#I mean like it’s already in the original post-

[uyuforu]

MC Persona Chart Observations III

All pictures are mine @uyuforu.

Other posts you could like:

જ⁀➴ Astro Observations X Career Edition

જ⁀➴ MC Persona Chart I

જ⁀➴ MC Persona Chart II

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ʚɞ Sun 7H usually indicates you"ll do a job in the creative field. If you also have Sun Leo 7H, you'll do a job in the movie field, you'll work for the cinema industry, or anything relating to acting and movie.

ʚɞ Moon 4H means you need to feel comfortable at work to work properly, you'll perhaps also want to work from home, or work with family? or work with people who feel like family, work in an environment where you trust people and know them already too perhaps.

ʚɞ Mercury 7H means you'll mostly talk about art, something creative at work. You can talk communicate well, nicely, and with fairness at work. You could also find way to make anything you write or create at work, like imagining, in a romantic or poetic style.

ʚɞ Venus 8H can mean you could be obsessed with your job, you could love it sometimes, but also hate it sometimes. It may depend a lot on a lot of circumstances. You could also like that what you do is "secretive", perhaps your work needs to stay hidden during the process, and you enjoy this.

ʚɞ Mars 5H means you can have a lot of imagination at work, a lot of creativity. Perhaps in your work, the one who comes with the most creative project "wins". It can also be a source of stress for you.

ʚɞ Jupiter 10H could mean you could gain a lot of popularity and reputation if you succeed in your job, perhaps even celebrity. You could eventually become famous at your job for your work.

ʚɞ Saturn 2H could mean there are obstacles in the stability of your work. It can be about your financial stability, but also in general. It's not the usual 9-5 job, it may be the kind that works while there is a project going on. It's considered unstable at least. You could also struggle with money somehow. Doesn't mean you gain nothing, it means that there may be a lot of deals with money as well and it's "complicated".

ʚɞ Pluto 10H means your reputation, popularity will drastically change because of your job.

ʚɞ Juno 9H can mean you could teach your FS a lot about your work, and they can also teach you some things about it. You could share ideas with them, talk about it with your work. They can also inspire you, like a muse. You could often be away from your spouse because of work.

ʚɞ Scorpio MC can mean you'll have a very deep and mysterious reputation at work. People can know you for your work yet not really know much about you personally. You could enjoy not being totally known, it gives a sense of mystery, and you could also keep some privacy this way.

ʚɞ Capricorn Rising means people can see you as someone who is in charge at work, someone who decides, someone who has responsibility. They can see you as cold, serious, and you could also expect a lot from others. They can also feel like you have some authority. People at work may respect you a lot.

ʚɞ Aquarius 2H means you'll gain a lot of original ideas from working, you could also gain online popularity, or meeting more friends as well. You could also gain a wider imagination.

ʚɞ Aries 3H can mean you can talk fast at work, you can also need to be the fastest, or think the fastest possible. People and you could talk in passionate way, you at least need to be passionate to do your job. Arguments can happen. People at work can often disagree or find themselves annoyed at unexpected problems.

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ʚɞ Taurus 5H means your job is creative indeed, and it can be more linked to art, beauty, anything that is considered beautiful, and in this case more "physically beautiful".

ʚɞ Gemini 6H means you'll work in a field where ideas, communications, thoughts, imagination, creativity, talking, singing, writing is important. Perhaps a work where you need a lot of ideas, a lot of thinking, and you could also need to have a lot of knowledge as well.

ʚɞ 1H Ruler in 2H means you could glow up during your career, you could also be seen as rich, or wealthy, more than what you are.

ʚɞ 7H Ruler in 4H can mean you can work or have contracts with your family. Sort of like a family business.

ʚɞ 3H Ruler in 5H can mean you'll def need to use your imagination at work, and you could often talk more about ideas, creative projects than anything else at work.

ʚɞ 5H Ruler in 8H means you could keep your creative ideas to yourself, as private, not spoiling anything to people outside the office, or the job. You could also be obsessed with finding ideas, constantly thinking of creative ideas.

ʚɞ 6H Ruler in 7H means you could work with different contracts, you could also have a job that required to have a project to continue working. When the project ends, the work is over as well.

ʚɞ 10H Ruler in 10H means your reputation at work is very important, having a good reputation at work is very crucial for you.

ʚɞ Chiron 8H means you job can be sometimes toxic for you, you could also be obsessed with your job and it can be too much sometimes. You may struggle from taking a break from it too.

ʚɞ Jupiter conjunct Part of Fortune means you have a lot of chances to eventually become famous because of your job. At least you'll attract good contracts and good things, good attention through your job.

ʚɞ Jupiter conjunct MC is very similar to the one above, but it def focus more on the popular/ famous part.

ʚɞ Mercury sextile Venus means you can often have romantic ideas in your job, or poetic, beautiful ideas. You could also work often with aesthetics, or making something look good, having to imagine something that looks beautiful or that sounds beautiful. If you write things, you could often focus on writing things that touch people.

ʚɞ Part of Fortune 9H means you could have a lot of foreign opportunities because of your job, you could also have a lot of opportunities to learn a lot of different things through your job.

Thank you for reading!

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[literaryvein-reblogs]

this blog has helped me so so much !! if u haven't answered something like this already, could i ask for some help/tips w southern vocabulary and how to go about writing it ?

Some Southern Vocabulary

A Month Of Sundays - This expression is another way of saying something has taken a long time or that something is unlikely to happen.

Bless Your Heart - It can be deployed sincerely, but if you're hearing "bless your heart" in the South, it probably has an edge to it. It's almost always accompanied by a good-natured, perhaps slightly exasperated, shake of the head. It can express empathy or judgment, or it can be said in place of a person's true feelings.

Icebox Pie - Any dessert prepared in a pie crust that has to be kept refrigerated.

Kinfolk - People to whom one is related.

Knee High - Small child (I’ve known her since she was knee high.)

Meat and Three - A main dish meat served with three sides of your choice.

Mess - The word mess generally has a negative connotation, but in the South, it takes on a whole new meaning—one with a positive spin. The context around mess matters. The entire phrase is usually something along the lines of you a mess or you’re a mess, with the discussion before it centering on something you’re doing. Think of it as a compliment, a way of saying you’re adorable or possibly clever or witty.

‘Nanner Pudding - Banana pudding made with sliced bananas, vanilla wafers and vanilla pudding; usually topped with whipped cream.

Over Yonder - When you're in the South, "over yonder" is a distant direction—any direction. The phrase may be accompanied by a gesture indicating north, south, east, or west. Over yonder down the road. Over yonder past the field. Over yonder toward the water tower. This phrase can be intensified by the addition of the word "way," as in "way over yonder."

Piddlin' - A piddlin’ is a small amount that’s not worth bothering with. Someone who is piddlin’ in the yard is wasting time and not doing a whole lot.

Preachin’ To The Choir - When you are preachin’ to the choir, you are trying to convince someone who already agrees with you. Save your breath. You’re all in solidarity.

Pretty As A Peach - This is a high compliment in the South since Southern states are known for their peaches. In fact, Georgia and South Carolina produce more peaches than any other states in the South.

Slower than Molasses in the Winter - If someone is moving very slow pace, you could say that they’re “slower than molasses in the winter.” The origin of this one is pretty straightforward: if you’ve ever tried to pour molasses out of a bottle in the cold, you’ll know that the thick liquid takes a long time to make its way out. Since molasses is a staple of Southern cooking, it makes sense that this phrase caught on and stuck around.

That Dog Won't Hunt - An idea, plan of action, or suggestion that simply isn't going anywhere. It's maybe a slightly nicer way of outright rejecting or disparaging an idea.

We’uns - Us; multiple people, including the speaker (We’uns love to get together for Sunday dinner.)

And here's a post that includes tips on writing accents and dialects (scroll to the end).

Sources: 1 2 3 4 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Thanks so much for your lovely words, hope this helps with your writing! You could also look through the links above for more references that I wasn't able to include here.

[cursedappendage]

Slay the Princess Narrator, Princess, Voices in Japanese

<<Vessel Names Part 1(Chapter I & II + Razor III & IV) <<Vessel Names Part 2(Chapter IIIs) Part 4(TLQ, TSM, Echo)>>

VOICES TIME BABY

Actually, I'm gonna go in chronological order of character mentions. So, we will start with:

The Narrator ナレーター(Nareetaa) [Narrator]

Simple and direct. There is a word for "narrator" that is of Japanese origin(語り手 lit. "Story hand" meaning narrator/storyteller), but the English word is the one more widely used. He also says "I" using the first-person pronoun 私(watashi), I'm assuming to indicate his "formal" attitude as, although men can use it, it's usually only in formal situations/you don't know someone well. He is of course referred to in third person with the kanji 彼(kare) meaning "he" or "him", but some voices like Contrarian and Smitten use katakana for him instead of kanji(カレ) for some different type of emphasis, I'm assuming.

Now in the Narrator's first lines, he tells you that there is a

Princess(or "The Princess" sometimes) プリンセス(Purinsesu) [Princess]

Like I mentioned in the "Princess and the Dragon" portion of last post, the Princess always referred to with the English word "Princess" rather than the Japanese word for princess.(She's also very often referred to with the pronoun 彼女(kanojo) meaning "she", of course). She tends to use the first person pronoun わたし(watashi), like the Narrator, although in her case it's written simply in hiragana, I assume to show less formality and more just how she refers to herself. 私/わたし is also used by women casually, in contrast to what I said in the Narrator section. She also tends to use あなた(anata, "you") for her 2nd person pronoun(formal/regular way to say "you").

The 1st and 2nd person pronouns the Princess uses also tends to change with each chapter:

The Spectre, Stranger(Chapter II), Damsel, Wild, Grey - 1st わたし(watashi, わたしたちwatashi-tachi when Stranger Princesses merge)・2nd あなた(anata)

Base Princess(Chapter I & Heart of TSM)*, The Nightmare, Moment of Clarity, Razor, Prisoner, Cage, Princess and the Dragon, Happily Ever After, Stranger(Heart of the Shifting Mound)- 1st 私(watashi, 私たちwatashi-tachi for Stranger)・2nd あなた

The Adversary, Eye of the Needle, Fury, Wraith - 1st 私・2nd お前(omae, can be seen as rude or more colloquial, for someone of equal/lower rank)

The Tower, Apotheosis- 1st 我(ware, not really actually used in real life, but gives a sense of profound, old, important-ness, typically used by king/god/godlike characters)・2nd お前(omae, though she also calls us 小鳥kotori "little bird")

The Beast - 1st アタシ(atashi, feminine, more casual form of watashi)・2nd オマエ(omae, she also calls us ヒヨコhiyoko "fledgling", all three of these words are written in katakana)

The Witch - 1st あたし(atashi)・2nd あんた(anta, colloquial/familiar form of anata, often considered rude, sometimes spiteful)

The Thorn - 1st あたし・2nd あなた(omg she uses the same 1st as the Witch but switches from "anta" back to "anata" omg y'all I'm cryingggg😭😭)

*Chapter I Princess tends to switch from あなた to お前 when antagonized(pre Tower, Adversary, Beast, Witch)

OK SORRY I KNOW THIS WAS SUPPOSED TO BE VOICES IM SO SORRY

Now let's start with the homie, the one who's always got your back

The Voice of the Hero 勇者の声(Yuusha no Koe) [Voice of the Hero]

Simple enough. Something to note is that there are two words for "hero" in Japanese, 英雄(eiyuu) and 勇者(yuusha). 英雄(eiyuu) is what you call a great person, someone respected for accomplishing something and leaving great impact on society. 勇者(yuusha) is moreso a brave person sent on a quest of adventure to defeat evil/protect others. The former emphasizes the impact and admiration of their achievements, while the latter emphasizes courage and bravery. Someone said something like "勇者 is someone on a journey to slay a dragon, 英雄 is someone who had already come back home from slaying a dragon". In the context of the Voice of the Hero, rather than someone with emphasis on the change he's made in the world, the emphasis is on his morals and good-intentioned actions. He uses ボク(boku) as his 1st person pronoun, which gives him a little bit of a "good boy" typa feel. Or at least some politeness. It's also noted that he uses katakana for boku instead of the kanji 僕(boku)(which, the Long Quiet himself actually uses out loud).

I'm doing the voices in the same order as their respective Chapter II Princesses in the first post(based off the "Memories" menu)

The Voice of the Stubborn 頑固者の声(Gankomono no Koe) [Voice of the Stubborn]

Yeah okay, this one's the same. 頑固者(Gankomono) means "stubborn person". He uses 俺(ore) as his 1st person pronoun, a very masculine pronoun, can be seen as rude in a formal setting, but is very typical and normal for casual men speech.

The Voice of the Broken 負け犬の声(Makeinu no Koe) [Voice of the Loser]

Now this one's insulting. 負け犬 (makeinu) means loser, failure, you get the picture. Made up of the words 負ける(makeru, to lose/to be defeated) and 犬(inu, dog). But it's very fitting I must say(Broken would totally bark for the Tower 100%). He uses the 1st person pronoun 僕(boku).

The Voice of the Cold 冷血漢の声(Reiketsukan no Koe) [Voice of the Cold-Blooded]

冷血漢(reiketsukan) mean "cold-blooded person" or "coldhearted person", or simply "heartless". 冷(rei) meaning cold and 血(chi) meaning blood. Same meaning as in English, someone who can kill a Princess with no hesitation. Like Stubborn, he uses 俺(ore). (He also tends to use quite blunt/rude ways to refer to the princess)

The Voice of the Paranoid 妄想狂の声(Mousoukyou no Koe) [Voice of the Delusional]

妄想(mousou) means delusion, while 狂(kyou) refers to lunatic, or insanity or mental abnormality. Now, delusional isn't exactly the same as paranoid, but the Paranoid can come off as delusional sometimes. Of course, anything we believe in the construct becomes real, so the Nightmare route is full of our real delusions. He is the intrusive thoughts part of our brain that manifests into reality. And in other routes, the Paranoid can come off as a bit insane(the Cage and Apotheosis especially make him seem more erratic). He also uses 俺(ore).

The Voice of the Cheated 野放図の声(Nohouzu no Koe) [Voice of the Unruly]

野放図(nohouzu) can mean wild, arrogant, unruly, but it can also mean unchecked, uncontrolled, unregulated. I put unruly as I thought it fits a title better, but in my head I think more like "unhinged". And I guess that kinda does fit the Cheated's personality, his main objective in the Razor is to win against her, and he's basically like "let's keep getting stabbed until there are enough of us to be better than her", definitely not sound of mind(he also has that comment when you take the blade of "let's make her hurt for what she's done to us"). He very much let's his emotions take the better of him, usually hating on the Princess and the bullshit of everything or spiting the Narrator. He's also, again, very unhinged(mentioning dropping the Cage's head and he says "I mean... we could...") His pronoun is also 俺(ore).

The Voice of the Hunted 獲物の声(Emono no Koe) [Voice of the Prey]

This one I don't have much to say, as it's pretty obvious why he's named that way. And it's pretty much the same as the English name. Like the Hero, he uses the pronoun ボク(boku), I think it's in katakana to mirror the Beast's pronouns.(He refers to her with kanji in 彼女(kanojo) but he does refer to her with katakana in アイツ(aitsu, something akin to "that guy" or "that person", when he say's "She's coming(アイツがくる！)")

The Voice of the Opportunist お調子者の声(Ochoushimono no Koe) [Voice of the Easily Elated]

お調子者(ochoushimono) refers to someone who get carried away easily, someone who does whatever they feel/want, someone who gets easily elated from praise and flattery. I think this is both a funny and accurate translation of the Opportunist. We know he definitely gets carried away easily. He says that second line in the game even(freeing the Thorn: "I can do whatever I want, and I believe with with my whole heart...").I can't really think of instances of him getting praised off the top of my head but he does seem to think it will work on other people. He very much goes with the mood, attempting to curry favor so he can make sudden rash decisions out of nowhere. He uses 僕(boku) which I think fits his suck up personality.

The Voice of the Contrarian あまのじゃくの声(Amanojaku no Koe) [Voice of the Contrarian]

Direct and simple translation again. あまのじゃく(amanojaku) refers to someone with a perverse personality, or someone who opposes other's opinions. Interestingly, あまのじゃく can also refer to an actual small demon in Japanese folklore. I just thought it reminded me of that one line from him "Time to get back to our old devilish ways". He also uses 俺(ore).

The Voice of the Skeptic 疑心暗鬼の声(Gishin'anki no Koe) [Voice of the Skeptic]

疑心暗鬼(gishin'anki) is an expression/abbreviation, it means something like "suspicion creates monsters from shadows", it's about how suspecting something can lead you to suspecting everything, and doubt and suspicion makes you jump at shadows. I think this makes some sense, as his hyper-focused perception of things makes him question everything around him. He notices small details that grow into things bigger and more important than they were before. Also 俺(ore).

The Voice of the Smitten 騎士の声(Kishi no Koe) [Voice of the Knight]

This one I find really funny. 騎士(kishi) refers to the medieval type of knight, known for their chivalry and honor, like ones in armor and usually on horseback(騎(ki) relating to horses). I think it makes perfect sense in the context of the Damsel, a knight come to rescue his beloved Princess, to free her from the confines of the cabin. I also think it works in the Thorn for similar reasons. But I think in most other routes it's hilariously out of context, like "damn, this knight guy kinda freaky calling this blade Princess gorgeous/calling this Princess with a dress of her own skin gorgeous" Like the Tower, he uses 我(ware) giving him that old medieval feel, and he addresses the Narrator with 貴君(kikun), meaning "you" used by men in letters addressing their equals/lowers, and he addresses the Princess with 貴女(can be pronounced anata or kijo), polite language used to refer to women in letters. I was planning on this being the last post but I dont think I can fit it all here sorryyyyyyy rest of the stuff will be next post

Edit: added pronouns of voices

<<Vessel Names Part 1(Chapter I & II + Razor III & IV) <<Vessel Names Part 2(Chapter IIIs) Part 4(TLQ, TSM, Echo)>>

[low-budget-korra]

Is Maddie actually in love in Caitlyn?

Okay, before anything, I already know that it's cannon that Maddie was a noxian spy, but the way she acted and talked with Cait back in episode 4...

Idk, when she was encouraging Cait and all, could be just her baiting and testing Cait loyalty to Ambessa but what if also could mean she was actually turning into Cait side?

The "I did appreciate your warmth" quote, is said in such emotional away, and her facial expressions too. If she felt nothing for Cait, if Cait was just work, she would be cold as ice and probably wouldn't even bother to say something like that before shooting.

I also already made a post about she shooting on Cait neck instead of her head, something that could mean a slower and more agonizing death - which also indicates an emotional action, anger.

It was 6 months. 6 months where it's implied she was Cait right hand, the person who was always with her in working related stuff and the person which Cait had sex with and open up a bit

Yes, they were close, and even Cait obviously not being invested in this relationship, she prob lowered a guard for a few moments and talked abt what she was feeling and thinking. Nowhere near as freely as she did with Vi but still

So, what if Maddie actually fell in love with Cait and was even considering betraying Ambessa too. Then Vi came back and she realized that she could never be by Cait side, that's why he looks genuinely upset here.

(sorry abt the low quality image)

It was at this moment she decided she would follow the original plan and betray Cait.

I like this because it makes her a more complex character, rather than just "evil bitchy spy"

[anamericangirl]

LOL recently an account followed me being one of those Gaza GFM scams. "Vetted by [Tumblr user]"...yeah because I'm gonna believe it's legitimate just because another Tumblr user confirmed it. I looked it up and there weren't any results about what the GFM was referring to, despite the fact that all their posts have pictures. What's worse is the one that followed me claims to want to help a little girl reunite with her family and pets. They know you won't be able to turn away from that and the original post already had a couple thousand notes when the account followed me. I've shown it to a couple other people and they were offended I thought it was fake since it had pictures...because in a sea of scams, I suppose I just happened to get one that was real, right? 🙄 I think it's sleazy, even if the attempts to sound convincing amuse me.

They’re all scams and it’s concerning so many people think they’re legit and spread them around and give them money. Like being “vetted” by a random tumblr user no one has ever heard of means anything lmao. That “verification” process doesn’t go any further than them going “hey is is this your campaign?” And when they answer “yes” they just go “hey it’s verified give them your money.”

The users “verifying” these people are as bad as the scammers themselves.

[quoth-the-raven-wtf]

I've blocked a lot of endos [I'm clustering tulpas in the same "origin category," btw], and I hope that they'll respectfully do the same in return when I post things like this. I will never be the first to interact with them, and more often than not I delete their comments from my posts and block them in order to keep myself from interacting in a pointless argument altogether.

That being said, I still want to put my thoughts out there.

Heads up, this is a long one. The rest is below the cut. Per usual, summarized points are highlighted in red for faster viewing.

I know for a fact that a majority of endos aren't claiming to have a CDD [complex dissociative disorder], which tends to be the main argument endos like to use in order to explain that they aren't invading OSDDID spaces or harming communities built for those who are disordered. That doesn't make their claims of being "plural" any less harmful to the CDD community. They are still claiming to have symptoms of dissociative disorders, which waters down the severity of the actual disorders themselves.

Being a system means having a fragmented identity [which is what alters are]. A fragmented identity is a disordered identity. A disordered identity is a disordered brain. Having parts is not typical, and endos claiming that it is possible to have alters without a disorder creates this misconception that plurality is completely normal to experience.

[Don't get me wrong, I'm also irritated by the perspective that everyone with OSDDID is constantly suffering and cannot experience any joy, or even enjoy being a system—because that view is just as uneducated as the endo one.]

Here's the thing—watering down the disorder isn't actually one that matters much to those outside of people who interact with the system sections of social media, because I guarantee you that most people don't even know what "endogenic" means. The issue with watering down symptoms of disorders that result in alters are how they harm actual systems. I've seen multiple systems on this app and even a few others on social media who claim to be endogenic, but talk about having other symptoms of CDDs and having childhood trauma that they don't consider severe enough to be "traumagenic." Seeing things like that is honestly heartbreaking. There are so many systems out there who are completely convinced that they simply can't have originated from trauma because "they weren't hurt badly enough."

It's bizarre to me that this is what the internet has come to.

Here's the thing; if there was actual evidence of endos and tulpas being fully, scientifically capable of existing, I wouldn't be so strongly against their claims. Hell, I've done research in my spare time to actually look for the supposed proof that endos say there is on the ability to be plural without a disorder, and I've reached countless dead ends. Masterlists of "endo-affirming resources" are either incredibly vague, non-credible, or take me straight to an error message [as in, the page has since been taken down]. Aside from those resources, the strongest argument I've seen is that "there's no proof that endos don't exist," which doesn't make any sense either. You could say that about anything you want to, despite currently existing evidence that already suggests your claim is nonsensical.

I am genuinely open to information that is credible, but so far, it just doesn't seem to exist. Anyone is welcome to share some with me, and I will truly approach them with an open mind; that doesn't mean I'm not going to point out lack of credibility when I see it.

In no way do I feel malice or hatred for systems who identify as endogenic, but I'm afraid that directly interacting with endos through areas of syscourse will, and has clearly already created bitterness. I refrain because of how hostile syscourse has gotten, and I encourage others who share my point of view to also keep the hostility to a minimum. I think everyone needs to be more open-minded—both endos and antis like myself. Unfortunately, that's only achievable in a perfect world.

[luciferanalyzestar]

unpopular opinion: I am glad that zoophobia got abandoned cause as much as it's beautiful vivziepop would ruined it just like what she did with HH and HB,I rather someone else make something similar to it (not 100% copy of it just something similar) and avoiding all viv's mistakes since she's too coward to admit that her writing is shit,maybe if she listened for once her writing would have been improved long time ago

This ask sent me down a rabbit hole I was not ready for.

I never read Zoophobia because I did not hear of Viv until 2019. I was 11 when it released, and I was too busy obsessing over Sonic. From what people who have been following Viv and her history for that long, it was a warning sign of her writing abilities and the lack of variety in her character designs.

The main premise is toss aside for a different premise with no build up: I mean just look like the descriptions of the finished and scrapped Books. How do we go from "woman with a fear of animals becomes a guidance counselor at an academy for anthropomorphic animals" or "mythology"???? How does get from furry hijinks to mythology??? That is a huge jump. Imagine if the Owl House did that? Season 1 stays the same but in season two, Luz goes to a futuristic sci-fi setting like Star Wars or something.

Hazbin was at first: The Princess of Hell opens up a hotel to help Sinners go to Heaven instead of being murked every year.

Hazbin from episode 1 to 8 has a huge in its premise too. No one was asking for a war with Heaven at the end of the season. The whole season was just Charlie pitching the hotel which she already did in the pilot, why are we wasting time of watching her pitch it again??? Season 1 could have focused on the hotel not Heaven, that is should have been saved for season 2.

Helluva was at first: A lower-class imp opens up an assassin business with his fellow imps and his ab going to Earth to kill humans and fucking up shit in the progress. There is a little bit of failed edge in the show too, this is not my little pony! This is a show for adults who grown up Invader Zim and live breath Hot Topic. Now Helluva is just, 2000s core Yaoi that used to be posted on fanfiction.net.

The main female character is sidelined: Cameron was gone by Book 2 (at least from what the wiki states) and was not even featured in the Back Luck Jack short. There are no sources for this, but it is claimed on Cameron's page that Viv was planning on giving her multiple love interests. Why does she always bound female characters to romantic relationships? Also, German chromosomes????? 💀

There are too many characters: Some characters' wikis listed their extended family, their allies, and enemies. I did not click on every character listed but the ones I did were minor background characters who just exist. Why does Kestral and Jackie's mother have a design if she does nothing for the plot? My OCS have parents of course but I am not going design all of their parents, only the ones who are a part of the plot.

The character designs all have the same vibe: Of course, they are all skinny, some are skinny as a broomstick or slim thick.

I found characters with top hots, ashy skin, characters with tannish skin tone with straight hair, the bow ties and pin stripes combo or pin stripe shirt and shorts combo for Mirage. Some characters do not have pronounce feet like they have little numbs like Vaggie and Niffty.

None of the characters who are human or transform into humans have ears! Where are their ears??? Viv cannot draw ears to save her life lmao. The only humans I found with ears was Cameron and this guy. This design "quirk" is still on full blown display in the Hellaverse.

I notice that a lot of characters have similar lore or quirks to the Hellaverse cast:

Cameron has a decease mother = Blitz and Moxxie also have a decease mother.

Addison was originally had a twin sister who was scrapped = Angel and Blitz both have twin sisters.

Camilla (Viv must really like that name) is a pole dancer = Angel is a sex worker is a striper. Also, Camila, who was 21 was supposed to have a crush on the 17 years old Addison.

JayJay has a gold tooth = Angel and Val have a gold tooth.

There are probably more examples, these are the ones that popped out.

There is a pack of wolf lead by the character Queen which is similar to Verosika's crew but there is the twist: Queen is just Kesha. Why was Viv so obsessed with making Kesha into a furry? Why is her name close to Kesha's full name? I have characters based off of celebrities from media I like but I did not name them straight up after that person.

Viv should buy Kesha a fursuit at this point. /j

There is this dude who makes a similar expression to Lucifer. I am losing my goddamn mind.

This reminds how she designed Smoke from Cartoon All-Stars to the Rescue looks in her part of the reanimated project.

I wish someone would make a deep drive video about Zoophobia and have a section comparing it to the Hellaverse. Viv published Zoophobia back in 2012 when was around 19 years old. She is now in 32, I do not know about the writing. How she designs characters still has not changed, she is DEEP into that comfort zone.

[fieldofheathers-stuff]

The Silco Saga, Part Two*: Vander and Silco haunt the narrative (and are kinda gay for each other)

*This is the second (well, actually third) post in a series I’ve lovingly dubbed “The Silco Saga, a retrospective after Season 2”. It’s halfway between flow of conscience, meta, headcanon and review, spawned from my Arcane brainrot (and recent S1 rewatch) and vaguely aimed at trying to reevaluate the entirety of Arcane with a focus on my Main Man™ Silco. Here is Part 1 (on how S2 handled Silco and Jinx’s relationship) and Part 1.5 (miscellaneous thoughts regarding timeline issues and Silco’s actions towards the kids in S1ep3).

Please feel free to comment! I love hearing different perspectives on this show.

Also, quick disclaimer (just in case it wasn’t clear from the title of this post): I ship them. Don’t like, don’t read. And I swear to God, if I hear anyone say “but they’re brothers!!!1!”, know that I’m going to curse your entire genome until the thermal death of the Universe. Bye.

——————————————————

Vander’s original sin

The portrayal of Vander that emerges from S1 and S2 is that of a man who is trying to do good by his people, but is plagued by guilt and shame due to the horrific acts of violence he committed in the past. S2 clearly shows us that the events of the Day of Ash and the subsequent attempted murder of his best friend/comrade/homoerotic situationship (I’m looking at you, Brokeback Mountain jackets) were intensely traumatic not just for Silco, but for Vander as well. I’ll admit I didn’t much care for him in S1 (mostly because of his goody-two-shoes aura which most of the fandom seemed to latch on to), but I think the elements S2 added to his backstory turned him into a wonderfully complex and contradictory character. It cements something I already kind of sensed about him in S1: that there’s a distinct layer of hypocrisy in Vander’s strict adherence to pacifism (to the point of inaction), which is not really a byproduct of a deeply held personal belief about the ethics of non-violence, but instead a way to cope with his guilt about Silco and the other victims of the Day of Ash revolt. Vander chooses to “atone” for his sins by suppressing all forms of violence, both internal and external, thus generating a safe but stifling environment in which the Lanes survive, but arguably cannot thrive long-term. And in line with Arcane’s tragic narrative, he gets ultimately punished for it: he’s forced to loose all that he holds dear (Silco, the kids and his peaceful little world) and to ultimately embody what he hates and fears most about himself (being a violent monster only capable of destruction).

During my first watch of S2 I couldn’t really figure out whether I liked or not the fact that Felicia’s death was the reason for Vander’s “betrayal” of Silco (it felt a bit contrived and love-triangle-y), but after giving it much thought I have decided that, in fact, I quite like it. It plays heavily into the theme of guilt being central to Vander’s character, and how this guilt really ends up snowballing into something completely unmanageable. Guilt about Felicia (and probably many others that died on that day) leads him to turn on Silco; and later, guilt about Silco ultimately makes him give up all violent means of revolution because he’s too afraid to harm the people he loves. Guilt also becomes a motivating factor for his adoption of Vi and Powder, since we now know he’s not just selflessly picking up two strays, but acting on a promise done to a dear friend who’s just died because of him. The fact that the details of his “betrayal” of Silco are kept pretty much a secret also reeks of guilt and shame. There’s this layer of selfishness and cowardice to his actions that I find very refreshing for a character that’s introduced to us as the closest thing to a paragon of virtue in all of Arcane.

It’s deeply tragic how his inability to properly deal with his past impacts the rest of the narrative; perhaps, had he told Vi the real reason for his unwillingness to rise against Piltover, and not the wishy-washy “violence bad, be responsible” speech, she would have been less rash and black-and-white in her thinking.

I wish S2 spend more time on the two sisters reflecting on Vander and Silco’s relationship. While it’s natural for us to draw parallels between the dyads Vi-Jinx and Vander-Silco, in reality their situations are quite different. There was no ‘betrayal’ between Vi and Jinx, just two grief-stricken children unable to handle an immensely tragic situation; but, due to the ‘lessons’ imparted to them from their ‘parents’ (lessons which themselves were distorted due to their own inability to deal with their past), they are led to believe their situation is as hopelessly unsolvable as it was for Vander and Silco.

The letter

I still haven’t decided on whether the letter would have worked on Silco or not. I think timing plays a big factor. The Silco we meet in arc 1 of S1 probably wouldn’t have been swayed; he’s already too set in his “rebirth” mentality, and the new man he has become doesn’t care about Vander’s sentimental platitudes. A younger Silco, with less time to crystallize into his new identity… maybe. I think the Best Timeline of S2ep7 (yes, that’s what I’m calling it) sort of implies that Silco got the letter almost immediately, given the state of his wound (and the absence of Shimmer).

I wonder if we are also meant to implicitly understand that his use of Shimmer in the Worst Timeline (a.k.a. Arcane, the Netflix show) had some kind of negative influence on his psyche. After all, Shimmer does seem to impact the emotions of its users; if it did influence Silco’s radicalization, it would make his story doubly tragic. I’ve always found his use of Shimmer an interesting tidbit in S1, and the fact that the show doesn’t explain it very much beyond using it to show the amount of trust between him and Jinx has always been very intriguing to me.

Anyway. I think that, in any case, the letter would have been only the first step in Silco and Vander’s trajectory towards reconciliation. They both have a lot of issues to unpack; I love the headcanon going around that one of Silco’s prerequisites to their “peace treaty” is for Vander to rejoin the political fight for Zaun. It sounds just so… in character for Silco to demand something like that; it acts as both a justification and a shield, preventing him to expose himself too much at the beginning, while ensuring that he and Vander remain close.

I think it was already clear in S1 that they both secretly craved to be close again, especially Silco, given how hard he still tried to convince Vander to work with him in S1ep3. (Which is kind of insane of him, if you think about it, but I guess working closely with the man who tried to murder you — and almost succeeded — kinda fits into his whole “almost dying turned me into an Übermensch” philosophy?) Now, with Vander’s letter in S2, we know for a fact the feeling was mutual. Which is, again, horribly tragic for them both, because they’re both so set in their respective ways that actual reconciliation is made impossible.

And they were miners (oh my God they were miners)

Since we’re already kind of on the topic of whether or not Zaundads is real (or just the fruit of our collective hallucination), let’s give to Caesar wha belongs to Caesar: I don’t think the writers meant for them to turn out that way. Their dialogue doesn’t particularly strike me as hinting to anything beyond a very close friendship.

… The animators, however? Those French fucks (affectionate) knew what they were doing. The imagery of the jackets stored one inside the other cannot be a coincidence. There’s really no other cinematic parallel I can think of that doesn’t ultimately lead back to Brokeback Mountain. They were insane for that, and I’m deeply thankful to their perverted French minds (extremely affectionate) that they had the balls to just… put it there. No further comment. Just a glaring nod to the gayest movie ever.

(Also, Brokeback Mountain’s most iconic quote — “I wish I knew how to quit you” — perfectly applies to Vander and Silco. They just can’t seem to let each other go. Silco is still harping on about Vander years after he died. Vander can’t even bear to mention Silco in S1, and the moment they meet again the first thing he blurts out is “I’m sorry”, right after Silco murdered his friend — RIP king Benzo, you didn’t deserve it — in front of him. They match each other’s freak so well, I tell you.)

And then Silco’s scene in the Best Timeline. Just… the touching. The tenderness. The affection. Benzo going “ack!” at them while they gaze lovingly into each other’s eyes. It’s just… chef’s kiss. No further comment. Is it, perhaps, self indulgent? Yes. Is Silco’s line about forgiveness cheesy and a bit out of left field? Yes. Do I wish Ekko had more time to ask him what he meant by that, and get in on their backstory (since it would have been deeply meaningful for him too, given how much he idolizes Vander)? Yes.

(Someone please write me fanfiction of this scene. I beg you. I would do it myself but I lack the talent.)

Would I also watch 10 seasons of them being gay married and doing the most irrelevant domestic nonsense? Shamelessly. My poor blorbos deserve it.

[slutforstabbings]

Plans for this blog for 2025

If you saw my last couple posts, you know I've been struggling with direction as an artist and an author but I've started the process of turning some of my WIPs into originals and I'm stoked about the progress I've been making. So here's my plan for the new year:

I'm going to be changing this url to @/blakebloodbath sometime in the next few weeks. I'm gonna start sharing the new art and writing I've been working on, making dedicated tags for my OCs and posting more frequent actually bloggy type updates. I've been watching so many movies lately and thinking a lot of thoughts about them, and I want to start sharing reviews and analysis of more of the things I watch. Likewise, there's a lot of books I want to read and re-read, and I've even bought cheap used copies of some of the books I want to learn from so I can annotate them without feeling bad lol, and I want to post about that too.

But as far as general fandom posting goes, I'm going to be moving that to a new blog that already exists, @gravey4rdsmashh. In the past I've tried to maintain up to like 12 separate, tightly curated blogs, and been kinda wishy-washy about sharing them with you all, but that's so much work lol. I want to be able to focus my efforts on my art and writing and learning from other people's art and writing. So this is gonna be my all purpose other blog for aesthetic posts and music and fandom and politics and whatever else. If any of the movies I've been watching give me brain rot, this is where I'll hide the evidence haha.

I'm also working on making all of the writing I previously privated, public again over on @slutforstabbings-archive and on AO3, so if you missed my fan fic, it will be returned to you soon.

thanks again for following me and caring about my writing <3 means the absolute world to me, especially those of you who've been excited about my work for TWO YEARS now. i love you i love you i love you.

tagging my usual reader list and all my moots below the cut:

@hersweetrevenge @toxicanonymity @ghostwriterforghosts @deanmonlover @ethanhoewke @heartrot666 @jo-harrington @somnambulic-thing @clemkruckinnie @hall0ween-twn @loureedpiss @sevvventhson @barbie-cock @pondslime @futurewife @bbwithaknife @supernova-girrl @grandmawitch @weimarblues @aurelieclaire @pandorabox-rags

[bookofbonnie]

siren - ellie williams.

Pairing: College!AU Ellie Williams x Cheerleader!Reader.

Warnings: Very light smut. Cheating. Swearing. Arguing. Reader is still in the closet and it’s hurting Ellie. Ellie’s mean (rightfully so).

Summary: Everything about your life is perfect. Perfect family. Perfect boyfriend. Perfect grades. Cheerleading Captain. Sorority President. You have it all and yet, it’s not enough because hidden within all those perfect layers is Ellie Williams. The one imperfection in your perfect life. You know you shouldn’t be sneaking around with her and yet you can’t help it. But, how long can the two of you carry on before it all comes to a head?

Word Count: 600+

A/N: This is an edited and repost of an old story originally posted on my other writing blog well over a year ago. I think I’ll finally write the second part.

Your breath, like your hands, shakes; the rest of your body wired with tension.

You grip the sink to stop it, skin tight across your knuckles from doing so as you continue to take deep breaths. You count three seconds in, three seconds out. Trying to focus on anything that would take your mind off of the guilt threatening to consume you.

But, you don't have to try too hard because Ellie’s everywhere, all over you, all at once, leaving you little to no room to think about anything else except, her, her, her.

Her and her calloused hands that were sliding over your exposed torso as she presses feather light kisses along the soft skin of your neck, holding your body against hers.

The guilt begins to subside with the distraction she provides... but not completely. It never does.

“I-I have to go,” you tell Ellie, eyes closing and body melting into hers. "I have to go before the siren sounds."

“So, go. No one's stopping you,” Ellie mumbles into your neck before taking the skin between her lips and sucking.

You should tell her to stop, you know you should. You had to go out soon and you couldn’t have a fresh hickey on your neck, the rest of the squad would notice and your coach would rip you a new one if she saw it.

"No marks," you tell her breathlessly. "Coach will notice."

Yet you tilt your head, giving her unrestricted access to the curve of your neck and when her other hand slips beneath your top, lithe fingers grazing your hardened nipple, you let out the softest of moans without realising.

Ellie snickers, “that's what you're worried about, your coach?”

“Yes, I already told you, people will ask questions, you can’t keep leaving mark on me… can’t keep doing this,” you swallow thickly, releasing your hold on the sink and pushing the arm she had holding you in place, further down your body – down toward where you needed her the most.

You feel her smirk into your neck.

“Didn’t you tell me that the last time we did this?” her fingers dancing teasingly along the top of your skirt, “and the time before that? And the time before that?”

Her words wash over you like a bucket of ice-cold water, body going rigid and eyes flying open as guilt & nausea overwhelm you as she reminds you of your constant infidelity and you rip yourself from her arms.

“I meant it,” you hastily adjust your top and skirt back into place, eyes welling with the familiar sting of guilt-ridden tears. “I have a boyfriend.”

“And I have fake pot plants,” Ellie rolls her eyes.

“Excuse me?”

“Same thing. Useless things we both keep around for decoration,” Ellie mocks.

“You’re insufferable,” you regard her bitterly.

“And you’re a liar," she bites back, mood soured and your face crumples. “You lie about who you are, who you truly are, all the time. To me. To your boyfriend. To your family. To yourself.”

Her words are a slap to the face, unshed tears blurring your vision. She always knew where to hit you where it hurt. But, there it was, that voice in the back of your head that reminded you that none of this would hurt if you hadn’t let her in. Hadn’t kept her around. Hadn’t let yourself develop feelings for her. Hadn’t crawled back to her more times than you could count on your hands and knees and, all for what? A few fleeting moments of happiness? Happiness that was always stained around the edges because you couldn’t have her. Couldn’t have Ellie the way you truly wanted because she didn’t fit into your perfect life. Your carefully constructed life that was slowly coming apart at the seams.

“Stop it, Ellie,” you plead quietly.

"Why? So you can feel good about yourself when you crawl back into bed with your boyfriend tonight? We both know you’re only with him to keep up your perfect little image.”

Ellie turns her nose up at you, sneering.

“But, you don’t love him. Hell, I don’t even think you like him.”

“That’s not true,” you protest weakly, arms wrapping around yourself. “I love him.”

But maybe you deserved her hurt. Afterall, you were hurting her just as much.

“Oh yeah?” Ellie smirks, green eyes piercing into your own as she crowds you against the wall, her arms caging you, head tilting mockingly, and lips curling cruelly at the corners, taunting, “then what the fuck are you doing in here with me, when you’re supposed to be out there for him?”

Your throat feels like it’s closing in on itself as the inevitable siren sounds in the distance.

The game had already started.

-

All fics are my own work - I have not posted my work anywhere else.

Disclaimer: I do not own any characters/places mentioned above.

Do not copy. Do not translate. Do not repost.

© bookofbonnie 2024. All rights reserved.

[muninnhuginn]

Mun!!! :0 I wanted to ask if you watched the new Link Click op and if so, what are your thoughts on it? And also for season 3 in general if you have any expectations for it

Hi! I've seen it, yes. Managed to watch before work, but not had the chance to properly sit down and digest it all before now. Going to put my thoughts on it all below.

Some things to keep in mind: I've watched the opening and I've skimmed the Tumblr tag a few times since then, but I've not gone deep dive or anything. So if I say something that's been said loads already that's probably because I've not seen everyone else saying it yet. The other thing is that I may comment on the lyrics of the song, but not in relation to potential foreshadowing, given bai sha jaws have been pretty clear they're not really privy to any more info than we are as the audience.

With that out of the way, let's go.

We start with the focus on the camera, which transitions to the basketball court. The use of the feather to carry the transition is one of those "which could mean nothing" details, because the use of feathers is pretty prominent in some of the official art pieces.

Next, Cheng Xiaoshi takes Lu Guang's hand and pulls his past self onto the court. The implications of this are pretty obvious (the 'current' Lu Guang is left unsaturated as his past and Cheng Xiaoshi are held in soft light; Lu Guang doesn't feel like he belongs in this treasured past), but I like the extra little aspect of the basketball pitch being the setting because it means the fencing acts as prison framing. And the prison framing is perfect for the line "trapped in a rewind".

Lonely road, long shadow, it's the heat of the summer and he's small against the backdrop of the street. Stick a pin in this one because we'll return to it later.

And over to fake London and its red doubledeckers. Xia Fei looking out when something (someone?) catches his attention. We're then shown Lu Guang in front of one of Xia Fei's posters, but my instinct is that what Xia Fei is looking at/for is unrelated. Anyway, Lu Guang still desaturated, still not fitting in.

Heh. No comment. (Although, tangent time! I've not been able to pause fast enough to catch the 'afternoon tea' sign but I feel the need to point out something after skimming past some posts that have mentioned it. 'Afternoon tea' isn't a drink. It's more a meal? An event? Say, sometime between lunchtime and dinnertime (I won't confuse things further by referring to the latter as teatime here) it'd be a get together where people would have scones and hot drinks and cake, etc. It's honestly low-key posh so it's far from a daily thing for most people, but it's the sort of thing you'd do for an extended family get together.)

Onto Liu Xiao reading some more Shakespeare. My Shakespeare knowledge is limited to Othello and Romeo and Juliet so... I'll leave this one to other people.

More Lu Guang being out of place.

Someone having tea (the drink) followed by a cipher I'm pretty sure people have already cracked:

Then onto this character:

Not gonna speculate too heavily at this point, but I know people are guessing she's either related to Xia Fei or *is* Xia Fei, given the shared eye and hair colour. I lean towards the former being more likely given the whole thing on the bus where Xia Fei's attention was seemingly caught by something/someone outside. Also, flower in the forefront, not 100% sure here but looks a bit like a yellow daffodil. Possibly a bit out of season for them if this is summer, but we don't care about that. We care about the meaning of a daffodil which is rebirth/new beginnings/all that jazz.

And back again to Lu Guang, who immediately reminds me of something I thought was cool earlier but forgot to mention. Lu Guang is entirely desaturated in this opening, yes, aside from the use of red. Is it original? No. Is it effective? Yes.

Puddle of blood and we meet again, dear white feather:

(The puddle of blood is actually completely still until the feather hits it, at which point *everything* in the scene lifts up).

And we're into full colour (light pouring in from the window) as we see photos (memories) fly around:

And these scenes focus on both Qiao Ling and Cheng Xiaoshi. First, them interacting with each other, then with the unseen narrator (presumably Lu Guang). They both brighten his world.

Lyrics of "there will be a fire when it all unfolds". Liking the 'unfolds' maybe callback there to op 1 Vortex and also the snow/ash/fire thing reminds me... so, like I said, not gonna use the lyrics themselves as foreshadowing, but the backdrop in the next section is fair game and there's a pretty clear fire there. I know it doesn't *have* to be a literal fire, but it was pretty striking so I think it's more likely than not there'll be some fire in Yingdu itself?

Flash through Lu Guang against different backgrounds. Won't spam them all, but we start with the photo studio transition through various Yingdu related backdrops then the clock backdrop (which ofc takes my mind straight back to Madoka) and back to the studio (this time ft. gun in gloved hand (possibly same gloved hand as the teacup earlier - possibly possibly vein, idc to speculate too hard on that point) and finally! We're back to the start of the opening and the basketball court. The whole scene is now washed out and Lu Guang matches it as he wipes his tears, before Cheng Xiaoshi grabs his arm and the colour floods back in.

(Also tangent again but "we fought the tides" as another lyrical callback to the season two ending, nice nice)

And speaking of returning to earlier in the opening, here's the road again:

All three of them running forwards as we pan up to the light in the sky.

And those are my thoughts. There's a lot I skimmed over either because it doesn't much interest me or because I'm pretty sure others'll have written essays already but yeah. Solid opening. Time to jettison my hopes before they get too high.

In terms of the second question, I've not been counting Yingdu as season three in my head, but I'm still genuinely unsure whether it "officially" counts or not. That said, my thoughts on a season three after Yingdu are so murky that I'm going to treat your question as though Yingdu is season three because then I can actually provide some kind of answer.

Basically, I've been thinking of Yingdu as something adjacent to Madoka episode eight - there to provide extra context but technically extraneous to the overall series. This is partly because of the different production layout behind the scenes, with a different studio and directing setup than the 'main' series. I'm basically expecting this arc to help raise the emotional stakes on Lu Guang's side of the situation without actually providing a resolution to the overarching plot.

[my-fishstickers]

My final update to this post!

The ??? Text following Nurse Parallel's song release:

Which links to a page of chat logs between Xiomara and Nora:

I didn't mention last time, but Nurse Parallel's original blog page was already up prior to her song's premier on Youtube. All of the blogs have updated, so here are the original posts:

**Some of these pages have changed slightly over the course of the project's development. For example, Jordyn's "last seen listening to" was previously エンコー少女 by Nashimoto Ui before it was changed to Creep by Radiohead, and Freyja's was originally HERTZ by Black Dresses, before it was changed to Duhhhhhhhhhhhhhhhhh by underscores. Those are the only changes I am aware of, but there might have been others.** I won't be posting any of the most recent updates here since, as long as the site is still up, they shouldn't be changing any longer. This project means so much to me and I'm glad I'm able to help compile it's history like this for people to see, even if it's a relatively small contribution. Love you guys!

??? Archiving

Hi friends I did some digging through the wayback machine today and I thought I'd share what I've put together on here for the rest of the community.

I was able to find the older ??? pages (.carrd.co/#unknown), which first showed up with the release of Fainéant Girl and has updated with each new girl ever since. At the time of the first two updates, it consisted of one page with hyperlinked text that took you back to the main carrd. First is the Fainéant Girl update, second is Caliber Girl.

Chocolate-Box Girl's update was the first to take us "somewhere new". Which at the time was Jordyn's super secret page. Unlike the /#unknown and /#unknown2 pages, which update with each release, the original Jordyn page is still available.

After Taxidermy Girl's release, the page took us to the Ehawee Hospital brochure. Chemical Girl's release came with updated text, but still takes us to the brochure. Taxidermy Girl

Chemical Girl

We will most likely get one or two more updates in December to close out the album and the project, probably including another new site. I'm very excited!

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4.5: Morning Period.

(Part 1, Part 2, Part 3, Part 4, Part 5)

[laughing-gods-corpse]

stargazer

a stargazer is a catchall for those who (nomadically/frequently) travel in a non-normative sense, such as reality shifters, time travelers, astral projectors, system travelers, etc., especially those who pursue multiple/many/all

trans-stargazer

the above is a flag for those who consider themselves trans-stargazers (consider their stargazer identity "trans" in any way) and wish to take particular pride in or simply specify their trans identity with a flag. the original stargazer flag is inclusive to trans-stargazers

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[buumbaby]

YOU DID NOT SAY, "BLACK TIE" YOU SAID, "FORMAL"!