#I mean technically they are canonically him just pieces of him

[dimonds456-art]

PLEASE GIVE US THE OLD MAN RAMIREZ LORE!!!

GLADLY

I have two other asks like this and I wanna answer them each independently so get ready fghdsjka

Soos worked alongside Dipper in the 80s, at first acting just as a friend and adventuring partner. While Dipper moved to Gravity Falls, Soos is a native and working as a janitor in the elementary school at the time.

They met at the arcade, where Dipper was trying to find a ghost haunting one of the machines, and he found very quickly that Soos was not only a good partner, but also a good friend. They bonded pretty fast after that.

Dipper was mostly chasing ghosts, but he would take interest in other anomalies as well, leading him to writing down and sketching this weird grafiti he found in a cave once, then translating it once he got home. While he heeded the warning not to read it aloud, Soos... didn't. Dipper yelled at him over it, fearing the worst, but then nothing happened, so whatever. Weird cave drawing.

That night, Soos meets Bill Cipher.

Bill was not as patient as he was with Ford in canon. Here, he told Soos about a dimension with all the answers only a couple months into their friendship, IF that long. Soos had the technical know-how to build it, and Bill gave him the blueprints one at a time in his sleep. Then, to avoid suspicion since they both knew Dipper would assume Bill was a malicious entity, Bill had him put those blueprints outside Dipper's door for him to wake up to, making him think a cryptid was helping him, thus giving him confirmation bias about that other dimension of weirdness.

Portal test happens, Soos gets pulled through, and he puts two and two together. He tells Dipper immediately about what he saw, which lead to him confessing everything. Dipper rightfully got mad at him for lying, which caused Soos to run. But at this point, he'd made a possession deal with Bill, and Bill uses Soos' body to torment Dipper.

Soos, wracked with guilt, immerses himself in the arcade. He plays games in a form of avoidance, eventually getting addicted to them as McGucket did the memory gun.

There is one game in particular, however, that was more addicting than the others. I'm picturing it as a bit of a sim, which IS strange for an arcade. This game talks directly to Soos, telling him that life would be better in a video game, to which he agrees. Things tend to just work out that way.

Over the next few months/years, the game takes pieces from Soos and transfers them into the game itself. Soos doesn't notice at first, only feeling more and more lost and depressed, especially after he goes to check on Dipper only to find him missing...? And yeah, of course he wants to search for his friend, but he not only doesn't trust himself anymore, but he also feels that pull back to the cabinet and just makes his situation worse.

After a while, the game asks him again if he would like to become a video game, to which he says yes. The game then offers to transfer the rest of him inside, and Soos freaks out. He didn't mean it literally, even if it still doesn't sound too bad...? But the change freaks him out too bad, and he refuses.

The game tries to do it anyway, resulting in a torn sense of self. Old Man Ramírez is that result, his entire life being viewed as a video game. He's unable to take anything more seriously than one would a plot point IN a game, and he often dissociates and daydreams when he's not actively running around looking for loot.

See, it turns out the ghost Dipper was looking for way back when? The ghost they caught was unrelated. There was still a different ghost inside the arcade machine, a ghost named Giffany. And Giffany refuses to let Soos go.

This brings us to modern day, when the Stan twins find out that Ramírez worked with the Author. They are able to figure out that Soos is in the machine, and dive in to look for him. Once they do find him, he rejects the machine and declares he's never gonna play a game again, before backtracking and admitting he might every now and then, but never to the point that he stops living again. They all escape, and though Soos is still extremely disoriented and needs to re-learn how to be a person, he starts being able to heal.

And yeah, in that "episode," part of the B plot is that everyone else's bodies are running around, reduced to their basic personalities intertwined with video game tropes. So like, Stan loves adventuring and causing trouble, so he just starts doing that and "scoring points" while doing it. Ford, who loves mysteries, starts basically dong escape rooms. Idk who else is there but Grauntie Mabel is trying to keep all the bodies together to make the transfer back easier.

Basically, instead of the memory gun, it's video games, and specifically Giffany. Soos becomes avoidant, thinking Dipper doesn't wanna see him, and feeling incredibly guilty over the Bill thing. His soul basically split from his body and it's kind of a metaphor for getting lost in the sauce, for lack of a better phrase fdshjk

[loganslowdown4]

Flirting With Social Anxiety only had Thomas Roman and Virgil in it right? RIGHT?!

Nope!

Patton and Logan made appearances too!

Very briefly

Very very briefly!!!

They were there—

I PROMISE they were there lol

(The hint apart from Thomas doing subtle impressions is that Virgil’s eyeshadow going back to black is the dead giveaway. Logan and Patton’s qualities can be cringy to him lol)

[panharmonium]

i am not usually interested in dramatically canon-divergent scenarios because the canon story is what compels me, but i've been obsessed with this moment ever since i re-heard it during my second viewing. from the perspective of someone who already finished the story once and now knows the truth - this was wild.

WHAT IF?

[cryinggirlnamedhelen]

some really silly (AND CANON!!!) things about chrollo that i enjoy a lot

lmao im giving you all more since i think u all seem to rlly like the fun facts on the last post🥺💕❤️

———

- chrollo has a phone, and the only times that he actually uses it is to call someone—plus, he only uses it a few in the series. an example is after his fight against hisoka (ch. 357) and another time is on the black whale trying to find his “ideal partner” (ch. 406, will elaborate more on in the next fact)

- chrollo basically uses the nen equivalent of tinder, as he steals an ability (notably from a woman) called “love dial”, in which he can put in a condition to find someone on his phone with the nen ability and the ability will give him the number of the person who is his “ideal match” (it’s not necessarily romantic). for example, if chrollo puts in “someone with a strong rage towards me”, then kurapika’s number would show up. (note: just because you call doesn’t mean that the call will necessarily go through).

- chrollo can basically use any resource to his advantage, no matter how seemingly useless. for example, in the yorknew city arc, chrollo kills all of the assassins going after him with the pen that neon used to write his fortune. another example is when shizuku and pakunoda talk about how kurapika probably came to yorknew for the auction and chrollo suddenly pieces together where exactly kurapika could be, who he is, etc,.

- according to the yoshihiro togashi exhibit in japan (which holds completely canon information), chrollo is considered a genius at nen, meaning that he is only one level away from the ultimate tier of nen use. according to togashi, anyone can reach the ultimate nen user tier as long as they train hard enough.

- chrollo has an ongoing pattern of taking someone’s nen ability and using it far better than the original owner ever could. for example, neon only used her ability with little to no knowledge about how it actually worked; meanwhile chrollo managed to take full advantage of her ability by predicting exactly what will happen in the future and managed to save numerous troupe members due to it. another example is kortopi’s ability, which was believed to be useless in combat. however, chrollo proved that to be wrong, as kortopi’s ability was crucial to chrollo’s win against hisoka.

- chrollo can TECHNICALLY win any battle as long as you give him prep time. (i know, it’s the ultimate chrollo fangirl powerscaler card, but im not wrong😔)

- chrollo actually seems to prefer letting his hair down. the only times that chrollo actually has his hair slicked back is when he is around the troupe, possibly due to not wanting to seem vulnerable around the troupe. his unmoving hair when slicked back represents that. however, when chrollo’s hair is let down, it moves and represents the more human, more fragile side of him.

- chrollo’s eyes directly contrast hisoka’s. while chrollo’s eyes are gray—a plain and dull color, they are nearly always lighted because chrollo cares despite trying to pretend that he doesn’t. meanwhile, hisoka has bright and fun colored yellow amber eyes, because hisoka doesn’t care about or feel anything despite wanting to.

- it’s canon that chrollo knows so much about Christianity and the Bible because he often visited the church in meteor city as a child (ch. 395-397). he seemed to be very close with the pastor, Father Lisores, as the pastor often complimented chrollo and talked about chrollo to the meteor city elders, talking about how chrollo might be the one to help the city.

- chrollo and the troupe actually seem to be viewed as heroes in meteor city rather than a villain. when the troupe visited meteor city to battle the chimera ants, the elders had no protests whatsoever despite knowing of their crimes. not only that, but judging from the way that chrollo spoke during his fight against hisoka, the meteor city elders also had very little, if any, issues against chrollo stealing their nen ability.

- chrollo has canonically met characters such as razor, eta, illumi, abengane, and dog man; no, that wasn’t a typo😭 his name is actually dog man (ik this isn’t really a fun fact but can u imagine how each of their conversations would go🤭 it’d lowkey be so silly)

- chrollo name in katakana (クロロ ku ro ro) has the word “kuro” in it, meaning black. the word “ro” is often added to names in japanese to make a name more masculine. thus, chrollo’s name can mean “black” or “darkness”

- chrollo’s tattoo is a type of cross called a “double vajra”

- a small plot hole in HxH about chrollo is how relaxed chrollo is with showing his face when going in public. during the yorknew city, people put chrollo’s face up on the internet. although they eventually take it down, there is still digital footprints.

- chrollo has a habit of self blame even when he is fully aware that something is not his fault (read his backstory for specific examples because there are WAY TOO MANY examples of it, especially in his backstory😞)

- chrollo seems to view himself as some sort of “higher being”. superior to humans, and yet the “being” that he sees himself as has little value. during the hisoka vs chrollo fight, chrollo says “humans are so very interesting” while looking down—and for the first time in the series, his eyes aren’t lighted. they are just dark and empty with very little emotion. chrollo doesn’t even view himself as a human anymore, and chrollo seems to view humans as some sort of strange entity.

- chrollo is an actor who acted a role for so long that he eventually forgot what his actual personality was like, and thus began to act out different roles and personalities hoping to find the one that he once was before he began acting.

———

oh chrollo, how i love you. the way that you genuinely changed my life. how dare you be such a realistic and relatable character? how dare you be such a fun and addicting character to analyze and dissect? how dare you be such an incredible character to daydream about to my ocs? how dare you be the character that made me cry the most in all of fiction? how dare you occupy such a special place in my heart?

[darqx]

If you didnt come to party [get the hell out of this club]

In which there's some links to old art - I've been getting a number of asks that are already technically answered so that's just what I'm gonna be doing if i can even remember what RAD they originally came from lol.

❗️For commonly asked qs please see my BTD FAQ

UNFORGIVEN.

Yes he can speak at least two demon languages (commons and a more specialised one).

Not really cos the ichor will eventually disappear if it's not in contact with Rire for a while lol. You ever wonder how someone could mysteriously drown whilst not being around anything they could have drowned in? Yeah.

I have drawn several such instances a long time ago. But it's not really Rire flirting with Ren it's more him being like...subtly condescending to Ren since Ren's submissive level is not very interesting to him |D

I...think you may have possibly mistaken me saying Rire might cry if he was in severe pain to mean that's the only time he could cry XD; To answer your q, yes Rire can cry from emotions - the point is he would choose not to (esp in public) as that would be a weakness.

🤔 You could probably get away with the same dress design but in black, tbh (if it was Lady Rire). Since the outfit design is 1930s/1940s based Rire's equivalent would be like...a 3 piece suit with a long overcoat/trench coat.

Got you covered bro [from a suit meme I did before]

Rire has a very long life span, but he's not immortal XD;

Tbh I don't really have thoughts about any of other peoples headcanons. Like I'm generally quite neutral towards headcanons because I primarily deal with the canon; the extent of my thoughts would be like "hm i wonder how they came up with that" lol.

This is actually in my FAQ :d but good of you to check for permission! If it's your own artwork then yes it is ok to make fanmerch of Rire. Similarly Gato allows fanmerch of her BTD and TPOF characs as long as it's your own art you are selling (and not like, our art/someone else's fanart that they didn't give permission to turn into merch).

It would be in Cain's best interest not to.

Cain is literally saying Olé Olé because i happened to be listening to this song at the time.

I can barely keep up with my ask box as myself let alone do it while pretending to be a charac lol, so no 😅 You can find a bunch of the most common qs in the FAQ pages though.

No and not really - though he is a bit more sensitive to light compared to a human as he has much better night vision than a human. He may also be able to see more colours than humans 🤔

There is technically no "stereotypical" demon in my 'verse, there's a bunch of different species each with their own looks/powers, so if he was another species then he'd have their physical characteristics. Rire's species is considered "plain" because outwardly they can pass more easily as a human than say; Izm's species (who have a really noticeable Glasgow smile-esque mouth as one of their physical features).

Yes he was born a demon...to his demon parents...|D;

He's the king of his sector and his sector is pretty well-to-do, I think you can draw your own conclusions from that lol.

Maybe, depends on what the human in question does with that.

Your second q has two answers depending on what context I answer them in, so I'll reply in the BTD context keeping in mind a charac like EP's Cain :d Basically yes Rire would be able to sense them like he does other demons. It's not a specific sense of "THIS CHARAC IS AN ANGEL" but more like "this charac is not human" and depending on what else he gets from it a "in your best interests to not engage".

Something big with long black fur and yellow eyes, maybe like a Norwegian Forest Cat or a Maine Coon.

[astracora]

Poly!LADs headcanons - because I'm a disaster human and they live rent free in my head.

Home Edition

Also includes the main mc I write with headcanons??? Canons????

Masterlist

Zayne is very clean, he tidies up as soon as he sees mess. Can't leave it for a second. (He also simply doesn't think to say to someone 'hey can you clean up x', he'll just go 'well I'm here' and tidy.)

Xavi will tidy but he'll normally have a set time in mind to do it, aka 'I'll do this in 10 minutes' except he means it. Which sometimes means Zayne gets to it quicker.

Raffy will fully forget the concept of tidying, everything becomes like his art studio. Will sometimes do 'I'll do this in 10 minutes' doesn't mean it.

Sylus is generally very tidy, will clean as he does anything, part of his 'leave nothing out as a weakness, remove traces of yourself as you move' energy, but it does make him easy to live with in regards to cleanliness.

MC is not tidy, they're chaotic and often forget where things are. They try to help manage the mess but often simply forget in the chaos of doing something. They just need a lil nudge and they'll go into cleaning mode and fix all the mess.

They all have jobs that tend to be 'theirs' though it's fluid depending on time restraints and current projects or life situations.

Raffy/Xavi are best at doing the grocery shopping. They're least bothered by crowded or loud places, and least likely to buy every sweet in the place. Raffy does do impulse purchases, but they generally take lists.

Xavier also takes care of the plants and the garden in the house. (Everyone likes checking in on the garden though.)

Sylus/Raffy are the best at cooking. Sylus cooks primarily as long as he has the time (tries to make it as much as he can), and Raffy cooks the best fish you'll ever eat in your life.

They will sometimes also supervise Xavier's cooking but with him it's a two man job of not letting the kitchen burn down. (Sylus doesn't want to replace another kitchen.)

Zayne is king of tidying, he doesn't do it all himself, and everyone tries to make sure they pick up their weight esp when he's very busy, but the man has systems upon systems.

MC does a bit of everything, they're not as patient with cooking, but enjoy baking a lot. Primarily they help stay on top of laundry, dishes and are co-captain to Zayne's cleaning frenzies.

They all have their at least one of their own specific rooms in the house, either specialised for their work, or just a specific place for them to destress if they want alone time.

Zayne: has his office.

Raffy: has an art room, he also kept his studio for anything he's keeping secret from the others (an art project) or for bigger pieces that he needs more space than the house can provide.

Sylus: has a music room, it's decorated with records and various instruments. Of course he keeps all his bases, home is home, work is work.

Xavier: he set up a planetarium in a nap room, just incase he gets home really late and needs to sleep but is worried about disturbing someone.

MC: has a room decked out in just every single collectible they've ever hoarded ever.

Raffy technically has the most 'normal' sleep schedule, awake in the day, asleep at night, except he also doesn't sleep when he's working on a painting, so it often goes out of the window.

Zayne has a sleep schedule which is normally he's awake in the day, asleep at night, but he's also a doctor so he works whenever he needs to, and this can often mean night shifts, very long shifts with on call sleep room visits, or simply his normal nightmare-based insomnia.

Sylus is awake at night and asleep during the day mostly, has a fairly reliable schedule in terms of active time, but he's a busy man who does a lot of work travel. So might not be at home very often because of that. While he pretty much sleeps exclusively in the day, if he's around and someone really wants company, he's happy to join them in bed. He's also always willing to be out in the day if someone asks for his presence for something.

Xavier sleeps whenever he's tired, he's a working hunter which means he's awake when he's needed for a mission, and he works at night as Lumiere, so he has absolutely zero schedule. He and Sylus are normally the ones who take naps together because of this.

MC's life schedule is very reliable, they work in the day or whenever they have a mission, but primarily they sleep at night. That said they have insomnia and they also suffer from frequent nightmares due to their history, because of this, they will take naps when they can, and will often be awake until the early hours of the morning unable to sleep properly.

[dandylovesturtles]

Using a random number generator for the angst prompts: 20 Starved + 30 Dangerous Temperatures

... and Leo, of course.

OH GOD OK

uh so. I had an idea. and I decided to write it for this ask I got forever ago. And then, uh.

it really

really got out of hand.

This is a pretty dark fic (even for me) and at the current moment in time it is hurt/no comfort. I do intend to write a part 2, probably tomorrow, but as of the time I'm typing this author's note I've been writing for around 5+ hours straight and I need to take a break! So please, if you don't want to read all this without the comfort included, feel free to wait for the next part before reading! I'll link it and the end once it's posted.

Content warnings: Kidnapping, confinement, psychological torture, nonconsensual voyeurism (I guess this is the best way to put this; Leo isn't doing anything sexual but it's still violating), mild violence, HEAVY ANGST, Leo just having the shittiest time possible.

I HOPE?? YOU ENJOY??? hahahaha....

btw this is set between S2 and the movie (though tbh its canon compliance is... /waves hand)

-----

When Leo imagined himself getting captured by some kind of shady, quasi-governmental agency intent on imprisoning mutants, it was never anything like this.

When he let his mind go there, he always pictured that he would be strapped to a table. Maybe muzzled. That scientists would stand over him, scalpels and drills in hand, and start to take him apart. That they'd examine him piece by piece, and wouldn't give him any anesthesia while they did it.

But there is no table, no muzzle, no restraints at all. He's just in a room.

Well, a cell, technically - the steel door is locked, and there are no windows, no furniture but a bare cot in one corner and a lone toilet in another. But it doesn't really look like a cell. It looks like a room.

A very, very white room. White walls. White ceiling. White tiles (with white grout, even). The toilet is white, a roll of white toilet paper on the floor next to it. The only things that aren't white are the cot and the door and Leo himself.

They took his gear and his weapons, because of course they did. Since the door is steel, he already knows he's not breaking it down; he gives it a half-hearted slam anyway, just to say he tried. He should be able to just portal out, except he hasn't learned how to use his portals without his swords to channel his ninpo through, and there's nothing in here with him that he can use to make new ones.

So he's stuck. He's going to have to wait until someone opens that door for some reason. Or, of course, until his family swings by to pick him up. Though, if possible, he'd like to escape before that happens. The image in his mind, of sitting outside his cell and grinning at them as they arrive to rescue him, is too cool to pass up.

He's not sure how long it's been already. He knows that they knocked him out after ambushing him, and he doesn't know how long he was unconscious. The heavy molasses feel of his head and arms when he woke up suggests that he was drugged. It's wearing off now, though, which means he has a clear head to take in the all of nothing that's in the room with him.

He sits on the cot he woke up on and waits for something to happen.

There's no way for him to tell time, but he thinks it's an hour or so later when there's a sudden beep, and then the sound of a metal panel sliding up. It's a slot near the door that has just opened - inside the revealed alcove is a bottle of water.

He comes to it curiously, taking a long look around the bottle. The slot doesn't open straight through, and even if it did, it's not big enough for anything more than his arm or a foot to fit through. He thinks it must function like an airlock, or maybe they slid the bottle down from somewhere above - he feels around just in case, and finds that the slot is enclosed on all sides but his. Probably his airlock theory, then.

As soon as he removes the bottle, the panel slams shut again.

"You're really determined to keep me in here, huh?" he says to whatever hidden cameras are watching him. He carries the water bottle back to his cot, but doesn't open it, instead setting it down on the floor by the wall. The paranoid part of his brain, the one that doesn't miss a trick, is reminding him that drinking the water is probably a bad idea. Who knows what they might have put in it?

He sits on the cot for awhile longer. Still, nothing happens.

"I'm getting pretty bored in here," he says for the audience that must be somewhere. "Come on, you have a one of a kind turtle in here, and you don't even want to talk to me?"

Time passes, slow and quiet. Leo goes through periods where his anxiety spikes and he starts to wonder if he's been abandoned by whoever brought him here, before the boredom eventually numbs the anxiety back out. Another bottle of water is eventually delivered, and this one he keeps in his hands after retrieving it. It's completely unlabeled, not even a "Use by" date printed on the bottle itself, so it doesn't provide much mental stimulation. He spins the bottle to make little whirlpools inside, because it's something to do.

He's trying to make the fastest whirlpool he can when he hears a sudden click, different from the beep of the water bottle hole, and he looks up just in time to see a large section of the wall in front of him turn black, and then light up to show the room beyond his cell.

He jolts, setting the bottle aside. He knew they must be watching him, but somehow he didn't catch that part of the wall was a whole window.

His audience isn't very large - five people, unless there are others he can't see. Two wear lab coats, two wear fatigues... but the one who comes to stand directly in front of the window is wearing a black suit, with steel rimmed glasses. He leans forward, and speaks into a small microphone.

"Inmate 24365," says the suited man. "I am Agent Bishop, of the Earth Protection Force. My subordinates tell me that you can speak and understand the English language. Is this correct?"

"Qué?" Leo asks.

Bishop does not look amused. "Inmate 24365," he says, "you have two options. You can cooperate with me, answer my questions, and we will make your stay here more comfortable. Do not cooperate, and we will make your stay uncomfortable. Do you understand?"

Leo pretends to hem and haw over this. "How comfortable are we talkin'?"

"I'm sure you would like some dinner."

"You know, I'm not really hungry." He says it to be difficult, but it's actually true - the uncertainty of the situation has put his stomach in too many knots to want to eat anything. "Maybe if you offer me some comic books? Or a TV?

To Bishop's credit, his face doesn't so much as twitch. He keeps his steely eyes locked on Leo. "Answer our questions, and you will receive food. Do you understand?"

Leo stays noncommittal. "What are the questions?"

He's expecting Bishop to ask about his family. He's not expecting what comes next.

"How many gateways are there between New York City and the hidden yokai enclave?" he asks. "How are these gateways accessed? What kind of defensive capabilities do the yokai have?"

Leo keeps the surprise off his face. Bishop thinks he's a yokai.

This is, overall, a good development. Bishop might not know about Leo's family, then, or at least not know that they live on the surface. This means the Earth Protection Force likely isn't pursuing his brothers, which means they will be safe until they can help Leo get out of here.

He doesn't let the relief show through, either. Bishop doesn't know anything, and now Leo just has to ride out the next few hours until the calvary arrives.

"You know," he says, "I think I'm good with my current levels of comfort."

If Bishop is mad or frustrated or dismayed by this choice, he doesn't show it. His expression stays stony as he stares in at Leo, sizing him up.

"Very well," he says after a few more seconds. "I will see you tomorrow, then."

The window goes dark, and then turns stark white to match the walls. Leo wants to go over and tap at it, see if it feels different when he touches it, but knowing that Bishop is surely still there, watching him, keeps him rooted to the cot.

He goes back to making whirlpools with the bottle. If they aren't going to entertain him, he isn't going to entertain them, either.

-----

Another water bottle comes some time after his talk with Bishop. He finally opens this one and takes a cautious sip. Nothing tastes off or strange, so he drinks more. They don't want to feed him, but they're fine keeping him hydrated. No reason to stay thirsty, then.

He wishes the water calmed the anxiety still roiling in his stomach, but if anything it just makes him feel even more energized. He bounces his foot and surveys his room again, looking for any weak spots or access points. He can't see anything, though, other than the areas where he knows the water bottle hole and window are; even the vents that relentlessly blow cold air into the room are well hidden.

Knowing that there are people standing just outside his cell watching him, like some kind of zoo animal, puts him on edge. The window is so big that he's pretty sure the only blind spots are either directly underneath it or right by the door on the same wall. After debating it, he leaves his cot and sits on the floor underneath the window, surveying the room from a different angle now and still coming up empty. At least they're going to have a harder time staring at him.

His eyes catch on the toilet in the corner, directly across from the window. It's not in the blind spot, and realizing this makes his insides lurch uncomfortably - hopefully he has a chance to bust out before using it becomes necessary.

Though, he's not sure when that chance is going to come. If they have a slot to pass him water, they could use that to pass him food, too, so it's unlikely that anyone is going to open the door unless they need to take him out.

So maybe his fantasy of being outside when his brothers arrive isn't going to happen. Well, that's okay; he'll just be sure to make some other part of their escape totally rad. That will make up for the embarrassment of getting kidnapped a block from Run of the Mill.

(Seriously, some kind of ninja he is, to let a bunch of human soldiers sneak up on him.)

He drains the water bottle, then starts to roll it back and forth across the floor, like a cat batting at a toy. Leo's not sure what's worse right now: the worry or the boredom. There's nothing to look at and no one to talk to, just an empty room with him and his water bottles.

He's too keyed up to sleep, and the fluorescent lights are still on, anyway. He has no way of telling what time it is, so maybe it just isn't that late yet. And even sitting here, in the blind spot, the idea of closing his eyes while people are watching makes unease crawl up his spine. Staying awake is the easy choice. He'll sleep after he's out of here.

So he sits under the window and rolls his bottle back and forth, back and forth, with only the sound of plastic on tile to keep his thoughts company.

-----

The first three water bottles came pretty regularly, but now there is a very long stretch where nothing is delivered. Leo is starting to think maybe it really is night now. They don't turn off the lights in his cell, though, and he has no controls to do it himself. At least it helps with the whole "staying awake" thing.

Just in case they've decided to suspend his water privileges along with the food, he holds off drinking any more for now.

Speaking of food, his appetite has finally decided to return. His stomach starts to growl at him after several hours (he thinks) of sitting in the floor, an annoying emptiness in his stomach. Knowing there's no food accessible just makes the hunger sharper, but he puts it out of his mind the best he can with nothing else to focus on. He can eat once he's free.

Which should be soon. Seriously, his brothers have to be on their way by now, right?

He's pretty sure it's been the better part of a day, if not a whole day, since he was kidnapped. And, okay, he's willing to give them some leeway; it's understandable if they got a late start. He did storm out of the lair after his latest fight with Raph, and no one ever came to check on him when he did that. Understandably, he thinks, because who wants to be around Bad Mood Leo? Not even Leo wants to be around Bad Mood Leo!

But he'd already turned back into Good Mood Leo by the time he left Hueso's, so surely they knew it had been more than enough time. They would have noticed when he didn't come home. They would have realized something happened. They would be looking for him.

And if they're looking for him, they'll find him! Obviously.

His stomach growls again, and Leo leans his head back against the wall behind him. Maybe he shouldn't think of being at Hueso's. Now he just wants pizza. Pepperoni and mushroom, maybe, or Hawaiian. Mix it up a little with the barbeque chicken.

Another growl. He groans out loud.

He stays awake, twisting and crinkling the empty bottle in his hands, until another full one finally arrives.

-----

No chance to escape comes before using the toilet is necessary.

He tried to hold out, he really did, but he ended up drinking more water to stave off the growing hunger, and it's lowkey cold in here, which doesn't help. Still, the issue of the window sends an uneasy shiver up his spine, doubting that any people outside will feel the need to turn away and give him some privacy. Maybe he should have gone while he suspected it was nighttime.

(Maybe he shouldn't assume they ever aren't watching him.)

He stands up and walks over to the cot, giving it a light nudge with his foot. In a stroke of luck, it isn't bolted to the floor, and it's light enough that he can lift it. The black mesh it's made of is tightly woven, enough that not much is visible through it. It will have to do.

He picks it up and drags it over in front of the toilet, propping it up on its legs so it makes a small wall between himself and the window. It's hardly ideal, but the semblance of privacy makes him relax somewhat.

(He can't think about how there are surely cameras in the room watching him from all angles, making his attempt at a barrier moot. He knows better than anyone that sometimes pleasant lies are necessary.)

After he does his business, he leaves the cot propped where it is; it's not like he's sleeping on it. There's no sink for him to wash his hands, but he's never been the strictest about it, anyway (much to Donnie's disgust). He returns to his spot under the window, squeezing the water bottle to the rhythm of the first song that comes to mind.

Only two verses and a bridge later, the window above his head turns black, then goes clear. Thinking that Bishop might have been watching him just now makes a cold, slimy feeling roll down his spine. Creepy!

"Inmate 24365," comes Bishop's voice through the unseen speaker. "Stand."

Leo doesn't. He stays right where he is, under the window.

Bishop waits only a few seconds. Then Leo hears him say, "Temperature down two degrees."

He gets up at that, turning and leaning his arm against the window. It strangely doesn't feel like glass, even though it must be. "It's already cold enough in here," he says. He wonders how they can hear him, when he doesn't see a microphone on his side.

"You were told your conditions would only be made comfortable after you answer our questions," Bishop informs him. "The same as before: how many gateways are there between New York City and the hidden yokai enclave? How are these gateways-"

"How about you answer my questions first," Leo interjects. "You keep calling me "inmate," but I haven't been charged with anything. Pretty sure you can't detain me without cause."

"The EPF is authorized to detain non-human inmates for as long as deemed necessary for the security of the United States," says Bishop smoothly. "Probable cause doctrine does not apply in this case."

"That's gotta be unconstitutional."

"The constitution does not recognize the rights of yokai. You have no right to counsel, no right to a speedy trial, and no right to protections from cruel and unusual punishments." Bishop's stare is colder than the temperature in the room. "But I am not an unfair man. Answer my questions, and I will provide you with food and clothing."

Leo tosses a glance over his shoulder. "How about a private bathroom?"

Bishop's expression stays ever in place, unimpressed and stoic. "Food and clothing," he repeats.

Leo gives his head a shake. "Then nope," he says, popping the "p". "I plead the fifth."

"As I have already explained, the Bill of Rights does not apply to you."

"That's such crap." Leo bangs his fist on the window. "You can't just keep me here forever for no reason!"

"I do have reasons." Bishop leans closer to the window, his eyes narrowing. "Let's try a different question. What is your relation to Baron Draxum?"

The surprise is fast and sharp, but Leo just manages to keep it from showing on his face. "Who?" he asks innocently, even as the panic sets into his chest. If they know about Draxum, what else do they know?

"We know you are acquainted with him," says Bishop. "What is the nature of your relationship?"

Leo knows they aren't bluffing - why would they bring up that very specific name otherwise? There's no lie he can tell that won't reveal something.

So he doesn't say anything. Instead, he turns his back to the window and sits down, staring resolutely at the opposite wall.

Bishop clicks his tongue. "Very well," he says. "I am a patient man. I can wait." Then, more muffled, like he's facing away from the microphone, Leo hears him say, "Temperature down two degrees."

The window goes dark, then turns back to white. Leo doesn't move for a long time.

-----

The third water bottle arrives, so he guesses that's the end of day two.

He's shaking as he gets up to retrieve it, adding it to his growing water bottle hoard. He's gone through three and a half by now, but he's trying not to drink them too fast.

As promised, no food is delivered, and his stomach growls and rumbles in protest. The water helps, but only slightly. He needs to eat.

He also needs to sleep.

The panicked adrenaline spikes that have kept him awake this long are starting to die down, with more and more long stretches of exhaustion between them. The shaking is near constant, bringing with it the weird jittery feeling he gets when his insomnia gets particularly bad.

The window is still unnerving him. The idea of sleeping while they're watching him feels staggeringly unsafe.

But he doesn't think he can hold out now until his family gets here. Sure, they're probably getting close (they have to be getting close), but they're sure taking their sweet time. And he's just so tired.

After a long internal debate, he lays down on the cold tile floor. It's not at all comfortable, but somehow he doubts the cot would be any better. Besides, even if he moves the cot under the window, he thinks it would be easier to see him if he uses it. So on the floor it is.

He presses as close to the wall as he can, curling up into a ball for warmth. He wishes he had a blanket.

He wishes he was home.

He squeezes his eyes shut tight and forces back the sudden wave of overwhelming homesickness. There's no reason to feel this way. It's only been two days! What is he, a baby?

It's fine. It's all fine. They're definitely on his trail now. Raph is leading the team. Donnie is using some kind of invention to blah blah blah nerd stuff. Mikey is razzing his tazz. April is using her investigative journalism skills to find clues.

They're on their way. He just has to hold out a little longer. He can do this.

He sleeps, and in his dreams, something grabs him tight and drags him down and down and down where he can't escape.

-----

The same routine plays out over the next two days.

Leo gets two water bottles delivered, spaced, if he had to guess, about five hours apart. Bishop comes to visit him some time after the second bottle. Leo refuses to answer his questions. Bishop turns the temperature down and then leaves. A few hours later his last water bottle comes. Then nothing for the whole night.

They still don't turn off his lights, but exhaustion is starting to win over the brightness.

More than a few times, Leo tries to summon a portal on his own, without his swords. If his family is going to take their sweet time in coming, he might as well try to help them out. He tries to summon his ninpo (without glowing), tries to feel the tug inside of him that he always does when he teleports, tries to envision the place he wants to go and tunnel through space to get there.

Nothing. Always nothing.

(Donnie can make his constructs independent of his bo staff. Raph can send his projections away from his sai. Mikey's learning to use mystic powers without his nunchucks. So why does Leo need his katana? Why is he the only one this useless?)

It probably doesn't help that he's so damn hungry. It's a constant companion now, a low and hollow ache that chooses inconvenient times to turn into white hot stabs of urgency, into seizing cramps that steal his breath. The water only helps so much - it keeps him alive but doesn't satisfy, doesn't soothe. In some ways it just makes the feeling worse.

And he's always shaking, too, but he doesn't know if that's the hunger or the cold.

Maybe the cold wouldn't bother him so much if it were at least still. But the vents blow fresh air inside relentlessly, and no matter where he goes he can't seem to get out of the direct stream. The cold wind batters his tired body, and there's places his skin is starting to turn dry and flaky. His nose won't stop running, and he's allowed himself a small section of his one roll of toilet paper to blow it, already stiff and congealed and disgusting.

It's miserable.

And there's still nothing to do.

He stacks a pyramid out of his empty water bottles, knocks it down, then stacks it up again. He tries to come up with some new and exciting ways to demolish it, but it's only new and exciting for so long.

He spends a few hours of day three singing karaoke as obnoxiously as possible. He hopes everyone outside enjoys the performance.

He recounts every issue of Jupiter Jim he knows to himself, then the plot of every movie. Then he goes through Lou Jitsu films, then anything else he can think of. That eats up a good chunk of day four.

By the time he gets his first water bottle of day five, he's out of ideas to entertain himself. He's never been good at this. He doesn't know how introverts like Donnie can go multiple days without talking to someone.

But when Bishop comes back with his daily offer of conversation, Leo once again impolitely declines.

-----

Something new happens on night five.

It's been a long time since the last water bottle. Leo has been trying to sleep, but it's not coming easy; he's exhausted, but the floor is so cold and he's so sore from staying on it night after night. Not to mention, his nightmares have been getting worse, and he isn't eager to return to them.

Add on the hunger, and sleep is elusive.

Suddenly, there's the telltale shadow of the window above him turning dark - this time, though, it doesn't light up as much as normal. Confused and curious, Leo sits up and takes a peek.

The room beyond is dim, only the glow of a green EXIT sign and a small desk lamp lighting the space. But it's enough for Leo to see a man standing there, looking inside. It's not Bishop - in fact, he doesn't recognize this person at all. They're wearing fatigues, but it's not anyone he's seen in the room during Bishop's normal interrogations.

The man catches sight of Leo, and the grinning leer on his face makes Leo regret looking.

He beckons for Leo to stand up. Warily, Leo does, unable to help but keep his arms folded tight over his chest. Not for the first time, he wishes he had some clothes - his gear, at the very least. Anything to not feel quite so exposed.

The man reaches down and picks something up, holding it aloft for Leo's inspection. "Want a sandwich?" he asks into the microphone.

The sandwich looks like white bread and bologna. No cheese, no other toppings that Leo can spot. Maybe some mustard, if anything. Overall, the most boring possible sandwich he could have been offered.

Leo's mouth is watering.

He has to swallow hard before answering. He doesn't trust this. Even if his stomach is slamming up and down at the promise of food, food, food.

"I'm not hungry," he lies.

The man laughs. It's not a kind sound. "Sure you ain't," he says. "You spend every night curled up on the floor like the dumb animal you are. Can you even eat this?" He waves the sandwich for emphasis.

Leo doesn't answer. He takes a step back from the window, like that will put any kind of distance between them. Like that will save him.

The man watches him with a sleezy grin. He waves the sandwich again.

"You want this," he says.

Leo shakes his head.

"You really sure?"

Leo shudders. Stands tall. Nods.

The man watches him for a long, long moment. Leo fights the urge to hide.

Finally, with a shrug, the man says, "Suit yourself."

Then he starts eating the sandwich. Right where Leo can watch.

Leo's stomach growls, loud and angry in his ears, and he has to physically hold himself back from crumpling.

After several bites, the man suddenly reaches out and taps the window, indicating the cot stood up in front of the toilet.

"That," he says, giving another tap for emphasis, "doesn't do shit."

Leo wants to crawl out of his own skin.

The need to hide is suddenly too great. He rushes to the cot, grabbing it and dragging it back to the blind spot under the window. He sets it down on all four legs, so it's as close to the floor as possible.

Then he lies down on his belly and wriggles underneath. It's a tight squeeze, and the cot ends up pushed up by his shell, suspended in the air, but he doesn't care.

He curls up in his pleasant lie of privacy and bites his hand to keep from screaming himself hoarse.

After an eternity, the window above him turns white again. It doesn't matter. Leo knows he's still there. Still watching.

-----

"You look tired," Bishop greets him. Leo answers with a dead-eyed stare.

"I keep telling you, if you want your conditions to improve, all you have to do is answer my questions."

Leo says nothing. He just stares, arms wrapped tight around himself to try and keep his body heat in.

"How many gateways are there between New York City and the hidden yokai enclave? How are these gateways accessed?"

For a moment, Leo considers just... telling him.

His family doesn't live in the Hidden City. The yokai have never exactly greeted them with open arms. What does he care if these military guys go after them? At least then, maybe he can finally eat something.

That's not what a hero does, Leo! echoes Mind Raph disapprovingly. Innocent people will get hurt!

Right. He's a hero. And heroes don't give into the demands of shitty guys like Bishop.

Leo swallows hard. "No comment."

Bishop's face changes ever so slightly: his brow creases. Leo wonders if that's good or bad for him.

"You understand that Baron Draxum is a known threat, don't you?" he asks. "We are aware of his plans to commit mass murder on the human population. We also know that he has been dormant for some time, and we need information on what he is planning."

Leo thinks of Barry's ambitions to be recognized as the best lunchperson in all of America and can't help but laugh. It comes out cracked and wheezing.

Bishop's furrow gets deeper. "Do you think this is funny?"

"Little bit," says Leo.

Bishop has a chasm to rival Raph's now. Leo knows he shouldn't, but he grins. It's his one moment of triumph - only he can be this aggravating.

And then Bishop says, "Temperature down seven degrees," and that wipes the smile right off Leo's face.

-----

The plastic of the water bottles is soft and pliable and feels weirdly good under Leo's teeth.

He chews the top of the bottle, gnawing at it until it's completely flattened out, pockmarked with little tiny indents from his incisors. It's not eating - it won't fill his belly or ease the persistent hunger pains. But something about the motion is soothing. The place-bo effect.

Pla-ce-bo, corrects Donnie's voice in his mind, sounding testy.

Where are you? Leo thinks back.

There's no answer.

He's gnawed his way through four water bottles. There's eighteen in total now, two and a half still full of water. He thought about using one to wash up a bit, but decided against it in the end. He knows he stinks, but the last thing he wants right now is to be wet. Not when he's starting to see his breath.

Oh well. It's not like he has anywhere to be.

He turns his attentions to the lids next. These are harder and thus tougher to chew. Still, if Leo uses his molars, he can eventually crack the lip, and then bend the plastic in and in, chewing until he ends up with a flat disc.

It's just small enough that Leo could swallow it, if he wanted to.

He thinks he remembers watching some kind of wildlife documentary. Or maybe he didn't watch it himself, but Mikey told him about it. Or maybe April? He doesn't know. His thoughts swim in and out and get lost on the way.

Point is. Sea turtles in the wild die all the time because of plastic in the water. They cut open their stomachs and find trash inside.

Well, Leo is a turtle in captivity. Maybe that means he's immune. Maybe he could swallow this plastic lid, and then he'd finally feel full and the pain pain pain of his empty stomach would go away.

He does not swallow the plastic lid. But it's more tempting than he'd like to admit.

It's going to be okay. When his family gets him out of here, they'll have a big pizza to celebrate. Maybe he can even talk them into letting him have the last slice.

It has to be any moment now, right? It's been a week. They have to be closing in. Any moment now, the door will open, and there they'll be to take him home.

The air conditioning blows relentlessly against his skin. He sneezes, then rubs the snot on his arm. He's given up on the tissue paper.

It'll be over soon. It has to be. Just hang in there, Leon, just a little longer.

He picks up another bottle and starts chewing.

-----

He's playing a mindless little game with his flattened bottle lids the next time Bishop comes.

"I'm surprised you still have any energy at all," says Bishop, and Leo wants to punch him.

(Really, he wants to do more than that. But those kinds of thoughts always make him feel weird and bad, so he pushes them away.)

"You should have learned by now," he says, pushing to his feet and trying not to show how badly he's trembling, "you can't keep me down."

"This is all unnecessary," says Bishop. "I'll feed you as soon as you answer my questions."

Leo barks out a laugh. "Sure you will."

"I will," says Bishop. He turns and says over his shoulder, "Bring it here."

One of the men in fatigues steps forward and hands a tray with a covered plate over to Bishop. Bishop uncovers the tray and holds it where Leo can see.

Baked chicken, broccoli with cheese, mashed potatoes.

Leo's stomach twists and cramps so painfully he has to bend at the hips and clutch his midriff.

"This is yours, as soon as you answer my questions."

Leo pointedly keeps from looking at the food. He shakes his head. He can't. He can't.

"Such persistence." Bishop's voice is scolding now. "You understand that you are a known accomplice to a terrorist, don't you? But if you become a cooperating witness, you will be granted some leniency."

Leo barks a laugh, lifting his eyes to look at Bishop's face, and pointedly not the food. "What's the point?" he asks. "If I'm not... protected by the constitution, or whatever. Are you going to let me go?"

"No," says Bishop. "But as I have told you, your conditions will become more comfortable." He waves the tray of food.

Leo stares at him, before a manic smile splits his face.

"You... stupid bastard. I can't even answer your questions." He slams a shaking hand against his plastron. "I'm not even a yokai! Do you get that? I'm not a yokai!"

Bishop looks skeptical. "Obviously you are."

"I'm not!" Leo rages. "I'm a mutant! I'm from New York! I don't even live in the Hidden City!"

Bishop's eyes flash. "I see," he says, "so you do know of it."

Leo falters, his body going slack.

What an obvious, stupid mistake.

(Some face-man he is.)

It takes Leo a long moment to answer. Bishop stays right where he is, holding the food so tantalizingly close and yet still out of reach.

"...I don't know about the gateways," he says finally. "I don't know about their defensive capabilities. I don't know what Baron Draxum is planning."

"Your lies are obvious," says Bishop. "You really don't want this? It's your last chance today."

Leo stares at the food. His mouth is watering so hard it might start to drip. Would it really be so bad to answer? They don't live in the Hidden City. And Draxum dropped him off a roof.

Draxum is trying to change, says Mind Raph. You see what these guys are like. You can't turn the yokai over to them. They'll hurt them!

What about me? he asks. Is it okay if I get hurt?

You're a hero, Leo, says Mind Raph. You can deal with it for a little longer. It's just a room. Just a little cold. Just some hunger.

He's a hero. He can deal with it. He can. He can.

He'll make them proud. Show them they can trust him.

It takes everything he has, but he shakes his head.

Bishop tuts. Then he throws the entire plate in the trash.

"Tomorrow, then," he says. Then the window is gone.

Leo collapses on his cot and tries not to cry.

-----

After his third water bottle on day eight, one of the fluorescent lights over his head flickers and then dies out.

It's not surprising, since they keep them running twenty-four seven. The blessedly dimmed lighting is actually nice, for once. Leo thinks maybe he could get some sleep, if the gnawing hunger and the constant shivers don't keep him awake.

He's just closed his eyes and snuggled up under his cot when it occurs to him: they may come in to fix it. If keeping the lights on day and night is part of their plan to torture him, to keep him exhausted and anxious and on edge, then they have to.

Which means his chance is finally here.

He has to be careful about this. He has to be ready to move, but he can't let them know he's ready to move. He has to let them think he's too weak, too exhausted, to make an escape attempt.

(He can't let himself think that, though. He can't give up before he tries.)

So he stays under his cot, but subtly shifts it so it won't restrict his movement. He has to be ready to burst out as soon as he gets a chance. Get past whoever comes in, then get out the door. It's after the last water bottle, so it's nighttime. There will be fewer people. He can do this. He can do this.

Find his swords. Make a portal. Get out.

Just as he was thinking, after a long time has passed, there is a loud warning beep, different from the water bottle beep. An automated voice says from somewhere unseen, "Inmates clear the door. Security personnel entering. Stay still and you will not be harmed."

Then the door slides open, and someone comes in.

It's a man wearing fatigues. Leo thinks this is the one who "offered" him a sandwich the other day. He's holding some kind of gun with a long barrel. He does a sweep of the room with his eyes, coming to rest on Leo under his cot. He gives Leo the same leering grin, and waves the barrel of the gun in his direction.

"Now you behave, and we'll get along just fine," he says.

He steps to the side, and another man enters, this one wearing the kind of jumpsuit Leo sees janitors in on TV. He's carrying a stepladder in one hand and a long tube in the other. Is that what fluorescent lights look like? Leo didn't know.

The man walks to the middle of the room and sets up his stepladder. Then he walks up and pulls off the light casing. When he unhooks the old bulb, it causes the other bulb to flicker, just for a few moments.

Leo explodes out from under the cot, grabbing the man in fatigues by the legs and yanking as hard as he can. The man yelps in surprise, and Leo hears the sound of the gun going off in a random direction. The janitor shouts and drops the light bulb - the sound of shattering glass joins the cacophony.

Leo jumps to his feet and runs out the door they had been too stupid to close, sprinting toward the EXIT sign. He's exhausted and shaky but he's coursing with adrenaline, and he leans on it hard to keep him moving. Don't stop, don't stop, get out of here. He'll figure out what to do next once he's free.

Past the exit sign there's a large open room with desks and computer monitors. Most of them are off, but one lingering woman in a lab coat, seated at her desk, screams when she sees Leo dash through the middle of the office space.

"Security!" she screams into a device on her chest. "Inmate is escaping! Inmate is escaping!"

Leo doesn't have time to shut her up, he just keeps moving. He pushes through the next door and arrives in a hallway; he only has time to glance one way and then the other before scrambling to the left, hoping it was a good choice.

He rounds a corner and sees another green EXIT sign up ahead. It's not where he meant to go - he meant to find where they're keeping his swords first. But he hears shouting behind him and doesn't stop. Fine, so no portals - he'll figure out something else once he's away from here.

He throws himself forward into the exit door, which leads him into yet another hallway. Another long sprint, with shouting and slamming doors at his heels, and then finally, finally, a third EXIT sign, and he crashes outside.

Where there's snow on the ground, snow on the trees.

It steals his breath away. There shouldn't be snow. It's May.

Where is he?

He takes a breath of air so cold it seizes his lungs, then takes a step forward. He'll worry about that-

BANG!

A piercing pain in his shoulder nearly sends him toppling over. Leo shouts, grasping for the wound and feeling something sticking out of his skin. He grabs it and yanks, pulling it free.

It's a dart.

Damn it, he thinks, before his vision goes woozy, and he collapses into the snow.

-----

"Are you proud of your little escape attempt?" comes Bishop's voice.

Leo looks up from his cot. Bishop has to get so close to the window to see him that his nose is pressed flat against it. It should be hilarious, but Leo doesn't really have the energy to laugh. Or to do much of anything.

He's hungry. He's tired. He's cold. He's still sluggish from the drugs.

And they threw away all his water bottles. Fuckers.

Leo rolls over on the cot and covers his ears.

"What a childish response," says Bishop, and that's funny, too, because Leo literally is a child. Or a teenager, anyway. He doesn't feel like it will help him much to point that out, though.

"All you have to do is answer my questions, and all this will be fixed."

That's the funniest thing of all. The idea that he spills his guts and Bishop treats him to a five course meal to make up for all the pain up till now. Hilarious.

He says nothing.

Bishop sighs.

"You are likely still affected by the tranquilizing agent. I'll return tomorrow."

Before he leaves, he says, "Temperature down five degrees."

-----

The same man is back that night. He opens the window and looks down at Leo with the same leering smile. Leo can't even take satisfaction in the bandage on the side of his head.

"Neat little trick you had yesterday," he says. "Almost got me fired."

Leo wishes it had gotten him fired. But he clearly has no luck in this situation.

"You know, I respect the attempt. And you probably would have gotten farther with a little food in your belly." The man reaches down, then retrieves a sandwich, as mouth-wateringly unappetizing as the last time. "You sure you don't want this?"

And Leo knows he shouldn't trust this guy. Leo knows he should say no.

But he's just...

so...

hungry.

So he gets up. And he turns to the window. On shaking limbs that can barely hold him upright anymore. With a body that is laced with pain and aches and cramps.

And he nods.

The man's smile gets wider. "What do you say?" he asks, in the sing-song tone of a parent scolding a child.

It makes a sick nausea rise in Leo's throat. But he wants the sandwich.

"Please," he gasps out.

"Mmm... not good enough." The man waves the sandwich. "You want this? You beg for it."

Leo stares, eyes wide. But the sandwich... the sandwich...

He gets down on his knees. Feels a searing flush of humiliation. His stomach is rolling and gurgling and cramping with pain, a hollow, empty chasm inside him desperate to be filled.

He lowers his head.

"Please," he says. "I... I want the sandwich. I'm... begging you, please."

The man laughs, loud and long. When Leo finally finds it in him to raise his eyes, the sandwich is already half eaten.

"Hey, good job," says the man, licking a bit of mustard off his thumb. "That was real convincin'."

And then he takes another bite.

Just like that, Leo forgets about the pain, the aches, the cold, the hunger. All that's left is pure, white hot, screaming rage.

Leo lunges at the window and slams his fist into it so hard it cracks. Not enough to break the glass. Not enough to free him. But enough that the man startles and steps back.

And Leo starts to laugh. High and manic and unhinged even to his own ears.

"I'll kill you," he says, and his voice sounds almost joking, and yet- "I'll kill you. You're dead. You're dead, as soon as I get out of here, you're dead, I'll kill you, I'LL KILL YOU!"

The man has dropped the rest of his sandwich. He fumbles for his gun, left somewhere on a table to the side. For one satisfying moment, Leo sees a flash of genuine fear on the man's face.

"Shit," he says, his voice far away the further he gets from the microphone. "Pretty scary, frogboy."

Then he slams a button, and the window goes black, and Leo gets a glimpse of his own reflection.

His face is gaunt and drawn. His eyes are ringed by deep circles, so dark they look like bruises. His body is shaking like a leaf.

And his stripes...

His stripes are lit up like when he uses his ninpo, but they aren't their usual Neon Leon bright.

They're almost black.

Leo gasps and stumbles back just as the window goes white. The full body quakes he feels now aren't from the cold or the hunger or the exhaustion.

He turns and sinks onto the cot. Puts his face in his hands and tries to breathe. Tries to will his ninpo to stop rolling and snapping and to go back to normal.

This isn't what he wants. This isn't him.

This place is breaking him. He's letting it break him.

He pulls his legs up onto the cot and buries his face in his knees. Wraps his arms around them and rocks gently, the way Donnie used to do when things got overwhelming. Maybe he understands that better, now.

This isn't him. He's Leonardo, Neon Leon, the face-man, the jokester! The one who's always ready with a quip and a laugh. The one who can do anything!

Except portal out of his room. Except escape from this building. Except resist begging for a sandwich like he's a dog.

Leo's breath hitches, and for once he doesn't stop himself. He knows the guy outside is probably watching. He knows there are cameras recording this. He hates giving them the satisfaction.

But he's tired, and hungry, and he...

He wants to go home.

He cries, silently, until he's completely rung out.

-----

Maybe they aren't coming.

That's the thought that pops into his head, just a bit after the first water bottle of the day.

He knew they would have gotten a late start, because he stormed out. And he knew it would take them awhile to figure out who took him - he hadn't heard of the EPF before, so why would they? And he knew it would take them time to figure out where he had been taken, which must have been pretty far out if it's snowing outside. But the EPF got him here within a night, he's pretty sure, so unless they have a super fast jet, he must still be on the continent somewhere.

So... so surely they must have figured it out by now, right? Raph is leading the team. Donnie is doing science things. Mikey is razzing his tazz. April is using her investigative skills.

Unless they aren't coming.

Maybe... maybe it's true. Why would they want him back, after all? Leo took Raph's leader position, and since then all he'd managed to do was piss Raph off. Mikey and Donnie hadn't been happy about it, either, and he'd noticed that they'd been avoiding him more and more. April claimed she wasn't taking sides, but she always seemed to be on Raph's anyway. And Dad... well, he was probably disappointed that he made Leo leader only for him to do nothing and then get himself kidnapped.

He doesn't bring anything to the team. He doesn't bring anything to the family. And no one likes his jokes.

So. Maybe they just... aren't looking. Maybe they aren't going to come.

Maybe he's held out this long for no reason. Maybe he's been cold and starving for no reason at all.

Maybe it's time to give up.

---

Don't give up, says a new voice in his head.

You are not alone.

-----

He has no energy left to stand when Bishop comes. The man looks down at him, lips pressed into a thin line.

"You don't look well," he observes.

No shit, Leo wants to say.

"This has gone on long enough. Answer my questions, and we will provide you with food, clothing, and medical care."

The list is getting longer. Leo's fuzzy eyes stare up at Bishop. Medical care. Does he need that?

"You already know what I want to know." Bishop has a furrow between his eyebrows now. "Will you talk to me?"

He could. He could do it. He could finally have some relief from all the pain. All the hunger. All the cold.

But they might hurt the yokai in the Hidden City.

They might hurt Draxum.

They might hurt his family.

And maybe, if nothing else... if Leo could just keep his mouth shut, just this once...

Maybe that would finally make Raph, Dad, and everyone proud of him.

Maybe they'd finally trust him.

Maybe, at least, he can have that much.

Leo shakes his head.

Bishop scowls.

"Temperature down ten degrees."

-----

Leo isn't shivering anymore. That's probably a bad sign.

He can still see his breath, each time he exhales. It rises like smoke, before disappearing into the air.

He doesn't have any energy left, not even to chew on his new water bottles. He hasn't even collected the last two, and they sit crowded together in the slot, untouched.

He kind of wishes they had just dissected him from the beginning. It would have been faster. Freezing to death, he's decided, is a real zero out of ten. Starving to death isn't any better. No stars.

Even though the damn lights are still on, he feels extremely sleepy. It's probably the cold. He wonders what will happen if he brumates. He's never done it before, not like his little cousins, and he has no idea if it's even safe.

Probably not, given he has no calorie reserves left. All it means is he won't be drinking water, either.

But he's so sleepy.

It's going to be time soon for Bishop to come back. Leo doesn't know what the point is anymore. Maybe he'll just sleep through it. Yeah, that would really make him mad. And making Bishop mad is all he has at this point.

And he'll get to sleep. It's a win-win.

So thinking, Leo rolls himself over onto his belly. Then, one by one, he pulls his limbs into his shell.

He doesn't do this much anymore, not since he started growing. His body just doesn't seem to fit his shell like it should - a side effect of the mutation, probably. It's not really comfortable to be inside for long.

But Leo is sleepy. And his shell feels like the best place to be.

So he pulls in his legs, then his arms, and then, finally, his head.

It's not any warmer in here. But at least it's dark.

At least he's not shivering.

Leo sighs, content, and closes his eyes, and drifts to sleep.

-----

(Outside his cell, there's a bang, and shouting, and a gunshot.

The sound is muffled, and Leo sleeps on.)

-----

Part 1 (here) | Part 2 | Part 3 | Part 4 Part A |

[thethronezone]

High Consort Pt.2

Because I could not stop thinking about this mess of a relationship and if I have to suffer, so do everyone else... Here's more.

The Emperor promised to marry his Consort once he had successfully conquered Terra. And credit where credit is due because Big E actually kept that promise. Him in his armor, you in your finest clothes (specifically made for this occasion) and with only the Legio Custodes to witness the ceremony. There wasn't an exchange of vows, no reception or officiator. He simply declared himself Emperor and that you were, from this moment on and till the stars died out, his High Consort. The Custodes didn't sing, did not cheer, but stomped the ground, slammed their weapons agains their shields, all as one, making the air vibrate and the ground shake.

Guess what? You own Luna! Aka the fucking moon. Yeah, it was a wedding gift. I mean, technically the Emperor rules over it but in name? It's yours!

Like I said in the first part, if you want to work, then it's mainly administrative duties. It's actually quite important work, since you oversee some real secret government stuff. Not the worst of it, nah, the Emperor leaves that to Malcador.

Something Big E does leave to you? Organizing banquets, feasts and other festivities. Sounds more fun than it is, considering the fact that this also entails overseeing the guest list. Do you know how many people can fit in the (multiple) imperial ballrooms and gardens? A fuckton. And as the 'host' of the party, you get to greet most of them! Isn't that wonderful?

More things the Emperor calls you instead of your name! "Spouse", "my starlight", "dear one", "treasure". Those last three are only in private. Majority of the Imperium don't know your actual name and calls you High Consort. More accurately "the revered ruler of Luna, First Lord/Lady of the Imperial Palace, Keeper of Terra, the one and only High Consort to the one and only Emperor of Mankind". The title somehow gets longer each time.

You make the Emperor a bit less of a douche. He's still a bastard but you make him just a smidge more bearable. Probably because he does care about you. Will he steamroll you in every conversation? Yes. Does he not take your arguments seriously? Yep. Will he dictate every part of your life from the shadows? Yeah. But he does like seeing you happy so he refrains from doing some stuff that he knows would upset you. At least if you're there to see it happen.

The fights you have are fucking wild. You can be absolutely furious, screaming, throwing things at him, and the Emperor will just stand there and be like "You done yet?" which will make you scream and throw some more thing. Big E might try and placate you a little, "Dear, you are acting irrational, calm down", but most of the time he just waits until you get tired. And when you're all out of air he'll go "Good thing we solved that" and LEAVE. Fucking prick.

When Malcador ain't available, you vent to your personal Custodi bodyguard. Yes, they are ultimately loyal to the Emperor and will never badmouth him but this one Custodi will nod along when you call your husband a "rat-fucking-bastard".

It's not all bad of course. The Emperor can be downright romantic when he wants to. He knows all your favorites and always has this in mind when he gives you stuff or does stuff with you. New garden? Filled with your favorite flowers. Anniversary dinner? Your favorite food. A piece of jewelry he acquired on his resent battle on some distant planet? Your favorite color. When you reunite after a long time apart, he kisses your hands. The Emperor loves your smile, loves seeing you happy. All the art work he commissions of you depicts you smiling, from a subtle smirk to smiles where all your teeth shows.

In canon, the Primarchs were made out of the Emperor's and Erda's DNA (with some major gene manipulation in there) and yeah, that's still the truth in this scenario. Except there's also parts of you in there. Because if the Emperor likes you enough to marry you, then you probably have a bunch of traits that he likes. Wisdom, tenacity, courage etc.. So congrats! You now get to co-parent 20 18 of the strongest humans in the Imperium! At least one of them has your smile.

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.

[corviiids]

companion write-up to the fic i just posted, 'call me by', which is a lawlight bodyswap fic inspired by your name / kimi no na wa.

don't read this post without reading the fic lol it is not going to make any sense!! im posting this because i think the fic is (well, sort of intentionally) a little vague and it might be fun to provide more context for anyone interested.

you obviously can read the fic without reading this though. this is just a thought dump. :)

this is technically an au, but i wrote it to be theoretically canon compliant if you squeeze things around and close your eyes a bit (as long as you don't think about timeframes lol and how many days are lapsing). i did fudge their ages a bit because otherwise light would be about 15, and i wanted him to be 17-18 because i think that makes more sense for him at this stage in his life lol. otherwise, i think it's actually kind of fun to imagine this happening alongside canon.

light leaves notes in L's home when he's in L's body and vice versa. generally they leave notes at regular intervals. longer paragraph breaks means a longer period between.

the mechanics of the bodyswap for the purposes of this fic:

like in your name, a swap starts when they wake up and finishes when they go to sleep.

once they swap back, they can't remember the names or faces (or any other identifying information, like career titles or voices) of people they personally encountered.

this includes themselves (i.e. if light in L's body encounters himself, he will not recognise it as himself and won't remember himself when he's back in his own body) and other familiar people (i.e. light won't remember that L works with his father, light wouldn't recognise L if he met him in his own time)

but if a person could be identified with public information, then they can retain their memory of that person (i.e. L doesn't struggle to remember ryuga hideki).

light is two years before L. i loosely used the anime timeline, so the kira investigation kicks off in about 2006-7, which is when L is. light is in 2004.

light nicknames himself asahi for no particular reason and nicknames L ryuga hideki after his sister's favourite idol. LABB confirms that L likes to take his pseudonyms from his past, so i thought it would be funny if the reason why L named light&soichiro 'asahi' and himself 'ryuga hideki' in canon is because light-of-the-past came up with those names already. (in canon that means that light would recognise those names immediately of course.)

when light's dresser catches fire as a result of L's meddling, it's not exactly the same trap as the one light sets in canon, but i think it's something similar because that's the way light's brain works. it does minimal damage but he still gets in trouble haha.

L figures out who light is pretty early on, which is why he's so careful and reluctant when light persists in trying to connect with L outside of the swapping. he also (unbeknownst to light) starts concealing information about the investigation from light because he believes light will later become kira and doesn't want to give him an edge.

light knows that L is a famous detective, and might get a vaaague inkling, but i don't think it fully clicks for him.

the body-swapping stops right before the yotsuba sting in the helicopter. after it stops, light doesn't open L's note for a long time because he is hoping they will swap again.

after light opens the note, he realises that L had known perfectly well who he was and struggles to understand why L didn't tell him + why L emphasised so hard not to open that note until after they'd stopped swapping. he figures, or fears, that the reason they stopped swapping is because L died, which is more or less the truth.

the last note takes place in 2006 after light picks up the death note and finally puts the pieces together that he was the kira suspect that L had been investigating. at this point he realises that he has been given the chance he'd been hoping for to save L's life by choosing not to become kira. his choice whether or not to take it, but........

[sorio99]

Thinking about “I Want To Unify The Kingdom But The Second Male Lead Is Too Indecent” again. Thoughts on how it’d play out:

The first episode starts with Bridget and Dick at the office, establishing her as competent but ignored and him as a half-joking, self-loathing sex pest. Around the halfway point, they both get hit by a truck while crossing the road and wake up in the fantasy kingdom (does it have a canon name? I’m gonna call Decentia) as Princess Bridgeton and Lord Dickington. Lord Daleton shows up and quickly becomes the only person either of them tell about their original situation.

Bridget and Dick don’t actually realize they’ve both been Isekai’d together until about halfway through season 1, at which point they finally put two and two together. Bridget is mildly horrified that the dignified Lord she’d been relying on for stability was Dickhead Dick this whole time, while Dick is just happy to have SOMEONE who relates to not being either a medieval fop or Daleton.

The big reveal of the season one finale is that most if not all of the kingdom’s characters seen across the season, from the major supporting cast to the extremely minor background staff, have at some point between the pilot and now ALSO been swapped with their Massachusetts counterparts, mostly within the span of the first few episodes. The entire second season is just trying to piece together what the fuck to do about this.

Bridget is throughout Seasons 1 and 2 torn between absolutely despising Daleton and genuine attraction (because annoying though he may be, he seems to mean well and IS genuinely hot), while also coming to see Dick in a new light and genuinely appreciating him as a person for the first time ever. For his part, Dick has been into Bridget since before the truck accident, and while he is generally annoyed by Daleton’s antics and indecency, he shows JUST enough tolerance towards him that a good portion of the fandom ships the pair. Eventually a small but substantial part of the fandom ships the three together in the classic ProZD Love Triangle solution.

(Season 5 ends up technically making that canon, so polyshippers stay winning)

Daleton is consistently a slutty bisexual disaster throughout the show, right up to the very end, but he is shown to have SOME genuine leadership skills and does actually want to help everyone, hence why Bridget keeps him around. He’s the kind of character who spends most of each episode being useless and fan service focused, but then always has one useful insight that manages to help turn the whole episode’s conflict on its head.

Not everyone who got isekai’d into Decentia has an identical appearance to their Massachusetts form or a [Name]ton name, but there are a few as foreshadowing for the Season 1 plot twist.

Season 3 focuses on the real Princess Bridgeton and Lord Dickington, who wake up in the hospital and immediately piece together that they’re each from Decentia. They’re the first characters from the Kingdom to make the transition, and they realize what’s going on with everyone switching over significantly faster than Bridget and Dick.

The first sign that something seriously fucky is going on in Season 3 is when “Dale Kingston” shows up and applies for a job at the end episode 2. Bridgeton and Dickington immediately recognize him as lord Daleton, but he denies this, and we the audience know that Daleton was basically the only major character to NOT know anything about Massachusetts in Season 2, which raises the question of if he’s just this universe’s counterpart or if something more is going on.

As more and more Decentians end up at Big Dick’s in Massachusetts, they begin taking over the company and, slowly but surely, the small town of Decent, Massachusetts (halfway between Boston and Springfield, just take I-90 and turn off at the giant pants sign, you can’t miss it).

In Massachusetts, Dale is mostly similar in behavior to Daleton, but slightly less indecently dressed and completely able to keep his pants up. This is because in Massachusetts, you can just buy pants at a store and don’t need a personal tailor who was originally really gay and inappropriate and then by episode 4 was replaced by an IT worker with a CompSci degree.

Season 3 ends with a portal being formed between Big Dick’s corporate office (where Dickington has just defeated the CEO Richard Parker in hand to hand combat) and the castle of Decentia (where Bridget and Dick have been panicking because Daleton has been missing all day). Then Dale shows up, and all chaos breaks loose.

Season 4 goes about as described in the Drawfee episode: they realize that their realities are collapsing and merging together, it becomes clear that Dale/Daleton has secretly (and unintentionally) been the lynchpin of this collapse the whole time, and eventually the Kingdom (which has semi-officially annexed Decent, Massachusetts) is unified with the goal of killing him. However, Bridget and Dick are both quietly opposed to the plan (Dick because he recognizes Dale could still be a “decent” human being, and Bridget because at this point she’s low key in love with him).

It becomes clear across Season 4 that Daleton really didn’t have any idea originally that he was somehow drawing the two universes together, he went to Massachusetts through a portal to try and figure out what was going on with the Isekais, and his indecency has more or less been out of his control this whole time. The fanbase is somewhat divided on the question of whether or not killing him is the right thing to do.

Season 4 ends with Daleton seemingly killed, the universes mostly going back to how they were before the series started (Princess Bridgeton and Lord Dickington are back in control of the Kingdom, the employees at Big Dick’s are all back in Massachusetts), but Bridget mysteriously missing. The last shot of the season is Bridget’s bedroom back home, with the camera panning around to reveal one more portal.

Season 5 is still pretty much just porn, but like a quarter of every episode is dedicated to either developing the plot, world building for the sex dimension, or genuinely well written character development. So you can’t even skip to the important or good episodes, you have to watch all of them (you can usually skip the sex scenes, if you want, though. They are still 3/4ths of each episode).

About two thirds of the pre-existing fanbase are actually really into the fifth and final season: partially because it is still beautifully animated, incredibly well acted, and (during the important quarter) impeccably written…but also partially because the show was always hornier than your average isekai, so its fanbase did kinda follow suit. A third of them still absolutely hate it and the internet kinda explodes into arguments about it, though.

The creators fully realize there is no going back after Season Five, so that’s the only season of the show to not end on a cliffhanger. Instead, the plot is resolved, the multiverse is saved, and Bridget, Dick, and Daleton retire to a pocket dimension of the sex dimension where they can live out the rest of their days in peace. It’s a surprisingly wholesome and happy ending, ignoring how incredibly nasty some of the smut in the rest of the season was.

“Season Five” becomes internet shorthand for a show completely self-sabotaging and self-destructing for years afterwards, to the point most new anime for the next half a decade is capped off at four seasons.

The fifth season does however reveal that Dick/Dickington is bigger than Daleton, so that’s cool.

[jazeswhbhaven]

Refreshers!: Levi's selfie comic

So I was poking around on the comics I have because I honestly miss them, and Levi's selfie comic has me trying to piece together all the king's childhood dynamics.

From this comic alone it seems that only Satan and Beel hung out with Leviathan when he was younger and that they only recently started including Mammon? Except....

this part here looks like a flashback of when they used to do this often to him as children but we see Mammon in the back???

From his backstory it really seems like Mammon stayed in Tartaros alot due to his chronic illnesses. So technically he wouldn't be part of the shenanigans until much later.

Because as you see above the rest of the comic is showing them as their adult selves (note that one of Mammon's horns are missing and he's at his full height) and still pulling pranks on Levi.

This is what confuses me the most when PB does things with the story lore when it comes to ages and timelines because it's implied that they were all the same age, all hung out together, and yet in Mammon's backstory it seems like he was isolated from his peers and never hung out with them probably until adulthood.

For the sake of the comic I'm just going to say that perhaps Mammon did go out sometimes but usually under supervision so that's why he was able to hang out with the other kings and play games.

Papa Bimet most likely traveled with him, and this must mean the other kings (probably not Beel because he seems like he would sneak off) were accompanied by their father's nobles when they had playdates like the one in this comic.

But that's me trying to make sense of it all. I wanna write more childhood Au's for the kings but trying to follow the canon is messing me up lmao

[bogleech]

Extremely long post about how you’re now allowed to erase your neopets faces (NEOPETS IS GOOD AGAIN: YOU CAN ERASE THEIR FACES.)

I have just learned that neopets recently added some wearable (neocash only though) items called the “be-gone cans” that let you hide different body parts, so there’s like eyes-be-gone and wings-be-gone.

There’s a lot of caveats (the mouth one for some reason is locked behind a gacha capsule, the “body” one only removes minor extra details from the torsos of a few species, they don’t all work on all pets and they don’t even work on the same exact parts of the same species in different colors because of how they were coded) but at minimum ALL pets can at least have the eyes and mouths removed and this alone improves countless, countless designs. For instance if you didn’t like some of the invertebrate variants stuck with the pet’s usual face, now you can fix it:

Same for the fruit and vegetable chias, they're SO good without faces, for reference here’s the mushroom chia with the horrible face all chias normally have:

Awful. Just ghastly.

Now you can correct him and make him good:

Look how fucking cute some of the other chias are this way:

This is a fucking game changer, I actually care about neopets for the first time in a decade because I can take their faces off. They were born for this. They were waiting almost 30 years to be freed from their disgusting foul orifices. “Help me, mother” they say, “I am cursed with a mouth and can therefore all too easily scream!” as their famous catchphrase always went I think. At last their salvation is here. I mean, look at this sad lenny:

We all know exactly why he’s canonically always so miserable! If there’s one thing he hates more than having legs to touch the earth’s filth and corruption it’s being able to see it.

Now he’s happy! He wants this!

And now he’s even happier i’ll bet!!!!!!!!!!

If you take the muzzle piece off the scorchio it even liberates their whole head from their neck as their god intended:

Legit though some pets actually make better serious designs besides the nudibranch one, like if you take the eyes off any of the (already badass) transparent pets you get their deep abyssal cave version:

Now look at some of the transparent pets with everything taken away that can be taken away:

The uni is finally almost unrecognizable as an equine, its life long dream

This isn’t like any of the dog designs in any of the silent hill games but it could exactly have been a dog design in a silent hill game, you know??

God bless whatever artist refused to give the insectoid Ruki a normal vertebrate skeleton so you can make this gelatinous flying space angel

But god bless whoever DID give the insectoid Buzz a vertebrate skeleton so you can make this HR Giger parasite embryo. Actually cannot pick between the two bug pets here as my new favorite neopets that are still technically available. THESE WINGS HAVE BEEN RETIRED SINCE 2012 OR I WOULD MAKE THIS PET:

[ashe-smash]

Baby Talk | Chapter 1: Conception Ao3

Piccolo x Reader

Tags/ CW: Infertility, Themes of Infertility Hurt/Comfort, Angst with a Happy Ending, Alien/Human Relationships, Namekian Biology, Piccolo has a Diccolo (Later Chapters) Oviposition, Breeding Kink, Pregnancy, Alien Pregnancy.

Word Count: ~2.4K

Summary: You’ve known Piccolo and you reproduce differently since the beginning of your relationship- before you were ever really dating. You thought it was fine until it’s not. Piccolo and Reader have to navigate their reproductive incompatibility. (Aka Writer takes some significant liberties with Namekian biology)

Big thanks to @ginrastandsby for beta-ing and the DB reader discord for support with my fics ! 🫶

FYI, this it technically in canon with another wip. I consider them the same Reader Character- for context 1) Reader is a childhood friend of Videl, shes Pan’s godmother. 2) Piccolo and Reader can have sex. He had an “appendage” that’s sheathes thats similar to a penis. It produces lubrication, but no genetic material/ sperm.

Piccolo stares at your sleeping form. He knows you don’t like it, but he’s feeling things he’s not quite sure how to process. It’s not like he needs sleep like you, so maybe if the Namekian stares long enough the puzzle will piece itself together. 

Eventually you rouse from it, mumbling a reminder and beckoning him to join you under the warmth of your comforter. Ready to drift back asleep. He usually lies with you, meditating until you wake but he doesn’t feel like joining you right this moment. 

“You want a baby.” Piccolo says flatly. It’s not a question, because he knows it’s true. He hadn’t been trying to eavesdrop on you or anything, he simply has very good hearing. Chatting with an old friend who’d just had a baby during a chance encounter earlier that day. Something about you wanting one of your own if the cards were ever right for you. 

You’re much more awake now. “This isn’t a middle of the night conversation Piccolo.” 

Piccolo knows that, he thinks. Navigating a relationship is new for the Namekian, while he’s been friends or allies with earthlings for two decades- most of his life- this is his first romantic and physical one. 

But he knows he loves you. It feels a little foreign, unlike his love for Gohan or Videl and Pan and maybe that’s why this bothers him. He can’t even place the feelings he is having now: he’s not angry, he knows anger, he’s not scared- this seems a little silly to be scared over? Worried. He thinks he’s worried. 

Piccolo touches his throat, it’s almost absentminded. “I can't … do that.” 

“I know.” You sigh. Not disappointedly, he thinks. You’re just tired. “Lo I don’t know why we’re having this conversation.” He’s not quite sure why either. It’s just bugging him and he’s not used to that.  

You huff, a little grumpy at being woken up. He acquiesces and crawls into the blankets with you, attempting to appease his slight of having woken you up. You curl up at his side, body warm with sleep. Piccolo always runs on the cooler side, not warm blooded like humans. You change that tucked into his side. “Can we talk about this in the morning?” 

When you do fall asleep, it’s restless. Even in the deepest parts of meditation he can tell you aren’t sleeping well. You can’t seem to get comfortable, nor does it seem you ever fully fall asleep.Eventually when the morning is still silver blue, you give up and wake yourself up. “You know, there are human men that couldn’t give me a baby right?” 

“I don’t … want you to do… that.” 

“I don’t want that either. I mean, even if we can’t have a baby together it doesn’t change the way I feel about you. Even if I want a baby, I still love you.” 

He turns his head and kisses the palm you tucked against the side of his face. You love him regardless, even if he can’t give you it. 

You eventually roll onto your stomach to look at him.“Is it even something you want.” 

For him, it feels very complicated. Very few Namekians ever reproduce. He thinks it sounds horrific. Not to mention his own relationship with his own father- or lack there of adds another layer of complexity. 

You having your own child through whatever alternative ways would just mean there would be another human in his life that he would eventually outlive. However, he doesn’t want to take that away from you. 

The two of you are reproductively incompatible. Technically, you’re both the egg bearers. Sex is only possible because Namekians still have vestigial appendages that are similar to penises. 

“I don’t know.” 

If he slept maybe he’d dream of it. Silence hangs in the air between you two. If his hearing wasn’t so good, he might think you were sleeping again. 

“Are you sad?” 

You take a deep breath before answering, which almost is an answer in itself. “A little bit, yeah. I knew you couldn’t- we couldn’t … do that since we first slept together. But I guess it feels different when we actually talk about it.”��

You curl yourself back up to his side. “Do you want to go back to sleep?” 

You nod. “You can go meditate outside if you want.” 

He usually does around this time in the morning while you sleep in. Piccolo shakes his head. He thinks he’d rather stay here with you. 

He has a feeling this topic is only shelved for later.  It’s not like you’re going to stop wanting it, even if you also love him. He wishes it was simpler, at least for your sake. 

At least you sleep a little more peacefully after that. 

… 

It’s a few days later when Pan is over that it comes back up again. The two of them are training and you’re sitting under the big tree outside your home. Usually you’d sit in your office to work, but it seems there’s been a bit of unspoken clinginess between the two of you. Luckily you already work from home and can work from almost anywhere as long as you have your laptop. 

“Pico, why is Auntie crying?” 

Piccolo turns his head to see you slip back into your shared home. He doesn’t see your face though. 

Piccolo ruffles a hand through Pan’s hair. “Go take a lap, I’ll make sure Auntie is okay.” 

You’re in the kitchen and you duck your head so he can’t see your face. “What’s wrong?”

“I’m fine. I just-“ Your voice cracks, betraying your words. “Just need a minute.” 

“Why are you crying?” He steps up behind you, but he’s not sure if he should touch. 

You shrug. “It’s fine. Go- Go train with Pan.” 

“She’s worried about you.” Maybe it’s a little cruel to play that card but if it will get you to tell him what’s wrong. When a fresh wave of tears starts, Piccolo can’t stand it anymore and tucks you against his chest. Wraps an arm around your crossed arms. 

“It’s awful and I feel guilty for feeling it.” You sob. 

This is the worst part- when he doesn’t know what to do. Usually you’re there to help guide him through it, but that’s wildly inappropriate at this moment. 

“Deep breath, please.” It’s shaky but you manage it. He lets you take another one too. “I’ve heard some pretty awful stuff, I doubt you could say anything as bad.” He strokes your cheek with the back of his fingers. 

“It feels mean to say to you, Lo.” 

“Do you intend to hurt me with it?” You shake your head. “Then please tell me so I can understand?” 

“Pan’s an only child…” He’s aware of that fact. You take another deep breath. “T-that’s fine, I just… I always figured it’d be okay cause she’d have a cousin or two eventually.” 

Goten’s still pretty young- by the time he might have kids, Pan will probably be a teenager… Oh. “Because you thought you’d have kids?” 

He’d never thought about it. He’s technically an only child, Gohan and Goten are far apart in age- at least Goten has Trunks to play around with. Bulla and Pan are close enough in age but that hardly means anything. 

You want to give her a playmate. 

It makes sense. The two of you love Pan more than anything, probably more than each other. 

“I'm sorry.” You say wetly. “I’m not trying to guilt you or anything…  I’m just sad about it.” 

“What can I do for you?” 

“I really just needed a minute, Big Guy.” You squeeze at an arm that’s wrapped around you. “I think I might go lie down for a little bit?” 

He holds you for another minute then lets you go upstairs. He waits until he hears you get into the bed before he leaves

When Piccolo comes back outside, Pan is sitting in the grass poking at a bug. She’s more like her dad than one would first believe by looking at her. “Why was Auntie crying, Piccolo?” 

“She’s sad, bud.” 

“Are you getting a divorce?” 

“What? No, where did you even hear that?” Technically, the two of you aren’t even married. Can he even legally get married? 

“One of my friends at school’s mom and dad are getting a divorce. Her mom is very sad when I see her.” 

Oh, that makes sense. 

“We had a grownup conversation recently and it made Auntie sad.” It’s hard because Piccolo can’t exactly talk to her about the truth. 

“When Daddy makes Mom upset, he buys her chocolates and flowers! You should do that Picco!”

“Yeah? Auntie’s laying down right now, think we should go get her something to cheer her up?” 

Pan nods enthusiastically. She hops up to take off to fly towards the nearest store. Piccolo glances back at your home before he takes off to join her. Hopefully you’ll be alright for a little bit by yourself. 

…

It seems fine at first. Piccolo has an armful of treats (all picked out by Pan). She’s not worried anymore, eager to help Piccolo “fix” your sour mood. 

Until they walk straight in front of the baby section. Rows and rows of pastel baby clothes. Bottles and pacifiers line the adjacent walls of the section. 

Something curdles in Piccolo’s stomach. He’s assumed he’s been feeling this way because you’re feeling sad and upset about this. Maybe he does want a baby? As bad as you do. Especially with the realization that yours and his baby would grow up with Pan. 

Pan tugs on his gi. “What’s wrong, Piccolo?” 

He blinks. “Just thinking that Auntie’s up by now.” He shrugs the arm holding all of the snacks Pan picked out. “Do you think this is enough?” 

It’s a bit early for him to be dropping off Pan but he feels it’s necessary.  Videl seems a little concerned but mostly just surprised. He assures her that something just came up. He’ll make it up to Pan another day. Maybe you and him can take her out for a fun outing when you’re in better spirits. 

He takes the plastic baggie of snacks and heads home. 

You’re still lying down when he returns. Laying on your stomach, face practically smothered in the pillow- he really hates when you sleep like this. Based on your breathing, you’re not quite sleeping but not quite awake. 

He crawls on top of you being careful to not put all his weight on you, but enough. You once told him about weighted blankets- that it’s comforting to have the extra pressure sometimes.

“I wish I could give you a baby.” 

“We could.” You mumble. Your voice is scratchy from sleep and crying, probably. 

The Dragon Balls? So you two could have a baby together? It feels ironic that Piccolo hadn’t thought of that. It’d be relatively easy- Bulma keeps them constantly collected and protected to be used if needed. 

He lets you turn over but he doesn’t get off of you, his head resting on your belly. “Do you really want to do that?” 

You shrug. “What if they were needed for something… more important?” ‘Something more important’ goes unsaid. Piccolo nods. That would be an awful thing for your baby to have over their head their whole lives. 

“If you really wanted… what’s it called when another man fathers a child for someone who can’t?” 

“Donor?” 

“If you really wanted it… you could do that.” Piccolo really doesn’t like that. He’d love your child because they’re part of you but he’d still struggle. 

“I… I want your baby, Lo.” You pout. “It’s selfish but I want you to get me pregnant and I want to have your baby. I know it’s unrealistic to want that but I do.” 

“But we can’t do that and we can’t… make it happen other ways… So?” 

You turn your face away. “I guess we just …don’t.” 

He rubs your hip, he hates that you’re sad and he can’t really do anything about it. “You’re still sad about it though, right?” 

“I might always be sad about it, Piccolo.” You sigh. “But we have Pan.” 

He nods. “We have Pan.” 

“And I love you. You know that right?” 

Of course he does. It’d be awkward because the two of you are so interconnected in your lives but if you didn’t want to be with him anymore- he’d understand if you left him. Being with a man who looks like an alien has been quite the adjustment. 

“Please don’t cry again.”  He points to the bag of acquired goodies. It’s set on the edge of the bed, but he doesn’t move away from you to actually retrieve it. “Pan picked you out snacks.” 

“Yeah? That’s where you went?” You giggle, a little forced but it lifts the mood. “Can I eat them in bed?” 

Piccolo grimaces. He takes the sanctity of your bed very seriously, you sleep there after all. “... If you really want to.” That makes you laugh a little more genuinely. 

Ultimately you decide to go eat your snacks downstairs during a movie. Snacks for dinner, though Piccolo will insist you eat something more substantial. You think maybe you’ll entice him into a warm bath later. 

Your phone buzzes: 

>> (Del) Pan said you were upset earlier? Everything alright?? 

You expected this. Pan’s still little and likely can’t keep a “secret” especially from her mother. 

Truth be told, Videl and Gohan have been far too involved in your relationship with Piccolo. Sure, they are your respective best friends- Videl is the reason you’re together. 

The first time you two had a serious argument, the married couple seriously meddled into getting you to talk to Piccolo again- even though you both really just needed some time to cool off. You know they were just trying to help but you don’t need that now. 

You sneakily snap a pic of your partner. He’s sitting with your feet in his lap, holding a plate of your treats so they don’t spill while you’re texting. 

>> (You) Just having a hard day. Nothing >> Sorry Piccolo brought Pan home early. 

Maybe someday they’ll be told. Perhaps you’ll sob to Videl after one too many glasses of wine on your rare Girls Nights or Piccolo will confide in Gohan about it. 

But for now it can just be between you and him. You’ll have to get used to that now, after all.

[etrangeres]

The Curious Case of Kaitou Kid

(UPDATED 11/27 JST. Sections with significant new portions will be bracketed with a ☘️)

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit over 18k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there’s a LOT of stuff going on across the DCMK space as a whole in these few years that feels like it’s trying to tie the two series together.

We start off with the Twilight Mansion case, which introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito.

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

☘️Between these two was the first of many OVAs, and the first of a couple of attempts to shove Conan into Magic Kaito material: Conan vs Kid vs Yaiba. This is an adaptation of an August 1993 chapter of Magic Kaito, and is the chapter that broke a roughly three year break in publication (it was then followed a few months later by Blue Birthday). Much of the main plot of the chapter is largely kept intact, with one fairly major (and obvious) difference: Detective Conan’s involvement. Much of the core DC cast has been dragged into the plot, which is at first a little odd considering the explicitly battle shounen-style magical flavor of Yaiba.

This OVA handles that incongruity with the “fever dream” solution. In Conan’s side of the story, things get increasingly more and more ridiculous until the final reveal that Conan had fallen asleep reading Yaiba. Which is to say that, plot wise, the OVA ultimately amounts to nothing. But that’s fine, because what’s more interesting is how early they display Kaito’s carousel of emotions in this OVA as compared to the “mainline” media (manga or movies). What’s also worth noting is that this is the first appearance of Akako in DC media, right before she gets a more mainline debut in EP219. She’s a one-scene wonder, bursting in with an ominous fortune and leaving in a very magical disappearing act.☘️

But the OVA, in the aforementioned fever dream context, excuses her existence. In the manga, though? Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

☘️The last two OVAs from this era - Conan, Kid, and the Crystal Mother and Follow the Vanished Diamond - have varying levels of significance. The latter matters extremely little to this conversation on the whole except for Kid finally showing up toward the end. Heiji and Kid have only ever had cursory interaction in DC to this point, and this frankly continues that trend. It’s worth noting that its release right before Movie 10 is significant specifically in this regard, though.

No, what’s way more interesting is the extremely forced adaptation of Crystal Mother. The bare bones and much of the meat remains - it’s still very much recognizably Crystal Mother in every way that matters and then some - but we’ve once again stapled Detective Conan to an adaptation of a Magic Kaito chapter. To accomplish this, they find ways to make Magic Kaito fit the world view of Detective Conan, like with OVA 1… But this time, it requires many more changes that wind up feeling a little more forced.

These changes are largely focused on Pandora and MK’s organization. Though Kid still looks at the jewel through the moonlight, all mentions of Pandora are dropped. Snake being recognized by Conan under the code name “Jackal” as an international jewel thief also has some interesting implications. A more generous reading would be that he potentially had another, more general-use, code name before joining his organization and receiving the name Snake; a less generous reading would be that the OVA has recycled Snake into an otherwise original character for the OVA that has taken Snake’s place, thereby removing any implications of a Pandora plot existing at all. Regardless, Jackal seems to have had previous run-ins with Kid. Which of these readings you opt for greatly changes the implications of Kid’s own personal plot in DC. At this point, despite pulling a very real crossover this time around, they apparently aren’t ready to commit to Kid’s motives being the same across both series.

In addition to Jackal, an assassin by the name of Rose is introduced in this OVA. Though she’s working with Jackal, her purpose seems to be to give Conan someone to confront in a more tangible manner, since Conan and Kid’s paths can’t really cross without drastically changing the story. Otherwise, the last major note I have for this OVA is the final scene. Conan hearing Kid saying he’d come after the Jewel of Destiny next is a nod to the at-the-time upcoming movie, Movie 8.☘️

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective.

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. The other aspect people bring up with regards to the family terminology - the reversial of younger and older brother - is easily answered by the context the case is set in. Toichi is referring to the order in which Yusaku named them - Shinichi first, as Yusaku is his parent (親, oya), followed by the moniker "KID" for 1412 as Kid's name-giver (名付け親, nazuke oya, a term that can also mean "godparent" in certain contexts that more literally translates to "name-giving parent"). As such, Shinichi is the "older brother" between the two.

What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And the movie was far from the only thing happening in April 2010.

☘️First is the OVA that was released just a few days prior: Kid in Trap Island. What starts as a standard Kid heist gets utterly derailed when the Detective Boys shoot Kid out of the sky, and now he has to chaperone them back to safety. Despite Kaito not being named in any capacity, we get to see him out of (most of) his costume and even hear about his fear of fish for the first time in DC media. Heck, Jii is even mentioned by name as well!☘️

Then there’s what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

☘️The next case on our list isn’t really a Kid case at all, but I consider it significant in the way it illustrates Kid and Conan’s developing relationship. Yusaku Kudo’s TV Show Case’s big twist is that Vermouth had been in disguise as Yusaku the entire time, but what’s important is that instead of being suspicious of his dad’s double showing up, Conan immediately assumes and trusts the double as being Kaitou Kid. “Kid” claims he’s here to help after Yusaku stated on the news that Kid wasn’t the culprit, and the following events snowball into interesting events and implications.

The first and most obvious is Conan’s implicit trust and expectations for Kid. He is visibly disappointed when “Kid” doesn’t respond to his deductions the way he assumed he would or didn’t pick up on details he was convinced Kid would immediately notice. It’s actually a staggering amount of trust, despite everything.

Then we have the fact that Vermouth was able to use this tactic at all. Her visiting the Kudo residence was a failsafe to ensure Yusaku really was out of the picture, so she needed a way in. Personally, I think it’s safe to assume she didn’t adjust after Conan thought it was Kid - she knew this would work from the start. Yusaku absolving Kid in the news is a perfect in for someone who was already fully aware that Kid had teamed up with her Silver Bullet before in Mystery Train. And she was right. Conan’s immediate assumption and subsequent display of trust blinded him to the possibility of the other infamous master of disguise on his list.

(What this does - or doesn't - say about Vermouth's knowledge of Kid, aka Kaito Kuroba, to the point that she so successfully tricked Conan in the first place is another matter entirely.)

That this particular case works as a prologue of sorts to the minor Black Organization arc that follows is also interesting to consider. Kid didn’t appear in the arc at all, but he certainly was used as a tool for it.☘️

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.” It's also one of the first real references to Magic Kaito itself, albeit still somewhat vague: Kazami mentions Queen Selizabeth from Ingram, a fake country in a series that does not normally deal with fake countries. (Selizabeth was also the name of the ship from Black Star, as it turns out, but that's less a hard reference and more of a reference with a wink.)

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around in such a specific manner.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawazoe the entire time. Kawazoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’s shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawazoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawazoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[wood-white-writer]

"Didn't mean to make your heart Blue" || [3/...]

- OPLA!Buggy x F!Reader

"And I am the idiot with the painted face, in the corner taking up space. But when he walks in, I am loved."

— Mitski, "Me and My Husband"

Pairing: Buggy the Clown (Live action) x F!Reader

Part 1 | Part 2 | Part 4 | Part 5 | Part 6

Summary: You were an apprentice of Gol D. Roger’s crew in your youth, long before his eventual demise. Along with the Red-Haired Shanks and Buggy, you were a formidable trio; the embodiment of a new generation of pirates yet to come. But times changed, and so did you and your friends. Years have passed since you last saw Buggy following the dispute that you thought ended your friendship. When you finally reunite with the blue-haired menace you once considered your closest friend, it’s under less than “friendly” circumstances.

Warnings: Canon typical violence, LA!Verse, Buggy is a lonely asshole, flashbacks, semi-canon divergence, Reader is strong AF,

A/N: I forgot to mention this before, but I guess this technically does hold some spoilers from the manga/anime. Keep in mind, I've not seen/read either piece, so it's merely used to give their stories some background.

Taglist: @kurinhimenezu, @carpinchootaku (If you want to be tagged for this story, just send me a message or comment :))

Fuck, fuck, fuck, where the fuck are you?

After some time of searching, Buggy finds you sitting by the docks, your feet gently swaying with the waves, almost free of any earthbound weight. He’d join you if he could, but he’s not brave enough to get too close to the waters yet.

However, he’s content enough to just watch you from a safe distance. The sky is free of clouds and the moon is full, which illuminates your shape like a bright lantern in the night.

Beautiful, that's what he thinks you are. In fact, that's what he's been thinking for a while now, not that he's ever told you that to your face. He wonders when he stopped looking at you like something more than a friend. 

Maybe it was when he caught you smiling at him after you'd successfully managed to steal a bottle of fine rum from the local bar, and you both ended up getting blackout drunk on the ship deck?

Maybe it was when he saw you win a round of arm-wrestling against one of your other crewmates, despite being significantly younger than the opponent.

Maybe it was when you beat a guy black and blue for making fun of his nose in public, with both him and Shanks cheering you on from a safe distance? 

It doesn’t matter when it was. What matters is that, for a while, he has found it difficult to take his eyes off you. Even if it’s just a peek, it usually takes him a while to force his attention on something else.

The rest of the crew are on the Oro Jackson, celebrating their recent endeavors, yet here you are, celebrating on your own. He finds it odd; you’re usually happy to participate in any celebrations with the crew, but you’ve decided to be here instead. It was your absence on deck that prompted Buggy to go looking for you.

The wind picks up and he can feel goosebumps spread across his skin like wildfire. He shivers and tugs his jacket tighter around himself, and that’s when he notices that you’re not wearing any additional clothing to stave off the cold in the night.

He finally calls out to you, a little throaty for reasons he refuses to disclose aloud. “You’re gonna get a cold like that, dumbass! You wanna get pneumonia and die or something?”

You subsequently turn around to face him, and his breath gets caught in his throat. Your sharp eyes, when caught in the moonlight, sparkle like a thousand treasures — compiled of gold, diamonds, and millions and millions of berries — holed up in two caves.

Smiling in the way that makes his pulse quicken, you proceed to wave your feet in the water. A few drops land on your arms, sparkling in the air before landing on the skin of your arms. “I don’t think so? If we get to the South Pole, maybe there’s a higher risk?”

He frowns and crosses his arms over his chest. “The North Pole is colder!”

“Ah, well,” you snicker. “In that case, then I’m not likely to get pneumonia unless we’re there.”

“You can still get cold! What are you, a moron?” 

For someone who can’t keep his eyes off you for extended periods, that doesn’t keep him from being rather crass in terms of vocabulary with you. That’s alright. You’ve never been one to appreciate honeyed words if your frequent bickering with both him and Shanks says something.

With another swing of your legs, you reestablish contact with with wooden platform and make your way over to him. That’s when he finally realises that you haven’t brought your shoes with you, but you don’t seem bothered by it. “By the way, what’re you doing here, Buggy?“

He considers telling you a simple lie that won’t clash with what he knows to be the truth. He was coincidentally going for a walk, he needed some air, he was purposefully looking for you…

“Noticed you weren’t on the ship,” he finally settles on with a hmph. “Had to make sure you hadn’t accidentally up and drowned or something. You’re a shitty swimmer,”

“Not as shitty as you,” you counter and blow him a raspberry. 

He’s about to tell you to fuck off or something when, again, he finds himself pausing. 

You’re smiling at him, so softly, and it feels so warm that the wind no longer has any effect on him. He can feel his cheeks scorch up and his heart is pounding so hard that it feels on the verge of breaking his ribs.

He hastily looks away and coughs a couple of times, trying to maintain what little dignity he has left.

“Are you alright?” You ask with faux concern. “Did you just catch pneumonia or something?”

“S-Screw you!”

You laugh, and it’s like music to his ears. Your laughs are usually raspy and hardly appropriate, but he finds that it’s the prettiest sound in the world. Your smile, your laugh, they are so warm that he hopes that you’ll never stop making them.

Out of the blue, you wrap an arm around his shoulder and begin tugging him on the path to the ship. “Come on, before they leave us behind.”

“Y-Yeah, let’s.” He doesn’t move to tug your arm away, and no power on this earth will make him.

------

Now that he's closer to the kid, Buggy realizes the stupidity of asking if he was yours. The two of you are nothing alike, but the truly defining factor lies in your eyes. Rubber Boy's eyes are too bright, too round. Whereas yours are knives ready to strike, his' are simple spoons.

He begrudgingly has to hand it to the kid; he's a fearless one. Even stretching his limbs beyond human capabilities does not diminish his spirit. Buggy doesn't know whether to applaud or reject the determination the boy has.

"I want you to think of this, like an artistic exercise," he explains. "Because pain leads to art, and art reveals truth."

He can't hear any commotion from the backrooms where he keeps you contained. Truth be told, he never expected it to keep you for long, only detain you for a limited amount of time. If he wants to both get the map and keep his life in one go, he is going to have to try and get it without necessarily ruining the kid too much.

Still, it doesn't keep him from testing the lines. He tries to pry the answers out with a needle, but no matter what he does, the kid remains infuriatingly mute. 

So, he decides to dig a little deeper.

"Now, what makes a boy want to grow up to be King of the Pirates? Who are you trying to impress?" He tilts his head with inquisitiveness. "A lost love?"

On cue, he can vaguely make out a gnarling sound coming from the back rooms. The sound of chains rattling, which he perceives as you probably moving in the enclosure. He thinks about sending someone to check on you and find out what you're up to, but he does not want the number of supporting casts to reduce.

"An absent parent?" He continues, ignoring the noises as he closes in on the boy. "Or was it someone that you worshipped? A false idol."

Try as he might, the boy fails to feign any indifference to him. A master of performance himself, Buggy knows when he's hit his target "That's it."

He yanks the dumb straw hat off his head, and the boy's protests against it further dig a nail into the coffin. "Give me back my hat!"

"I used to know a pirate that wore a hat just like this." Buggy's grip on the feeble thing drastically tightens as memories of the past resurface. "Red-Haired Shanks."

"You knew Shanks?"

"Ginger? Three scars, left eye?" Of course, how could he not know of the bastard? "We served together on a pirate crew when we were about your age. In fact," he glances at the boy from over his shoulder. "Your friend, Cross-Hairs over there, was with us at the time."

The kid blinks in confusion, clearly not aware of this little piece of information. "I knew she served with Shanks, but she never mentioned you."

In all honesty, it doesn't surprise him, yet he still perceives this as a slight against him from your side. The underlying hypocriticism in that doesn't evade his notice, but he elects not to address it. 

Buggy can feel the straws under his digits lightly crack beneath the pressure of his grip. "She did, but before then, it was the three of us. For a time, I even thought we were friends." His nail pierces a hole through the inside of the hat. "Until they betrayed me, like all the others. He wanted to keep me out of the spotlight! He wanted to keep my star from shining too brightly!"

"They wouldn't do that," Rubber Boy is quick to protest, rather vehemently too as if Buggy just insulted his entire lineage. "You don't know her, and you don't know Shanks. Don't talk about them that way."

"I bet I know her far better than you do, Rubber Boy." He smirks and raises a knowing eyebrow at the kid. "Does she still snatch specifically red apples off vendors when you're in town? Does she still tend to store her knives in her boots when she thinks no one's looking?"

The kid doesn't have to answer. His silence is all the confirmation he needs, and it makes him feel victorious in some sense. 

"Let me ask you something else, then. How'd the famous Captain of the Cross-Haired Pirates get stuck with a simple-minded nobody like you? What did you do that was so special that she decided to stick around until now?" 

The damn brat doesn't answer.

He presses on. "Apparently, she made a promise to someone, and though I have a sneaking suspicion as to whom, I don't want to jump the gun." He grasps harshly at the kid's face, no longer smiling. "You know, and if you tell me, I might be convinced to lessen the restraints."

The damn brat still doesn't fucking answer, and it vexes him greatly. Even so, if there's one thing he's learned, it's that the kid's silence can be substituted for an answer.

So, he finally asks the billion-berry question: 

"Was it Shanks?"

Rubber Boy does not answer. He doesn't fucking answer, and Buggy's patience snaps like a twig.

You would be willing to go through all of this trouble, to keep the kid safe and help him achieve his dream, just because you made a silly promise to what was once your mutual friend. You would give up your career as one of the most successful pirates in the modern age, just for that?

Just for him?

Deep down, he feels something carve at him. Carve at the boyish version of him he left behind the same day he left you. Would you have been just as loyal to him as you were to Shanks, if only he stayed?

He does not voice these thoughts aloud. Instead, he can't help but beam, because everything he's theorized up until this point has just been verified. It aches, and it hurts, and it cuts, but even so, he can only smile down at the boy.

"Stretch him until he breaks." 

------

Although you hear a commotion coming from the stage room, and despite the urge you have to just break out and be done with this all, you deliberately remain in your cage. One leg pulled up to your chin whereas the other one rests uncomfortably on the stale ground boards, you do nothing more than let your temper simmer down.

Honestly, what a mess.

You made one thing perfectly clear to Shanks the day you agreed to disband your crew and keep watch on the boy. It had not even been a week after he returned to the docks of Fooshia Village, one arm short and the boy by his side.

------

"I am not his parent. I will not be held responsible for the mistakes he makes when he decided to leave land. I will only keep him alive until I decide he can do that himself; after he's earned his first bounty. After that, I'm off."

"And what will you do after?" he had asked, genuinely curious.

You didn't answer, because you didn't know.

"Look after the lad for me, will you? Help him achieve his dream." He had taken your shoulder under his warm remaining hand and said:

"Maybe one day, you'll find your own."

------

If you'd known that Luffy's dream would one day lead you back to him, you would've been more reluctant to make that promise. At the time, you had little interest in picking up the shattered pieces of your childhood dream, yet it seems that now it has decided to search you out instead.

Or rather, he has.

Your head hurts.

This is not the time for heartfelt reunions if there ever was one. Buggy has only one goal in mind, and that is to get his hands on that damn map. Harming Luffy will serve as a means to an end in achieving that, which happens to clash with your goal. You're not Luffy's parent, you tell yourself, but you're willing to extend the promise to Shanks just this once.

And so, after some careful deliberation, you make your escape. 

You hit the metal once, and it bends significantly. Then twice, and on the third strikes, they bend and crack, finally granting you access to direct contact with the ground. It's never felt so relieving to be earthbound, and you even go as far as to tap your feet a few times to enrich that feeling.

Having most likely heard the noise, two troupe members march through the curtains to see what's going on. The first one barely has the time to register your escape before you lunge. 

You're quick to subdue them, knocking the first one out with an easy choke-hold whereas the other mysteriously ends up with half his body stuck in what remains of your previous confinement. His ass hangs out in a rather humiliating position, but the point is, he's out of the way. 

The adrenaline is the one part of piracy you've missed. The surge of energy that flows through your veins, feeling the air brush your face as you make your move, the warmth in your heart that substitutes any pain or hurt you've ever felt if only for a moment.

You relish it.

You happen to find your weapons in the room, hidden in some crates. Your knives and your pistol, are both unscathed and fully functional, but you know that you'll end up relying on your hands for this. After all, it's personal, and personal matters are handled in a personal way. 

When you're certain the two troupe members are of no concern to you, you exit the back rooms and find yourself in the opening between the audience rows shortly after. The lights have been killed and there's an ominous silence stretching in the atmosphere.

You look up at the terrified audience, and though you're almost in clear view of them, none dares stray away from the view up ahead. 

Said view in question being of Luffy halfway submerged by seawater in a tank, already struggling to keep himself afloat. 

Fuck this. Fuck him.

You don't even stop to coordinate your next move as, as you would've done under ordinary circumstances. No, the moment you spot Buggy standing there, trying to reason with the kid with the promise of belonging and having a place on his crew, you lunge for the kill.

------

All Buggy sees just as you make your move is a flash of sharp eyes that seem to glow in the dim room. There's no word upon your entrance, no sound, not a single warning at all. A shriek resonates through the air, shattering the silence that had unknowingly settled over them, and it's his own. 

The air gets knocked out of his lungs as you shove your fist straight into his stomach. Ordinarily, that specific portion of his would've just straight up dislodged itself from his body, but it doesn't this time. He remains intact, a contradiction to what you had threatened to do, and he falls back several good feet on his back like a kicked dog.

A raspy groan is all the noise he manages to get out, heaving his chest in search of the air that was stolen from him. He throws one arm to the ground and gets his upper body up. 

When he finally manages to somewhat stabilize his line of sight, all he sees as the world remains blurred around him is you standing over him with a dangerous glimmer in your eyes. One he's already familiar with.

This is not his old friend or his old flame crew member. This is Cross-Hairs, the feared captain of the vicious Cross-Haired Pirates. The Beast of the East. The one whose aim never misses, and if it does, she'll hunt her target down to the ends of the earth.

And now, he's officially become your target. No longer a passive one at that, but the only one your eyes are set on. He doesn't know if he's content or unnerved by this.

There are no palpable emotions on your face, but he can read your eyes well enough to know that you're angry. No, angry doesn't even begin to cover it; you're absolutely, positively, completely pissed. 

"What?" He forces out, still aching from the punch to his abdomen. "Going to make good on your promise? Going to finally kill me after all this time? If so, then just get on with it!"

You don't answer, and he hates it even more than he would've had you responded. A part of him wants you to kill him; wants you to show that you care enough about him to just fucking do it.

No, instead, all you give him is a glare. That same glare that's never left your face since he first laid his eyes on you. You turn your full attention to the tank and, with one simple hit, you break the glass to try and free Rubber Boy. You free him, without even a moment to hesitate, and it feels so much more painful than if you’d just ended him on the spot.

He wants to scream. Buggy wants to scream until his lungs give in. Scream at your inability to fully look at him. Scream at your apparent concern for a boy who is no more a pirate than he is a banker. 

Scream, because even after all this time, you still refuse to choose him.

Never him.