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gabrielleragusi · 4 hours

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For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

Instagram - ArtStation - Website - Inprnt - Etsy - TikTok

#art #artists on tumblr #Article #For Artists: My Experience with Commission Platforms and Illustration Agencies #Commissions #Illustration #Design #freelancer #gabrielle ragusi

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nqueso-emergency · 2 days

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it's gonna be long but i'm so tired of this lame shit.

stop doing this "both sides are bad" bullshit. both sides have bad apples but hell should not put bad bucktommys in the same "bad" category as people who is:

1. an owner of a big news acount inciting bully and harrassment to a queer black teenager because they got accused of creating a new news account when it's actually a buddie who made that account, and guess what, never appologized!

2. a person who infiltrate a discord space and getting informations like age and sexuality from people out of that discord to X/twitter and let the cult bullying and calling the discord's people "hags"

3. made a tumblr blog dedicated just for wishing harm and death on a fictional character

4. orchestrated on creating some horrible fanfictions with the wrong tags about a fictional character being a child abuser and child killer, and sent the links of those fanfictions to the fans of said fictional character through inboxes

5. changing a fluff ficlet of a ship created by a fan to a horrible abuse story and sending it to so many fans of the ship through inboxes

6. harassing artists by reuploading art on other social media just for your cult to shit on the art

7. creating a fanart and draw a fictional character as a monster and using the term "lizard people" (but hey they got rewarded!)

8. harassing multishippers for creating fanarts and fanfictions for the newer ship

9. sending phising links and reporting as spam to a positivity project

10. you can check on Lou Ferrigno Jr's latest post on X/Twitter about him swallowing an apple sticker and see how many wishes of harms and deaths you can find on the quotes and the replies

11. throwing tantrums and sending threats to THE showrunner over a scene that didn't included on the final cut (the scene not even significant enough to the whole episode arc:((()

12. recorded an X/Twitter space when the black fans there expressing their disappointment about people (actors included)'s treatment toward a certain actor with racism history during blm, putting the recording out so the cult could harrass the fans who's talking in the said space

there are bad apples on bucktommys side. even sometimes i think maybe i am one of the bad apples. but i love how bucktommys never holding back for calling out someone's bad behavior even it's from their own side. so i'm always grateful that i'm on bucktommys side. oh, for all of those points of bad behavior above, we have receipts, bcs we would never speak without receipts.

P. S. certain group of shipper could made a team to investigate who nqueso-emergency actually is but not one of them move to investigate who are these people orchestrating csa fics and made their community look bad? shocker!!!

P. S. S. points of bad behaviors above is mostly about their treatment toward other fans and real life person. i'm not getting deep into their treatment toward fictional characters on the show, especially their treatment toward a certain gay character because when we tried to call them out, they just twist it to "hAtinG on a rAciSt aNd mYsOgIniSt chArActEr iS hoMOpHoBic noW?". well, honey, that character is already change to a better person now and he stated that he's not a good person back then. you know who's homophobic, now? yes! YOU ARE!

thank you for your your service, nqueso, have a great day. and i love you, bucktommys! we'll get through this🫶🏽

#im in love #anonymous #911 abc #nquesu wanna block #911 discourse #911 show

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writers-potion · 1 day

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Do yoh happen to have any resources for how to write a stripper character? In my novel idea the stripper character is a secondary character more meant to teach the protag that the world is filled with just as much beauty as there is cruelty and will eventually take in the protag after they escape their creator's clutches at the very end of the novel (Frankenstein inspired)

Writing A “Story B” Lead Character

Hello! First of all, thank you for this beautiful question. I know your question started by asking about how you should craft a stripper character, but I would like to pay more attention to the function that your stripper character is serving – the Story B Lead.

What is a Story B Lead? Simply put, they are characters that lead the side plot in any story – most typically, the love interest (if you have a romantic side arc, the most typical type of Story B).

The main job of the Story B Lead is:

Give the readers a break from the main plot. Story B shouldn’t be as serious or daunting as Story A — let your hero have some fun, explore new things, and find love while he figures out how to fight the big bad boss.

Convey the theme of the story. The easiest example is the love interest in superhero stories. When the hero is too focused on the fight, the love interest often provides a new perspective to find the critical clue or make the hero realize there are more important things than chasing power.

Be a part of the sucko ending. Whether your Story B has a happy or sad ending, the conclusion of all the fun the hero has must supplement the main story’s ending in some way.

So, let’s construct your stripper character based on the criteria outlined.

Give her a backstory that will hit the protagonist differently. Think about the relevance of the stripper in your protagonist’s character arc. Is she someone your protagonist can look up to? What was her struggle of living as someone’s creation? Does your protagonist fear that they will become like her?

Make her attractive, fun, quirky. Story B is where we get to stress a bit less about the main conflict to explore more of the story world. Use your stripper character to show what it means to be a creation – do other strippers alienate her? Physical quirks? Some things only she can do because she was “created”, not “born”?

Give her a thematic statement that summarizes what she stands for. For example, she may say: “Some say that beauty is terror. I say there’s beauty in the most terrible things.” as she drags a crying protagonist onto a packed stage.

Don’t let her drag your protagonist around. Taking in the protag sounds like a fully closed happy ending, but remember that your protagonist must choose to be with your side characters – not the other way around.

─── ･｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2

#writing #writeblr #writers and poets #helping writers #writers on tumblr #poets and writers #let's write #creative writing #creative writers #resources for writers #writing ask #writing advice #writing aesthetic #writing asks #writing a book #writing about writing

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factual-fantasy · 2 days

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27 asks! Thank you!! :}} 🔮

Oooo very cool! I hope you have fun with it!! :DDD And as for how I make a story it kind'a depends-

For Grimace, Sylvester and the rest of the gang.. well that was just my Violet team. I gave them personalities that I thought would suit them and just.. went from there I guess? <:D

For Conkeldurr, Zuora, Emboar and the 4 piglets.. well, it started with just thinking about Conkeldurr and how much I like that Pokémon. I pictured him as a Gentle giant and imagined how fun it would be to draw him with some other tiny Pokémon that he adopted. I went through the Unovan pokédex and picked a Zuora because she was small and fluffy <XD

After making a post about them I wanted to give Conkeldurr a friend. Well I like the Emboar line so hey why not do that? She can be a mama Emboar to switch it up and she can have 4 kids. Why not? Since I didn't draw her in that first post, I made the story they they went their separate ways for a time but now they're back together.

I honestly don't have solid concrete advice I can offer- I just think "hey this would be neat" and slap it on there. Or I think "hey this scenario would be fun to draw" and so I structure the events and story to make the characters run into this scenario in a reasonable way. That's really all I do.. <:D

@beryl-shade

I've seen Markiplier play it :0 Its.. well its something! <:D

(Referencing this post)

<XD I never understood why they made him Spanish, the sudden guitar noise is always a jumps care XDDD

@shiny-is-miney

Humans do not exist in any of my Octonauts AUs, nor have they ever <:/

@catain-skyler1987

I do not <:/ sorry!

@nwo-metalscottic

Daww,, thank you 🥹🥹🥹its been rough these past.. how ever many months- my health is still poor and I still am glued to my bed/the couch 24/7.. but I'm hoping to finally see some improvement soon.. and I hope you feel better too! <:))

Any who, I'm glad to hear your views on Conkeldurr! :D Some people can be kind'a harsh :x As for the Tepigs, I can see them sticking around even after evolving into Pignites. They love their mama and would have no desire to leave her.. 🥺

As for what threatens them.. when they were apart, I kind'a image any meat eating Pokémon that thinks they could take them in a fight would be a threat. Or perhaps territorial Pokémon or protective parents that would see a big Pokémon coming near and just attack on instinct.

Now that the two of them are together, they have a lot less trouble with random Pokémon. They're a much bigger challenge to take on as a team. Plus I can see Zuora walking with them disguised as a second Emboar or Conkeldurr. Creating a group that looks like three macho parents that will fiercely protect their piglets.

As for the Minecraft movie, here's the thing about the Piglins. In the actual game they turn into Zombie Piglins the moment they leave the Nether. Why are they still normal Piglins despite running through a village??

And a Netflix show... uhg.. I'm just not interested. I feel like Minecraft looses all its charm when you convert it into a show or movie. And especially if you mess up Steve as badly as they did. Jack Black.. that's the worst casting I can think of.🤦

This is so cool! It feels like it could be canon to the Pokémon universe! :DD

Also thank you so much!! :)))

I have! :0 I watched 8-bitryan play some of it! :) ALSO THANK YOU!! :DDD

@cicutagreninja

WOW!! :00 THANK YOU SO MUCH!! :DDD I plan to return to it someday!! :)))

@astaherussy (Referencing this post)

I think I put that on almost out of habit <XD when I picture old abandoned houses I imagine notes stuck to the door warning of debts and bills that need to be paid lest the owners get evicted. So I drew that because it felt fitting!

..Only just now did I realize that the old owners were supposed to be a mystery.. if there was any at all. So having that note on the door doesn't really make sense.. 😅

ALSO WAAHG THANK YOU!! :DDD

I've seen the FNAF movie and I've seen multiple Youtubers play all the FNAF games. Though I haven't played through any of them myself. :00

As for what I thought of them.. I have a place in my heart for all the games. From the lore jumbling ruin DLC, to the classic first game, I'm a total sucker and I love them all.💞💞

The movie wasn't as bad as I feared it would be. I adored the inclusion of MatPat and the intended inclusion of Markiplier. There were some aspects I didn't like and a lot of missed opportunities in my opinion. And of course the lore is all outa whack..

None the less, I think the movie is charming. And my love for FNAF has only strengthened upon the movies release :))

@i-only-created-this-to-read

Since Metagross isn't in Black/White (Its in Black/White 2) I wont be looking into that species for a bit.. and I wont be looking at Mega evolutions-

As for a Quantum slime equivalent, I have no intentions to make equivalents for all the slimes- I didn't add trubbish to be an equivalent to pinks. I just noted that Trubbish are a common slime that can eat anything, just like pinks are :0

The slimes and foods I add will be their own thing. Not intending to replicate or replace any of the canon slimes or fruits/veggies/meats from slime rancher. If that makes sense-

@petrichormeraki

I don't really have any proper name ideas for them 😅 I've just been calling them the shiny one, the normal one, the runt and the big one. XDD

Also thank you!! :DDD

Oooo that's really interesting actually! :000 That would have been a much more tame version of my Zuoras story <XDDD

@pigeonsplural

SLAKJDJ THANK YOUUU!! :)))0

*plotting noises......

(Referencing this post)

This ask will be very relevant soon.. 😈 Also thank you! :)))

@roughsketch2010

WAHGG THANK YIU SOMUCH!! :DDD

@kermit-ydafrog

Daww 🥹 Thank you! MY question is why are you so kind?? :DDD

I've heard of it and seen a lot of fanart, but i never got into it myself😅

Thank you for remembering my boundaries and respecting them! <:) And yeah that paints a pretty vivid picture in my head XDDD

@holly-opal

He would have been a better voice for Bowser then Jack Black in my opinion..

@fandomcenteral

WAAHHG THANK YOU SO MUCH!! :DDD And its still a surprise to me that I'm considered a celebrity :00 I hope people aren't intimidated to send me asks because of that.. <:D

@muncho1234 (eye post in question)

Peso, Dashi, Tunip and Ranger Marsh have no eye bags because they have decent sleeping schedules and diets. :0 The rest of the characters either have poor sleeping schedules, deal with a lot of stress, or are very hard workers and burn up all their energy throughout the day.. :(

Oh boy 💀

@minnesotamedic186 (Eye studies post) (Kwazii and Calico Jack hug post) (Ranger Marsh jump scare post)

WAAHGG THANK YOU!!! :DD I ALWATS LOVE IT WHEN PEOPLE NOTICE THE DETAILS I PUT IN!! :))))

@caronaro-flipaclip

<XD While I agree with this, I cant help but get red in the face when people like/reblog my old artwork.😅😅 And there's nothing wrong with that! It just shows how far I've come! :)

#my response #pokemon #fnaf #minecraft movie #fnaf movie #welcome home #slime rancher #ingo and emmet #octonauts

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scintillyyy · 1 day

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actually it is interesting how dixon has tim discover his feelings for steph over the course of and in contrast to what was ultimately his failing relationship with ari & like. listen i'm not here ti cast judgment on either tim or steph here, but it was very much written by dixon as like. steph knowingly was very pushy about wanting to be in a relationship with tim even knowing he was actively in a relationship and fundamentally did not care about tim's girlfriend as a human being because steph saw tim being in a relationship already as basically minor inconvience because she wanted tim & tim clearly seemed to want her so he should just be with her instead. and like tim's hands clearly aren't entirely clean here either, because he did kind of ultimately just going with the flow and letting things happen. (but!! i am on the side of both of them are messy teens in their first relationships & neither deserves lifelong castigation for 14-15 year old messiness, let's be clear). but the circumstances around this messiness even being able to happen is because ariana is fundamentally unable to truly know what's going on as she's never privy to the secret. she had no way of knowing what tim is doing or who he's meeting--sure she gets jealous when she sees tim notice steph, but she never knows that there's another girl in tim's life exists & can't know. meanwhile the whole time steph is flirting with tim she is well aware that ariana, or "tim's girlfriend" exists. tim & steph exist because at the time of his relationship with ari, tim was allowed to actively and consistently interact with another girl while actively in a relationship with another one & steph was well aware and a participant in that.

and that's kind of by design--dixon, i do think dixon fairly early on decided that he was more interested in tim&steph over tim&ari, but i do think it's important to note that when dixon created ari he's on the record of conceiving of her as a lois lane type romance interest for tim, she was clearly originally intended to have long term sticking power for him. but then--*readers* didn't vibe with her. there's letters in old issues basically asking--"hey, is steph going to come back, hey is steph going to date tim, hey love steph when are they getting together". so while dixon got fully on board with tim & steph i think it's safe to say he was also. probably very cognizant of readers deciding they like a different love interest better.

so there's an interesting pivot in dixon once tim & steph are firmly on the "getting together" train and it's that tim is not allowed to exist of breathe near other female characters without being chaperoned by steph or it involving steph somehow in deference to steph's jealousy issues. with steph's entrance into tim's life, tim is moved away from the mixed more sex friend group (that existed with callie & ariana) of gotham heights high to 1) homeschooling in keystone 2) all male boarding school brentwood. the only female friendship he gains is star, and that's used in a story for steph to misunderstand and start stalking star and her brother in an attempt to find tim & catch him in the act. tim is no longer allowed to team up with girls his age or a little older without stephanie there. he's not even allowed to be concerned about random adult woman dana (his stepmom) without steph breathing down his neck despite the fact that once they start dating tim is doggedly pretty loyal to steph as far as girls were, far more than he ever was with ariana. & like. in universe this is an interesting character beat for steph considering the start of their relationship being that steph pushed tim while he was in a relationship & is paranoid of all other women, that they'll act like she did. but from an out of universe perspective you can tell dixon was absolutely shutting down any other relationship possibility for tim other than steph. he knew the pain of creating a love interest that got subsumed in interest by another and was under no circumstances going to let anyone else in that that could become a threat to his girl. hence, every time he teams up with a girl after steph has to be there, monitoring & chaperoning. which is very interesting. considering their beginnings and steph's own willingness to hang out with a guy known to be taken without his girlfriend there & her eventual disallowment of tim to do anything with girls who aren't her.

#sorry the tim & cass post got some mkre traction and i'm thinking again #how once dixon had tim get together with steph that was a major shift of. tim's not allowed to be friends with girls

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not-too-many-eyes · 2 days

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A Study on Mesmer Jr.

(Also Known As: Nott is obsessed with the bigot autistic girl from the time travel gacha game and its her birthday tommorow so lets talk about her.)

(CWs: Ableism, racism, child abuse) I Love Mesmer Jr. Which isn't a secret to any of my friends who have had to listen to me talk about her at length. I cannot get her out of my head. I think she's fantastically written, fun to read about, and just an all around interesting character.

As such, I want to take a moment to pull apart Mesmer Jr, and consider her place in this story. To contemplate why she acts the way she does, and to connect to the themes relating to her character. I hope you enjoy reading this.

A Curious Impression

Mesmer Jr makes an interesting impression when you first meet her. For one, she immediately causes alarm bells to rings when she talks to Sonneto, one of her earliest conversations, who she says she enjoys talking to because of their "shared values" she feels the need to say that she would have liked talking to her more if she were a "full-blooded human."

Which is something that you see a lot whenever she's complimenting an arcanist, or considering arcanists in any positive light. Even if it's inappropriate in the context, she feels the need to assert her beliefs, to say that:

Mesmer Jr, Praise: As an arcanist, your performance really amazes me. Wish you were a pure-blood human.

Of course, as we know, Mesmer Jr is an arcanist. She's a full-blooded arcanist. Being noted to be from a very Important family, and even being implied to be more talented than most of her family in their line of work: (The Fallacy of Idealism)

Nobody is more talented in this than Mesmer Jr. Her bloodline gives her outstanding ability and keen senses, which makes everything clear and intelligible to her.

She's also startlingly obedient. She has no noticeable outward negativity towards what Constantine has ordered her to do to Vertin, despite it seeming to cause pain or stress. Insisting that this is the normal treatment given to patients despite Madam Z's opinion, and we learn Much Later that her boss had an ulterior motive to all this.

She's even noted before we meet her to seem like a:

(Open Sandwich)

???: It is the other one- the one with indifferent outlines that makes her look like a refined machine.

Evoking images of perfectly programmed robots and droids that do what they are ordered to perfectly without question.

Of course, in the same part this line is from, the game is already nudging us to be open-minded when it comes to interacting with her. As the first thing we learn about her isn't her personality, isn't her appearance, isn't even her Voice.

It's her abuse.

Dirtied Hands

Open Sandwich is one of my favorite bits of writing in this game. It creates this incredible tension where you just waiting for the bad thing to happen, the line about how the child labor laws were turned into paper to wrap the sandwich is wonderful, and I love it.

But it's also the first time we ever actually hear about her. It depicts her having a Sensory Meltdown. Caused by her family's uh- blatant disregard for children's rights, and exposing her to a patient at age 12 because her skill was useful for the treatment. The trauma of the event marking the start of her "nightmare."

Of course this isn't the Only Thing she has gone through at the age of 12. The entire events of Nouvelles et Textes pour Rien happened during when she was 12. She might of had even more traumatic experience before that, considering she went to SPDM, a school that we know Very Well for their child abuse, and she Certainly had traumatic experiences afterwards.

She Is a 16 year old therapist taking care of The Foundation's most "unstable" patients, after all:

Mesmer Jr, Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.

The Rights of Children Don't Matter when there is Scarcity. Her needs are secondary to The Company's. Her welfare simply isn't important for the Foundation's Beautiful Future. Only the skills and infromation she can provide.

Constantine even manipulated Mesmer Jr into telling her the plan. Purposefully traumatizing her so that she would become scared and anxious. She Asked her to help them, trusting that Constantine, an adult she trusted, would be able to help. Constantine just lied, and made her continue to treat these people even when the experience mind numbingly traumatic for even fully-grown adults.

As a result, Mesmer Jr has developed multiple mental illnesses. Most notable OCD, but she seems to hallucinate in her Monologue.

She's not exactly a healthy person, which really compounds how much you Don't want her to be a therapist.

Of course, it's not like she would ever seek actual proper treatment for it.

For many reasons.

For one, Reverse 1999 is not exactly a kind world to the mentally ill, and she herself is a good example as to why.

Proper Treatment

Let's go back to the first thing I mentioned about Mesmer Jr. She's a bigot, she's a certified racist to every arcanist she ever talks to. She thinks humans are the superior race that will overtake arcanists.

She's also ableist. Just horrible ableist. These two bigotries are intertwined in Very important ways. Her hatred of arcanists is informed by her hatred of the mentally ill, and is further informed by what she has been taught about arcanists.

Reverse has established that the way arcanists and humans are generally viewed is that arcanists are the more emotional, unstable, immature ones and humans are the more logical, stable, and mature ones.

Now, this is a stereotype, one that has been proven wrong time and time again. There is nothing logical, stable, or mature about being so upset at a 12 year old you think killing her friends is a good idea.

And similarly, there is nothing actually inherently wrong about being a weirdo, or mentally ill. For one, uh, everyone is a bit of a freak sometimes, and two, Mesmer Jr treats it as if for the world to get better arcanists need to fully disappear and be replaced with human rationality, but Madam Hoffman says it best:

(Chapter 6 Part 15: With Hope Rekindled)

Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dawns on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.

But Mesmer Jr really does believe wholeheartedly that being a "freak" is bad, and that being an arcanist is to blame for why she is one.

Mesmer Jr, Hat and Hair: Thanks to it, we are all freaks now. Haven't you ever blamed your brain? Haven't you for once vomited due to the sound or whisper in your brain? How naive and ignorant.

That being an arcanist is something inherently wrong, and as a result of that inherent wrongness, that inherent "insanity," they need to be controlled by humanity.

Mesmer Jr, Chitchat II: I can only stand those arcanists from the Foundation and the Laplace. After all, their insanity is contained by humans.

She believes that humans are destined to overtake arcanists like it's natural selection. That it's only inevitable that arcanists will be overtaken by a species that in her eyes, is logical and understandable.

Mesmer Jr, To the Future: Just like Homo sapiens wiped out Neanderthals, arcanists will be eliminated as well. This is not a prediction, but a predestined fate.

This is, of course, due to the systemic part of Reverse's world constantly pushing this idea that arcanists are Inherently more immature and chaotic.

Constantine and her family deeply traumatized Mesmer Jr and then told her it wasn't actually their fault but this Other Group that She is also apart of but Don't Worry it can Be Controlled.

Mesmer Jr: It's not just about age. It was never going to be suitable for me. Mesmer Jr: Unless one day all the arcanists are gone. Pandora Wilson: Then you and I will be gone, too. Mesmer Jr: Exactly, along with the source of my pain

However, Mesmer Jr's own mental illnesses and susceptibility towards being overwhelmed by others emotions does really mean that she finds being around highly emotional people Taxing. She also finds that the unpredictable of life and other people Tiresome.

She was friends with Vertin in the rest when she was younger sure, but even then she did find arcanists overwhelming and "scary," even when she wasn't in the full thick of it, she saw them being treated and found it unpleasant and painful.

(Nouvelles et Textes pour Rien)

Mesmer Jr: But I'm not interested in arcanists. They are all mad people, and we had to treat them after all...They looked scary.

Now, usually, you grow out of this. She's not Born To Be Racist Forever.

In a better world she very much could have, I dunno-

Be able to actually internalize that arcanists aren't actually inherently a harmful thing, but that her needs sometimes conflict with the needs of others and grew up with the tools necessary to understand that this is a fixable problem that doesn't actually need a whole group of people including herself to die to be solved.

Or, something like that.

However, this isn't that world, this world thinks Mesmer Jr is a good therapist, and that her treatment is humane.

So she's seeks to create stability in the world as a result of that lack of support.

Mesmer Jr, Hobby: What you see is the alignment and tidiness. What I adore is this orderly state.

As much as she understands that it's a sign of her own "franticness" that she does this, it gives her comfort knowing that she has things that she Can Control. That her life isn't actually dictated fully by things out of her understanding. That she has the ability to direct her life in a small, maybe even insignificant way.

Cause, she really just doesn't have much control over her life.

Press the Button

Mesmer Jr, Clothing and Torso: ...Achieve the function.

A lot of Mesmer Jr's idolization of humanity comes from this idea of efficiency and simplicity. She talks so much about rationality and "tidiness," but as I've already established Reverse is full of so many instances of "human insanity" so it's plain ignorant to ascribe this trait to humans.

Which, well one she is ignorant, and also racism isn't rational and Mesmer Jr was taught human supremacy of course it's not going to be aligned with actual reality.

Which is true.

However, I do think it's interesting these traits that she idolizes are not from humans but from:

Mesmer Jr, Clothing and Torso: Humans are like machinery, simple and efficient. Arcanists are quite the opposite.

That's who she's actually idolizing here, isn't it? She's not really idolizing humans, that's just the framework she was given. She's idolizing machines and going "Wow humans are so cool."

Her Udimo is a machine.

Not just any machine, but a machine invented in part By Her Workplace, and even when she was 12 the narrator describes her as a "refined machine." Indifferent and rigid.

This is the beautiful controlled being that she is seeking! The beautiful tidy, orderly, calm being that just proceeds with whatever order is given to it. One that has...completely no control over it's life, and what to do with it.

Because, traditionally speaking, Machines do not have the ability to self-determine. They don't exist as people with conscious thought and emotion, but as Things and Tools that can Achieve Functions.

I noted way back in the start that Mesmer Jr is startlingly obedient. She does what she is told, and encourages others to do the same.

She's glad that Vertin:

Mesmer Jr, 100% Bond Conversation: ...Anyway, I'm glad you gave up on those insane plans.

Before saying that she doesn't want to be forced to Lobotomize Her, and that she doesn't actually want anyone to end up in Artificial Somnambulism.

But she doesn't say she won't do it. Just that she's happy Vertin did "give up" because it means that she probably won't have to. This seems to be her general approach. Even if she's not happy, she'll do it, her wants don't matter.

She assumes that she has no other option and that her only path forward is following orders from her boss. That the only path forward is the one set for her. There's no point in fighting it so she's just gonna continue on that path, and others should do the same or else they'll get Hurt. Learned Helplessness.

Sonetto is similar to her in this sense (Mesmer Jr says so herself,) and Sonetto is shown to hold quite a lot of repressed emotions, and to deviate from the rules or what is logical when she feels something is at stake.

After all: (Is ABA Really “Dog Training for Children”? A Professional Dog Trainer Weighs In.)

We all know that we can feel angry without expressing anger. That we can smile when inside we are crying. You can stop someone from expressing an emotion, but that doesn’t make the emotion go away. A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.” When you read about a dog attack that came “out of nowhere” and “without warning,” it is because this sort of method was used to handle “problem behaviours.” Studies show that dogs trained with these sorts of methods actually have an increased rate of aggression, because punishing aggressive behaviour doesn’t deal with the underlying fear and anxiety that caused the aggression in the first place.

But Mesmer Jr, in contrast to Sonetto, who has an interest in poetry and curiosity in the outside world and has the aforementioned repressed emotions. Has no real distinct personal identity. She does not own anything that shows her interests, unlike her other coworkers who usually have at least Something on them. All of her items are stuff made by Laplace and exist unaltered. Even her cute little headband is a EM amplifier is part of the uniform.

She holds no control, no identity, no agency. She exists as a machine that someone can press the buttons of and achieve whatever function she needs to achieve at the given moment.

This is her current state of existence, and it's not something that's exactly sustainable. The cracks in this machine-living have been showing since she was 12. How many more do you think have been created now that she's 16?

The Foundation

Now, this is really depressing, but that's because Mesmer Jr is just a bit of a depressing character. She can't really get away from her job. For one, her parents are horrible, two The Storm means that the world is always on the verge of ending. Where else will she go?

But, as said previously:

A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.”

Similarly, a girl trained to not develop any sort of identity will crack Someday.

I have no knowledge of what could happen next in her story, nor am I interested in theorizing about it. But I do find it interesting to think about.

#reverse 1999 #mesmer jr #r1999 mesmer jr #r1999 #metaposting #Nott: should I proofread this?#*looks up* too many words...

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thewriteadviceforwriters · 3 days

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Why Writing Is So Lonely | Rin T.

Hello writers, and anyone else who uses Tumblr on a daily basis like me. (Although I’ve been inactive off and on.) It’s me, Rin, and I wanted to talk about something that I think a lot of us struggle with. Or at least anyone, and everyone who considers themselves writers.

The loneliness that can come with the writing life and being a writer. We spend so much of our time alone. It doesn’t matter if you're using your laptop or scribbling in notebooks. Or pacing around in your living room and muttering dialogue to yourself (which I'm completely guilty of.)

Writing is really a solitary passion, and it hasn't just recently been like that. I'm sure Jane Austen and Edgar Allen Poe dealt with similar feelings. And sometimes that isolation can take a real toll that many of us choose to ignore, both on our creativity, our passion, which I assume is writing in this case, and our mental health.

I’ve been writing for about 4 years now, mostly working on my own little passion projects that I plan on publishing and side hustles, not only for my writing project but also my blog (TheWrite AdviceForWriters). I’m currently knee-deep in 4 different novel drafts that I’m absolutely in love with. However, let me tell you. It can get Very lonely a lot of times. There are days when I feel like I’m the only person in the world who cares about these made-up characters and their fictional problems. The characters I create in my mind are so vivid that they seem like the only individuals who actually care about my passion. (They technically are, considering they are basically my passion.)

It’s so easy to start wondering whether anyone will ever want to read the stories I'm pouring my heart into. The self-doubt I get has been a big part of my writing journey, and sometimes it breaks my heart knowing that I may not please everyone who reads my stories. That I possibly could get the worst reviews out there on my book. If it's not perfect for society. For example, I have been reading and receiving news on Alex Aster and the amount of bad reviews she received for her LightLark novel, and she has had a few times where she’s stated she poured her heart into it. And it's not just Aster who deals with these as a published author; there are many others, and it sometimes scares me.

But you know what? I've come to realize that this loneliness is just part of the writer’s journey. And that it truly is going to be the process of every writer’s journey and career. It’s going to be one of the prominent challenges we have to face if we want to do this crazy, wonderful, painful thing we call writing. And I think it's important we talk about it, especially since I'm a blogger who owns a blog specifically for writers. The biggest reason I chose to create this blog was for this reason and the many other challenges of being a writer.

I definitely will consider this blog post to be a discussion, and if anyone wants to reblog or reply to this blog post and start a conversation, please do so, just so we can support each other and figure out healthy ways to cope.

So, why is writing such a lonely pursit? Well, there are quite a few reasons, especially reasons for each individual writer; however, here are a few key reasons:

The Act Itself is Solitary.

At the end of the day, writing is something we have to do on our own. Sure, we can brainstorm with other writers and friends who write or get feedback from beta readers. Or even develop and edit your manuscript with a professional book editor. But the actual act of putting words on the page is a solo endeavor. We’re the ones doing the typing, the (physical) writing, and the constant racking of our brains to find the perfect word or phrase to put down on paper or the blank page on a screen.

Even when we’re writing collaboratively, there’s still a certain level of isolation involved. I mean, after all, our individual writing process and creative visions have to align for the collaboration to work.

And let’s be real—aligning those things isn't always easy.

I’ve reached out to book editors, more so of developmental editors, which is an editor who guides the writer/author on the actual plot and outline of the novel itself. And they have mentioned the difficulties of needing to align with the creativity of the topic or novel. It isn't easy at all.

I know that for me, my most productive writing sessions happen when I'm alone. And I know for a fact I'm not alone on that.

Having no distractions when it's just me, my thoughts, and the blinking cursor on the screen with a Spotify playlist playing in the background. And while that can be deeply fulfilling and very productive, I will admit it can be incredibly lonely.

It's an Emotionally Draining Process.

Writing isn't just about stringing words together. It's about pouring our hearts and souls onto the page. Were digging into our deepest emotions, our biggest fear, our wildest dreams, our thoughts, our philosophy, I can go on. And that kind of vulnerability can be utterly exhausting.

When I'm in the process of drafting a new novel or the many current projects I'm working on. I often find myself emotionally drained at the end of the day. I've been living and breathing these characters, feeling their joys and pains as my own. describing the actions, words, and emotions these characters do and feel. And then after that, I have to close my laptop, put my pen and notebook away, and try to reenter the “real world"—a world that doesn’t always understand the weight I've been carrying.

It can be so isolating, feeling like the only person who understands the emotional journey of your writing. Knowing what it feels like to create characters and their stories and emotions and personalities just as if they were real humans. Our non-writer friends and family members try their best to be supportive, but unless they experience it firsthand, they cannot fully grasp the depth of what we go through. I can tell when I explain my projects to others who aren't writers, it can sometimes feel like they don't care about what I'm saying to them. Or it can also feel like, my stories are just a synopsis for an underrated movie no one’s ever watched.

It's a Profession of Rejection

I think we all know, writing is a tough gig. It's a tough career and job. Even the most successful authors have had to face their fair share of rejection. The rejections can be received from agents, publishers, readers, or critics. (like I mentioned earlier), and that constant stream of “no’s” can really chip away at our confidence and sense of self-worth. And especially if you're an aspiring author and have not yet published your work. Knowing that rejection is a big part of the career of writing is frightening. Really.

I remember when one of my best friends, who is a writer, who is currently in the process of publishing her book, would send query after query only to receive endless rejections. She told me it felt like the entire world was telling her, “Your writing isn't good enough,” and that can be a pretty lonely and demoralizing place to be. It has made me anxious about getting to the querying phase, as I still haven't begun to query yet.

Even when we start to find some success, the fear of rejection never really goes away. Will readers love our next book as much as the last one? Will readers even like my debut novel? Will the critics tear it apart? I know when I first started writing my first novel project. I rewrote the first chapter. 13 times!! And that’s because of all the questions and doubts I had in mind. It’s enough to make any writer want to crawl into a hole and never come out.

And the thing is, as writers, we often don't have the same support system that people in other professions might have. We don't have coworkers to commiserate with or a boss to reassure us; it’s just us. Our doubts and the eerie silence of an empty inbox. For example, Ana Neu, one of my all-time favorite Author-Tuber's, has dealt with similar struggles. She’s mentioned several times how lonely she feels and how her family doesn't fully understand her love and passion for writing. And I completely agree with her. If you want to listen to more of her, please listen to her podcast and watch her videos on YouTube here.

So, now that I went over the key reasons as to why writing is so lonely, I didn't want to end this post on negativity, that’s why I wanted to list the main strategies that have helped me:

Build a Writer’s Community

One of the best ways to combat the isolation of writing is to surround yourself with other writers. That’s why I found social media to be a gift, not just for the other obvious reasons, but because we get to find writers around the world who enjoy the same things we like. Having that sense of community can be a game changer.

When I first started my Tumblr blog, TheWriteAdviceForwers, I was really hoping to create that kind of supportive space for writers. I wanted to create a space where anyone who enjoys writing—not just fiction writers, but anyone who finds writing to be a passion of theirs—can share their dreams and struggles with. It's been amazing to connect with so many incredible people who just “get” the unique challenges we face. Being able to share our achievements and share our compassions. It's been vital for my own mental health as a writer, and I hope that it can also be vital for all of you.

And of course, the community is not about venting or seeking validation from others; its about providing feedback, encouragement, and just being able to make friends. Having that makes the lonely parts of the writing process and journey feel a little less lonely.

Prioritize Self-care

It's so easy to get caught up in the work and neglect our well-being. There have been multiple times where I wouldn't take a break from my writing sessions and simply not eat and drink. I wouldn't give myself time to process everything I wrote, and I immediately after would criticize it.

However, I find that self-care is the most important part of combating the isolation that comes with being a writer. For me, that looks like making sure I get enough sleep. You can't process, learn, and remember anything when you don't have enough sleep. During my personal self-care, when I do 45-to 1-hour writing sessions, I usually take a short nap after. Eating nourishing meals and snacks is important, as is making time for the hobbies and activities that bring me joy. I usually like reading books, spending quality time with my family members, and very feisty (and sometimes scary) cat.

3. Cultivate Gratitude

When loneliness starts to creep in, it can be really helpful to shift our mindset and focus on what we are grateful for; this can be really productive and rewarding. Being a writer is a gift; we get to spend our days doing what we love, bringing our creative visions to life and sharing them with people who love literature. Readers are such a big part of being a writer, and they're huge motivations to me.

So, if you can, just take a moment to appreciate the joys of writing. For example, if you have any writing quirks, I personally have to wear bracelets on both of my wrists in order to produce some type of creativity when I write. I'm not sure why it's just something I noticed. I also really love writing my manuscripts physically. I tend to do this when I'm suffering from writer's block, and for some reason my writing style is a lot better.

And don't forget the many other joys of writing, like drafting, and the excitement of sharing your work with others. Having a new idea come to mind that fits perfectly in your plot. Or even a reader or beta reader sharing a comment on your work and giving you encouragement.

Also, please celebrate your wins; it makes writing all too fun, and it's a great way to integrate writing into the real world.

End Note

I wanted to write this post because I know a lot of us deal with feeling lonely; I’ve been feeling that way for quite some time, and I wanted to share it with Tumblr. I feel like each and every one of you all feel the same way. And that’s why I created my Tumblr community; that's the reason I created this blog, and that's the reason I strive to build this into an entire brand.

I want to bring more awareness to writers, we are the people behind the stories, movies, and media that we consume today, and we barely get any credit for our work. I want to make a brand where others who never thought writing to be their passion could actually for once consider “Is writing for me?”

I feel like it's such an underrated yet overrated passion. Yet it's not acknowledged as much.

I hope this post can make you understand that writing is 90% lonely and you are not crazy for thinking so. But, we can use the resources we have today, like social media, to change that and make writing better for the present and the future.

Thank you all for reading. And please, if you are considering joining a community if you haven't already, please join The Write Right Society. We recently met 100 members, and the community is continuing to grow.

#writing #thewriteadviceforwriters #writeblr #creative writing #how to write #writers block #writing tips #on writing #writers on tumblr #aspiring author #authors of tumblr

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fanfic-writer-and-rambler · 1 day

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I read the Tim Drake pride comic and looked through the comments on the site... That was a fucking mistake. Okay gotta rant, one comment said that Tim being written as Bi is forced and that he never showed that ... This could be me, but wasn't he created and written in the 90s? What would they show?! Also if people had an issue with the break up with Steph, okay I get it, if people felt the comic "didn't convey him being bi correctly" okay cool, but it's not forced or pandering or woke to write him bisexual.

That is a new set of writers putting an interesting spin on an old character.

And you know what:

I fucking love it!

I never saw him as being with Stephanie, that is just my opinion.

And while I don't love it him and Konnor, him and Bernard, whatever it is works.

I hate that a change to a character is met with "Woke" or "Pandering" or "Forced" and then they don't even give it a chance. I should not have read those disquis comments lol. I should not have. I'm sorry ... I am so sorry.

I probably overreacted, maybe I'm wrong, but Tim Drake is a good character, the fact they made him bisexual and not just gay was a good twist because bisexual men are looked down on sadly. Heck, a bisexual man isn't even accepted but some people today! The fact that this is canon makes me happy and... I liked the story.

Sorry for ranting and rambling guys. Your regularly scheduled Batfamily fanfic will return after this lol

#batfamily #batman #tim drake #dc comcis #rant post #personal rant #rant #robin #robin dc #tim drake robin

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kylieswift31 · 2 days

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Hey Stephen

The ‘Hey Stephen’ interview is gaining traction again now because it was a pre-sent Easter egg designed to be understood at a later date. And the key to understanding it now is to view the interview through the lens of the Truman show…

Just after Truman’s escape ‘fails’, the director grows complacent as we begin to view Truman’s life through his point of view and this begins with interviews and clips of the fans watching along at home. This is designed to be a show of support on first watch, but the deeper you get into the themes of the movie the more you understand how many seem to be stuck in the shallow end of interpretation.

All of the positive endorsement of Truman’s popularity and the success of the show is a setup to highlight the director’s ‘good’ intentions by painting Sylvia’s character in a bad light. She’s the one that got (taken) away in Truman’s love triangle and is now seen as the face of the ‘free Truman’ movement. In his eyes she’s the anti hero and the reason why Truman began trying to escape after she left.

Everyone else watching from home had adopted a similar point of view to the director because they were viewing Truman’s life through his point of view. Understanding the director’s role in scripting the narrative slowly increased the support for the side that could see the cracks forming in the facade.

This is where ‘the tortoise and the hare’ reflects the moral of the story being told in the Truman show. The director is betting on the hare based on his view of Truman™ and Sylvia is betting on the tortoise because she can see the hidden side of Truman underneath the facade of Truman™.

The director was so sure he’d won the race after Truman’s ‘failed’ escape that he didn’t realise it was a purposeful ‘loss’ in a game of checkers. The director saw each round as a win without realising progress was being made until Truman had crossed the finish line.

This is why the movie ending with Truman stepping through the door is so powerful. It’s Truman revealing that they had been playing chess all along. Stepping through the door was Truman saying checkmate without giving the director a second thought.

Just like the tortoise’s slow progress towards the finish line, the never ending references to the Truman show stem from Taylor reenacting Truman’s strategy of slowly turning up the heat. Doing all of this as a one woman band allows each small step forwards (or breadcrumb left behind) to go unnoticed, as the connections between each clue are undetectable at first glance.

In the ‘Hey Stephen’ interview Taylor repeats “shockingly specific” details about Stephen’s personal life because she sees how some of her own fans are bordering on a stalker level of obsession while refusing to put the same level of investigation into her lyrics. For example we’ve seen the tracking of her private plane flights, knowing the names of her bodyguards and tracking her fertility cycle in the hopes she’s getting married and having children with Travis any day now.

I go back and forth on who I think the director in Taylor’s story could be, but I’m beginning to see that it’s this specific subset of the swiftie fanbase that might fulfil this role. It’s the ones that continue to overstep as they demand to see a palatable version of Taylor™ who will be the ones hanging on to the facade right up to the very end. And it’s their predictability that’s allowed Taylor to plan out future references like this so far in advance.

The Stephen Colbert poster is a classic example of how Taylor has created a cycle of leaving a trail of Easter eggs, red herrings and breadcrumbs along the way. It’s saying look over here at the pizza, but whatever you do don’t look over here to see the golden egg being pointed to with the other hand. Seeing the one piece of evidence on its own and not considering the bigger story it connects to is how the hare lost the race he didn’t realise was progressing towards the finish line when he wasn’t paying attention.

Highlighting the use of homonyms (and homographs, homophones etc) by referencing names such as Stephen and Lucy feels like a nod towards the meaning of Truman’s name. Truman is pretending to be the ‘True Man’ in the form of Truman™ because this is who the director wants him to be. In the same way Taylor is pretending to be Taylor™. This is essentially a combination of the ‘good girl’ persona and the pop star persona. Combining all of this with the manuscript also meaning ‘the man you script’ and you create the foundation for the ongoing performance art.

The golden egg is likely a reference to the Aesop fable ‘the goose and the golden egg’. It’s about a countryman who got rich from selling the golden eggs the goose had laid. Over time he became impatient and greedy waiting for the goose to lay one egg a day. He came up with the idea to kill the goose and cut it open. As he did so he discovered that there were no more eggs to be found and that it was the process the goose went through laying one a day that created the golden egg.

Another example of this story is seen in the Willy Wonka stories. In this case it’s used as a test to sift out the bad eggs from the good ones. In the end the moral of the story is “those who have plenty want more and so lose all they have”. This is what lead Truman to reach a breaking point and it’s what we’re seeing play out with Taylor’s story too. “All the pieces of me shattered as the crowd was chanting “more!”” And ‘the goose and the golden egg’ is listed as number 87 in the Perry index of Aesop fables. 🫠

On that note… the only orange colour on the poster is the TnT, a common nickname for Taylor and Travis. What if karma orange is actually a reference to something they were working on together? Stephen Colbert emphasised the music played to transition into the interview as a ‘liaison’, this word is usually used to describe someone acting as a bridge between two people. And Travis is the key to highlighting the contrast between Taylor and Taylor™.

The performance of Taylor™ as the ‘good girl’ and Truman™ as the ‘true man’ is designed to break down the facade so that we can see who they really are underneath. “You never had a camera inside my head”. If we’re not willing to look past the facade of Taylor™ we won’t see what inside her heart.

We’ve all reached the point where we agree that Taylor is queer in some form after viewing her story through a queer lens. I know many are frustrated that the story isn’t over yet, but we have to remember that we’ve already crossed the finish line. Taylor is now repeating the race to help explain her story to a larger audience in a way that they can understand it. All that’s left now is to filter out the good eggs so that we can leave the bad eggs behind.

“When you watch a film or you read a book and there’s a character that you identify with, you most of the time identify with them because they’re targeting something in you that feels like you’ve been there. That’s why we relate to characters.” -Taylor Swift

This applies to swifties too ❤️💛

A tortured poet,

Kylie x

#gaylor #taylorswift #friends of dorothea #taylor swift music video analysis #swiftie #the truman show

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punkeropercyjackson · 2 days

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Clear ups and headcanons on the Big Three Kids + alternative subcultures(by an alternative person who's autistic and has Pjo as a lifelong special interest)

Nico isn't emo.No i'm not joking,he's too optimistic to be emo and i'm not joking on that explanation either because once you stop taking his edgy front at face value,you see he's actually a very hopeful and soft boy.Nico is goth-Dark aesthetic,dower attitude and macabe traits heavily dealing with death and the darker supernatural

Hazel is goth too as an even grimer child of death and there's nothing more gothic than dying and getting ressurected to haunt your own narrative.Hazel shows a preference for light femininity so she would most likely be pastel goth specifically if she took up the aesthetic

Percy is the ultimate punk and it has nothing do with vague mentions of him skateboarding.Percy is punk because he fufills every requirement for being part of punk culture-He's a gender nonconformist who does direct action against a corrupt system as his entire motivation as a hero,hates the rich and talks shit to authority figures,performs activism in both his worlds,grew up a bully beater so hardcore he got kicked out 6 schools by 12,an intersectionalist that looks out for all his fellow minorities including the 'villains' of the franchise that got ropped into it against their will and even took in Nico and Hazel as his younger siblings and pseudo-kids for a double whammy as a huge part of punk is children's rights,textually an anarchist('the sea does not like to be restrained'),literally psychologically incapable of selling out as confirmed in a Tkc crossover short story and implied to listen punk music on multiple occasions.And sorry but Percy'd never be into grunge-It's too boring aesthetic for him and grunge as a music genre isn't Percy-coded at all and the only reason it's said to be is he's a 2000s kid and people are basic.Percy gives solarpunk and metalhead

Hazel is canonically punk for the same reasons Percy thanks how alike they are but also an additional reason is she is canonically darkskin black and punk culture is black culture as we created it.Percy is afrolatino-coded so he should be potrayed as such in punk!Percy or else you loose a big chunk of what makes him so punk and Nico may've been described as white but nothing should stop you from potraying him as black too as it's better writing for all three of the Dead Sea Siblings to be black and black Nico makes sense as he's got a lot in common with 'the black sunshine softboy who's also a little shit' characters(Gus Porter from The Owl House is just Nico di Angelo as an animated character down to his design tbh).Nico's physically disabled as he canonically has chronic fatigue and probs would develop chronic pain at this point so combined with his closeness to Percy and Hazel he realistically would go goth punk

Also not joking again:Percy is the My Chemical Romance obsessed one,not Nico.He's a millenial from New York with undiagnosed autism that was bullied at his schools with no friends and transfem bigender so Mcr is Percy-coded and he grew up on it along with Korn and Paramore for an alt trifecta.He introduced Nico and Hazel to it as bonding and punk mentorship and refuses to let them go to Hot Topic or even hear about it in favor of diy lessons and family thrift store trips with Sally.They still love Domo though(including Percy when i say this ofc)so that's how they get their Domo goods

Thalia is explicitly goth punk.Her style is described as a mix between the two,Green Day is a goth punk band and her attitude and actions match up the ideals of goth punk people,including that like Percy,she is gnc but in the opposite direction-She's a girl but masculine presenting and uncomfortable in traditional femininity.There's some pretty good hints that tie to trans lesbian Thalia even without her being butch and with her being black now it all comes together WITH an even better addition that there's a black version of Riot Grrrls called Sista Grrrls(Riot Grrrl for those who don't know is lesbian feminist punks and music)that Thalia would absolutely be one of,especially with the similarities between The Hunters and Riot Grrrls

Percy harrasses Poseidon for money for Nico's mobility aids and chronic pain meds,Hazel collects Blythe dolls and mixed media is her favorite artform to do and she runs a supernatural based bussiness website her brothers help her out on,Thalia cooks cosmic brownie edibles and Sally and the Dead Sea Siblings run a family bussiness called 'Familia Jackson Beach Shack' and Sally put the ball in the court of Percy going solarpunk with her love for the sea she passed down to him manifesting in a deep care for enviormentalism

Piercings:Percy has an eyebrow piercing,forward helix on both ears,a spider bite and a tongue ring,Nico has angel bites,a septum and snugs,Hazel has stacked lobels,double cheeks and a pink nose ring and Thalia has a nose ring,snake bites,ear gagues and an eyebrow piercing on the the opposite side of Percy's.Percy did Nico and Hazel's piercings for them and Thalia did her own and had them paper clip lookin' earrings in Ttc

Hair:Percy has long locs and his gray streak faded to white and he dyes his hair the mermaidcore style,Nico had an afro he occasionally put in afropuffs or an afro ponytail until he turned 17 and now he has slightly past the shoulder dreads with a loose bun in the back,Hazel is just like Percy yet again with a different hairstyle in each book as she had star-shaped afropuffs in Son,cornrows in Moa,twists in Hoh,sisterlocks in Boo and butterfly locs onwards and Thalia started with bantu knots before upgrading to an afrohawk

Perce has the caution tape on this bedroom door 2000s older brother requirement,Nico and Hazel attend the Special Ed school Percy was supposed to but melted down so badly over when he overheard Sally planning it when he was 9 she never brought it up again and he convinced them to go out of remorse and grief at what could've been and Nico is known as the outspoken activist nerd boy(affectionate)and Hazel is the IT Girl everybody loves and looks up to for her self-love of her weirdness and helping others feel the same and Thalia likes hanging out in abandoned places but never on her own as it brings up bad memories and rather takes Reyna with her so they can do it as dates to reclaim it and show her how much she loves her enough to trust her with that

Percy takes his siblings/kids to basement/underground shows and charity/community service on the regular and protests/riots too once they get old enough and they're all big into video games but only play secondhand,indie and free games on anti-capitalist principal.Their game nights go hard and they do graffiti and skatepark visits are every other day and Percy's sporting lipstick and eyeliner tears whenever he feels up for doing his makeup,either black or glittery blue(for both)and Nico looked up tutorials for tradgoth makeup to do and Hazel came up with pastel punk makeup styles all on her own to test her artistic ability and as a baby transfem confidence boost.Not an alt thing but it's very important to me they also got to the local cat cafe often and are the only reason it's still in bussiness🙏🏼

Thalia keeps things secret not because she wants privacy but because so many things she does break multiple realms' laws and she's got a gnarly tattoo sleeve.She's the loose canon fanon thinks Percy is and Percy still lives at home with Sally but before that,he revolutionized the greco-roman mythos world after graduating from Goode High,a year after Hoo and it lasted 4 years in 4 books in the sequel to it Tales of Dead Seas aka Tods

And Percy is heavy on sharks while Nico is batkin and Hazel has catlike aspects as a side effect of her ressurection and Thalia developed an unnervingly sturdy body structure from being a tree.Percy and Hazel are real into energy drinks and Nico perfers weird flavor sodas and Thalia loves crushing cans on her head after downing the whole thing and burping as long as she can

Percy is also 'I'm Just Your Problem' from Adventure Time-coded but the Ashe cover specifically and Hazel has a pair of pink skull headphones she's always wearing to listen to her authentic Lo-Fi Beats(read:by black artists),breakcore and nu metal songs and writes them in her digital diary too and Nico curiously enough enjoys trappunk the most.Thalia's been mistaken for Edith Victoria so many times she's started lying and saying she is her for the bit

And i said Hobie Brown is Percy-coded?I'd be objectively right

Also i just wanna say as the send-off:Normie/'Prep' Jason's not real.That's an entire black biracial man who's character was outgrowing his militaristic and golden child upbringing to befriend queer people and poc and definitely has wolf/werewolf therian shit going on seeing as he was raised by Lupa herself and is only not autistic and transmasc if you're illiterate.Jason's not punk but he follows the beliefs and listens to indie pop and dad rock and dresses like a faggy 80s horror movie jock and eats whatever weird food combo he can get his hands on on impulse and deep dives into lost media and has a lightning bolt fade and studed ears.Jason's not punk but he's a weirdo and a freak and he rides for and with us so we(Dead Sea Siblings + Thalia + irl alts)ride for and with him

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neonfretra · 2 days

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does anyone want to discuss hrpf outside of shipping + written fic context . because i think about where what i do sits in relation to it all

for brevity i will be referring to the real person as the player and the fictionalized interpretation of the player as the character

to get things outta the way, i dont think theres very much you can say about real life people before you start crossin into real person fiction (rpf) territory LOL

transformative art is rpf. speculation is rpf. narratives is rpf. the second you start steppin away from a direct relay of the facts as is, we gettin in ficticious waters IMO. its really a neutral thing to me and my ethics begin and end at "dont show people who dont wanna see"

and its real funny to think about how i do art just because it feels like i set up way less barriers compared to people who DO write fic . i see all this talk about making sure you make your stuff login exclusive, about not sharin it to the people involved, disclaimers about how its in fact NOT a reflection of reality that your favorite athlete is mpregnant and YOU are are mfather.

and i just hit post and call it a day LOL

TO BE CLEAR there is definitely layers to it in the sense that i see similar amounts of caution with say ship art or certain degrees of raunch.

shipping in the rpf scene is funny to me in the sense of the tendency to treat shipping as THE exclusive rpf thing. like no i dont think my tomas tatar fanart is 1:1 on the reality front either. for example, nj devils hairline is not that far back and thags the only inaccuracy.

heres the kicker: mmy foot.

most of my doodles tend to evoke a degree of characterization or narrative. yeag maybe its a little less 30k slowburn and a little more fabian zetterlund shot putting a man but. that is fictional, that is a character

im not saying that rpf defines players more than the reality of them does but i do believe it does enforce certain views

in the spaces i hang around ive noticed the narrativization around certain characters being part fueled by the information that is filtered by reporters and part interpretations bounced back and forth by fandom . and when you have eyes on a story, its easy to pick out information solely as it agrees with you

maybe the most prominent narrative ive seen for the sharks has been macklin celebrini having a jock dad -> therefore he got daddy issues, joe thornton houses him -> therefore mentor and father figure joe thornton? where even though i havent seen any direct relay of information from any players (though ivent been looking LOL) a lot of the discussion around it revolves around this common understanding that it just is (the funnier part is arguably that will smith hockey has been doing more for this narrative for patrick marleau BUT NEITHER HERE NOR THERE.)

and its really interesting to note HOW fandom warps or weaves the story by going off common tropes or dynamics to make sense of the public facing parts we do see, which is what i think is magnified through the lens of fanworks but not (necessarily) CREATED by fanworks

which is where i feel my work is part of the. ecosystem??? life cycle??? and then we all return to the dirt and the worms eat us???

how much or how little we define the gap between player and character changes from person to person. i simply do not have that goin on here. devin cooley eats joey daccords hair take it or leave it. annnnd main tag that

other times i feel we wear the divide thin are when there is headcanon that uses facts about the player (ie a lot of ship talk) or when the character becomes the kneejerk understanding of the player (ie liveblogs. very fun way to get a read of a communitys feelings on something because of how immediate the reactions on it are)

the point of this post isnt to shame or interrogate people about participating in rpf, im not looking for those sort of feelings, im fascinated by fandom culture as a twig off the old branch and i would love to hear other perspectives on the same topic (and different communities! i dont have much involvement in fic. which is. a massive hole in my perspective on this probably)

is it possible to cross the line from rpf to plain old original content LOL (the answer is intent i know but. walk with me here its fun to think about)

naturally theres a degree of "original character" to every depiction . you gotta make up some amount of it. theres no clear separation OF rpf and original content because everything is about borrowing. you make characters with inspiration from other things. its near enough universal for someone who deals with characters to have at some point lifted a character directly out of their original context and made them their own.

its not just their face or name or some other physical attribute that makes it rpf id also argue because i have seen people using attributes of real people as "claims" for origubal characters (like a "faceclaim" to say "this is how i imagine my character to look")

on top of that there is fluctuating interest on actually depicting the player, with approaches that i have heard of ranging from "character that shares the quantitative aspects of the player and thats IT" to "character that was made heavily referencing to things the player has said/done"

its interesting when certain players in rpf have a consistent character! which trends to be in teams with a more active rpf oriented fanbase (vs interest mainly in the real life hockey played), comparing the fandom of kraken to the golden knights on tumblr for instance. its also interesting to note that more popular teams just have more rpf centric leans. because there are more people to write rpf. i mean also we are on a fandom centric site and rpf bridges that gap from narrative/character fueled media and sportsball more LOL

(if you like sports from a purely sports oriented angle do you enjoy watching it? genuine question. because at what point is it "i could just be doing this myself" because ive hit that point with other things before LMAO)

i do call the difference being more "fandom" oriented but IDK if thats correctly using the word or just less syllables. and on top of that i cant exactly tell you if its popularity or stand out personality that holds more sway. though then again i guess those two traits arent separate from each other necessarily. or even that those are the only two factors to broad appeal (probably popularity with another player is up there. but im not trying to find a formula for most attractive to make rpf of)

to return to the kraken because that is the most rpf oriented team i follow, i do notice when players portrayed consistently. i can definitely tell you like. one or two character traits about players i do not follow the media of solely from liveblogs and art. complexity of the character varies by a lot, though i do think its interesting to consider the hows and whys.

a trait or interest being highlighted by media (i tend to see this in offical media coverage that gets spread by jokes) -> the character heavily revolves around this feature in jokes or casual reference, with heavy personal interpretation

media pushing a narrative by following a more cohesive timeline or story structure (i usually see this in fanworks. easier to identify the influence of IMO) -> fairly consistent character backstory or , at least in the broad strokes of it

just general agreements about tropes that are appealing with little basis on the player -> this is usually the more relationship focused character interpretation

there isnt usually just one factor (and this isnt an exhaustive list of factors) to one characters history. unless its a super new player on the radar.

its definitely a character that belongs to the fandom! as in the unique character to the unique community! its actually really funny how they evolve. you could probably fingerprint someones influences if you tried hard enough. with how new the kraken is (and the fact the fandom leans more towards being united as one body than any other team ive seen so far) it does get pretty easy to get it down to the post but. do your own treasure search. I wont deprive you!

(also its EMBARASSING... what if the people i mention SEE... im SHY...)

harder with an older fandom like the sharks there are so many dead and defunct sources or jokes so widely spread that it gets hard to locate the origin . because dead and defunct sources. though i think its growing a new ring around the fandom tree because of the newer players! so its a thought. to think about how different events influence the size and activity of a fanbase and to ask how different fans from different. eras? of a fanbase interact (or dont).

again i notice this in the sharks fandoms by comparing fans from the playoff contending sharks era (last playoff season was 18-19? start is a little murky but ill toss out that 2012 was the year tomas hertl was drafted because tomas hertl was an era of the sharks LOL a whole 12 years! i know people younger than his professional career and those people are catching up to me in height. humbling!) and fans from when the sharks were very much not playoff contending (quite an amount of the current active fans LOL). not sure if theres much to say without looking stupid. different jokes, notable players, friend groups, feelings towards other teams. all still feel very strongly about general manager mike grier scattering players like dandellion seeds to the wind.

(AGAIN. HOPING NO SHARKS FANS NOTICE THIS. IM SHY)

how many sharks fans havent seen logan couture on ice

again i am saying all this as someone who ACTIVELY participates in this BTW!!! does anyone notice that players i dont know definitely have a flatter "whatever is the funniest thing to say" angle . or that characters of players i know a few things about have like one punchline . or even that certain characters are consistent and not just bound by direct interpretations of one moment (which i do a lot of when im liveblogging) (dont get your hopes up for anything new here, the character usually is "pathetic and a little bit of a bastard")

i keep writing these disclaimers like. if someone disagreed this strongly they would not be reading this far. hi! is anyone still here. is someone still reading.

i have created life and i dont know to kill it.

i talk about one of my depictions of a player as a separate character (that is to say, a SEPARATE character from the character intended to represent the player) and i have NO idea if this is like. an OC? a defamation case in waiting? my spawn? do i have to pay childcare. does anyone know who or what im talking about or has the character been festering in my mind like an infection.

is it just me???

my advice to you: if you dont want somethin to come back dont give it a name.

consider dissecting your personal and the more widespread fandoms take on players and characters! its fun for me but i also just like taking things apart ^_^ i fear i may not be as analytical as this post demands i do a lot of restating information and thats it

#neon etcetra #sorry if this is wildly disconnected or repetitive #im like writing a few sentences every few days LMAO #hello! i am about to post this! i think this was over the course of over a week #i chip very slowly at my thoughts that cannot be summed up in one joke

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marionluth · 12 hours

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I'm fairly new to the batman fandom, but today I was reminded of my favorite preteen batman animated series back in the early 2000s (damn I'm getting old 🫠) : Batman Beyond. And it got me thinking and I did some digging and found (fan-created) timelines about the ages of the characters.

So they theorize Bruce is 77 and Terry is 16 in Batman Beyond. Now I know that i’m mixing different media here (comics and DCAU), but if we go under the batman all media types umbrella, Bruce being 77 would make (again based on fan made ages analyses) Dick 62, Jason 57, Tim 55, Damian 49.

And I’m just think it would be interesting to explore these characters’ reactions to suddenly seeing a helluva young batman (at the same age they were still just Robins) roaming Gotham and kicking ass. And their enstranged toxic-as-fuck father figure bringing another teen into the bat-game AND giving that new kid the mantle (not that they'd want it for themselves, but I think it would still just rub them wrong?)

As I'm typing this I'm realizing there might actually already be numerous stories out there exploring this and I just haven't read any yet, but it just came to me and I thought it is an interesting premise to explore. Also trying to imagine all the Robins so old is 🤯

So yeah, if you happen to know of any fics like this I'd love some recs (I'll research for some myself later). And I really think that's something I might write myself at some point.

#batman #batman beyond #terry mcginnis #dick grayson #Bruce wayne #Jason todd #damian wayne #tim drake #batfam #dc #dc fandom #batman all media types

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justanerddummie · 9 hours

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Ok, I'm going to ramble once again, about the new amazing sneak peak that at least to me feels like Vi is kind of trying to put herself in jail once again, it's pretty long so I'll put a cut.

It's kind of the perfect parallel with s1 if you think about it, except this time it's not Marcus that drags her in Stillwater but it's Vi who creates a weird version of it by herself.

"So you just wave an arm, have someone dragged out, don't bother to find out what it does to someone being stuffed in a stone box for weeks, months or even years" this is what Vi tells jayce after he threatened her to have her arrested and it's kind of what we see in the sneak peak. Vi locks herself in her one bedroom apartment and slowly loses her sanity with every passing second, only to go downstairs when she can't take it anymore - no one can convince me that the apartment isn't right above the fighting pit - and either gets herself beat up until she looses consciousness or drinks enough to pass out.

The fact that she hallucinates Caitlyn makes me think that she's going to blame herself for Cait's villain era, almost as if she created not just Jinx but another monster, and in a weird and fucked up way I think this is also Vi's way of getting a time-out from being herself, from being the reason everybody goes batshit crazy and the only way she can do it is by locking herself away in the deepest pit the underground has to offer, a place where her actions affects her and only her (somebody please go check on her).

In Vi's head it all makes sense, and I don't think this is an identy crisis, I think this is the end of a cycle for her, (like if you think abt s1 it's pretty obvious how the "kids" are making the same choices of their parents with a few differences here and there but with the same results, and then the cycle starts again) this is the end of the story of her trying to save her sister and accidentally turning the naive, bright eyed enforcer that got her out of jail in an even bigger monster, so she decides to lock herself up, to punish herself.

This is the pinnacle of Vander's education (don't get me wrong I love the guy, but in trying to teach Vi what he learned from his mistakes he forgot to teach her that other's people actions are not her fault), now what remains to be seen is if this is just another beginning of the same cycle or if she'll manage to break it.

Because at the end of the day I think Vi's the only character who can manage that, she's the link between top side and underground and possibly one the few characters who is capable of forgiveness, not for herself unfortunately but for others, yes, she is.

#arcane #caitlyn kiramman #vi #jinx #vander arcane #arcane theory

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flawseer · 21 minutes

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In your last ask, you mentioned misgivings with Book 10's ending, and especially how it pertains to Winter. I absolutely agree, and I know why, but I wanna hear your thoughts on it, too: What's up with Book 10?

The following is a (very long) examination of my personal feelings with regards to the WoF second story arc finale. While it is based on what is in the text, this analysis will be interpretive and fill in blanks with my own thoughts. Keep that in mind.

Hahhhh... okay. Since mentioning it in my last post I’ve gotten several requests to talk about my feelings regarding the second arc finale. There’s probably no way around it then.

If you haven’t read that last post (it was admittedly very long, and so will this one be), I talked briefly about why I didn’t like that part of the story. I have to warn you now, this will likely be the most negative and dour post in the history of this blog. In a few parts it will sound like I hate Wings of Fire, and I want to say now, while I still have the chance, that I don’t. I love this series, thinking about its setting and characters brings me joy.

I also—very emphatically—want to make it clear that I have no ill will against Tui T. Sutherland. I’ve looked around other people’s stuff a bit and there are a huge number of posts wishing violence upon her or threatening her for doing things to her series that people don’t agree with. That is NOT what I am doing here, shit like that is NOT okay! While I will be critical of her choices, I still respect her effort of bringing this vibrant, wonderful world of dragons to all of us.

Also, obligatory last disclaimer: If you liked the finale, that is okay. You are valid for feeling that way. I’m here to share my point of view, not to demand people agree with everything I say. Just be warned that you most likely won’t enjoy what I have to say. If you don’t think you can handle that kind of criticism, this is your guilt-free opportunity to stop reading.

Otherwise, let's get into it.

CW: Discussion of parental abuse, depression, disease, and extreme acts of violence.

In defense of the finale

Before I start to systematically disassemble this narrative and get lost in a quagmire of negativity, let’s talk a bit about the circumstances that brought forth this part of the story. The plot of this arc was a mess from the moment animus magic was unshackled from the restrictions it had in the first arc, and from then on there was no longer any conceivable way to end this story in a clean way. Sutherland had created an invincible, unbeatable, omnipotent villain; he could read minds, see the future with perfect clarity, and anything he could imagine he could conjure into existence at any time with no cost to himself and no drawbacks. She was likely wracking her brain about how to resolve this impossible conundrum. What we got wasn’t good, but I believe nothing could have been. The foundation was rotting and by the fifth book it couldn’t bear the weight of the plot anymore.

The thing about animus magic in arc 2 is that it is so potent, so all-powerful, and so free of restraint that everyone who uses it also HAS to be a simpleton, or they would be able to break the plot immediately and become god. From the moment Darkstalker broke out of that mountain, he could have said “Any and all spells that are cast with the intention to harm me, interfere with my plans, or do something I don’t consent to will not work, from now on until forever”, and he would have instantly won. The strawberry would have fizzled out. The Darkstalker-blocking earrings would not have been created, and no one could have saved the Icewings. On the flipside, Turtle or Anemone could have said “I enchant the concept of animus magic itself to no longer obey Darkstalker”, and his threat would have been neutered. Point is, powers as potent and easy to use as this really need limitations, or they will quickly eat your plot alive.

I don’t envy the situation Sutherland was in at the time at all. If you’re an author, that kind of thing is a nightmare. It really is no wonder she decided to blow up animus magic for good in her next arc, even if I would have preferred it to get more healthy restrictions instead of killing it outright.

The Darkstalker age regression thing

Everyone has talked this part to death already, but if I am to write a thorough analysis of my feelings regarding this finale, I’m going to have to talk about it as well. I’m sorry if I end up repeating a lot of things you’ve already heard.

This final fate of Darkstalker, to have his memories wiped and be reset to an infant, is really uncomfortable. As far as I am aware, though correct me if I’m wrong, Sutherland said in an interview that she didn’t want Darkstalker to die because, in her view, he did not deserve to. We can debate here about the philosophical question of whether anyone is truly deserving of death, and the merits of “justice” and “punishment”, but in general, Wings of Fire did not seem to have any issues killing off its villains prior if they committed suitably terrible acts. That makes this moment stand out as noteworthy.

Who is Darkstalker then--and if we assume villains can be “deserving” and “not deserving” of death--what about him speaks in his favor, or against? The guy had a pretty crappy childhood, coming from a broken home (there is that inadequate parent theme again). He genuinely loved his sister and felt protective of her, and whenever he liked someone he wanted them to be happy and feel affirmed. The thing that Queen Diamond does to his mother is awful and he is justified in hating her for it. He is also portrayed as rather sympathetic in Moon Rising. When he asks Moon to find his scroll for him and not to leave him, he is not manipulating her, he is sincerely begging for her help. He is stuck somewhere underground, trapped in darkness, in a space so tiny that he can’t move. He remains that way for months, lonely and sad. If you just focus on these aspects, it’s easy to understand why he has so many fans who want him to see healthy and happy.

On the flipside, while he is dedicated to the happiness of his friends, he doesn’t always go for the most ethical way to achieve it. He tries to brainwash said friends without their consent whenever they exhibit behaviors he doesn’t like, or when he thinks he knows better and wants to “fix” them. He has very little regard for other people’s autonomy, lies to his loved ones with alarming frequency, and is unhealthily attached to the idea of power. Those things are certainly not good, but they are his character flaws. These are his demons; everyone has them and they make him a person. If this was all there was to it, he might still be a villain, but I’d argue he’d not be wholly irredeemable.

But there are things about him that take him beyond the pale. Things that go beyond the realm of just being misunderstood, or easily excusable.

He is possessive. He wants Clearsight and Fathom for himself, and for them to listen to him primarily. When Indigo makes it clear she doesn’t like him and cautions Fathom against trusting him, he deceives his friends and traps Indigo in a wood carving, just so he can isolate Fathom from his support network and manipulate him easier. He alters Clearsight’s mind to make her more agreeable and stop her from holding him accountable for his actions; while he thinks he loves her, he only loves an idealized version of her that is wholly devoted to and unquestioning of him. This is why, when he later forcibly overwrites Fierceteeth’s existence to recreate her (which is another horrific thing), he tries to excise the parts he finds undesirable to create a perfect version of his lover. But this caricature he has created in his head is not and can never be Clearsight, which frustrates his attempts.

He is vengeful. Not against people who have actually wronged him, like Queen Diamond. That would be questionable, but understandable. What makes this unacceptable is his frequent targeting of innocent people who just happen to be related to the person who wronged him in some esoteric way. He enchants a secret murder knife that kills random Icewings regardless of who they are or what they think about the Queen, just because the one who took his mother from him happened to share their tribe. He hates Turtle and wishes death upon him in Moon Rising just because he is a green Seawing, like Fathom was. And then there is the big one: He tries to kill all the Icewings who are alive in the present day, where Queen Diamond is long dead and none of them have ever even met her. Even his mother, who suffered from Diamond’s actions the most and has the most reason to hate her, is horrified and calls him out on that one.

And lastly, he is sadistic. He revels in torturing those he hates. He forces his father to disembowel himself, while the latter is fully aware and powerless to resist AND the man’s traumatized daughter is watching. Later he sends a magical plague to kill every single living Icewing sans one.

It should be noted that Darkstalker possesses virtually infinite magical power; whatever he declares, with very few exceptions, will happen. Even if he wanted them dead, he had the power to prevent unnecessary suffering. He could have said “Arctic, fall dead instantaneously”, or “Every Icewing will fall asleep and pass away peacefully,” but he didn’t. He wanted them to feel pain and pass away in the most wretched, agonizing ways he could imagine.

So what he chose to do instead is—and I want you to picture this for a moment—Darkstalker sat down, calmly, and said “Henceforth every living Icewing, excepting Prince Winter and those of hybrid blood, will fall ill with an incurable disease. This disease will cause heavy internal bleeding and make its victims cough up blood and waste away for a few days, followed by certain death.”

This spell does not discriminate with regards to who its victims are. The book glosses over the implications, but imagine the ramifications. Young children are notoriously frail, how many newborns got infected and died because of this? How many families were torn apart because they couldn’t get the magic earrings fast enough? Or accidentally got one earring less than there were family members and had to decide who has to die?

Most of the Icewings were physically cured by the earrings, but an experience like that sticks with you for the rest of your life. Somewhere surely, a dragonet watched as his mother put the earring on him and then slowly wasted away because she didn’t have one for herself.

It’s really easy to overlook how horrific this spell is because it isn’t shown or dwelt on. But the trauma, grief, and suffering it caused must have been immeasurable.

And none of those victims have ever even met the person Darkstalker wanted to get revenge on. None of those deaths meant anything to anyone.

The attempted death toll and scale of the calamity here puts even Scarlet to shame. The ones who come closest to it were Queen Battlewinner and Morrowseer with their attempted Rainwing extermination. All three of those died for what they did. Gives you some food for thought for sure.

Peacemaker’s burden

Despite just airing all of his dirty laundry and declaring him an irredeemable villain, I actually do have a lot of sympathy for Darkstalker still. His story is really sad. He was a child born with an amount of power that nobody should possess, and it corrupted him to the point where it destroyed his life before it began. His parents were always fighting and no matter how good his intentions were, he was unable to understand why he couldn’t hold on to his friends and relationship. He kept making mistakes, then made bigger mistakes to fix those, until his hands were covered in blood and he couldn’t stop anymore. My belief is that, after he wakes up in the present and realizes Clearsight is dead, he loses his reason for living and becomes completely lost in his grief.

Therefore, my opinion is that it would have been appropriate for him to die. If not to punish him, then to finally grant him reprieve from all that rage and pain, and let him rest. I think that would have been a dignified end.

But instead he got turned into a baby. ... And then they decided to magically erase his father’s blood from him? I don’t know what it is, but something about that Icewing erasure makes my skin crawl?

The thing that turns this baby twist from weird into highly unsettling is the context. Darkstalker’s mind is erased, then modified into a new person via animus magic. This is the technique a lot of this arc’s villains used to victimize Hailstorm, Queen Ruby, Peril, Kinkajou, Fierceteeth, and Winter. The same technique is now used again, by the heroes, which is a dangerous thing to have your protagonists do if you want them to remain morally upright.

It is also very reckless, because in almost all of these instances, animus mind alteration has been shown to be very unreliable. The spells seem to wear down over time and are susceptible to partial breaking upon encountering certain strong stimuli. Hailstorm—while trapped as Pyrite—seems to retain trace amounts of his former memories, which is why Pyrite is subconsciously drawn to Winter and clings to him all the time. Ruby is able to ignore half of her conditioning because her familial love for her son partially overpowers the magic. Qibli is just straight up able to reason his way out of it.

The thing to note here is that spells of this nature require a very meticulous approach; you can’t half-ass your reprogramming or the victim will just think their way past it. If you alter someone’s mind, the wording of the spell must be ironclad, lest you risk it wearing down over time and even break.

Luckily we have nothing to fear in that regard, because the spell that created Peacemaker was written by a Rainwing with a total of four days of literacy training. No one better mention the name Clearsight to the new baby Nightwing, or next month is going to be rather interesting.

But that’s just speculation on my part. Let’s assume that, somehow, this spell isn’t as unstable as all the others. Somehow Kinkajou threaded all the needles, and masterfully dodged every conceivable pitfall to pen the perfect incantation, despite having been illiterate just a few weeks prior. This one is built to last and Darkstalker is sealed away really thoroughly, for good.

That is still absolutely terrible and morally dubious, because now you have Peacemaker, who for all intents and purposes is a COMPLETELY innocent little kid, saddled with this huge burden of being the certifiable reincarnation of a genocidal ancient wizard. He’s gonna grow up thinking things like “Mommy gets real quiet whenever the topic of the Icewing tragedy is brought up,” and “Why does Auntie Moon look at me like that? One time she accidentally called me a weird name, who is Darkstalker?” “What is this ‘Clearsight’ name my mind-reading friends from the village found in Mommy’s mind?”

In a village that will be full of mind-readers soon, eventually the secret will come out, and Peacemaker is going to learn what was done to him. A huge, messy load of undeserved baggage was forced onto this completely separate, innocent entity. He will be devastated. Whether he then chooses to forgive them for this remains to be seen. To be honest, he would be well within his right not to, and turn resentful.

Poor kid.

Qibli’s callousness

I love Qibli, he is one of my favorite characters. This happens to be his book, and the fact that I fundamentally dislike half of it makes me rather sad. If anything, I hope this tells you that I’m not just hating on it for my personal amusement. I really wanted to like this. I tried to, and I couldn’t.

Qibli is really weird in this one, to be honest. He is suddenly made to be co-dependent on Moonwatcher, fawning over her every third paragraph, saying how much he loves her, how he is an incomplete and dysfunctional wreck without her, how it physically pains him to be apart from her, oh if only the stars would grant his wish and split the mountains apart so that he may fly to his princess, his muse, his goddess of ebony wit. It gets so old.

And it’s not Qibli. He never acted this clingy towards Moonwatcher. It’s more intense than even Winter gets about Moon, and Winter was actually depicted with a crush on her in book 6. Qibli was always just a supportive element, eager to befriend Moon but never desperate, like he is going to keel over if he is separated from his true love five minutes longer. These very frequent love declarations feel so forced coming out of him. It strikes me like it was just written in service of the love triangle. Maybe if we make him confess his love every four seconds readers will overlook the fact that they had no proper romantic build-up.

You might rightly accuse me of bias. I have previously admitted I am fond of Qibli/Winter as a romantic pairing, on the surface this seems like I am just not happy with my pet ship being blocked by Moonwatcher. But I assure you, I am actually pretty flexible and accommodating even towards pairings that contradict my preferences. I have no issues with Winter/Moonwatcher, for example, because the possibility was properly established and they have good romantic chemistry in Winter Turning. In theory, I would have no problem with Qibli/Moonwatcher either if it was ever set up as an interesting romantic dynamic. But to me, it seems like Qibli is written as a good, supportive friend to Moon for four books, only to pivot hard into “Moon moon moon moon moon moon swoon” at the last second, and it just reads to me as obnoxious.

I got distracted. This section is called “Qibli’s callousness”, and I haven’t even talked about the main part.

Qibli and Winter have excellent chemstry together, whether you read it as romantic or platonic—both of these interpretations have merit and are set up. They’re always the highlight of any scene they’re in. Throughout the story arc you get the impression that these two really get on each other’s nerves, but they bond and grow into really strong friends who bicker a lot but have each other’s backs when it counts.

Then there is a scene where Qibli casually tells Winter that he wouldn’t object if someone wanted to mind-control away some of Winter’s more objectionable traits.

This is genuinely a terrible thing to say to your friend. Like, it crosses a line and ceases to be harmless banter; you’re just telling them that there is something you hate about them so much that you wish they were someone else. Winter actually WAS mind-controlled earlier and felt (and proably still feels) guilty about having attacked Qibli in that state. And now Qibli says “Hey, I wouldn’t mind if someone did that to you again! Hue hue!”

It is awful, BUT I don’t necessarily object to Qibli saying this here. Qibli is in the middle of his character arc at this moment, so he is expected to be flawed. He is making a mistake by thoughtlessly telling Winter this horrid thing, and it seems like a believable continuation of his current character track. This is a reasonable development as long as the plot acknowledges that it’s a mistake.

Spoilers: The plot doesn’t acknowledge that it’s a mistake. Qibli never has a scene after where he reflects upon what he said and apologizes to Winter. When Darkstalker has Qibli trapped in his mountain jail and mind-wipes Qibli’s grandfather into a toddler (hey, wait a minute), Qibli gets visibly disturbed. Like, this is so off-putting to him that he gets queasy and Darkstalker hastily changes the spell. That could have been a great way to bring this back. Like in the epilogue, have Qibli track down Winter and tell him about disturbing baby grandpa theater and how he realized that wiping people’s minds is actually messed up and should have never said that to him.

But he doesn’t. He just lets Winter go, allowing him to believe he is broken and needs magical intervention to be tolerable. It leaves me to think that maybe he’s still okay with it, and fantasizing about rewriting his friend’s mind. Great.

Moonwatcher’s character death

You will find as this goes on that, I get the impression that the second half of this book takes all of the wonderful, endearing characters I have learned to love throughout the story and replaces them with really mean, or stupid, or otherwise inaccurate caricatures.

Moonwatcher’s relationship with Darkstalker gets plenty of setup and development in Moon Rising. You get the sense that these two could be great friends if their circumstances were a little different. It does a great job at making you think maybe Darkstalker is just misunderstood; maybe Moon should free him from his predicament.

Then at the end of Escaping Peril comes the emotional gut punch. Darkstalker actually IS a villain. He callously admits to Moonwatcher that he used his magic to make his own father gruesomely disembowel himself. Moonwatcher is horrified and disgusted that he would do that. There is no circumstance in which something like that would ever be okay. She ends the scene awash in tears because the person she thought was her friend is a murderer and a sadist. This is good, that is a natural reaction to what she was just told.

A few hours from there, in Talons of Power, Turtle finds Moon again and she is completely cool with Darkstalker walking free, despite crying her eyes out after feeling so betrayed earlier. That may seem strange, but this is still good because later, Darkstalker’s mind control plot is discovered. This scene was obviously written to set that up, Moon is mind-controlled into forgetting that Darkstalker could do something that morally reprehensible, and thus forgives him. This is also completely in line with his characterization in Legends: Darkstalker. It’s a kind of stunt he would pull to get Clearsight to shut up about him slipping into villainy.

In my earlier post I alluded to a moment where Moon is set to narrative auto-pilot and says something so rampantly off-kilter that it does irreversible, permanent damage to her character. It happens here, in the second half of book 10. Qibli gives Moon the Darkstalker protection earring, and Moon, somehow, says “I’m not being mind-controlled, Darkstalker really is my friend.”

I get what the plot tries to do here. It’s taking this concept of mind-control and adding a nuance, in an attempt to flesh out Darkstalker and give his character depth. He is ready to control everyone in the world, but for Moon, who is his best friend in this era, he wants her to remain herself. Perhaps this is his attempt at attonement for playing with Clearsight’s mind and driving her away from him. It is very touching in a way, viewed in isolation.

Unfortunately, it does not work with the full context of all the books. Because Moon is in auto-pilot mode right now, her main character trait is “Darkstalker=Friend,” so naturally she would speak in support of him. But this revelation has devastating retroactive consequences. The earlier scene that was written with Moon under mind-control is now altered into her having been in her right mind! She is completely okay with Darkstalker’s admittance to cold-blooded torture and evisceration, within hours of being so shocked by it that it made her cry and ready to denounce him. That is such a quick turnaround it’s giving me whiplash. And what’s more it turns Moon from a principled, upstanding girl into a sociopath who casually accepts gruesome torture and murder if it is committed by someone she likes.

Did Sutherland forget about the scene two books ago, where Darkstalker’s actions were so inconceivably horrid for Moon to learn of that she started crying? It baffles me that this made it into the final version. Her saying she was never mind-controlled makes Moon come off as so awful. This torture-excusing lunatic is not the same kind-hearted and insightful character I followed in all the other books.

Kinkajou’s character derailment

The world is a sad place when I have to question the way Kinjajou is written. Fortunately she is mostly fine, despite her having the biggest excuse to act out-of-character since she’s the victim of a mind-altering spell. Her only real moment of “what!?” comes at the end.

I already talked about her role in casting the spell that regresses Darkstalker into an infant. But I didn’t mention how her being the source of it is questionable in itself.

The clue is in the first paragraph of this section: She herself has experienced the effects of invasive mind-alteration. She was cursed by Anemone in the previous book to be in love with Turtle, and kind of half-struggles kind of not with it, it’s really strange. Turtle is appropriately horrified and acts like really awful things are happening, but then it’s mostly played lightly for some reason. My assumption is that Sutherland introduced this plot point, but then realized how uncomfortable this premise really is and tried to downplay it until the story got to a point where it could get done away with.

But I think the takeaway is still supposed to be that this was a horrid thing to do (which it absolutely is), and that Kinkajou will have to spend a lot of time trying to untangle her real emotions from the fake ones the spell created.

The point is: Kinkajou knows first-hand how awful it is to do something like that to another person. Ideally she should never even conceive of the idea to cast a spell like that, but if we’re really set on this Darkstalker baby thing and it has to happen, she should at least be a bit hesitant about it. And afterwards she should struggle with the guilt of having resorted to it. Not celebrate it and be proud, like it’s funny.

The assassination of Winter’s future

Now we come to the part I’ve alluded to previously; the part where all of these threads converge to utterly destroy one character and drive him to the brink of ruin. Let’s talk about Winter.

Prince Winter is the son of Tundra and Prince Narwhal, hatching in the same clutch as his sister Icicle. He spent his formative years being unfavorably compared to said sister—who easily took to traits that Icewing royalty considers desirable—whereas Winter struggled greatly to embody those same ideals. He was just a little too kind, too merciful, too gentle. As a result he often had to endure abuse from his parents, who made him feel like he was defective.

Because he was young and didn’t have any other frame of reference, he embraced this abusive narrative and began to drive himself with a vigor unreasonable for someone of his age. He scraped and cloyed for every bit of credit he could get, obsessing over advancing up the circle rankings in an attempt to “purge” the wrongness out of himself. To make his parents as proud of him as they were of Icicle.

This never worked. He was always seen as the runt, poised to embarrass the family name. Whatever he did, no matter how hard he strived, there was always something he could have done better.

The only real source of love and affirmation in his life was his older brother, Hailstorm. Where everyone else only saw what Winter wasn’t, Hailstorm embraced his brother despite of his “failings” and was openly affectionate with him. When Winter was with him, it was okay to not think about rankings all the time, and just be himself for a bit. I assume Hailstorm fulfilled a similar role for Icicle as well, which is why both of them love him dearly, and Icicle destroys her own life to bring him back.

Winter also has a fascination with scavengers, possibly because they are small and perceived as useless, like he himself is. He likely feels a kinship with them and observes them being craftier and more adept than everyone else sees them. This is therapeutic for him, to see that a thing can have merit even if no one wants to see it.

One day, he and Hailstorm sneak into Skywing territory so Winter can catch a scavenger as a pet. This excursion turns hostile when they are discovered by a roaming Skywing troop and faced with the prospect of capture, possibly execution. In a gambit to save Winter from this fate, Hailstorm mirrors the words of his parents, calling Winter pathetic and useless, so the Skywings will not think of him as a threat and show mercy. His act succeeds in convincing the Skywings, but it also convinces Winter, who does not understand Hailstorm only said these things to save his life. He returns home—believing his brother hated him all along—to face the wrath of his furious family for losing them “the desirable son”.

For all of his life, these themes have repeated themselves and haunted him. “I was born wrong and defective,” “I am unlovable,” “No one wants me.”

A few months after the war ends, Winter is one of the five Icewings enrolled in the newly founded Jade Mountain Academy. Shortly after departing, he unexpectedly returns home, having successfully rescued his older brother and bringing him back. He is made to believe that this erases his mistakes, his mother even pays him a backhanded compliment, an uncharacteristically “nice” gesture. He is promoted to the top of the rankings, finally his parents are proud of him.

But of course it is all a trick. The “adoration” afforded to him was all a ploy. Secretly, his parents abused power and tradition to arrange for Winter’s death. They force him into a lethal trial they intentionally rigged against him, all to finally erase that stain on their family’s honor.

Winter finally realizes the true nature of his parents’ opinion of him. Even when he succeeds, and does everything right, he is still defective, unlovable, and unwanted. He will never be anything else to his family. And so he leaves his homeland, pretending he is dead, resigned to live in hiding forever.

During this time, while at the brink of despair, Winter is able to draw strength from one source: His new friends from the academy. He vocalizes that, for all the abuse he suffered at the hands of his birth family, he fervently believes that THEY would never do anything like that to him. They chose to stuck with him, even when he was awful, and told him he was not hopeless. He was not a mistake; he could be deserving of love.

So naturally, he returns to them; they accept him readily, are willing to be his new surrogate family. When he almost burns to death at a later point, they fear and weep for him. When Qibli sets out to confront his own abusive family, Winter, despite being mind-controlled into a placid potato at the time, feels concerned enough for his friend’s safety to insist to come along (returning the favor of them accompanying him in his time of need in book 7). When Darkstalker’s mind control forces Winter to attack Qibli, he is shown ashamed and guilty of it once the control wears off again.

They bicker and struggle, and make mistakes, they break up but always come back together again. Time and time again the one thing that is always reinforced: When the cards are down, Winter loves his friends, and they love him. They would never intentionally hurt each other, or give up on each other.

I want you to keep in mind how wholesome, and loving, and mutually supportive this ramshackle band of misfits has been portrayed to this point... Because we’re moving on to the arc 2 finale, and it will do everything it can to corrupt all of it and consign Winter to a life of misery.

We arrive at aforementioned scene, where Moonwatcher receives her earring. Just a little bit prior, Winter had learned that Darkstalker unleashed a magical plague onto his people in an attempt to wipe them out. Now here is Moonwatcher, revealing that she is not under any spell, and has aligned herself with this guy willingly, speaking fondly of him as if he was a dear friend who never did any wrong. Winter takes this badly and accidentally breaks a vase; the narrative lingers on this moment and really tries to sell us on how unreasonable Winter’s reaction is, how he is overreacting, but let’s examine that interpretation for a moment.

Moonwatcher doesn’t yet know about the attempted Icewing genocide, but she DOES know about Darkstalker being okay with casting spells to inflict immeasurable torture upon those he hates. WE know that she knows this, so her stance here is already suspect. Yet she goes on to praise Darkstalker and refer to him as a friend. Look at this from Winter’s perspective. This “friend” of Moonwatcher just tried to kill his entire tribe, and he actually succeeded in killing his aunt, Queen Glacier, a person Winter greatly respects. Winter is currently unable to return to his homeland for fear of being branded a traitor. Even if he could return, he knows his obstinate and spiteful family would prevent him from attending the funeral, meaning he is not even afforded the basic dignity of saying farewell to his aunt. The aunt whom Darkstalker murdered by making her vomit her own blood until she withered away in her bed. And here is Moon, absolving the person who did this to Glacier from his appalling actions, despite knowing full well what Darkstalker is capable of and choosing to look away.

I don’t know about you, but I think I can forgive the grieving, emotionally overwhelmed boy for shattering a little pottery after hearing his trusted friend—who held his hand when he was dying—say that the guy who makes people disembowel themselves and wipes out entire countries may be misunderstood and not so bad. I think I would have a similar reaction. In fact, I would never want to talk to her ever again.

There is no way I can read this scene in which Moon doesn’t come off as either an absolute lunatic, or critically stupid and callous. In fact, based on her earlier behavior I half-expect her to get over the news of the attempted Icewing massacre in a couple hours, saying “Eh, it’s kinda bad, but you just have to do these kinds of things sometimes, you know? I’m sure he had his reasons.”

Then there is the part where Qibli makes his off-color comment about how Winter’s brain could really use a good wash. I already went into how it could have worked but didn’t. But with the timing here, we’ve already had Moon spit on their friendship, so as Winter’s other closest friend, it naturally follows that Qibli also craps on his feelings.

Consider the context: Winter comes from an abusive household where his parents forcibly tried to change him away from who he was to purge the “wrongness” from him. When they betray him and he narrowly escapes their attempt on his life, he re-affirms his belief in his friends, and the knowledge that they wouldn’t treat him like that gives him the strength he needs to keep going. But now, Qibli asserts that Winter DOES need to be altered, thereby AGREEING with Winter’s abusive parents, rendering Winter’s affirmation from book 7 erroneous. Qibli WOULD treat him like that if it made Winter less “intolerable”.

Neither Moonwatcher nor Qibli ever make an attempt to repair this rift. Winter is left betrayed and alone.

Stuff happens, and the forces of the Nightwings and Icewings come to blows over Jade Mountain. With his two closest friends having written him off and his support network eroded, Winter relapses into thinking he is worthless, seeks validation in unquestioning patriotism, and realigns himself with his abusive family by throwing himself into the battle. Nobody wants him to, in fact his parents still hate him for it, but whatever. His father dies and his mother blames him for it.

Meanwhile Turtle, Anemone, and Qibli are cooking up a solution to the battle problem. They have the idea to make everyone’s minds connect in a huge empathy wave for a few moments, which I think is a pretty interesting idea for what it’s worth. But then they teleport both armies back to their homes, and the spell sweeps Winter up with them, taking him out of the rest of the finale and bringing him to the Ice Kingdom. The characters say “whoops” but aren’t further concerned with the situation. It’s all a big laugh.

Let me remind you that Winter is currently considered not welcome on Icewing territory. His family, whom he was sent back with, is extremely abusive and vindictive. His friends know this. Said parents have previously arranged for him to be killed, and are still on record as wanting him dead. His friends KNOW this. And now he is alone with them and a gaggle of other royal Icewings who all are extremely pissed off at him for ruining their sacred trial site.

It is very possible that he is being torn apart and mauled by an enraged mob right now. He could be forced into captivity and flayed. Maybe the interim regent is sentencing him to death and getting the rope ready. There is a million different horrible things that could be happening to Winter right now, while he is trapped alone with people who hate him, things his friends would be reasonably able to anticipate. And nobody is doing anything to get him out of there, to suggest bringing him back, even though it would only take a single spoken sentence to do so! They aren’t even concerned!

Then the climax happens, strawberry thing and all, and we get the coup de grâce. After all is said and done, the group decides that Winter is untrustworthy, and that they must protect the secret of Darkstalker’s fate from him, because they fear if he knew he would kill Peacemaker.

Moon, who read Winter’s mind in book 6 and reached out to him about how the “ruthless Icewing warrior” persona in his head is a facade and how she sees he has a gentle and good heart... Moon, who in book 7 finds out about Winter’s secret deal to kill Glory and STILL trusts him, who calls out his bullshit to his face because she KNOWS how kind-hearted Winter is and that he would never resort to murder... Moon who, again, held his hand while he was dying... thinks that the dragon she has reminded of his compassionate nature time and time again would kill an innocent child.

This is disgusting. Moon believing that is so far off the mark with regards to anything this group has embodied or done for any of the last 4 books, that my only conclusion can be that these are different characters. Maybe the Nightwing library collapsed on top of original Moon, and when Darkstalker magiced her back to health she came back wrong or something. I don’t know.

So after all of this, Winter is left alone. He somehow escaped from the Ice Kingdom; luckily there is a timeskip so we can just gloss over the horrible situation he was put in by his friends. He thinks about Jade Mountain. He reflects on everything that happened, how his parents never really loved him... How they hated him so much they tried to kill him... How he despaired, but found solace in his friends who loved him for who he was.... How those friends then betrayed him too and magiced him away... How they didn’t care about what happened to him... And he decides he is done. He won’t bother going back. A few people, probably Sunny, reach out to tell him he is welcome back, but he says “it wouldn’t be fair to other Icewings if an exile took up a bed”. The decision isn’t hard to make, after all there is nothing left for him there. Everyone has written him off, moved on and left him behind.

Kinkajou visits sometimes, tries to stay in touch, but that’s just how she is. Maybe the others sent her to check on whether he’s going to become troublesome. They don’t trust him. Better to keep an eye on him, he might kill the baby.

With nowhere else to go, Winter moves to Sanctuary, a place for rejects like him. I picture him standing there, at the edge of a cliff staring blankly into the distance. He is completely alone; no one wants to go near him or talk to him beyond the bare necessities. He could probably make new friends with the Talons of Peace if he tried, but there is no point. Why should someone like him have friends? It wouldn’t work. They’d just decide he is too inconvenient to be around. Sooner or later they would just tell him to leave anyway. It's better not to try, so he doesn't get hurt again.

And slowly it dawns on him. His parents had been right all along. It was never them, or the others, it was him. He is the problem. The Icewings said it, Qibli said it, Moonwatcher said it. There is just something fundamentally wrong with him.

He is defective. He is unlovable. Nobody wants him. He will never be anything, or have anyone. And so he stands at the cliff, looking over the broken vase fragments of his life... This is who he is. Prince Winter. A mistake.

And quietly, where no one knows or cares, he does the only thing he has left to do... he begins to weep.

As it is written, the tale of Winter is the story of a boy who is told he is wrong for being alive. He closes his ears and tries to keep walking forward, desperate to prove that he is not an error, that he has merit. But this book comes out and it unmistakably says that he doesn’t. He is nothing, and he deserves to have nothing.

And I just cannot accept that.

Why did this have to happen?

I think that the author was really struggling with the ending of this book. I’ve said before how much of a corner she wrote herself into with such an invincible villain. I think she came up with the strawberry idea as a solution to this problem. But as she was writing it, the characters kept fighting her. It was not a natural solution, not a decision the characters—as they were established—would ever make.

So concessions had to be made to force the issue. Established traits had to be bent slightly to make this plot work. The farther she went, the worse it got. The concessions piled up and turned into contrivances. Eventually the characters were no longer acting like themselves. Their bonds got stretched too far and some snapped. It’s a very tragic pitfall that occurs with long-running series.

I think Sutherland must have also been tired. Writing an entire book is a monumental task, and writing 6 connected ones even moreso. She also comes out with these things really quickly. Maybe she was burnt out? Maybe she wanted to be done and her attention lapsed. Maybe that’s why she forgot that Moon knew about the disemboweling. It seems reasonable to believe when you consider that the next story arc would make a relatively clean break from the problems of this arc, especially with regards to the magic system.

But I don’t know what ultimately happened, so I can only speculate. I reiterate, I bear no ill will against Sutherland for writing this. Even if I kind of hate everything about this finale, and very vocally wish it would be different, I don’t want this examination to generate (or reawaken) any hatred towards her, or to attack her personally. I understand the pain of an artist who gets trapped with something for too long and has to find the means, any means, to see it through to the end. I criticize the story, but I could never hate anyone for that.

But for me, I do not consider this half of the book as part of the story. The characters act too unnaturally for it to have happened. So to me, it didn’t. We don’t know what happened, maybe Darkstalker is still out there. Maybe they dealt with him. Maybe what actually happened is my crappy and self-indulgent rewrite of the ending which I will never show to anyone because it would be really embarrassing.

But whatever actually ended up happening, I am sure Winter never ended up at that cliff, pondering how worthless and meaningless his life was. He is currently at Jade Mountain, surrounded by friends who love him, and bickering with Qibli about the correct solution to their advanced calculus assignment that is due tomorrow.

Is there anything left to say?

Probably.

I didn’t talk about Anemone yet. You know, in the epilogue she enchants herself a bracelet that makes her “not be so mean all the time”. I find that creepy. To me it reads as Anemone voluntarily brainwashing herself with magic to erase her negative traits instead of growing past them naturally because she finds them undesirable and wants to work to change for the better. I would ordinarily assume that this is an overreaction on my part, and I’m just reading the scene wrong. But no, we just got through a part where the heroes brainwashing someone is treated as an unequivocal good and worthy of celebration, so I think my reading may actually be spot on. Why are we letting the little kid alter her own brain without supervision? Hello? Tsunami? Someone intervene maybe? This cannot be healthy.

Turtle stands out to me as the one bright spot in all of this. He (and Peril, but she’s mostly out of focus) remain as the only main characters of this arc who don’t have any mind-boggling out-of-character moments or sudden streaks of uncharacteristic callousness. I really like the part where Qibli goes to free Turtle from his captivity and plans to give him an earful about the comically unhelpful messages he’s been sending him. But when Turtle asks if what he did was helpful, Qibli sees how beaten down and exhausted Turtle is, and wordlessly drops his frustration to tell him “Yeah, they were helpful.” That is the true Qibli shining through for a moment, showing that he cares about the well-being of his friends.

Do I hate the pairing of Qibli/Moonwatcher? No. Well, I DO hate how it happened in the book, and how the story tried to assassinate Winter’s character to resolve the love triangle and make it happen. I don’t hate it on principle though. If you are a fan of Qibli/Moonwatcher and want to write fanfics about it, please do! I absolutely encourage you to do that! Maybe you can fix this mess and turn it into something that’s actually properly handled!

Mightyclaws keeps the power that Darkstalker granted him past the finale. That means all the spells that Darkstalker cast are technically still active. Does that mean the Icewings have to wear earrings for the rest of their lives? Do they get sick again if they take them off? Is Peril forever cursed to think of Darkstalker as a cool old uncle and has to somehow reconcile how everyone else thinks of him? How did the Nightwings relinquishing their powers work, do they have to wear the earrings forever too now?

And there is one more thing to mention.

My confession

You may have already intuited this, if you’ve been following the content of my blog. It is very heavily skewed towards the first and second arcs of the series. I would now like to confess something.

When I read the second half of book 10, I found it so disillusioning, Winter’s fate so upsetting... that I put down the series then and there. And I haven’t picked it back up since.

That’s right, I have not read arc 3. I don’t know if that makes me a fake fan. I know pretty much everything that happens in it, the controversial twist at the end, Pyrrhia coming back into the story later, Snowfall getting brainwashed by a piece of jewelry until she cares about a plot that had nothing to do with her or the fate of the Icewings, etc..

It’s not out of malice, or because it’s a new continent. The opposite in fact; I would have greatly prefered a clean break with a new setting—Bug-themed dragons in a slightly more contemporary, developed environment sounds fascinating and full of potential. I don’t hate Pantala or the new characters.

I just... I can’t really do this again. I can’t handle the thought of Pyrrhia coming back post-Darkstalker, with Winter showing up and talking to these guys again like nothing happened, seeming like a different person, joking around with them like his entire character wasn’t dragged through a mountain of manure to make the plot bend a certain way. I think as long as this is the ending that the story is continuing from, seeing that would just make me miserable.

Maybe I will just stay in the parts of the story that I fell in love with. And imagine a version of reality in which Pantala is allowed to exist on its own, where Swordtail was the fourth POV character of arc 3, where Queen Wasp stayed the villain throughout, and Snowfall got her own legends book about how she reformed Icewing society and fixed all the shit that poisoned Winter’s life, so future generations don’t have to suffer through the same stuff he did.

~~~~~

If you’re still with me, thank you for reading this far. I think this is everything I ever thought about the finale of the second story arc, so now I never have to talk about it again. Writing this was difficult. I found it crushing at times. This will probably stand as the only overtly negative post I have ever made on this blog. I love Wings of Fire, and I want to celebrate it. To add to it, not tear it down.

I hope this wasn’t too boring, or painful, or frustrating, or soul-crushing to read through. I’ll see you later, hopefully with a more constructive post.

#wings of fire #dragon #wof #digital art #wof art #flawseer art #flawseer talk #flawseer reply #wof winter

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