The plot twist was SOMETHING ELSE. I don’t wanna spoil the other readers who might see this, so take my word for it and GO READ. When we thought we were done getting into her flashbacks, we get THAT. OH MY GOD. What will be of me until the next update? (probably a sleepless mess because broke college student juggling two jobs) LOL see you anytime, your writing is a blessing to this world.”

3.4 Constructive criticism (concrit)

Concrit points out flaws in whatever the reader can find them, and provides ways to improve the fic. Ideally, it’s a polite, considerate comment, but might not be.

Example(s):

“While I love the premise, worldbuilding, and first act, I think it’s a bit dragged out from chapter 5 onwards. Stories like yours could use faster pacing and less domesticity. If you trim the less relevant scenes and turn them into extras (maybe posted as one-shots in a series), it’ll flow a lot better. Also, be sure to use a spellchecker. English is hard. I know you’re not a native speaker, so that’s why I’m suggesting it. This fic will be a hit, you just have to polish it, to make it shine its brightest. HMU if you need help, and good luck!”

3.5 Pure criticism

Simply state an opinion, not ways to improve. Ideally, it’s polite, but might not be.

Example(s):

“It reads very amateurish, repeats many clichés from the fandom, and the characterization is off. I was in for the tags, ends up it’s not great.”

3.6 Hate/harassment, demanding updates, unwanted comments

Comments that try to bring the author down, attack them, demand faster updates, are impolite in general, or outright creepy. Might contain swear words and threats.

Example(s):

“lol this fic is trash, don’t waste your time” “I bet you live in your mom’s basement to this day and will never get a girlfriend” “Why don’t you post the next chapter already? It’s been a month. We’re all waiting” “Ugh, such disgusting content, what to expect from shippers of that pairing?” “Write even one more chapter, and I’ll doxx you” “Quick question, do you have an OnlyFans?”

3.7 Requests/prompts

Ask if the author could write a specific thing or suggests ideas for a fic.

Example(s):

“Could you write more one-shots of them? I need this pairing in my life.” “Put them all in a high fantasy AU, each one from a different race, competing for the throne. Three parts minimum. It’ll be awesome in your style and I want to see it.”

♥ 4: Writing cohesive and coherent comments ♥

AKA “I don’t know how to write X type of comment, help me”.

If you need further help, check the Long Live Feedback (LLF) Comment Builder.

4.1 Types I’m not going to cover and why

I’m not going to teach you how to write “pure criticism” and “hate/harassment” comments. Section 3 had a guide on identifying them, not encouragement to write it.

Pure criticism can be “an opinion”. Sure, “critic” is a job, like film critics, book critics, etc. There’s also such a thing as a nice opinion. However, I’d like to keep it positive. I don’t want to teach you how to tear a fic down without teaching you how to tell the author ways to do better. It might scare people away from fandom, especially newbies and/or insecure writers. Avoid criticizing total strangers (do it to friends who take it well, and it’s none of my business). You don’t know who’s behind the screen and the hardships they’re facing. Be kind.

I don’t need to go into detail about why teaching how to bully and harass others online is a bad idea. It’s unavoidable to come across hate comments on the internet. Anonymity makes people think they’re free to say as they please. Be the change the world needs to see.

If you do end up spreading hate online, I hope you face consequences, learn from your mistakes, quit doing it, and find something healthier to pass the time.

4.2 Not-so-verbal comments (emojis, keysmashes, second kudos…)

Emojis/kaomojis: send the ones that best represent your emotions.

Keysmash: type lots of incoherent letters without any words.

Second kudos: send heart emojis, maybe with “second kudos!” written as well.

4.3 Short positive comments

“Loved it!” or “great/amazing fic!” are fail-proof. You can also add “thanks for sharing”, “Love this [ship/plot/trope/other]”, “your style is great”, and other things you can think.

4.4 Medium and long positive comments

You can open comments with things like:

What you were doing when you found the fic (at school/work? procrastinating? looking for a rarepair? looking for a specific tag/theme?);

What time of the day it was;

Stating if you’re a newcomer to their works or not;

Other things you can think of.

There are a few things you can praise:

Writing style;

Characterization/development;

Plot;

Pacing;

Dialogue;

Being engaging;

Being original;

Other things you can think of.

You can proceed with:

Quoting your favorite lines of the fic;

Mentioning if you usually read that type of fic or not;

Saying if a scene made you cry/laugh;

Saying if a scene will stick with you for a while;

If it’s your favorite fic of that pairing/tag/theme;

If it’s your favorite fic of that fandom;

If it’s your favorite fic ever;

Other things you can think of.

4.5 Constructive criticism (concrit)

This one needs a little more structuring.

Create a document somewhere. Google Docs, Word, Notes app, etc.;

List strengths. Writing style? Characterization? Plot? Character development? Pacing? Dialogue? Spelling, punctuation, grammar? Being engaging? Being original? Others?;

List weaknesses. Same list as above;

Try to come up with ways the author could improve on the weaknesses. Grammar and the like? Spellcheckers. The plot structure is on the weaker side? Studying storytelling and structure. Robotic dialogue? Paying attention to real conversations, and so on;

Then, use a model like this if you want:

[These are all the things that I think are good, and don’t need to change.] [Next, these are the things I think need more work.] [These are ways they can do it better, and solutions for the problems I found.] [Here, you wish the best of luck to them, reassure them you’re doing it out of liking the fic, and state your intention to help them if they need it again.] [If they need further feedback, and you’re willing to do it, leave your contact info.]

4.6 Requests/prompts

If the author hasn’t stated publicly that they take requests/fill prompts, don’t send them uninvited. Always ask first. If they respond positively, proceed. If they don’t, it’s nothing personal. Some aren’t good with prompts or have no time/desire to write them.

Some authors provide sheets for requests or list things they will/won’t write. If there is a sheet, fill it out and send it. If they don't write something, don’t insist they do.

If it’s a request, be polite and non-demanding. Phrase it like “could you write this?” or “would you be open to writing that?”. Never “5k fic of this/that character doing this, ready by tomorrow night”, you’re not their boss. Preferably, thank them for their time and effort.

If it’s a prompt, provide enough information, not too much information. Don’t go overboard on details: the author won’t be able to elaborate with their personal touch. You’re asking them specifically to write it, so in theory, you want their take, not just your ideas.

If you want a specific thing to be out of the fic, state it, especially if there’s a chance the author could add it because it’d fit the context. For example, in a car accident prompt, someone dying isn’t out of place. Don’t want any deaths? Tell them.

An example of a weak prompt:

“Write a one-shot about Main Character.”

An example of a well-rounded prompt:

“Three years after canon ends, Main Character and Side Character #1 see Character Dead in Canon walking on the street on a Friday night. Character Dead in Canon didn’t seem to notice them, then entered the most suspicious nightclub. No smut/incest, please.”

An example of a too-detailed prompt:

“What if Main Character woke up, checked their phone, and there is a text message demanding they get to work at 7:35 am? Their former boss requested they deal with this, this, and this activity they used to do. However, they’ve been retired for years, since they were deemed unfit to work. Thing is, their boss has a miracle solution for the health issue they’re facing, but their boss isn’t going to tell them about the solution until they arrive at the office. I’d like it to be 30k words minimum, it should include spicy scenes here and there, but nothing explicit. Their car should be red. Their cat is a Maine Coon named Salt. They are dating me specifically. I am 165 cm tall, my weight is 60 kg…”

Part 1 // Part 3 // Part 4 are waiting for you.