#I love all these suggestions guys! MORE!

[greykolla-art]

I love your art so so so much! For an OFMD suggestion, how about Ed waking up beside Stede after they've reconciled and not believing Stede is real?

Oh your MIND! I wanna kiss it!🌹

I was watching Please Like Me (s2 e9) and a character said something similar to this, it just felt very cute and real. ❤️

[moeblob]

I love them! So much!

[starleska]

Rolando x Reader headcanons? You know you want to 😤

oh my god YESSSSSSS i would be delighted!!! 🙈🙈💖💖💖 warning, this one is a teensy bit NSFW, of the 'Rolando would quite like to devour you, mind and body' variety 😉 tws for canon-compliant fearmongering, fearplay, invasive behaviour, mild body horror and and general monsterfucking 👀 (i mean, y'all saw the episode, you know what you're in for-)

Rolando x Human!Reader headcanons 🐟💖

🐟 the people who darken the door of the One Star Wonder are always at the end of their tether, and Rolando wouldn't have it any other way. each one is more pathetic than the last: delicious morsels dripping with depression, anxiety and jealousy, and their bubble-headed selves all caught up in their oh-so-human concerns. Rolando greets each one with the same greasy charm, yet he makes sure to flavour his guests with just one too many inhuman gaffes. an incorrect turn of phrase here, a flash of too many teeth there, and before long, he has successfully unsettled his meat. so the night You step over the threshold and greet him with a warm, unknowing smile, he grinned right back, sure of a particularly tasty meal.

🐟 "Well, aren't you a precious little thing!" Rolando cooed, working in a lascivious gaze in the hopes of making You squirm. You stammered out a flustered thanks, and asked him if he had a room for the night. Rolando was dizzy; he could smell the indecision on You like pheromones, those little top notes of apprehension and fear, and it was all he could do to not clamber into your brain right then and there. "I've got just the room for you, dear, right at the back. And don't let anyone here give you shit under my watch. How abouts I escort you there myself? I'd hate for some filthy pervert to gobble you up along the way." before You could protest Rolando slipped around the desk, pressed a spindly claw into the small of your back and ushered You down a damp, ill-lit hallway.

🐟 as he guided You under the broken lights, Rolando's piscine gaze drank in the contours of your form. he'd played carnal games with humans before—desperate creatures that they were, their strangled whines as pleasure bled into pain never failed to amuse him. yet he'd never been so struck by the beauty of your kind. "So, what brings you to my malign establishment?" Rolando asked, as he carded his fingers through your hair. You shivered, but didn't pull away...a response which confused Rolando, but gave his Infestor heart a quiet thrill. You told him that you'd been kicked out of your home, and electricity shot down his back. he couldn't wait any longer. "Poor love...how could anyone be so cruel? Don't you worry your pretty little head. Tonight...you're all mine." 🐟 the few remaining lights in the hallway burst, and Rolando slipped into the blackness. You cried out in confusion as something cold and wet seized around your ankle and yanked You to the floor. chilling laughter echoed around the hallway, where it reverberated off impossible dimensions, like the hotel had yawned open to swallow You. "Oh, aren't you a hoot?" Rolando cackled. "Such fear...such excitement...what a delectable combination." Rolando's yellow-green eyes flashed in the dark, and the deathly edges of his teeth glimmered with saliva. You tried to run, but he dissolved into the dark and snatched at your shadow, tripping you with ease. Rolando's inky, gelatinous form drooled up your side and pinned You to the floor by the wrists, neck, and ankles.

🐟 "Running ain't the smartest move, sweetheart..." Rolando hissed, "...but boy, is it fun!" his monstrous tongue curled around your earlobe and invaded the delicate flesh of your ear itself, lapping in a way far too wet and obscene. You curled in on yourself, trying to make yourself small enough to escape, but Rolando's invertebrate form slipped between your joints and stretched out your limbs until it hurt. one dirty yellow light flickered into life above You and illuminated Rolando's sickly smirk. "Golly," said Rolando, putting his head on one side. "By now, normally I've got 'em screaming and wailing...but save a few sweet little sounds, you're quiet as a mouse." he wrapped himself around your face and breathed a blasphemy against your lips: "If I didn't know better...I'd say you're rather enjoying this." 🐟 a litany of protests tumbled from your mouth, but all they did was make Rolando laugh harder. "Don't deny it, sugar! I see everything tucked up inside that nasty little brain of yours...and fear ain't winning this race, honey." a nail as sharp as a blade tucked itself under your chin, and curled, tilting your face up to his. in the dark, Rolando's smile gleamed with bad intentions. "Tell you what...how about we play a game? You try to keep those lovely lips of yours shut..." a slight sting, and Rolando draws back his claw to admire a rivulet of blood. "...and I see how long it takes to make you scream."

[blueskittlesart]

i cannot believe that there are people who still get upset about ship loyalty in 2024. i’m just putting my little guys into situations can you chill

[milquetoast27]

Subtext in The Creeping Man

I find that this story of Arthur Conan Doyle's Holmes canon features some of the most complex subtext we've had aside from A Study in Scarlet. But rather than being complex early-on because of our lack of knowledge of the characters, it is rather complicated by the fact that we both know too much and too little of their relationship. This story, with astonishing subtlety, conveys the cooperative relationship between Doyle's two characters — the nuance in their limits and strains, but also the joys that they work to reach, together. It emblemises the beauty of the Canon, where it all ties back to the joy and complexity of human understanding and belonging.

This story opens in "those latter days" (1903, near to Holmes's retirement) where Watson describes their relations as "peculiar". The word certainly feels like a euphemism from the ever-polite Dr. Watson, when it is soon made clear that their relations were far from amenable. Watson has become one of Holmes's "concentrated habits", and apparently is as good as a piece of funiture, as all of Holmes's remarks would have been as "appropriately addressed to his bedstead." It's given through snapped sentences; "I was a whetstone for his mind. I stimulated him. He liked to think aloud in my presence." This "irritation" and discordance between them is extremely concentrated in the early pages of this story, but drags through it, as well. Take, for example, the "laconic" (or perhaps iconic?) message:

"COME AT ONCE IF CONVENIENT — IF INCONVENIENT COME ALL THE SAME. S.H."

Watson gives us the original of Holmes's telegram to demonstrate to his readers just how "long-suffering" he is. A true exhaustion is apparent in how he simply shows the telegram, rather than politely referring to it. Compare this with the unendingly civil telegram sent to Watson in The Boscombe Valley Mystery, and you can see the great shift that has taken place in their alliance.

"HAVE YOU A COUPLE OF DAYS TO SPARE? HAVE JUST BEEN WIRED FOR FROM THE WEST OF ENGLAND IN CONNECTION WITH BOSCOMBE VALLEY TRAGEDY. SHALL BE GLAD IF YOU WILL COME WITH ME. AIR AND SCENERY PERFECT. LEAVE PADDINGTON BY THE 11.15."

While long-term and intimate relationships will remove need for over-courtesey, there are two very different reasons for why Doyle has shown both of these telegrams at a point in time. This accumulation of Holmes's ungrateful behaviour not only imparts Watson's utter despondancy, but also, importantly, Holmes’s — and this is something that Watson's ever-perceptive and intelligent heart does not fail to miss. It is important to note that this story nears Holmes's retirement, where he acknowledges that he has been "sluggish in mind". There is no doubt, then, that the great detective is out of his prime. Hence the temperementalness, taking his Watson for granted, and a heavier reliance on those "narrow and concentrated habits."

Despite the turbulent roads of their life, we see Watson's undying devotion co-exist with it. Past all the irritation, Watson closes, "Such was my humble role in our alliance." It is more than clear that he consciously makes the decision to remain at Holmes's side, to be his ally. Such has always been Watson's role in their alliance. His "humble" service extends to his practice as doctor and soldier. His pride is in his duty to others, and to Holmes as his assistant.

There is something that shines through Holmes's unsocial behaviour when we look closely at the text.

I sank back in my chair in some disappointment. Was it for so trivial a question as this that I had been summoned from my work? Holmes glanced across at me. "The same old Watson!" said he. "You never learn that the gravest issues may depend upon the smallest things."

We know from the Canon (opening of DANC and RESI) that Watson's emotions are like an open book to Holmes. This 'sinking in some disappointment' is not missed by Holmes's 'glance'. "The same old Watson!" he says, and I feel it important to note that he compliments one of Watson's most distinguishing features; his stability and fixture — the "one fixed point in a changing age." Yet, we may miss these details, because Holmes, ever in his own insecurity, must back-hand every praise with a teasing chide. We could say that an attempt was made to cheer Watson up, though not very successful.

Developments continue, as Holmes tryingly says "I had hoped to have a longer chat with you", then parades him with compliments before their client, "Dr. Watson is the very soul of discretion". But mixed indications continue to come as he flips back to patronising language; "You will appreciate it, Watson, when"—. Doyle further cements Holmes's particular unbecoming behaviour on this day as he further also annoys their client, who speaks in a "tone of reproach" when Holmes does not listen, and is "clearly annoyed" at irrelevant interruptions — to which, Holmes only smiles in, what I believe, is pure self-importance.

Here we find a shift — a greater effort on Holmes's part, a second round of appreciation for Watson's stability, even when his opinion is faulty. "Good, Watson! You always keep us flat-footed on the ground". He's then included in his bubble; "We were gradually coming to that conclusion, were we not, Watson?", and even a sordid attempt at bringing Watson with him on the bait of the Chequers in 'Camford' where "the port used to be above mediocrity and the linen was above reproach." (Which he follows up on!)

And, despite these attempts, their connection still does not rekindle. Watson is clearly irritated still with the inconsiderate easiness with which Holmes was able to leave London, leaving only difficulty on Watson's end to join him. It's an indicator from Doyle that nothing's remedied, yet.

Here is an interesting passage for study.

"Have you the effrontery necessary to put it through?" "We can but try." "Excellent, Watson! Compound of the Busy Bee and Excelsior. We can but try — the motto of the firm."

Burstive praise from Holmes at the merest utterance of a phrase — a phrase which has only ever been used one other time in the Canon; the previous story, The Problem of Thor Bridge. This suggests it may be some small motto of Holmes's, though one not often seen in Watson's records — this makes his use of the phrase a very Holmesian approach. This participation, no doubt, is nothing but a delight for Holmes, who is trying to restring their relationship, and continues to overenthusiastically affirm Watson's sturdiness.

Yet it's made clear that superficial praises are not a true apology, as we see signs yet again of Watson's dispassion. As they sit to their meeting with Professor Presbury, Watson writes:

Mr. Holmes smiled amiably.

This sentence may seem unassuming, but be assured it is one of the coldest in the Canon. This usage of "Mr. Holmes" is entirely unique within the Canon. In other times, when Watson has used "Mr. Holmes" or "Mr. Sherlock Holmes", it has been when speaking directly to his readers, since they would be using the honourific. This moment is the only exception, where Watson has intentionally used "Mr." to create distance and convey undesire for intimacy with Holmes (rather than any professional effect). Why has Watson used the line here? Well, Holmes is 'smiling amiably' — in a way that forces a friendly manner, one that attempts to create a good impression with Professor Presbury — which also didn't work out, by the way. Considering all the superficial means up to now employed by Holmes on his companion, Watson no doubt feels cheapened and no more important than Holmes's investigative objects; as if his trust is just as easy to gain as anyone else's, with nothing but an 'amiable smile'.

We are shown time and again that Watson isn't pleased with Holmes's desultory attempts at reconciliation, until finally, a shift happens. One that is not identifiable in the text, and so is reasonable to assume happened unpenned. We find Holmes acknowledging that "Dr. Watson has his patients to attend to", when before this information seemed completely irrelevant to him. Holmes even sent Watson a "short note asking [him] to meet at the train"! The greatest change is when we finally have Watson using "my friend" and "my comrade" for the first time in this story. Now we see Watson taking real excitement in the case, in the "assurance of [his] comrade". Self-teasing also makes its way into their dialogue as Holmes cries "Oh, Watson, Watson, what a fool I have been!" The emphasised address seems to suggest an apology for something more. It's as if he cries 'Look how wrong I have been Watson, how imperfect and daft I can be!' It's adorable, really.

All semblances of reproach towards Holmes disappear as they steal together in darkness, come to the dénoument of their adventure, as Holmes philosophises on science and nature, and described admiringly as "the man of action". Our story ends in a light-hearted resolution, as always.

"There is an early train to town, Watson, but I think we shall just have time for a cup of tea at the Chequers before we catch it."

To conclude, this story presents so much so subtly in its pages; a reflection of the small, nuanced and unseen processes between human beings, but those which we must be attentive to in order to find fuller understanding between each other. Yet, there is still much uncertainty in my inferences; which also shows the uncertainty of language and communication. We simply must be clear of ourselves, as we can only assume Holmes and Watson were, off-page, for them to have found that resolution, rather than fleeting smiles and compliments. Arthur Conan Doyle, with this story, further cements the triumph of bonds and connection, perhaps far more than any other of his stories.

[poorly-drawn-mdzs]

These FFS inner demons are very “disco elysium skills” reminiscent. I NEED to meet that cast! Also freaking awesome work to you and your buddy :]

May it be an open secret that one of my inspirations was Disco Elysium. I think they could party together.

[commandertartarsmoocher]

This is not an AC/DC reference

Two versions because I think both are neat!

[hydrachea]

Paimon and Alhaitham have such a cute relationship.

First it was the way he kept sending books for her after her apparent interest in what he was reading in the Sumeru archon quest. His first birthday letter, and now his second one too.

He doesn't treat her with any kind of irony or condescendance when he suggests she reads more book - like everything else he does, it's very blunt but genuine.

And now, it looks like now she's starting to imitate him!

Their relationship is only sprinkled here and there, but it's really damn sweet.

[feroluce]

So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!

So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆

Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.

Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.

And besides, Dan Heng is there.

Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-

"I didn't know it was possible for you to get sick."

...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.

"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.

Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.

From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.

"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.

Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!

Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.

Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.

Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.

Boothill feels dizzy.

The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.

"Almost done."

Thank the aeons, maybe one of them likes him after all.

"Your tongue is in the way... I'm going to hold it down, ok?"

Nevermind.

The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.

Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.

With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-

Forget it, eye open, eye open!!

"Alright. There's one last pebble stuck."

Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.

Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.

The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-

"Swallow."

Stars and aeons, Dan Heng is going to be the death of him.

Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.

His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.

"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.

What the fudge.

[gh-0-stcup]

Daniel and Armand spent four years meeting up and having long, intense conversations about philosophy, culture, and history before they officially got together.

They had a very active social life and seemed to spend several years doing a wide variety of interesting activities together.

Daniel mentions how he grew increasingly bitter over the years. Things between him and Armand fell apart due to Armand not being willing to turn Daniel.

Daniel is free to leave at any time. Armand won't try to chase Daniel down if Daniel doesn't want to be there.

Daniel's alcoholism spirals out of control when he isn't with Armand. Daniel has been on the verge of death because of his alcoholism multiple times prior to this chapter.

[reksink]

Comms for Delightful Friends 💚

[bitternace]

WHY ARE YOU SO EVIL!!! /POS. ATTACKING YOU.

Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?

no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.

[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.

they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.

xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]

close-up under keep reading.

[darlingcloudie-9]

miscellaneous doodles ft. the duo of all time

[jadelemonadee]

What r ur thoughts on people who twinkify samuel seabury…like when his only personality is being soft uwu boy who gets bullied by hamilton and king george is his protector!!1!1!1!

I HAVE SO MANY THINGS TO SAY ABOUT THIS I HATE IT SO MUCH

okay first of all I’ve said this before but i feel like the only reason people see him like this is because of “chaos and bloodshed is not a solution” which caused people to be like “omg he doesn’t like violence such innocent baby protect him 🥺🥺” WHEN HES A GROWN ASS MAN (45 - 47) AT THE TIME OF FARMER REFUTED ☹️ also about the king george thing there’s lots more to his character than just being a loyalist he was a priest / bishop fcs 😞 how about jesus being his protector!!!!! /j another thing about him is that i feel like people tried babying him to make him seem less of an antagonist maybe…??? like ive seen people say “poor sammy he was trying to express his opinion🥺” ok well we’re not rooting for his opinion in this musical ARE WE?? like idk maybe we should let antagonists be antagonists and be in the wrong 🤗 personally i dont agree with samuel’s opinions AT ALL but that doesn’t make him any less kissable in my eyes!!! can we let characters be pathetic without infantilizing them PLEASE i just see him as this annoying snooty man who sees the revolutionists as childish and immature / sees him + other loyalists as above these “barbaric patriots”. also i recall thayne sayinf something on the hamilcast podcast about seabury trying to “save everyone from the king” (i pray the king shows you his mercy) before its too late and i dont know how this aligns with what im saying but i think it tells us a bit more about him (at least thayne’s version) and i just find it a silly detail 😁 btw you guys im only talking about all this from the musical perspective and this has barely anything to do with actual history or the characters’ historical counterparts 🤗🤗🤗🌈🌈🌈🌸🌸🌸

[transyashiro]

more fat (positive) art?

i'll try, i'll try

[smilesrobotlover]

Some strangers across eras stuff. Some stuff is from whumptober while other things are just made up. The first one is from this: