#I love you pochita

[problematicpastel]

[lowpawly]

I love this panel of makima though she's so cute. and has mental issues

[skiplo-wave]

Oohhh

[diathadevil]

Some IRL doodling from today! I went to a local anime cafe with @turadulip and we ended up making fan art for their wall art board.

Drew Tutu cheering up the precious birb. 🐤🧡💛

[meownotgood]

GRAAAAAAAH OUTING MYSELF AS THE AKI COSPLAYER ANON BECAUSE I FUCKIN FINISHED GETTING THE AKI PHOTOS WOOOO !!!

AAAAAFHFHFHDHH BITING MY FIST AND SWOONING YOU LOOK SOOOOO GOOD I LOVE IT!!!!!!!!!!!!! THANK YOU SO MUCH FOR SHARING WITH ME I AM TRULY BLESSED

I'm blushing you are so pretty as aki..... the black nails too... 💓 AND THE HAIR DOWN PICS?! 💓💓💓💓 PLSSSS SO GOOD I LOOOVEEEEEEEEE GAAHHHHH

[undeadkyart]

pov the anime about the teenager who is made of chainsaws and literally would kill to touch some boobs is actually very well written and animated and has a compelling plot and characters

[chromafeyart]

meet pochipig! The first part of the Chainsaw Mon series <3 chikorita almost won out, but tepig was the popular vote when I polled a couple discords i'm in, so tepig it is!

[writingandsufferingblog]

I caught up on chainsaw man last night and GOD I need to read something lighthearted soon

[transparentstrawberrysoul]

My babies...

Pochita is such a good boy

[lowpawly]

to the gay 11 year old who i talked to about sonic and chainsaw man with today at five below: you were so awesome

[stackslip]

fujimoto is the absolute king of creating a world where mass death is a regular occurrence and yet every single time it feels singularly devastating. i've seen people say his work is nihilistic, that people die over nothing--i profoundly disagree! again and again, it is made clear that the deaths and horrors in chainsaw man aren't random acts of god, and that the people who die aren't random faces in a crowd but people who are willingly sacrificed in the name of social cohesion and the comfort of a few. the people killed by the gun devil all had names, lives, ages that were inescapable and their deaths are just as bad of a tragedy's as aki's. asa's mom's death might have been forgotten by all, and yet it has a profound impact on asa's own life and outlook. the people convinced to commit suicide by falling had long discussions about their everyday life before they fell off their balcony. it is power and nayuta's deaths--people who mattered little to makima and to barem, who were simply seen as tools for an end--that utterly crush denji and awaken pochita. himeno lost her partners, one by one, and every time she got more and more depressed. these are real people, all of them! their lives mattered! death is a normal occurence in chainsaw man, but the loss of a life is a tragedy every time

most importantly; most of these mass death events, as normalized as they are, are not random or natural. they're the result of devils being used as tools, of the powerful using those that they consider belong to them as payment for their comfort or to further their goals. in chapter one, denji got murdered after a lifetime of abuse as payment for his abuser's eagerness for power. the president of the united states pays for the gun devil to fight makima with one year from each american's life. the japanese government pays for makima's every death with the death of a citizen. public safety regularly sends its employees to cut their throats for a devil to wipe out a building. the german government contracted santa claus and gave her children in return. the chainsaw man cult used its desperate, scared child members to gain an army.

and now, foreign children are given citizenship simply so they can be gunned down coldly and used as blood and payment to use chainsaw man and make scared, rich old men live longer. idk how much more explicit you can be here. look at these kids! do their lives mean nothing? they're drawn in loving detail. they're real people being sent to be butchered!

death in chainsaw man isn't meaningless. far from it! this isn't saying "this world is absurd and has no meaning". this is about exploitation. chainsaw man has always been about exploitation and abuse, at its very core. these people mean something. these are real human beings, being fed to the grinder, again and again. they're being fed to it BY the rich and powerful, by their governments, by their employers, by their abusers. hell, yoru has fed her own children to this grinder, just to get a little more. ownership and greed, this is the core of what's happening. this is murder, not random acts of violence!

[acerola-tree]

i am drunk and yelling about hayakawa family to my sister while cuddling my pochita plushie i am cringe i am free

[my-fancy-hat]

talking about yoru i want to end my commentary about this chapter about the eventual resolution of this fight, a personal concern: i don't want the sexual abuser to win. i'm not speaking from a moral ground, perversity reflects in fiction as exercise of analysis and hype without judgments, but what i mean is what exactly is the story trying to tell if she kills pochita>denji? what's the final message of it? yet when denji is a abuse survivor, getting killed by one of his sexual assaulters. maybe we still don't have the big picture yet

I said asa needed a mother rather than a bf to supply her emotional needs. Well... she always had a mother figure since the start

Arms extended, letting her child go and live/calling for their children to come and die

[laugtherhyena]

Yes yes, will Pochita eat the old age devil or not, that question is also driving me insane, but what stood out to me the most in this chapter was Asa's wake up call in regards to Yoru because it highlights how much i love the way devils are characterized in chainsaw man.

It's not anywhere near as simple as "Some devils are evil, but some can be nice." But is instead "Some devils are evil, some can be nice, but even then they're still inherently sadistic and amoral."

Because they're not human.

Even if a devil has been nice and treated you well, they're still, in fact, a devil. And that's not something you should ever forget.

[sugar-grigri]

Pochita, if you can read, why don't you speak ?

Wouldn't it be humane to protect humanity and demonic to protect the underworld? And what if... it was actually the other way around.

The interweaving of questions and answers is exactly what this chapter does.

While Yoru sordidly states that children are nothing more than the property of their parents, the one who can't speak, instead of devouring a human as he did with all those demons, decides to go to the blood drive.

Pochita understood what the sign meant. He knows how to talk. But he'd rather hold up that sign and roar than make any demands.

Worse still, he does not decide to give any orders.

It's not words that symbolise order, it's that raised index finger that already in Roman times expressed command.

In the United States, arms are a constitutional right (as recently reiterated by the Supreme Court, which does not admit of any restrictions), a fundamental freedom but also a means of preserving one's freedom, allowing organised militias to fight and protect the State.

You can see how it's all a construction, the weapons are a technological creation, the State is an administrative and political creation.

And that's where things get interesting. First of all, this chapter is highly symbolic and has a very strong political message (oh my god, political interpretation in a manga, impossible..........)

Yoru has sliced off the index fingers of those who support the right to bear arms in the United States. Or campaign for that freedom. But what Yoru is doing. In fact, it's taking it away from them. How can I shoot without this index finger? You can't do it.

It's by taking weapons away from men that they actually regain their freedom.

But it goes even further than that. Why does Yoru sacrifice these fingers? Because it reinforces the fear of weapons. Let's say I point a gun at you (sorry). You'd be less scared if you were as armed as I am. Especially when you're trained, know how to defend yourself and aren't afraid to shoot.

Yoru makes those who thought they were invincible with weapons vulnerable. She strengthens the Gun Devil's power. She contracts with them through her sacrificed child.

Weapons,

freedom,

deprivation of childhood,

of loved ones,

obsession with a mentor,

To think that a god created them.

Remind you of anyone?

Infanticide is what makes you immortal.

The sacrificed demons become weapons, lost between humanity and the demons. Not being human, nor demon, because they have no parents. Even artificial weapons like Reze and Katana display these characteristics. Isn't loneliness one of the ingredients?

Humanity sacrifices its children. As Fujimoto confirmed, they were prepared to do it for eternal youth.

And now you're going to say to me. NOOOO! Yoru too! Just as Makima wouldn't hesitate to do. The demons are also ready to do it.

Yes, because they are influenced by men.

Yoru speaks, uniting with humanity to say horrible things. Whereas Pochita doesn't speak. Worse still, he has chosen not to speak. Worst of the worst, even worse. He'd rather be a dog than a human. That's his choice.

Pochita fights for those he loves, he doesn't sacrifice them.

The demon of birth, it swallows but can spit out. Suspending existence, giving it new life, denying none of it.

Wasn't Makima devoured by Denji proof of this?

Nayuta is the symbol of this rebirth. A perpetual love that surpasses hate.

Pochita loves demons. He also loves those who mean something to him, like Denji. But he also knows that when we become too human, we can end up sacrificing ourselves out of vanity rather than love.

Pochita has sacrificed himself for love, without expecting anything in return as he waits permanently for Denji's dreams.

He is also Denji's lock, preventing him from fully adapting to men.

That's why killing Black CSM was Denji's wish come true. Because Pochita is preventing Denji from becoming normal.

Because he wants to protect him from humanity. Pochita has never been for humanity.

He is simply the guardian of the underworld, all those demons whose existence he guards, a supreme mother. Humanity must endure in order to continue to be afraid. But if humanity is prepared to overcome the ultimate fear of losing its child, then fear is scorned.

So Pochita tried to wipe out the weapons' existence, to devour them. But they still existed. Why? Because they are already the result of infanticide.

being devoured by the demon of birth, mother of the underworld, actually reinforces their existence.

Being devoured by their mother is the reason for their nature.

Whereas weapons are beings born because their mother has killed them.

Denji is the result of the death of the Supreme Mother.

It's not a weapon.

He's a wall.

Hero of the underworld.

A hero of the underworld who has been fighting from the start for the victory of love, sacrificing himself for those he loves and not sacrificing them. So he asks for blood.

And I'm sorry. If weapons really are born like that, they have to look human, and I think this is the last possessed human.

Someone's been ringing the doorbell.....for 100 chapters… it's time to answer it, isn't it?

[iridescentscarecrow]

rambling post but wow. really fun dynamic to the yoru-asa switch this time. yoru blushing, typecast as a girl in love. "you're cute when you cry" completely at odds with denji's strangled grief.

yoru's attempted commiseration with denji's frustration: "i felt hopeless too. lost people who were like family to me." the family she's lost that we're privy to from previous chapters, the gun & the tank, her children whom she propertises & claims the life of. the claiming statement being one that asa reacts to with horror. it's so interesting how she mourns her family, almost horrifically laughable how she turns to denji & tells him about how he'll get over it. just like she did!

asa using the same trick she did in 167 at this point, harming her own body to force yoru out. the commiseration differs so startlingly here. denji's initial statement was: "i'm hopeless" — attaching his frustration with himself to the statement, faulting himself for what happened. yoru's "i felt hopeless" cuts away yoru's own self so neatly. fairly certain these are her children she's referring to — since the sisters are the horsemen, & even if she doesn't particularly mean gun & tank, these are the same children whose lives she thinks she owns. there's a charming earnestness to yoru here.

asa, meanwhile, tells denji about how she blames herself for the death of her family. her mother.

there's no way she can get over that.

grief & past traumas lingering in your tastebuds (see: the falling devil), eased by the crapburger that the chainsaw man describes to asa & that asa describes back to denji in turn... eating, tied to this. both living on & feeling, the toast with too much jam denji tells pochita about, miri's steak, the crapburgers, the fish. eating, too, a manner of digesting grief. denji fills up his stomach with his traumas, the dishes that falling prepares (the shadow of aki & power denji briefly remembers in those chapters hinting at <this>), makima in the apartment kitchen, nayuta on the conveyor belt. pochita unhinges his jaw & swallows up this past, the snow devil, makima's mouth, and all that bitterness for denji. and the boy's stomach can't keep it all in, barem stuffed denji up in the restaurant. it comes out as vomit.