#I mean I know how it ends

[silentsockfeet]

the fact that the vi vs jinx fight was foretold from the beginning. the fact that the opening credits ends with their fight immortalized in stone, so that every episode you watch is a reminder of the immutable truth of it. the fact that every moment is building to this, that the show will culminate in this. this was always going to happen, they told us this from the beginning, and nothing anyone could do will ever change that.

[ruporas]

need to exist in your warmth (id in alt)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[helloilikepurple]

DC X DP - Mirrors

Did Danny want to live in Gotham? No, of course not. Did he have a choice? Nope. When does he ever?

Now, he may be technically homeless, but he's also technically dead, so human laws technically don't apply to him. So, naturally, he pics out an empty mansion so big even if the owners were to come home, the chances they'd run into each other would be really low, and settles in.

This 'mansion' happens to be Drake Manor. Look, Danny lived in nowhere Illinois and kinda had his hands full dealing with ghosts, a double life, bullies, and being actively hunted. He doesn’t know much about celebrities. If you tell him the name of someone super famous, it might sound vaguely familiar, but that's about it. What he knew was superheroes and vigilantes (some of them, okay, give him a break). That's about it.

So the name Drake in connection with Gotham didn't ring any alarm bells. He did some surface level research: the Drakes are dead, survived by their only child, Timothy Drake-Wayne, who now owns their house but was adopted by some other super rich guy called Bruce Wayne and doesn't live in it, leaving it empty for the foreseeable future.

It was the perfect place!

Danny didn't explore much, partly because he didn't care to and partly because he was too tired to from healing. He cleaned up after himself, used only his bedroom (chosen for being tucked way back and out of the way), the attached bathroom, and the theatre occasionally as a treat. He lived off of the provisions packed for him, ectoplasm and water from the sink.

Cut to, few weeks in.

Danny's got a new routine, he's taken his stitches out, and is still super fucked up, but a lot better than when he arrived. He hasn't been outside since he arrived, but ghosts don't need Vitamin D anyway. Is he slightly depressed? Maybe. But he's also dead, so, bigger priorities.

Tim is looking through his stuff for something or other, and it occurs to him he probably left it next door. He hasn't been to Drake Manor in months, but he sort of really needs this thing, so he sucks it up and borrows a car because like hell is he walking the several miles from this front door to that one.

He goes to his old bedroom, opens the door, and comes face-to-face with himself.

And Danny doesn't know what he's supposed to do in this situation.

Listen, Danny doesn't always make the best decision in the moment. It's a very normal flaw to have! So he tells who can only be Timothy Drake-Wayne himself when asked, that his name is Timothy Drake, and this is his house, and, actually, who are you and how did you get in?

This causes Tim to assume Danny is himself from another dimension who he accidentally dragged to his dimension by messing with the Time Stream to get Bruce back. Danny continues to accidently fuel this misunderstanding without meaning to.

(This is not helped by the fact that a DNA test doesn't disprove this. Danny's DNA is corrupted, but what Tim does get is identical to himself. This is how Danny finds out he was adopted, and how Tim, much later when misunderstandings are cleared, meets the identical twin brother he never knew he had.)

[egophiliac]

just thinking about hair and faces

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[seance]

PICTURES TAKEN THREE HOURS BEFORE DISASTER.

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[blu-ish]

Thinking about these two hours 🥺

[doydoune]

Hazakura Temple, February

[syn0vial]

my gun-loving, car guy, "i'm the straightest man i know" brother who just finished baldur's gate 3 talking about astarion: