"I'll show you every day that choosing to live was worth it"
some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3
I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.
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[[ All Croissant Adventures (chronological, desktop) ]]
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saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???
you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"
do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month
sooo anyway does anyone have cutie mark or pony name ideas for them?? lol
Giving kudos to myself for making my depressing ass Lan Zhan spotify playlist entitled ✨️Thirteen Years✨️ because I have been doing The Not Good™️ because of work, and the playlist really do get me through the morning
people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T
tag limit fights me… i must yap… please listen… SOB </3
“Not a soul assigned to their case at the Bureau could make sense of their existence. There wasn’t a single scientist, parapsychologist, doctor, or specialist with over a dozen PHD’s under the sun that could figure them out. Pyrokinesis in a human? They defy every law of nature, yet they exist amongst humanity regardless. How do you explain that?”
“The truth is that there are a lot of unknown things out there in the world that mankind hasn't even begun to scratch the surface of. Everyone flocked to this case trying to find rational answers, but there aren’t any. Look at the files in your hands. By the eyes of science, Pyro should not exist. Don’t you know what happens to things mankind doesn’t understand? The Bureau has done sickening things to them in the name of research.”
“That’s why I helped them escape, Conagher.”
Excerpt from the novel INCENDIARY; A TF2 Pyro origin story
Read the latest chapter of 'Incendiary' on AO3 here!
Artwork created by the incredible @narklos ♡
have some unorganised tragic codywan thoughts because they’ve taken over my brain <3
thinking about duty as almost akin to a fatal flaw - not as in their loyalty/duty is necessarily a bad thing, it’s a key part of both their characters and i think it’s something they both value/at least respect. anyway, duty is not a bad thing, but in terms of codywan it is (to me) what dooms their relationship, because ultimately when forced to choose, i think both would choose duty over their feelings and it is this that ultimately prevents any serious romantic relationship from occurring during the war. however, i also think that in a situation where they’re both aware of their feelings and at least address them to an extent, there’s a hope/expectation that there will be a time after the war in which they are (less) bound by duty (i very much believe that both would still have a strong sense of duty to the jedi/clones respectively, but without the context of the war they would be free from having to lead it, obviously). so they both have a hope that after the war they would be able to explore their feelings freely. so it’s the fact that they never get this chance, that from the beginning this would always be the case, that they never really had a chance to fight for it because no one knew there wouldn’t be an after, that makes the whole thing so tragic.
i was also thinking about ideas of fate/destiny in tragedy more broadly, and how it is very much a theme in star wars, particularly around anakin. but i also think that by extension particularly obi-wan’s character is very much shaped by ideas of fate/destiny. i don’t really have a point here i just think it’s interesting. (star wars as happening a long time ago and so the outcome was already decided, there was never anything that could be done to change it etc etc).
i think there’s also something to be said about the fact that tragedies (often, but certainly not universally) happen over a relatively short period of time, in part to signify a protagonists uncontrolled fall (that post about how revenge of the sith takes place over a few days/a week very much highlights this in relation to anakin). but for codywan their tragedy lasts for perhaps the entire war, because their tragedy is not an uncontrolled fall, but rather a continual and conscious choice to place duty above their feelings. i think the fact that they simultaneously have so many chances to choose their feelings, but would never really make that choice because of their duty/loyalty adds to the tragedy of their relationship. the tragedy as occurring over months and years as nothing changes even though time gives you every chance. etc etc
anyway i feel like this reads a bit like a very disorganised english essay, so sorry about that !! i don’t have an excuse, but tragic codywan does something to my brain. many thoughts etc etc.
Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
My best friend Fandom has once again returned and asked me to post to Tumblr for her! Once again, I have permission to post this video and all edits were done by Fandom (http.redshoes on Instagram)
These memes are all based on Cryptid Sightings by @naffeclipse
She has a lot to say this time around!
A message from Fandom:
"Hello Naff!! And hello everyone :D
It’s me, your girl, your local meme and edit maker, Fandom (aka http.redshoes on Insta 😎)
I’ve come back to make another meme comp for you guys! I wanted to make this earlier, but:
1. I was busy saving/collecting ATSV content on Instagram like Pokémon to getting noticed twice by Jack in the Box ☺️
2. I had to create an Ao3 account (understandably ofc AI theft sucks) and was um. You know… being silly in the comment section 👀 (please don’t mind me if you ever stumble upon them - I react and appreciate the stuff I enjoy in weird ways 💔)
3. Was waiting for my friend here to finish reading so I didn’t spoil anything in the memes! We both loved the series so much and man. The Naff do be eclipsing fr in releasing chapters left and right biggest round of applause for one of my favorite authors here 👏👏👏
Naff, you did such a great job writing this fanfic. I’m going to repeat myself from the comment section BUT you need to give yourself a pat on the back, relax, take a break - just reward yourself. You deserve it all and I hope that you take care of yourself for all the hard work you’ve done 💞💞💞
I’ve also included the lovely artist themselves, @themeeplord , again in one of my meme comps.
It’s only one meme but dang they always draw Eclipse to be getting that gain 💪💪💪 (bc of how muscular he is haha.) Mad respect to all of the drawings they create - they’re always a banger to see.
(Most of the memes surround the last episode + epilogue so if you haven’t read those chapters LOOK ‼️ AWAY ‼️ Don’t get spoiled 🤯)
(P.S. for the imagine scenario that’s not a meme, this is what they’re saying in the audio:
“[Amused] You can hear their heartbeats? Come on, that’s a little far fetched.”
“[Soft chuckling] I can hear yours too… Your heart’s beating pretty fast.”
I’d like to think this would take place around the beginning of “The Episode Bedeviling Bodies,” where the Hunter is still trying to understand their dear friend and what they’re capable of. I thought it was fitting ngl and included it in the comp.
There were uh, more memes I wanted to include, but I’m running low on storage space atm. I’ll get back to making more after I’m done clearing that out ^^’)
(P.P.S. Okay I don’t have Tumblr obviously but 🕴️ apparently you guys really liked the SJ memes I made??? Because my friend’s been receiving notifs of it still??? Thank you so much you guys!! I didn’t really expect people to enjoy them that much 😭💘💘💘)
Now without further ado, enjoy the meme comp! >:D " -Fandom