#I know this took forever sorry...

[crowkip]

if you hm. drew cass. for a poor lesbian. you know. if you wanted...........

shes giving u heart eyes

[pigswithwings]

IED:: 'utilize hastily made minor explosive' ; 'chance for great explosion'

[your-unfriendlyghost]

Dallas flirting with Soda is so funny to me 😭 cus Steve gets all jealous, and Dally is just making fun of him going, “I’m gonna steal your girl” while grinning and trying not to laugh his ass off, while Steve gets all mad.

No fr fr- Soda plays along a bit too, she likes feeling fought over lol

[seafleece]

PICKMAN AND THE TRAIN.

my 2024 secret samol gift to ratvortex on twitter! admittedly the idea of pickman in the style of a western movie poster sort of got away from me… but nonetheless it was a ton of fun :3c below are some detail shots and some bonus sketches of the ladies in pickman’s life admiring her heroic countenance… to fulfill the prompt “pickman being fawned over”

[asterkatt]

Moving Forward. (Spoilers for YTTD up through 3-1b)

[luv4fushi]

HEYYY🦅

I really likes your megumi drabble. HE SO CUTE😭😭 i kinda wish you write more megumi 🩷

megumi fluff (?) and angst at your service! sorry it took FOREVER i had 478274 exams these past few weeks ughhh sorry & ily thx for the req ~~~

he likes me, he likes me not

jjk fushiguro megumi x fem!reader

all megumi fushiguro does is apologize when he rejects you. everything changes because of your confession.

content: angst, fluff if you squint, all characters aged up to 17-18!!!, misunderstandings, confessions, eventual relationship!, megumi is so bad at feelings, ooc megumi a little sorry, takes place at jujutsu tech high school and shibuya has NEVER happened so life is good, yuji and nobara are your besties

wc: 5.1k

click on my masterlist for more!

“i like you.”

for a moment, the world stills. everything comes to a halt.

megumi is sitting across from you at your favorite cafe, just down the street from tokyo jujutsu high, the school you’ve been attending for nearly two years now.

in that short amount of time, you’ve grown into a person you think the past you would’ve liked. you’re taller now, more fit and lean. you’ve got bounds of experience from your missions piled on your shoulders, the unwavering burden of being a jujutsu sorcerer making itself at home.

you’ve grown in other ways, too. you’re stronger now, you’ve got a good hold on your emotions. you haven’t seen your parents in months, but the sting doesn’t hurt anymore. you’re wiser. older. you’ve got a handle on your feelings.

then there’s megumi fushiguro.

oh, how enamored you’d been.

he’d spared no glance when he first met you. you had trudged into the classroom, eyes darting at the unfamiliar faces. gojo satoru, the undeniably handsome teacher of yours, introduced you brightly albeit the low energy of the room.

you had weaved your way into the jujutsu world, just as you had been able to slither your way into the lives of your newfound friends.

but megumi, oh, megumi fushiguro.

it had taken you laborious months to befriend the raven haired boy. his uninviting attitude hindered your relationship with him for some time, and you had half-heartedly decided to pursue something else, but your near death experience during a particularly difficult mission with him had sent him reeling. he had held onto you the entire time you cried for your mother.

you don’t talk about that day. he doesn’t mention it, either.

“what?” his eyes, dark blue, blink in surprise. his lips are parted slightly. “what did you say?”

your throat constricts. then, the words flow: “i’m in love with you.”

love. it’s too strong of a word. you’re not even quite sure what it means, or if what you feel is actually love.

the cafe begins to bustle with life again. the barista from behind the counter steams some milk—almond—and she glances up at a customer approaching. the music from the overhead speakers filters it’s way softly into your ears. it’s a cheesy love song, and you can’t help but feel like it isn’t the right time for that.

“are you serious?” he says, almost spitting out his drink.

“i mean,” you shrug, “yeah? i wouldn’t bring you all the way out here to fuck with you.”

he blinks again. his lashes flutter perfectly. it’s annoying how perfect he is. there’s a slight hue of pink to his cheeks, but not enough to confirm anything—just speculation.

“i’m sorry,” he begins, breathing it out all in one go. “i’m really sorry.”

if you’re being honest with yourself, you’d seen it coming from a mile away; megumi fushiguro is different. he’s got the composure of a brick wall. the perpetual frown on his face never, ever leaves, not even when he’s with you. he doesn’t crack, doesn’t shake. his soul is hardened from things that he’ll never speak of with you.

“it’s okay,” you say, but it’s not.

you’ve changed—grown into a person you’re proud of, but you’re still stuck sometimes. you’re still a pushover. still just a small shrimp in the vast ocean. still apologizing for your existence.

“i’m sorry,” megumi repeats.

you know he’s apologetic, that he really means it, just from the way his brows furrow slightly. you know him too well for your own good. you don’t think he can say the same about you.

“it’s fine.” your voice breaks. you duck your head in embarrassment. rejection has never hurt you this badly. “you don’t have to apologize for not liking me back. it’s not your fault.”

you wonder why you’re comforting him when he’s the one who has ripped your heart out completely.

“i’m gonna head back,” he mumbles out, hesitating to reach out and dab away your tears with the napkin he’s been wringing around his thin fingers. “you… should come, too.”

you shake your head. “i think i’m gonna finish my coffee.”

he offers a smile. “you can finish mine as well, if you’d like.”

“nah,” you say, scrunching your nose through watery eyes, “black coffee isn’t really my thing.”

“yeah.” his laugh is soft, almost forced, but you can tell it’s genuine. “i know.”

oh, you think. it really hurts.

he knows.

something inside you snaps. your lungs feel itchy. your ribs squeeze. you think that it would’ve been easier to never say anything at all.

megumi leaves the store. the jingle of the bell above the frame rings through the air. you’re left with your cold cup of coffee and megumi’s cup across from you.

the barista gives you a look of pity. you chug down your drink and chug his, too.

it’s bitter.

-☆

megumi arrives to his dorm exactly five minutes after four pm. he slips off his sweater and changes into a pair of sweatpants and a loose t-shirt. his mind is blank, except for the image of your teary eyes.

he swallows nervously. maybe he’ll sleep it off.

“yo, megumi.” yuji slams himself against the door impatiently. “how’d it go?”

megumi sighs, the irritation swiftly making its way into his fatigued body. he opens the door and yuji tumbles in without an invitation.

“what are you talking about?” megumi mutters with another sigh.

“the confession,” yuji says matter-of-factly.

megumi stares. “you knew?”

yuji’s smile slowly removes itself from his lips. “…yeah? it was pretty obvious.”

“what was obvious?”

“that she likes you…?” yuji tilts his head. “and you like her back, right? so i figured you guys would be all cuddled up in here.”

megumi doesn’t say anything. the gears in yuji’s head begin to turn as he looks around the room, noticing the comfy attire megumi has on.

“you said that you liked her back… right?” he raises an eyebrow. “because it’s not a secret that you do.”

“i left.”

“you left her there?!”

“i didn’t know what else to do.”

“so you said ‘yes, i’d like to be your boyfriend’ and then dipped out on her?”

“i didn’t say yes.”

yuji pauses. he looks at megumi, then at the made bed, then back at megumi.

“for fuck’s sake,” he groans, running his hands through his pink hair. “i’m gonna go.”

megumi stands there, appalled. the door is shut harshly and the hinges squeak. he’ll have to scold yuji about that later. for now, he wants to take a nap.

maybe he’ll feel better about everything when he wakes up.

-☆

on the other side of the building reserved for dorms, yuji crosses his way into the girls’ section. it still feels wrong no matter how many times he’s made this trip before.

he meets you on the way there. you’re dragging your feet, headphones strapped on your head, and lips quivering.

“hey,” he calls out, tapping your shoulder. “you okay?”

he waits until you hang the silver headphones on your neck. they’re megumi’s, he realizes as he sees the fading stickers on the metal plate.

“hm?”

“you okay?” he asks again. his eyes scan you for any signs of distress, and he can practically see it radiating off of you.

“yeah,” you hum, “i’m cool.”

“want me to grab nobara?” he suggests with a grin.

“sure,” you say.

the sun feels hot on your back. you hate the way the school is so widespread for having such a small population.

“i can grab some ice cream,” yuji rambles. “and i’ll get us a notebook so we can write shitty things about megumi.”

you pat him on his back, but his sturdy body almost sends you flying backwards. he catches your wrist just before you fall, and he’s laughing at your expression with glee.

“you’re so funny,” he says through his fit of laughter. “you’ve gotten scrawnier. you needa eat more! i’ll get us snacks, too.”

you pout. “shut up, yuji. not everyone can be as buff as you and todo.”

“oh, todo is a whole different story.”

“tell me about it,” you say, playfully rolling your eyes. “i’ve seen him beat you up into a pulp.”

“hey! in my defense,” yuji says, his hands coming up to the sides of his ears, “i couldn’t do much against him!”

you’re nearing nobara’s dorm, which is right across from your own. you like how homey hers is compared to yours. she’s got a knack for interior design, or so she claims.

she swings the door open the moment you reach the inside of the building. you’re halfway down the hall when she sticks her head out from the frame of her room. her black roots are showing more than usual.

“how was it?” she asks once you’re close enough so that she can whisper.

you want to tell her that there’s no point in keeping it a secret. you had told yuji about your feelings far before you even mentioned to her, mainly because yuji had been your first friend at jujutsu high. megumi isn’t here, either, so there’s no reason to whisper when everyone knows.

“bad,” is all you reply with.

her eyes soften a considerable amount, an expression you’ve never seen on her face before. she takes a small breath and pulls you into her room by your arm.

you’re met with her fragrances, vanilla and strawberry—a nobara kugisaki signature scent. she had begged gojo to buy her shelves to place her k-pop albums on and sure enough, the white furniture stands proud at the far corner of the room. there are fake vines hanging from her ceiling right above her desk, where she has an organizer messily places over a few books.

“you wanna dye your hair?” she jokes, looking back at you. “my roots are coming in so we might as well dye yours while we touch up mine.”

“is orange all you have?” yuji’s nose twitches. “i don’t think she’d look good in orange.”

“gee, thanks,” you sarcastically respond.

“sorry.”

nobara clicks her tongue. “wanna unpack?”

“kinda,” you say, your body going limp once you’re at the foot of her bed. you sprawl yourself on the silky sheets and stare up at the ceiling.

“get out, yuji,” nobara demands. she doesn’t even acknowledge his downturned lips.

“i know everything already!” he whines. he shuts the door behind him with much more care than he had with megumi’s.

“still!” she insists. “i wanna have a girls’ talk.”

“i’m one of the girls.” he crosses his arms.

nobara’s shoulders sag. “fine, but you need to go buy ice cream.”

“was planning on that already,” yuji replies. he taps quickly at his phone, presumably asking gojo for his credit card.

when yuji leaves the room, he promises that he’ll get your favorite flavor. once nobara senses that his presence is completely gone, she turns to look at you.

“i’m sorry for making you confess,” she whispers. her tone is comforting, genuine, soft. she takes you into her arms and squeezes your shoulders. “i really thought he liked you back.”

“it’s not your fault,” you reply earnestly. “i chose to do it out of my own selfish feelings.”

“you can cry,” she says, patting your head. at times like this, nobara seems years wiser than you are. her touch is warm.

you bite your lower lip. “don’t wanna. i think i’ll be fine.”

“okay,” she says, and you feel her chest vibrate with the word. “you’re allowed to cry, though. megumi would’ve been a shitty boyfriend, anyway.”

all you can do is let out a watery laugh. you don’t tell her that he would’ve been an amazing lover. he would’ve taken you out on dates at your favorite places because he’s observant like that. he would’ve known your favorite foods, though he knows them even as friends. he would’ve kissed you tenderly because that’s the type of boy he is. he’s the type to love carefully, like he’s afraid he’ll lose someone forever if he doesn’t.

“i’m up for dyeing your hair,” nobara pipes up after the silence that penetrates the room. “yuji’s right, though… i don’t think orange would suit you… ha.”

you giggle. “let’s just touch up yours, yeah?”

yuji’s footsteps can be heard from outside the door when you’re a third of the way done with nobara’s roots. she complains about how long he’d taken, but there’s no real malice in her voice. he explains that he had ran into trouble obtaining gojo’s card (“i had to beg him for it!”).

the ice cream is all melted. it’s gooey and delicious and makes you smile. as you look around your friends, your crinkled eyes say more words than you ever could.

“you’re welcome,” yuji says into your ear. “you don’t have to thank us for any of this.”

-☆

the next morning comes by quicker than you want it to. you mentally prepare yourself for seeing megumi in class at eight in the morning. you haven’t made a mistake as bad as confessing your dying, unrequited love on a wednesday afternoon quite like this before.

nobara had suggested walking with you the night before, but you’d sternly told her that you could handle it. looking back, maybe you should’ve agreed with her offer.

megumi isn’t in class when you come in. he’s usually there at least five minutes before gojo starts teaching. something inside you tells you it’s because of yesterday—as much as you hate to admit it.

he walks in through the sliding doors a few minutes late, but gojo pays him no attention. megumi has privileges like that—at least, with gojo. he’s practically your teacher’s son, and though you’ve never heard of the full story, you’re well aware of gojo’s slight favoritism.

the class is short. all jujutsu sorcery classes are. they mainly consist of typical real school lessons, only because under the law, jujutsu tech is still a high school. the other, much bigger portion of class with gojo is focused on maintaining cursed energy and providing yourself with the best possible victory in battle.

when it’s over, you don’t know if you should be relieved or upset. you won’t be able to see megumi after this, assuming that he’ll avoid you for a good month or two. however, you think you’d rather die than attempt to make conversation with him.

“don’t do anything stupid,” gojo warns, signaling the end of class.

you hear yuji snicker quietly and say, “yeah, nobara.”

the bickering brings a smile to your lips. from the corner of your eye, megumi shifts in his seat.

you decide that it’s best to let the feelings marinate, as stupid as it sounds. it’s an infinitely better choice than moping around and begging megumi for a chance. you may be soft, but you’ve got pride.

“see you guys,” you announce, more to yourself than to anyone.

“alright,” yuji calls after you, “see you later.”

you can’t help but feel a little disappointed with the lack of clinging when it comes to you. your absence doesn’t seem to cause a ruckus like it does for most people. you wonder if it had been yuji retiring early; would everyone else ask him to stay a minute longer?

that’s how life is for a while.

you attend class, spar a little, and sleep. some days you go out into the city with nobara. you avoid the cafe, even though it’s your favorite. perhaps it’s because you’re still embarrassed by megumi’s rejection. on other, slower days, gojo takes you all on outings because he’s basically everyone’s replacement father.

it’s still as tense as ever between you and megumi.

the boy doesn’t make any effort to reach out. you don’t blame him, though you should. he steals small glances at you, particularly when you’re smiling and forget to cover your teeth with your hands. that’s all he takes from you, and he can’t be the only guilty one, because that’s all you give.

on this day, gojo takes you all out to the fair. it’s annual, taking place in the beginning of summer, and it’s a great way to practice forming barriers and such. the fairs always bring out a few nasty curses that need to be exorcised—the four of you are already used to being dragged out here for that sole purpose.

as if gojo knows, he sends you out in pairs. of course, you’re paired with megumi fushiguro. at first, you open your mouth to reject gojo’s demand, but you notice the way megumi doesn’t seem to care and your resolve hardens.

“it’s really awkward around you guys.” gojo pretends to act busy, flicking something from his nails. he’s got his sunglasses on and the ladies around him fawn.

“huh?” you and megumi look at him with accusing glares.

“is something going on between the two of you?”

“no,” you say almost entirely too quickly.

“right,” he drawls, a smirk forming on his face. “anyway, good luck out there. get rid of the little ones and then—i don’t know/-meet up with yuji and nobara if there are gross ones that’ll kill you.”

megumi nods. “okay.”

“this was what i was talking about,” gojo mutters as he walks off. “it’s soooo awkward…”

megumi gives you an apologetic look. “for the record, i don’t think it’s awkward.”

“it’s fine,” you say. you find that you’ve been pardoning him quite a lot. “you don’t have to lie.”

his face flushes. “i’m not.”

“i confessed to you and you don’t like me back, so there’s really no need to tiptoe around it anymore,” you rush out. “just treat me like normal. i don’t really care.”

he looks hurt, and you want to laugh.

you discover that, in those days of being alone, you’d rather megumi treat you like a friend again than be completely ignored. at least then, you’d have a part of him. at least then, he’s not slipping through the cracks of your heart, becoming a distant memory.

you want him to be anything but a memory.

“you want me to treat you like normal…?” he repeats your words. he paces himself just a few steps behind you when you begin to walk away from the conversation. “what does that mean?”

“i think you know what being friends is like,” you attempt to joke, but it comes out harsher than intended.

the fair is getting more crowded by the second. the shopkeepers are yelling out cheap deals and there are children that snake in and out of the lines of people. paper lanterns are hung at the front of tents to attract foreigners—it seems to be working because there are more people surrounding shops with lanterns than without.

megumi takes a breath. “how could i do that?”

your steps falter. “what do you mean?”

“how can i go on to treat you like normal,” he says softly, “when i know you’re in love with me?”

you bite the inside of your cheek and taste blood. “i don’t know. you’ve done it before without knowing my feelings. you can do it all over again, right?”

you look over your shoulder to see his lips part. he’s given up on the cool-guy persona. his vulnerability begins to show through the dents in his personality.

“you’re saying that you’ve liked me for that long?”

“yeah,” you admit. something about this is more freeing than you could’ve imagine. “i think i always have.”

a man shoves himself into you. he’s older with a beer belly and a scruffy beard attached to his face. he barks at you to move out of the way as he drags his young daughter through the sea of people. megumi’s warm hands come to rest on your waist, pulling you aside and closer to his toned chest.

you do your best to ignore your beating heart.

“i’m not,” megumi starts shakily, “lovable. i don’t know why you like me.”

your body goes cold. it's even worse than when he'd rejected you.

“curse,” you say, detaching his hand from your body. “i feel it around the back alley.”

the night ends. nothing is solved. you go to bed and curl into yourself.

-☆

loving megumi is weird. there’s an odd sense of comfort to it, like you’ve known him for longer than you actually have. he makes you feel safe even though he's gruff and a little mean about it. maybe that's just part of his charm, though, because it makes you love him even more.

he seems to have taken your words seriously; he starts to treat you like normal again. he doesn't avoid you anymore, and the obvious tension surrounding you two has disappeared for now. he lets you take a few of his sweaters when you forget to do your laundry and he buys you your favorite snacks sometimes.

it gets to be too much. you almost wish he'd go back to ignoring you. the grass is always greener on the other side.

summer goes by slowly. it's the prime time for bad feelings to manifest into curses. you push away your lingering feelings, convincing yourself that you've gotten over it. it's been more than enough time now, coming up on two months since you've confessed. you don't want your resentment, if you can call it that, to form any bad curses—you'd hate for them to be attached to megumi. that'd be a burden too hard to carry.

a few missions involve partnering up with megumi. gojo thinks you two work well together; there's a sort of synergy that you have with each other that is hard to come by sorcerers nowadays. you don't mind the compliments, or at least you pretend you don't.

the missions aren't difficult, but maybe that's because you've grown stronger. megumi has, too.

summer passes. it still hurts.

"you're confusing me," you whisper.

you and megumi are shopping for a surprise birthday party that gojo is forcing you guys to throw for nanami kento, a good coworker of his. you've met him more than once, and you're not really sure if he'd appreciate such a last minute party. regardless, you and megumi are tasked with finding enough balloons to fill the poor man's office.

megumi doesn't allow you to hold any of the bags. he lies and tells you that it's out of habit—nobara makes him carry her shopping bags every time they go out—but you know he's doing it just because he wants to. you're perfectly strong enough to carry a few paper bags, and he doesn't carry nobara's bags like he claims he does. megumi doesn't even go shopping with her unless yuji's there and even then, yuji holds the bags.

"sorry?"

"why are you doing this?" you refuse to look at him.

"doing what?"

"this," you say, gesturing at the two of you. "why do you act like we're close enough to do this?"

you cringe at yourself, aware of how hypocritical you're being. you had wanted this, wanted him to go back to being a friend, to treat you like he had before you went and ruined everything. why are you angry? why do your eyes well up with tears as he steps closer to you?

"we aren't close?" he asks. his arms fall to his side.

passerbys give you curious glances. he takes off his sweater, the one he always wears depsite it being humid out, and wraps it around you. the paper bags filled with confetti and paper plates are set down by your feet. he pulls the hood over your head to hide your wet eyes.

"we are," you mumble out sorely, "but not like this."

"i'm sorry," he says, and you're brought all the way back to the day you had told him about just how much you liked him.

"'s not your fault." you sound like you're trying to convince yourself and not him. "i'm being an asshole. you can forget about this."

you don't want him to feel guilty. he can't help how he feels, after all. you don't want him forcing himself to love you.

"what you said that day," he coughs out. the bags crinkle as he lifts them from the pavement. he continues, "what did you mean by 'always'?"

you squeeze your eyes shut and he pauses next to you. you can feel his soft gaze on you and you're glad you can hide behind his sweater, the cloth draping over you like an oversized blanket.

"i don't know..." you tilt your head up to look at him. he looks like the boy you think you'll always love. "i think i was doomed from the start."

"doomed?" he says, a little amused. "loving me is dooming? how sweet of you."

you need to remind yourself that he's not playing with your heart; this is how he copes—and how you cope, too. he must know you better than you had thought.

you nearly scoff. "it's because you're you. you're so good at being you that it hurts."

megumi slows. you hadn’t even noticed that he'd been guiding you down the sidewalk the entire time until now.

"i think it applies to me, too," he say quietly.

"what?"

"'always' applies to me, too." the clarification does nothing to settle your nerves.

"i don't understand," you blurt.

he gives you a look, as if to say, "really?", but he keeps talking, "i think i'm used to this feeling because it's always been there."

"what feeling?"

he shrugs. "you pissed me off when i first met you. you're really stupid, you know?"

your face morphs into an irritated expression. "thanks. you're pretty great yourself."

he laughs and it sounds like music to your ears. "i wasn't finished, dummy."

"sorry."

"you're pretty... a lot more than you think you are," he admits shyly, "and i guess that annoyed me because i kept feeling all weird around you. i got used to it, i think—that weird feeling. but it's always been here. it never left."

you stumble, tripping over your feet at megumi's statment. you don't want to interpret it the wrong way, but with how he's looking at you, you can't help but maybe think that he likes you too.

"this isn't how i wanted to tell you, but," he breathes in sharply, "i don't like it when you cry."

it's awkward. perhaps a little funny, if you really look at it, but it's megumi and you can't hate him. you'll never find it in yourself to truly hate him.

nanami's surprise birthday party isn't much of a surprise. though gojo nor nanami say it, you all know yuji is a favorite of theirs, and no one is surprised when yuji says that he had accidentally revealed the party a few hours prior.

gojo has fun. even shoko, who never shows up to any of these events because of her busy schedule as a doctor, seems to enjoy herself. nanami pretends like he's not entertained, but he has on a fond smile that looks weirdly similar to the way megumi smiles. you're all old enough to party now, as gojo puts it, so it's a little less like a classroom celebration and more like a familial one.

it's the third of july, nearly two months and a half after your confession, when megumi hints that he feels the same way about you.

you don't know what to make of it.

-☆

"i like you."

you're in the middle of getting ready to go out with nobara and her favorite upperclassman, maki, when megumi tells you he likes you back. your eyes widen and the mascara you've just finished putting on smears on your lid.

megumi hands you a makeup wipe as if he's done it a million times before. (he hasn't, but he just knows.)

"w-what?" you stutter out, your breath catching in your throat.

"it took me a while to figure that out," he says.

he's flat on your bed, covering his face with his arm. his t-shirt rises with each of his nervous movements. according to the rules set by gojo, he shouldn't even be here in your dorm. he shouldn't be on your bed and listening to your playlist through your shitty speaker gifted to you by yuji.

"are you joking around?"

"what?" he sits up and turns to you, frowning. "why would you think that?"

"is this you pitying me?"

"i just," he sighs, frustrated, "i needed to tell you before i chickened out. i meant what i said the other day, you know?"

"about you getting 'used to' the strange feeling?"

he nods and then slouches back against your pillows. if it had been any other day, you would've felt shy about sleeping in his scent.

"yeah," he says, running his slender fingers through his jet black hair. "i really did mean it. i think i just—i don't know—pushed you away because i was afraid."

you've given up on applying your makeup by now. your hands are shaking too much, anyway.

"i'm scared sometimes, too," you reply, catching his eyes in the reflection of your vanity mirror.

you see the side of his lips turn upwards. he looks as handsome as ever. he's gotten older since the first time you met him, and it hits you harder now that he's on your bed, his features sharp and his body lanky and tall. there's a sort of intimacy that you sense between the two of you.

"i'm not afraid anymore." his legs swing over the bedframe and he easily reaches the ground even though your bed is raised. "i'll be brave for the both of us."

oh.

"what do you think?" he tilts his head.

you stay home that night.

-☆

"so are you guys dating now?" yuji exclaims.

you both freeze.

"fuck off," megumi says instead of answering the question.

"god," yuji huffs out. "finally! all those peptalks and you don't even tell me that you got the girl?"

megumi blushes from beside you. neither of you had expected yuji to be awake to witness you two watching the sunrise on the hill beside the school.

"you know," yuji grumbles, "it took a lot of convincing to have you realize that you've been in love this entire time, megumi. the least you could've done was tell me."

megumi ignores him and snuggles further into you.

"why are you up so early?" you ask, shuffling underneath the blanket that is covering you and your boyfriend.

"instinct." yuji's shoulders drop, defeated. "'k, i'm gonna leave you guys to be romantic and shit up here. have fun explaining this to nobara later."

nobara almost wrings your neck out when she catches megumi holding your hand that saturday morning. she tells him that he needs to make up for the months he left you feeling sad. he says he's already forgiven, and he's not wrong (because you're weak when it comes to him, just like he's weak when it comes to you).

you think that you would've chose to love him no matter the outcome. loving him is easy like that.

a/n: oh my god. this was a word dump and not proofread. i am so sorry this took forever to come out but i ended up changing the plot like a billion times cus it wasn't good enough.. LOL. hope u enjoyed this!!! thx for making me write more megumi because i love writing him (he's been my fave character since the anime came out three years ago hehehe). ngl it was kinda rushed bc i wanted to get this out but i think it turned out fine!!!! ok thx once again ily muah xx

[luminique]

(looking around suspiciously). hey. have u ever thought about. popstar reader on a tour around the outer ring & lighter. (COP SIRENS IN THE DISTANCE) WHY IS SENDING THIS SO SCARY WE'RE LITERALLY MOOTS

HELLO KONNER !! i get it though cuz like sometimes i send in stuff and im like scared about it too. DONT WORRY THOUGH CUZ I WILL TRY MY BEST TO WRITE THEM OUT !!

a song you released becomes the biggest hit in all of new eridu, everyone and their grandma knows of your name. not before long, you're invited to interviews, shootings, magazines, etc. as a guest and one thing led to another, you announced a nationwide tour!

after lots of planning, practicing and perfecting, you decided to start of the first leg of the tour in the outer ring then work your way to the city. initially, you didn't really think there'd be many fans outside of the city but your team decided that it'd be good to get your name out there.

unexpectedly, the tickets sold out FAST. it was your first tour, you and your management didn't want to overestimate your fame. but with this, everyone was begging for more tickets. it was a little hectic but nothing like a little damage control on your social media couldn't help with.

the girls from the sons of calydon were WAITING for those tickets to drop. the moment they found out about your tour, they made sure that they were extra free that day. lucky enough, they got front row tickets for all of them. lighter included because they move as a unit and he wouldn't admit it but they know that he has memorized your songs by heart.

the day of your show finally comes and everyone is buzzing with excitement as they made their way to the venue. the merch lineup was relatively limited but they bought at least one of everything; t-shirts, sweaters, keychains, stickers, posters and two cheering sticks. they decided to let lighter hold the cheering sticks as he was the tallest out of all of them, making him the easiest to be noticed by you.

they screamed their lungs out that night, singing along to every song unapologetically. at some point though, lighter was just waving the sticks around as he watched you, mesmerized by your voice and your looks. he has seen the magazines that lucy asks him to buy, the ones with you on the cover. he has seen those interviews and how everyone would compliment you. however seeing you live, hearing you live, he was starstruck.

you thanked everyone for showing up, it was the perfect way to start your first ever tour. he knew that this was all just you being a popstar but even the way you talked, you seemed so sincere. the girls had to shake him out of this trance-like state that he was in, telling him that it was time to go home. if he wasn't a fan before, he was definitely a loyal fan now.

as they drove back home, the only thing in his mind was your singing, your stage presence. there were times where it seemed like you looked in his direction. did you even notice him in that sea of people? maybe he needs more merchandise. if you ever had a tour again, he'd definitely try to get front row tickets just to see you. just to hear you again.

[missingn000]

hey all! i wrote a what-if character study & action fic for if king fought sanji instead of zoro during the raid on onigashima. i'd really love if you gave it a read! thanks so much!

link

playlist

happy reading!

[tunastime]

UM UM UM “staying up until midnight to talk” with SEN or DBHC ethubs or docsuma

Or “pull me closer,” with dbhc docsuma :floshed:

Okay skitters away

staying up until midnight to talk (919 words) (x) (:3c)

Etho’s hands follow a practiced rhythm. He isn’t sure how they wouldn’t, with every wire and mechanism and gear in his body perfectly calibrated to move with precision and within expectation. He certainly fails, and jerks, and stutters, and falls, but base programming, movements that fell perfectly into subroutines he couldn’t even begin to trace, even if Xisuma showed him the exact steps? Of course they were perfect. And of course he never faltered.

The sand beneath him offers a much needed cushioning from the hard, winter dirt, despite the fact that the sun provides little warmth to the air around them in the snow fort. The sky is so blue it makes his eyes strain to look at—and maybe it would hurt, if he knew how it was supposed to feel.

Instead, Etho watches patches of sky blue in the silver-warped reflection of his sword, faint flickers of enchantment pulsing out from the hilt where the hastily carved runes sit. He runs the sharpening stone against the blade’s flat edge, careful not to nick the silicon of his fingers as he scrapes it across, again, and again. Practiced, careful, calculated rhythm. So much so that he doesn’t even register the sounds of shuffling a few paces away until Bdubs’ voice cuts through the silence.

“Etho,” he says, voice all rough around the edges like he were hungry for something more than just company. Etho keeps sharpening, just for a moment, before he chances a glance over.

Bdubs leans at the wooden fence, leaning his weight into the flimsily-set posts. He grins like nothing in the world could bother him. The characteristic dark brown of his eyes flickers with red, with that same hunger. Etho hates it. Which is odd. Because he really doesn’t feel strongly about much of anything, and disgust is an emotion very foreign to him, and he’s beginning to think the slight grinding in his chest is a problem Xisuma might need to diagnose when he gets back. It feels wrong. Because he knows he likes Bdubs just fine. He trusts him just enough. But that look.

Bdubs is still watching him, eyeing the sword in his hand with a gaze he can’t place, let alone read. Better give him an answer.

“Bdubs,” he says calmly, tilting his head to the side.

“You thought anymore about my offer?”

Etho makes a sound like a hum, mimicking the sound of turning the idea over in his head. He stands, setting his whetstone next to the cold embers of last night’s fire. The pot and cups still rest in the dirt, as cold as the rest of their surroundings. The sword stays in his hand.

(In the back of his mind, a memory surfaces. In it, Etho lies in the night-damp grass in clothes that still smell a bit like gunpowder, but not enough to notice unless you got real close. Bdubs is somewhere to his immediate left, still speaking, haloed in the glow of lanterns and lights of a shop. One of them at least. Within the clarity of memory, Etho can pinpoint that it’s Tango’s shop. Bdubs doesn’t live far from here. He isn’t sure when waiting for Tango to restock candles turned into tell Etho all about the extra additions to your base and your journey to find all the perfect horses for the Horse Course that you both just wrapped up, or into tell Bdubs all about how empty the mountain is, and how interesting this new game sounds, and how you hope you both find somewhere cool to base. Because you’ve already told him that you’re teaming up. But it does, and in this same space, the sky is full of bright white stars and a sliver of a moon that's starting to peek into the sky. Bdubs yawns.)

“The one from last night?” Etho asks, coming to with the sword heavy in his hand. He pushes the point into the soft sand until it hits hard earth and starts to give.

“You don’t gotta keep this fence, Etho…” Bdubs sighs, leaning his head into his palm. Etho folds his arms across his chest, splays one hand as he shrugs.

“Seems like the best way to settle this, ‘Dubs.”

“You could join me. Could always still join me,” Bdubs tries. “Just a quick one-two stab! Easy!”

“I can’t do that,” Etho says, shaking his head. “You know that.”

Bdubs sighs again, dramatic, deflating over the fence as Etho’s rejection stands firm. The thirium in his chest feels like it’s been flash frozen and has only started to dethaw, cold in his hands and feet, up his shins and to his elbows. He rolls his shoulders in, cupping each hand around each opposite elbow. There’s a little warmth to be found in the action with no fans kicking on to compensate.

“Well,” Bdubs says, drumming on the wooden beam between the two fence posts. “If you ever change your mind.”

He watches Etho for a moment, that familiar look coming to his eyes, as if it were trying to eclipse the haze of red Bdubs looks at him through, as if it were trying to expand his tunnel vision by just a fraction of an inch. Just as Etho notices, it’s snuffed, and the easy, careful look is replaced by an indifference Etho doesn’t think he enjoys. He still isn’t sure how much he knows for certain. He shrugs, barely a movement at all. Better say something.

“I won’t,” he says.

Bdubs huffs and turns away.

[kimabutch]

Finally finished a crochet mandala! Extremely happy with how it turned out and also I never want to do 500+ single crochets onto a steel hoop ever again.

Pattern is Apollo's Acknowledgement by Mark Roseboom, yarn is from Hobbii.

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 12

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

Oof, so this took me forever to write. A week and a half. But now it's finally here, the final post of this meta series. And yes, I did hit 20k words by the finale, oops. The analysis part alone is at 20.1k words. In total, this meta series is at 150k words. When I wrote that very first post about episodes 1+2 in on single sitting, pulling an all-nighter to both write, gif, and publish it I never expected it to turn into this huge project that has become. Don't ask how much sleep I was getting while I was writing these metas. And don't ask how my studies have been going since early December (I was gonna write two exams a week from me publishing this but I haven't done any studying so far whatsoever rip). Totally worth it, though. Anyway, I don't wanna keep you on your toes any longer, so have fun <3

By the way, I apologize in advance, but the section cover pics had to go for this one. Instead I bring you.... more gifs! Yay!

Acknowledgments: To everyone who regularly liked and/or reblogged and/or commented... THANK YOU 😘 Your encouragement really kept me going over these past few weeks, even when my brain was feeling really exhausted from thinking so long and so hard about this series and especially this character. I had a blast going on this journey and I'm glad I got to share it with you. Thank you for coming on this journey with me. I love you.

Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise. And I WILL be specifying otherwise this time hehe.

To recap: Last episode Style got to spend a lovely 24 hours of saying goodbye to Fadel before the one thing that Style has been dreading the most (safe for Fadel's death, probably) happened: Fadel got arrested. And there's nothing Style could do about it but watch. And now he has to live with the fact that his boyfriend will be in prison for the next five long years.

No. 1: Visitors

Kant and Style go visit their boys in prison together and it seems to be their first visit in general, considering how both couples are catching up. We don't know how long it's been since they last saw each other, but I assume it must have been more than just a couple of days, since we later learn that the burger restaurant has already been sold.

Either way, Style is now sitting in front of Fadel, asking him how prison is. Fadel says it's not that bad and Style checks in once more to make sure Fadel is really fine: "Really? You sure you're not saying that just to make me happy? I've seen some interviews, and the people who have been here said it was awful."

After all, Style knows Fadel and he knows Fadel is prone to pretending that everything is fine when really, it isn't. Style even called Fadel out on it in episode 7: "Just admit when it hurts. You don't have to be tough all the time." Back then Style also told Fadel: "I'm worried about you, you know? I was afraid something would happen to you.*"

*กลัวมึงเป็นไรไปอ่ะ [gluua - mueng - bpen rai - bpai - àh] afraid - you - have a problem - [particle] Official subs: I thought you were a goner.

Now, about half a series later Fadel is finally very well aware of just how much Style worries about his well-being and, with a laugh, reassures him once more that prison really isn't that bad. Style lets it go and tells Fadel: "I really miss you, though." And let me just share what I learned when I asked my Thai friend about the phrase ก็...อยู่ดี [gôh ... yùu dii], because I wasn't entirely sure what it meant: according to my friend it means "still" (German speakers: he translated it as "immer noch"), so the line goes more like:

But I still miss you. แต่กูก็คิดถึงมึงอยู่ดีนะ [dtàe - guu - gôh - kít-tĕung - mueng - yùu dii - ná] but - I - miss - you - still - [na]

They've been separated for a while now, but Style still misses Fadel. Style hasn't stopped missing Fadel. Fadel acknowledges that and tells him "When you do, just come visit." And for those curious about the literal wording (it doesn't really change anything, but I know you guys love this <3):

If you miss me, then come visit me like this. ถ้ามึงคิดถึงกูอ่ะ ก็มาหากูแบบนี้นะ [tâa - mueng - kít-tĕung - guu - àh • gôh - maa hăa - guu - bàep níi - ná] if - you - miss - me - [particle] • then - come visit - me - like this - [particle]

Style doesn't say anything. He just smiles at Fadel fondly and in love. Fadel didn't preemptively break up with him last episode and even though there is a barrier between them, Style can still go see Fadel and Fadel also wants Style to come see him. It's not ideal, but things could have been much worse, so Style is happy and also makes the best out of the situation. Just like he always does.

Fadel then asks about the garage and it's the first time we learn that Style's dad is starting to retire and that Style is starting to be busy. This will come up later in the episode again, but for now everyone is still happy. Then Fadel asks about his burger restaurant and both we, the audience, and Fadel learn that it's been sold. Fadel then says he'll find a way to buy it back once he's out of prison and once again we're handed information that will be relevant later in the episode.

Style being Style immediately announces that he'll be helping Fadel find a new place, if he can't get back the old one. And now it's Fadel's turn to smile at Style fondly and in love. Style then asks if Fadel wants anything special. But Fadel doesn't need anything. "Just seeing your face will last me a whole month." And again, the literal wording doesn't really change anything here, but if you're curious, this is what he's saying:

Just you visiting me like this makes me happy for a month. แค่มึงมาหากูแบบเนี่ย กูก็อิ่มใจเป็นเดือนละ [kâe - mueng - maa hăa - guu - bàep nîia • guu - gôh - ìm-jai - bpen deuuan - lá] just - you - come visit - me - like this • I - [sentence link] - happy, pleased - for a month - [particle]

Fadel uses the word อิ่มใจ [ìm-jai] here (which I translated as "happy") and that's funny to me personally, because this word already came up when I was discussing a different sentence from episode 11 with my Thai friend. You know when Fadel and Style are in the kitchen in episode 11 and Fadel talks about how he wants to do what he loves with the person he loves? And then he says "It makes me happy". The word that was translated as "happy" in Thai is อิ่ม [ìm], which actually translates to "full". And I had my friend watch the scene and asked "What does he mean 'full', what does that mean in this context??" and my friend explained that in this context it means "happy" and mentioned the word อิ่มใจ [ìm-jai], which he also explained to mean "happy". The literal translation, though, is actually "full heart" (as in the heart is full → you're happy). And then this exact word that I learned comes up in episode 12, I love it. So yeah, Fadel is basically telling Style that he doesn't need anything, because Style visiting him in prison is enough to make is heart full/fill up his heart for a month. And from the way Fadel raises his eyebrows and smiles cheekily when he says the อิ่มใจ [ìm-jai] part, I assume it's just as cheesy in Thai as it is in English, especially judging by Style's reaction afterwards.

Style is amused, impressed, as well as touched by Fadel's cheesiness and asks: "What did they feed you in there? How come you're this sweet?*"

*ทำไมถึงหวานขนาดเนี้ย [tam-mai tĕung - wăan - kà-nàat níia] how come, why - sweet - to this extent Official subs: You're way too sweet.

If you read last episode's meta you might remember how I went over the development to from โหด [hòht] (= harsh, aggressive, brutal) to หวาน [wăan] (= sweet) and I just love how this time around, the word โหด [hòht] doesn't even get mentioned anymore. They went from Style using only the word โหด [hòht] in episode 4 ("No matter how harsh you are, I'm still hooked on you." / Official subs: "It doesn't matter how scary you are, I'm still hooked."), to them making comments about and discussing Fadel being both harsh (โหด [hòht]) and sweet (หวาน [wăan]) in episodes 7, 9, and 11, and now in the finale Style only uses the word หวาน [wăan] (= sweet). It's the polar opposite of episode 4. I love it.

(By the way, I'm not gonna copy and paste all the direct quotes again, so if you wanna look at the lines and the development of "harsh vs sweet" in detail, please refer to section 7 of my ep11 meta.)

Style continues to say "If you say such sweet things, it'll only make me want to hold you and kiss you even more, you know?" and I'm just gonna share the literal wording again:

The sweeter like this you are ยิ่งมึงหวานแบบเนี่ย [yîng - mueng - wăan - bàep nîia] the more - you - sweet - like this the more I really want to embrace you and (sniff) kiss you on the cheek, you know that? กูยิ่งอยากกอดอยากหอมมึงมากเลยรู้ป่ะ [guu - yîng - yàak - gòht - yàak - hŏhm - mueng - mâak loiie - rúu - bpà] I - the more - want - hug, embrace - want - (sniff) kiss - you - very much - know - ?

In the official subtitles Style says just "kiss you", but the word he uses here in Thai is หอม [hŏhm] which, from what I've picked up so far, usually refers specifically to a kiss on the cheek, especially those sniff-kisses. And that's what prompts Fadel to turn his head and offer his cheek to Style — because Style specifically asked to kiss Fadel's cheek.

Also, something about the way Style says this and the way he emphasizes and drags out the word หอม [hŏhm] kind of really reminds me of the way he emphasized and dragged out the word หวาน [wăan] (= sweet) when he shouted "My meat is sweet, I tell you!" in episode 3, and watching these two lines back-to-back actually shows the development so beautifully:

In episode 3, Style is so very loud and he doesn't mean what he is saying at all, he isn't taking his words seriously whatsoever. His words are a performance and the world (or rather the market, in this case) is his audience. In episode 11, his words are still a performance, but now it's a private show for Fadel and Fadel alone. Fadel is the sole member of his audience and what Style is saying isn't meant for anyone else but Fadel. Style is serious about it now and he really means it. By the episode 12, Style is still loud in his personality, but compared to episode 3 his demeanor is so much calmer and he is also much more grounded.

The difference is also in Fadel's reaction: in episode 3 when Style isn't taking what he's saying and doing seriously whatsoever, Fadel doesn't have time for him. He rolls his eyes and just leaves him standing there. In episode 12, when Style means every single thing he says and does, Fadel actually leans closer and then presents his cheek to Style, going along with Style's antics instead of blocking or ditching him. Style blows a cheek at Fadel and we leave them as they continue to make heart-eyes at each other.

No. 2: This Is Torture

Style puts on his cheerful face when he's in front of Fadel, and while I don't think any of the above was a mask, because I think he is definitely genuinely happy to talk to Fadel, there is still some frustration that Style only lets out as soon as he's away from Fadel, similar to how he didn't fully cry until Fadel was completely gone at the end of last episode. "Kant, I can't do this," Style complains and let me just share the real vibe of his sentence:

Ai'Kant, I can't fucking do this anymore. ไอ้กานต์ กูแม่งไม่ไหวแล้วว่ะ [âi Kant • guu - mâeng - mâi - wăi - láew - wâ] Ai'Kant • I - [rude interjection] - not - able to, can - anymore - [rude particle]

I usually don't bother to point out sanitized subtitles, but here I thought it was appropriate, because first of all, Style using curse words and rude language really underlines just how frustrated he really is about this from his first line of the scene on and second of all, to me with the cursing it comes across as even more dramatic and I mean, the drama is what we've all come to love about Style, isn't it? Kant agrees and once again Style is much more dramatic in the original wording than he is in the official translation:

What's torturous is going in and being able to chat only for a few minutes. ที่มันทรมานอ่ะ คือเข้า���ปคุยได้ไม่กี่นาทีไง [tîi - man - tor-rá-maan - àh • keu - kâo bpai - kui - dâai - mâi gìi -naa-tii - ngai] that - it - torture, be tortured - [particle] • is - enter, get in - talk, chat - be able to, can - not many - minute(s) - [particle] Official subs: The worst part is only getting a few minutes to talk to him.

Yeah. Style explicitly calls it torture that he can only see Fadel's face but can't touch him. He continues with the drama:

We're close, but so damn far away. ใกล้แต่ไกลฉิบหายเลยมึง [glâi - dtàe - glai - chìp-hăai - loiie - mueng] close - but - far - [impolite intensifier] - [particle for emphasis] - you Official subs: We’re so close but it feels so far.

Style is frustrated, almost downright angry even. Kant agrees again and when Style then asks "Is there no way we could hold them in our arms again?" There's a hint of desperation and impatience now mixed in with the frustration. Kant informs Style that there's a special visiting day, but it's only once a year. And here we have the biggest clue as to just how unhappy Style really is with the situation. Style, who usually stays optimistic and tries to find the bright side in things, is very dissatisfied about those news. Even positive Style can't see how the special visiting day is a good thing. Because once a year just really isn't enough, no matter how he looks at it. Kant throws him a glance. Style is sitting in the passenger's seat, head downcast, looking very dispirited and crestfallen.

Kant thinks some thoughts for a moment. Then he announces "I think I have an idea that will give us more than just a hug." Style lifts his head again. He's listening.

No. 3: Prison Break

For Kant's idea to work they need Captain Christ's help and they go meet him in a parking lot. They let Captain Christ know they wanna get into jail to see their boyfriends and Captain Christ actually asks the reasonable question of "Can't you just visit them?" No. They cannot. Because looking at them through a barrier is simply just not enough. Style starts listing all the things he wants to do to Fadel and he's clearly thought about this a lot. He gets lost in his own world a little the longer he goes on, clearly seeing everything he's describing in front of his mental eye, clearly seeing Fadel himself in front of his mental eye. And in a parallel to both episode 4 and episode 11, Style trails off at the end, leaving it up to the audience to imagine just what exact kind of things Style wants to do to/with Fadel (fanfiction, anyone?). Style pulls himself out of his fantasy and back into the real world, sighing and shaking his head in a way that reads to me like frustration about the fact that he can't be doing all of that. Kind of like Come on, man, get it together... The circumstances won't let you have your fantasies anyway. When the shot changes to Captain Christ, we can see that Style is even looking towards the ground. We can't see his face, but just from his dissatisfied expression just now we could interpret his hanging head as disappointment or sadness or both about not being able to do all the things he just talked about.

Captain Christ says that Style is crazy in love and from the way that Captain raises his eyebrows and the way the corners of his mouth twitch into a bit of a smirk when he's done speaking has me think Captain Christ was saying it to tease Style, but I think the teasing passes right by Style, because he makes a skeptical face, kind of like a bit of an annoyed and maybe slightly defensive What?? or maybe even a bit of an And what's wrong with that?

Captain Christ discards his cigarette and starts asking questions about just how exactly Kant and Style plan to get into prison, pointing out that he had just helped Kant wipe his slate clean. Kant explains that they aren't planning on getting themselves arrested and asks if Captain Christ knows anyone inside. Captain Christ says he does, then asks: "Don't tell me you want me to help you reenact Prison Break?"

Special shout-out to Style's reaction, because it's definitely in my top 5 moments of the episode, if not my absolute favorite highlight of the episode:

His face makes me laugh and giggle so much, it just really cracks me up. It's like he's thinking to himself Oh I sure wouldn't mind a little prison break... or maybe even Oh this is totally not the exact thing I've been fantasizing about. Let's be real, this would be Style's ideal scenario. But unlucky for Style, that's not the plan that Kant has had in mind.

No. 4: Vocational Training

Kant's idea was to go do some kind of volunteer work (or something along those lines) at the prison. Style, of course, teaches fixing cars, and it's interesting that Fadel actually shows up for that, because without knowing Style was gonna be the one teaching, Fadel could have easily chosen a different activity instead, since we never actually saw him be interested in fixing cars. Maybe Fadel heard about it and it made him think of Style and decided to go check it out in honor of him or to feel closer to him. Either way, Fadel actually shows up to Style's class and from the way Style's jaw drops a little bit I wonder, if this comes as a surprise to Style, since it's not like Style specifically told Fadel he was gonna come in.

Pronoun change! You might have noticed yourself, but the very first thing Style says to Fadel is khun. Style is pretending not to know Fadel. Style continues to speak using no pronouns at all and when Fadel answers, he goes along with Style's pronoun change, using phom to refer to himself. The two of them continue to use the polite phom/khun for the rest of this specific conversation.

Fadel says he doesn't know anything about fixing cars and Style replies it's fine, because Fadel can learn about it. Then he says "If you want to, that is." The expression that Style uses here in Thai is มีใจ [mii jai] which is made up of มี [mii] = "to have" and ใจ [jai] = "heart, mind", so literally it translates to "have (a/the) heart". My friend explained that in this context this phrase means "to have the intention to do something". The funny thing is, though, that I asked my friend about this specific phrase a couple of episodes ago, because Style actually uses it when they're standing by the broken down car in episode 8 when he teases Fadel "Either a hitman like you still have his humanity, or you’re in love with me." In other words, the phrase มีใจ [mii jai] can also mean "to be in love" and now I'm wondering if this specific word choice with this double meaning was very intentional for this episode 12 scene. Especially because Fadel then huffs and smiles a little.

Style walks up to Fadel and tells him "I'll show you every nook and cranny of a car. You'll definitely find some use for what you learn from me. But if you still can't fix cars after that, I'll fix them for you," still using polite pronouns and particles to address Fadel, and somehow this whole thing just really reminds me of their little roleplay at the garage back in episode 5. The way Fadel's eyebrows shoot up and he huffs in amusement really raises the question if Fadel is wondering what kind of payment Style will take for fixing Fadel's car. At the same time, Style offering to fix Fadel's car also works as a callback to the circumstances in which they first met: Style has fixed Fadel's car once before, maybe even twice, if we assume that Style fixed the jeep again between episode 8 and episode 9 when it broke down.

No. 5: A Man Has Wants, A Man Has Needs

At the end of class, Fadel is working on the car and Style uses the chance with everyone else distracted for a little private chat with Fadel. And now that they don't have an audience listening in and appearances to keep up, they're both back to the rude pronouns guu/mueng. Fadel likely sort of already expected that Style would find a way to get to him, because he says he had thought Style would do something illegal to get inside the prison and I think the majority of the fandom thought similarly. I personally realized Kant and Style would be working in prison when I went to rewatch the episode promo like two or so days before the episode and realized that the blue clothes that Fadel was wearing in the shots where Style kissed him on the cheek and threw him against the wall looked like the prison uniform while Style was in normal clothes. At first I thought the shot of the cheek kiss by the car was when Fadel was out of prison again and that it was set in Style's garage, but once it hit me that they were clearly fixing a car while Fadel was in a prison uniform while Style wasn't, that's when I realized that Style was likely there as a volunteer worker (or something along those lines) rather than a prisoner. Unfortunately, I was too busy trying to get my ep11 meta done, so I didn't make a post about my discovery which means I don't have receipts and this brag is completely worthless. Ah, well. At least my ep11 meta is done.

Style says "This is way better" and steps closer to Fadel, reaching out his arm right into Fadel's personal space, seeking proximity before he even says it out loud or touches Fadel at all. Fadel responds to it by immediately moving his own arm closer to Style's hand and while I know that Joong most likely did this as part of their "choreography" so that Dunk would have an easier time grabbing his arm for when Style talks about touching Fadel, the thing is if we're looking at it from the character's perspective, well, Joong might have known Dunk was gonna grab his arm, but Fadel didn't know Style was gonna grab him and so I love this small interaction anyway. Style reaches into Fadel's personal space with his hand and Fadel immediately moves his own hand closer to Style.

And it's only then that Style says: "I get to be close to you and to touch you just like I wanted to." Then Style sneaks a kiss on Fadel's cheek, just like he said he wanted to do in his first scene of the episode. Fadel gets as stressed about it just like I did when I watched the episode for the first time. I mean come on, Style, there are still people around!! I swear to god, the amount of times I've had to remind myself during the prison part that this was a romcom and that this was the final episode of the show and that nothing too bad was gonna happen now...

Fadel scolds Style, but Style doesn't care. He points out: "Why would I come here if I don't get to do anything with you at all?" The whole point of finding a way to get inside the prison was to be able to touch Fadel, to kiss him, to hold him, just like Style was so very desperately wishing he could do in the very beginning of the episode. And he's not gonna pass up that chance, especially when it's been a while since he actually got to feel Fadel's skin.

Fadel sees the guard walk around and tells Style "I can't help you." Then Fadel continues to be grumpy, scolding Style "You said you'd be patient, and you're already losing it?" Style is so used to Fadel's grumpy personality by now that he isn't fazed in the slightest. He comments it with a very quick huff to the side, then goes "A guy has wants and needs, you know?" He smiles a little when the words are out of his mouth and observes Fadel's reaction, eyes fixed on him attentively. Fadel lifts his head, looking a little done, but ends up breaking anyway after staring at Style for a moment. Fadel laughs and turns his head away to hide it, then looks at Style one more time, before directing his attention back to the car. Style watches him with a fond smile and affectionately shakes his head as if to say That's so you of you to first be grumpy, only to fall for my charm in the end anyway, you silly goose. As if I don't know you by now, my love.

After that, Style goes back into teacher mode in order to officially end the class. And I just love how the wide-shot reveals that now both Style and Fadel have their hands in each other's personal space close to the other person's body, their arms criss-crossed. And I also love how Style leans right into Fadel, touching him more when he goes to address the whole class.

Good job at pretending not to know each other, boys. Really. Very inconspicuous.

Fadel does move away from Style a little a moment later while Style continues his "see you next week" speech. But we can still see just how much Style missed touching Fadel, because he seeks out proximity again by tapping Fadel, casually touching him again immediately after he is done ending the class.

Then his eyes also find Fadel's face again, who looks at him very amused. And now that class is over, Style can finally do what he's really here for.

No. 6: Loyal to You

When we cut back to them, they've found a hidden corner and Style is shoving Fadel against a wall, kissing him with great urgency. Once they break apart, Style tells Fadel "I've been dying to do that since the moment I saw you", smiling a very satisfied smile. Fun fact, this time around Style is actually less dramatic in the original wording:

I've been wanting to do this since I saw your face. กูอยากทำแบบนี้ตั้งแต่เห็นหน้ามึงอ่ะ [guu - yàak - tam - bàep níi - dtâng-dtàe - hĕn - nâa mueng - àh] I - want - do - like this - since - see - your face - [particle]

Fadel laughs and says "You're crazy", to which Style replies "Love will make people do crazy things" and let me just share the original wording for a second:

Love makes us do something crazy like this. ความรักอ่ะ ทำให้คนเราทำอะไรบ้าๆ แบบนี้แหละ [kwaam rák - àh • tam hâi - kon rao - tam - à-rai - bâa bâa - bàep níi - làe] love - [particle] • make that, cause - people, we - do - something - crazy - like this - [particle] Official subs: Love will make people do crazy things.

The reason why I'm sharing this isn't, because the translation is inaccurate in any way, but rather because this line reminded me of another line Style says in episode 7 and I just want to point out the similarity in the original wording that isn't as clean in the official translation:

Love makes us do something stupid. ความรักมันทำให้คนเราทำอะไรโง่ๆนะ [kwaam rák - man - tam hâi - kon rao - tam - à-rai - ngôh ngôh - ná] love - it - make that, cause - people, we - do - something - stupid - [particle] Official subs: Love sure makes you do something stupid.

It greatly amuses me that Style went from "Love makes us do stupid things" to "Love makes us do crazy things". Style, lover of love, willing to do stupid and crazy things for the sake of love. He is stupid and crazy enough to even find a way to get into prison for the sole purpose of making out with his boyfriend, because who can wait five whole years, amirite? Style immediately proves his point by continuing to kiss Fadel. But Fadel doesn't let Style kiss him for long, because he has something to say: "Save your sweet words." Funfact, he uses the word นำเน่า [nam nâo] here, which my friend explained to mean "soapy" (as in soap opera like). I think Fadel just called Style "dramatic" without actually calling him dramatic, and I think that might also be the reason why Style steps back with a sigh, looking kind of disappointed and annoyed, before answering Fadel's question of "How did you get in here?"

We know being called dramatic has been a touchy subject for Style before and so has been being pushed away. I think Style had a moment of Does he really not appreciate that I'm here now? Does he not appreciate my efforts? But Style doesn't comment on it, doesn't start an argument, and instead answers Fadel's question. He explains that he'll be teaching at prison every week now thanks to Kant's connections and then says:

I'll get to come and see you every week. จะได้มาเจอมึงทุกอาทิตย์เลย [jà - dâai - maa - jer - mueng - túk - ah-tít - loiie] will - get to - come - see, meet - you - every - week - [particle] Official subs: So I'll see you every week.

Although when Style says this, it's not as joyful as you might expect. There is determination in Style's voice, because he is determined to do this, but there is also a bit of a challenging edge to it and I think it comes from his sudden worry that Fadel might not want him here after all. It's a challenge in the sense of Well, are you happy about me being here once a week from now on or not? He keeps his eyes fixed on Fadel and when Fadel then huffs and smiles almost in disbelief, the look on Style's face softens a little bit before he leans in to kiss Fadel again.

But once more, Fadel isn't letting Style kiss him for long, before he speaks again: "You know… You don’t have to do this." Style goes still as he waits for Fadel to elaborate. And Fadel does:

It's fine if you visit me once a month or once every three months. มาหากูเดือนละครั้งหรือสามเดือนครั้งก็ได้ [maa hăa - guu - deuuan lá kráng - rĕu - săam deuuan kráng - gôh dâai] (come) visit - me - once a month - or - once every three months - it's fine Official subs: I don't mind seeing you once a month or once every three months.

Ah. There it is. Fadel is pushing him away again. Or so Style thinks. Of course Fadel is saying this to be considerate of Style's time and schedule (after all, Style did tell him that things at the garage were getting busy), not wanting Style to get tired and exhausted in the process, but what Style hears is I don't want to see you that often. And now Style is seriously done.

He steps back, tilting his face in a Really, now?? way, presses his lips together unhappily, then raises his eyebrows and firmly tells Fadel: "I did everything I could to be with you, you know?" Style's next question is another challenge to Fadel:

Are you not moved? ไม่ซึ้งบ้างหรอ [mâi - séung - bâang - rŏr] not - touched, moved - any - ? Official subs: You don’t appreciate that?

Fadel breathes out loudly and tilts his head like Oh, come on, it's not like that. But Style is really annoyed now and continues to say: "Or did you already find someone here? I'd expect it of a popular guy like you." You heard him use the anglicism "hot" here, right? Because the second sentence goes more like:

You're hot anyway. ฮอตอยู่แล้วนี่มึงอ่ะ [hot - yùu - láew - nîi - mueng - àh] hot - be - already - [interjection] - you - [particle]

A little extra info from my Thai friend: according to him in Thai this word doesn't necessarily refer to someone's appearance and to physical attraction, but rather it is used to express someone has a quality or skill that is desirable.

Now I think Style actually being jealous for real can be a valid interpretation of him asking Fadel if he found someone new in prison, but to be honest, personally I don't really think so, or rather I think real jealousy is the case only on a surface level. Because Style knows Fadel, Style knows that Fadel doesn't easily open up to others. Style knows first hand how much work, effort, and persistence it takes to get to Fadel's heart. Style also knows Fadel would absolutely kill him if Style ever cheated on him and so I don't think Style would expect Fadel to be a hypocrite and go cheat on Style just like that himself. So I don't think Style actually expects Fadel to have found himself a new boyfriend in prison for real. No, in my opinion this is about something else deep down. I think Style is actually hurt that Fadel is (seemingly) pushing him away again, the way Fadel has done before so often. And Style has felt hurt from that before, and he's argued with Fadel about that before (most recently last episode during their last supper, and in episode 10 the scene where Style demands to help with the mission as well as the scene where Fadel cries in Style's lap). And I think playing it over apparent jealousy is Style's way of letting Fadel know that he's sulking about this, without starting a full-blown argument. Because at this point Fadel should know better than to keep pushing Style away, especially when Style is putting in so much effort in their relationship again. And part of me also wonders if Style was trying to avoid being called "dramatic" again (remember: touchy subject) if he had outright complained about being pushed away, while jealousy could maybe be taken as a "more valid" or more expected or acceptable reason to be mad.

Style starts to walk off, upset, because fine, if Fadel doesn't want him here then he'll leave him alone. But Fadel catches his arm. Style is sulking and it's Fadel's job now to make up with him. And Fadel does: "No matter where I am, you're the only one for me." Fadel holds him back, pulls him back in, doesn't simply just let Style go. And then promises his loyalty to Style. Something that Style has promised to Fadel many, many times. Fadel's efforts to get Style to stay placate Style again. This is all Style wants: for Fadel to show that he, too, wishes for Style to be in his life and be willing to work for it, the same way Style constantly shows he wishes for Fadel to be and actively works on Fadel being by his side. Style's face softens again, he smiles a little and lets Fadel kiss him.

They go back to making out against the wall. Well. That is, until the prison guard walks in on them. They quickly jump apart and Style rambles some orders about cleaning up, before walking off. And I love that Style can't help but touch Fadel one last time, before he leaves. He really has gone too long without touching Fadel and has to make up for it now.

Language fun fact: Technically, a pronoun switch from guu/mueng to phom/khun isn't actually happening here, because Style actually uses no pronouns at all when he talks to Fadel in front of the guard! Fadel does drop one polite "krub", but that's about it. There are no pronouns this time, but I think it's safe to assume they would have switched to phom/khun again in front of the guard, if the conversation had gone on.

Side Quest: Year 2 or Literal Horny Jail

Alright, sooo, there isn't that much interesting happening in year 2, or rather not interesting enough that I really wanna get into detail and turn this into its own section, but of course I couldn't leave it entirely unaddressed. So a side quest, it is. The brothers' second year in prison turns out to be a happy one, with both couples really obsessed with each other as if they'd only just started dating, sneaking kisses and make-out sessions whenever they can. Somehow, they're never found out. Everyone is happy and pleased, and this is especially significant for Fadel and Style. They're happy and in love and still very much into each other. We don't actually get any scenes of Fadel and Style together during year 3, but I think it's safe to assume that things are going this well throughout the third year, too. Well, until things aren't. Until suddenly we get dropped down to the ground from the high that we had just been taken up to.

No. 7: Busy Bee

Year 4 comes around and with that all the happiness gets thrown right out the window. Because Style, without a warning, suddenly doesn't show up to class one day and instead waits for Fadel in the visiting room. When Fadel walks in, Style addresses him happily, but his happiness is not as bright as we know it can be, it's a bit subdued. Style asks why Fadel took so long and I think it explains why Style doesn't sound as cheerful as usual: I think while Style was waiting, for a moment he got really worried that Fadel wouldn't come to see him.

By the way, yes, Style did phrase it as a question in the original wording:

Why were you so slow? ทำไมช้าจังเลย [tam-mai - cháa - jang loiie] why - slow, late - so much, very much Official subs: Took you forever.

Fadel explains he went to the garage first, but Style wasn't there. Style apologizes for it, then explains he's been very busy. Style had already mentioned at the beginning of the episode that he was busier compared to before, and now he's even more busy than that. So busy that he might not be able to come in and teach as often anymore. He tells Fadel just that and looks at him with sad, apologetic puppy eyes.

Fadel asks why that is and when Style answers, he puts on a very enthusiastic voice in an attempt to make the situation sound as positive as possible. Style explains that he's in charge of the garage now that his dad is retired and updates Fadel on how he's thinking of expanding the business and how he has a lot of projects going on that allowed him to meet more people in the industry. Style's little mechanic world is getting bigger for him, isn't that exciting? Style just wants to share the joy of his good news with Fadel.

Fadel nods a bit unenthusiastically and says "That's good. It's alright. I understand" and I think Style can tell that in reality Fadel is upset just as much as the audience can, even if it might not immediately seem like he can tell:

Style continues to smile, but it's like he's putting down the enthusiasm that he's just put on, and he looks at Fadel. Style is always looking at Fadel. And Style has become an expert at reading Fadel. There is no way Fadel's disappointment passed right by Style, even if his expression stays positive and affectionate and full of love. Style doesn't say anything and I think he's actually waiting to see if Fadel will fall back into his old patterns and usual downward spirals again. And I think Style keeps his expression joyful and warm in order to give Fadel as little reason to think that Style doesn't care about him anymore. But the trauma sits deep within Fadel, leading him to say: "You don't have to come here to teach, you know?"

This is the exact reaction that Style was expecting of Fadel and we can tell, because Style is immediately ready to calm Fadel's anxiety without missing a beat: "Don't worry. I'll make time for it." It's really not that big of a deal. And in case it is a big deal, Style has already thought of a solution, a compromise: "But if I can't, I'll just come visit you instead." Because let's be real, Style would miss Fadel just as much and wouldn't want to miss out on seeing Fadel's face. "Is that okay?" he asks. Do we have a deal? Fadel stares at Style for a second, then nods awkwardly, but looks very unconvinced and doesn't say anything. Style raises his eyebrows a little, then leans back, keeping his eyes fixed on Fadel.

As I said above, I think Style could already tell Fadel was upset a few lines earlier, but I think this is the moment where he realizes that Fadel is more upset than Style had initially thought and that Fadel isn't gonna be easy to cheer up about this. It really does seem to be a big deal to Fadel. So much so, that Style now chooses to address it after all: "What's wrong? Are you mad at me?" And I adore how Style continues to interact with Fadel in such a loving, kind way and continues to smile at him warmly.

Style isn't attacking Fadel when he asks Fadel if he's mad, instead he's reaching out to him kindly and in a way that makes it very clear that Style is asking out of concern for Fadel's well-being and not because he's trying to start an argument. In fact, Style is very much trying to not start an argument right now. Fadel says he isn't mad at Style. "I understand you have to live your life. I'm in here so there's nothing I can do but wait." And that's when Style's smile finally falls completely.

I think part of him is concerned for Fadel and his mental state, and part of him is also worried where this might be going. I think the underlying question here is Are you... about to preemptively push me away again because you're falling into a downward spiral again?

Fadel continues. "Style, I think..." Style's face is very serious now as he listens to Fadel to find out where this is headed. Fadel says "Our timing just wasn't right at all" or word for word:

We met at the wrong place at the wrong time. เราเจอกันผิ��ที่ผิดเวลาไปหน่อยว่ะ [rao - jer gan - pìt - tîi - pìt - weh-lah - bpai nòi - wâ] we - meet each other - wrong - place - wrong - time - too little - [particle]

Style is quiet for a moment and I think now there is also a hint of fear added to the seriousness in his expression as well as confusion.

I think Style does very much understand that Fadel really is in the process of pushing him away again, but I think he's confused about what exactly Fadel means by "wrong place, wrong time". Style needs to know what exactly Fadel is getting at in order to properly fight against Fadel's downward spiral and so he asks. Fadel explains and Style listens intently. "I think you should focus on your future." Style is wasting many hours just to come to see Fadel at the prison since it's so far away. Style doesn't earn any money working at the prison. Style is better off getting paid fixing some expensive cars. "You shouldn't waste your time on me." Fadel is once again simply just presuming Style's perspective on things without actually asking Style about it. But at least Style now has a lead, something specific he can counter. And Style does, and just like before he talks to Fadel in a very kind, warm way: "It's not a waste of time. You're my boyfriend. I will always make time for you. Work is important, but you're also important to me." Style is also back to a warm, happy face now, the seriousness from a moment ago hidden completely.

He then also speaks a little reminder to Fadel that Fadel's behavior right now isn't entirely fair to Style either: "Before you went to jail, you told me to focus on my own life. Now that I'm doing exactly that, you are sulking?" And again, this isn't supposed to be an attack. When Style says this, he is more serious than he was mere seconds before, but Style's voice is still rather soft, and while his words come with a certain urgency, there are no sharp edges to his tone. Style stays patient with Fadel, clearly trying to talk this issue out without getting into a full-blown argument.

By the way, the word that Style uses here that was translated as "sulk" is งอน [ngon]. Avid watchers of Thai dramas might have come across this word before (especially those who also follow actors outside their series). The dictionary thai2english translates it as "sulk" and "pout", and I knew it meant something like this, but I still went ahead and asked my Thai friend about it, in case he had something interesting to say about it. And he did, and I'd just like to share it here, because I think some of you will love to read about it, too. According to my friend งอน [ngon] is when you are "upset and disappointed, because the other person should know better, but it's not significant enough to be properly angry". My friend also said that it's a whole thing: for example when you are งอน [ngon] you can't actually admit to it, and it's the other person's job to come to you and make up with you (this step is called ง้อ [ngóh]).

So Style asks if Fadel is งอน [ngon] (and I hit pause after Style's sentence to have my friend explain this word, before continuing the scene) and Fadel says that no, he is not งอน [ngon] (after which my friend exclaimed: "See!! Exactly!! He's denying it!! Like I said!!"), then tells Style "Just do what you want. Don't take me into account." Fadel gets up to walk away and Style calls out for him to wait. But Fadel is done with the conversation. "I have work in the kitchen. Don’t want these prisoners to starve." With these words, Fadel leaves Style sitting there, alone, looking unhappy.

No. 8: Be Patient, My Son

Next, we find ourselves in Style's garage and we are shown that Style is indeed working hard, earning money. Even his dad comments on it: "You always only fixed a few cars a month. What's going on?" Style's dad then asks if Style is in need of money and Style says he just wants to save it. And that's when we, the audience, slowly start to realize that Style is likely trying to buy back the restaurant. But Style's dad doesn't know this, so he starts asking whether Style is intending to buy a new car, and when Style says no, he's not, his dad makes a guess for a "love nest" (เรือนหอ [reuuan hŏh]). I didn't ask my friend about the term เรือนหอ [reuuan hŏh], but according to thai2english and sanook.com it refers to a home for newlyweds which, uh, is quite different from "a place (such as an apartment) used for amorous and often illicit rendezvous", which Merriam-Webster defines love nest as. Style's dad asks if Style is getting married, and that's the fifth reference to a FadelStyle marriage. Here's a recap, in case you forgot:

Ep6: "wear make-up with me" vs. "will you marry me" (explanation here)

Ep7: proposal prank

Ep8: Fadel and Style taking part in an actual wedding

Ep11: Style's dad outright telling Fadel and Style to get married

Ep.12: Style's dad asking his son about marriage again

I can't believe this show did not end with them actually getting married, or at the very least engaged. It's gotta be my biggest beef with the show, not gonna lie.

Anyway, so Style informs his dad that he is not, in fact, getting married and goes on to tease his dad, asking if his dad doesn't like seeing his son working hard. The comment makes his dad laugh, although he's already got another question on his mind: "Where's Fadel been, though?" I do think it's kinda funny how this question comes up only after more than three years. Did Style's dad really never wonder about it? Or has Style always casually mentioned Fadel over the years and his dad just assumed that Fadel only happened to come over when Style's dad happened not to be there for it? Why did it take more than three years for this question to come up?

Either way, Style quickly comes up with the excuse that Fadel is in culinary school abroad. And from the way Style says it, it seems like Style is making up this excuse on the spot, which again has me wonder... what exactly has Style been telling his dad the past 3+ years?

Style says that Fadel will be back, which is the truth this time, and Style's dad is happy to hear that, because he's actually rooting for Fadel. We love to hear it. Then Style's dad tells him "You need a lot of trust when it comes to long distance relationships. Be patient, son" and I'm so glad we got this very scene, following the last one. I think this is something Style kinda needed to hear at this point. Because Fadel had just walked out on him, clearly upset, and now Style's relationship is in trouble. And I adore that Style gets told some comforting words, even if his dad actually has no idea what's really going on. "You need trust," his dad tells him, "be patient." And Style thinks about it.

These words hit Style, they mean something to Style. He goes very quiet while his dad continues talking. "You'll be back together soon." Style's dad puts a comforting hand on Style's shoulder and Style's reaction is one I find very difficult to describe and put into words (see gif below). It's like, on the one hand his own optimistic and hopeful nature agrees with his dad, but at the same time he also doesn't quite believe his dad, as if he's thinking Well, whether we'll be back together or not depends entirely on how stubborn Fadel is and if he stops being mad at me. I think part of Style lowkey fears that Fadel might not be willing to make up with him again. Style looks at his dad who then gives him an encouraging nod and Style returns a small smile and a little nod himself.

Style's dad walks away and Style's smile slowly falls as he gets lost in thought and looks down at the money in his hands.

Style is most definitely thinking about the state of his relationship with Fadel and his dad's encouraging words right now. And we, the audience, are now all going Oh, he is SO buying back the restaurant for Fadel!! Honestly, it's my own personal headcanon that Style started working out a plan to buy it the moment he got back from that very first visit where Fadel was like "I'm gonna buy back the restaurant."

No. 9: Making Up

We don't know how long it's been since Fadel and Style talked last, but I assume it's been a while, since last time we checked Style said he might not be able to come as often and now we learn from Bison that Style is at the prison twice a week these days. Personally I assume it's been at least a month if not more. I feel like 3 weeks should be a long enough time for "twice a week" to have become an established pattern that Bison can point out, plus at least one or the other week for Style to work on his projects before that. There's also the chance that it's been even longer than that. Either way, it's been quite a while for sure. After all this time, Fadel is still งอน [ngon] at Style and as my friend explained to me, it's Style's responsibility to make up with him. And so Style does. Surely also boosted by his dad's encouraging words, Style takes the first step towards Fadel by having Bison deliver a small origami bouquet. We know for a fact that Style was not the one who made the bouquet, because Bison does explicitly say the bouquet came "from someone who takes origami training" and I don't think it was a lie, because I think Style would most certainly have bragged about his origami skills if he'd made it himself. However, I do think the little Heart Burger flag is something that Style did make himself. And it's the first hint of confirmation that we get that Style is indeed trying to buy back the restaurant. Fadel doesn't make the connection, though. The little gift still touches him enough to finally seek out Style again instead of actively avoiding him.

Style is wiping the board when Fadel finds him. We don't know if Style is about to start a class and is wiping the board in preparation so that he would have space to write on once the prisoners come in or if he just ended a class and now he's doing some clean-up for next time. My personal headcanon is that we're seeing Style after class actually. It's been established that the prisoners help putting stuff back once class is over and with the way Style is completely by himself when the scene starts it's my headcanon that Style is being slow and hanging back on purpose, because he is desperately hoping Fadel would come to see him, even if Style isn't really expecting it. And the reason why I believe Style thinks Fadel won't show up despite the gift is because Style isn't cheerful the way he usually is when he's purposefully staying optimistic (like he was for example when he's talking to Kant about the cat in front of the abandoned diner in episode 6, or in episode 7 when there is clearly something off about the assassin brothers and Kant points it out and Style insists that Kant is overthinking it or in episode 9 when he makes wishes for his dead body and so on). No, Style looks very serious when the camera first cuts to his face.

He does smile a little once it's fully sunk in that Fadel is really here, standing in front of him, and only then does he put on a bit of a cheerful, teasing voice when he tells Fadel: "Thought you'd never see me again." Didn't I say Style was a little afraid that Fadel might not be willing to make up again? Fadel bluntly asks what Style is here for and Style drops the positive voice. Instead, now his voice sounds more concerned and regretful when he asks "What are you mad (งอน [ngon]) at me about?" As per the etiquette that my friend explained, Fadel immediately denies that he's mad (งอน [ngon]). But then he finally does tell Style what the problem is: "I told you I don't like expectations because I don't want to be disappointed." (Btw, Fadel did indeed say this pretty much word for word when he was crying on those steps in episode 10.) Style then says "But I didn't do anything to disappoint you."

I actually had a question about this line to my friend as well: for the English translation the sentence was phrased in past tense and to me that sounds like Style is talking about something specific maybe back around that time when he failed to show up to teach, an incident clearly set in the past. The thing is, though, that Thai doesn't actually have verb tenses. There are words you can add to a sentence that will clarify whether a statement is about the past or the future, but the verb itself doesn't change and sometimes things can get a little muddy. This is one such case. And I was confused, because especially in retrospective where we know Style is actually in the middle of trying to get back the restaurant (he also states later in the scene that he is in the middle of doing something that he isn't sure is gonna work yet, meaning the restaurant has not yet been acquired at this point) I thought Style's statement could maybe also be taken as What I'm doing and working on right now isn't something that is wronging you. Since Style trying to buy back the restaurant is an on-going project that is happening off-screen at the very same time, it's not a one time thing that happened back when Fadel first got mad at Style. No, it's still happening at this very moment. I discussed this with my friend who thought about it for a moment and then decided that the present perfect tense would probably be the best solution here, since it implies that it's about something that started in the past and is still on-going (or still has an effect) in the present.

So Fadel says he doesn't want to be disappointed and Style tells him "But I haven't done anything to disappoint you." Because what Style has been doing will be the opposite of a disappointment for Fadel. If it works out, that is. Because if it doesn't, if Style fails then it will be a huge disappointment to Fadel. And so Style doesn't want to tell Fadel about it just yet, precisely because he knows Fadel doesn't like disappointments. But Fadel is missing all that context, and so to him the situation reads very differently. And he's hurt. And now he finally opens up to Style about it: "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?" Style doesn't reply, he just keeps looking at Fadel with a serious face.

I think he feels bad that Fadel feels like this, but I think he truly doesn't dare to reveal what he's doing. Style knows just how important the burger restaurant was/is for Fadel and how much he loved the place and I think Style assumes it will be an even bigger disappointment and blow to Fadel if Style outright tells him and then fails to deliver. And it's a disappointment that Style really doesn't want to see, because I think it would crush Style himself. I think Style would actually beat himself up about that. And so he keeps his plans to himself, because he's afraid of failure. This specific failure is one he really can't afford. Style stays silent and doesn't answer Fadel's question. Fadel continues to rage: "If you can't do it, don't promise me anything. Do you know how easy it is to overthink when I'm here?" Style still isn't saying anything. Fadel is done. "If you have something important to do, just focus on it. I don't want to slow you down."

Fadel turns to walk off angrily. Style moves at the speed of lightning to hold Fadel back. Fadel finally talked to him and Style is not gonna let him go that easily. They still have something to clear up. Fadel stops and turns back to look at Style again. Before Style even says anything, he pulls away his vest to reveal the heart burger pin that Fadel gave to him. The pin that is very important to Fadel, the pin Fadel is very protective of. In a way, the pin is Fadel's heart which he gave to Style only last episode. And it's right there. Fadel's heart. On Style's heart. In Style's heart. "You're the most important thing to me," is the first thing out of Style's mouth. Style is extremely serious right now. All of Style's decisions, all of Style's actions revolve around Fadel. And he really doesn't want to lose him. And even if he's afraid of failure and disappointing Fadel if he can't pull through with his plan, losing Fadel is worse, and so Style finally opens up at least a little bit: "I'm doing something for both of our futures." Again, Style is extremely serious. He isn't hiding behind a positive attitude, his words aren't performative in the slightest. This is extremely serious and extremely important. I think Fadel does believe him, but wants to confirm that it's true and also doesn't want to be kept in the dark. "What are you doing?" he asks, then throws Style a challenge, almost an attack: "Can you tell me?" You know your behavior is hurting me, will you keep it up for the sake of whatever it is you're apparently doing?

At this point everyone in the audience is screaming HE'S BUYING BACK THE RESTAURANT FOR YOU, YOU DIMWIT!!!!! at Fadel. But Fadel still isn't making the connection, despite the hint with the Heart Burger flag and the Heart Burger pin and Style dropping he's working on their shared future. Can you tell me? But Style can't. He doesn't quite dare. "Can you wait a little longer? I want to be certain about it first. I want to make sure I really can do it." This is a plea. Style is pleading with Fadel. I told you as much as I could and I really am trying my best. For us. Will you please give me the benefit of the doubt and be considerate of my feelings in this situation, too? As I said, I think Fadel did believe Style earlier already, but I think now Fadel really understands that what Style is doing is very important to Style, but that it comes with certain insecurities that Style isn't ready to open up about. Style never pressured Fadel to open up about anything he wasn't ready to open up about and Fadel isn't about to pressure Style either. Style is loud and clear on the fact that he has Fadel in mind and that Fadel is important to him. Fadel doesn't immediately answer and instead contemplates on the situation and Style's plea while Style keeps his eyes fixed on him. Fadel's reaction, Fadel's response really matters to Style right now. Their relationship depends on it. And then Fadel finally yields. Because Style and their relationship is just as important to Fadel. Even if the situation isn't ideal. "You really love surprising me, don’t you?" Fadel finally says. And let me just share the original wording, even if it doesn't make much of a difference:

You always like to surprise me. มึงนี่ชอบเซอร์ไพรส์กูตลอดเลยนะ [mueng - nîi - chôp - sêr-prai - guu - dtà-lòt - loiie - ná] you - [interjection] - like - surprise - me - always - [particle] - [particle]

(Alt. translation: You're always surprising me.)

I like that in Thai Fadel says Style always surprises him, because to me it highlights how for the past 12 episodes we really have watched Style surprise Fadel all the time. Over and over again. In many different ways. God, I love them, I love their story so much. Anyway. Back to the scene. Fadel says this and Style understands that Fadel is no longer outright pushing him away or blocking him anymore. Style replies:

Then come learn how to fix cars with me again. งั้นมาเรียนซ่อมรถกับกูใหม่นะ [ngán - maa - riian - sôm - rót - gàp - guu - mài - ná] then - come - learn - fix, repair - car(s) - with - me - again - [na] Official subs: Come back to class.

The phrasing of the official subs sounded a bit too much like a direct order in their written form, especially without the context of Style's friendly tone, which is why I wanted to share a softer phrasing for the purpose of this meta. Because Style's words aren't an order. They're an invitation. If you've forgiven me, come see me again regularly. They're a peace offering. Fadel stays grumpy and grumbles: "I've been taking the course for years, and I still don't know how to fix anything." It's a stab at Style, but not an aggressive one. And it doesn't have anything to do with their original conflict. Fadel is leaving that conflict behind. Fadel has forgiven Style, even if he doesn't outright say it. Style finally laughs (or rather snorts) for the first time this entire scene and for a moment it looks like he's about to cry from relief that Fadel is no longer angry and that their relationship is saved:

Fadel continues with his grumbly teasing: "All you do is yap." The relationship really is back on. Style teases Fadel right back: "But that's exactly what you love about me, isn't it?" This isn't just Style going along with Fadel's teasing, it's also Style telling Fadel No matter how grumpy you pretend you are, no matter how much you were ignoring me, I know you never stopped loving me, I know you still love me now.

And finally, Fadel breaks. He laughs for a moment. Because he can't deny Style's call-out. Both, that he still loves Style and that he likes that Style is a chatty cat. Fadel pulls up the Heart Burger flag from the origami bouquet. Style laughs in surprise. Why? I don't know. You decide. Maybe he thought Fadel had stomped on it in dramatic anger. Or maybe he's thinking Oh wow, did the bouquet and the flag actually work? Is that what finally made him come see me again? Fadel is still holding up the flag and says that it's cute. And again you can really see the relief in Style's eyes, alongside his joy that things are looking better now with Fadel.

Style asks Fadel to clean the board and Fadel grumbles about it, but does it anyway. Because when does Fadel not give in to Style.

No. 10: Show, Don't Tell

We reach year 5 and finally the brothers are released. We check in with our foursome on the day the brothers get to go home. Bison walks through the door first, runs up to Kant and hugs him. In the meantime, Style is sat on the hood of the car. Fadel doesn't immediately walk up to him, but instead stops behind/next to Kant and Bison who discuss just how much they missed each other. Style doesn't pass up the opportunity to tease Fadel (and I think Style, too, wants a proper greeting, thank you very much):

Hey. This couple said they missed each other. เฮ้ย คู่นี้เขาบอกคิดถึงกันด้วยนะ [hóiie • kûu níi - kăo - bòhk - kít-tĕung - gan - dûuay - ná] hey • this couple - tell - miss - each other - too - [particle] Official subs: Hear that? He said he missed him and all that. So how about you, did you miss me? แล้วมึงอ่ะ คิดถึงกูป่ะ [láew - mueng - àh • kít-tĕung - guu - bpà] and - you - [particle] • miss - me - ? Official subs: Did you miss me at all?

(Sharing this mostly because I feel like it and I know a lot of you love the language bits, not because the literal wording makes any difference in this case lol)

Fadel announces "I'm not saying it", but the reality of the matter is that Style's wish is Fadel's command. And so Fadel walks up to Style and plants a kiss on his lips. "I'm showing it."

But before they break apart, Style pats Fadel like easy tiger, we have company. I do think this is about Kant and Bison's live slug reaction and not because Style doesn't want to be kissing Fadel right now. I think Style is trying to be considerate of the other two. After the kiss, Style gets up, hugs Fadel and over his shoulder nods at Kant and Bison and boastfully points at Fadel like Did you guys see that?? That's my man!! It's the exact same energy as he had at the end of episode 9 when he was raising his eyebrows at Kant and Bison in the boat. It's the You guys don't have a Fadew like me energy. (I'm out of images for this post, but here's a parallel gifset.) I love just how proud Style always is of Fadel, and how happily he'll show him off.

While Fadel and Style are busy hugging, Kant and Bison discuss where they should go to now. Style jumps in to ask "Hey, can you guys drop me off near my place first?" and Fadel gets confused: "What do you mean, 'your place'? The garage?" Fadel's confusion might be a little weird, because why exactly would Fadel be so confused about "my place"? That seems pretty self-explanatory in English, no? Well, let me explain. Because there's something really interesting going on here in Thai...

Now, I didn't go back and rewatch the entire show to check (if I did, it would be March until I finally drop this meta lol), but as far as I remember they usually refer to Style's place as "the garage", or อู่ [ùu] in Thai. But here for this line, when Style say "my place", he does not use the word อู่ [ùu] (= garage). Instead, he asks to be dropped off at his ร้าน [ráan]. Now what does that mean? This word means "store" or "shop" and like in English it can be paired with other words to specify just what kind of shop it is, for example:

ร้านหนังสือ [ráan năng-sĕu]: ráan (store) + năng-sĕu (book) = book store

ร้านดอกไม้ [ráan dòhk mái]: ráan (store) + dòhk mái (flower) = flower shop

You may have noticed that I said Style says just ร้าน [ráan], without specifying what kind of shop it is. Because just like in English, you can drop the specification and refer to it as just "the shop" (or ร้าน [ráan] in this case).

Now here comes the interesting bit: this word is also used when referring to food related places such as...

restaurant = ร้านอาหาร [ráan aa-hăan] -> ráan (shop) + aa-hăan (food)

coffee shop = ร้านกาแฟ [ráan gaa-fae] -> ráan (shop) + gaa-fae (coffee)

Or, you know, it's also in... ร้านเบอร์เกอร์ [ráan ber-gêr]. Now, เบอร์เกอร์ is "burger", but written in Thai letters. I don't have to tell you what ráan burger translates to, do I?

Oh, and at his point I should probably also mention that while the characters usually refer to Style's place as อู่ [ùu] (garage), when they talk about Fadel's place (the diner) they usually call it ร้าน [ráan] (shop, restaurant).

So yeah. The moment Style dropped that he wanted to be taken to his ร้าน [ráan] instead of his อู่ [ùu] (= garage) was the moment I started screaming, because that's when I knew for sure Style had bought back the restaurant and more importantly, that he had succeeded in doing so (yes, I did scream as if I didn't already know they were gonna be back at the restaurant through the clips shown in the MVs and from pics the boys posted during the shoot where they posed in front of the burger shop sign and their clothes matched the ones from the clips lol).

As I already mentioned, Style refers to it as just ร้าน [ráan] without specifying what kind of ร้าน [ráan] it is and it's vague enough that Fadel doesn't catch on the surprise, but it's just weird enough for Fadel to get confused: "What do you mean, 'ร้าน [ráan]'? The garage (อู่ [ùu])?" Yeah, Fadel's confusion here is about Style's unexpected word choice, because usually Style doesn't refer to his garage as ร้าน [ráan] (= shop, store). This is how they used to refer to the diner before Fadel had to go to prison. Style tells him he'll know soon and urges him to get into the car. They all do and Kant drives off.

No. 11: Surprise Surprise

The surprise works. Fadel didn't see it coming. "You said it was sold to someone." Style nods, making a m-hm sound, an adoring smile on his face that just oozes love and care. I really wish I could add a gif or a screenshot of his face, but unfortunately there's an image limit. I mean, you've seen the episode. You know how head over heels in love Style looks throughout this entire scene.

Style explains he bought it back for Fadel who then says Style didn't have to do that. Style says "I worked my ass off to buy this place back for you." I'm not entirely happy with the phrasing in the official subs, because to me there is also a negative connotation hidden in the phrase "work one's ass off", in the sense of "I worked my ass off for [xyz] and you don't appreciate it". But that might just be my ESL brain, maybe the media I've consumed mostly used this phrase in a more negative context and now my brain associates it with that.

In Thai Style uses the expression ตั้งใจทำงาน [dtâng jai tam ngaan] which does translate to "to work hard", but this expression contains the word ตั้งใจ [dtâng jai] which means "to intend to" or "to mean". I think it highlights with how much intention Style did this for Fadel. Style really meant to do this, like he's meant a lot of other things he's said or done over the last few episodes.

And Style putting in so much work also really shows how much he's grown. Because in the first half of the show I kept wondering why he had so much time to run after Fadel. We were told Style works as a mechanic, but we rarely saw him do any actual work. Instead, Style was able to follow Fadel's routine at the market or at the sports field or was even able to randomly help Fadel work at the restaurant without any scheduling problems and I kept thinking... what about his job at the garage? Is he never working? How does he have so much time to bother Fadel? And earlier in episode 12 Style's dad actually confirms just that: "You always only fixed a few cars a month." So Style, indeed, had the time to keep bugging Fadel. And back then it seemed like he didn't really have anything to do, didn't really have a goal or any direction in life. But then Kant sets Style on Fadel. And suddenly Style has a mission. And then Style falls in love. And now he suddenly has goals to work towards. We saw it last episode already, when Style suddenly started to make plans (first, his elaborate plan on getting Fadel and Bison on the run and second, during his last supper with Fadel when Style suggests making a plan for their life and their relationship while Fadel was imprisoned), and now it's not just that Style has started planning, but he makes plans with a very specific goal in mind and puts all his efforts in to reach this goal. He's no longer running around doing whatever. Style has really matured in this regard, Fadel's influence has changed him and has made him grow.

When Style says how determined he was to work hard to earn money to buy back the restaurant, his voice is somehow both soft and firm at the same time. His voice is so soft and filled with so much love, but there is some urgency to it, because Style needs Fadel to know this and he needs Fadel to know that he wanted to do this for him. Style knows he didn't have to, but Style wanted to. And it's important to him that Fadel really understands this. Because over the years Fadel has so often blocked or disregarded or struggled to accept all the nice things that Style has done for him. And Style doesn't want his act of love to be devalued again, especially not when he has spent so much time, effort, and energy on it purely out of love. A love that is worth it.

It's finally hitting Fadel what Style was so busy with when Fadel was sulking at him. Style confirms with another "mh". God, Style's heart eyes are really off the charts in this scene. "I wasn't sure I could do it so I didn't tell you," Style explains. And then he tells Fadel how he managed to keep up the energy in order to succeed despite his uncertainty: "But the image of you being back in this restaurant gave me this great strength to fix at least a hundred cars." Style smiles a bright, adoring smile. He's so in love. Fadel takes Styles hand and thanks him: "Thank you for doing this for me and for waiting for me." When Style responds, he actually phrases his sentence in a less direct and more general way in Thai than he does in the official subs:

Well, when you love someone, you gotta be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.

This is an interesting difference between the Thai wording and the English subs, because once Fadel and Style start dating, Style actually rarely ever outright says the words "I love you" (and neither does Fadel, by the way). The only time Style properly says it is when Fadel has him at gun point in episode 7:

But now that I know the real you, I love you for real, Fadel. แต่พอกูรู้ตัวจริงของมึงแล้วอ่ะ กูรักมึงจริงๆนะฟาเดล [dtàe - poh - guu - rúu - dtuua jing kŏng meung - láew - àh • guu - rák - mueng - jing jing - ná - Fadel] but - when - I - know - real you - already - [particle] • I - love - you - really, for real - [na] - Fadel Official subs: Now that I know you, I really love you, Fadel.

And then arguably he says it again in episode 10 when he comforts Fadel on the stairs, although it's up to debate if that really counts as a direct "I love you":

But that I'm still staying / But that I still stayed แต่ที่กูยังอยู่ [dtàe - tîi - guu - yang - yùu] but - that - I - still - stay Official subs: But I stay with you is because I love that you're you / is because I love you for being you เพราะกูรักที่เป็นมึง [próh - guu - rák - tîi - bpen - mueng] because - I - love - that - be - you Official subs: because I love who you are.

Any other time Style talks about "love", he never addresses Fadel directly but phrases it in a more general way, using the word คน [kon] which means "person" or "people" instead of a pronoun. Style does this in episode 10 just a little while after the above line:

The more I know how much you care about me, ยิ่งกูรู้ว่ามึงแค่ร์กูขนาดเนี่ย [yîng - guu - rúu - wâa - mueng - kâe - guu - kà-nàat nîia] the more - I - know - that - you - care (about) - me - like this, this much Official subs: Knowing how much you care about me the more I know that I don't love the wrong person. มันยิ่งทำให้รู้นะว่ากูอ่ะ รักคนไม่ผิด [man - yîng - tam hâi - rúu - ná - wâa - guu - àh • rák - kon - mâi - pìt] it - the more - make that, cause - know - [particle] - that - I - [particle] • love - person - not - wrong Official subs: makes me certain that I didn't choose the wrong man.

And he also does it in episode 9 when Fadel opens up about his ex for the first time on the island:

A person who risks their own life for someone they don't even know. คนที่เอาชีวิตตัวเองไปเสี่ยงเพื่อคนที่ไม่รู้จักด้วยซ้ำ​ [kon - tîi - ao - chee-wít dtuua eng - bpai - sìiang - pêuua - kon - tîi - mâi - rúu-jàk - dûuay sám] person - that - take - one's own life - go - risk - for - person - that - not - know - even Official subs: You risked your life for a total stranger. I love the right person. กูรักถูกคนแล้วละ [guu - rák - tùuk - kon - láew - lá] I - love - right - person - already - [particle] Official subs: I know I'm in love with the right man.

And Style does it again now in episode 12, standing in front of the restaurant with Fadel. And let me just repeat the line with an even more literal translation this time (this sentence really doesn't work well in a literal translation in English, especially because English also comes with plural forms rip):

Well, people who love, they gotta be able to wait. / Well, a person who loves, has to be able to wait. ก็คนมันรักอ่ะก็ต้องรอได้ดิ [gôh - kon - man - rák - àh - gôh - dtông - raw - dâai - dì] well - person, people - they, he, she, it - love - [particle] - [sentence link] - have to - wait - be able to - [particle] Official subs: Well, I love you. Of course I can wait.

This time Style actually switches it around, because previously คน [kon] implicitly referred to Fadel, while this time คน [kon] actually refers to Style himself. And for some reason the official translator went for a direct "I love you" when Style neither says "I", nor says "you". In the entire series, Fadel and Style rarely say the words "I love you" word for word to each other. It's very clear that they do love each other, but they never outright say it. Instead they say things like "I'm worried about you" or "So what if we're old? I'll still wanna be with you" or "I don't feel so sad anymore. I'm happier." And they don't really need to tell each other I love you anyway, because their actions speak for themselves. It's like Fadel said the moment he got out of prison: "I'm not saying it. I'm showing it." And yes, this line was about missing Style, but really, this sentiment also goes for their love, for both Fadel as well as Style. So Style doesn't directly say he loves Fadel, instead Style just implies it and it's only in the next line where he doesn't mention the word "love" that he directly addresses Fadel:

Whether it's 5 years, 10 years, 20 years, I can always wait for you. จะ 5 ปี 10 ปี 20 ปี รอมึงได้เสมอแหละ [jà - hâa - bpii - sìp - bpii - yîi-sìp - bpii - raw - mueng - dâai - sà-mĕr -làe] will - 5 - years - 10 - years - 20 - years - wait (for) - you - be able to - always - [particle] Official subs: Whether it’s five, ten, or twenty years, I'll wait for you.

And this is the point where I get jumpscared by Dunk's voice suddenly blasting through my speakers. I wish the editors had made the music just a little more quiet. It gets me every single time, because every single time I watch this scene I get so immersed that I completely forget about the jumpscare. Fadel and Style lovingly stare at each other while I scramble to save the health of my eardrums. Then Fadel says he'll work hard to pay Style back, but Style doesn't want that. Technically Style is the current owner, and if Fadel were to pay him back then it would be like Fadel was buying the restaurant from Style. But that's not how Style wants to see it. Because this isn't Style's restaurant that Fadel has to buy from him. No, it's their restaurant. It's already their restaurant. Because obviously if Style owns it, then Fadel owns it, too. It's both a gift to Fadel and something that Style bought for them to share. Because "I'm here to support you in all your dreams." Because no one means well for Fadel more than Style does.

Fadel says "I sure am a lucky guy. I've been doing bad things my entire life, but I have the best boyfriend in the world." Style throws his head to the side, smiling, half in an Oh, you sweet-talker way and half in a No need to mention it, kinda way. Then he says "It's all thanks to Kant for daring me to take you out." And this is actually a reference to the title. The Thai name of the series goes:

He hired me to flirt with a hitman เขาจ้างให้ผมจีบนักฆ่า [kăo - jâang - hâi - pŏm - jìip - nák-kâa] he - hire - that - I - hit on, flirt, woo - assassin

And this is what Style says:

[...] for hiring me flirt with you. [...] ที่จ้างกูมาจีบมึง [tîi - jâang - guu - maa - jìip - mueng] that - hire - I - come - hit on, flirt, woo - you

Style laughs and Fadel smiles, too, and then Style pulls the Heart Burger pin out of his pocket. Without a word, he carefully pins it onto Fadel's shirt while Fadel makes heart-eyes at him. It's a parallel to Fadel putting the pin on Style last episode. The ring pin exchange is complete. Style says "From now on, everything is yours." They're all but married. Style still has his hand on Fadel's chest by the pin. Fadel goes to grab it. They smile at each other. Then they turn and together they enter the restaurant, their restaurant, their shared future, hand in hand.

No. 12: Dinner With Mom

At night, when Fadel and Style are done at the ร้าน [ráan] (restaurant) they do go to Style's อู่ [ùu] (garage). And I love how Style immediately calls out that Fadel is here. Style is so excited to tell his dad the joyful news. But but before he has the chance to share his good news, he gets surprised with bad news instead. A dinner invitation.

Our foursome once again gets together to fight evil. And of course, the evil dinner invitation calls for an urgent outfit change for all four of them. They're greeted by two men holding out guns, and Style is a bit startled for a moment, but otherwise keeps calm. The men demand Fadel's and Bison's guns and the brothers hand them over. The men then walk into the dining room and the the four of them look at each other before following the men inside where Lilly is waiting for them together with Babe and Style's dad tied up on their chairs. Kant and Style immediately call out to their loved ones. In general, I just love how worried about his dad Style is throughout the entire scene and how he keeps checking and communicating with him. I actually made a whole separate post about this with lots of gifs where I really go into detail about it, because the relationship between Style and his dad really needs to be appreciated in all its glory in gifs and tumblr simply just has an image limit of 30 gifs per (desktop) post. I can't afford to spend like 20 of them on Style and his dad alone. It was already tricky enough to limit everything I wanted to showcase for this episode to only 30 images in the first place. Anyway. Back to the scene.

Once again Style finds himself in danger, and once again he mainly stays out of the conflict between the brothers and their mother. We also aren't shown Style's face that much, so we can only make guesses as to how he feels listening to Lilly monologuing on and on and Bison raging at her. Style probably feels worried, especially for his dad. We know this, because in the beginning of the scene, before everyone sat down at the table, Style was very fixated on his dad and you could tell that he wanted nothing more than to run over to him and check if his dad was unharmed. When everyone is sitting at the table, sometimes the camera cuts into a wideshot and while we only see the back of Style's head, we can tell that he's looking at Lilly, so I assume he's paying close attention to her words and actions.

At some point, Kant chimes in: "It was me who exposed you. I masterminded the whole thing. If you want to kill someone, kill me. Just let my brother go." Style immediately jumps on board: "Kant was right. Let my Dad go. He doesn't know anything. I don't care what you do to me." We already learned in episode 9 that Style is very much willing to give his own life for the people he loves and so it doesn't come as a surprise at all that he's willing to offer himself up for his dad. However, in comparison to episode 9 there now is a hint of uncertainty to Style's voice, because he really doesn't know Lilly and so he can't predict her actions and reactions unlike he could with Fadel in episode 9. Lilly laughs a mocking laugh while Style and his dad exchange glances. And I love that they exchange glances here, because, to quote from my other post:

i love that style is communicating with his dad again at this very point, because style offering himself up will also affect his dad. his dad might be physically fine if style trades his dad for himself, but emotionally the dad will be ruined if lilly takes his son's life, especially when he's already had to deal with the loss of his wife years ago. style being willing to sacrifice himself isn't nothing, in fact, it's a very big deal and so the two of them communicate about it

Lilly continues to monologue and announces she has some poisonous drinks prepared for the occasion. Style turns to his dad and says "Dad. I'm sorry." His dad had absolutely nothing to do with this, his dad is totally innocent and Style hates that his dad was pulled into this and that his dad's life is now in danger.

We then don't see any shot of Style at all while Fadel and Bison plead with their mother and offer to continue working for her. We don't get to see Style immediate reaction to Lilly's announcement that she'll let her sons and their boyfriends go if her sons give their brother-in-law and their father-in-law the poisoned drink. There is a long pause and it's only right before Lilly asks "Can you do that?" that the camera goes back to Style and we see there is shock and concern. Shit's getting real.

Fadel and Bison say yes, they can. Style is most definitely very worried right now, but to be honest, I don't feel like he's all that terrified, I think that's more of a secondary feeling. He watches closely as Fadel lifts the glass towards his dad lips, and Style is clearly anxious and agitated and maybe a little afraid, but he doesn't say a single word to stop Fadel and I think deep down he does trust Fadel not to kill his dad, trusts Fadel to find a way out with dad unscathed. After all they've been through, I think Style trusts Fadel not to cause him such great pain. Although I do think Style is ready to swap the glass out of Fadel's hand at any given moment. But Fadel pulls through. From one moment to the next Fadel throws the wine into his mother's minion's face, attacks him, and Bison follows his lead. Style and Kant jump up to free their family.

Fadel and Bison kill the henchmen without remorse and end up with Lilly at gunpoint. Kant calls out for Bison not to kill her and Style offers to call the cops. Now that the immediate danger is over, we get to see a little bit of that Style again who tries to mediate and solve conflicts with as few people coming to harm as possible. But Fadel orders him not to get the police involved, so Style drops his phone, still concerned and not entirely happy, but without further protest. Style, Kant, and their family watch the brothers poison Lilly without interrupting them.

And I kinda love we do get to see Style witness Fadel actually murdering someone, because in my ep5 meta I wrote this:

"I promise that no matter who you are, I'll still like you." And there it is. Style's decision. [...] Fadel doesn't believe [Style's] promise, though. "Words are cheap. I'll do that when you're ready. You can judge, then." Again, I think Fadel has a point. [...] Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.

And so I love that Style is now able to make the choice of loving Fadel having seen Fadel truly at his worst, having seen him murder someone in cold blood.

I know for this meta I focus purely on character analysis, and I don't really criticize (whether it's acting performances or script writing or directing or whatnot), but I do wish the series would have spent a little more time on this, on Style seeing Fadel kill. Because Style is clearly affected by what he is witnessing.

Something truly horrible is happening right in front of his eyes. And it's a shame that Style finally seeing the killer in action gets kind of just glossed over in the very next moment when "I'm a killer, I'm a bad person, you should be wary of me" "I love you anyway" has been such a big theme for these two. It's kinda weird that we go from Style looking this horrified to Style being happy and content in bed, as if nothing had happened. That kill doesn't even get mentioned again. I feel like you could jump from the scene in front of the diner straight to Fadel and Style in bed and not notice that any major traumatizing event has occurred in between. Ah well. Let's move on.

No. 13: 100%

We come back to Fadel and Style sitting in Style's bed at night. Fadel is wondering if he should change the restaurant's name and Style thinks it's fine as it is. But Fadel says he wants Style to be a part of it, too, so Style suggests "Just add an S and a heart" and I'm just thinking... So, Heart Burgers? Or Hearts Burger, since he talks about an additional heart? Or maybe the S in an entirely different position? Whatever name Style is thinking of, according to him with an added S and another heart it'll be a better version than Fadel's version, because:

Because you have another heart right here. เพราะมีหัวใจอีกดวงเพิ่มขึ้นมาอยู่ตรงนี้ไง [próh - mii - hŭua-jai - ìik - duuang - pêrm kêun - maa - yùu - dtrong níi - ngai] because - have - heart - another - [classifier] - increased - come - be - here - [particle] Official subs: With another heart, that is.

Fadel likes Style's idea. And before I move on, I just want to go into more depth about this little sequence for a moment: after Fadel explains that he's thinking of changing the name because he wants Style to be part of it, too, Style looks like he thinks about something for a moment before he says "I don't think it needs much change." Of course, in this moment he is thinking about what exactly could be changed if Fadel really does want to change something, but the thing is, Style already likes the restaurant the way it is. He doesn't necessarily need the restaurant to change if Fadel is changing it just because he thinks Style would want him to change it. It really reminds me of episode 6 and the theme of "Be who you want to be, not who someone else wants you to be". If the restaurant represents Fadel's life, Style already likes Fadel the way he is. But if Fadel does want to change, there is something important to do: he needs to add a S(tyle) to his life. And another heart (Style's heart). With that, it will make a much better version of Fadel's life than it was before. And Fadel actually agrees.

I can't help but think back to the last time they were in Style's bed at night, all the way back in episode 5. Back then, Fadel really struggled with sharing his life with Style and letting him come close. Now Fadel actively wants Style to be part of his life. Now that he's done being a hitman, the restaurant can finally be Fadel's life, but it's not his restaurant alone, it's theirs. Getting to be part of Fadel's life is something Style has desired for a long time now and has even fought and argued with Fadel over on multiple occasions, and now Style is finally granted his wish. Fadel is finally letting Style in. When Fadel agrees that a better version would be one with an added S(tyle), Style looks at Fadel for a moment and thinks about something again.

Style knows Fadel loves him. And that actually reminds him... Style turns to grab something off the shelf next to him and proudly presents it to Fadel. The key to Kant's car. It's finally Style's. And I know from a story crafting perspective it makes sense for Style to receive the car only at the very end, but it's still really funny to me that Style was given the car only now, when Fadel has without a doubt been head over heels in love with Style for the past five years already. Because Fadel was without a doubt already head over heels in love with Style before he went to prison. But however long it took, what really matters is that Style did get the car, because a deal is a deal. And Style did indeed succeed. "If I could make you fall crazy in love with me, I'd get his car." When Style says that, his voice is full of affection and there's also a bit of teasing. I know you're head over heels in love with me. But Fadel tells Style to give the key back to Kant:

Because I don't love you that much. เพราะกูไม่ได้รักมึงขนาดนั้น [próh - guu - mâi dâai - rák - mueng - kà-nàat nán] because - I - not - love - you - to that extent Official subs: I’m not in love with you like that.

Style wordlessly stares at Fadel for a second while he's processing those words, blinks, then lowers his head. Really now?

Fadel looks at him, a grin most definitely hidden in his eyes, then huffs and pointedly ignores Style. It's a challenge. Style puts down the car key. Challenge accepted. Because Style is not one to back down from a challenge. This personality trait has stayed consistent until the end of the series. Style turns to loom over Fadel. "Are you sure that you're not head over heels in love with me?" Because Style knows with unwavering certainty that Fadel is. He just needs Fadel to admit to it. I've already talked about how Fadel and Style hardly say "I love you" to each other. Style, the person who loves so fiercely and so passionately and so loudly, already rarely says it himself and Fadel says it even less. In fact, ever since they've started dating the only other time Fadel has said he loves Style since that one time Fadel directly said it the night he found out about the betrayal in episode 6 was in the kitchen in episode 11 when he said he wants to "do what I love with who I love" and even then he actually doesn't literally say the words I love you, but rather just implies it. If anything, Fadel likes to claim he isn't actually in love with Style. And so I think Style wants to hear Fadel say differently out loud for once, even if Fadel's actions speak louder than his words anyway.

But Fadel continues to ignore him. I think Fadel is waiting to see what Style will do in order to draw the words out of Fadel's mouth that Style so desperately wants to hear. It's like he's testing Style's persistence. Style kisses Fadel's cheeks and asks "How much do you love me?" But Fadel isn't giving in to Style that easily and that quickly. "Only 30%." He knows Style is chasing those 100%. Style ups the ante and kisses Fadel's neck. This is a game now. "How much do you love me?" Fadel says "60% now" and looks up at Style, waiting to see what Style's next move is going to be. This time, Style goes for the mouth, goes for a full make-out session even. Then Style asks again: "How much do you love me?" He grins at Fadel expectantly and he's definitely also a little bit satisfied and proud. Fadel doesn't reply immediately, just puts his hand on Style's face and looks at him for a moment. And then Fadel finally gives in and says "100%".

Again, this meta isn't supposed to be a review or a criticism piece on the story, but I do think it's a bit of a shame that the conversations about percentages wasn't about trust. Because I feel like the main question with them over the series wasn't really Does Fadel love Style? but rather Does Fadel trust Style? And trust was also the big theme of episode 5, the episode that Fadel and Style's game in episode 12 is a callback to: "A guy like me doesn't go trusting someone 100%." And a little later in episode 5, when they're in Style's bed, Style more or less opens the conversation with "Sometimes you make me feel so scared, and sometimes you make me feel so safe," which again is about trust, not love. This theme continues also in episode 8, when Fadel handcuffs Style to the bed, because "I don't trust you", not because he doesn't love Style. Episode 8 is all about Style trying to gain Fadel's trust again, not his love: "What do I have to do for you to trust me?" The episode 12 dialogue does work in a way, because Fadel did say he didn't love Style or didn't like him all that much multiple times over the course of the series, and he even makes a comment like that in this very scene that we're currently discussing. But the thing is, Style never actually believes Fadel whenever Fadel claims he doesn't love Style (that much) and Style even calls him out on his "I don't love you" claim in episode 8: "You might be good at cooking and shooting, but you're not very good at lying at all." Style never doubted that Fadel loved him, but trust has been a very big issue. In fact, trust also played a role only this very episode when Fadel was sulking at Style when Style couldn't come in to teach in prison. Because in episode 10 Fadel had told Style "I don't want to have any expectations just to be disappointed" and Fadel had trusted Style not to disappoint him, except then Style seemingly does disappoint him and that hurts Fadel ("I told you I don't like expectations because I don't want to be disappointed." [...] "Coming to see me regularly, getting me used to seeing you, making me miss you, and suddenly disappearing… How do you think that made me feel?"). It makes Fadel feel like he can't trust Style, not that he can't love Style. And the question in that scene is whether Fadel can trust Style to really be working on something for their future that Style can't share yet, it's not whether Style loves him. So yeah. I feel like the dialogue about the percentages would have been a much cleaner parallel/callback if it had been about Fadel trusting Style, not about Fadel loving Style. Because we all, including Style, know that Fadel has always loved Style. He just didn't always trust him. But now he does. 100%. Style once decided "One day, I'll be your 100%" and now he is. They celebrate that by making out some more.

When they part again, Style tells Fadel "You know what? Having you is worth more than winning that car" and I'm filled with satisfaction upon hearing that, because I said more or less exactly the same thing three episodes ago in my ep9 meta:

[I]t's actually kinda funny, because Style agreed to make Fadel his boyfriend, but it's been how many episodes since they've started dating?? And we have yet to see Style with said car. [...] [A]s of episode 6 it was Kant who was still in possession of the car, despite Style and Fadel being head over heels in love by that point [...]. Style may have gone into it for the car, but he never actually took the car and by now the car is long forgotten. I didn't go and check, but as far as I remember Style hasn't even brought the car up to Kant ever since that scene in episode 4 where he initially came to claim it. At this point, Style would much rather have Fadel than the car anyway.

(Bolded for emphasis)

Now please forgive me if I skip the rest of the love scene, but I do want to get this post done before the end of the month, if possible. I think the main take-away is that now they both very much want each other and are very much into it, with nothing holding either one of them back.

No. 14: Driving Into the Sunset

Of course their last scene would be of them driving into the (metaphorical) sunset together in Kant's car that Style has finally won. Fadel and Style check in with Kant and Bison in Iceland. After the call, Fadel asks if Style would also like to go on a trip. Obviously Style wants to. "I usually travel with my Dad. Never done it with my boyfriend before," Style says, at which point, upon me showing my language buddy and Thai language consultant this scene, he goes "...the kidnapping, though?" and I break into laughter, because my friend is right. Yeah, Style, what do you mean you've never gone on a trip with your boyfriend? *gestures at episodes 8 and 9* Right, wots all this then?

I mean, technically you could argue that during that time Fadel wasn't actually Style's boyfriend, but let's be real, Style never got that memo. Or rather he went I recognize that the Council has made a decision. But given that it's a stupid-ass decision, I've elected to ignore it.

Anyway, whether it'll be their first trip, their second trip, or their hundredth trip, I don't think Style will ever say no to traveling with Fadel. Fadel suggests planning a trip later and then, at the mention of Style's dad, asks how Style's dad is taking the news of Fadel being an ex-assassin and ex-prisoner. I do think Style's dad is genuinely chill with it, but once again I wish the series would have dwelled just a little bit more on the aftermath of the Lilly incident and on how it affected everyone involved. Because it was quite a traumatic and brutal incident, and it's a bit jarring how everyone is all sunshine and rainbows from one second to the next. But for the sake of this meta and the next line, I'll just assume that everyone, including Style's dad, worked through it all off-screen. Style says that his dad is totally okay with it, because "He said I need someone with a past like yours to tie me down." The Thai wording is slightly different, actually:

My dad said someone like me needs to meet someone with a history like yours. พ่อกูอ่ะ บอกว่าคนอย่างกูต้องเจอคนมีประวัติแบบมึง [pôh guu - àh • bòhk - wâa - kon - yàang - guu - dtông - jer - kon - mii - bprà-wàt - bàep - meung] my dad - [particle] • say - that - person - like - me - have to, need to - meet - person - have - history - like - you

I like that in the original phrasing it doesn't state the "to tie me down" part. The Thai line leaves it up to the viewer's interpretation as to why exactly Style would need someone with a past like Fadel's. Personally, I took it in a "Style needs someone fucked up enough to be able to stand and handle and appreciate all of Style's unhingedness". And I don't necessarily think that Fadel would actively try to tie Style down, since Style's shameless loudness and Style's ability to unabashedly be himself and say things without a filter is exactly what Fadel loves him for. I think Fadel tying Style down ("taming" him *wink wink*) happens more as a byproduct of both of them influencing each other and changing into better versions of themselves when they're together.

The words of Style's dad make Fadel laugh. Then he says: "You know, I still remember what I promised your dad before I went to jail." Style looks over to him and asks "What did you promise?" Style smiles and I see both joy as well as curiosity on his face.

I think Style knows exactly what promise Fadel is referring to, but he's dying to hear the words out loud out from Fadel's mouth. His expression is also very expectant, almost challenging when he's done speaking. The little head tilt afterwards is almost like he's saying Pray do tell. Fadel replies: "I told him I'd go talk to him after five years." As I said, I think Style knew what the promise was, but I think actually hearing Fadel say it still gives him a thrill and causes butterflies in his tummy. He looks over to Fadel in pure delight.

And I love, love, LOVE that Fadel was the one to bring it up first. Because at some point after episode 8, when there were so many references to a FadelStyle marriage and I seriously started thinking about the possibility of a canon FadelStyle wedding or at least a wedding proposal (lmao joke's on me rip), I was contemplating about who of the two would propose first and who I'd prefer to do so. And I thought Style proposing would fit with his personality, especially since he himself said "I could spring a ring on you one day and just ask you to marry me." It seemed fit that the series would end with Style doing exactly just that. But then I contemplated some more and thought, actually, I would love it if Fadel was the one to propose. Because in the series it's always Style who is chasing Fadel, it's always Style proving over and over again that he really wants Fadel in his life while Fadel spends the majority of the series pushing Style away (and Fadel does it again even in the finale when he's mad at Style during year 4!). And I thought that it would probably mean the world to Style if Fadel proposed. Because it would showcase that Fadel wants Style in his life just as much as Style wants Fadel in his life. It would show Style that the feeling is mutual, that Fadel wants it for himself, too. That a marriage isn't something Fadel agreed to just because Style asked for it or talked him into it or anything like that. Fadel proposing would show Style that Fadel is choosing Style out of his own free will the way Style has been choosing Fadel over and over again. I'm once again reminded of @braceletofteeth's tags on this post:

#Style wants Fadel to claim him as his so bad it makes him look stupid #just like he takes pride in choosing his own man #he would be proud to be chosen as Fadel's man #delighted‚ if Fadel let others (and Style) know he's the one who earned the space reserved for his special someone #in his heavily secured heart #if he was so special to Fadel that he wouldn't want him to be taken away #or to share him with anyone else

Fadel asking for Style's hand in marriage, Fadel marrying Style would be Fadel claiming Style, it would be Fadel making an announcement to the world that Style is his and his alone. It would be Fadel choosing Style and Style would even have a ring to prove it. To prove that he is Fadel's. To prove that Fadel is his. I just thought Fadel being the one to propose would mean the world to Style. And judging by the joy in Style's face in the above gif, it absolutely does mean the world to him. That Fadel is the one to bring up the prospect of marriage.

Style asks if Fadel is serious and Fadel says yes, he is, but that he wants to have the chat only once the restaurant is up and running again (at least that's how I interpreted this statement). Style says "No need to hurry." He most definitely wants to marry Fadel one day, but I think he's got a point with this. After all, it's only now that they can finally start dating "properly", can finally experience the couple life with both of them out of prison, all cards out in the open, both parties trusting and loving each other mutually, and most importantly, without fearing for their lives. "No need to push yourself. After everything that we've been through, still staying together is already beyond anything we expected." Their relationship really is chill the way it is, there is no need to rush anything. They can get married when they both feel the time is right for it. I think that's what Style is getting at here. Fadel agrees. Then he says "I thought I'd die alone." Style knows that well. They discussed this last episode by the gravestone. And back then, Style had already announced that he wouldn't let Fadel get lonely in death. Now he says: "We'll die one day, but we'll die together of old age." They're gonna have that old man yaoi future together.

Fadel laughs, claims Style is cheesy, but still plants a big kiss on Style's lips. Uhhhh, Fadel, so what about the lecture you gave Style about safe driving the first time you guys met? All of that goes right out of the window as Style and Fadel continue to plant kisses on each other. How's that for character growth?

And off they drive into the night. Style's got both the car of his dreams as well as the man of his dreams. What more could Style want?

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

[nightmaremonarch]

here’s how i think the straw hats would draw themselves. Enjoy

[piratekane]

(rated m for mature)

Ava’s room is the last sacred space in their apartment. A room that belongs to Ava, and Ava only. The living room is shared space, of course. Their breakfast bar holds both of their tea mugs: Ava’s in the shape of a bulldog holding a bone, her own a dark gray and white plaid pattern. The bathroom has a small stand with both of their toothbrushes and two face cloths on small hooks, one on each side of the sink. The face of the kitchen refrigerator is littered with pictures and ticket stubs and small post-it-note drawings they’ve both accumulated over the last few months.

We exist, Beatrice, Ava likes to tell her. If we died and someone came to pack us up, they would know we both existed here.

It’s a morbid thought, but it rotates in her mind for days afterwards. They exist. They exist together, in this shared space. There’s two of everything - a testament to a life shared between two people who found comfort in each other. Who found a home. Their shoes are by the front door, their bills are on the counter, their sweaters tangle into knots on the couch where they dare cross the line Beatrice has drawn between them.

Ava’s room is a line. She doesn’t cross it. She lets their shared existence fill every corner of the apartment except for Ava’s bedroom. She’s never crossed the threshold. Even on the day Ava moved in, she dutifully passed her boxes from the living room, marveling at the idea that one person who existed in a single dorm room for a handful of months could accumulate so many things.

She’s not sure that Ava even noticed. If she did, she didn’t say anything about it. Because she’s kind and takes Beatrice’s actions into consideration with the sort of care no one else in her life has ever shown.

But that’s par for the course. Ava is unlike anyone else in her life.

It’s why Beatrice is so careful. She’s gotten used to having this unusual, perfect thing in her life. She’s gripping it tightly with two hands, firm enough to keep it in one place but soft enough that it doesn’t break. It took her years to learn that grip and only a month with Ava to master it in a whole new way.

She should know by now, after seven months, that being careful around Ava is never careful enough.

“Blue or green?” she hears Ava call from inside her room.

Beatrice sighs, resting her pencil tip against the page she’s taking notes on. “Ava.”

Ava’s head pops around the doorframe. She’s smiling in a way a younger Beatrice would have called dashing or roguish. It’s charming. Infuriatingly so. Ava knows it—has never forgotten it since the time Camila said it out loud one night when Ava convinced them to try roller skating at some wooden rink nearby. That smile is a weapon, a carefully drawn bow whose range Beatrice can never escape from.

“Blue or green?” she repeats.

“I’m afraid I need a bit of context, Ava.”

Beatrice resists the urge to rub tiredly at the space between her eyes. Finals week is upon them. She’s prepared - has been preparing all semester - but then her Early Christian Women’s professor gave her some last minute feedback to restructure her entire research paper. It’s left her molded to the stool at the breakfast bar for the last three days, the entire top of it covered in color-coded index cards and texts she’s expressly forbid Ava from going anywhere near.

Ava pinky promised that she would listen. Beatrice would have accepted a confident “okay,” but Ava had taken it a step further, tightening her grip on Beatrice’s pinky and pulling her whole hand up to her mouth as Ava kissed her own fist, eyes on Beatrice the whole time.

“There. Now it’s really a promise.”

Beatrice thinks maybe she didn’t have enough friends growing up. Or that she didn’t have enough friends like Ava growing up. Because she’d never heard of this particular kind of promise. Shannon had made a face when Beatrice asked her about it. No, I’m not making fun of you, Shannon assured her. I just mean… Bea. Come on.

Beatrice does not come on, but the next time Ava makes her promise she won’t throw all her sources out the window and develop a list of new ones, she quickly presses her lips to the outside of her own hand, eyes darting to Ava’s face. Just as a test. Just to see if she’s doing this right.

She must have. Ava beamed for hours.

“Blue paint or green paint?” Ava expands.

“For what?”

Ava extends her arm past the doorway into Beatrice’s view. A small bucket of paint, hardly larger than a box of baking soda, dangles from her fingers.

She holds back the long-suffering sigh building in her chest. “Ava.”

“I’m painting my room.”

“You’re-” Beatrice turns, notecard on Thecla abandoned. “You’re painting your room?”

Ava frowns at her like she’s the one who just announced that she’s completing a home makeover project. “I told you this.”

“You didn’t.”

“I did.” Ava’s arm drops to her side, and she leans a little further around the doorway.

Beatrice shakes her head. “You most certainly did not. Because I would have remembered that.”

“You can’t remember everything I say.”

I do. The thought nearly makes its way to Beatrice’s tongue, but she bites it back. She certainly can’t admit that, though she thinks Ava would, if she was in her position. Ava has always been more free in her words, in her certainty.

“I would have remembered this,” she repeats.

Ava shakes her head. “I definitely told you I was doing this. I asked if you wanted to go pick out-”

Her forehead wrinkles into a frown that Beatrice immediately wants to smooth away. She can feel Ava’s skin under her fingertips, warm and soft. She blinks.

“Huh. Maybe I mentioned it to Mary, now that I think about it.” Her face brightens without Beatrice’s help. “I guess I’m telling you now.”

“You can’t- You can’t paint your room.”

Ava nods like she understands. “I can’t paint it alone, no. I’ll need help. Oh! A paint party!”

“No, I mean-” Beatrice takes a deep breath. “We would lose our security deposit if you paint the walls. It’s in our rental agreement.”

That doesn’t seem to bother Ava. “We can just paint it back when we move out. Or if we never do, then no one will ever know.”

If we never do. The words are like a lightning bolt in her chest. If we never do implies that Ava has thought about living with her indefinitely. That Ava has considered the possibility of a future where they're still in each other’s lives, where they’re still living in this same apartment doing the same things together. Movie nights and take out and reading while Ava watches something on TV, and talking about the few hours they spent apart and deciding where to take weekend trips and what new household decoration Ava is going to talk her into.

Their life in shared spaces, for everyone who visits to see.

Forever roommates.

The thought is too overwhelming for her to breathe properly.

“So, will you help me pick a color?” Ava continues on as if Beatrice isn’t slowly burning from the inside out. “I’m thinking green. Blue seems more like your color. Hey! We can paint your room next.”

Beatrice shakes her head. “Ava, no.”

Ava either doesn’t hear her, or pays her no mind. “I got this cool mint color. It looks like mint chocolate chip ice cream!”

“Mint,” she repeats, voice strangled.

Ava beams. “It looks like our toothpaste.”

Dread washes over her, as cold as ice cream out of the freezer against her tongue. Their toothpaste is a frightfully minty green color that always catches Beatrice off guard no matter how many times a day she’s brushed her teeth, even after the ;five months since Ava started buying it. It’s a sickly green, almost. Certainly not something that should be on a wall, let alone four of them. Ava’s room would glow, practically radioactive.

“No,” she insists. “Not that color.”

“Come see it. Then you’ll understand.”

She moves without meaning to, without giving much thought to it. Ava calls like a siren, and she swims out to meet her. She gets as far as the couch before the water comes up to her chin and she stops again.

“I don’t think you should paint your room.”

Ava waves away her concern. “It’ll be fine. The whole room is just so… white. We need a little color in our lives, Bea. A little bit of… spice.”

“A little bit of spice.”

“You know. Excitement.” Ava is firmly in the doorway now, paint can hanging at her side. “We can’t live with white walls forever.”

Why not? she wants to ask. She grew up with white walls. Pristine ones. Washed down every week by their housekeeper. Sanitized. She pauses. Ava might have a point.

But their landlord would not approve of it. And Beatrice intends to stick by the rules. She opens her mouth to say so, but Ava cuts her off.

“Come here. Just have a look.” She pads forward on bare feet and curls her fingers around Beatrice’s wrist, tugging her forward gently enough that Beatrice could step back, break their connection if she needed to.

She doesn’t. Not yet.

But she gets closer and closer to Ava’s doorway, to the raised threshold that separates her from this last sacred space. Ava is stepping back over it, eyes on Beatrice, and then her toes are bumping against it and she stops. Their arms stretch between them for a moment before Ava catches up and steps forward so they hang loosely again.

Ava waits for her. Always waiting for her. It’s not fair, she thinks. It’s not fair that she’s always waiting for me.

“So, I have something to admit,” Ava says slowly, pulling her out of her head. She’s smiling sheepishly, her head ducked a little as she searches Beatrice’s face. “I might have already painted a few swatches on the wall.”

“Ava.”

“Just a few,” she rushes on. “Small ones. Like, the size of a book. A small one! I’m sorry, I just wanted to see what they looked like.” She strokes her thumb over Beatrice’s wrist. “The mint kind of looks horrible,” she admits.

Beatrice fights that never-ending sigh again. “Of course it does.”

“But the other green looks good! It’s kind of turquoise-y, actually.” Ava’s forehead wrinkles into a frown that lingers for just a second. “Greener than a normal turquoise, though. Almost like the sea. Like - okay, just look.”

Ava’s hand falls away, and she takes a step back into her room. She’s looking at the wall, eyes moving quickly over what Beatrice assumes is the paint swatches she’s done there.

She eases her weight onto the ball of her foot. The floorboard creaks under it. Ava is still looking at the wall, still studying her choices. Beatrice feels a ripple of fear race through her. It’s just a room. Their apartment is made up of rooms. But it’s Ava’s room. Opening this door, crossing this line - she’s not sure she can come back from that.

Ava meets her eyes again and tips her head in that effortlessly endearing way, a soft smile on her face that immediately ebbs the fear away. Ava crooks a finger in her direction, beckoning her forward. It’s like a piece of string loops its way around Beatrice’s wrist and it pulls.

“You’re going to like the turquoise,” Ava says just quietly enough for Beatrice to hear. Another siren’s call.

She’s a strong swimmer. She can survive this. Her toes brush the raised threshold, and then they’re curled over the other side of it as her shoulders breach the doorway. The air shifts. She feels a little lightheaded. The lights seem dimmed, lowered. She holds her breath and waits for God to strike her down, and when nothing happens, she silently exhales a thin stream of air.

She doesn’t go further than that. Her body doesn’t seem to want to move past the invisible line that goes from the ceiling down directly to the floor. Her eyes immediately go to the wall Ava was looking at.

She was correct. The mint looks horrible.

“I know,” Ava says, reading her mind. “It looked a lot better at the store. Maybe it’s the light?”

It takes Beatrice a minute to reply, almost as if the words were a trade for tipping forward into Ava’s room. “I don’t think different lighting is going to help this.”

Ava studies it for another moment before she nods decisively. “You’re right. But what about this green-turquoise?” She moves and touches her finger to the wall. It comes back with a sticky greenish color. She frowns at it. “Huh. Thought it’d dry.”

“I like it,” Beatrice allows. “But Ava-”

“I promise we’ll paint it back. I just…” Ava stops, running a hand through her hair. She leaves behind a smudge of turquoise on her forehead, disappearing into her hair. “It’ll be easy to paint back. Please, Bea?” She clasps her hand in front of her, holding them to her chest. “Pleeeease?”

They both realize she’s going to give in at the same moment. Beatrice didn’t think she had any tells, has always prided herself on being someone fully in control of their actions, emotions, and facial expressions. Lessons learned from her parents that she actually appreciated. Expressive got you in trouble, gave too much away. She spent years tightening up to prevent anyone from knowing too much.

Ava does not carry the same burden. And Ava, it appears, has learned to recognize when Beatrice is on the cusp of expressing too much, of giving in. Maybe she’s giving it away in the quick pull of the corner of her mouth. Maybe there’s something in her eyes, a flicker of acceptance. Maybe she clenches her hand into a fist, a small flex of her muscles. Maybe she shifts her weight. Maybe she blinks too many times.

Whatever it is, Ava sees it in her. And she grins, the light in the room becoming impossibly brighter.

“I want nothing to do with this,” is what she decides to say.

Ava claps her hands together. “You won’t regret this.”

“I’m sure I will.”

It doesn’t dim Ava’s smile. “When I’m done, you’ll see how much it brings this place to life. And then we talk about your room. And the living room! Oh, and wouldn’t the kitchen look so great if we painted it some kind of blue? I saw a swatch at the store that looked exactly like the water in the Blue Grotto. I want to go there one day. I always thought it would look-”

Beatrice steps back. Something that was fizzling inside of her fades, though she didn’t know it was there until she felt its absence. Ava is still going on – the bathroom would look good in pink. With black and white tiles on the floor – but Beatrice feels a sense of calm come over her, and she takes her first deep breath since she crossed the threshold.

Ava stops. “I’m getting ahead of myself,” she says sheepishly.

“It’s okay.” And it is. Beatrice doesn’t mind getting swept up in Ava’s elaborate plans. “But I’m going to go back to my homework.”

Ava flashes her a thumbs up. Her finger is still stained turquoise. “Okay. But you’re not studying for too long. We can’t have a repeat of this weekend.”

Beatrice feels her face flush. “I swore I went to bed.”

“You did. Standing in front of the refrigerator. I thought you were going to fall over.”

“I’m very disciplined.”

Ava grins. “Well, put a cap on studying tonight. When I’m done with the first coat, we’re going to get something to eat.”

She pretends to be annoyed by this, just because she likes the way Ava narrows her eyes playfully and shakes a finger at her. She’s not disappointed when Ava does exactly that before turning back to the stool she stole from the kitchen where she’s stacked two small paint cans, one open and one closed, and a paint roller.

Crossing the room back towards her homework is easier than going the distance from it to Ava’s room. She feels lighter with each step. She sits back down, her intention to focus on this paper she’s supposed to submit in two days (but feels nowhere near completion). Work, then break. As long as she works for the next hour, at least, then she can offer to buy Ava Indian food and ask her to watch a documentary about a filmmaker befriending an octopus. Cedrick, in her Study of Film elective, had suggested it to her. She doesn’t think it’ll be hard; Ava has said more than once that she thinks octopi are cute.

But as thoughts of Ava and octopi float in her head, some of the words Ava just mentioned start to register in Beatrice’ brain. Ava never mentioned the Blue Grotto before. They’re inching closer to the end of the school year and she doesn’t know Ava’s plans yet. Does she want to go backpacking across Europe? Alone? Will Beatrice have to haunt the corners of the apartment waiting for her to come back? Will Ava be different when she comes back? Will she forget about Beatrice?

Will she find a new forever-roommate in another city and leave Beatrice on her own?

Her homework is suddenly the furthest thing from her mind. She can’t focus on Eve or Thecla or their impact on the religious narrative. She can only think about the possibility of spending the summer alone - Mary and Shannon are going on a graduation trip across Spain, and Camila secured a summer internship with a tech startup company, and even Lilith found a program that allows her to travel for the few months before the start of the fall semester.

Beatrice’s big plan is to work at the campus library, splitting her time between shelving books, starting her graduation capstone project, and Ava. The practical side of her knows she should try to make that time an even three-way split, but the more she thinks about the coming months, the more adventures she keeps coming up with in her head. Things she wants to do and try with Ava, because she knows it’s on Ava’s list. They could visit the Prado Museum. Take a long weekend and travel to some seaside town where Ava could practice swimming in the waves. They could find new restaurants and new hiking trails. She’d even let Ava convince her to try roller skating. Again.

Beatrice hasn’t told her yet, but she has the whole summer mapped out. And Ava is embedded into every bullet point of that. It just hadn’t occurred to her that Ava might have her own plans. Ones that didn’t include Beatrice.

“Ow!”

Beatrice’s head snaps up. The sudden noise is followed by a heavy thud, thud and a rattle as something hits the floor. She’s up and moving before she has time to second guess herself, crossing the apartment in long strides until she’s reaching Ava’s room.

She crosses the threshold in a breath, suddenly plunged into the smell of paint and the sight of the bright lights Ava has rigged up in the center of the room. It nearly blinds her and she quickly looks at the ground.

Ava is lying on the thick, plush navy rug at the bottom of the bed, body curled in on itself as she clutches her foot. A small unopened can of paint is rolling slowly away from her towards the corner of the room. Ava groans loudly and turns her face into the rug as her whole body expands with a breath.

Beatrice drops to her knees, ignoring the dull ache that rockets up her thighs into her hips. She grabs Ava’s shoulders, turning her onto her back as her eyes scan Ava’s face for any blood or bruises. Her hands follow the same path, tucking Ava’s hair behind her ear and trailing her thumbs across the flat of Ava’s cheeks.

“What happened? Are you hurt?”

Ava’s eyes flutter closed, and Beatrice immediately becomes concerned about a concussion. Her fingers slide to the base of Ava’s head, and she applies a little pressure to tip it back. Ava’s still blinking up at her but as the light reflects against the honeyed color of her irises her pupils shrink. Beatrice heaves a relieved sigh. No concussion.

“Bea,” Ava groans again. She turns her face into Beatrice’s palm. “I think I broke it.”

Beatrice’s hands fall from Ava’s face and skim down her shoulders to her elbows, cupping them gently. “Let me see,” she says softly.

Ava shakes her head. “Just leave me behind.”

A rush of fondness ripples through her. She presses her fingertips into Ava’s bare arms, the sleeves of her This may be cheesy but I feel grate t-shirt brushing against the backs of Beatrice’s knuckles. “Ava,” she urges.

“No, it’s too horrible.” Ava’s grip tightens on her foot and she immediately winces.

Beatrice slides her hands down to Ava’s slowly. She curls her fingers into the spaces between Ava’s and her foot, pushing them back until she has enough room to free Ava’s foot from its self-imposed prison. There’s a bruise already forming at the base of her toes on the top of her foot, blooming across the first three toes. She ghosts her thumb across it and Ava flinches slightly.

Beatrice’s lips purse into a frown. “I’m sorry.”

“S’okay.” Ava rolls completely onto her back, staring up at Beatrice. She’s still blinking rapidly and Beatrice is worried about a delayed concussion now.

“I think you’ve bruised it.” She presses down, gentler this time. Ava draws in a breath but doesn’t flinch away. “I don’t think anything is broken.”

Her hand drifts higher, curling around Ava’s ankle bone. It’s delicate under her fingers, the point rounded. Her other hand, still resting on Ava’s foot, goes to her other shin. There’s nothing but an expanse of smooth and warm skin under her palm.

“Good,” Ava says faintly. Her eyes go to Beatrice’s hand, lingering.

Beatrice’s eyes follow. Oh. She quickly pulls her hands away, cheeks suddenly hot.

“I didn’t mean to-”

“You don’t have to-”

They both pause, staring at each other. The air feels electric, goosebumps running up Beatrice’s arms. Her chest feels tight with unspoken words. She looks away first.

Ava’s hand on her own pulls her eyes back around. She looks at Beatrice for a long moment before she smiles a little. There’s something on her face that Beatrice can’t read, but it settles the rising tide of fear in her chest and she feels it ebb away into nothingness.

It’s not unusual, the sense of calm that comes with a simple look from Ava. It’s a peace that feels second nature now. It’s odd how seven months with Ava has untied almost all the knots her life created. Seven months isn’t very long - a blip on the radar, really. She’s had the same study group for longer than that. But these seven months have felt so monumental that it seems to have lasted years.

But Ava is monumental, so really, it does make sense.

Still. Her hands got ahead of her head. She touched before she thought, and now she’s kneeling on Ava’s floor with her hands hovering between their bodies, and Ava’s eyes are even more honey-colored than usual. The lights reflecting off the white walls makes her feel like she’s under a spotlight on a stage where everyone can see her, here in Ava’s room.

In Ava’s room, across the threshold. Completely across it.

A line she hasn’t crossed, a step she hasn’t taken. The room rushes in on her suddenly. She’s hyper aware of the faint chemical smell of paint, the too-bright lights, the rough fibers of the rug against her bare ankles, the way Ava’s laundry seems to be crawling out of the basket in the corner.

“I’m-”

“Don’t apologize.”

“I didn’t mean-”

“Bea.”

“I’ll just-”

“Beatrice.”

Beatrice blinks. Ava’s hand has turned over in hers, her palm up. “Yes?”

“Help me up?”

Beatrice blinks again. “Oh. Yes.” She shifts back onto her heels and grabs Ava’s wrist, fingers spread to distribute her grasp so she doesn’t pull Ava’s wrist off her arm, and gently leads her forward. She wobbles as she rises, leaning into Beatrice for support, and Beatrice quickly winds an arm around her waist to steady her as she stands. They’re so close that Beatrice can feel the way Ava is breathing, the push of her ribs against Beatrice’s hand. She helps her to the bed carefully, cautious of the paint around them, and sits her down gently.

There’s more turquoise paint along her forehead, and dried paint on her fingers, and Beatrice wants to find a clean washcloth, wet it, and gently wash it away. She does the next best thing.

She picks up a rag next to the small container of water Ava must be using to clean the brushes and dips the corner into it, wetting it. She hands it to Ava and waits as she rubs furiously at her finger, washing the paint away.

“What happened?”

Ava sighs, eyes narrowing as she looks at the unopened paint can on the ground. It’s rolled across her room away from them. Luckily, the open can remains in place on the stool, the paintbrush hanging precariously on the edge of it.

“I went to reach for the paintbrush and knocked it off. Freaking thing landed on my foot. Obviously.”

Beatrice’s free hand goes to Ava’s foot. Her thumb sweeps across the bruise. Ava’s fingers flex against the back of Beatrice’s forearms. “You are lucky it didn’t break anything.”

Ava shudders. “Manuel, one of the guys on my floor when I lived in the dorms, he broke his foot the first month in. He had to wear a big walking boot for weeks. It was so ugly.”

“It would hardly go with your outfits,” Beatrice agrees.

“How would I even get my jeans on?” Ava frowns thoughtfully. “I’d have to walk around in my underwear all day.”

Beatrice nearly chokes on a cough, but she swallows it back down, uncomfortable in her throat. “I think… I think you could remove it to put your clothes on,” she says, her voice too light to be her own.

Ava’s face flushes unusually. “Oh, right. Of course.” She starts to smile wickedly. “Don’t want me walking around in my underwear, of course.”

Beatrice doesn’t quite hide her blush like she hid her cough. Because she has envisioned Ava walking around in her underwear before, just with one of Beatrice’s big sweaters dusting her thighs and coming down over her hands. She quickly blinks, turning the image to black in her mind. It was a passing thought, just once. She never had it again. It was unfair to Ava to even begin to form that picture in her mind. It flashes in her head like a bang now and she tightens her grip on Ava’s wrist, suddenly aware she’s still holding on.

She goes for a strangled joke. “It would prevent Lilith from coming over.”

It was the wrong thing to say. Ava latches onto it. Her eyes light up. “Consider it done.”

Beatrice immediately concerns herself with something else. Ava’s foot.

“Let me get you some ice,” she says. Her voice doesn’t waver this time. Shannon, if she knew about this, would be proud. She’d praise Beatrice’s restraint, call it admirable.

Shannon would also probably tell her that she should do something that would completely change the trajectory of her friendship with Ava. So maybe the Shannon in her mind should be a little quieter.

“I don’t think I need ice.”

Beatrice looks down at the bruise, darker now, and then gives Ava a pointed look. It has the desired effect. Ava’s cheeks pinken and she smiles sheepishly. Beatrice nods, assured in her success, and carefully extracts her hands from Ava’s foot, standing.

“I’ll be right back,” she promises. “Don’t forget the paint on your forehead”

Ava carefully taps her foot, higher than the bruise. “Not going anywhere.”

Beatrice could argue that Ava could go somewhere. It’s not broken. It’s uncomfortable, of course. She once flexed her foot at the wrong moment and kicked a pine board toes-first. The bruise remained for weeks and the slight limp from accommodating the pain had lasted a little longer than that.

But Ava wipes her forehead carelessly and falls back onto her bed, hands hanging over each side of the bed in a T-shape as her legs dangle off the end. Her shirt rides up her flat stomach revealing a sliver of skin Beatrice wants to run her fingernail over. Ava’s eyes are closed, head tipped back just enough for her chin to lift up, exposing the long unbroken line of her neck.

Beatrice looks away before another thought rushes unbidden into her mind. Her cheeks burn.

“I’ll be right back,” she repeats, unnecessarily. Ava hums on the bed.

She doesn’t linger, striding out of the room and across the apartment. She opens the freezer, welcoming the blast of cold air against her face. She takes a moment, almost forgetting why she’s standing there. But Ava calls her name from the bedroom, and Beatrice remembers quickly. The ice maker hasn’t worked in a few weeks - she makes a mental note to have Mary look at it before she calls her landlord - but Ava only found that as an excuse to buy increasingly ridiculous ice cube trays.

It takes her a minute to decide between ice cube shapes. Ava went a little crazy online, buying shark fin-shaped ones, brain-shaped ones, ones shaped like ice monsters and another set shaped like centipedes. Beatrice decides on ones shaped like rubber ducks, twisting the silicone tray so they pop out. She wraps them in a cloth quickly so her hands don’t get too cold.

Crossing the room feels like a walk she’s made a hundred times before. She knows in her mind that it’s only been twice but now that she’s opened the flood gate, her feet move her without thought. Past the books and notes she’s abandoned, the armchair, the couch. She pauses just before Ava’s bedroom, toes against the threshold.

She crosses it as easily as she exhales.

Ava is still laying on her back, an approximation of a cross as she rests with her eyes closed. Beatrice watches her chest rise and fall as she breathes in and out evenly. There’s a beauty in simplicity, she’s always thought so. Ava only strengthens that.

“Ice,” she says quietly, unsure of why she doesn’t want to say anything at all. She doesn’t want to break this moment, startle Ava and ruin the weightlessness of it.

Ava cracks one eye open, a half-smile on her face. “You’re back.”

Beatrice holds out the ice. Ava crooks a finger at her, beckoning her closer. She hesitates. Ava pushes up, resting on her elbows now.

“I think we’ve established that I don’t bite.” That smile turns wicked again. “Unless you ask nicely.”

Her fingers clench around the ice, and she feels the cold bite at her skin. But she stays still, not giving anything else away.

Ava sits up, foot dangling over the end of the bed. She rests her palms flat against the comforter before she pushes up and stands. She puts her weight down on her foot and her leg buckles almost instantly.

Beatrice doesn’t think, arms looping tightly around Ava’s waist and pulling up her. Her fingers slide into the dips of Ava’s back, the ice trapped between one of her palms and Ava’s skin. Her feet tangle with Ava’s. Their hips are nearly pressed together, almost no space between them. Ava exhales in a noisy rush, lips twisted in a grimace. Beatrice feels the hot air against her collarbone.

“Are you okay?”

Ava tilts her head back slightly. “Would you believe me if I said yes?”

Beatrice’s mouth flickers in a smile. “No.”

“Then we’ll just assume the answer.” Ava’s hands are wrapped tightly around her elbows and her fingers flex against the back of Beatrice’s arms. “Wow. Do you work out?”

“You know that I do.” She keeps her voice light.

Ava’s fingers dance further up her arms, under the hem of her sleeve. She squeezes again, gently. “Yeah, well knowing you do, seeing you do it, and feeling its effects are three very different things.”

Her fingers are maddening, burning hot against Beatrice’s skin. Ava rubs her thumb in a small circle over her bicep.

“Really, Bea. You could probably crush an egg with these things.”

She frowns. “Why would I want to crush an egg?”

“Well, it’d be a way to spice up breakfast.” She presses gently, dimpling the skin. “And a killer party trick.”

Beatrice fights a shiver despite the way her skin feels like it’s burning. “I don’t go to parties.”

But that’s a lie. She does when Ava invites her. She thinks of the party they went to, the spinning disco lights and the way Ava’s body pressed against hers in the hot swell of sweaty, drunken students. She thinks of Ava slumped over on their couch later, saying she’d wait for Beatrice.

That voice that sounds just like Shannon’s whispers that it means exactly what Beatrice hopes it means. She’s never been good at telling Shannon to stop, but this is easy enough to sweep under the mental rug so it remains unknown and unseen.

Truth unknown and unseen is still truth, Shannon has said before. I read that on Pintrest.

Beatrice shakes the memory from her mind and focuses on the facts in front of her: Ava. Ava, close enough to breathe in. Close enough that Beatrice could eliminate the mere inches between them and-

“I bet you’d go to more parties if you had a party trick,” Ava interrupts.

“I doubt it.” But Ava is grinning and Beatrice can’t help but smile back. “But I’m sure you could convince Mary to give it a try.”

“I mean, Mary has decent biceps, but I don’t think she could crack an egg.”

Beatrice shakes her head. “Why an egg? Why not, I don’t know. A walnut.”

“A walnut. These are good goals.” Ava squeezes Beatrice’s bicep once more to emphasize her words. “Let’s start with an egg and work our way to something more advanced.”

The flex of Ava’s fingers against her skin pulls her from her next thought. It’s not that she didn’t notice the lack of space between them, it’s just that it’s rushing in on her now. It’s dizzying, the way Ava is standing so close. Beatrice tries to breathe in, but her chest pushes out until it nearly brushes Ava’s and she’s sucking all the air back into her lungs just as quickly.

Ava notices, eyes dropping down past Beatrice’s chin and neck before they dart up again, crinkling at the corners. She takes a step back, dropping to the bed again, the ice in her hand. She pulls one leg up under her, chin resting on her knee as she puts the ice against her bruising foot.

Beatrice blinks, oddly cool air rushing in where Ava’s body had been despite the humid air of their apartment as the spring pushes towards the hot summer. “You’ll need to ice that for a bit.”

Ava nods, adjusting the ice for a moment before she looks up and says, “So, first time?”

Beatrice frowns. “Administering first aid?”

“First time being in here. Properly, I mean.” Ava looks around, throwing one arm wide. “What do you think?”

Beatrice takes stock of her situation. It’s technically her third time being in here, but Ava is right. She’s in here properly now. Not just over the threshold or charging through barriers because Ava’s been injured. She crossed the line intentionally this time. And she remains, the walls of Ava’s room coming at her from each side without boxing her in.

Ava’s laundry flows from the hamper. Her bed isn’t quite made, but isn’t quite a mess. There are books stacked on the desk in a way that tells Beatrice Ava hasn’t opened them in some time. Hobbes sits next to them. A series of pictures is on the wall opposite her desk, ones of her and Ava and the rest of their friends. Beatrice’s eyes catalog each inch, committing it to memory in a place where she knows she’s going to see it for a very long time.

“You’re missing the best part,” Ava says. Her voice is quiet, like she’s afraid to startle Beatrice. She waits until Beatrice looks before she points upward.

Beatrice’s eyes follow the imaginary thread from Ava’s fingertip to the ceiling. She nearly gasps.

White-green stars dot the ceiling, filling all the space. Spider web-thin lines connect some of them, forming constellations she recognizes from the pictures Ava has shown her and the ones Ava has pointed out on rare nights when she can convince Beatrice to go out to the quad and lay on the grass to watch the night pass by. Some of them she doesn’t and she focuses on those ones, studying their shapes and trying to decide what they look like.

“Apus.” Ava’s finger moves, tracing the lines she’s drawn between the glow-in-the-dark stars. “We call it the Bird of Paradise. Derived from the Greek word apous, which means ‘footless’. There’s a story that birds of paradise were once believed to have been footless.”

“I don’t believe I know what a bird of paradise looks like,” she admits.

“My mom loved them. She’d never seen one in person, but she liked looking at pictures of them. They have these large plumes. They look so soft.” Ava sighs wistfully. “There was a nun, in the orphanage when I was first there, that called me a bird of paradise.” She pauses, eyes darting to Beatrice. “Because I was footless, you know? She reminded me of my mom. She didn’t stay long, but she was nice.”

Beatrice’s heart clenches as it always does when Ava talks about her past. But this is a softer ache, a longing to thank this woman who showed Ava a sliver of mercy.

“And that’s Grus, the crane,” Ava continues. “Originally, it was part of another constellation, Piscis Austrinus. But a Dutch astronomer defined it as its own separate constellation. Its brightest star is Al Na’ir. It’s Arabic for ‘bright one’ which feels a little on the nose.”

Beatrice studies its shape, noting the bigger star that Ava must have defined as Al Na’ir. “Why do you like this one?”

Ava thinks for a moment. “Did you know that cranes have the ability to fly over the Himalayas? They can. They can go as high as 8,000 meters. Imagine being that high up, feeling the wind in your hair.” She blinks, looking off towards the wall littered with paint swatches. “I spent so long tied to one place that the idea of being able to fly over a mountain, to graze the tip of it with a set of wings, sounded like a fairytale.”

Beatrice slides her hand over Ava’s, fingertips resting in the dips between her knuckles. “I think we could hike the Himalayas one day, if you wanted to.”

Ava looks down at their hands and blinks before her eyes meet Beatrice’s. “You think so?”

“I think you could do anything you want to do.”

Ava doesn’t blink this time, doesn’t even look away. “If I can do anything I want to do, I want to…” She pauses, tongue darting out to wet her bottom lip.

Beatrice waits, but the rest of Ava’s sentence doesn’t come. She clears her throat. “What do you-”

“Did you see that one?” Ava asks, interrupting her and pointing up at the ceiling.

Beatrice blinks, startled at the intensity of Ava’s voice. She searches Ava’s face but it’s unreadable, a mix of something Beatrice can’t quite put a name to. So she looks up helplessly, searching for what Ava is pointing at.

“That’s Drago.”

“The dragon,” Beatrice translates. “What’s his story?”

Ava shrugs. “He’s just fucking cool.”

A sharp laugh slips out from between her lips and Ava grins widely back at her.

“So, you like it, then.” Ava looks around her room and nods to herself. “It’s a pretty great room, isn’t it?”

“It’s very… Ava,” Beatrice allows. She’s smiling though, hoping that her words don’t sting.

“Isn’t that all I can hope for?” Ava sighs and turns her hand over so her palm presses against Beatrice’s. “But can I ask another question?”

When she breathes out, “anything”, she means it.

Ava hesitates still. “You never come in here,” she says slowly. “Why not?”

Something tightens in her chest. Words rise in her throat and she swallows them back down, a reflex more than anything else. Ava must notice something pass over her face or feel the way that Beatrice’s hand jumps in hers, because strong and warm fingers stroke up her wrist as they lock around the bone, keeping her anchored to the moment.

“You don’t have to answer that,” Ava rushes on. “I’m just… curious, I guess.” She smiles crookedly. “Does it smell in here?”

Yes. Like something deep and woodsy and so uniquely Ava.

Ava’s nose wrinkles. “Does it? Because if it does, I-”

“It doesn’t.” Beatrice’s voice is too loud. “It doesn’t,” she says, softer now.

Ava’s frown doesn’t smooth out. “Then… why?”

It’s not you, it’s me, her mind supplies. She doesn’t say that. She thinks about how to put it into words, how to unpack all the things she tidied away and put in a cedar chest, locking it tight. Nothing comes from it, just an empty explanation that won’t make sense if she says it out loud.

But Ava is her best friend. And if it doesn’t make sense, if the words don’t come out right, she’ll wait patiently for Beatrice to try again. She’ll sit here, one leg tucked up as ice melts through a washcloth and she’ll wait for Beatrice to find the right words.

I’d wait for you forever, Ava had said, lips loose with party punch. And Beatrice believed her.

Ava makes her brave. Brave enough not to make an offhand joke and turn the conversation back on the open can of paint and the paintbrush quickly drying out.

Instead, she clears her throat and straightens up, the first thing she does when an image of her parents enters her mind. And Ava doesn’t let go of her wrist, moving with her instead, ebbing and flowing with her seamlessly. Beatrice turns to face Ava, watching Ava mirror her, and she exhales out the tension building in her muscles.

“Bea, if you don’t want to-”

“I do.”

She does. Holding onto these things makes her feel heavy. And almost more than anything - but not more than wanting Ava - she wants to be lighter.

Ava shakes her head. “I’m serious.”

Beatrice grips Ava’s other hand, their arms tangled around each other. “I… I have to.”

“Okay,” Ava says softly. Her smile is the same. “Whatever you want to tell me, I want to hear.”

Ava isn’t always sledgehammer, she realizes. She thinks of her as a hammer, crashing into everything and leaving a wake of needed destruction in her wake. But Ava is also a set of picks, quietly and discreetly slipping into the lock around her. For all the stomping around she does, all the things she knocks over in her haste to get from one moment to the next, she’s also deft, hands built with finesse.

Beatrice tries to find the start. Was it Penelope Marshall? Was it the start of boarding school? Was it her parents finding her journal when she was thirteen? Was it all the time she spent with the diplomat’s daughter? Was it her fifth birthday when she cried because her parents bought her the dress with the pink frills instead of the bicycle she wanted?

“My parents…”

“I hate them.”

She doesn’t chide Ava for saying so. A deep, angry part of her hates her parents too. She smiles humorlessly. “They sent me to boarding school, as you know. When I was thirteen. Right at Christmas time. I remember it because it was my present that year. An ‘opportunity to further my education in an environment that would foster appropriate and lifelong lessons’,” she quotes. She can remember the brochure she’d been given unceremoniously, a smiling girl on the front. Even in print, Beatrice could see the hollow light in her eyes.

“Appropriate,” Ava scoffs. “Like anything they did was appropriate.”

Beatrice feels Ava’s pulse thunder under her fingers. “They said it would give me a framework for my life. Lucille Thomason had graduated from there a year before and she was going to Oxford, on her way to inheriting her mother’s social calendar. My mother always fawned over her at dinners. ‘Lucille is following the plans her mother set out for her. Lucille has accomplished so much at such a young age.’”

“Lucille sounds like a loser.”

“Lucille sounded exactly like the daughter my mother wanted.”

Ava frowns softly. “You know that you’re leagues above whoever Lucille is.”

“I didn’t think so,” she admits. “Lucille was someone to admire. Her achievements were something to strive for. She had something I so desperately wanted when I was younger: my mother’s approval. And so, when they presented the option-” She stops herself. “It wasn’t an option. But when they presented their plan, I reconciled myself with it by reminding myself that Lucille was leading a very successful life.”

“There’s more to life than success,” Ava says gently.

Beatrice smiles a little. “To you. To me. But to my parents, there is nothing more.” She takes a deep breath. “And if they were framing it as me taking an opportunity to lead a successful life, then they would forget about… the things they were discovering about me.”

Ava immediately tenses. The Beatrice she is now knows it for what it is: an attempt to contain her anger. The Beatrice she was months ago would have worried. Was Ava afraid of her? Was Ava disgusted by her? The thoughts had swirled that movie night. What if she did admit to a crush on Patricia Velasquez? Would this new person she wanted so badly to be around, without knowing why, suddenly change her mind once she found out the truth?

But Ava hadn’t. Ava won’t. Beatrice knows it with every fiber of her being. There are very few absolute truths in the world, but this is one of them.

“They read my journal, you know,” she continues. The words are coming out easily, this tiny fissure in her chest cracking open as Ava looks at her with wide and trusting eyes. “A new girl started school at the beginning of the term. Her name was Mina. Her father was in banking, I believe. She had the bluest eyes I had ever seen in my life.”

Ava scoffs lightly. “Blue eyes.”

She skims the pad of her thumb over Ava’s wrist. “One day, our hands brushed. It was something simple, innocent. She was passing me a paper, and we miscalculated the distance. I’m sure it meant nothing to her.”

“It meant something to you,” Ava guesses.

“I was thirteen. Everything meant something.” Beatrice sighs, feeling her chest rise and fall heavily. “And anything that meant something to me went into my journal. I just didn’t know that what went into my journal eventually landed in my parents’ hands.”

“So those bastards went through your private journal and read about some girl who touched your hand,” Ava hisses. “I swear, the minute I meet them, it’s fist to face. They don’t call me The Piraya for nothing, you know.”

“No one calls you that.”

“They might call me that, you don’t know. I have a whole superhero persona you don’t know about.” Ava puffs out her chest a little bit.

“The name Piraya implies you’re more of a villain than a superhero.”

“I’m a villain’s villain. How’s that?”

The trickle of despair of dragging this up again fades as Ava’s smile widens. She knows what Ava is doing. But she doesn’t stop her, grateful for the brevity and the way it makes her feel like she’s grounded in something, not floating listlessly and endlessly in her terrible memories.

“I mean it.” Ava’s voice drops, low and serious. “I’ll be their worst nightmare.”

“I’m afraid that role is already taken,” she says quietly. “Though, I don’t think they intended for it to be their daughter.” She sighs. She used to be her mother’s doll. But once she started moving her own parts, she found herself moving in the opposite direction.

“Bea,” Ava whispers. She tightens her grip on Beatrice’s wrist.

“I remember I wrote that touching her hand was as if the heavens opened up and I finally understood what song the angels were singing. We were in the middle of a poetry unit, and I fancied myself quite good at it.” She lets out a dry chuckle. “When I found them in the kitchen one night holding onto my journal I foolishly thought they had found out I was reading Emily Dickenson instead of studying for my science exam.”

Beatrice remembers coming down the stairs, flushed with the late November cold. Mina had invited her for dinner the next night, and she promised to show Beatrice the new video game she got. Beatrice didn’t care about those kinds of things, but no one else had gotten an invitation to Mina’s. Beatrice felt special.

But her parents’ faces had stopped her in her tracks. She didn’t notice her journal at first. It was made to look discreet, not to stand out. It had blended into her mother’s dark skirt, and it wasn’t until her mother raised it into the air that she saw it for what it was.

They asked her to explain herself. She wasn’t sure what they wanted her to explain, not at first. She stumbled through an apology about delaying her studying; she’d do it immediately and ask her teacher for an extra take home lesson. She scrambled through a rushed explanation about having new friends meant more opportunities for networking. With new friends, she could join a new club. It would do well on her list of extracurriculars.

It wasn’t until her mother spit out the name Mina that she had any idea of what she was supposed to be afraid of.

“What did they say?” Ava asks gently.

“They didn’t have to say much. There were questions about who Mina was. My mother had a particular talent of making something that wasn’t a swear sound like it. And she hissed Mina’s name like it was the dirtiest word she could say.”

Beatrice thinks of Mina now. Where was she? What was she doing? Beatrice never heard from her after she left. No letters, no calls. She came and went in her life so quickly, it was as if Beatrice made her up. The only sign that she had been there was the page missing from her journal, returned to her the night before she left for school.

“They demanded to know what she had done to me. What had I done to her? I was so confused. She had touched my hand. I certainly hadn’t…” Beatrice’s chest hitches at the thought. “It was a fleeting moment, but I learned that fleeting moments were the most damaging ones. That,” she says dryly. “And that locks do nothing to keep a determined person out.”

“Locks are meant to keep people out,” Ava all but hisses. She sighs, working her fingers up Beatrice’s arm to her elbow. They rest in the dip of her arm, right over the thin vein under Beatrice’s skin. “God, Bea. I’m so sorry. They were - are - horrible. No one should have had to go through that. Especially not you.”

Especially not you, Ava says. Like Beatrice is better than anyone else. Like she should exist under different rules.

“Of course you’re afraid,” Ava says quietly, speaking to herself. She raises her voice, talking to Beatrice now. “Of course you’re worried about even - Jesus, Bea. Touching a girl’s hand?” She looks down as if she’s suddenly noticing how she’s knotted herself around Beatrice’s arm. She laughs dryly. “What would they say if they saw us now?”

Ava means what if they saw me comforting you? Not what if they saw how I touch you like nothing else matters?

The answer would be the same: her mother would simply set fire to the room.

The chasm is widening now. She’s cracked the seam on these memories, and her mind is cycling through the events that followed: a new suitcase set, pink with her name on an address tag; a set of starched uniforms that felt like coarse wool against her skin; a final meal in her parents’ formal dining room, the chef-of-the-week uncaring of her dislike for persimmons; a single plane ticket pressed into her hand and a dismissive nod as a car pulled away from the airport, leaving her alone.

She tells Ava this in stilted words, as if narrating someone else’s life. But then it starts to sink in, the anger. And it spreads in her belly, burning into a rage. She feels the moment the numbness transitions to an inferno. She hears herself exhale the word alone and something snaps.

“They had no right,” she says. Even through her anger, the words surprise her.

Ava’s voice sounds hoarse, unused. “They didn’t.”

“I was a child. Their child.” Her hand clenches tightly into a fist, Ava’s hand moving with the flex of her forearm muscle. “A ‘problem’ arose and they just…” She stops. “They strung me along until I was no longer of use to them.”

“You are not a problem.” Ava's voice is low, burning hot in the rapidly closing space between them, in a tone she’s never heard before.

Beatrice almost startles, confused. She had nearly forgotten that Ava was here, so consumed in her story. But now she’s noticing her. 

Her eyes flash. The tops of her cheeks pinken slightly. She’s angry. Beatrice has seen her on more than one occasion get angry on her behalf. The mere thought of her parents seems to send her into a flurry, but the anger in her eyes now is nearly staggering.

“You’re not,” she says again, insistent to the point of almost desperation. “Beatrice, you are not a problem.”

And Beatrice, blinking, already falling, dives deeper into love with her.

-

Ava feels her cheeks go hot with a liquid anger that roils in her blood. She’s been angry before - angry at Bea’s parents, even. But this feels like pure molten rage. All of the pieces are slotting together: a young girl who just wanted to make her parents proud; who saw someone - touched someone so innocently - and felt the world shift; who didn’t understand why a cliff rose up between her and the people who were supposed to love her more than anything; who trusted so completely and had it thrown back in her face as if she was the one who somehow failed.

Ava’s fingers tighten until her fingernails cut deep half-moon shapes into her palm. She pulls the words out from between her teeth like nails scratching the floor.

“You are not a problem.”

Bea blinks. The broiling heat in her stomach softens its edge, replaced by the confusion in Bea’s eyes as she blinks again.

“You’re not,” Ava insists. She tugs Bea’s hand, pulling her closer until they’re pressed together, an almost-sweaty slide of the skin of their knees bumping together. Bea blinks a second time, mouth parting slightly. “Beatrice, you are not a problem.”

She needs Bea to believe her. She’s never needed anything more in her whole life. She could live without air. She could make it minutes without oxygen. But she can’t live with another second of Beatrice believing her parents’ poison.

She coaxes Bea another inch closer. “Do you hear me?”

Bea’s mouth parts further, something on the tip of her tongue. Ava squeezes Bea’s hand a little tighter. “Do you hear me?”

“I hear you,” Bea says faintly.

Ava isn’t satisfied. “You need to believe it. You’re not a problem. You’re-” She softens her grip, thumbs Bea’s wild pulse. “You’re-”

“Don’t say perfect,” Bea whispers, eyes slamming closed. “Please don’t say perfect.”

Ava hesitates. She was going to say perfect. She was going to say frustratingly perfect. But she can pivot. There are a million other things she can call Bea - courageous, intelligent, kind, beautiful. All things she’s told Bea before and all things she’d tell her a million times more.

“Human,” she lands on. Bea’s eyes open slowly. “You’re human, just like every single other person on this big rock orbiting in space. You live like everyone else. You laugh, you cry. You love, just like everyone else. And none of that-  not who you are or who you love, or even the special little rules you have for tea that took me forever to learn - not a single part of you is a problem.”

The space between Bea’s eyes wrinkles in thought. Ava usually holds herself back, usually just wishes to press it flat gently. But the line between them is so thin now that she doesn’t think twice about it, reaching up and resting her thumb between her brows, pushing gently until the skin relaxes.

“Can I tell you a secret?” she asks in a whisper. Bea holds so many of her secrets, one more won’t hurt.

Bea nods slowly.

“When I first met you, I was so… intimidated.” Bea’s eyes widen slightly and Ava nods. “I was. You seemed so… cool. Composed. Not at all affected by someone who crashed into your table with the grace of a… what did you call it?”

“A newborn foal,” Bea says lightly.

Ava grins, her smile widening when some of it reflects in Bea’s face. “A newborn foal. That’s a giraffe, right?” She doesn’t wait to be corrected. “I thought, I need to know who this is and I need to know everything about her right now or I’m going to combust.”

Bea rolls her eyes, the motion of her eyes disrupting Ava’s thumb, still on her forehead. She doesn’t drop her hand, being bold and dragging the blunt ends of her fingernails against the smooth skin just above Bea’s eyebrow.

“You’re very dramatic.”

“Did I pretend to be anything else?” Ava shakes her head when Bea opens her mouth. “Don’t answer that. Just know.” She sobers, breathing in and exhaling the most truthful thing she thinks she’s ever said in her life. “The minute I met you, I knew you were something spectacular. I knew you were going to change my life.”

A weight hangs between them now. Bea looks shy under it, her head ducking slightly. Ava’s fingers slip, nearly burying into Bea’s hair. She drops her hand back into her lap but curls it over Bea’s, not quite wanting to let go yet.

“Can I tell you a secret now?” Bea asks, eyes still on the space between them.

Ava nods without being seen. “Anything.”

“I never really felt like that.”

“Like what?” Ava frowns. “Spectacular?”

“Human.” Bea looks up. “I spent so long feeling like… an other. That feeling like a human just didn’t… I couldn’t make sense of that. It took some time.”

Ava smiles gently. “But you got there.”

“After-” Bea stops herself, pulling her lips in as if she’s trying to keep something from erupting out. Ava watches the thin stream of air work its way through her nose, and catches the slight shine of Bea’s eyes, the way they seem to sparkle as unshed tears fill them.

“Hey,” she says softly. “No. No, don’t cry.” She drops Bea’s hands, cupping Bea’s face. Her thumbs brush along the flats of Bea’s cheeks. “I don’t know what to do when pretty girls cry,” she admits.

Bea laughs, choked and watery. “Neither do I. But it never stops me from telling you that Lilith doesn’t actually hate you no matter how much of her fancy vodka you drink.”

“One time,” Ava mutters, lips pulled back in a smile as she pretends to be annoyed.

It works. Bea’s smile seems a little stronger. “Ava,” she says quietly.

Ava strokes down a line of freckles absentmindedly. “Yeah?”

“Can I tell you another secret?”

“You can tell me you’re responsible for bringing down the Vatican, for all I care.”

Bea doesn’t laugh, worrying her bottom lip between her teeth instead. Ava wants to press down against the smooth skin but she stops herself before her thumb drifts that low. That perfect, soft-looking skin, a breath away. She focuses, pulling herself back into the moment.

Bea’s voice is nearly a whisper when she says, “Someone thought I was spectacular once.”

“Just once?”

Another silence. Ava tightens her jaw. Listen, don’t talk. She can do that. She can be still. It’s something Bea has taught her - just be still. Just wait. It will come to you when you stay in one place. So, she’s been waiting, patient against every urge within her to jump up and down and scream.

Sometimes, these feelings for Bea are so big in her chest that she feels like she’s going to explode into a hundred stars. She pictures herself shattering as the unspoken words build in her until they can’t go anywhere but out. But Bea is something to wait for. Bea is someone Ava doesn’t mind standing still for. She knows it’s there. She knows the feelings aren’t just her and that Bea needs to find her way forward. Ava just needs to be the flashlight in the distance, waiting for Bea to find her.

“At least, I thought she thought I was spectacular,” Bea continues, almost as if she didn’t hear Ava. “She said-  well, she said something close enough to it.”

Ava can feel another piece of the puzzle slotting into place. Another brick that makes up Bea’s nearly-impenetrable walls. For every one Ava manages to crack and loosen, another suddenly rises in its place. But she feels like this time, it falls and nothing slots into place.

She doesn’t stop herself from touching a freckle this time, tapping out a song she heard years ago before her hands drop again. “Was she pretty?”

She’s clumsy on a good day. Boisterous on others. But Bea is doing that thing again, learning how to run without knowing how to walk. And Ava is practicing. She’s trying so hard. She stays so still that Bea could almost imagine her gone.

“People are pretty in different ways,” Bea finally says. It’s a very diplomatic answer, something so very Bea that Ava breaks her stillness to smile. “All the other girls wanted to be her. I remember someone saying that her hair was so shiny, she must brush it a hundred times on each side before bed.”

Ava can’t help herself. “Is that why your hair is always so perfect? Are you secretly combing it until your wrist hurts?”

“A brush through wouldn’t kill you, Ava.”

“Speak for yourself.”

Bea’s growing smile flickers out. “I suppose it didn’t matter if she was conventionally pretty. I…” Ava watches the way she shores herself up against an invisible storm. “I thought she was beautiful.”

“What was her name?” she asks quietly.

“Penelope Marshall.” Bea says it like a prayer.

“Penelope.” Ava suddenly creates an image in her mind. A girl with wide brown eyes, bronze skin, a perfect smile of perfect teeth, a button nose, long and shiny hair.

Bea swallows and Ava feels the click of her jaw under her palms. “She was in my year, her room just down the hall from me. We were partners in Latin.”

“I bet she copied all her answers off your test.”

“Maybe once or twice,” she admits. “She certainly did not always do her homework on time. But Sister Magdalene liked her and simply turned a blind eye every so often.”

Bea’s cheeks are warming. Ava can see it in the way they pinken.

“It’s silly, but… I remember the first time she smiled at me. I had conjugated the verb, sum, to be, in the pluperfect subjunctive. She had been trying for the better part of an hour, but the switch from esse to fui for the tenses was always confusing to her.” Bea smiles slightly. “When I gave her the answer, she smiled at me and it felt like…”

“Like the world kind of tilted off its axis?”

Bea looks surprised. “Yes. Exactly that.”

“I’m familiar with the feeling.”

Because she is. So, so, deeply familiar with the feeling. The first time she saw Bea, that first smile she got as she bumbled her way through cleaning up the few drops of tea that spilled, the world went sideways and it hasn’t completely righted itself since.

“It’s peculiar, that feeling. It sticks with you, doesn’t it?” Bea looks down. “I used to dream about it,” she admits.

“That’s normal, Bea,” she says gently.

Bea looks up again. “Is it? Because it didn’t feel normal. It felt… other. Strange. Like a rock in the pit of my stomach. Penelope would touch my arm over our Latin text, and I could see my parents poring over my journal, looking for any otherness that might exist between us.”

“She made you happy, though.”

“I thought I made her happy as well.”

Ava doesn’t need Bea to tell her the rest. She can imagine how it went: touches as they broke down a dead language, sitting with their shoulders brushing at meals, giggling as they studied in what Ava assumes must have been a massive and cold library. She can imagine the small strands of Bea’s hair slipping from her bun across her cheeks and Penelope pushing them back behind her ear with quick fingers.

Ava lets herself be selfish and do that same thing now. Bea’s face turns slightly into her hand. Not enough that she probably even notices.

“When did she kiss you?”

Bea looks surprised again and Ava’s hand falls away. “How did you-”

“A good guess,” she lies. Because she knows that having Bea there and not kissing her is God’s strongest battle. She has been a good soldier.

She’s not sure how much longer she can be good.

“A few months into the semester.” Bea’s voice goes taut. “She invited me to study for her biology test. On the recommendation of our teacher, she told me. I imagined it was a lie; she had the same grades as I did.” Her cheeks pinken. “We were reviewing the different biological features of various aquatic animals and she…”

“She kissed you over the cod?” Ava says, voice a little strangled.

Bea meets her eyes. “It was my first kiss. Everyone I knew had theirs already, but I thought that if this is what I was waiting for, it was worth it.”

“The best things are worth waiting for.”

“I’d read about whirlwind romances in novels. Girls in the dormitories talked about it. Boyfriends they had back home that they saw on holiday weekends. But it was nothing like kissing behind locked doors. It couldn’t be. No one else could be experiencing what I did. It was so uniquely ours. Do you know what I mean?”

She does. It means closed doors. It means secrets. Bea reads it on her face because she can see something close to shame bloom across Bea’s cheeks.

“It was just for us,” Bea confirms. “A secret not even my parents, kilometers away, would learn of.”

Ava has never been one for secrets. She doesn’t like the way they taste in her mouth. You’re keeping your own, a voice like Mary’s reminds her. But that secret isn’t really a secret, is it? Because Mary knows. And Shannon knows because Mary knows. And her favorite barista, Lucy, knows it. JC knows it. The belayer at the rock climbing place and the guy at the one party she dragged Bea to and Lilith and Camila - they all know.

Bea knows too. Ava feels the truth of that in every crevice of her heart. Bea knows. Bea isn’t going to do anything about it - she feels that truth too. But the list of people Ava is hiding this from is shorter than the list of people who know it.

“You loved her.”

Bea’s smile is sad, far away. “First kiss, first love. I was convinced we would graduate and run away together. She would lie in my bed propped up on one arm talking about Paris and Rome and the places we could travel as soon as we got away from school. I’d felt so futureless when I arrived, but now I could imagine a million possibilities.”

Ava thinks of making a joke. Something about Bea jet-setting across all of Europe with a pretty girl, exactly the kind of lifestyle she deserved. But she knows this story doesn’t have a happy ending.

“She told me she loved me. More than anyone she loved in her life. She said we were young, but it doesn’t matter. You just feel love louder, she would tell me. I…” Bea takes a deep breath. “Mina may have been the first girl to touch my hand, but Penelope…”

Bea goes quiet long enough that Ava nudges her hand gently. “She…”

Bea’s eyes clear a little. “She touched me in other places. In other ways.”

Ava guesses the next part of this story too. “You wanted to tell someone and she wanted you guys to stay a secret.”

Bea laughs, short and sharp. “I wish it had been that simple. I wish I had been enough to stay a secret. Instead… She must have learned my parents’ trick. When someone becomes unseemly, when it becomes ugly and unwelcome, you simply… strike it from the record. Forget it ever existed. Send it away to boarding school and hope for the best. Or-or pick a new Latin partner and create an ocean that feels uncrossable.”

“Bea,” Ava says quietly.

“I could have accepted it was all done. An ending. I’m sure I could have. But instead I was…” She shakes her head. “Have you ever had someone you thought you were in love with look at you and tell you that none of it mattered? That it was girls being girls and that whispered promises in the corners of classrooms were never more than just a game? A joke?”

“Bea.”

But Bea has a haunted look in her eyes, like she’s somewhere else than Ava’s bedroom with its overflowing laundry and rumpled comforter and the paint swatches on the wall. Ava imagines she’s back in a girls dormitory standing in front of a pretty girl who is cutting her down to bits.

“She told me that none of it was real. It was wrong. It was just something to do. She wasn’t like that,” Bea says, voice just as haunted. “She promised that she wouldn’t tell, because she didn’t want people to think there was anything wrong with her.” An empty laugh, sardonic and hollow in a way that Ava’s never heard, escapes Bea’s lips. “Don’t worry, she said, I wouldn’t want people to think there was something wrong with you, either. I suppose in some twisted way, she still cared.”

The thing about Ava is that she’s always capable of more than she thinks she is. They said she’d never walked; now she runs across campus after Mary. They said she’d never be smart enough to go to university; now she’s in the front row of all her classes, her scholarship enough to make sure she doesn’t need to worry about her degree. They said she’d never make friends; now she has six of them who make every single day something more than she ever hoped.

They said she’d never fall in love; now she has Bea.

And when she doesn’t think she can go a little further, push a little harder, she thinks of Sister Frances and the way she told Ava that she’d never be capable of anything.

But she’s capable of this: setting everyone on fire who ever hurt Bea.

Her anger unleashes like a wildfire, and it swells in her chest so brightly that for a moment she can’t breathe. She can’t see straight. She’s imagining Penelope again but all of the softness is gone and she’s a cutting monster knocking Bea to the ground. She tightens her hand into a fist so tightly that sharp pinpricks echo in her palm from her fingernails.

She doesn’t realize she’s nearly growling until Bea’s fingers are working hers apart, smoothing them flat.

“Ava, it’s alright.”

“It’s not.” Her voice sounds stretched thin. “She’s not.”

“She’s gone.”

“But she’s still here.” Ava shakes her head insistently. “She’s still stuck in here.” She presses a single finger over Bea’s heart. “She still has all this space to be cruel. And when I meet her - not if. I’m going to find her - I’m going to make her suffer. I’m going to-”

“You can’t go on a one-woman crusade because someone hurt my feelings.”

Ava stares. “Hurt your- Bea, she didn’t hurt your feelings. She broke them.”

Bea straightens up slightly. “I’m not broken.”

Ava softens instantly, like someone turning out a light. “No. No, you’re not Bea. Of course you aren’t. There’s nothing wrong with you.” She ducks her head, catches Bea’s eyes, and smiles a little. “You’re incredible. You are spectacular. I promise you that.”

Bea exhales. “I’m embarrassed to say someone had such a hold on me.”

“That’s not embarrassing. That’s human.” Ava raises a cautious hand to Bea’s cheek again. “That’s wonderfully, perfectly human.”

“She just…” Bea takes a deep breath. Ava’s hand slips to her jawline. “My whole world ended in a single minute. Everything I did after that felt… fraught. I couldn’t trust her, couldn’t trust anything anymore. I was constantly looking over my shoulder, wondering if she was going to change her mind and tell someone how different, how terrible I was. She made me… nervous.”

She made me… nervous, Ava thinks.

Ava feels the soft skin between her eyes wrinkle as she works the words over in her mind. Of course Penelope made Bea nervous. Of course she made Bea doubt everything - every friendship, every interaction. Of course she held so much power over the way Bea engaged in the world. Of course she-

Oh.

Bea, who doesn’t linger too long when she’s looking at Ava. Bea, whose cheeks go pink when Ava dusts a hand down her bare shoulder. Beatrice, who is always the gentleman, always the one to hold back when they seem to be teetering on this invisible line of why aren’t we.

Of course Bea is going to be scared of what their friendship could become. Because she had this happen. She put her whole heart into something only to be told how wrong it was when it was over, how wrong she was, and that none of it was real.

Ava has been wondering why Bea is so afraid of what they could be. She thought if she proved herself, if she stayed when she could have run, then Bea would understand. She thought Bea would look at her and see someone worthy enough of falling in love with. She thought, some nights when the stars on the ceiling just weren’t enough light, that there was something wrong with her. Something that Bea wasn’t telling her because she was too nice to let Ava down so cruelly.

But it’s not her. It’s not Bea. It’s all the ghosts of Bea’s past stacked up against an ‘Enter’ door that are stopping Bea from pulling it open. It’s all these things outside of Ava’s control that’s holding them back.

It all comes together so neatly in her mind. Bea is not going to make the first move. She never was. She’s been leading Ava to this place, but she can’t make the final step. She’s loading the gun but she can’t pull the trigger. She’s putting this in Ava’s hands and hoping that Ava doesn’t break it in two.

Ava’s clumsy on a good day. Boisterous on others. But she’s also been practicing so hard at being still and maybe that was the wrong thing to do. Maybe Bea needs her to move, to run ahead and give in first.

Ava takes a deep breath, feeling it expand in her chest. It’s loud, roaring in her ears. Bea looks at her curiously. Maybe she doesn’t know that Ava has put it all together. Maybe she’s just as confused as Ava was a second ago. But Bea is smart. No, she’s not just smart, she’s Ava-smart. And she can read Ava like one of the dog-eared books littering their breakfast bar.

“Bea.” Her voice is remarkably steady.

Remarkable, because her whole body feels like it’s moving, vibrating at a frequency unable to be heard by the human ear. She catches Bea’s wrist in her fingers, locking them tightly around the delicate bone.

Bea is still, eyes dropping down to where their skin meets. “Yes?”

“Beatrice.”

Her hand is the thing shaking now as it rises up between them and slowly presses to Bea’s cheek, fingernails curling around her jaw. She feels it move as Bea swallows, hears the slight click of it as the silence magnifies. Bea’s eyes widen and she nearly pulls away, Ava’s hand on her face the only thing stopping her.

“Ava, I…”

Ava imagined their first kiss. She’s dreamed of it almost from the moment she met Bea, already wondering what it would be like before she knew who Bea really was - before she knew how good it was going to be. But she read something somewhere about how knowing someone enhanced the experience of loving them. How something steeped in history made the love richer. And the history she has with Bea may be short, but it is rich. Bea knows all her secrets and now she knows all of Bea’s.

So, fucking kiss her, a voice like Mary’s demands.

And isn’t Mary always telling her she has to listen better?

She only closes her eyes just before their lips touch. She wants to see Bea’s face and is rewarded with the fluttering of delicate eyelashes, the slight parting of Bea’s lips, the quiet hitch of her breath and the way her throat bobs as she tries to hold it back. Her hand slips to the back of Bea’s neck, pulling just until her top lip brushes Bea’s bottom one.

Her eyes slip closed as Bea’s bottom lip slips between hers and they’re kissing. They’re kissing. Bea is warm and soft and still. She stays there, intent in the way her mouth clings to Bea’s. I’m here. I’m kissing you. I’m choosing you. And you’re spectacular.

Bea shudders, her whole body coming alive, and she surges forward as Ava starts to pull away. The air goes out of her lungs and she tips backwards a little and she panics, unwilling to break apart now that Bea is kissing her back. But Bea’s hand goes past her, holding her up as she exhales against Ava’s mouth.

They’re so close together, their knees knocking. Bea’s mouth presses hot against hers, closed mouths clinging to each other. She can’t believe it, can’t believe they’re finally kissing and Bea isn’t running - she’s closer as Ava’s shoulders fall back against the bed, Bea’s hand curled around her shoulder as she settles against Ava’s side. Her free hand has found the hem of Ava’s shirt and her knuckles are brushing against the sensitive skin above Ava’s navel, steady and warm.

It’s Bea who takes the hesitant step forward, her lips parting just enough that Ava’s slide, and then Ava can feel Bea breathing as she kisses a little harder, mouths open against each other. It’s Bea who takes a less hesitant step again, the tip of her tongue ghosting along Ava’s bottom lip.

Ava pulled down the last brick, but Bea was a roaring river behind the dam and she kisses like she’s been uncorked. Her fingernails dig into the soft flesh beneath Ava’s shoulder, her knuckles press into Ava’s stomach, and she kisses with reckless abandon.

“Bea,” Ava whispers between kisses. She’s never been one for religion but maybe she’s been worshipping the wrong gods. Maybe this is who she should have been praying to all along.

Bea hums pleasantly against her mouth. She’s bolder now, kisses a little more frenzied. Ava understands. She tightens her hand at the base of Bea’s neck, pulls her closer. Her other hand slides down the flat of Bea’s stomach and curls around her hip bone, thumb stroking over the soft fabric of her sweatpants.

She thought kissing Bea would be amazing but she was wrong. It’s life-altering. She can see everything shifting to accommodate the way Bea’s lips press, hot and open-mouthed, against her own. She’s going to be completely altered after this, her life now in two separate parts: Before Kissing Bea and After Kissing Bea.

Bea’s hum burns into a low moan as Ava’s fingers dig more insistently into the dip of her hip. Ava is addicted now. She kisses harder, body starting to move as she rolls, a leg going over Bea’s until she’s bracketing Bea’s hips. She slides her mouth along Bea’s jaw to just below her ear, following the way Bea pants at the sensation of her teeth against smooth skin.

She needs to be closer. She needs nothing between them. She sits up, holding her weight as she works her fingers in her shirt and lifts it high and off her shoulders. She tosses it onto the corner, adding to the laundry pile, and sits above Bea in her bra with the flamingos on it, her chest heaving in anticipation.

Bea stares up at her, her face flushed and her lips bruised. Hesitant hands go to Ava’s waist, fingers flexing experimentally as they settle just above the hem of her shorts.

“Hi,” Ava whispers.

Bea nods, the line of her throat bobbing. Ava watches as her eyes track down her body, shoulders down to the sliver of skin just above her shorts. It takes her a minute to look back up and meet Ava’s eyes.

“Is this-?”

“Yes,” Bea interrupts. Her fingers feel purposeful now, like she’s burning her fingerprints into Ava’s skin. “I… I want this.”

A niggling thought works its way into Ava’s mind. Just a breath of hesitation. “You’re sure?”

Bea sits up, hands sliding to the small of her back. She blinks, eyes wide but focused. “Ava, I’ve wanted this for…”

“So long,” Ava finishes.

“So long.” Bea’s eyes flutter and she leans forward, mouth brushing over Ava’s collarbone. She feels her eyelashes against her throat. “Are you sure you want me?”

Me, she says unspoken. Me out of everyone else you could have.

Ava puts two strong fingers under Bea’s chin, lifts her face up until their eyes meet. I’ve never wanted anything more sounds too small. But it’s the only way she can think to say it. And when she does, Bea’s smile brightens the room.

Bea presses her lips to the pulse thudding in Ava’s neck, gentle teeth scraping against the skin. Ava breathes in sharply at the feeling of it, of Bea’s fingers working steadily up her back until they’re hesitantly touching the clasp of Ava’s bra. Ava is brave enough for both of them. She reaches back and loosens it, the fabric falling away from her chest. She tosses that away too.

Ava hisses softly when Bea’s fingers skate up her stomach to cup her breast. Her hand is burning, and Ava pushes into it so she can feel herself on fire. It only grows hotter when Bea kisses her collarbone again, teeth a little more insistent as she makes her way down to her own hand.

Ava pulls at the bottom of Bea’s shirt, freeing it from where she’s sitting on it, and pulls gracelessly until it’s over her head and somewhere by the door. She traces the lines of Bea’s navy bra until she finds the clasp and undoes it, flinging it away.

“I’m not going to make a joke about your boobs,” she whispers into Bea’s temple. Her tongue swirls over sensitive skin at Ava’s chest. “But just know that I really want to.”

Bea lifts her head. “I appreciate your restraint.”

“Saint Ava, they call me,” she babbles. “Patron Saint of-”

Her words are swallowed up in a gasp as Bea presses a hand down purposefully down on her waist. It sends a shiver through her and pulls a little bit of a moan from the hollow of her throat, Bea’s eyes widening slightly in surprise.

Ava tucks some of the loose strands framing Bea’s face back behind her ear, cheeks just a little red. “Before we… Before we do anything else, you need to know that I’m not going to be normal about this. Like, at all.”

Bea walks two fingers up her side, using ribs like steps. She moves them across her chest, brushing against her nipple. Ava shivers again. “I don’t know that I’m much interested in normal,” she admits.

Ava arches into her touch. “I’d hope not, considering how much you’re into me.”

She pauses, breath caught in her lungs as she waits for Bea’s reaction. Bea looks up with wide, imploring eyes. She searches for something on Ava’s face, and Ava hopes beyond hope that she finds it.

Not because she needs Bea’s hand to keep doing what it’s doing. Not because she wants to slip her fingers beneath Bea’s waistband. Not because she wants to hover over Bea and nose down the long stretch of what she’s sure is perfect skin from her chest to her belly button.

Because she wants all those things. But she also wants Bea to know she’s safe. That it’s okay to want her. That Ava is going to be someone she can trust, that Ava won’t treat her like something that’s going to break but will hold her gently regardless.

It feels big, to say that. But Bea is right there, a fingertip away, with her lips bruised and her hair starting to tangle around Ava’s fingers, and she thinks: I’m never going to come back from this. I’ll never be the same. What she feels is undeniable and real, the most real thing she has ever known and she would never, ever want to go back, even if she could.

“I am,” Bea finally says, voice a breathless whisper.

“A lot?” Ava asks, a sliver of neediness in her words.

Bea nods, unblinking. “A lot, yes.”

Ava makes a show of breathing a sigh of relief, a relieved smile on her face. “Well, that’s embarrassing for you.”

“Ava.”

Ava buries her reply in a kiss, fingers curling around Bea’s shoulders as she slowly inches her backward onto the bed until Ava is a shadow hovering above her. She wonders what the hollow of Bea’s throat tastes like, and she smiles into the kiss as she realizes she doesn’t need to ask. She breaks away from Bea’s mouth, kissing over the point of her chin and the underside of her jaw and down to the dip of her throat, teeth nipping at sensitive skin as Bea’s breath hitches. She can feel fingers flex at her waist and then tighten more purposefully.

Sensitive neck, she catalogs. She wants to make a list, grow it until she knows all of the places that cause Bea to make that breathless noise.

Bea’s fingers are insistent at her neck, drawing her back up until they’re kissing, harder than they have before. Bea kisses with lips and teeth, her tongue soothing away the nips, while one hand works its way to Ava’s waistband, curling into the thick denim fabric of her jeans.

She would have been satisfied with some heavy making out. Her skin is already burning where Bea’s bare chest is pressed against hers. She can live with this. But Bea doesn’t seem to be able to live with just this. Ava feels the back of her knuckles against her stomach as Bea pops the button of her jeans and works down the zipper. It’s so loud in the silence.

Ava kisses her way down Bea’s throat again then goes lower, tongue leading the way as she flicks the tip of it over a pebbled nipple. There it is again, that breathless noise. The fingers at her waistband freeze, tighten around the denim, and then release. Ava’s hand goes to Bea’s other breast, and she feels it press into her palm as Bea arches her back slightly.

Ava dares to go lower, kissing over the swell of Bea’s breast and down to her navel. She slides back on Bea’s legs, her fingertips light against Bea’s skin above her hip bones.

“Ava,” Bea breathes. She reaches down, hands reaching for Ava’s chin. Ava kisses the center of Bea’s palm as strong fingers curl around her jaw. “Ava.”

She doesn’t know what Bea’s trying to say, but she doesn’t need to. She can feel the heat radiating off Bea, the anticipation. She hooks two fingers in the waistband of Bea’s study-sweatpants, the ones she wears on all-nighters where she’s going to fall asleep sitting up, and starts to work them down a little as Bea’s hips lift off the bed.

She rests her forehead in the dip of Bea’s hip. She’s never believed in a God, but she does believe there’s a higher power out in the cosmos, and they’ve suddenly found her worthy of this gift: Bea stretched out across the sea of her comforter with her eyes closed and her chin tipped into the air as her chest rises and falls with increasingly harder breathes and her hips arching just slightly until Ava feels her against her forehead.

Because shit, this is holy.

A hand snakes its way into her hair, blunt fingernails scratching against her scalp. She can feel them trembling slightly. Ava wants to feel the whole of Bea tremble. She kisses down as she pulls Bea’s sweats down until they’re past the top of her thighs to her knees.

This feels like a moment they can’t come back from. And looking up at Bea, at the way those dark eyes stare into hers and the hand in her hair tightens slightly, she doesn’t want to come back from it. She wants to never, ever come back from this. She only wants what happens on past this moment.

She works Bea’s underwear down until they’re on the floor with her sweatpants in a tangled heap, and she noses her way lower until it’s nothing but heat and something slick against her tongue. Bea keens, hips lifting high off the bed, and Ava presses down hard against them with flat palms, keeping Bea down in one place.

The hand tightens in her hair, Bea’s knees tighten around her shoulders, trapping her in this crystalline moment. She rolls into it, tongue working more steadily as she feels Bea’s hips start to roll in response. She dips lower and soars higher, an unknown melody working into her mind and guiding her as Bea lets a sigh loosen from her throat.

Her hand climbs until she feels Bea’s breast against her palm, and she works her fingers over sensitive skin. Bea’s hand traps hers in place, palm burning. She can feel Bea’s legs start to tremble, and she licks a little more precisely, a little more purposefully.

She swirls, she drives forward and pulls away. She finds a rhythm until Bea’s whole body starts to tighten into an invisible line, pulled taut by an some unseen string. Ava doesn’t stop, even as Bea’s legs tighten around her. Even as that hand in her hair pulls a little harder. Even as Bea’s breathing swells into a hard pant and she lets out a strangled cry of Ava’s name.

She doesn’t stop until Bea’s body melts into loose muscles, until Bea’s hand goes slack in her hair. Everything is hot against her skin. Her tongue eases away, laving up and over Bea’s hip to her navel and charting a slow course to the center of her chest until she’s back at the hollow of Bea’s throat, teeth nipping as she feels Bea’s chest rise and fall rapidly against her own.

Bea draws another ragged breath, a hand up over her red face.

Ava pulls it away and kisses Bea hard, their mouths sliding together. Bea’s fingers curl around her throat, holding her in place when Ava tries to pull away. A tongue dips behind her teeth. Bea inhales sharply, stealing the air from Ava’s lungs.

Bea, still panting softly, hooks a leg under her and twists, rolling until Ava is on her back, and Bea is hovering over her, eyes dark and flashing.

The air punches its way out of Ava’s throat. If she’s cataloging the things that turn her on, this has just gone to the top of the list, right after the way Bea tastes and the feeling of her mouth sliding against hers.

“Bea.” Her voice is strangled and warped between them.

But Bea doesn’t answer her. She works her fingers purposefully down Ava’s front, sliding beneath her waistband without fanfare, without hesitation. Ava’s legs part with a half-breath, the other part of it stuck in her throat.

Then it’s nothing but an overwhelming sensation and the soft sound of Bea panting in her ear as Ava feels the world start to tighten around her. Bea’s breath is replaced by a white static, and there’s a fullness in her that she knows she’s going to be chasing for a while. Her hips lift and fall, a rhythm she knows without having to think about it. She rides it out, settles into it like she’s known it all her life and then-

And then-

Then she’s soaring, hips off the bed and her whole body shaking as she tries to focus on the rhythm again, the whole dance gone from her mind as it’s replaced by fireworks exploding, one after another. She can feel Bea’s hand on her, in her, and nothing else. She’s disconnected from reality except for where Bea is touching her. Floating weightlessly in an in-between where nothing but this feeling and Bea, hot against her side, exist.

She crashes back down, the world slamming back into her head as her legs clench, Bea’s hand between them. Strong fingers slide away and stroke across her thighs before they go up and curl around her side. Her breath comes hard, her pulse pounding in her head. She squeezes her eyes tightly, afraid to open them and see that the whole world has been turned upside down.

She wouldn’t care if it was, is the problem. She wouldn’t care if she suddenly found herself light years away where there was no oxygen in the solar system. As long as Bea is next to her, she doesn’t care.

She opens her eyes slowly and turns her head, finding Bea looking back at her with liquid pools for eyes.

“Hi,” she breathes, the word sticking in her throat.

Bea smiles softly. “Hi.”

“That was…” She inhales raggedly. “It’s never been like that.”

Because I’ve never been in love, she doesn’t say out loud.

Bea is biting on her bottom lip, eyes searching Ava’s face. “Me either,” she finally says.

Ava hums, content and boneless. “We are so doing that again. Soon,” she promises. “When I can feel my legs, it’s over for you.”

Bea laughs a little. “Okay, Ava.”

Ava lets her eyes close again and when she opens them, Bea is still looking at her. It doesn’t unsettle her. She lets Bea drink her in, and she lets her own eyes follow the lithe line of Bea’s body.

“Boobs,” Ava sighs. She curls one hand around Bea’s breast, no intention in the movement.

Bea wiggles around as if it tickles slightly, but she just settles more tightly against Ava’s side.

“I’m going to be insufferable,” she warns.

“So I can expect more jokes about my boobs.” Bea walks two fingers up her side and across her chest, pressing over where her heart is. “What else?”

Ava inhales shakily. “Anything else you want.”

“Anything?”

“Anything,” she promises. “Whenever you want. I’ll be a court jester for you, babe.”

Bea’s face pinkens at the name, but she holds Ava’s gaze for another moment before she rests her head between Ava’s shoulder and neck. “I do find you marginally funny,” she admits lightly.

Ava grins, the smile lazy. “See? You need to tell more people how funny I am. Mary doesn’t believe it.”

The blush doesn’t fall from Bea’s face. “Please don’t talk about Mary while we’re naked.”

“Why not? She’ll think it’s hilarious.” But Ava stretches her neck and kisses Bea’s temple. “But okay. Just this time.”

“I appreciate it,” Bea murmurs. It’s familiar, the exasperation, but it’s tinted with this whole new feeling. A new depth. “Ava?”

“Hmmm,” Ava hums, sleep pressing against her body.

“I can tell you later.” Fingers brush hair off her damp forehead. “Close your eyes for a little bit.”

“Just a little,” she agrees. “And then I’m making you stir fry.”

Warm lips press against the hollow of her throat, humming an okay against her skin. Bea settles against her side as a warm and welcome weight.

She doesn’t remember falling asleep, but she knows she goes quietly and calmly, and that Bea is still there, still pressed against her side, molded to her like she was never meant to be anywhere else.

-

She wakes up to the smell of paint. Her eyes take a minute to adjust to the light in the corner but she pushes up on her elbow, the comforter over her sliding down to her waist. She blinks as Bea comes into focus.

“You’re painting?”

Bea turns. She’s barefoot, in her underwear again, and one of Ava’s cropped t-shirts that has a white cat in red shadows and I’m not cute I’m purr evil written on it. It hangs a little higher on her and Ava can see the swell of her breasts through it.

She’s the most beautiful woman Ava has ever seen.

And she’s blushing. “I didn’t want to wake you.”

Ava sits up more fully, stretching her arms above her head. She watches, a slightly smirk on her face, as Bea’s eyes drop to her chest. But she doesn’t push. There’s time to tease Bea about staring at her boobs. All the time in the world, really.

“How long was I asleep?” She looks at the wall. Bea has nearly finished the whole thing.

“Not long.” Bea puts the paint can down on the stool, balancing the paintbrush on the edge of it. “But you looked…”

“Like a dead fish?” She’s aware of the way she sleeps, limbs thrown about and head rolling back. Years of being unable to move makes it so she never stops now, even sleeping.

“Peaceful,” Bea finishes. She’s hesitating, torn between wanting to do something and worrying about doing it.

So, Ava takes the lead, leaning in until she’s kissing Bea. She feels Bea sigh into it and knows it was the right move, that it’s what Bea wanted to do. She wants Bea to know she can do this whenever she wants. Bea kisses back almost instantly, sliding into an already-familiar rhythm.

She pulls away, a smile on her face. “Hi.”

Bea is a little breathless when she says hi back.

“I thought we weren’t painting.”

Bea looks back at the wall, most of it covered already. “You were right. About leaving our mark on this place. Someone needs to know we were here.”

“If we ever move out.”

Bea smiles. “If we ever move out.”

Ava pulls her legs up under her and Bea’s hand into her lap. “The only place I plan on moving is into your room. Or you can move in here, since we’re already decorating.”

“Oh?” Bea says. Her voice seems tight, like she’s holding something back.

A wiggle of doubt worms its way into her mind. “I mean, if you want to. No pressure. I’m more than happy to stay here and we can pretend like-”

“I don’t want to pretend,” Bea interrupts. She seems surprised by the firmness in her words and she sucks in her lips for a second before she shakes her head. “I wasn’t sure if you- I know you just kissed me but maybe that was you letting me down and-”

“Bea.” Ava waits until Bea’s mouth snaps closed. “I don’t want to pretend. I’ve been waiting months to kiss you, and unless you tell me otherwise, I plan on kissing you at least a hundred times a day.”

Some of the tension drains from Bea’s shoulders. “A hundred.”

“Give or take another hundred.” Ava grins. “One kiss for every time I’ve thought about kissing you the last seven months. Spread out, of course. Otherwise we’d probably be stuck in this apartment for days, just kissing.” She narrows her eyes playfully. “That might not be the worst thing to happen, though.”

“I’d miss finals,” Bea points out.

“Do you really need to pass them? Aren’t you teaching the classes at this point?”

Bea rolls her eyes, fond and exasperated. “Ava.”

“Bea.” She rolls her eyes back. “Fine. If you won’t lock yourself away to make out with me for days on end, what else are you willing to offer me?”

Bea is quiet for a long moment, her hand twisting in Ava’s as she thinks of something. Ava can see it pressing against her teeth, can practically feel the tension of whatever Bea wants to say radiating off her and lighting up the whole room. Ava waits it out patiently, knowing that whatever Bea has to say will be worth it.

She stays still. She waits. Bea has a way of bringing out all of the things in her that no one else has bothered to look for before. And after another minute, Bea looks up.

“Me.”

Ava’s heart clenches in her chest. “You.”

“I’m willing to offer me. Just… me. If you’re willing to accept.”

Ava turns Bea’s hand over in hers and presses two fingers to the thudding bundle of nerves at the base of her wrist. Bea looks down at where they meet and her eyes stay locked there for a moment while Ava watches her.

“If you think there’s anything just about you, then you don’t know the Beatrice I know,” Ava finally says. “Because I’ve never thought there was anything just about you. You always leave the light on for me. And you never make me do the dishes alone. And you don’t mind mushrooms on your pizza. You keep soda in the apartment and you always vacuum when I’m not home.”

A funny smile graces Bea’s face. “I think that makes me good for you.”

“The best,” she agrees. Her smile softens. “I’ve never thought there’s anything just about you. You’re incredibly kind, trustworthy. You’re humble - maybe too humble,” she jokes. “And considerate. And insanely intelligent. Hilarious. My best friend.” She pauses. “And I’m pretty sure you’re the love of my life.”

Bea inhales sharply.

“I know that’s, like, a lot. And I don’t need you to say it back, because I’m not trying to pressure you. But saying it all has lifted some kind of weight off my chest. Like, I didn’t know I was suffocating under not saying anything but I guess that I was,” she babbles. “But honestly, you don’t need to-”

“Ava,” Bea says patiently. She waits until Ava snaps her mouth shut and mimes zipping it closed. “My parents…”

“I’ll kill them,” Ava says cheerfully, looking guilty when Bea’s eyes cut to her. She closes her mouth again.

“My parents made me believe that love had to be earned. That if I wanted it, I had to work for it.” She takes a breath, astonishingly steady. “But you’ve never done that. You’ve never made me work for it. You’ve just… given it. It’s who you are.”

Ava’s smile wavers a little. “Because you don’t need to deserve love.”

“I didn’t know that before you.” Bea shakes her head. “I’ve had to unlearn a lot of things since meeting you. Like that. Like how to not be afraid. Like how to eat pizza. All these things that were so ingrained in who I was that I didn’t think I’d ever know anything different.” She reaches up and cups Ava’s cheek. “You changed all of that for me.”

She thinks Bea is saying I love you. She thinks Bea is saying You’re the love of my life, too.

And then Bea, spectacular Bea, looks into her eyes and says exactly that. “I love you. I’ve loved you since you spilled tea on my very important notes, and I’ve fallen in love with you every day since.”

Ava feels relief flood through her like a dam breaking. “That’s good. That’s really, really good. Because it would be embarrassing to be sitting here naked telling you how much I love you if you’re not going to say it back.”

Bea shakes her head but she’s smiling. “Ava.”

“Beatrice.” Ava curls a finger under Bea’s chin and beckons her forehead. She kisses her slowly and sweetly before she pulls back. “Kiss one of a hundred today.”

A blush spreads across Bea’s face. “You’re not really going to count, are you?”

“I’m going to keep a tally, that’s how serious I am.” She kisses Bea again. “Number two.”

Bae rolls her eyes and when Ava kisses her a third time, she opens her mouth, tongue brushing Ava’s bottom lip. It leaves her breathless when Bea pulls back.

“If I knew getting you in my room would have ended up like this, I would have tried a lot harder,” she says, eyes still closed.

Bea’s lips press against her cheek, then under her eye. “I wasn’t ready for that,” Bea whispers against her skin.

Ava doesn’t open her eyes. “I know you weren’t.”

Bea’s forehead rests against hers. “I am now.”

“It’s okay if you’re not. I won’t stop loving you.”

Bea’s breath ghosts across her mouth. “I am. I’ve never been ready for anything more in my life.”

“Not even your finals? Because you’re really ready for those, even if you think you aren’t.” She feels Bea start to argue more than she sees it, eyes still closed. “I’ve never met anyone who studies as much as you study. Seriously, you’re a beast when it comes to notecards and colored highlighters and-”

She does stop this time as Bea’s lips press against her. She hums, sinking into it. “Oh,” she says when Bea ebbs away. She finally opens her eyes.

Bea is smiling, beautiful and wide. “More than my finals. If only because I’m still not convinced of Thecla’s real contribution to modern religions.”

“I don’t know who Thecla is, but she’s never been less relevant to my interests right now.” Ava twists a strand of Bea’s hair, resting on her cheek, around her finger. “She could be Jesus’ mother for all I care.”

“She’s not-”

“I know she’s not.” Ava grins. “But I like the way you look when I say something wrong.” She presses her finger to the space between Bea’s eyes. “Like you’re not sure if you want to lecture me or kiss me. For the record, I’m very much in favor of the second option.”

Bea’s lips pull up in a slight smile. “I’ll keep that in mind.”

Ava breathes in deeply, letting the air fill her lungs as she stretches her arms over her head, noting the way Bea’s eyes follow the lift of her chest. She smiles to herself. Maybe Bea is a boob-girl. She’ll have to weaponize that knowledge for later. 

“I think I promised you stir fry.”

Bea opens her mouth to argue.

“And I’m hungry,” Ava says over her. “And can be trusted with a knife. So, I will be making you stir fry, because it’s the one thing I’m good at. And I want to impress you.”

Bea’s smile is fond, and Ava thinks back to the first time she saw it, how it was aimed at Camila and how she wished one day it would be a smile for her. And now here she is, Bea in her shirt and an I love you between them and a smile that is reserved just for her.

“So let me make you stir fry and you can come sit and study some more. In my shirt. Which, by the way, is very sexy.” She winks.

Bea rolls her eyes. “Mine was quite tangled up in the comforter, and this was just the most easily accessible.”

“You have a bedroom about a hundred feet away,” Ava feels the need to point out. Bea’s eyes narrow and Ava grins. “But for the record, I really like seeing you in it.”

Bea blushes a little but stands and opens Ava’s drawer, pulling out a pair of underwear - Ava’s favorite, yellow with pineapples on them - and then a big t-shirt she stole from Mary that has a pug with a pair of aviators on printed across the front. She hands them to Ava.

“No pants?” she asks as she pushes the comforter down and wriggles into her underwear. She pulls the t-shirt on, huffing her hair out of her face.

“No pants,” Bea says simply.

Oh. Okay. She grins and stands up, curling her hands around Bea’s waist and pulling her in. “This is going to be so good. I know it.”

Bea smiles, swaying slightly with her when Ava starts to go back and forth on her feet. “I know it too.” She presses her lips to Ava’s forehead and speaks against it. “Thank you, Ava,” she breathes.

Ava frowns. “For what?”

Bea pulls back and tucks a strand of Ava’s hair back behind her ear. “For waiting for me to be ready.”

“Of course I waited. I love you,” she says easily.

Bea’s smile widens. “I know.”

Ava beams back at her, feeling like everything has slotted into place so neatly. She never wants this moment to break, never wants it to go away. She wants to remain forever in this room with Bea in her arms and the rest of the world somewhere else doing whatever it is they’re doing. All that matters is this moment, these kisses between them, the possibility of what the next moment brings.

She can’t wait.

[meteortrails]

"but yeah idk prompto is. a lot less wet cardboard than people make him sometimes"

Yes you get it! Keep talking forever please!

thank you 🥰 but yeah it’s always funny to me how prompto’s loneliness and his ED and his honestly deeply tragic backstory make it really easy for people to portray him as just. the saddest wettest creature in the whole world who desperately needs his friends to save him from his little wet cardboard box. but he’s got a lot more backbone than people give him credit for!! he’s clever, and if the gameplay is any indication a big fan of explosives, and he will claw his way through and survive whatever gets thrown at him. prompto is very much someone who can roll with the punches and carve out some semblance of sanity for himself no matter what the situation.

and he has put in a lot of work to make sure his relationship with the chocobros is one of equals, where he’s not someone they need to save and take care of but someone that they can lean on as well! he’s loyal to noct and the others in a way that defies description and it is near entirely bc they just. genuinely like him and want him around. so long as that’s true, prompto would move heaven and earth to stay by their side, yknow?? and he serves a very real functional purpose in the party - he’s the emotional core, the anchor that keeps the rest of them from imploding under the weight of their shared histories and responsibilities. idk i guess it just grates a little to see people kinda ignore one of the fundamental pieces of why prompto and his friendships are so interesting to me

[ferngle]

Your art is very crunch-munchy, may I request an engi to nom on?

you may!!! however- i am dog ass at drawing engi. so these might be alittle bitter.

[nebulous-rain]

HAPPY LATE HOLIDAYS @ruebeary !!!!!!!!!!!!

you want lewis ur gonna GET it babeyyyyy. but i didn't wanna leave everyone else out so i kinda sprinkled them all over :) HOPE U ENJOY !!!

(thank you sm to @msaholidayspirits for hosting !!!)