#I love the way you write this man

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[hhhhunty]

How funny that she never considered that.

[druid-for-hire]

hawkeye and trapper get fake septums

(id under the cut)

[image id: a three-page digital comic about characters from the TV show MASH, illustrated by "druid-for-hire." On page 1, frank burns squints at Hawkeye from a short distance, who is next to Trapper, who is reading a newspaper that obscures his face. "Pierce," Burns asks, "what's on your face?" Hawkeye turns to face him, revealing a septum piercing. "what's what, Frank?" he asks. Shocked and affronted by this breach in army regulations, he shouts, "I can't!! Believe you!! It's not enough for you to disagrace the army uniform by being out of it all the time? You have to go and--and do that! You look like a punk! Or a cow!"

On page 2, Hawkeye, unbothered, replies "Y'know, Frank, I'm finally living up to the Pierce name. I was thinking about going for some ear tag earrings. Maybe I can get a nurse to pull my udders." Frank howls, "That's disgusting!" Turning to Trapper he shouts, "Did you have anything to do with this, McIntyre?" Trapper pulls down the newspaper to reveal that he's wearing three septum rings and says, "I sure did! He stole my look!"

On page 3, Frank says "You're both terrible. Both of your butts are going on report!" while Hawkeye takes out his apparently fake septum ring behind his back. "Report for what, Frank?" he asks; Frank turns to see that the piercing is now missing. "Yeah, what's the matter, Frank?" Trapper says, whose piercing is suddenly missing as well. Frank storms off, yelling "Neither of you can pull the wool over my eyes!! Just wait until General Barker hears about this!" Some time later, Frank is standing next to General Barker, pointing at Hawk. "General, I'm telling you, the hole is THERE!" he shouts. "Go and take a look in those nostrils for yourself!" There is a long and awkward pause. The General did not like that. Hawkeye remarks, "Gee Frank, take a girl to dinner first." end id]

[hailsatanacab]

Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[stump-not-found]

The kids talk shipping with their sci-fi uncle, Ford meets up with some old friends, and Stan discovers the effects of leaving something untreated.

Overall, Stanley just really, truly, does not like any of this.

[bakedbeanchan]

AU where Zuko doesn't practice helmet safety

[zillychu]

Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.

Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.

Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.

Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.

Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?

The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.

The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.

But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?

[crabsnpersimmons]

thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:

long-story short, Sun doesn’t believe he has emotions since he is a robot 😔

of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)

but there is a part of him that wonders if he is missing something—he just doesn’t understand what that is

Note: i should also mention, his voice is almost completely monotone. the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoes—fairly even in tone, somewhat soft

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[beetlethebug]

consider,,,a lucanis who is in love with emmrich, a spite who is in love with rook, a rook in love with emmrich, and emmrich who is in love with all three but wants lucanis, spite, and rook to get together because he feels he is not the type of man any of them deserve...

bonus points for spite being the one to realize just what sort of love quadrilateral is going on and is the one to get them all together.

[queenie-ofthe-void]

A Very Hopper Holidays

Hopper POV || wc: 3.7k || tags: smoking, recreational drugs, grouchy old men dealing with their feelings, smart-ass Eddie Munson, meet-cute Steddie, Steve and Max siblings, El thinks Steve is cute (so does Eddie), emotionally available Wayne Munson gives the best advice, holiday fluff, found family

This is a companion piece to my fic The Babysitter Chronicles, but can be read separately!

Brief background: Wayne patched Steve up after his fight with Billy in s2

Hopper’s freezing his goddamn balls off out here, waiting on the front stoop in the dark, banging his fist on the door. There’s no answer, but the lights are all on and it’s dinnertime on Christmas Eve. So someone’s fucking home, and the sooner they answer the sooner he can leave.

“Dammit, Wayne. Open the door so I can give you a damn present, or next time I pick up your nephew maybe I throw him in jail for the night instead of bringing him home.”

Sure enough, the door flies open, but it’s not Wayne on the other side. The kid’s standing there, layered in enough flannel shirts and sweatpants to dress all of El’s shithead friends with some left over. Hopper watches as he drags the sleeve of an oversized black flannel across his red and dripping nose, shifting uncomfortably and eyes darting side to side.

“Munson,” Hopper crosses his arms, “where the hell’s your uncle?”

Even bundled up like a little kid, he still tries to make himself bigger, taller, meaner, like he always does when Hopper picks him up. “Not here.” The tone is flat, devoid of Munson’s usual snark as a particularly intense gust of wind slams the screen door open against the side of the trailer.

“It’s Christmas eve, what do you mean he’s not here?”

“He’s working.”

Hopper scoffs. “You’re telling me your uncle works Christmas eve?”

Munson scoffs back at him, a dramatic mockery of Hopper’s own tone. “We’re Jewish, asshole.”

Well, shit.

He doesn’t have time for the kid’s hardass act. All he wanted to do was drop off a simple thank you and also merry christmas but now probably happy hanukkah gift and be on his way to his own family. He can only hope El spares him a bit of holiday mercy for making her wait. 

“Kid, can I just come in?” He takes another step up, only for Munson to block his path.

His eyes grate across Hopper’s jacket, noting the star on the chest. “No cops in the trailer.” 

A low grumble forces its way up Hopper’s throat which breaks into a frustrated groan when another gust of wind scrapes the exposed skin on his cheeks. He stamps his feet on the stairs hoping it’ll keep the blood flow going to his toes as they start to tingle. Munson’s wrapped his hands up inside the sleeves of what’s most likely one of Wayne’s old jackets.

“Look,” Eddie starts, sniffling another drip back inside his nose, “if you could just–”

But Hopper cuts him off with a deranged laugh, head thrown back in dismay at this entire situation. “No, you look here. You’re going to listen to exactly what I have to say.”

Eddie’s taken a step back, and yeah, Hopper supposes he’s never seen the Chief of Police actually freak out before. But it’s been a long day of wellness checks and stove fires, and Eddie’s the only thing standing between him and a night of kid’s Christmas movies and spiked eggnog.

So he pushes forward, spurred on by the kid’s once-in-a-lifetime stunned silence. “Now it’s clear that Wayne’s working nights, probably earning holiday hours to pay for the radiator which is pretty obviously busted, given the ten to twenty shirts you’re wearing. Meaning you’re alone, in a tin box with a tiny space heater that’s so old it’s a fire hazard shoved into the corner of your room.” The Chief walks up the stairs, standing on the step just before the door so he’s towering over Eddie, who shrinks in on himself just a bit. 

“Here’s what’s going to happen, Munson.” Hopper ticks off each gloved finger as his list of demands grows, Eddie’s growing wider in time. “You’re going to let me inside so I can piss and blow my nose, since I’ve been standing out here for too fucking long. You’re going to pack a bag, you’re going to call your uncle, and you’re going to tell him you’re staying with me for the night.”

Eddie stammers, mouth flapping around words he can’t find fast enough. It doesn’t matter, because Hopper’s on a roll now.

“Then,” he steamrolls Eddie again, pushing his way into the trailer, closing the door as Eddie stumbles backwards down onto the couch, “you’re going to eat my food, you’re going to watch our movies, you’re going to smile when we smile and laugh when we laugh because even if you’re Jewish you can still have a damn good fucking Christmas eve!”

He’s sick and tired of stupid teenage boys trying to be something they aren’t, like they’re manly or tough or strong for barely surviving on their own, practically raising themselves. And the best way Hopper can drill that into their thick skulls is to get them to shut the fuck up and feed them.

The silence lingers on the frost coating the inside of the windows and the crust of dried snot on Eddie’s sleeve. The kid’s avoiding eye contact, like Hopper will just leave if he’s ignored. But if Hopper can outlast guards in the POW camp, and a little girl who hates green beans, then he can sure as hell outlast Eddie goddamn Munson. So Hopper waits. And waits. 

It pays off, like he knew it would. The kid gets up, storms towards one end of the trailer. Hopper slowly follows down the narrow hallway and sees Eddie viciously shoving rumpled clothes into a backpack, mumbling about pigs and asshole cops. 

After all’s said and done, they’re pulling up to the cabin about twenty minutes later. The front door opens with a bang in greeting, causing Eddie to jump out of his skin. But when they step through the now open door into the warmth of the living room, there’s no one there to greet them.

Ah, so she’s a little upset.

El’s door is closed, like it’s not supposed to be. Light shines out from underneath, and he can hear soft voices inside. The whispers are abruptly hushed when he knocks on her door. “El, honey, I need you to open the door. Six inches, remember?” Hopper tries turning the handle but it doesn’t budge. Honestly he can’t help but wonder why he bothered to install a door with no lock when she’s got superpowers– that’s on him, he supposes. 

He turns around to find Munson standing awkwardly in the middle of the living room. “Take your jacket off, put your shit down, and stay a while, will ya?” Hopper laughs at Eddie’s incredulous expression, eyebrows scrunched together and lips pursed tight. 

“Ok,” Eddie drags the sound out in question as he sets his pack next to the couch, “who opened the fucking door?”

“Hey, language!" Hopper calls, Max’s voice echoing his own.

Eddie startles, head whipping between Hopper’s no-doubt exasperated expression and El’s still-closed bedroom door. He drags his hands down his face and sighs as her mimicry sends the girls into a fit of giggles. He hasn’t decided yet if Max is a good influence on El, even if Hopper knows it’s not himself she’s mocking.

He hears the creak of the bathroom door opening as Steve walks back into the living room. Hopper can’t help but turn to watch the show, the two boys coming face to face. 

Munson’s oversized black and red flannel covers the ripped sleeves of whatever tattered, black band t-shirt he’s wearing. Which would be on par with what he normally looks like, except it’s contrasted against bright blue, wool pajama pants with little white snowflakes on them. When Hopper first spotted them at the trailer, a teasing smirk on his face, Munson only rolled his eyes and argued they were the warmest clean pair he had.

Harrington, on the other hand, has lived his entire life in locker rooms and an empty house. Which means that he once again forgot to bring a shirt to change into after his shower. It's not normally a problem-- except when El catches him, a blush lighting up her face like a goddamn Christmas tree, accompanied by incessant giggles that make Hopper want to drown himself.

What is a problem is Munson’s shameless gawking, mouth wide enough to catch a whole swarm of flies. His blush puts El's to shame, red blotches burst across his neck like hives. Hopper can practically see the steam rolling out of the guy’s ears, hearts popping out of his eyes as he just stares and stares his fill, completely unaware that Hopper’s still standing less than five feet from him.

Thankfully, so far Steve is none the wiser. He’s got a cotton swab in his ear, head tipped down as he double-knots his Tigersharks swim team sweatpants. Hopper notices they hang baggy and loose around his hips. Another shitty reminder of how much weight the kid’s lost since getting kicked off the team because of his ‘incident’ with Hargrove. He wonders about the last time the kid ate a decent meal, and pushes down the rising anger at the most realistic answer, which is not recent enough for his liking. Hopper has the same gnawing concern when he looks back at Munson, dark circles under his eyes, skinny as a bean-pole. 

He’s got to stop taking in strays.

“Harrington, we’ve talked about this.” Hop tries to keep the frustration out of his voice, but if he has to watch El swoon over the kid’s wet hair and bare chest again he’s gonna blow a gasket. “Put a damn shirt on.”

“Oh, yeah sorry, Hop.” Which is the exact moment Steve decides to turn his head. They both catch Munson giving Steve a once over, who then chokes on his own spit when he notices Steve looking back at him. Hopper knows Harrington’s trying to turn over a new leaf, but he also knows the kind of people Richard and Helen Harrington are. So he’s a little surprised when, instead of having to stop a potential hate crime, he notices a similar blush bloom across Steve’s chest– or maybe it’s the heat from the shower. 

“What the fuck are you doing here?” Muson’s screech is so high it could set dogs howling. Steve flinches at the outburst, and Hopper hopes this little interaction doesn’t trigger another migraine for the kid. He was barely pushing through when Hop picked him up yesterday, but seems to be feeling better today.

“Munson, I need you to tone it down,” Hopper argues. It goes unnoticed.

Steve’s sputtering. He runs a nervous hand through his hair and of-fucking-course Munson gasps, swoons just like El. Harrington’s free hand fumbles for a shirt hem that isn’t there. He realizes he’s half naked and turns into a deer in headlights, hands frantically moving over his chest like he doesn’t know how to hide himself. Unfortunately the unintentional groping sends Munson into a coughing fit. 

“Me? What the hell are you doing here, Munson?”

Munson scoffs, crossing his arms as he backs himself into the wall behind him. “The high and mighty Chief of Police here basically kidnapped me. Forced me to pack a bag and tossed me into his truck.” Ah, there’s the Munson he expected. Except if it wasn’t for how many times Hopper’s hauled the kid in, he might not have noticed the nervous energy in Eddie’s twitchy fingers and shifty eyes. “He failed to mention–” he waves around at everything until Munson’s wild gesturing lands on a half-naked, sweats hung low, hair slicked back, barefoot Steve Harrington.

The squeal of El’s door opening behind him propels Hopper full-speed into the living room towards Steve’s duffle. He pulls out the first shirt he manages to find. It hits Steve in the face, and they both breathe a sigh of relief when he pulls it on.

“Aww,” El complains, before her eyes grow ten sizes too big when she catches Hopper glaring back at her. 

“Who the hell is this guy?” Max asks. She makes her way toward the kitchen, dragging El with her to help pull out dishes and cups. 

“Apparently another kidnapping victim.” Steve huffs, annoyed, before making his way over to the girls. “Munson, get over here and help me set the food out.”

Steve doesn’t even look up from where he’s pulling a large cast iron out of the oven, so he misses the absolutely priceless distress scrawled into Eddie’s bulging eyes and flapping hands. Looking back and forth between Harrington and Hopper, Eddie points to himself in confusion as if Steve hadn’t asked him by name. Hopper can only chuckle at the kid’s antics. He rolls his eyes and tilts his head toward the kitchen so Munson finally gets the jist, moving across the cabin in double-time. 

It’s a more intense Christmas dinner than Hopper was hoping for, but after introductions and a full stomach, everyone’s relaxed a bit. El and Max curl up on the couch next to him, snuggled under the same blanket surrounded by bowls of popcorn and half eaten bags of candy. The boys, finally over whatever awkward tension laced between them earlier, are sitting rather comfortably next to each other, poking fun at the cliche holiday movies that Hopper secretly enjoys.

Well after the girls are tucked in and the boys have set up a mess of sleeping bags and blankets on the living room floor, Hopper moves quiet as a mouse across the trailer to Eddie’s duffle. After a quick search, he pulls a joint from a hidden zipper pocket hand-sewn inside the lining.

Kid must think he’s so smart, like he’s the first guy to ever sell drugs.

Hopper deserves a little treat after all the shit he’s been through this year. It’s been ages since he’s smoked, and with the boys here to help watch over the kids, he thinks he can allow himself time to relax for just a little bit. He’s earned it. Plus, it’s not his fault the damned kid decided to try to sneak his stash here. Hop’s not an idiot, even though the boys clearly thought so when they went out for some ‘fresh air’ earlier and came back looking a little less fresh than when they left.

So he brushes the snow off of his favorite lawn chair, wraps himself up in a tattered old blanket, and lights up in the cold, winter air. 

Hop loved smoking in high school, so he takes a long inhale, reveling in the burn heating his chest. Unfortunately, Hopper hasn’t been a teenager in a long, long time. His coughing fit is loud enough to wake his non-existent neighbors. But when he can finally breathe fresh air again, there’s no noise to be heard from inside.

He goes slower this time, tugging on little puffs as he watches the snow fall between the pine trees. It’s quiet, a good quiet, filled with the rustling of rabbits in the brush and bugs singing in the night. Even the joint is absolute shit, like most of Munson’s wares. It’s still enough for him to relax, to appreciate what unfortunate circumstances have gifted him, and keep him from dwelling on what he’s lost. 

Less than an hour’s passed when a pair of headlights shine down the drive. Wayne steps out of his beat-up truck, in only slightly better condition than Eddie’s van, and makes his way over. Without a word, Hopper gets up and grabs another folding chair propped against the end-railing and sets it next to his own.

The joint’s gone by now, but Hopper pulls out a pack of smokes and offers one to Wayne, who silently takes it with just a slight nod of his head in thanks. Out of the corner of his eye, Hopper notices Wayne’s worn-down work boots have a gash at the front, exposing the hard steel underneath the suede. He’s wearing a large, thick flannel that looks exactly like the one Eddie was wearing when Hopper found him, and it’s just as oversized on the old man. 

There’s almost nothing similar between Wayne and his nephew. Wayne’s always been a quiet one. A guy who’d make his way to the back of a crowded room, who kept his head down when he knew what was good for him. And Eddie is– is really just something else. Loud, obnoxious, brash, a kid with a well-crafted personality faker than government coverup. Almost one of a kind, if Hopper didn’t happen to know another boy just like him.

Wayne clears his throat, stubs out the bud with his boot in a little pile of snow. “Got a note from my foreman saying you kidnapped my boy.” His tone is gruff, but Hopper catches the small uptick to the man’s chapped lips.

He doesn’t say anything when Hopper heads inside. It takes him a minute to find the wrapped bottle and two glasses. While he meanders around, he checks that the boys are still both snoring away and the girls are sound asleep amidst a pile of stuffed animals.

When he closes the front door behind him, Jim hands the bottle to Wayne and sets the two glasses into the snow between them. Wayne hums in thought, turning the bottle over in his hand. “Macallen single?”

Jim actually croaks, chest light and filled with laughter when he clocks the mirth in Wayne’s teasing eyes. Maybe him and Eddie aren’t so different after all, both having a shithead sense of humor.

“Just Johnny.” Jim wipes a hand down his face like that’ll hide the sincerity in his smile. “You helped patch up my kid, Wayne. You didn’t save the goddamn world.”

The light in Wayne’s eyes dims only slightly. Instead of unwrapping the bottle, he unscrews the lid off the top, ripping the paper off with it, and pours them both half a glass. They silently cheers, even though the air between them has shifted slightly. 

“Thought that boy was a Harrington, not a Hopper.” It should sting, but it doesn’t, because Wayne’s not that type of man. It’s a genuine question, one that Jim’s not sure how to answer. So he keeps silent, hoping Wayne will cave and move on like his kid does when things stay too quiet. But Wayne sits, and sits, and his own gut finally starts to roil. Ah, so that's what it feels like.

“Apparently I’m good at picking up strays.” Jim’s attempt at a joke falls flat between them. He pinches the bridge of his nose and sighs. “Although, I think I got to Harrington a little too late.”

Wayne takes a decent sip from his glass, smacking his lips together. He peers out into the dark, just beyond the porch railing. But Jim can tell he’s not looking at the woods in front of them or the starry sky overhead. Wayne’s looking at something that’s long behind him.

“Ya know, Harrington didn’t look much different than my boy did when he showed up lookin’ like a dropped sack of peaches. Just a little thing he was; no hair, clothes that didn’t fit. Hell, I’d almost been able to see his ribs if it weren't for the bruises.” Wayne’s looking down at his feet now, scuffing the snow off the bottom of his boots. He downs his glass in one go before pouring himself another. 

“I beat myself up for too long for not doing something sooner. My own nephew, my own brother, livin’ only two towns over, and I had no idea it was that bad. Told m’self over and over that I should’ve known, should’ve helped sooner.” Wayne heaves a heavy sigh before looking up at Jim again. There’s guilt in the crinkles around his eyes, but it’s quickly replaced with resolve. “You might not’ve always been there for the Harrington kid, but that don’t mean he don’t need you now. Maybe more than ever, by the look of him. And if he’s got you watchin’ out for him, maybe he’ll turn out more Hopper than Harrington afterall.”

Jim can’t take the intense eye contact anymore and firmly looks away, finishing his glass and extending it out to Wayne for a refill. It’s quiet, Wayne’s patience sitting on his shoulders like the world’s most uncomfortable blanket. But even blankets that are scratchy as hell can still be warm.

After a while, the silence releases enough tension that he can sit back again, and the two men slowly sip their whiskey and watch dawn break through the trees. Wayne grabs the bottle as he moves to stand and pats Jim’s shoulder a little too hard. The man’s stronger than he looks.

“Why don’t you bring Eddie back yourself a little bit later, give me a chance to fix that radiator. Plus, being around Harrington might be good for him,” he chuckles to himself, hopping into his truck. “Maybe show the boy not every kid who don’t wear all black ain’t a damn conformist suburban yuppie.” Jim laughs, Wayne’s mockery a spot on impression.

All’s still quiet in the cabin, each kid right where he left them. He’s not sure if it’s the joint, the two whiskeys, Wayne’s advice, or just a combination of everything, but there’s a heat behind his eyes he hasn’t had to deal with in a long time. He’s not typically a crier– happy or sad. The only time he’s cried since Sarah was in the elevator shaft, El collapsed in his arms just after closing the gate. And even then, it was only a few stray tears.

Now he’s unspooling wads of toilet paper to blow his damn nose in, crying like a kid who got coal in their stocking. Except this isn’t like when he thought he’d lost El, or when he’d held Sarah’s hand when she took her last breath. Jim Hopper’s happier than he’s been in a long, long time. And after the shit awful year he’s had– that they’ve all had– he lets himself revel in the joy of having a family again.

Gorgeous graphics provided by @steddiecameraroll-graphics

And as always, thank you to @carolperkinsexgirlfriend for telling me "I think your calling might be writing well-meaning, grumpy old men" and also, "you just understand the spirit of The Old Man", but mostly just thank you for being an amazing beta reader <3

[twentyfivemiceinatrenchcoat]

I CAN'T CLOSE MY EYES ALONE ; SATORU GOJO

synopsis; arguing with satoru is always exhausting. bitter and spiteful, you leave him in the bedroom and go find another place to sleep; your couch would be the obvious choice, but where’s the fun in that?

word count; 4.2k

contents; satoru gojo/reader, f!reader (he calls you ’stubborn girl’ n ’pretty girl’ but other than that it’s gn!!), toru and reader have a fight, reader sleeps in the bathtub (don’t ask it came to me in a vision), hurt/comfort, he's doing his best :<, fluff!!

a/n; smth abt …. arguing w satoru gojo ……. idk why the concept has possessed me in the way that it has i just think hurt/comfort w toru is <33

okay, so maybe this wasn’t the best idea you’ve ever had.

in your defense, you weren’t exactly thinking straight; fueled by spite, eager to get far away, and admittedly a little curious as to how it would feel, the decision was made almost purely on impulse. and stupidity, probably.

it’s not comfortable at all.

maybe it could be. maybe if you had just a couple more pillows, a fluffier blanket with a cozier texture. maybe if you had something soft to put beneath you, another blanket or a comforter or — whatever. maybe if you had a warm cup of tea to drink. maybe if you had something warm to hug to sleep. 

or someone.

(aw, what’s wrong? can’t sleep without me after all, huh?)

— nope. you are not going back there. 

just the thought of how smug he’d get makes you bite the inside of your cheek, increasing your already growing frustrations. in desperate search of a more comfortable position, you nuzzle further into the pillow, but nothing works.

your limbs feel stiff, and your bones can’t seem to relax, a discomforting numbness seeping into your spine. and it’s cold. the feeling of porcelain against your skin keeps you tossing and turning, akin to an icy winter breeze, caressing the apple of your cheek. 

still, there’s simply no other option. under absolutely no circumstances can you turn back now. not when you’ve come this far, when you can almost begin to sense an inkling of sleep’s familiar call, the drowsy flutter of your eyelashes.

it takes time, and perseverance — but eventually, the road to sleep does seem to brighten on the horizon. crawling closer and closer, lulling you into its embrace, while all you can do is lie there. completely at its mercy, exhaustion ghosting your subconscious, eyelids ripe with fatigue. 

slowly but surely, your consciousness begins to fade. tenderly, soothingly, like a curtain over your eyes being slowly unveiled. you can almost taste it, on the tip of your tongue; sleep is only a moment away.

soon, you’ll fall into that cozy abyss. and then you’ll open your eyes, and the morning sun will greet you. it’ll be a new day, a better day.

so you keep your eyes closed, and sink a little further into the plush of your pillow, and —

the light flickers on.

in the state you’re in, tiptoeing on the edge between dreams and reality, so tantalizingly close to falling asleep, the brightness is positively grating. even through your shut eyes, it invades your senses — a glow so irritating it’s startling. the bathroom lights mock you with their shine, illuminating your figure, curled up in the tiny bathtub. 

the whine you let out is involuntary, coaxed out from deep within your throat, as the uncomfortable sensation rouses you from your would-be slumber.

satoru raises an unimpressed eyebrow, where he stands by the door.

chest bare, wearing only a flimsy pair of sleeping shorts, he looks at you with tired eyes. exasperation painted onto his dishevelled features. then he clicks his tongue, voice raspy and rich with fatigue.

”you’re ridiculous.”

the judgemental tilt of his voice only makes the annoyance in your veins bubble up once more, just when it was finally about to dwindle. eyes squeezed shut to escape the burn of the artificial light, you let out a sharp wince, burrowing your face deeper into the pillow. 

”turn it off!”

ignoring your angry plea, satoru makes his way over to you. with long, slow strides, vaguely uncoordinated steps. just a little clumsy. he plops down on the edge of the bathtub, and gazes down at you.

you’re lying on your side, arms wrapped around a fluffy cushion, knees against your chest. under the illumination of the bathroom lights, he can see you clearly; messy hair that he yearns to ruffle, a crease between your brows that he yearns to smooth away.

you look awfully uncomfortable, to no one’s surprise. he isn’t sure what else you were expecting. 

despite the sting of the bright lights, you force your eyes open — only to give satoru a halfhearted glare, an attempt at appearing intimidating. though you somehow doubt it’ll work.

resting his jaw on the heel of his palm, satoru tilts his head. soft locks of white hair follow the movement, falling over his eyes, a little more tousled than usual. like he’s been tossing and turning, sprawled out on the bedroom mattress.

and, just like you suspected, the dirty look you send his way doesn’t seem to scare him off. not even in the slightest. if anything, you think you catch a flicker of lazy amusement dancing through his eyes. and it irks you, it does — an itch beneath your skin, a taste of irritation on your tongue.

because satoru is looking at you like you’re somehow in the wrong, here, like you’re the one acting out. as if he isn’t the reason you’re here in the first place.

at this point, you barely even remember what the fight was about. too sleep-deprived to recall it properly, too stressed to make a genuine attempt. all you remember is getting ready for bed, and the familiar sensation of frustration prickling your skin. you remember his pretty little grin, his teasing remarks and refusal to take you seriously.

remember the way he laughed, when you told him what was bothering you; the crinkle of his eyes, the warmth of his hands reaching over to squish your cheeks. a little patronizing.

(there was no malicious intent behind it, that much you know. he probably just wanted to lighten the mood. but it irked you, all the same. hurt you, maybe. just a little bit.)

then you remember storming out. grabbing a blanket and pillow and telling him to sleep on his own, if that’s how he was going to be. the words felt cold as they left your mouth, little breathy icicles. and then you left.

which is why you’re here, right now. curled up in your goddamn bathtub, for some reason that still escapes you, trying desperately to get even a wink of sleep without your boyfriend there to help.

and that’s also why satoru is here, back a tad slouched as he sits on the edge of the bathtub, looking at you like you’re some misbehaving cat. blinking slowly, drowsily, dragged down by the fatigue clinging to his eyelashes. 

(he can’t sleep, either.)

”you’re really gonna sleep in there?” he sighs, after a moment’s pause. any honest concern in his voice is almost entirely overshadowed by the sense of admonition that follows it.

a scoff falls from your lips, sharp like a razorblade. ”yes,” you deadpan, shifting to lie on your stomach, hiding away from his insistent view. ”i was sleeping just fine before you barged in here.”

satoru shoots you a look, thoroughly unimpressed, entirely unconvinced of your blatant lie. ”you’re being dumb,” he huffs. ”at least sleep on the couch.”

”i don’t wanna hear that from you,” comes a hiss, low and disgruntled. a growing irritation. ”and i’m comfortable where i am.”

another dissatisfied huff. why are you being so irrational? he just doesn’t get it. scrambling for excuses, satoru tries his hand at another tactic. 

”you’ll hurt your back.”

another little scoff. oh, so now he suddenly cares? you can’t believe him. 

”so what?”

a moment passes. satoru bites his lip, teeth sinking softly into the flesh; a little pang of ache, but it’s nothing compared to the twist of discomfort in his chest. you’re making this more difficult than it has to be, he thinks. always so stubborn. 

what is he supposed to say? how is he supposed to convince you to come back to bed, when you’re already so set on denying him?

god, he’s tired. he just wants to sleep, close his jaded eyes. just wants to not have to think, for a couple hours, curled up with the only person who makes him feel safe. just wants to dream in soft shapes.

but if you aren’t there, then…

a deep sigh. weary, annoyed. ”c’mon,” he coaxes, blinking sluggishly. ”you know you won’t be able to fall asleep without me. can’t we just make up already?”

your nails dig into the fabric of your blanket. every word he says only seems to deepen the sense of irritation plaguing your sleep-deprived mind.

it makes you want to shut him out, bury your head in the soft sheets and forget about everything else. he keeps acting like you’re just overreacting, like you wanted to have an argument. like he wasn’t the one who made you upset and then laughed at you about it. 

”i don’t need you to fall asleep,” you grumble, muffled by the pillow in your grasp, arms tightening around it. nuzzling deeper into the soft velvet comfort.

satoru’s fingers twitch, as if urging him to pull you close. he almost glares at the cushion in your arms, that you’re hugging so fondly, putting all your body weight on — snuggling into it in search of comfort and warmth.

(that should be his chest.)

the gears in his head turn, slowly and mechanically, as he brings a hand up to card through his hair.

satoru hates seeing you so upset, so far away from him. having to watch you close yourself off, not allowing him to be near, soothe you and take care of you. kiss all your worries away. that’s all he wants to do, everything he needs to keep himself whole, to keep himself from being devoured by an exhaustion he’s lived with for as long as he can remember.

a strong frustration gnaws at his conscience. a certain desperation.

a big, heavy sigh leaves his lips. it bounces off the walls of the bathroom, the white tiles and shiny mirror, as he drags it out. almost childishly. then he’s angling his body to face you properly, big hands resting on his knees, a determined gaze set on your figure.

”look, i’m sorry,” he starts, rigid and earnest. blinking once, twice, chasing away the drowsy weight of his eyelids. ”i shouldn’t have laughed.”

your ears perk up.

shifting to your side as if hoping to hear him better, you peek up at him through half-lidded eyes. almost in disbelief, a kind of hope sprouting in the corners of your dilated pupils.

is he genuinely going to apologize, you wonder? admit that he was in the wrong? does he actually feel bad?

a moment passes. slow, drawn out, until satoru’s voice spills into the air again.

”there. i apologized,” he exhales, a little gruff. annoyed. ”now will you please just come to bed?”

…

wow. 

okay, nevermind. you hope the ceiling fan falls on him.

beneath your skin, a mellow kind of anger bubbles up, blood slowly coming to a boiling point. he’s not sorry at all. of course he isn’t. you were stupid to think he’d actually give you a sincere apology, stupid to think he’d do the one thing that would actually make you want to fall back into his comforting embrace. stupid, stupid. 

clenching your teeth, nails digging into the velvet fabric of the pillow, your eyelids flutter shut once more. only this time, you don’t plan on opening them again — at least not until morning comes. not until you see the sunkissed tiles of the bathroom, until the ache inside your chest has passed.

”satoru,” you enunciate, frigid and final. ”just let me sleep. we can talk tomorrow.” a beat. the tiniest grumble resounds from your lips, tinged with exhaustion. ”i’m too tired for this.”

under his breath, satoru winces. that palpable fatigue in your words sends a tremor running through his chest, discomforting, a shiver of his heart. you won’t look at him anymore, and the hint of finality in your tone makes him feel slightly dejected.

god, he’s awful at this. sincerity has never been his strong suit. he’s gotten better, lately, but it’s still so very foreign.

he didn’t mean to make you angry, didn’t mean to upset you. didn’t mean for the lilt of his voice to make his apology sound insincere. but that’s still what happened.

and satoru isn’t quite sure what to do. 

he’s tired. eyes heavy with lost sleep, glimpses of would-be nightmares he knows he’d have were he to fall asleep right now. an anxious lump has long since formed in the back of his throat, and he misses you. misses your presence, your warmth. misses the feeling of having you close, the knowledge that you haven’t left yet.

(without you, he can’t —)

a sigh. soft, and resigned, flowing from his lips.

the inner turmoil in satoru’s mind begins to fade, slowly but surely, smoothed away by the sight of you. bundled up in a blanket too small to cover you properly, lying in that cold and cramped bathtub, discomfort evident in your features. sadness dripping from the bitter words you grace him with.

so out of reach, too far for him to follow, a boundary he wants to cross more than anything. but something about that meek expression makes him falter, makes his heart twist and turn inside his ribcage.

(he knows that you’re tired, too.)

so satoru swallows his pride.

the words are spoken in a whisper, hushed, through a voice so low you wouldn’t hear it if the silence of the bathroom wasn’t so suffocating. a soft lilt of his voice, bare and raw. meek, in a way that makes him want to crawl under a rock and die. but it’s there, and he lets you hear it; that soft little truth.

”… i can’t sleep without you.”

satoru doesn’t look at you. his confession rings in your ears, laced together with a softness you’ve come to associate with warm spring mornings and rooms so dark you can’t see his face. moments in which satoru feels safe. safe enough to be sincere.

— inevitably, your heart begins to soften.

(he’s trying. it’s difficult for him, but he’s really trying. sincerity and honesty are things that have been used against him all his life, so it’s no wonder he’d be scared.)

it’s very hard to stay mad at him, when he sounds like that. when his words come out sounding a little too much like a plea, a silent call for help. 

with hesitance, you allow your eyes to flutter open, shifting a little to get a better look at him. he’s there, staring into space — the man you’ve grown to love so dearly. his tousled white hair, those slightly forlorn eyes. the vague darkness beneath them, slightly puffy skin. that tired, tired expression. 

satoru taps the edge of the tub with the pads of his fingers, absentmindedly. index finger, middle finger, ring finger, over and over.

then, at last, he meets your gaze. and you think he swallows down a gulp, before smiling — it’s a pretty smile, somewhat tiny. a little sheepish, but awfully sincere. awfully satoru.

he tilts his head, gazing into your eyes with a tenderness that melts your heart to the marrow.

”… please?”

a second passes. then two. 

soft and melodic, your heartbeat resounds in your ears, akin to a lullaby. like the call of a siren, coaxing you into giving in. and you’re weak, you realize, so very weak. just a smile and a tilt of his head, and you’re rendered utterly helpless. 

(he’s just too pretty.)

without fully realizing it yourself, you’ve begun to move, dragging yourself up with sluggish motions. blanket still draped over your shoulders, and pillow snug against your chest, you blink. drowsily, slowly. a little meekly. 

and satoru brightens.

it’s visible, in the way he physically perks up, back straightening, smile finally reaching his aquamarine eyes. a blend between hope and affection sprouts in them, slathered over with something honeyed.

a soft grin blooms on his lips, and he opens his arms wide — silently beckoning you to fall into his embrace. a raspy coo tiptoes on his tongue. 

”c’mere.”

before you can make a move to do so, satoru leans over. scooping you up with ease, as if you weigh absolutely nothing, tucking you into his warm embrace. smothering you in his cushiony chest.

almost instinctively, your arms go to wrap around his neck, cheek smushed against the warm skin of his shoulder. if you strain your ears, you think you can hear the soft patter of his heartbeat. he smells of the tiramisu you ate before going to bed, and just a hint of expensive cologne. he smells of comfort.

satoru is soft, and warm, and everything you need right now. lulling you back into that cozy, sleepy state. your very own personal dose of melanin.

with a big palm on the small of your back, satoru keeps you pressed up against his chest, as if you could change your mind and try to escape at any moment. he stands up, still holding you, and hikes your legs around his waist. breathing out a satisfied hum, before turning on his heel.

satoru smiles, and presses a kiss to the crown of your head. ”let’s get you back to bed, baby.”

after turning the bathroom lights off, he begins to walk to your shared bedroom, still carrying you with one arm. always so strong and reliable. you know for a fact that he’s not going to drop you, so you opt to close your tired eyes; stretching out your limbs, lazily, releasing a quiet yawn that makes his lips curl up.

despite your lingering frustration, you find yourself nuzzling into the crook of his neck — and satoru coos, so painfully soft that you barely even hear it. the restlessness inside his own chest washed away, by the familairity of your body against his.

and before you know it, he’s dropped you down on the mattress. gently, but still enough to make you feel a little jostled, so close to falling asleep in his arms. he drags the blanket up to cover you, tucking you in; this one is bigger, with a fluffier texture, enough to cover you both with ease.

smiling softly at the sight of you all cozy, content in the knowledge that you’re finally comfortable, satoru crawls beneath the blanket and takes his rightful place beside you. eyes crinkled at the corners, rich with affection.

two strong arms reach around your waist, to pull you flush against him, until your head meets his chest and you can hear the soft thrumming of his heartstrings. then he sighs, in pure bliss, thoroughly content. melting into your embrace, rubbing his cheek against the side of your head, nuzzling into the warmth that seeps from your body to his.

he runs his big hands down your back, affectionately, rubbing circles into your skin. coaxing you into melting a little, too.

”see, isn’t this much better?” he smiles, a little cheeky. such a tease.

”… the bathtub was fine.”

a chuckle rumbles through his chest, rich with fondness. his hand goes to card through your hair, nimble fingers smoothing down your scalp and running through the soft strands. every touch gentle, full of care. every word soaked in a syrupy sweetness.

”stubborn girl.”

despite your best wishes, you’re too tired to bite back the blissful sigh that leaves your lips. a part of you still wants to protest, to push him away —

but then you start leaning into his touch. helpless to his warm hands, his soothing voice. satoru is just a little too good at making you melt. so good that you finally begin to let your guard down, nuzzling into his bare skin, sinking a little further into the mattress. 

and satoru stifles a coo. 

”honestly,” he sighs, equal parts exasperated and amused. ”sleeping in the bathtub… you’re so silly.”

before you have a chance to respond, he’s pulling back — ever so slightly, just to get a better look at your face. arms looped around his neck, you blink up at him with droopy eyes, and he can’t resist the dopey grin that sneaks its way onto his lips. doesn’t even begin to try, when you look so unbearably sweet.

unable to stop himself, he broaches the distance between you, leaning close to kiss the top of your nose. and you squeeze your eyes shut at the gesture, face scrunching up, but it only makes him chuckle. smiling, honey-sweet, he admires your sleepy pout. soaks up every soft little grumble that slips from your lips.

his hand comes to cradle your cheek, thumb smoothing down your cheekbone. just gazing at you, taking you in, every single contour of your face. there is only adoration in his eyes. something silently delighted, that seeps into his words, his raspy voice.

”my pretty, pretty girl.”

a heat rushes to your cheeks. looking up at him, into those lovesick eyes, you can’t help but grow flustered.

he looks so content.

all you manage is a weak furrow of your brows, pressing a palm against his bare skin. softly, as if pushing him away, forehead meeting his chest with a soft bonk. hiding away, so he won’t see how much his words affect you.

”lemme sleep, toru…” you mumble, stifling a yawn.

unfortunately, your boyfriend is not one to give in so easily. before long, his fingertips are trailing across the skin of your jaw, coaxing you into lifting your chin. and you’re too sleepy to resist — practically melting, as he begins to smear openmouthed kisses all over your face. all you can do is close your eyes, attempting to ignore the sound of his exaggerated mwahs, frowning in a silent disapproval that you know you don’t actually mean.

satoru notices it, though. he always does.

”you still mad at me, baby?” he asks, in a way that sounds a little like he’s cooing at you. there’s a teasing tilt to his voice, but it’s also a genuine question. your frown deepens.

averting your gaze with a soft huff, even as he cradles your jaw with his slender fingers, a pout plays at your lips. under his kind eyes, you feel just a bit meek — recalling your argument from before. absentmindedly, you fidget with the waistband of his shorts, hoping to ease your nerves.

despite your valiant efforts to direct your vocal cords in a different direction, the voice that spills from your lips comes out sounding just a tad hurt.

”… you never take me seriously.”

satoru’s eyes soften.

his smile falters, by a hair, a brief stilling of movement. subtle, but hard not to pick up on. there’s a certain sense of shame in his irises, a genuine guilt stirring his heartstrings; several discomforting sensations, gnawing at the bones of his ribcage.

(you look so small.)

two hands reach out to cup your cheeks, big and warm. swallowing up your whole face. and before you can react, satoru leans in to press a sweet, chaste kiss against your lips. he tastes like tiramisu. 

”’m sorry. we can talk about it tomorrow, okay?” he hums, and you can tell that he means it. ”i promise that i’ll take you seriously. for real, this time.”

as you look into those eyes of his, blue and soft around the edges, the last of your frustration is finally washed away. with a meek downward glance, and a faint nod, satoru relaxes — releasing a breath he didn’t know he’d been holding. relieved at your silent forgiveness.

tomorrow, he’ll definitely make it up to you. he’ll hear you out, without opening his big mouth, or trying to skirt around any emotions that make him feel even slightly uncomfortable. smoothing a big palm down your back, he hopes you feel it as a silent apology. 

for now, he’ll just hold you. he’ll hold you, and kiss all your worries away, and keep you comfy and warm. that’s his duty. the only one he’d willingly choose, the only weight on his shoulders that never feels even a little bit suffocating. the only one he wouldn’t cast away, if given the chance.

nuzzling back into the safety of his collarbone, your heartbeat settles into a drowsy rhythm, slow and serene. satoru squeezes you in a tight hug, reassuring. comforting.

he can be a handful, and a little insensitive, but you love him a lot. you can’t imagine not loving him. 

”… goodnight, toru,” you whisper. ready to give into sleep’s call, at last.

satoru smiles. you can hear it in his voice, sweet and silky, a soft curl of his lips. ”goodnight, honey,” he presses a kiss against your shoulder. warm, his breath on your skin. ”i love you.”

a yawn escapes your throat. ”love you too…” you mumble, sleepily. that one soft truth, before your consciousness fades.

and satoru’s smile only grows. hopelessly, inevitably, in the same way his hands can’t help but to bring you closer. until your heart is flush against his own, and he swears he can feel your heartbeats synchronize.

finally, with those three little words, satoru should be able to go to sleep. drifting off, he can only hope you’ll still be in his arms by the time he awakens.

(then again; you always are, aren’t you?)

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.