#I know it's a popular episode

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[pointlessjey]

Peppermint butler and Cadebra

[babacontainsmultitudes]

Kelsey Grammar you will always be famous.

[haaam-guuuurl]

Looks like Brennan is finally getting compensation for all the psychological torture!!

[wastefulreverie]

girl wake up im writing a no one knows au sequel

“Danny, one of these days you have to tell us what’s up,” Sam said. “You can’t stretch yourself thin like this forever. Whatever your secret life has you doing.” “I don’t have a secret life.” Which is exactly what someone who had a secret life would say, but Danny obviously evaded this with the loophole that was being dead. His secret half-life was also none of their business.

[heartless-aro]

Does anyone else find it sort of upsetting how widely popular House M.D. has seemingly become in online queer spaces with how violently acephobic and intersexist it is? Like, I don’t want to pretend that it’s only queerphobic towards aces and intersex people, because the show definitely engages in its fair share of early-2000s-typical casual transphobic and homophobic language, and I do think it’s pretty biphobic that, from what I remember of the show, they made 13 (the one canonically bisexual character) a promiscuous party girl tm.

But the show is extremely vitriolic towards intersex and asexual people, and I wish that the people who treat it like a haha funny toxic yaoi show would at least fucking acknowledge that. The show actively reinforces the ideas about intersex bodies which are used to justify the nonconsensual mutilation of intersex children. And the way the show treats asexuality is abysmal. I saw someone on here once say that it’s “funny” that House is canonically aphobic, as if it’s just a joke that the House episode about asexuality actively supports the idea that asexuals are all either liars or medically unwell and in need of “fixing”. Why is pro-conversion therapy rhetoric suddenly funny when it’s directed towards us?

I’m not saying that no one is allowed to enjoy the show at all. Hell, I used to really enjoy it too, at least before I got to the asexuality episode (shortly after finding out I’m ace and before I had ever seen even a single other representation of asexuality in mainstream media). But like. Can people at least stop outright ignoring the absolutely detrimental effects this show had on the ace community and the intersex community?

[ladybizarre13]

the pjo show is percabeth-ing too fast because they think we want to see percabeth, but no, what we want is the slow burn

[namaeekaki]

✨️🌈MISS GOLDEN WEEK BIRTHDAAY! 🎨🖌️

Buggy can handle a bit more of debt. It's for a good cause. the happiness of his daughter art assistant

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[variksel]

matthew arnold has mastered the game of tumblr ship teasing and He Knows It

[ds-sparrow-manufacturing-co]

everything we know about host!vic’s childhood

(a sisyphean attempt to figure out what the fuck their backstory is)

will this make complete sense? no! absolutely not! and it’ll probably change in two weeks time! but i have thoughts and i am announcing them via megaphone

also for ease i’m referring to them as ‘the host’ rather than ‘host!vic’ for the remainder of this post

the host’s birth family

we know the host was at one point raised by both their parents. were they together? god knows. at some point, their father abandons them/the family and moves to miami, leaving the host and their twin sister katie behind. it’s likely this happens when the host is 7 or younger, as they spend a large amount of time with their grandfather and nana from that age onwards.

when the host is 12, they’re still living with their mother and katie, who doesn’t come to their birthday party, implying that at this time either their father hasn’t left yet or, my belief, that their grandfather and nana are taking partial custody of the twins (well, it’s probably more that their mother is kinda just leaving them there for days at a time)

on the topic of the grandparents: we know the host had a grandfather (bill) who was married to their biological grandmother, who died before the host was born. bill then marries nana. the host also mentions their grandmother on their other side, who apparently takes a lot of cruises.

based on all of this, i believe bill & nana are the host’s maternal grandparents, and their unnamed grandmother is their paternal grandmother. this would suggest that they still had some contact with their father’s side of the family after he abandoned them, although considering she’s always on a cruise she may be avoiding the host and/or their family.

at some point after the host’s 12th birthday, their mother abandons(?) them and katie, and the two live with bill and nana for an undetermined amount of time. somewhat soon after this - when the twins are still young enough not to be safe home alone for too long - nana abandons them for four days, leading to bill divorcing her.

after this… we don’t know a ton. katie and the host grow apart, and as katie mentions their father abandoning them but not their mother it’s likely that she reconnected with their mother at some point. at some point so does the host, although they clearly still have a very strained relationship with their mother considering she refused to come to their birthday.

at some point, bill dies and his entire inheritance goes to nana. this isn’t super important to the timeline but depending on when this happens, it might explain their obsession with money as a power symbol. also the hayes steele thing. in my mind those two are connected but that’s up for interpretation.

as the host is apparently set to be the sole person organising nana’s funeral, it’s likely this was true for bill’s as well. we don’t know how old they were when bill died, but given katie’s absence from the funeral planning it could be assumed that she’s living with their mother at this point while the host is/was living with bill?

so, in summary, my best attempt to figure out the timeline is as follows: the host’s parents split up when the host and katie are around 7, and the two are left in the care of their mother, who regularly leaves them with their grandfather and nana. the host and katie grow apart, and around the age of 12 their mother leaves for a long period. during this time, nana leaves the two home alone for four days, leading to her divorce from the twins’ grandfather. their mother returns, and katie goes to live with her, while the host stays with their grandfather (who may be the only healthy adult in this whole family).

bonus thoughts:

if you subscribe to the idea that the host and the bianca were childhood friends (which i do), they presumably met after the host’s 12th birthday considering she didn’t attend it. this… doesn’t really make the david situation any less fucked up

it’s obvious katie was the golden child, and based on her having been a popular girl and the ‘nerd alert’ thing from nana it’s pretty easy to guess that nana encouraged the two fighting/katie bullying the host (something that their father also seemed to encourage, if we take the sippy cup story from augbert as fact)

[logansberry]

hello penumbra listeners out of curiosity! which is your favourite (not objectively best, just your personal favourite) season 1 juno steel episode?

im gonna post the other seasons in the reblogs!

[chalpurnia]

Lupin III part 6 — Ep.4