#I know its been done to death

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[koszmarnybudyn]

So this song fits them so very well right?

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[iidsch]

also more codelyokoposting but I really really dig XANA as a villain. It's not a person with a complex background that led them down the path of evil, it's not a morally grey character you sympathize with but condemn. It's a powerful AI capable of controlling almost anything in the real world. It doesn't have a face or a body, we only know it for its symbol and for the monsters it controls in the virtual world. It's willing not just to kill people through various methods (poisoning, drowning, car crash, fucking space lasers too?) but also Earth as a whole (it tried to blow up a NUCLEAR PLANT and crash two trains with toxic chemicals in them). And we don't even know why it does this, at least not for now. It may not even have a particular reason, just some sort of virus or malware in the form of an AI that seeks nothing but destruction without any goals in mind. This "pure evil" characteristic doesn't come off as childish, like in some children cartoons, it's just kind of scary to think that such an incomprehensible and destructive force exists, almost feels like a natural disaster

[sidesteppostinghours]

ok. question.

ortega ended up hallucinating sidestep after they "died", but sidestep doesnt know about that. they know it got bad, but never the full extent of how their death affected them. so if your sidestep Did learn, if they found out ortega looked for them in every little piece they could, would that change anything for your sidesteps? would their relationship with ortega be any different?

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[xxplastic-cubexx]

being a comic charles xavier fan is like being in the trenches like yeah we know he sucks! idk why they demonize people who like morally grey/villainous characters and sometimes they judge him based off of stuff that was retconned long ago that stemmed from harmful stereotypes about disabled people at the time 💀

i think my favorite part of the Comic Charles Enjoyer experience is sometimes seeing people act as though he personally went into their house and shot their dog or something

[losver07]

was working on my wip and realised this scene is so wolfstar coded so ummm here ya go (sorry in advance for the awful translation lol)

also this is veeery long so i'm putting most of it under the cut

tw: mention of death, harsh(ish) lenguage

★

"Then came the ambulance and the police,” he murmurs, his eyes fixed somewhere in the room, mind showing him once again the image of Sirius' tired smile. "They gave me a blanket. I felt stupid in it."

John, observing him with deep eyes, full of compassion, nods. Remus figures he can't show it, the pity. That it's part of his job not being able to say Oh, you poor thing and that, instead, he must be professional. And it's not that John is bad at it, at hiding what he thinks; it's just the eyes.

It's impossible to lie with one's eyes. Sirius' always shine, even if he insists on wearing the blackest clothes.

Shined. Not anymore. And he doesn't dress in black anymore, it's Remus who has to mourn now, instead of him. And for him.

"How are you feeling?" the psychologist asks, and Remus makes an effort not to cry.

"I don't know," he answers, honest. He doesn't know what words to use. "Bad."

Not enough. John gestures at him to keep talking, to elaborate. He always does that. It's cruel.

Remus looks down at a ring he takes off his finger, and proceeds to watch it turn in his hands as he fidgets with it. It was Sirius'. Everything he owns was either his or reminds him of him in some way. Even the smallest of things, the silliest of details.

If only he could get rid of it all. If only he knew that'd make him forget.

"It's like I don't really believe this is real,” he says, without lifting his gaze from the steel ring. It's carved in a checkered pattern, a chess board that extends and hugs the owner's finger like a ribbon. It's not excessively visible but, if you brush your finger against the metal, you can feel the shapes against your skin, kissing your fingertips like he once did. That feels like so long ago, though. “I... I'm sad, obviously, but also angry. I think it was selfish of him."

Before it had been his, Sirius', the ring had belonged to Regulus. It had been silver then. Sirius turned it into steel when he'd received it from his brother, who got it from their father, whose father had gifted him it, and so on. It must be hundreds of years old.

"Selfish?"

He'll probably ask to be buried with it. If it's not worn on his left hand, it will be trapped on a chain around his neck.

"Yeah, I dunno," he shrugs. He doesn't know how to explain himself. He knows how he feels, he just finds it difficult to believe that anyone could understand it. He tries anyway. "He's gone and he's left us all here as if we didn't have enough problems of our own," he says. "Like, now I have to be myself, which is already tough enough, and also be him for James and Peter and Harry and... Oh, God, Harry..." He shuts his eyes. He needs to breathe. He closes his hand over the ring, and looks at John. "But I need him too. And I don't have him. I don't have anyone to treat me like he did. So, I don't know."

The therapist nods again. When he started the sessions, Remus thought it was weird that John didn't take any notes, like in the movies. It might sound stupid, but he imagined someone constantly writing on a notepad, making a record of every word that came out of his mouth.

It turns out John only uses his notebook to write dates and appointments down; that he actually listens to what he says, instead of analysing every sentence as if it were a mathematical problem.

He's been lucky, and he knows it. At least in this, he's been lucky.

"Do you feel responsible for what happened?" He asks, and Remus thinks about it for a second. Now that the unease has lessened, he's left with just the cold on the tip of his nose and the metal on his fingers. He misses hugging Sirius on cold days like this one.

"Yes," he answers. No point in lying.

John stares at him. Elaborate, he's probably thinking. He always looks at him like that when he wants to make Remus talk.

"I'm the one who was supposed to take care of him," he says then. "And, instead of that, what I did was use him to make him help me with my shit. And even after he's gone I'm still whining about him not being here to give me cuddles. I don't know. Maybe I'm the one who's being selfish.

The psychologist, whose diploma is Remus now observing, makes a face.

"Wanting love is not selfish, Remus," he says, so soft and kind it almost makes Remus feel small, vulnerable and about to break. Or already broken.

"But taking the love away from someone and keeping it to yourself is," he objects.

"You think that's what you did? Taking the love from him?"

"I don't know," he says, and before John can ask him to explain, he continues: "I think maybe if I'd made things right he'd still be here."

The air is still for a few seconds, both in the room and in the street across the window, as well as inside of Remus' lungs, who holds his breath in an attempt to make the ache on his chest go away. It doesn't work.

"It wasn't your fault that he suffered," Josh tells him, but he's been told so many lies he doesn't need to think to detect the lie.

"But it was that he didn’t stop suffering," he tells Mr Too Good For Taking Notes. He should've had that noted. "I should've done something. It's what I'd to have done."

John, wanting to understand but being apparently incapable of it, furrows his brows a bit. The expressions only last a second, and is not even that exaggerated, but Remus sees it anyway. The doubt.

"You think it was your purpose?" He asks. He acts interested. Sometimes he almost even makes Remus forget that he's paid for what he does. That he wouldn't be there if it weren't for the money. That he's got better things to do than...

"Helping him?" Remus asks, trying not to sound too aggressive, but probably failing. "Yes."

"And do you think you were, say, destined to save him?"

"Yes," he agrees. A bit cheesy his personal taste, but, yes, that's what he believes. Why lie, if he's not going to write it down, even.

"But, if it was destiny, how could you have avoided it?"

That feels like a boot to the stomach. He doesn't quite know wether it confuses him or it makes him angry but, either way, he doesn't know what to answer. Perhaps not having thought of it earlier is what irritates him and puts him, once again, in front of a mirror in which a disappointment shines.

He thinks for a bit. Then speaks.

"Trying harder," he says. "Being better."

"No, Remus; is not about trying," his confidant tells him, with a smile that could either indicate complicity or compassion. "You did all that you could, and more. And, still, you couldn't change it, nor can you now."

For some reason, that hurts. Rather, it stings. Both in his open wounds and his sore eyes.

"And what do I do?" He asks. His voice doesn't seem to want to know the answer, as it doesn't cooperate in making itself heard. He swallows and takes a deep breath, letting Sirius' ring slide back into his finger, where it should always have stayed.

"Think about what you did achieve," John offers, so careful it seems almost meticulous. "You made him happy for a time, you gave him peace. You made him feel safe, too. Confident. You helped each other. That's good."

"But he's dead," Remus says. He's not sure he's used that word since it happened. It's not likely, seeing how much it hurts pronouncing it. He's spent over a month circling around and avoiding one of those damned words, the ones that feel like mines in an already ruined field. He presses his lips and looks at John, cheeks wet with rivers of salty water. "That's bad."

"Yes," the therapist agrees. "That is bad."

[evilherehotel]

guys. guys the similarities. guys listen to me

[grimalkinmessor]

Once more frustrated by people seeing Light's various moves as stupid because they're looking at it from a point of omniscience and not from the perspective of Light himself and the information he had access to :')

[meowsticmarvels]

i think some of the more interesting ztd fragments are jnes where someone is missing. suspicion - junpei of all people is missing in the pantry. surely nothing went that bad, right? mind the totally fake arms and legs. there's nothing wrong with that. nothing would happen between carlos and akane! look, they're fine having a conversation right now, right? now what's behind that pantry door? and this is where it falls apart - trust falls apart, gives way to emotion. junpei is a part of the puzzle itself

pop off with the pod room - everything is fine, for now, right? never mind that mira isn't here. don't open the pods. surely her method of death wouldn't have anything to do with anything eric knows either. surely not. in one timeline, all of q-team dies there.

transporter with the transporter room and locker room - unlike the others where it's the revelation of a dead body, phi's got barely any body left to begin with. she's reduced to nothing more than a pile of ash - and unlike the others, you get to see it. there's a timeline where she doesn't, timelines where all of d-team survives or just she does, but now all that's left is her broach. a gift from diana. she haunts the rooms in her absence as junpei and mira do, but in a different way - some of these areas even related to her own creation. her own birth. the transporter room pods which are alien and foreign, with pods like cocoons, and the grubby locker room that she and delta are born in.

[likethexan]

BkII:402-437 Cassandra is Taken, Virgil's Aeneid

"Every man in her life failed Cassandra of Troy" Never ever speak ill of Coroebus of Phrygia

[anemoa]

i completely forgot about this one

[scarysanctuary]

It was such a beautiful choice for Stede to say "i know, i know that" to Ed's "I love you" because its not something he would have been able to say before. Despite the fact they'd just had a fight and went their separate ways, something that would have normally made him feel insecure, unwanted and rejected, he'd known all on his own, that Ed actually does love him, he didn't need to hear it. It's a cute parallel to when Stede tried to reassure Ed that he loved him when they were at Mary and Anne's, only difference is that Ed very much did need to hear it, and it instantly made him feel better. I just love it because the obvious response would be for Stede to say "I love you" back, but choosing to say "I know" truly shows Stede's growth, he's becoming more confident and understands his man better than ever, and what can i say, I'm just rooting for those two crazy kids.

[thedeadthree]

thinking thoughts thinking thoughts thinking thoughts th—

what if irulanne was from the same clan as m*erril but raised a city elf since she was found in that crypt

what if she’s from the al*erion on her moms side and a l*avellan on her dads

what if lhysas father (an assassin just like his daughter lhysaa <33) had allies in his days as an assassin a pariah of his family

what if he wasn’t the only one that was betrayed when a thing went topsy turvy (will be getting to how that went down eventually !!!!!)

what if lhysas father moved on from lúthien the mother of the inky and her brother (she sort of went *poof* for reasons of her own that golly i need to write all of this down jdnxgcg i mean tungle post is a good place to start dnbxgxg)

what if unbeknownst to irulanne her and lhys and feanorian are half sibs what if her mother gave birth to iru and hid her in the crypt what if they found her and thought her to not have magic at first so she was raised by the elder of the alienage. (her mother was likely to have passed on as well poor iru 🥀🥲)

what if they kept an eye anyway knowing the bloodline she hailed from (lonans line lhysa and feanorians line has a STORY if there ever was one i will yell about it soon prommy !!!!!) and low and behold none too long later her magic manifested what if they waited a while more until she built her network of little creatures she reanimated that relayed her things and gaggle of friends what if she had a kingdom of her own and she refused

what if she was thrown under a bloody ritual to wipe her memories so that all she knew was the sisters a sort of sect of necromancers within the mourners that had their own ideas and machinations and saw her as their heir of sorts??

what if it was like she was to be some sort of lich queen…thing(?) ruling the living and the dead from the necropolis and that it went topsy turvy (to irulannes benefit ubeknownst to her at the time!!) when the thing happened and that whole her having a mage heir to rule was merely a side thing that if it happened cool but the main goal was the lich queen thing.

what if feanorian was in the area for a reason or another (maybe i can think of that with emms episode !!) he’s looking for the rook on behalf of lhysa who has her ex to thwart/save and a demigod daughter to raise etc etc (things i am planning to yell about later oo there’s so much to yell about with lhysa but this is a iru lore essay <3)

what if the prodigy to gifted kid burnout between lucanne (heir to bloodline etc etc luca and child of nothing destined to inherit everything irulanne) made me insane <3

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.