#I know where you nerds live

[i-dreamed-i-had-a-son]

jon val jon or something

[swordheld]

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

[vaguely-concerned]

the relationship between the chantry and the mortalitasi in nevarra is SO fucking funny. the carefully politic and civil syncretism of it all. the ‘I’ll refrain from scratching your back to bloody shreds if you refrain from scratching mine :)’. left hand politely averting its eyes from whatever the fuck the right hand is doing merrily up to its elbow in entrails because it usually knows what it’s doing I guess. speak softly, and have an army of the restless dead ready to go banapants horrorshow bonkers if you don’t get to tend to them. We Receive: being able to keep doing our goth thing mostly unimpeded. You receive: us not raising the great majority to protest your unwelcome meddling. render unto the chantry what is the chantry's and unto the watchers what is theirs (or, with all possible courtesy you understand, else…)

[miutonium]

Its 4 am, I should be sleeping but why is it that I just have the urge to draw and ship her with a pathetic nerd gf??

[magentagalaxies]

hi @liliana-von-k, thanks for the follow! i have answered this question before but i love talking about kids in the hall and my "origin story" with them so i'm happy to tell it again (jsyk it will be a long post bc i always have to tell the full story bc i love it so much)

basically my parents have both been kith fans since the 90s, so even before i had seen any of the show itself there were certain kith quotes that were just part of my family's vocabulary. the first sketch i watched was "these are the daves i know" when i was like 8 years old and i became obsessed with that song. i watched a few other sketches/the first few episodes from season one but i didn't truly get into kith until after their documentary "comedy punks" was released

see, my mom is a big documentary person so she was like "oh hey there's a new kids in the hall documentary! do you want to watch it?" and i just kind of shrugged and was like sure i'll be in the room while it's on, probably working on my own stuff or scrolling on my phone. but like not even five minutes in i was hooked. while i'd always enjoyed kids in the hall's comedy, something about hearing the very personal histories of how the troupe came together and survived for all these years was so affecting. i think it was scott specifically that really signaled to me that this show was something special, and the part where bruce talked about comforting scott while he had cancer by telling him how the rest of the troupe would die first was so powerful. honestly no individual movie has changed my life more than comedy punks did specifically bc it gave me that push to get into kith and approached it from such a human perspective, which definitely informed my approach to the rest of their work and them as people. i remember watching comedy punks for the first time and getting this strange feeling i couldn't pin down yet that was like this is important, not just referring to the show or the troupe, but like this feeling that i had just crossed a turning point in my life, and i remember feeling this pull towards toronto which seemed frivolous at the time but has been so heavily solidified as i'm now planning to move there in just over a year.

so i bingewatched all of the kids in the hall tv show in summer 2022, as well as brain candy, death comes to town, the amazon season, etc. basically as much kith stuff as i could find. but i needed more. so i started getting into side projects, which brought me to "mouth congress" (a queer-punk band scott thompson and paul bellini had in the early 80s that they've recently started putting out new music with again). i found a youtube channel with a bunch of recent live performance clips of the band and each video had like less than 10 views. so since i didn't have anyone to infodump about kith with irl (aside from my very patient mother lol) i started commenting on every video, complimenting the performances and pretending i was talking to a friend, confident no one would actually see it

after 2 weeks of this, turns out someone did see it. PAUL BELLINI HIMSELF. this led to a whole back-and-forth which eventually ended up with him emailing me a copy of the unreleased mouth congress documentary, i emailed back asking if he'd be interested in meeting on zoom (since i am a queer comedy writer myself so both he and scott are my biggest comedy inspirations), and yeah bellini is a delightful person to talk to and we very quickly became friends. i ended up offering to run mouth congress's social media, which can be found on both tumblr and instagram as @mouthcongress and posts both vintage videos from the 80s/90s and recent live clips. they're currently working on an album of entirely new material written in the past 2 years which is going to be released soon (we don't have a specific release date but the recording is completed and they've started filming music videos for it!! but i'm getting ahead of myself lmao)

a few months pass and mouth congress is set to perform at a new year's eve show at a local club in toronto. i'd never been to toronto before, never even left the united states, but paul says it would be so great to have me there and by some miracle my parents say yes to making the trip (they still can't believe this is happening either, since they were kith fans first!). the trip is wonderful, i immediately fall in love with the city, i get lunch with paul irl for the first time and get to have my very first face-to-face conversation with my number one comedy inspiration scott thompson. it's honestly a little awkward but in an adorable funny way. i also have my first legal drink at that show (bc canadian drinking age is lower than the us), specifically saying i want to have my first drink with buddy cole, which both scott and paul are very into

it's actually only a couple weeks until i'm in toronto again, because scott is debuting a new buddy cole show consisting of monologues that were all censored by amazon that he pitched during the revival season. this is my first time traveling a long distance without my family which my mom is anxious about so paul bellini lets me have him as my emergency contact. the show is amazing, i get to stay for the afterparty, and while i'm there i casually mention that i'm surprised no one has made a buddy cole documentary yet. like, this character has such a rich history even beyond the kids in the hall (which i can infodump about all day lmao) and is such an important staple of queer comedy that doesn't get the attention he deserves. the kith documentary is great, but where's my buddy cole documentary? paul accepts my pitch (that i didn't even realize i was pitching), passes along the idea to scott, and yeah now i'm legit directing a film with my number one comedy heroes and i haven't even graduated college yet. what the fuck. i expected this to be the type of thing i accomplish over 20 years into my career, not at twenty!! so yeah that's how the buddy cole documentary started. i'm still in preproduction on it but we're launching an indiegogo crowdfunding campaign for it in the next 2 weeks bc this has evolved into a full feature-length film with some incredible celebrity interviewees, both kith and otherwise.

anyway a few months later it's announced bruce mcculloch is bringing his one-man-show to the city i go to school in. not only that, but his theater is literally 2 blocks from campus. i ask paul if he'd give me bruce's contact so i can set up an interview for my school's newspaper, paul gives me bruce's assistant's email, and i set up a 30-minute zoom two weeks before bruce will be in town. the conversation honestly goes bizarrely well. like it's honestly surreal how close bruce and i got after only knowing each other for a half hour? he's such an easy person to talk to and literally by the end of that conversation he was already calling himself my mentor, asking about my comedy, and offering to let me meet him backstage after his show. which is exactly what i did, launching yet another incredible friendship-slash-mentorship with one of the kids in the hall.

bruce eventually signed on to executive produce the buddy cole documentary (alongside paul bellini), i've been up to toronto in january, april, june, august, and october this year (so essentially every 2 months, though it was slightly offset by going twice in january) and i'm planning on going up in december, every time not only do i find time to meet up with scott, paul, and bruce but they all deliberately try to reserve as much "jess time" as they can because i have a unique and powerful friendship with each of them, every time i finish a new creative project paul has to see it bc he loves how ambitious i am, i repeatedly wake up to texts scott sends me at 3am about the documentary and how excited he is to have me on tour with him to film it next year, bruce thinks it's hilarious he used to think i was "shy" bc i've gotten so comfortable going on infodumps and tangents about things i'm passionate about, and the three of them all feel like extended family. best of all, i actually have plans to graduate from college a semester early so that i can use the money (and time) i've saved to find a place in toronto and start making even more connections with the comedy community up there (also for the record: no i have not met mark, kevin, or dave yet. i know kevin is aware of my existence from bruce giving me a shoutout at a show they both did but that's about it. but i know i will interview all of them for my documentary)

so anyway that's how i got into kids in the hall. i know only the first 2 paragraphs answer your question, but at this point my love for this show has become so so intertwined with my relationships to bruce and scott and paul as humans that i don't really consider getting into kids in the hall and getting to know the kids in the hall as separate things in my life.

(also if you have any follow-up questions on anything mentioned feel free to reply or dm me, this goes for everyone else too!)

[the-acid-pear]

I need to draw Midori on my knees sobbing I miss my daughter chat

[eorzeashan]

Reverse City spoilers but this guy owns my Mihile's whole ass. He doesn't even have a face but he moved me in this story so much. Sad author guy who put his entire soul into his books but also needed the courage of another human being to have the will to live. Kind of boring in his own way but he was so cool-- 'we're all sad lonely pathetic outcasts who want to see our next sunset' theme got me ok

Not to mention there's something really intriguing about isekai'ing a guy from the normal world to this alien one while the PC is from a fantasy world, so you're technically both isekai protags but reversed as well

[hopkei]

sorry if this is a dumb question, but what was the problem with keito calling him “nacchan”? is it because they’re filming? what does keito usually call him? (from what i know, fanta is more chill about honorifics among the members? sorry i’m new here 😭)

not a dumb question at all!!! japanese formal language can be very confusing!!

(disclaimer: i will say first that my japanese is not very good and i'm also not very familiar with other LDH groups so anyone pls correct me if im wrong!! i wouldn't be surprised if fanta is more casual about it,, so i'm not super confident about it but this is my general impression!!)

under the cut bc this got very long🙇‍♂️

from my understanding fanta (and LDH as a whole) actually tend to be quite strict with honorifics and formal speech. i remember just recently seeing a video of some Johnny Company groups on tv with some LDH members where they discussed the LDH high five rule, which is that kouhai must ALWAYS high five senpais with two hands

the J company members were very shocked (and maybe impressed?) by this because J company groups will apparently be quite casual with senpais

i won't speak to other groups because I'm not familiar with them, but in Fanta the members tend to be very strict with calling each other formally. all younger members will call members older than them with "name-kun" (except sekai, every member calls him sekai-san) and use honorific speech. Keito always calls nacchan as "horinatsu-kun" because he is younger, as does sota (though sota will also occasionally use "hori-san")

and all of this is despite many members knowing each other for 10+ years or being childhood friends (keito still speaks formally with sawa and horinatsu still calls leiya "leiya-kun". though from what i can think of, whenever horinatsu refers to shota, he does not use -kun), so i would say ldh is just very strict about it.🤷‍♀️ there is even a weird case with sawa and taiki, where sawa is older but taiki is the senpai so they both call each other taiki-kun and natsuki-kun (or sometimes sawa-san)

however i will say that while they are strict, because fanta is obviously very close the times i can think of off the top of my head where a younger member will drop honorifics, the older member will call them out, but they never actually seem very bothered (like with horinatsu, he is still laughing while hitting keito, and im pretty sure keito didn't apologize)

others i can think of are leiya calling taiki with no honorifics here (at 1:04): the question is "who do you think is most improved since debut" and leiya just says "taiki" and taiki yells "don't call me without honorifics!" but is still just laughing, and leiya does not apologize

and taiki dropping to informal speech while talking to sekai here (at 2:03). the question is "please tell us a good point of the next member!" which in this case is taiki, and taiki says "please tell me! (informally)" and sekai says "why are you speaking informally?" and taiki and the members just laugh🥰

in terms of using formal vs informal speech in general there are some members that i have definitely seen drop them from time to time (like yusei to leiya and sota to yusei) but even then they will always still call the older one with -kun

though all of this is to say its very possible that they are just like this in front of the camera to follow ldh rules and are very friendly and informal behind camera but i cant speak to that;;🙇‍♂️

[ephemeral-winter]

stray snark on twitter has revealed to me that this girl who was a year behind me in high school (and sibling to one of my classmates!) is now a model and tiktok influencer and wellness girlie with a fairly obvious ed and holy shit one simply does not expect this career of the people who went to my high school

[handern]

Spotify Obscurity level is bullshit I scored a 92% and when I went to the nerds bar yesterday I knew every single song they played there

[silasbug]

fondly thinking about my best friend.

no idea how she's managed to stick it out with me this far but i'm amazed that after over 6 years she still has enough patience to tolerate me.

when i don't feel like i'm good enough, she reminds me of who i am. when i make mistakes, she doesn't treat me any different. when i'm highly dysphoric, she just /gets/ it and shows me unrelenting support and encouragement. she's my #1 hypeman, and i am hers.

there isn't another person in the world that's been able to make me feel even.. remotely okay in my own skin, about how i look and how a body feels (i would also say about who i am, but i'd be lying).

i realize that i've always had a bit of body dysmorphia and generally don't enjoy looking at my own face because it's.. very uncanny to me. i don't have a proper sense of style. but she always just?? has something nice to say and she does it so genuinely that you can actually believe that she means what she says. because she's the same.

i'll go out looking like a 12 year old boy and she's just. fucking. there for it. she'll cheer for it. do it with me. and then we'll walk around the block looking like two lil' dudebros together because we own the same clothes. and fucking hell.

this girl is too good to me. i absolutely don't deserve her.

sometimes it's hard to believe that someone like her exists.

and that i get to be witness to it.

there's caveats, of course. we talk so rarely (we go weeks without), the interests we share are few and far between and there's.. so many things i could never tell her because i will never get over that fear of losing her.

there is no right moment and there isn't a time and those are things i neither need nor want her to know, because it would change the way she sees me.

and i guess that seems callous and detached and dishonest.

but we are there when it matters. i am there when she needs me and i will always pick up her pieces.

i want her to have a good thing. she sees me as a good thing.

so i'll let her have me this way.

[insidious-wizard]

is it wise to skip 93 hours long episodes of a show just to skip to the part where my favorite guy shows back up? probably not. am i going to do that? probably yeah.

[chaotic-guinea-pig]

What are ur thoughts on Jock Stan and Nerd Kyle?

Uh... it depends on how it's executed, I guess. It's not my preferred headcanon for Stan (he's more of a hobbyist to me) but as long as Jock!Stan in the fic has some resemblance to his canon personality, then sure I can deal with it.

Nerd!Kyle, I'm less flexible with because I see Kyle as more of an intellectual rather a nerd. An intellectual who's good at everything btw.

[sunderwight]

Headcanon that Shen Yuan was hotter than Shen Qingqiu, actually.

Like yeah SQQ being a cultivator gave him a boost to enough attributes + being in a stallion novel where everyone is either unrealistic hot or dog's butt ugly got the Shen Qingqiu body extra points, and he wasn't bad looking to begin with. Plus not being ill is vastly more important to the new Shen Qingqiu than those extra hotness points (Without a Cure notwithstanding). But part of the reason why he's kind of like, meh, at least I'm not hideous or anything, is because Shen Yuan's original body was a knock out.

I also like him as chronically ill, and, as many people know, beauty standards and sustained suffering are not as incompatible as they should be. Shen Yuan was conventionally attractive in part because conventional beauty standards seem to want everyone slowly dying all the time. But even setting that aside, the man had flawless bone structure, an appealing figure, captivating eyes, and the kind of voice that stopped people in their tracks.

All of which was a contributing factor to his antisocial lifestyle, actually. Despite the fact that Shen Yuan does enjoy company and requires a certain baseline of social enrichment for his enclosure, his internalized homophobia and closeting did not play well with overtures from interested parties (regardless of gender). The only way to minimize the odds of him being asked out on dates was to essentially become a shut-in, especially since even Shen Yuan can only make so many excuses before he himself starts to notice that he's going to a lot of effort to avoid specifically that avenue of socialization. Far better to just remove himself from any risk of it, and then vocally lament that oh no he's just too much of a nerd to get anywhere with women!

Anyway this largely doesn't matter much outside of sheer comedy potential for any situation where SY gets his old body/life back. Like imagine a reveal scenario where the System is going to transport them back to their old lives.

Shang Qinghua: well bro I guess this is gonna be the ultimate test of love, right?

Shen Yuan: what do you mean?

Shang Qinghua: our husbands are gonna see what we looked like back before we were glorious cultivators! they're going to have to track us down in our mundane, kinda shitty pre-transmigration lives! it's gonna be at least a little embarrassing, right?

Shen Yuan: *gets his old body back*

Shang Qinghua, normal human with average looks: ...

Shen Yuan, exemplary 11/10: ?

Shang Qinghua: what. the fuck?? bro what the fuck why are you hot???

Shen Yuan: don't make it weird

Shang Qinghua: make it weird??? why were you sitting at home reading my shitty novel when you could have been out there building your own harem???

Shen Yuan: stop exaggerating

Shang Qinghua: oh my god you've always been like this. this is it, isn't it? it wasn't even brain damage from the transmigration or something--

Shen Yuan: hey

Shang Qinghua: --you've just always been completely unaware, haven't you? every time I wrote a beautiful woman who didn't know her own appeal you'd be jumping down my throat--

Shen Yuan: because that's a stupid trope--!

Shang Qinghua: --JUMPING DOWN MY THROAT EXACTLY LIKE THAT but this whole time THIS WHOLE TIME it wasn't even a glow-up issue, you've just been that, personified, yourself--

Shen Yuan: look I know I'm not ugly but I'm not I'm hardly that good-looking

Shang Qinghua: YOU ARE NEVER ALLOWED TO CRITICIZE THAT TROPE AGAIN! oh my god. how many broken hearts did you leave behind when you died?!

Shen Yuan: none, I wasn't even seeing anyone--

Shang Qinghua: yeah full offense but I am nottt taking your word for that. I bet you had a harem you didn't know about in this lifetime too. I bet you had a fan club, like an anime prince

Shen Yuan: *mumbling*

Shang Qinghua: what was that?

Shen Yuan: I said... only in high school...

Shang Qinghua: oh my god

Shen Yuan: it wasn't a big deal!

Shang Qinghua: *frantically trying to see if he can find any trace of it on the internet now*

[masterhallmark]

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[nereidprinc3ss]

pretty little things

in which you can't keep hiding your stuffed animals from your boyfriend. spencer would like a formal introduction.

fluff! warnings/tags: gn!reader I think, newish established relationship, they're so cute, reader is still kinda shy around him, I'm really obsessed with this dynamic actually, implied intimacy if you decide to interpret it that way, kissing/maybe mildly suggestive a/n: this is dedicated to my friends @parfaitblogs and @gublersg1rl bc in another universe we are actually just three jellycat plushies on someone's bed which is where the inspo for this little thing came from. and thank u willow for naming your fox. ok bye love u hope u enjoy !! :D

The first time you’d shown Spencer your room, and the handful of times he’s been in it since, you very intentionally hid your stuffed animals underneath the bed. After all, you’re an adult. You have a grown up job. And you don’t need him thinking you’re some kind of freak this early into the relationship. You like him too much. 

Today, however—you didn’t have any warning. He comes over unannounced, which is all well and good, until you bring him to your bedroom so he can sit on the bed while you change from work clothes into something comfier for movie night. As soon as you open the bedroom door, you see them, lined up neatly by your pillow, and you know it’s too late. 

“Uh…”

Spencer runs into your back and takes it as an excuse to settle his hands on your hips as he peers over your shoulder. 

“What?”

You slip out of his easy hold and skitter to your bed, practically throwing yourself on the mattress and sitting unnaturally as the little beaded eyes of your friends dig into your back. Even your brightest smile doesn’t distract Spencer. He’s like a bloodhound for the truth. At least, that’s the sense you’re beginning to get. 

“What are you doing?” He tries again, eyes narrowed and closing the door carefully behind him. 

“Nothing!”

The urgency with which you say it has his eyebrows raising. Obviously delighted by the embarrassing secret he’s sure to uncover, he approaches. You lean back further even as he towers over you until you’re almost on your back and he’s folded over you, menacingly (and dizzyingly) close. This sort of position is still new-ish and has your heart pounding, even if it’s entirely playful and ostensibly innocent. 

“Nothing? Are you sure?”

You nod, still shying away from him into the pile of pillows. Without looking he reaches under you and pulls out your pink bunny. You squeak and hide your face. 

“What is this?” He laughs, and you yank it away, sitting up so he’s forced to give you some breathing room. The bunny is cradled protectively in your arms, though you try to hold it a bit more casually when you notice. 

“I said it’s nothing.”

“What about the other two behind you? The fox and the… what is that? A deer?”

“No—”

“I didn’t even know they made deer stuffed animals—”

“Spencer, stop!”

He does, at the desperate tone of voice and the way you’re still hiding from him. 

“No, no! I’m sorry, I didn’t mean to tease you. Don’t be embarrassed. I’m sorry.”

As usual he’s over apologetic, now sitting knee to knee with you on the mattress and leaning down to try and catch your eye. You huff and grant him some eye contact just so he doesn’t go over the edge with worry. 

“But it’s embarrassing.”

“No, it’s really not,” he laughs. “It’s cute. I can’t believe you’ve been—what, hiding them from me? This whole time? That’s like not telling me you have kids.”

“It is not like that.”

“Hm. I don’t know, I think you should probably introduce me.”

You give him a look, letting your head fall to your shoulder. “Spencer.”

“I’m serious. I’m going to be apart of their lives now. You can’t keep shoving them under the bed every time I stay the night.”

This nerd is going to be the death of you. 

Eventually, you groan reluctantly. 

“Fine. Okay, um—this one is… well—her name is Bunny. It’s not… very creative, but it’s—that’s just her name, okay?”

Spencer doesn’t react to your unjustified defensiveness—only grabs your bunny’s round little pink paw and shakes. “Enchanted.”

“Shut up.” Your face is so hot as you bury your smile and set Bunny aside, making sure she’s comfortable against the pillow before bringing out your deer. Spencer doesn’t have the shit-eating grin you were partially expecting when you glance up at him from beneath your lashes—he’s smiling, but it’s so soft. A little twisted, like he’s holding back the full extent of it for your sake. But you wouldn’t mind it at full power. It’s like he’s hiding the sun in a saucepan and the lid’s not on quite right. And he’s looking right at you. Like you’re the source of all his joy. 

A moment passes. You clear your throat and look back down. “Um—this is Bambi. ’Cause—you know.”

“I do,” Spencer agrees genially, nodding as if this were a normal conversation. “Kind of a dark thing to name your deer, though.”

“You’re judging,” you accuse balefully. He chuckles and his hand finds your knee, rubbing apologetically. 

“I’m not, I’m not! I take it back. I retract it. Continue, please.”

For a moment you only pout, but it doesn’t deter him—he simply looks at you expectantly, and now those syrupy eyes come with the added bonus of his hand on your leg. Fine. He wins. But not without a deep, tortured sigh from you while you’re grabbing your fox that makes the corner of his mouth twitch up. 

“This one is…”

The name dies on your tongue, too ridiculous to be said out loud. 

“Tell me,” Spencer pleads in that gentle voice and with those big eyes that you’d consider burning him at the stake for because that look on his face has to be witchcraft. 

“Okay but you can’t laugh,” you insist in one quick breath, giving him a serious look that he can only partially reciprocate. 

“No laughing.”

“It’s… Mr. Cuddles.”Spencer bites the inside of his cheek to keep his promise. You melt inside both from embarrassment and from the way it only further defines an already superbly sculpted bone structure. “Do not.”

Spencer scoffs at your warning. “Don’t what? I’m behaving.”

“Don’t make fun of Mr. Cuddles!”

“Does it look like I’m making fun of him?”

“Her.”

“What?”

“Her. Mr. Cuddles is a girl.”

“I see… can you explain that to me?”

“If a human person said I am a girl and I would like you to call me Mister, would you question that? Would you ask them to explain it to you?”

“I guess not.”

“Exactly. Don’t be rude.”The way Spencer is looking at you now, eyes so clear and still so full of affection, like you’ve got some sort of heavenly spotlight trained on you, lips parted as if to say something but still silent, has you forgetting your momentary confidence. You shrink. “What?”

“I just… you’re amazing.” You throw Mr. Cuddles at his chest and fall into your pile of pillows with a groan. Spencer only continues rubbing your leg. It’s very nice, actually. He’s gentle. And patient. “You don’t believe me?”

“I don’t believe you came to this conclusion just because I introduced you to my stuffed animals.”

“Not solely because of that. There are a lot of contributing factors. I mean, the stuffed animal thing helped.”

“It’s embarrassing,” you insist for the umpteenth time. 

“It’s adorable.”

Spencer pushes pillows aside and lies next to you so you’re eye to eye. It’s nice how his presence isn’t exhausting the way people sometimes are. He’s easy to exist with. He makes you enjoy existing a little more than usual. Even now. 

You raise your eyebrows and speak, cheek squished against fabric. “I’m a serious adult.”

“I know you are,” he assures with a solemn nod. 

Your eyes narrow ever so slightly. 

“Okay… well… don’t go forgetting that. I’m fun but I can also be not fun.”

“I’d love to see that.”

“No you wouldn’t. You would hate it. You’d be so scared.”

Spencer gives up on holding back a smile and moves his hand to tuck hair behind your ear. 

“You’re right. I’m already terrified. The anticipation… it’s killing me, you know?”

You’re giggling as you roll over on top of him and he roots his hand in your hair, pulling you in for a long, smiley kiss like he knew it was coming. Only when he blindly throws your stuffed friends from the bed do you pull away—just by an inch or so. 

“No respect,” you scold playfully. He kisses you again, tangling your legs and hands wandering. 

“Can I apologize later?”

You’re good with that.