#I mean this isn't the Only reason I will get attached to characters but this is the reason for my obsession with some of them

[echo-the-ghost]

Honestly I get really happy when I find a character I relate to and who is like me because I tend to copy people subconsciously, so doing that with characters who are like me? I actually feel like myself. And it's honestly really euphoric because most of the time I do not feel like myself, so, I really do cherish those characters <3

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[linkspooky]

Are You Satisfied?

As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.

The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?

As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?

The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.

Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?

Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.

The Protagonist of a Tragedy

So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.

Excuse me while I fist pump for calling it!

The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.

In poetics Aristotle defines tragedy as:

"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).

To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.

The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.

Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?

Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.

Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.

Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.

I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.

Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.

I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.

If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.

Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?

Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.

Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.

Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.

Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.

One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.

Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.

When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.

We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.

Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.

Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."

Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.

Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"

There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "

All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.

All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.

Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.

Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.

INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.

Not living in the world with everyone else is the same as being dead.

A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.

Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.

This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.

Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"

It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.

There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.

Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.

Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.

It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.

However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.

It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.

「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」

They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.

Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...

"If you were among those patting my back... then I might've been satisfied."

Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.

Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast

[lurkinginnernarrator]

You know, genuinely, the transmigration setting of svsss fascinates me. Shen Yuan adapts remarkably quickly (makes you want to explore exactly how attached he felt to his home in the first place? An interesting thought for another time.) but I have to wonder, how does his past shape his psyche?

I'm sure most people are familiar with nature vs nurture, and that the situation you were raised in shapes you fundamentally as a person (It doesn't define you though.) . Moreso, the culture you were raised in, and participated in, contributed to and perpetuated.

I think it can be easily argued that the world of 'PIDW' moves differently to Shen Yuan's modern day China. I think there is some bleed-through or carry-over, but the cultures are different. (Perhaps with Modern Day as the 'mother culture' to PIDW, seeing as Shang Qinghua may or mayn't be the creator of said world.)

If you take the same culture at different points in time even, the cultural mindset and cultural awareness ( I like to think of it like a portfolio lol), there will be a marked difference. You just have to wonder the difference of perspectives, not even from a character point of view, but culturally.

And! You have to marvel at the fact that Shen Yuan adapted as well as he did! He was speedrunning integrating into a new culture! I mean sure, he had foreknowledge of the world, but knowledge of, say a different country is not the same as learning to truly live there.

I can have knowledge of a foreign country, know it's stories and songs, it's celebrities, traditions and way of governance: the climate, the flowers and the pathways of its waters.

Yet, that would not make integrating into the culture any less eye-opening and educational. It would not make me any less of a student to that culture I'm learning.

This isn't even bringing up that there are multiple cultures in Shen Yuan's PIDW.

I won't argue that Shen Yuan could navigate all these cultures well or easily, but that he did at all is fascinating. Shang Qinghua does have a few legs up, being the author and getting a PIDW childhood.

Shen Yuan's different cultural perspective, I would like to posit, is another reason the Cang Qiong Peak Lords got suspicious. The difference in personality could only be highlighted by Shen Yuan's different cultural foundation. He's operating from an absolutely different place than Shen Jiu!

Anyway, this contrast and concept, this facet of svsss delights me and I enjoy rotating it in my mind.

It seems that this just turned into a SY appreciation post. But what can I say? The funky dude deserves it.

[project-sekai-facts]

Wait An/Kohane have outright stated romantic interest?

poor wording on my end bc they never actually say "an and kohane like each other romantically" but the evidence it very much there and it is clearly depicted and phrased in other ways. for example: the shoujo sparkle effect that is used for An from Kohane's POV.

This effect is often used on Haruka in Minori's imagination, which, well, let's just say it doesn't disprove that Kohane is attracted to An. While the effect is also used to show a character being cute or having a strong "idol" aura without any attraction attached, it's prettly clear the intent was to show Kohane's attraction. Also she was blushing.

Bonus points to the fact the wedding event has a underlying message (they say it on screen) about how marriage should be equal regardless of the genders of the couple [because gay marriage currently isn't legal in Japan].

There's also literally everything in Buddy Funny Spend Time. While almost all of the interactions in that event can be read as platonic if you really want to, they're written so you can interpret it as romantic if you choose to. And considering the featured pairs in this event were Minori/Haruka, An/Kohane, and (briefly) Shizuku/Airi, it's not like that reading isn't supported by the writers lol. There's one part where Minori and Kohane get jealous of how close Haruka and An are as childhood friends and aren't sure if they can amount to that, but they want to try. Doesn't necessarily have to be romantic but can be if you choose to read it as such.

When Kohane is visibly attracted to Haruka, An gets slightly jealous and says that her singing should be the only thing that makes Kohane react that way.

Haruka also points out that although An has always been super friendly she's never been like this with anyone until Kohane came into her life, and still keeps this behaviour Kohane-exclusive. An says it's because they're partners, which, kinda friendzones them, but kinda doesn't.

The word for partner used in the story - "aibou" - means, to put it in incredibly basic terms, coworkers. It's like the cowboy or detective word for partner, though I believe it comes up in shounen every so often (the genre vbs story is based on). In itself, aibou has no romantic connotation. But 3 of the partnerships we see in VBS' story have lots of interactions that easily read as having romantic undertones, so basically in the context of VBS story the nature of said partnerships becomes a little more ambiguous. The word is still platonic and that doesn't change, but you get the idea. Oh and VBS has recurring romantic soulmate imagery more on that later.

continuing on BFST, yeah they went on a date. which is strongly suggested to be a romantic date unlike how it's sometimes used platonically. like the other characters say An is "seeing someone", at least in the English translation, which is very much associated with romantic interest. Also the original Japanese for the "do you know who she's going out with" line uses the phrase デートの相手 which is the Japanese equivalent for the word "date" (as in a person/your date), so it's not really any different. they go on another one in Kick it up a notch and An's card story for the event. their relationship is never labelled or anything (probably bc this genre avoids that sorta thing for fan-related reasons) but this very much was a thing that happened.

(also when ken says partner he says aibou. so not partner /r but anyway it does clarify that this date is to do with their relationship on a different level to partners /p. ie: an's going on a date with kohane because she's cute not because she's her partner. language is fun)

Lastly back on that thing I said I'd come back to. The Walk on and on costumes have romantic soulmate symbolism included on them. The wings on the backs of the outfits are based on the mythical hiyoku bird, a one-winged bird that could only fly after meeting its other half. Kohane's costume has pink accents, one of the variants has accents in An's image color and the wings on the backs of those variants match up to each other. The card illstrations themselves also feature crows, which mate for life. While the symbolism is mostly associated with Toya, the Whip the Wimp Girl! cards take place in the same location as the woao cards which is pretty neat, and makes sense given the themes of both events. I've put both their gacha logos above as well. Oh and An's card for wtwg was. Something.

And Kohane got the valentine event this year and it was about her entering a contest to win limited edition chocolates for An I forgot about that until just now.

Have fun with that.

[butterfly-ribbon]

thinking about the kamikou festival event again and how it conveys the tone and atmosphere of the school while showing the constant transmisogyny microaggressions mizuki lives with every day so well, and this phone call with an drives me insane bc even though an is genuinely well-meaning and is trying to ensure that mizuki knows that today is a safe day for her to come to school due to the circumstances of the festival, the way she words this is very discomforting bc she's basically saying "nobody is going to notice that you're dressed as a girl today bc everyone is wearing wacky outfits!" which carries the unfortunate implication that the way mizuki presents herself is equally wacky in a way that reinforces everything ppl say about her, but this isn't easy for her to push back against bc she doesn't have a good enough 'excuse' to do so when this is one of the few ppl who go out of their way to accommodate her even if they don't fully get it? it's thoughtful of an to want to reassure her but also it's another little thing that others fail to understand. she's trying to be kind but even then mizuki feels somewhat pushed into a corner. she's very bad at actively saying No. and an has removed her ability to misdirect here bc an is speaking with ambiguity.

mizuki also being too anxious about the idea of changing her clothes in school bc she's terrified of the possibility of being caught and thus having her body perceived by others... that's also another reason she'd hate being at school. gym and changing for it … i'd wager mizuki skips almost every gym class bc she can't stand the idea of being forced to change amidst boys, but she's also not allowed into the girls' locker room… literally only has the option to go to the roof if she wants to change. she's so hyper cognizant of her body and being seen … and the worst part is, she likes to be seen under her own circumstances and control (which is one of the many reasons she's very passionate abt fashion, and a lot of trans ppl in fiction tend to have an attachment to fashion and styling which makes a lot of sense bc of the element of control over one's appearance and making a self one can love). she really does. it just … happens that she knows she has so little control.

i've read the vbs main story (and a bit of their events but i need to continue whoops) and this makes me appreciate mizuki's brief interaction with kohane and an here more, bc it's obvious in this moment that kohane is just being her usual self—anxious around other ppl she's not familiar with and this is something she wants to improve upon (which as far as i can tell is the conceit of her character arc as an underdog of sorts compared to the others in her group). but mizuki assumes that she has to be uncomfortable with her specifically (presumably due to her transness) bc of her experiences, so she immediately feels bad about 'taking up space' and decides to make up an excuse to get away from the situation to give kohane the chance to comfortably hang out with her friend. and the fact that mizuki goes out of her way to say that she's going to find a place to hide alone is interesting bc the way it's framed it doesn't sound like it means much, but it feels deliberate on her part, like she wants an to know... mizuki's internal world and where we see she has internal bias and how she blames herself or assumes she herself is the problem if she can't make others comfortable, and she takes so much upon herself all the time bc she's used to constant microaggressions and either can't say how she truly feels or has to divest what she feels from its context to make it palatable. but of course kohane is not transphobic, she is someone who has trouble socializing with strangers bc of her own anxiety that has nothing to do with mizuki herself, but mizuki doesn't have access to this perspective like the reader so it's easy for her to assume that she's the problem. it's paranoia but it's understandable considering how she's treated by almost everyone...

[lovewireds]

been meaning to post my designs for these little guys forever. insane splatoon rambling under cut to explain design choices and lore related things ... read my autism boy

btw this is a repost from our art side blog this was written and drawn like months ago <- minorly rewrote some things tho

thx splatoon users drfreeman & drcoolatta for fueling my splatvrai autism brainrot ... i hate u /J

GORDON

idk how to explain this but Theoretical Physicist is inkling coded . maybe its cuz splatoon species social hierarchy

Native ink color is Orange, but he has Dark Brown tentacle roots.

Uses custom weapons to attach in place of his prosthetic; It works best with Splatlings but can be adjusted to attach other weapons.

If the thing above didn't make it obvious, he's a Splatling main. He switches out depending on his mood though.

sighhhhh technically an Agent... stares at the ceiling...Main character...

His arm loss is like pretty much the same as in-canon but it's with the octarian army shrugs. don't ask me why he doesn't just regenerate it cuz hes a squid thats for me to know and you to find out. (get partially sanitized loser)

Born & Raised in Inkopolis pre-splashtags; He wasn't informed of the switch to Splashtags being expected when participating in most activities around Inkadia.

TOMMY

I forgot why i made him an inkling why did i do that. I think it was bc i didnt wanna make them all octolings but i was wrong srry we all make mistakes /hj I ALREADY REDREW HIM ONCE IM NTO DOING IT AGAINNN

Native ink color is orange-brown.

His hat has an eye guard for sensory reasons; He covers up as much of his skin as possible because he doesn't like the feeling of foreign ink on him.

He isn't a specific weapon main, he just uses any long-range weapon to minimize the possibility of getting ink on himself. If he has enough guarding, he prefers to use N-ZAP '89.

Makes his own gear for sensory reasons as well :) It's legal when ur dad's the G-Man.

Exclusively plays in Turf Wars, Anarchy Battles, etc with friends. He hates playing with people he doesn't know.

Born in Splatsville !! He feels like a Splatsville resident. His occupation is resident I cannot imagine him doing Anything

His dad is that creepy curtain in one of flounder heights windows /j

BENR(E)Y

Octoling bc I wanted him to be sanitized :) Other than the visual part of being sanitized, I thought him being clinically dead fits /hj also lore reasons below

Pre-sanitization, his native ink color was blue.

Great Turf War veteran; He didn't do anything in the war itself, he was just enlisted lol. He was primarily security for the Octarian Domes in the years after the war. Yes, that also means he is over 100 years old.

"Raised" (debatably) in Octo Canyon.

E-liter main (4-star Base + 5-star Scope) and avid squidbagger. He also uses any heavyweight weapons (dynamo, tenta, etc)

Absolutely hates working at Grizzco, he only does Turf Wars and Anarchy Battles. He only works at Grizzco during Big Runs. The type of guy that does X battles.

Professional Anarchy / Ranked / X Battler btw. That's literally 90% of what he does.

Got on Gordon's azz over him not having a Splashtag; i wonder what that parallels.

BUBBY

Genuinely don't have a lot to say about his design. He gives off Splatoon 2 Octoling vibes (showoff /hj) also i wanted to make his hair wispy like it should be.

Native ink color is a light blue-gray gradient.

The drawing doesn't give it credit but I swear those are glasses not goggles .. they're opaque-colored slanted oval glasses !! ^_^ u can interpret them as spiked or just eyelashes, both are right.

oh also the text under bubby says "Is Best" in some splatoon font we downloaded awhile ago . i think it was ripped from splatnet

Blaster main. I don't know how to explain this one but it feels right.

helps with the practical Map props (ie ink rails) and with some weapon gear manufacturing ^_^ tech guy

COOMER

Was going to make him an Octoling for the convenience of making his hair curly but i didn't want to make all of them octolings + i think his personality generally fits Inklings more.

Native ink color is an off white gradient.

Slosher main cuz he likes moving his arms. this makes sense to me. Also is a fan of Splatlings and other Shooters.

i felt ill trying to design coomer without making his eyes two lines with eyelids

War Veteran...Stole some octarian tech and got fucked up super limbs. Cyber Inkling stealing from octos !! [inkadia crowd goes wild] /j

anyways outside of the war™ he's a data researcher. just generally. he does shit with splatfests and eggstra work.

If you splashed him with ink he would stand unmoving. He would not shake it off.

DARNOLD

Ok i'll be honest the Octoling choice is primarily bc Octolings have the afro style & inklings have no textured hair styles (i didnt have the energy to design smth that could work) . His personality fits octoling too though :3

Native ink color is red-orange.

The fucked up guy that makes those drink effects people never use ( i use them ... )

He doesn't participate in Turf Wars or Anarchy Battles, but he works some gigs at Grizzco for extra cash every once in awhile !

the type of guy that goes after flyfish cuz no one else will . god bles !!!

not a lot to say about his design & his place in inkadia , it kinda speak for itself . he just wants to get by and make his drinks in peace . #autism ... he is pretty much exactly the same as his canon self

[raayllum]

Can you explain why Claudia is so upset with Terry when they reunite after he leaves? And why Terry, of all people, looks so guilty with her that he can't even look her in the eye? It's one of those things where you know this should all be reversed, but isn't. Why? Why is the betrayer so hostile to the betrayed?

God I loved the messy as fuck whatever they had going on Claudia and Terry dynamic in S7, and I think there's a few reasons why

One of the cruxes of Claudia's character is that she is attached to seeing herself as a good person, and others as not-good by comparison. This means that she can engage in the exact same behaviour and justify it while assuming that others' reasonings couldn't possibly measure up.

This cognitive dissonance is not exclusive to Claudia (Callum and Rayla in particular have a tendency to justify each other's choices in ways they don't with other characters, i.e. Rayla viewing dark magic use being 'evil' except when Callum is using it and he's the 'goodest' person she knows) but the focus on 'my view of myself' largely is. Most other characters in TDP are focused on "I still view this other person as a good person," not being focused on "I view myself as a good person". But Claudia is, and it's this core desire being increasingly pitted against "I will do vile, awful things to keep my family together" that are constantly duking it out.

When Claudia finds Soren and Terry waiting for her, it's clear that not only has Terry joined her brother, but has turned against her (as he could've left and then just fucked off somewhere else). This association with Soren, I think, is one of the things that gets her haunches raised, since Soren made it very clear what he thinks the last time they saw one another in 4x07:

SOREN: You have to stop trying to release the greatest evil this world has ever known. CLAUDIA: I knew you wouldn't understand.

All Claudia hears is "there's something wrong with you." That she's the bad guy and on the Wrong side (which, to be fair, Soren also calls her and Viren bad humans when trying to wake Rex Igneous in 4x09). And, by extension, that Soren is better than her. More correct, more moral, more Right.

And Claudia cannot stand feeling judged. She cannot stand being treated like 'the bad guy' (because of course from her perspective, everything she does is right) and she struggles to hold a conception of "I did something genuinely wrong and can still be a good person" (see: "We're not going to the dungeons Soren, we didn't do anything wrong") usually leaning into one or the other, and normally the latter.

So Terry being with Soren is also "you think I'm wrong, you think I'm bad, and you think you're Better than me" (vs Aaravos' "believed we could be better, so he gave us magic"). She thinks the pair are there to stop her, and she's not wrong, on a certain level.

So when Soren makes a gesture of good will, openly contingent on Terry wanting to spare her ("You're here to save me? How generous [...] I can change, and you will help me. Did I get everything?" Karim vibes), it's just seen as "you're showing off how/why you think you're Better than me" and was, quite frankly, never going to work.

Soren setting down his sword came closer, as it's more reciprocal, and it also symbolizes Soren setting down his mantle/duty (the same sword that killed Viren the first time, presumably). But Soren makes another mistake; the same mistake he made in 4x07:

Dad is dead, Claudia. You don't have to do what he wants anymore.

Set down your staff, Claudia. Dad's staff.

But while Claudia has been doing stuff for Viren, she hasn't done what he wanted in a long time. She's been doing what she wants ("You are not letting go, Dad!") for a hot second, and now alongside Aaravos. (I need to write a scene on her and Aaravos' talk in 7x06, but that's for another day.) And that has included taking down elves and dragons as a whole (and any elf that doesn't help her) for a while.

The dragons and the elves, all the arrogant fools blinded by the searing light of their own self-righteousness.

They are wrong, and she and Aaravos are right ("So much we can make right"). This is a very black-and-white viewpoint in many ways, one that some characters are faster as dismantling than others, but I have no doubt that Arc 3 will push it to its breaking point for all of them. Soren and Terry have thrown in their loyalties with the elves and dragons, since Terry was previously a "good elf Exception" alongside Aaravos because they were both helping her and, as previously discussed, Terry has now turned against her, and all the baggage Claudia carries about such a thing is now dumped onto him by proxy (which Terry doesn't necessarily know or understand).

So what does he look so guilty over?

Honestly? The illusion plan. I'm sure he's worried that Claudia might get hurt, and that things might escalate / go south, but he is ultimately there with a plan that is not what he wanted. What Terry wanted was to find the real Lissa and give Claudia a real chance to connect with her mother and maybe change her ways. But it's not real. It's deception, and he knows it.

TERRY: You lied to me! AARAVOS: I never lie. I simply said we needed a big feather and a very small feather. That is all. TERRY: No. You say you never lie, what you do is worse. You tell people half-truths and let people fill in the rest. You make people lie to themselves. It's deception. It's manipulation, and it's wrong.

She betrayed him, and now in his own way he's betraying her.

So what makes him decide to turn around and do something... similar, shall we say? There's a few things. The first is that they're on a time limit and have no way to reach Lissa. The second is that it's plausible the others were going to do it anyway, and Terry accompanied them because 1) he couldn't stop them, 2) he felt responsible, and 3) hoped that his presence would make a positive difference to Claudia.

The second is the other half of what Aaravos says to Terry, I think.

TERRY: I'll tell Claudia. AARAVOS: Oh, it will change nothing. She loves me. [...] And what of Claudia, then? She knows so much more than she tells you, and she keeps it that way to protect you.

Now, Terry rightfully understands that Claudia wasn't keep things from him to protect him; she did it to use him and to keep him from leaving ("I knew he'd leave once he found out"). However, Terry being willing to live in a half-truth and employ one on Claudia because he genuinely believes it will help her, because he thinks it's a truth he needs to withhold to protect her ("You have to promise me that no harm will come to Claudia" is most easily kept if she backs down)... that I can believe, especially since it lets him believe that she's capable of change/quitting. He wants to Save her, not use her.

That doesn't mean he thinks it won't Hurt.

[thekirammanjinx]

Imagine being 28(the op) and having this takeaway/opinion on arcane. I'm laughing at how ignorant and superficial and just wrong this whole thing is. If you say jinx did nothing wrong and in the same breath condemn everything caitlyn did... you have a very null and void "argument".

-Let's talk about caitlyn: firstly they call her "white privileged" already admitting how many braincells they have working, which is none.

Also the use of the word "Machiavellian" is very interesting because using it to speak on caitlyn is so far removed from the truth, now if they had used the same word to describe ambessa, who they completely ignored an analysis on, as all the vehement s2 caitlyn haters do. We can't excuse caitlyn of her role she played but it's very telling the way the vehement, brainless, haters never ever bring up ambessa, which she plays an important part in weighing down caitlyn's shoulders and clouding her morals.

When does caitlyn ever use vi to excuse her actions or excuse the moments her prejudice shows? Never. Again yall just hate her because she's a cop.

A FICTIONAL cop. Using acab across all walks of life eliminates what it's meant to stand for. Some of you need to learn cognitive thinking and nuance. "Everyone in piltover is guilty and everyone in zaun is excused and rightful to their actions" that's not how things work. That's not even how acab works.

But again, yall are so focused on superficial moral brownie points and parading around false activism. When your politics and grandstanding only attribute to fiction that doesn't even align with irl.

Yes things can reflect reality and still have their own nuances. Arcane does, it's giving you the whole picture, you don't need to bring in the outside world. You are not smarter because you can't understand nuance and complex storytelling and can only spout "acab". You sure as hell aren't standing on any moral high ground.

-Vi, what is the commentary on her? If we're talking s1, she never left jinx by choice, she was kidnapped and thrown into stillwater.

Now if we're talking about s2, jinx is not a child, and on multiple occasions, jinx has made HER choice. It's very clear some viewers watched this with the desire for only 1 outcome: vi to never heal from everything she faced because of her past and because of powder/jinx. If vi only reason to live isn't jinx then the show is bad.

At some point jinx becomes her own person. And vi should be allowed to become her own. Vi says to jinx "you don't need me, you haven't for a while" or something along those lines, and she's right.

-Jinx. Some of you are so fragile and braindead you can't give jinx storyline any respect. It's always just "she never did anything wrong" and yall mean that so seriously. It's embarrassing.

"She's just like me for real", so you have major attachment psychosis and possess several counts of unwarranted murder? You can relate to parts of jinx, that's fine, but yall are so stuck on that, trying to be jinx or equating yourself to jinx, you can't see the story.

Jinx has multiple counts of terrorism and wrong doings. You actually, I don't even mean this sarcastically, lose any validity in your argument against caitlyn when this is your belief.

- in the full post they extend some form of understanding to every character except caitlyn. Which again, says all it needs to say. You are not morally better or a good person because you only see a fictional cop for their fictional title. If you don't look at people as people beyond that, that's when we get into a position where cycles never end.

To say all of zaun problems came from piltover and excuse jinx and silco... you are not an activist of zaun. For example, ekko, he doesn't just sit around shit talking piltover and enforcers. He understands that his own people, zaunites, are also part of the problem.

If you look at ekko and look at jinx. Zaun lament her as a figure to idolize, despite the fact for many years she was like 75% of the reason things in zaun got far worse before they could really get better. Jinx continuing to paint a target on zaun back by the end of s1 and then parts of s2.

Yall think violence against an entire system and people, vs those individuals who should be condemned for their actions and roles, is the answer.

[oh-no-its-bird]

recently, i've started to see things where tobirama is reincarnated as sakura or is sakura's "inner", which is really interesting. could i get your take on this?

Unfortunatley I don't actually know much ab Sakura's inner! I learned naruto lore via fanfiction (never actually touched any canon media, oops) and have only actually read like 3 Sakura centric ones, I straight up didn't even know Sakura had a multiple personality(?) thing going for her till a few months ago (and boy wasn't that a surprise)

I think Tobirama being reincarnated as her could be p fun!! But also I think I'd be more interested in telling a story where he just straight up reincarnated as someone not existing in canon, if only bc then he could also interact WITH Sakura instead of just being her

I find that a lot of stories that try to give Sakura agency just kind of toss her entire character out the window and start from scratch, which is fun and valid! But it's more fun for me to make direct, uncomfortable eyecontact w canon her and find increasingly stupid or chaotic ways to fast track that whole "character development" thing or at least find ways to explain why she's Like That(tm)

So yeah I don't have toooo much interest in Tobirama reincarnating as specifically Sakura or her inner, but I could be into a story where he just reincarnates in proximity to her and then see how they bounce off of eachother. Maybe as a sibling? That could be cool

If he's born a girl we can zap em with the trans beam on top of the body dismorphia of suddenly being a whole child, that could be interesting. The blatant sexism of naruto canon could also make for an interesting plotline if we want to actually get into that

I kind of like the idea of him not actually remembering his previous life, at least not in full. Maybe he has weird dreams sometimes, maybe he looks at photos of the Nidaime and gets weird feelings of dejavu.

I suddenly have a very specific mental image of him getting a scar on his cheek, where one of his tattoos used to be, and just staring in a mirror afterwards at this super weird feeling of dejavu mixed w a sensation of it not being right mixed w just general body dismorphia and aw fuck why does he feel like he's both a little more right and further from himself than he's ever been?

Anyways would he be born younger or older than Sakura? Older brother him is just super overprotective, often suffering from nightmares of sensing as Sakura and some unnamed "other sibling" of his dies. It could also mean he can interact with Itachi actually, maybe they can be emotionally stunted baby genius friends or smthn

But younger sibling him could make for a surprisingly compelling parallel with Sakura and Hashirama! Especially w how Sakura later goes on to train with Tsunade n stuff

Part of me wants to say he's still names Tobirama for simplicitys sake, he can just be named after the Nidaime or smthn. But also that feels a bit cheap even if it is easier, so at least for now we'll name him Tora

Him and cat Tora can square off for name rights idk

Tora speaking oddly formally for a civilian, and having the kind of respect for your elders that come from being a second son in an elder run clan in ancient Japan. He has an awful time trying to form emotional attachments with people, including but especially his parents, who for some reason never really felt like his

But also him having a super easy time being attached to his new little sister Sakura, who he refuses to see anything bad happen to ever

So Tora and Sakura's parents being like suuper traditional, which is why Sakura is Like That when it comes to boys (she's constantly being told she needs to find a man to take care of her) Tora acts as a good figure and role model in her life, so while she's still interested in romance like canon she isn't AS boy crazy and can do a bit of thinking for herself.

And then we can get some fun conflict between Tora and his parents, who unfortunatley don't get the whole trans thing and constantly insist he needs to either drop the shinobi thing and find a husband, or if he does keep going at the shinobi thing, use it to find a husband there then drop it

Yeah he's not doing either of those things.

(they find out he's friends w the Uchiha clan heir and immediatley get weird about it, all glowing with pride that he's "attracting such good potential husbands" n stuff (Tora is PISSED))

Anyways Tora being just alarmingly good at literally any jutsu Tobirama invented. Like, ALARMINGLY good. He has that first life muscle memory, which unfortunatley is NOT a valid alibi and he's about to get his ass beat for seeming to have reverse engineered secret jutsus he shouldn't be able to know.

It isn't HIS fault that just glancing at the flying thunder god technique that one time was apparently enough for him to instinctively understand how to use it!!! Maybe this "Tobirama" guy should have just been better at making his jutsu harder to understand, this is clearly not his fault

He manages to help avoid the Uchiha massacre by being friends with Itachi, the two of them both graduating early and at the same ages, joining the same team and then ANBU together and so on.

Tora being really strong and graduating early and all that only further motivating Sakura to be a super strong shinobi, just like her big brother! Maybe she and Sasuke can even bond or have met earlier through Itachi and Tora's friendship.

Sakura and Sasuke childhood friends agreeing to try and graduate early together just like their older siblings. Not really into sasusaku but Ill say Sakura can keep her crush on him but be actually normal about it via exposure plus maybe some boy advice from Tora (he's a shinobi, so if you really want to charm him, you'll have to beat him first)

She can maybe lose it with time (and exposure to him being a dumb cringe fail kid w his brother still around) and maybe go kiss Ino idk

Anyways, Tora and Itachi friendship. Shisui is also there!! (Love that guy)

They're dynamic is just emotionally suppressed bastard (thinks hes better than you) + emotionally suppressed bastard (knows hes better than you) + upbeat guy smiling at you as he holds a gun to your head

Shisui and Tora take turns driving the car as Itachi sits in the back seat peacefully eating some applesauce (he's just happy to be here)

They're gonna blow up the hokage tower for the good of the people 👍

They're on an ANBU team w Kakashi and Tenzo and forget about going grey, they're gonna make Kakashi's hair straight up fall out from the stress

Maybe Tora can move out of his parents house the first chance he gets, and then whatever place he manages to find can be a little safe place for Itachi. Itachi accidentally ends up almost moving in w him as things at home get worse and worse w the coup. He just stays over more and more and doesn't want to return home

Circling back to the "Tora instinctivley knows how to navigate Tobirama's seals/techniques" the most terrifying point of the story is when he sees Naruto's jinchuriki seal and realizes he knows how to mess with it

Uh oh!! Shouldn't have that information!!

Anyways take some doodles

(Danzo is "that jackass who won't let me look at the nidaime's old research" and Tora has a GRUDGE.)

[alexiethymia]

Ka Zuigetsu

(spoilers for the manga, LN, WN you name it)

Jinshi or rather Zuigetsu is such an interesting character for me because of the dichotomy. We're initially introduced to him as someone with a lot of pride in his looks, confident, mature beyond his years. Later on, we find that his true self is quite self-depreciating and childish.

He doesn't have an attachment to power, nor his looks. He's actually not the arrogant lord Maomao initially thinks he is because he's open to learning and taking the advice of those who know more than him. And while this feeds into his complex that he's surrounded by eccentrics who are extraordinarily good and excel at one thing (the entire Ra Clan, Maomao included, Basen etc.) he's no slouch himself!

I mean Jinshi doesn't think much of himself considering himself a jack of all trades, but what a wide variety of trades it is - he can beat Basen using skill instead of force, he beat the Emperor at Go at the tender age of fourteen and this is with the Emperor having been taught by the Sage who is one of the only two people known to have beat Rakan, he dances with such grace that foreign envoys can only think of him as a goddess, he's enough of a quick study with medicine according to Maomao, not to mention his prowess at both the military arts and diplomacy.

As if to make up for all that he perceives he lacks, he knows talent when he sees it and will use people accordingly. Ironically (and though they would both hate to hear it) Jinshi and Rakan are more than a lot alike. Despite his complex, these qualities actually make him quite a good leader and you could see why the Emperor really wants to make him the Crown Prince even if this isn't Jinshi's wish.

But unlike Rakan, he is still soft-hearted at his core (see the case with Fuyou for example). And though Maomao is rankled at how he attempts to be both pragmatic and kind, at his inability to wholly abandon his heart for the things he knows must be done, at her core, I think that trait of Jinshi's is the main reason why Maomao finds herself unexpectedly loyal to him.

Much has been said for Maomao's charisma, but Jinshi also attracts loyalty from unexpected places. Like Gyokuyou, he surrounds himself with capable people. While part of me is cheering him on to get his wish of being an ordinary person, I feel like everything has been building up to his eventual ascension to the throne. Because while Jinshi may complain and grumble about his work, ultimately he will still do it. At present, he could only implement his plan because he still thinks he's just the Imperial Brother. But the moment the truth gets revealed, he won't easily be able to shake off his burden.

A part of me thinks that he will eventually take the throne in some form or the other, but only until Gyokuyou's son comes of age and he can finally pass on the crown and become an ordinary person once and for all. This scenario would actually be the perfect pretext for him to justify having only Maomao for his sole consort since he can reason out that he doesn't want to further complicate the lines of succession by having more children with more consorts. In other words, a win-win possibly for both Jinshi and the current Emperor (except Maomao haha).

[zettaireido-emotion]

Camus character analysis: games VS anime

If you finished the Uta no Prince-sama anime and your opinion of this man is "wow, he's kinda terrible," I don't blame you. in fact I've seen a lot of people say this

In this post, I want to talk about his characterization in the games and give my two cents on what the anime was trying to do with him, especially in his single focus episode Saintly Territory (S3E6).

Disclaimer: I wrote this on a whim because I'm sick and stuck at home so if anyone reads this, sorry I might go all over the place

Spoilers for all of the games!

The "be my slave" thing

Starting with Anime Camus's most egregious crime: treating Haruka like a servant/slave (however you want to translate it)

Basically in his focus episode, Haruka is tasked with writing a song for Camus. She wants to learn more about him in order to write it, but Camus will only let her follow him if she acts as his servant. She accepts without complaining, Cecil is rightfully angry, Haruka continues anyway and the song gets completed.

Now, am I about to say that Game Camus would never do this? No because he literally does lmao.

The anime doesn't pull this "servant" plotline out of nowhere, here's the context in his route:

Haruka accidentally overhears Camus talking about a plot to assassinate Saotome on the phone. When he notices that she heard everything, he basically tells her that he has to kill her now. But if she served him, he'd be able to keep an eye on her, make sure she doesn't leak anything, so she could escape death.

Okay uh "work under me or DIE" isn't exactly better, nor is it a good start to a love story, but I'm not finished!!

(A side note: I have to add that the anime made him look like an even bigger asshole and borderline dumb when it came to the things he made her do. Like he expected her to know that snapping your fingers means you want coffee without prior explanation. bro

^This might have been for comedic effect but I promise he can be actually funny and endearing.)

What the anime couldn't cover

The Camus episode wraps up with Haruka pulling through and writing a song that makes Camus "sincere," he says it's cool at the very end and that's the episode. I think the problem is that we technically didn't see him being sincere or what that even means to him, besides when he was singing (banger song btw)

It's a shame because in a 20-minute episode you really can't show the game experience of slowly piecing together what this man's problem is.

First of all, in Debut and AS you'll be quick to notice that he always has homeland and duty on the mind, constantly reminding himself that he's in Shining Agency/Japan for a reason, and it's NOT to have fun or make friends

The truth is, he slowly starts to appreciate the banter with his colleagues, music, and working there in general.

But because of his initial mindset, he has to rationalize & justify every connection he forms, like "it's just for work" or worse: "actually it was ALL A LIE and I NEVER ENJOYED A SECOND OF THE TIME WE SPENT TOGETHER, I'm such a great actor haha"

He uses that to fool himself and to push the other person away so it doesn't happen again. This scene is probably the best example:

(I'll be using google lens because it's faster but I checked that the tls were okay)

He also does this in the Non-Fiction drama, which may or may not have actually happened, but I think it's still a pretty good reflection of what could happen in reality because he tells Ranmaru their bond was a lie, then mopes around in his guilt thinking about the good times and wondering why he's sad, and THEN later doubles down on the "it was a lie, I don't care about you" because he just can't let himself get attached to anything.

Basically, he's terrified at the thought of forming actual bonds because he genuinely thinks he's nothing if he stops being a cold weapon:

At one point he does admit he sucks (as a love interest)-

-which is pretty huge by utapri standards. I love these games, but the amount of times where a male lead does something icky, and everyone, including Haruka, acts like it's normal or like it's Haruka's fault is ehhh but I digress

Upbringing

Of course he's very proud of his homeland and status, but sometimes it's to the point of thinking he can't be anything other than his title. So why is he like this?

We got to hear about his childhood from Camus himself a few times, and it often ended with Haruka thinking "wait? that's kinda messed up?" and Camus insisting it's nothing/it's normal so yeah that's something...

His parents were in an unhappy arranged marriage, and his mother was forced to birth an heir which traumatized her so much that she can't see Camus without falling ill. Overall it's a pretty tragic situation since what happened to her was horrible, though not Camus's fault either. Even now she refuses to see him, and I wouldn't say that makes him sad because he never really met her, but simply knowing of her sacrifice probably adds a lot of pressure. As in, he only exists for this one purpose (inheriting his father's title and serving the country), so if he doesn't play his part correctly, it would have all been for nothing.

He was raised by his father not as a child or son but as the heir, always treated and judged as an adult (even during physical training apparently, make of that what you will)

When Haruka asks about childhood memories he has a very hard time finding something that doesn't have to do with his duties or the nation. And then admits he didn't truly have a "childhood" since he was never treated like a child

As for the queen, I think his love for her is sincere: she taught him a lot of things growing up, and according to him, she's also a victim trapped by her duties so he wants to ease the burden.

So hypothetically, if he found things or people that made him happy in Japan, he would feel obligated to lock them away because that happiness is incompatible with his life: he'll have to leave when his mission ends, he shouldn't be spending time on things that aren't "useful" as he doesn't have the free will to pursue them

In his mind he's completely tied down by the fact that he was born and raised for a single reason, and the fact that he does want to serve the queen.

(This is Saotome describing him btw)

Also it might sound ridiculous to bring his self-worth into question because of how pretentious he is, but I've counted a few situations where he seemed to have complete disregard for his own life, only worrying about Haruka and Cecil's safety in scenes when they were present. And he thinks wanting to be loved unconditionally is a childish thought he shouldn't have.

"Double Face" was a lie. There's like at least 10 layers

On the surface he does have two personas, his perfect polite butler act for the media, and his cold bitchy attitude off camera. But honestly, even when he's not acting as a butler, he's often putting up a front to hide any form of vulnerability (from himself as well)

His main struggle is finding who he is outside of what he's being told to do. Before, he never actually stopped to think about what he WANTS because it just never occurs to him, or if it does he ignores it.

That's why realizing that he has his own desires is essential to his character development, and him staying with Quartet Night (and Haruka in his routes) is so important. It's why Reiji feels the need to reach out and when he does, Camus either freezes up or tears up;

This all makes him the opposite of Ranmaru (being true to yourself and sincere), and similar to Ai (gradually learning to view the world in a less cold and logical way), but I kind of want to save that for another post lmao

He is especially hard on Cecil because Cecil says & does whatever he wants, and everything still works out for him, which is a way of life that Camus can't imagine for himself at all (despite maybe wanting it?)

That he can realize this and eventually admit out loud, despite all his pride, is also one of my favorite things about him

Season 2 does hint at something, so that's pretty cool!

Side note, I really love that his theme in the new Oracle series is "Change," the melting of ice.

So what was the anime supposed to do??

Of course there's no way to show all this in a single episode or even during the runtime of the anime, and I never expected them to because the story is very surface-level (that goes for all characters).

It's just unfortunate since the anime is the most accessible and well-known utapri media in the western fandom, and the character's main episode is bound to leave the biggest impression.

I understand the choice of being laser-focused on the servant plotline, it's supposed to be funny (?) and waters him down to a trope that's easy to understand at first glance (the step-on-me guy I guess)

Still, I can't help but compare it to Ranmaru's episode, who was also hard to work with in the games but was chill in S3E7 and got to pet cats. Anime onlys will never know how much Camus loves to dote on his dog smh.....

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[highseas-swede]

Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

[shifterae]

changes in my mha drs

okay so first and foremost, my dr is very much NOT the canon. pretty much all of the little details are changed but i think it helps it from feeling like a "and bumblebee" type of dr :)

ALSOOO sorry if there are a bunch of typos 😭😭

so first! in my student drs, the classes are made of 24 students rather than 20.

i never liked the idea of taking someone out of 1a bc im just attached to them (looking at everyone but mineta) and so i opted to make the class bigger since i also wanted a few other canon characters to be in my class :)

added students, my minimight dr is the only dr where i scripted who specifically would fill those extra spots

with me, we only need 3 more students and i chose for Hitoshi Shinso, Inasa Yoarashi, and Himiko Toga, to fill those spots.

Shinso was able to make it into the hero course bc i scripted that he is Eraserheads nephew who is in his care and has already been trained by him (i luv shinso)

Togaaa! I scripted her in by changing the way her quirk affected her and the way she used it, she is a lot different than her canon self but im okay with that bc i just wanna see her be happy (i luv togachako) (their relationship isn't scripted but i have hope that it will occur on its own🙏🙏🙏) (i adore them)

the Inasa one can be explained by the next change

(basically he doesn't have bad interactions w endeavor and shoto)

so basically the only reason Inasa didn't go to UA is bc he thought endeavor and shoto were both like, pretentious and mean or something (i lowkey forgot bc it doesn't register to me that he isn't at UA in canon😭) and i scripted sooo much change for the todo family guys.

i luv the todorokis :(((

okay so first of all, OBVIOUS change, enji is not toxically obsessed with all might! they're actually friends!!!

their dynamic is inspired by mirio and midoriyas bc i think it's just so cute like the idea of enji just being so amazed and inspired by AM

enji tho is still reaching for #1 it's just not toxic and doesn't cause him to become abusive and neglectful...

rei and enji fall in love organically!

touyas quirk is not as self destructive! and he becomes a hero and goes by Dabi

since enji isn't toxic and abusive, natsuo, shoto, fuyumi, and touya, all get along well and over all they have a good (normal) family dynamic!

with AM and Enji being close, i grew up with them and they have become my family!!!!! like touya and natsuo are my big brothers, fuyumi my sister, and as for sho, he's genuinely my bestest friend ever

Moving on from people, i scripted that junior hero academies exist!

they range from hero prep school and just kids of heroes schools!

The hero prep schools are competitive to get into and generally, the classes are small and made of just the kids of elite heroes

whoops we're going back to people...

INTERNSHIPSSSSSSS

okay so first sorry tokoyami, im interning w hawks 🫶🫶🫶

shotos with touya!

bakugo is with MIRKO bc hello that is an iconic duo waiting to happen

as for school life,

we do a lot more of joint training with 1b!! (I adore them)

and we do media days like they do for athletes!!

that's all i wanna type for now bc my phone is genuinely lagging so much soooo

byeee, rae

[internally-screeching]

I'm writing an essay about Heathers the movie for school and why is no one talking about how gay they were in the movie??

Like I mean genuinely looking at it and going huh. I mean yes I want the two to kiss but like they way that everyone compared Heaters and Mean Girls no one goes wow Heather Chandler/Regina are so incredibly gay?!

Like in the movie Chandler is so genuinely possessive of Veronica. Whenever Veronica talks to J.D in the movie there Chandler dragging her away. She sees only Veronica as her equal in the movie too. She likes the other Heathers, and I'm sure is aware it's better to have those who could destroy hour socia, standong close but whenot comes to it Chandler genuinely thinks of Veronica as her only equal. In the lunch time poll she literally makes Heather Duke into a table for her only intellect equal in the group, Veronica.

When she meets J.D at the convenience store Chandler acts like a jealous girlfriend glaring at J.D and Veronica as the two flirt. She could just be annoyed that they're going to be late but she seems uncaring of others so it stands to reason she's jealous and possessive. This time she doesn't physically pull Veronica away from J.D but it has the same effect.

She and J.D are even foil characters two sides of the same coin in the role that they play in Veronica's life. Chandler tries to corrupt her with power and the ability to do whatever she wants. So long as Veronica and her standing side by side so long as they enforce the societal power. While J.D tries to corrupt her with power and the ability to destroy whatever she wants. So long as Veronica and him stand side by side and destroy the system. I mean honestly while Chandler is alive in the film she and J.D compete for the converted spot of the devil sitting on Veronica's shoulder and the object of Veronica's affection.

She doesn't seem to like any of the men, only acknowledging that she needs them to find her desirable to maintain her power at Westerburg High. She's only a junior and worshipped yes but she doesn't seem interested in pursuing a man like Regina or even the other Heathers. She's intent ln Veronica staying beside her side as her only equal.

Even when she dies she's uncaring of why Veronica is in her room (never mind the fact that Veronica knows her schedule and her so well she can tell you what she was meant to be doing and what she's doing instead) but Chandler is unbothered by Veronica, her hackles are raised again by J.D and J.D only. Obviously having a friend over isn't too weird but Chandler doesn't seem all that interested in hosting little get togethers at her house. When she drinks the cup she looks over St Veronica before she dies.

I mean even when forging her suicide note Veronica can tell J.D what words Chandler failed on her fucking spelling test?! I mean I'm still in high school (albeit my last year) but I assure you I've never known the exact words my friend has gotten wrong in a spelling test. Or even what questions someone got wrong in any test. And remembered that. Veronica and Chandler obviously spend a lot of time together. More so than just friends likely would.

I mean this is even exemplified when you think about Kirt's throw away line about a Veronica and Heather Chandler sandwich. For a man who then goes on to date rape Heather McNamara his immediate thought is that duo. Not the women he's attracted to for the next however long. Clearly Veronica and Chandler have to be pretty attached at the hip for this to be Kurt's immediate pairing (and yes I know he's just being a satirically gross hyper-masculine jock in this scene but you know).

And this should go without mentioning she is literally summoned to the cafeteria by Chandler. Yes this is just an example of the red Heather's power being able to call her underlings whenever she wants but she in the movie almost always outside of this is lushing away the other Heathers or other characters, outside of this summoning she is always trying to get others further away from her. Never closer.

To conclude, Heather Chandler is a repressed lesbian who has a crush on Veronica and instead of dealing with it like a normal teenager flirting she makes Veronica join her clique where she offers an intellectual equal and power and Veronica betrays her by choosing J.D over her and also killing her but less so.