#I like both interpretations but that one’s just more interesting to me personally

[aromanticannibal]

mha characters that are aro for CANON reasons (read: in which I reach increasingly further for canon evidence):

(Disclaimer: some of these can be evidence of characters being something else than aro (or ace) but this is my post and I can do whatever I want + /hj to /j to everything on there, when I say I start reaching I start REACHING. These are headcanons!)

Aizawa Shouta doesn't ever show romantic (or sexual) interest in anyone and is actively put off by Ms Joke hitting on him and the idea of getting married to her

All Might has NO experience with women according to Horikoshi (could also mean he has experience with men but y'know)

Ashido Mina really wants to be in a relationship but never fell in love (cupioromantic moment)

Both Bakugou Katsuki and Todoroki Shouto hide from girls crushing on them near the end, don't ever show romantic interest in anyone or get anxious or flustered near girls, Katsuki especially apparently never cared about girls (and vice versa) before and and Shouto specifically doesn't notice when he's hit on.

Iida Tenya is never interested in girls or men and is significantly more focused on both his studies and his friendships

My favorite headcanon: Uraraka Ochako's love for Izuku seems founded more on her admiration and people telling her she must like him (because boy and girl etc) than in actual romantic love, and she connects a lot with Toga (who also loves people in a non-conventional way)

Midnight doesn't have a romantic partner or anyone she regularly flirts with despite being a very beautiful and desired woman, and doesn't seem to have had any kind of romantic relationship with the three boys more or less her age she hung out with a lot (the rooftop trio) (she can also be seen as a cliché of aroallo person who only cares about sex so I'm claiming her).

Pixie Bob's obsession with finding a partner is giving "I've been told all my life that I HAVE to get married and I don't want to so I keep looking for the perfect match and not finding it because the man I'm looking for doesn't exist because I won't ever fall in love". Because by god you can't tell me the cute blonde catgirl isn't finding a boyfriend.

All For One only cares about his brother, I'd even argue he's aromantic asexual aplatonic etc. a-everything except familial and idk. quirkic. attracted to quirks.

Mount Lady is aro for the same reason as Midnight but because I think it's implied or canon that she's dating Kamui Woods, she's lower.

Midoriya Izuku is green so he's obviously aromantic and most of his flustered reactions to girls seem based more on shyness (and an obvious reaction to getting boobs shoved in his face) and sexual or aesthetic attraction than romantic attraction (he also has a very romcom view of what being boyfriend girlfriend is, ie. his reaction to Toga's confession)

Aoyama Yuuga's definition of love (according to his comment on Ochako being in love with Izuku because she was thinking "what would Deku-kun do?") is very weird and seems based more in things he was told or saw in fiction than feelings he would have felt himself.

Yoarashi Inasa is just so fucking weird with friendships and social cues he looks like he's trying to navigate the world while making absolutely sure NO ONE misinterprets him, which makes him both very aro and very autistic in my book

Kurogiri is literally a bunch of mist with little free will whose purpose in life is protecting this one boy, he's all the As.

Endeavor married for insane reasons and never even cheated on Rei after he sent her to the hospital (which a lot of men his caliber would do)

Ms Joke makes the idea of dating Shouta a joke and I think that's great. She's also green.

Miruko's chill and doesn't give a fuck, she's a fighting person, very Katsuki-coded in that regard I fear. She also works alone without an agency, which is giving aromantic for no reason other than I Said So.

Toga Himiko is a queer allegory that is generally interpreted as bisexual and biromantic but I think she can be interpreted as aroallo as well (way to love that’s seen as impure and unholy etc etc, notions of consent – taking people’s blood and hurting them without their consent which is for her a way to show her love, most of her attraction seeming physical or aesthetic rather than romantic, her parents telling her to repress repress repress instead of satisfying her desires in a safe way, the scene where she’s biting her wrist in her sleep???? etc etc) 

Twice never had a lot of friends and never had a lot of female friends and when he feels gratefulness and care for Toga it outwardly seems romantic because he doesn’t know what’s romantic and what’s not and hasn’t had a lot of female friends 

Dabi is giving aromantic aplatonic who only really loves his family but due to circumstances can’t love them healthily and ends up just hating them (the most intense feelings of love he shows are always towards Enji or Natsuo, and his apology to Shouto makes me think Shouto is also included in this – no evidence for Fuyumi and Rei but I can do what I want. He clearly cares for Twice and Toga too but it presents very differently, even after he’s revealed himself and doesn’t need to be as secretive). 

Shigaraki Tomura probably just doesn’t give a shit I’d say. He’s pretty apathetic when he isn’t fighting or angry or like doing his hatred thing, but he clearly cares about his teammates. 

Fatgum is foodpilled and studentpilled. He really loves food and he really loves his students he doesn't need no romantic relationship.

Jirou Kyoka takes a bit to warm up to Denki so I think she's demiromantic actually

Bruce (the third user of One For All). He just has such third wheel vibes.

Intelli Saiko because why would she bother with romance, it's so unpractical and illogical

Despite asking for boys' numbers all the time and being very aware of romance, Utsushimi Camie looks like she could NOT CARE LESS. aro

The fact that Hawks plays up the flirting with his fans is giving aromantic to me – obviously heartbreaker aroallo stereotype but I think he could also be ace, the aroallo part isn’t that important, it’s just that he’s always pretending. It’s giving still in the closet. Also I know he’s young and busy and Horikoshi doesn’t really put that much casual romance in MHA but it’s so funny that there isn’t even a sliver of a girlfriend implied in his timeskip. Hawks is Married To His Job. 

Star and Stripe is also absolutely married to her job. Also, lots of guys around her, lots of important and admired male figures in her life, and yet not a single crush from her. Points. Aromantic lesbian 

Nezu is a fuckass mouse I highly doubt he's attracted to humans in any way

Gran Torino is a single old man which is enough for me (though because I hate that fucker I think it'd be funny if women just hated him)

Where Is Shimura Nana’s Husband. 

Muscular only likes to kill, he doesn’t need romance nor sex, his only desire is Killing People and fighting. Same thing for Moonfish, he only wants to eat people (mood my guy) 

Geten is very hyper focused on making his quirk stronger, he doesn’t seem to really have any relationships.

Overhaul just fucking hates people

Again, Kendo Rappa only cares about fighting.

So so sad because I like his girlfriend but Natsuo is giving marrying to get away from his father

Koda Koji just had the vibes. He's so aroace to me. (aro Koda brain vs kodajirou brain fight)

Monoma Neito is such a fucking hater he just has to be aromantic

Wash is a washing machine

Honorable mentions:

List of characters whose only argument is they never show romantic attraction and don't talk much about romance or get flustered: Shouji Mezo, Sato Rikido, Tokoyami Fumikage, Shinsou Hitoshi, Yaoyorozu Momo, Sero Hanta, Hado Nejire, Togata Mirio, Shirakumo Oboro, Present Mic, Seiji Shishikura, Ryukyu, Gang Orca, Shishido, Centipeder, Ectoplasm, Hound Dog, Thirteen, Vlad King, Mandalay, Tiger, Lady Nagant, Mr. Compress, Tsukauchi Naomasa, Todoroki Rei and Fuyumi, Melissa Shield.

List of characters whose only argument is "they're green so they're obviously aromantic": Asui Tsuyu, Ibara Shiozaki, Tokage Setsuna, Kamakiri Togaru, Midoriya Inko, Ragdoll, Burnin, the Sludge Villain (I’m taking all I can get), Mustard, Ordinary Woman.

Bonus: characters that I can't make aromantic no matter how hard I try under the cut:

Gentle and La Brava, for obvious reasons. I feel like making them not love each other is like illegal.

Kudo and Yoichi. By god my brain will not accept it they're in love.

Amajiki Tamaki. I'm sure he could be aromantic but I can't let go of the Mirio and Nejire crushes (which are so real and true to me)

Yuyu (Nejire's friend), she also looks way too much like she has a giant crush on Nejire. Lesbian moment.

Best Jeanist and Edgeshot, they're giving high school sweethearts.

I put them in honorable mentions but I just have to mention Gang Orca and Shishido somewhere because the one baseball OVA made me think they're like the pseudo-enemies/rivals who argue all the time but somehow fight extremely synchronized when needed and ONLY fight each other because they're the only ones Worth It etc which is. Y'know. eye emoji etc etc

Sir Nighteye is literally in love with All Might

David Shield is literally in love with All Might

No really did you see David's wife? This man went and found a blonde blue eyed wife when he couldn't marry his blonde blue eyed best friend. His daughter looks like an All Might secret love child. I know whenever Dave hears Melissa call All Might uncle he dies a little inside because he wishes she could call him Dad too and he could call Toshinori his darling husband and

Rock Lock is happily married and I could never take that away from him

Spinner is green so I can kind of see him as aro but he’s giving madly in love with Shigaraki so much

Magne has a crush on Dabi in one of the Smash strips which is too funny to ignore I think she’s madly in love with him. And she’s right

I like kirimina so fucking much I genuinely struggle to come up with aro Kirishima headcanons. I think he could be quoiromantic but I also think he’s madly in love with Mina so I don’t know. 

Stain is literally in love with All Might

Ending (guy who attacked Natsuo) is literally in love with Endeavor

Garaki Kyudai is literally in love with All For One (“I miss your eyes” guy is so fucking devoted. The true doomed yaoi of MHA)

I know Rody is in love with Izuku he just has to be. 

To me Shindo Yo also has a crush on Izuku but also he's canonically dating Nakagame Tatami which is also cute.

[boneles-ss]

I loved the ending of the silt verses for so many reasons: because I’m a sucker for the smoking Chekov’s gun, a thematically rich tragedy, and the sickly sweet stench of a narrative that is ultimately and above all else, hopeful.

We were shown the dangers of hope, in the (in retrospect) most seemingly “out of place” episode in the entire series—the hope motel one with the doomed gay people. It was an amazing episode, do not get me wrong, but listening to it for me was like “okay, so based on this, when is hope going to, once again, bite us in the ass. Or literally bite us idk we had somewhat similar foreshadowing used with the sleep god thing from season 1.”

And of course it would be the finale. Of course it would be reading through the transcript, knowing that there’s a shadow of a chance that Carpenter lived to do all the things she was so ready to do, that she wasn’t giving up, or that she died in the water, on her feet, brought to a prophesied end in the god who could not seem to let her go, but that ultimately, she did NOT GO WILLINGLY.

Of course it would be the unknown of Paige and her caravan, trekking through the polluted lands in search of something kinder, something new, knowing that Paige would leave them behind one day—but that day is not today—and she would see them on. It’s hoping beyond hope that they all escape, that they can make something better out there, and that there are ways for people to follow out of this old world, if they choose to read the signs.

That’s what I think that episode was “for.” Obviously episodes like that don’t NEED to tie into the plot directly, and they’re sometimes narratively more satisfying if they’re left self-contained (the power plant ep was also brilliant in a very similar way (and I’m realizing now that that ep also mirrors Paige’s journey….that should be it’s own post)), but its about the theming, the framing of the tragedy, and the foreshadowing of it all. The motel was tragic and awful because it toyed with our hope—rending it functionally untrustworthy. But we choose to hope anyway (I’ve seen the polls lmao) and we make a good story on our own, in our own minds, out of that ambiguity. The ending to me is so good because WE can choose how it ends. We are given that agency, and I think it’s so satisfying either way! We KNOW the god in the motel was fucking with our hope and eating those who dared to try and we still said BUT WHAT IF-

so what’s the harm in hoping for the best for those whose stories continue after we stop consuming them? Hhhhhh this show and this ending are going to stick with me forever

[gingermintpepper]

Absolutely the funniest thing about my current corner of tumblr is that pretty much everyone I've recently followed for Apollo-Appreciating Purposes are either genuinely Hellenist or just rather very into Rick Riordan's Trials of Apollo series which is wild because I know a net zero about both of those things.

[tibtew]

*clutching head* rodya and meursault would have such a good dynamic actually

I wonder if rodya would initially see meursault's indifference as like. a simpler version of her own feigned carefreeness and as a deliberate attempt to place himself as an outsider... only to realise that No, he really Is just Like That. and then she gets annoyed because it turns out that people who don't care about anything don't seem to be any fun.

(ofc he does actually care about a lot of things, just not necessarily his grander place in the world lol)

idk. nihilism vs absurdism. fun duo 👍 rodya would find meursault's genuine comfort with being a speck of dust in the universe baffling, while he would probably find her desire to assert her own importance pointless, but they could probably bond over little things like their shared desire to live in the present and appreciation of/indulgence in earthly joys. and meursault would probably listen if rodya wants to rant about anything without asking any uncomfortable questions. I think they could appreciate each other's presence.

[marsbotz]

trying not to go crazy and start killing people every time i see another mane 6 redesign post

[todayisafridaynight]

OH about the finale at the shrine, this completely slipped my notice when we were talking about it, but Ichi says he's "reporting" Jo's verdict to both Arakawa and Masato. It's just not translated that way.

Not too big of a difference (well, it is to me, but I'm insane), but if it was highlighting anything, I'd guess it's probably Masato's change of heart. It would've been fair for Ichi to assume Masato wouldn't care and only "report" to Arakawa, but in the context of Ichi doing his damnedest to show Masato they all love him, it works in terms of, "Maybe I made him reconsider, and maybe now he would care."

Also... I'm looking at it in a "measured" way, since the chapter trophies are always just standard "Nth Chapter Cleared" messages that the localization team just spices up for us, but there's something I find really poignant about the Chapter 13 trophy being worded as "Fate of Our Fathers." The pluralization of both the noun and pronoun. Realizations that come too late.

Of course, Masato definitely didn't "know" and had no real reason to suspect it, but the Arakawas have this bizarre subconscious almost-psychic link. So even if he doesn't really think so, there's this sense that Ichi "might as well" be Arakawa's "real" son because they're so much more alike. And maaaybe he felt that way about Jo and himself at one point, because (as we've discussed) there has to be a reason Jo was Masato's "favorite."

[Follow up to this ask]

[milsirils]

I hope I’m not making mindless sleep deprived connections when I say this, but I just noticed that Milsiril tends to wear bigger and longer clothing around her children. Which gave me the thought oh she probably wears them to hide her scars from her children..but I also suck at forming words so y’all are just gonna have to trust me on this one.

What really caught my attention was these two arts of her wearing two really baggy looking pieces of clothing. In both of these situations she’s with her young children.

Please bear with meee here cuz I know in most of her panels she's in the canary uniform, so we only get to see her in her non work clothes once. In this one extra, her scars visible and she is wearing a short dress, but what I want to highlight is that she is with only elves here.

Here is more of her wearing clothing that covers some of her arms! I like to note that in all instances she’s with Kabru..

(Even in the first panel she is wearing those arm bracelets that cover up most of her skin in a way. She doesn't always wear them but they're an interesting addition imo.)

BUT This is what sells me a little is this scene from this chapter. Where Milsiril is playing the soft and protective Mother role, feeding Kabru cake, almost kinda baby talking him. She’s using her shawl (?) to cover her arms. Til Kabru brings up the dungeon and wanting to be “strong like her” is when her shawl slowly begins to fall off her shoulders each panel and reveals some nasty scars.

Taking at look at the "Strong like you." panel (middle image, first panel in the middle row) it particularly peeks my interest because I’m so sure Kui did that on purpose. Not to mention when the tone shifts completely and we see Milsiril looking rather scary. This time her scars are on full display.

So going off of the last few panels, I’m going to personally assume she tries to cover them around her children so they don't have any feelings of uneasiness or fear around her. In the instance with Kabru, it’s almost like she's trying to install some fear in him whether that’s to drive him away from the dungeon or just show him what exploring in the dungeon is really like. Whatever is the real reason to all of this is beyond me.

I hope this makes sense and y’all can pick up what i’m tryna put down. I’m so tired feel free to reblog with your own interpretations or additions pls. or if i missed anything thanks.

[squidthusiast]

Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?

Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”

Basically OTH at the start of their world tour haha, I love that they took Eight with them.

I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.

Disclaimer: This is my own take on it, don’t let it ruin your fun!

I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.

On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!

On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.

I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:

1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.

Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).

Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).

However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.

Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.

I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.

Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.

2. Pearl and Marina are very career-centric both in Splat 2 and 3.

It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.

Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.

Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.

Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.

3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.

This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.

Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.

They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.

Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.

Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.

From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.

I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.

They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!

So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.

This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.

So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.

As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.

If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️

Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!

[kenananamin]

Where did Nanami go?

a small collection of events where the people around nanami wonder if he's been abducted by aliens where they switched his brain after seeing how different he is with you (but they love it and keep hoping to see more) fluff, nanami being the best boyfriend, fluff literally just typed this all in one go and did not edit. lol enjoy!

nanami is the 'i'm not reading all that, im happy for you or im sorry that happened' person to gojo. but you send one long long message to nanami and gojo glaces to nanami's phone and just sees his whole screen covered in one long blue bubble. he asks if you're ok or if he needs to step away to call you but all nanami says is no and starts reading the message. gojo sees nanami read a bit, then types a small reply, presses enter for the next line, reads some more, then another small reply, and repeat. is he replying to every single sentence in your message?!

gojo gets curious so he leans a bit closer to actually see the message. it was not an emergency... but your review and interpretation of the 2009 movie Mother?!

gojo leans back shocked. nanami would never reply to such long messages he'd send. if the message was longer than 4 lines, then nanami might never even reply to it. but he's carefully reading your message as if it was the latest report that would be the difference between life and death in the next fight. he's replying to every single point you're making and are those emojis?!

gojo is floored, truly baffled and entirely speechless.

gojo wonders, what movie can i watch that might interest nanami and get him to reply to me in a message longer than a sentence?

———

gojo and itadori walk out of the school with nanami. it's time for nanami to clock out but gojo and itadori are heading out to try a new restaurant that evening. nanami gets a call at 6:01pm while he's still walking with them and stays back a few steps to answer your call. nosy gojo perks up his ear to listen if nanami's voice changes when he answers your call. it's not too different but gojo swears it did change a bit as if there was a little smile on his face. there was.

you ask nanami if he'd like to join you for dinner at a restaurant after work and nanami just asks for the address and says he's on his way. he excuses himself from the guys and gojo wiggles his eyebrows as nanami says he's got somewhere to be. yuji continues to talk about the last movie he saw that he loved but megumi kept rolling his eyes at.

gojo and yuji get to the restaurant after their leisurely walk and see nanami - wait! nanami setting the table?! they're both shocked bc even though their steps were unhurried, it's not like they took a long time to get to the place. you walk into the restaurant and spot nanami wiping what would be your side of the table with his hand, wiping anything that might have been missed by the cleaning cloth.

"kento!" you smile and jog to the table. he looks up and smiles when he sees you, but the smile drops when he spots the open mouthed gojo and yuji you just passed by. you stop walking and turn to see who or what he's looking at.

gojo snaps out of it and goes to introduce himself to you before leading the group of three to the table that nanami is now standing next to. he had heard about you because he pestered nanami enough to tell him about your existence and your name, and that's really all gojo knew. he asks nanami how he got to the restaurant so quick and nanami blandly replies that you work nearby and he wanted to get there first aka he lightly jogged but gojo didn't need to know that.

nanami was kind of expecting it but it still surprised him a bit when you extend a courteous invitation to gojo and yuji if they'd like to join you both for dinner. what was not a surprise was that gojo immediately sat down. yuji hesitates a bit but you tell the young man to sit and assure it's ok. nanami sighs but decides to just roll with it and goes to slide out your chair so you can sit. gojo and yuji give a quiet 'ooooohh' to the action and nanami just shushes them and sits next to you.

nanami is stiff at first and you notice so you slide your hand to hold his under the table. gojo notices the action though and feels like giggling and kicking his feet for his friend. it still takes a while for nanami to relax a bit but he eventually slumps a bit in his seat and smiles a lot easier after a few drinks w you. gojo and yuji stick to their sodas and nanami is happy to order wine for you both.

gojo and yuji make easy conversation and everyone genuinely has a nice dinner. nanami is ready to say bye to the guys as you finish a conversation with yuji about a show. gojo and yuji excitedly watch you both walk away as nanami keeps a hand on your lower back to lead you down the street then moves to hold your hand. they start giggling out loud, a little too loud, when you step even closer to hold his arm with your other hand and lean your head on his shoulder as you walk back home.

———

yuji excitedly goes to nanami to ask if he can join you guys after work. nanami is confused but yuji tells him to check his phone. you had asked if he wanted to visit an ice cream parlor and bakery with you and that you had asked yuji for the name since he brought up the place at dinner.

“we were talking about the show hannibal and she recommended a movie if i liked that show so i did the same and recommended something. she said she'd let me know what she thought the next time she saw me but i didn't know when that'd be and i think she read my mind so we exchanged emails,” yuji rambles nonchalantly about exchanging information with his girlfriend.

"nanamin, i thought you didn't like sweets?" nanami confirms that he does not care for them but you like them and he always finds another bread or alternative to eat as you eat your sugar-filled dessert.

yuji gives a thumbs up and that the man has his respect. nanami tries to ignore the comment… but the compliment feels nice. what didn’t feel so nice was two other kids attaching themselves to yuji and nanami for the ice cream.

he gets in the car and looks back at nobara, yuji, and megumi through the rearview mirror and hopes you don’t mind these kids attaching themselves like leeches on your date. and you don’t mind, it was nice to finally meet some of the people he’s talk so much about and you liked hearing new stories about him.

you’re getting a couple samples and pass them to nanami once you’ve tasted a bit. he wouldn’t get a full ice cream for himself but he could do samples... and indirect kisses. you read his mind (bc you were thinking the same) and try to flirt and raise your eyebrows at nanami seductively but shy away and start to laugh instead. nanami know what you were trying to do yet again and he finds it endearing every time you do it. he pulls you in from your waist and leans down to kiss your bare shoulder thinking the kids are too busy looking for their own desserts to notice. they were not busy, they were looking and saw it all.

the kids are shocked, nobara is taking notes bc she wants that romantic gesture, yuji wants to cheer him on, and megumi's eyes widen but he wonders just how long nanami's been hiding this side of himiself. all in all, all three kids want to see this side more and start planning ways to go out with you both again.

———

nobara and maki go shopping for some spring clothes and as nobara is talking about a store she saw while maki got an iced coffee she stops in her tracks. nanami is inside the store they were about to pass and he's standing as still as a statue... holding a couple shopping bags in one hand and a purse on his shoulder. maki follows nobara's gaze and chuckles but prepares to walk away. nobara grabs her arm and pulls her into the store but hides behind a rack to keep watching nanami.

you come out of the dressing room in the perfect little black dress and nobara and maki can't help but stare in appreciation and awe. they were impressed by how you looked but even more impressed when nanami took out his phone and took a picture. even from afar, they could tell it was a damn good picture and that that man knew your angles.

———

gojo wants to go to a club. he knows nanami will say no straight up so he starts the conversation with, "hey you know what y/n might like?" gojo tries to sell the club the best he can but nanami just says ok and walks away.

gojo texts nanami later that night to ask (plead) him if he'd want to go and all nanami says is that you both will meet him there. gojo hums as he gets ready and arrives to the club. he sees you and nanami walk into the dark and loud room but immediately notices nanami's black button-up that has the top few buttons opened and no tie, and your little black dress. it's shorter (and honestly sexier) than what gojo imagined you'd wear in an outing with nanami but he has to admit that his pair of friends were a damn wonder to look at. he discreetly takes a photo of you two and sends it to nanami. it becomes nanami's favorite photo.

gojo compliments both of you and you thank him saying you had told nanami he'd look great with that simple button-up and gojo agrees. nanami blushes a bit at your compliment. gojo asks about your dress and you laugh recalling when you were getting ready. you had asked nanami if you could wear the dress since you weren't sure if it was too short and he just nodded and basically said 'dress slutty, i can fight' (not in those exact words but that's how you registered it and you fell even more in love with the man). nanami really did not care about what you wore, he would definitely voice if something was not appropriate but he has not said anything about any of your clothes since you've met. gojo couldn't even laugh at nanami's response to your question, he was impressed and turns to nanami to give a thumbs up (and writes that down to use later).

———

all the students sit with nanami and gojo in the cafeteria. they're sitting around waiting for their meal after their mission when nanami remembers that he promised to call you after he was done. he had accidentally let it slip that the mission seemed dangerous and you asked if he could spare a moment after the mission to call or text you to make sure he was fine.

he excuses himself and gojo faintly hears your voice before his friend fully walks out of the cafeteria for his call. immediately after nanami leaves, the students huddle closer to the table and start talking about you. gojo is kind of shocked by the student's reactions but they all look at him and in their own way talk about how much they like you for nanami. a cold and serious man has the embodiment of bubblegum on his arm and they loved it. gojo joins his giggling students and nanami waits a moment outside the cafeteria door to listen to his team rave about you before walking back in with a light blush on his cheeks.

[moonastro]

Juno persona chart

mars in the houses

what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.

mars in the planet of passion, ones drive and desires. in the juno persona chart, mars determines the energy of the relationship, intimacy and possible conflicts that may occur.

reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.

**also this can also be used for signs as well, for example if mars in persona chart is in scorpio, read what applies to the 8th house as it may resonate as well.

18+

mars in 1st house: the couples energy in the relationship is full of passion like literally. this house is literally ruled by mars so the energy is intense. very full of energy, full of support from both parties when it comes to ones interests. intimacy is full of power and can be quite tough also, lots of verbality during it. lots of sweating, like A LOT. but it can last very quick also, so the duration of intimacy can be very quick. also during the process the pace can be very fast and rough. since this house is an adrenaline rush house, so performing the act in places that are risky or you know that you may get caught, that may cause a rush to both parties that make them feel alive. conflicts may occur due to being too dominant in the marriage maybe being too demanding or being too rough on their spouse, this may cause some serious arguments, it can even become physical so be careful with that. also being argumentative about ones self centred mindset, lots of vulgar words can be used during arguments.

spouse can have natal mars in aries, 1st house, fire sign or a fire house.

mars in 2nd house: the energy in this marriage is calming and chill. this reminds me of just getting each other and vibing from day one. but on a serious note, intimacy is very sensual and very slow paced. can be very graceful in a way?? also this couple may be into food related s*x so including food as a source of technique. intimacy may last quite along time and can be full of neck and collar bone kisses. conflicts may occur due to disagreements in financial areas and possessions. so for example one party may have an overly excessive tendency to over shop or get stuff that they don't need and so their spouse may get angry about it. also arguments may happen due to financial situations like having problems with the bank or contracts.

spouse can have natal mars in taurus, 2nd house, earth sign or an earth house.

mars in 3rd house: passion in this relationship is quick and versatile. can be lots of changes and adaptations to their passion. during intimate hours, it is very rushed. almost wanting for more after intimacy is finished. i feel like also this placement can change their mind a lot when it comes to being intimate, like saying one thing but doing the other because they changed their mind. also there can be lots of talking while being intimate so lots of grunts, screaming and talking in general, just anything to do with talking can possibly occur. conflicts may occur due to sibling drama or something that happens in the neighbourhood. arguments may start from this placement just constantly talking like in general maybe too much talking or just oversharing to other people and their spouse gets angry at the personal things that are being shared to their friends. also conflicts may happen due to friends, so maybe this placement may not like the friends that their partner hangs out with or they don't like how they act and stuff like that.

spouse can have natal mars in gemini, 3rd house, air sign or air house.

mars in 4th house: the overall passion of this marriage is taking care of each other and being there for each other emotionally. lots of reflection on each other so checking up on each other even if the other person is completely fine, this placement tends to never ignore their gut instinct. intimacy is very sentimental and slow, almost careful as not to hurt the other person or each other. there may be lots of chest techniques involved (i'll let that proceed with your imagination) possibly, intimacy is very full of praise and the person will never go too far for what their partner can handle, always checking up on them also during it and maybe lots of stroking on the head to signify that their partner is doing good. (okayy i think i just went overboard but you get the gist). in terms of conflict, arguments usually arrive from problems with their family members, for example maybe this placements mother and them got into an argument about something and their partner got angry that way and so forth. conflicts also occur when their is a lack of emotional awareness of each other and oneself, maybe this placement got too overwhelmed or stressed and just broke out in anger and start conflict that way.

spouse can have natal mars in cancer, 4th house, water sign or water house

mars in 5th house: the passion between the couple is very open, very playful but can also be that this placement thinks that the relationship evolves around them, that their the main character. of course being the main character is awesome but in this situation its more about only thinking about themselves and not thinking about others. this may cause conflict due to this placement possibly being too braggy or too self-centred and maybe thinking of only themselves. intimacy is full of noises and they make sure to show their partner that they are enjoying themselves. lots of hair pulling and hair stroking. also lots of gripping of the back. this placements just likes to make their partner own them. also arguments may start due to disagreements about children, maybe they don't want children but one does. or maybe they have different hobbies that they do and arguments about their hobbies and how they spend their free time.

spouse can have natal mars in leo, 5th house, fire sign or fire house.

mars in 6th house: the passion in this marriage is based on routine and daily life schedules. intimacy is quite structured and very based on how the individuals daily routine went like, so it depends if they have time to fit it in kind of way into their busy day. this placement tends to also acknowledge positions that feel good to both parties, nothing that goes out of their comfort zone. oh and the aftercare is very important for this placement, very concerned about how their partner felt during it and after it so they take their time to make sure they feel as special. conflict may occur due to health illnesses or sickness. maybe an illness is preventing this placement to do certain things and so their spouse may get angry about it. or arguments may start due to laziness or promises not being kept.

spouse can have natal mars in virgo, 6th house, earth sign or earth house.

mars in 7th house: this placement is very confusing. one minute the couple are fine and getting along and bonding but i kid you not it can be in a second span between them getting along to roaring each others throats out. you get the best of both worlds, what is bad without good? no but this house rules over balance and expect very very versatile energy in this relationship. but when the couple is thriving the connection between the two is very romantic and sweet, very flirtation, LOTS of flirting. also in bed its quite sensual and nothing too extreme or kinky, i would say that when it comes to being intimate both parties are in a good mood to do it, no anger s*x or anything like that unless other factors and aspects disagree. nothing too dirty either, maybe lots of flirting while doing it and dirty talking also. conflicts occur due to getting mad that the other person doesn't give back what they are given, for example when their spouse gets an 'i love you' and they don't say it back and that sort of thing. also arguments about government complications such as legal documents, the law and so forth.

spouse may have natal mars in libra, 7th house, air sign or air house.

mars in 8th house: passion between the two is intense and spiritual. lots of transformation happening when intimacy occurs. even when it comes to the first time when being intimate, it can be such a different and intense occurrence and very meaningful also. this is the house of s*x so intimacy is very sexual, very intense lots of trauma being released so it can be quite emotional. energy in the relationship can be quite secretive, perhaps the other does not trust one with specific things or would rather talk with someone else about it than their partner. on the other hand it can be very money based, the individual may rule over their partners money and even their card. their finances have big presence in their marriage, this individual may be driven by money and is always in control of it either if its their own money or their partners. overall energy in this marriage is transformative also.

spouse can have natal mars in scorpio, 8th house, water sign or water house.

mars in 9th house: passion between the couple is very versatile and very explorative, both parties are down for new positions, techniques and styles in terms of intimacy and are very open minded about them. intimacy can be very fun and exciting, maybe lots of giggles and teasing involved. also when performing intimacy, it may occur in different places, for example like the counter in the kitchen or literally while doing laundry and you just make out like?? literally any place you can imagine, this placement will probably be down for it. as for the energy of the relationship, it very travel and learning based, lots of learning learning learning. this house is ruled by jupiter so very abundant in lots of areas of life (check sign for greater detail). for example if 9th house is in capricorn (and so would mars) then career may thrive, getting respect from people after marriage, having luck in formal situations and finance documents, becoming more mature, receiving recognition for your talents and so forth. if in cancer then the individual may become more caring, be blessed with a family, have greater relations with females, have a greater perception of ones emotions and so on. conflicts may often occur due to indifferences in culture, beliefs and morals. not agreeing on the same location when going on a trip or over getting mad about factual stuff. arguments can start out as jokes and then develop into serious arguments as one can take it too far. so arguments about silly things that may not have significant meaning, (for example arguing over why the other party sneezed too loud??)

spouse may have natal mars in Sagittarius, 9th house, fire sign or fire house.

mars in 10th house: energy of this marriage is full of passion in their career. very successful career and career driven. ready to provide for their family and ready to provide their spouse with income. intimacy is very traditional, very modern and most likely this placement has a schedule of when they do it like on a specific day every week and so forth. also this placement rarely changes their style and technique when being intimate so its most likely the same every time. this placement also likes to baby their partner and be a 'parent' to them, taking care of them and giving them privileges. this also applies during intimacy. conflicts usually occur due to career difficulties, for example, maybe they didn't take up a new job opportunity or maybe they didn't get paid the extra for what they worked for and things like that. also conflicts may occur due to problems with their father, this placements father may bring something that angers their spouse or them.

spouse can have natal mars in capricorn, 10th house, earth sign or earth house.

mars in 11th house: energy of the relationship is unique to them. others may have different opinions about this relationship and lots of outside banter of this relationship. for example people just pin point details that they think is wrong with the relationship. intimacy is quite out of the blue can happen spontaneously which makes it very exciting. lots of different things could be taking place when intimacy occurs. like using some equipment or having like toys for it. conflicts may occur due to opinionated views about humanitarian stuff like not agreeing on not enough help is going on about in the world and the other one may disagree and so on. also arguments about their social groups, perhaps this placement is not pleased with how their partners social group act and they may tell them stuff that they don't like about them. also problems with social media status, arguments about what their partner posts on social media or how they interact with their social media platforms.

spouse can have natal mars in aquarius, 11th house, air sign or air house.

mars in 12th house: the energy of this relationship is full of dreaminess, due to this house being a delusion house, this placement can have the tendency to have unrealistic expectations of their partner, always thinking the opposite of what is real, for example if this placement spouse doesn't help out with laundry, they can get mad but later on they'll think that they will do it next time you know? also conflicts may occur due to addiction problems, perhaps this placement has a smoking or alcohol addition and their spouse may not like it and they argue about that. also arguments may occur due to illusion problems, sometimes this placement may say stuff that's not true (nearly like they just made it up) and make up a full story about something that their spouse or someone else did but in REALITY nothing like that happened, this type of behaviour may cause conflict between the couple. on the other hand, this placement also has a passion to live abroad and may thrive better overseas with their partner.

spouse may have natal mars in pisces, 12th house, water sign or water house.

thanks so much for reading, have a lovely day 🫶🏻

[astrxbtchs]

☆⋆｡𖦹°‧★ (𝐌𝐨𝐬𝐭𝐥𝐲) 𝐒𝐲𝐧𝐚𝐬𝐭𝐫𝐲/𝐀𝐬𝐭𝐫𝐨 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧𝐬 ☆⋆｡𖦹°‧★

𓆩♡𓆪 Unrequited synastry can be seen with vertex making hard aspects to the moon. Since vertex is an angular placement, it will be felt by the vertex person. The vertex person is affected by the planet person more bc they are the source of energy that the vertex is being activated with. With a moon square vertex for example, the moon person will provoke deep emotions out of the vertex person simply because they activate this energy from them. They feel more because that energy is invoked out of them, causing intense emotions.

It reminds me of this for some reason:🧍🏾‍♀️-> > >🧍🏾‍♀️ Basically the person on the left (moon person) naturally projecting their energy onto the person on the right (vertex person) and the vx taking it all in and becoming heavily affected. You can tell a bit how that vertex angle can be a bit one sided ***I really hope you understand this interpretation lol this is just how my brain computes things for me to understand it. I hope it helps

𓆩♡𓆪 Another unrequited aspect could be Neptune Square/Opposition to mercury. This can show lies and deception being told by the Neptune person. Communication exchanged between the two can be very hazy and difficult to understand, as if you never know where you stand with this person and words are easily misinterpreted and taken the wrong way. There's feeling as if you can't completely let your guard down or trust this person, for fear that they may be lying to you.

** experiencing synastry with mercury in the 12th can feel the same way.

S/N, please let me know if you guys want a whole post on my observations/opinions of unrequited synastry in a chart. I have a lot of ideas on this so tell me if that is something you would be interested in ;)

𓆩♡𓆪 Keep in mind when looking at synastry aspects, that the aspects with 6 degrees or tighter are really the ones you need to really be paying attention to. When aspects get too wide in a synastry chart the overall energy of it is dimmed and doesn't affect the connection as much as closer orbs.

𓆩♡𓆪 Having Chiron in the 3rd house is constantly being self-conscious about how you communicate with others and always looking back on the embarrassing/awkward encounters with others and inwardly cringing

𓆩♡𓆪 Every Capricorn rising and Sag rising are naturally popular and will always have a group of friends. A Sag rising will naturally attract people to them with the bright aura they exude. People will want to be around Capricorn risings to feel like they are "in", these people have the influence of power and overall give a status image that people like to attach to so they can feel that way as well.

𓆩♡𓆪 I feel Capricorn risings are one of the few in the ascendant signs that can come close to rivaling the intensity a Scorpio rising has. Imagine these two in a room seeing who can gain the most control over the other first lol. I can only imagine if in romantic attraction this connection is INSATIABLE because neither of them would want to give in to each other first. I feel they both put each other on edge.

𓆩♡𓆪 I know we talk about the 1st house/ascendant for our looks but can we talk about the 10th house also playing a big role in our outward appearance as well. 10th house talks about our representation to the world that we have the best ability to control, whereas 1st house is unconsciously there on display.

𓆩♡𓆪 (ANY) Virgo placements will go through the most traumatizing experience ever and you would never know because they will appear so put together. Or they will act so unfazed as if they didn’t just tell you the most life altering moment they just went/lived through.

**if you are a virgo rising my heart really goes out to you. I can't imagine living my life in a state of complete psychoanalysis of everything. Almost as if your mind can take over you a lot because of the constant examination of every single thing going on in your life, I know that can be quite exhausting. Y'all are so strong🫶🏾

𓆩♡𓆪 Are you a master manipulator or do you just have mercury in 7th or mercury in Gemini/Libra?

𓆩♡𓆪 I don't understand why people don't give credit to how BINDING moon in the 10th house synastry can be!!! Romantically, this synastry gets the rep of being cold and detached, which is true in a sense. In the beginning, expressing emotions to each other can feel uncomfortable and awkward, causing for a slow burn relationship to form. (often times it fizzles out) Once these people get over that hump and are able to trust one other to fully open up it is absolutely BEAUTIFUL. This is the house of Saturn so when feelings get involved here they rarely go away since they take so long to form. Saturn is not into the act of letting go of things at all and is often life long. If a breakup has occurred with this synastry those feelings will simmer within you forever, and its damn near impossible to forget about them. This will probably be one of those contacts that will hurt the most and you will feel for a long time.

𓆩♡𓆪 Lilith in the 7th and Pisces Venus have a tendency to choose people that they know are not good for them. For both placements, the danger of what a person could do to them is like a drug. It is not uncommon for these people to find themselves in relationship scandals and affairs. Whether they are the ones doing the cheating or the other way around, they will most likely experience both situations.

- Lilith in the 7th choose the wrong people because they are attracted to passionate toxicity.

-Pisces Venus often choose the wrong people because of an idealized version they have created or because they think they are able to fix a person. 

**if you have both of these placements, may god be with you 🙏🏾🙏🏾🙏🏾🙏🏾

𓆩♡𓆪 Venus in the 3rd house synastry is most likely someone you met online, in school, close to your home or places you frequent. It will be so easy for these people to find anything in the world to talk about. They have similar interests and love the same things, although they could talk for days and not get to anything beneath the surface. They like to keep things lighthearted so if there are any issues they are experiencing with one another they tend to avoid it to not ruffle the feathers of one another and keep things peaceful, passive aggression can be a thing here. Romantically, this will be a person you will not be able to get off your mind, you will constantly be thinking of each another throughout your day. You might not even know how much this person actually thinks of you because things can come off so surface level, feelings may not be discussed.

𓆩♡𓆪 Sun/Venus is the 2nd house synastry can either boost your confidence or completely destroy it. Can also be an indicator of gold digger/sugar baby placement. The 2nd house person will be completely enamored by the sun/venus person. It will be easy for the sun/venus person to trust the 2nd house person. The 2nd house person can tend to view the sun/venus person as a object. Often wanting to spend money on them to make them happy. More so with the Venus here, the 2nd house person loves to spend money on them to make them look physically appealing. This will be the person buying you clothes, shoes, hairstyles and they even LOVE buying you food. Dinner dates are a MUST.

𓆩♡𓆪 Mars in the 2nd house synastry is ultimate marriage material. If you have this with someone its soo good for long-term partnerships. These too will not be able to keep their hands off each other, they are so sexually appealing to one another it will be so hard. The mars person will love to be the provider for the second house person. They will be the one to go out and work multiple jobs if they have to just to get the second house person everything they want, and they will love to do it. This couple will be SUPER sensual together. ⋇⊶⊰❣⊱⊷⋇ ⋇⊶⊰❣⊱⊷⋇⋇⊶⊰❣⊱⊷⋇ ⋇⊶⊰❣⊱⊷⋇⋇⊶⊰❣⊱⊷⋇ ⋇⊶⊰❣⊱⊷⋇ ♡ Thank you babes for reaching this point, love youssss♥️ If you enjoyed I would love any feedback any you have experienced any of these placements ;) I hope you like the longer, more in-depth posts. What would you guys like to see next?

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[year2000electronics]

Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. We’re finally able to see Bill’s perspective as a “protagonist” of sorts in a medium where he’s not just something to defeat- and that’s something we’ve never gotten before, so it’s shedding light on an area we didn’t know about for sure! Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). This guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. I just don't think that we need to explore the relationships between characters as simply "Well, this character hurt the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there".

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

[yumeka-sxf]

According to this tweet from Endo, today's new chapter will be the final installment of the "Henry x Martha backstory" arc...and it definitely went out on a high note! The part where Martha meets Henry's wife was absolutely heartbreaking...in particular the below page, starting with an upside down view of the scene, showing how the world is literally warping for Martha, followed by shards and shreds of her various memories with Henry, all the while the "throb, throb" of her heart is overlaying all the panels. Definitely one of Endo's best portrayals of a truly shocking moment.

It's also interesting that we never see Lucia's face, despite her having a big panel when she first appears.

Endo has done this before with other characters, Loid's parents being the other big example. We also never see their faces, despite them appearing several times during his flashback arc.

With the few examples we've had, to me it seems like Endo hides the faces of characters who 1) appear as flashbacks only and 2) who have had a significant emotional impact on the character whose memories they appear in, but at the same time, that character has since done their best to get over the painful memories associated with them. So they basically represent some past trauma for the character (even if they don't necessarily dislike them) but in the current time, they've more or less left that part of their past behind. Hence why their faces are obscured in the character's memories. This is also why I think we'll never see Loid's parents or Lucia's faces outside of flashbacks. This is just my interpretation of course, and I'm curious if there will be more examples in other characters' flashback arcs.

But back to Henry and Martha, I also liked the fact that, despite her broken heart, Martha still saw Lucia as a good person and became friends with her. Henry seems to love her as well. This actually ties back very well to what Martha tells Becky at the end of her story about how dangerous it is to latch onto preconceptions and prejudices without knowing the truth.

In Becky's simple world, she would see Lucia as the "evil seductress who stole Henry away" and Martha has to get him back. But as Martha said, things aren't always that simple and don't always adhere to our preconceived notions. Sometimes things can't end up exactly how you want or expect, so you have to be grateful for what you have and see things as they truly are, despite living with lingering regrets. In fact, this whole speech from Martha at the conclusion of her flashback was extremely deep and profound. Not many people can write both comedy and drama so well, but Endo is certainly one of them.

Also, is this Wiesel's first appearance? Still waiting for the doggy play date chapter with Wiesel, Bond, Max, and Aaron! 🐶

Since it's been so long since I read the first chapter of this arc, I couldn't remember if Martha had actually revealed the identity of her lover in her story, but makes sense that she didn't. I can imagine Becky storming into school yelling at Henderson and causing total embarrassment for all 😅 Funny that she almost guessed correctly though.

I'm surprised we never found out how Martha started working for the Blackbells, but that's an easy enough mystery to solve - she needed work after the wars were over, and being a bodyguard suited an ex-soldier. Also seems like she never told Henry her true feelings either...maybe by the time Lucia died, it was too late and they had both grown somewhat apart by then, and/or they had some additional falling outs about Martha joining the other wars, etc. It just wasn't meant to be and the message of the story was Martha coming to terms with that and being wiser for it.

In conclusion, this was a great arc that really shows Endo's range as a writer who can do both comedy and drama very well. Despite Henry and Martha being side characters, I have a feeling that the struggles they experienced will have relevance later in the series. But for now, I look forward to seeing the Forgers and other characters again (and getting back to the last major uproar of Anya telling Damian about her powers...seems like ages ago, lol). Endo will be taking a well deserved break, so the next new chapter will be on August 19th!

I also have some new posts planned in the coming weeks, so stay tuned for those as well 😀

[lady-buggerinton]

My Top Five Polin Scenes in Part One (and why!)

My darling gossipers, so far this show is making literally all of my hopeless romantic dreams for this couple come true and who knows what kind of angst and drama were in for in part two, so before things gets too real I just wanted to go into (too much) depth on my favorite scenes and a few swoon-worthy details from part one! *whips reigns on carriage* shall we?

5. Drawing Room Lesson/Journal

Pen's brain: TOUCH ALERT! HIS HAND IS ON MY BACK.

This scene is so best friend coded with the way they are bantering and flirting the whole time. There's an adorable contrast between Penelope's fear of being discovered and Colin being like it's chill!(when in fact it is not Chill because they get interrupted after 5 minutes of gazing into each others eyes)

He just clearly wanted to be completely alone and behind closed doors platonically with his very beautiful friend (who looks like an angel in this scene) to pretend they are courting. Nothing suspicious about that!

I love how he's so into the lesson to the point that he has set out the lemonade as a prop and brought her to Bridgerton house in the first place specifically because she said it was where she was most comfortable (previously, but he's doing his best, and probably hoping she will become comfortable again, ouch)

Colin being the "dashing suitor" for her to flirt with (loser) and when she's resistant to fake flirting with him he hits her with the, "you don't have to be embarrassed, you know me!" trying to put her at ease. And he succeeds! Penelope is so comfortable during this scene when she's opening up about how it's hard for her to get her personality across, it's so sweet and honest.

And this is when the ROMANCING really starts, I love how it's Penelope who takes the lead here. mostly by accident, but the poor man is still left in shambles.

I do kind of wish for this scene they had gone with a more back and forth flirting moment, and seen them both get a little taste of how overtly flirting with each other would feel rather than her little poetic moment, but it was sweet to see her expose a corner of her feelings for him and watching him get a tad flustered at the compliment.

Ok, while it was rather uncool of her to read his journal, I love this part so much. Because I am no better, I would 100 percent do this given the chance. Her examining the space where he spends time, her running her hand over his pirate coat, (who wouldn't) the quiet yearning of that action. As a snoop myself, this was wish fulfillment.

Penelope being hit with a confusing mix of jealousy and intrigue by the contents of the journal entry, the way she stops reading for just a second and then gives in and devours his writing, not being able to hold back from getting inside his head. Don't think about how she probably missed his letters.

Colin's anger here is warranted, and I liked how he didn't come across as aggro-angry Colin from the books but is still justifiably upset that his privacy has been violated. He is likely aware that there are certain DETAILS he wouldn't want her to be reading, like how he's a lonely lonely sad little man trying to be rakish and roguish because his beautiful platonic friend isn't writing him back and encouraging him like she usually does.

Can I just mention that bandaging a wound is an excellent trope and it's such a good romancing vehicle: the care, the tenderness, the touching! the GRUMPINESS! But my favorite thing about the wound bandaging is his reaction to her complimenting his work, of which he hasn't shown ANYONE. He's just so shocked that she likes it, and clearly starved for her encouragement/anyone to be interested in his travels.

I think its also worth noting that this is THE moment that Colin thinks back to when he's considering activating his chaos tendencies by rolling up to the red ball to interrupt her proposal, so I'm gonna interpret that as him recalling his first realization/admittance to himself that he has feelings for her beyond friendship.

It wouldn't surprise me since it is after this moment that we see the hints of jealousy start to manifest at the full moon ball (looking for her, asking her if she likes a suitor, he's not subtle with it). Can't blame him, he was just touched with intimacy and care, and told his creative outlet is well-written, he is being ROMANCED to the max and he can't handle it.

We also have our first "please" as Pen asks to help, and as we will see, these two can't say no to each other once the magic word is spoken! I hope this theme makes a comeback in part two (please please please)

4. Market Scene

ok, besides a semi-silly looking wig on Colin (reshoots) this scene is first of all, so beautiful.

SHE IS SO FINE IN THIS SCENE I CAN'T EVEN THINK. She looks like a preraphaelite painting and I'm gnawing at the bars of my enclosure.

I literally kept saying "wow" out loud. It actually makes the scene very silly to me because she keeps talking about how she'll never snag a husband and I'm over here on one knee begging for a chance.

If Penelope has been Colin's cheerleader and #1 supporter for their whole friendship, this is where that flips. This scene is all about Pen feeling dejected about her prospects and Colin trying to lift her spirits -basically by saying she doesn't need to work on anything because he already likes her so much without her doing anything but I digress!

There is nothing hotter than your crush talking about a shared memory! Literally nothing! You can see her absolutely light up here when he talks about their first meeting like "I can't believe he remembered" and "Shit, I'm trying to not be in love" and it makes me ache for her.

I am very sad we didn't get a meet cute flashback (hello romcom!!) but this was the next best thing. He's also definitely still in Rake Mode with the way he is being charming and flirty, but there is a core of genuine feeling here as he is trying to get her find her confidence and be more like the non-self conscious children they once were. I believe a lot of the rift between them was directly because she had such strong feelings for him and couldn't just connect with him as friends due to the pedestal she put him on, this scene shows that without that as a barrier, they are able to connect much more naturally.

"Living for the estimation of others is a trap, once you break free the world opens up," he says, and he's starting to realize this idea but hasn't quite put it into practice. I think seeing Penelope struggling to be something she's not, just like he is, shows him how it's not working for either of them. This I think kickstarts his self-reflection and eventual rejection of external pressures later on, leaving him open to pursue other passions.

Ok but what I LOVE most in this scene is his subtle digging for information about her that she isn't forthcoming with. He asks her why she wants a husband and where she feels most comfortable, peppering her with questions and also giving her zero personal space. He's very curious about her and what is going on inside, but she's not exactly open with him at this point, giving short and simple answers.

She's genuinely not used to someone asking her this many questions about herself, receiving this kind of devoted attention, and she clearly doesn't know quite how to respond. In fact, the dynamic has always been reversed, where she was encouraging and inquiring about him, so this switch is just excellent. there have been little moments throughout the series where he asks about her and she always seems to deflect to talking more about him, so it's nice to see this shift.

Also fun detail, the grecian statues behind them are a little nod to the eros and psyche vibes of the scene as cupid is trying to find a match for his psyche, but is slowly beginning to fall for her, his curiosity the first step towards total downfall.

When he asks about Eloise is where Pen just completely shuts down and says she has to leave, and the "before we are noticed" with the little smile? I have fallen in love. She's clearly using that as an excuse to dodge the question, and it is almost an inside joke, sadly. As if she's saying "No one would believe you are courting me anyway haha". And yet he's clearly bummed she's leaving, he was having such a good time, and she leaves him hanging, wanting to know more. I also absolutely love the Rae side eye, lethal!

3. Candy Tent

Post-kiss insanity is on full display here. The way she beckons him with a sexy head tilt and he came running, the way his hands give away his nervousness and his eyes keep locking on her helplessly. Just FULL ON crush mode. The soft "How are you?" he missed her!

Also outfits are incredible here, the pearls in the hair, the painted vest, Colin inventing the color brown, it's a rococo dream. The plushy pink of the tent, the ambiance, everything is just in a word: sumptuous? never used that but it feels right here.

Pen's giddiness here is just adorable, she's experiencing blatant interest for the first time and I couldn't be happier for her. But someone else is very peeved, indeed. He's trying to play the part of supportive friend while also just kind of feeling a lot of "confounding feelings"

The way he is trying to be so casual and attempting to keep up his swagger, but his true feelings are showing through BAD kind of harkens back to how Pen would interact with Colin in s1 and 2, with barely contained affection and hope. The script has been FLIPPED and it feels so good!!

I literally squeal every time he asks her if she's formed an attachment to Debling, this is the shit I signed up for!! Her saying Debling is not "unpleasant to gaze upon" and watching Colin just completely glitch out with jealousy. He's like AND WHAT ABOUT ME! Must be frustrating to be the most eligible bachelor of the season, and yet your very beautiful crush friend is complementing another man on his looks. When your crush expresses interest in someone it can be truly insanity inducing, so I feel for him here.

Pen is oblivious completely, she doesn't think any of what she is saying is negatively affecting him, in fact she thinks this news will make him happy! His lessons worked, she didn't care about being perceived and it is having the desired affect! and yet, he's miserable. Mission accomplished unsuccessfully if you will.

He does ALMOST a good job of hiding his feelings, but if Pen were not completely convinced he couldn't have feelings for her, I think she would've picked up on the vibes here. He's way less enthusiastic about the lessons, and is giving fairly curt responses, when before he was yapping on about being yourself and such.

Then of course the blatant staring at her mouth, being the yearning sort of man he is and likely recalling their kiss in detail, reminder it's been at least a week since. She's romancing him without even trying. It also makes sense for "food motivated" Colin to have Penelope + cake equals critical override of his facial expressions and his literally standing there slack-jawed with lust.

His soft "good luck", when she leaves and the fact that he doesn't mean it AT ALL.

I've seen it talked about, but it makes a lot of sense that Penelope wasn't as affected by the kiss as he was. I'm sure she enjoyed it, but for her the kiss was an end (more on that later) and for him it was the moment he admitted his feelings (which were already growing slowly). so it makes sense the yearning is very colin-sided in this scene.

Apart from the yearning, it's also just sweet to see them in cahoots and discussing this development with Debling like its a little group project, and its the perfect scene to show Down Bad Colin, and I love it. She also clearly wants him to share with her in her success, still wanting to be close to him in any way she can, which if I think about too much I'll cry.

Bonus points for him eating the cake later on, such an intimate detail, he just wants to be close to her in any way he can. CRIMINAL! ARREST HIM!

2. First kiss/Dream Sequence

Ok I'm combining these scenes because they happen back to back and sort of like a mirror of each other, sue me. This first kiss scene is, as Whistledown says, RECKLESS. It's nonsensical, it's desperate, and it's beautiful.

This scene has only improved upon rewatches, it really has everything. Best kiss scene on Bridgerton and possibly in anything ever? no doubt no doubt?

The silly back and forth on the "You're not going to die" and the way she doesn't back down when he seems to get embarrassed, but instead says what? The Magic Word! "Please" she says, which of course is both of their activation word. His expressions here definitely mirror the book, where as soon as she asks him to kiss her, he's a bit taken aback by how much he realizes he wants to already.

This is such a low moment for Penelope, and it's one parts embarrassing and two parts brave of her to ask him to kiss her. In her position, she doesn't even have her pride left, so why not ask the boy you love to kiss you? nothing will come of it anyway, and he probably won't even do it, so why not ask? And what are friends for!

then the moment comes, and the music swells, as does the tension as he closes the distance between them, her shocked face and shallow breaths as she realizes its actually going to happen, the way he lifts her face to his with his hand under her chin. It's just pure romance. and this thing between them, this space that has never been crossed, is being crossed, and it feels insane. reckless. intimate!!

What I love is the shot that focuses on his face after they deepen the kiss, he's intent and confused by how good this feels, how little like kindness this is for him as soon as their lips touch. Like we will see later, he just kind of mind-blanks and forgets what is happening.

Whatever he thought they were has just crumbled with this kiss, and he leans his forehead against hers, no awkwardness when there is such tenderness. which is why he's so shook when she whispers "thank you", and rushes off. he's like "wait why is she thanking me? where am I? weren't we doing something here?" The hopeful strings as it focuses on his dumbstruck face, the earth literally shifting under his feet in that moment. UNREAL.

THE DREAM: I won't say a lot about the dream sequence but I just had to throw it in here because it shows how aligned they are romantically. They are both HUGE romantics, and he has orchestrated this sort of do-over kiss where he's really going for it and proving to her that he wants this too, he wants her. And she's enjoying herself, clearly, which we know is something Colin wants more than anything. It's a great way to show his inner feelings with the lack of an inner monologue that a book brings. And this is clearly a sort of parody of Bridgerton itself, or at least the books. It's over the top, a little silly, and exactly what we all want to see.

This dream also isn't just ripping off clothes, it's emotional, a key element is him expressing how he's been thinking about her, consumed by her. This kiss also isn't as innocent and patient as the first kiss, and it's full of Reciprocation, she can't stop thinking about him either. AND NEITHER CAN I!!!

Both of these kiss scenes also set up our contrasting feelings, where Pen views their first kiss as an end of a dream, a bittersweet act to finally let go off him, the dream of him. And then his dream shows the opposite, how she's ignited something in him that begins his dream of her, awake and asleep. Dream-swap! Also the hand on the wall behind her to catch her from hitting the wall. no comment.

1. Carriage Scene

Yeah like what can I say! It's incredible! I honestly have no idea how they can top this scene, but honestly if this is the best love scene they share in the season I am 10000% content. All of my little qualms with how they did the season melt away when I watch this scene because this was what was crucial to nail and they NAILED IT. TO THE WALL BABY. YAY.

And how did he gain access to the carriage (and Penelope)?? by saying please!! we love the magic word!! I do like the confession a lot, especially the "what if I did have feelings for you?" and the way he gets to his KNEES, a truly inspired moment.

How he completely dies inside when she says they are friends, and still accepts it with grace. There were SO many obstacles to him expressing his feelings to her this night, and he just red rovered each one, and we are all very grateful.

Something about this scene is just built different, I like a lot of the love scenes in the show, but this one has some kind of secret ingredient that we didn't know we'd been missing. Maybe its the location, the context, the way they are just grasping at each other desperately (which if you think about how Penelope thought this was a one time thing in the books and she wanted to make the most of it, actually don't think about that)

He's also just so sweet about it, he's not angry, or insistent, he's just honest and intent. and she's just bewildered and INTO IT.

The lightning is gorgeous, the way it looks like Penelope is catching on fire and glowing. the catharsis, the giving into passion. The way she smiles like her dreams are coming true (because they are) before he just completely attacks her. What else can I say but EEEEEEEEEEEEEEEEEEEEE!!!

so many of the kisses are so tender and gentle, and they just build and build and build in intensity as they get lost in each other.

on a more horny note, so many moments here actually make me physically roll my eyes back in my head with how insane they make me. The desperate boob grab, the consensual nod, the way his hand slips under her dress, they were truly so insane for this. something tells me they knew I've waited literal years for this, so they knew they had to make it good.

Someone said Nicola should get an Emmy nom for moans, and she should, somehow they don't come across as cartoonish at all, and it doesn't take me out of the scene like some "noise making" does in these types of scenes. and for the record I'm not jealous at all, of either of them. in fact, no sooner did my head hit the pillow that I was met with complete and total darkness....not even a dream....

Like everything I could say has already been said, but it was so much better than I thought it was going to be, blew my expectations out of the water and DELIVERED. and DEVOURED. and RUINED ME. AND I AM VERY GRATEFUL.

Anyway that's all, I'm very afraid for part two so I needed some escapism, why am I already nostalgic for the good ol' times when Polin was happy for 6 minutes. thanks for reading! <3

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.