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Bakuage Sentai Boonboomger Photobook: Don't Stop the BoonBoom Main Cast Member Interviews (translations and other pages below, very long post)

Publication: February 14, 2025

Iuchi Haruhi (Taiya Hando)

-Taiya cranks up his mood without showing emotion-

Everyone wrapped up filming together. At the time, it really didn't hit me. I think it was about two days later that I actually felt it……

Over this past year, I had a routine that I set up for myself, where the day before filming, I'd reread the script for corresponding scenes, and always make sure to do a final check before going to sleep. However, I guess that's come to an end. Now that filming is completely over, I feel alittle sad, as I can actually sense that Taiya's fading away.

Regarding Taiya, when I look back, the first thing I was conscious of was raising my mental age and trying to play my role as a calm character. However, if I made him too cool, he'd be too similar to Chasshiro, so instead of expressing his emotions, I'd crank up parts of his mood……I put great value into those kinds of things while acting.

The first scene we filmed was for the first episode, where Taiya buys the luxury brand store. I remember I didn't know how to move in relation to the camera's position, and was just trying to figure it all out. Not long after that, I had the opportunity to film my Boonboom Change, and when I put on the Boonboom suit for the first time, I had the feeling of, "I'm a hero!" The other thing I remember well was post recording with Director Nakazawa's team during episodes 1-3. At first, I held back my voice in order to keep it in line with Taiya's character, but when Director Nakazawa told me to "make it much more louder," I realized that it was "okay for him to be in high spirits after the Change." That became one of the opportunities for me to broaden my perspective of Taiya Hando.

I'd been going out to eat with the other members since fairly early on, but as filming progressed, it was exciting to see the number of friends increase one by one. The first climax for the five Boonboomger members was in episodes 8 and 9, when Taiya rushed over to them and said, "This is the most…," to which the other four replied, "Cranked up." It was an unforgettable, passionate scene. I think this moment slightly changed the way Taiya interacted with everyone.

Also, the presence of Yu-kun, who joined us halfway through, was a big deal. Until then, I had always thought that the right thing to do was to act according to the image the professional Directors or Cameramen had in their minds, so I had never thought of acting based on my own initiative. However, when I watched Yu-kun, he'd constantly make suggestions like, "I wanna move like this, but what do you think?," and I saw the course of things change, as those on set would respond with, "Alright then, let's go with that!" That's when I started reading the script with the thought of, "As one of the people creating this show, I also have to get involved on set!," and my attitude once again changed alittle bit.

-A dream filled ending typical of Boonboomger-

In episode 24, I was also happy to have my special skill of playing the guitar put to good use. As a matter of fact, during our first meeting, the Producers asked me, "Do you have any special skills?," to which I answered, "I can sing and play the guitar." That's when the Screenwriter's desire to "write about Taiya's first love" was incorporated, causing the episode to materialize. The script doesn't go as far as to depict what happened to Mahiro Sensei, but I wanted to understand it in my own way, so I talked to the Director and Producers before I went into it, and I even imagined what kind of feelings Taiya would be having and wrote them down in a notebook. The subject of the story was painful, but the shoot itself was fun. Taiya's a character who I had a hard time getting into, but by depicting him during his childhood, I think I was able to dig deeper into my role.

I pushed myself to the limit towards the very end of Boonboomger and lost about 5kg, which caused some concern as my face began to look really hollow (bitter smile). Still, as a result, I was able to get into it and concentrate while playing Taiya. The scene where he conveys his feelings to the other four during episode 45 was very memorable. In the completed footage of episode 37, a flashback scene was inserted, the one where child Taiya hears sad crying in the next room, and I was there to observe the filming of that scene. I wanted to internalize Taiya's feelings, so I asked and was allowed to sit in the same spot after they filmed it. I performed the scene with the other four in episode 45 with that in mind, so I was able to convey Taiya's feelings clearly.

I liked the last scene in the final episode. I thought the reversed situation was good, as it concludes with us five who protected Earth leaving for space, and Sakito, who had said that he "abandoned Earth," staying behind. For me, it was a conclusion that I would've never imagined. I was really excited while filming our participation in the BBG, and being able to say the line "Let's get cranked up!" at the very last moment will always remain in my heart. I believe it was a dream filled ending, one truly typical of Bakuage Sentai Boonboomger.

Hayama Yuki (Ishiro Meita)

-I aimed to play a role that anyone would think was cool-

For my role as Ishiro, I first talked with BoonBlue's Suit Actor Yoneoka Takahiro-san about how I wanted to "make him a cool character by any means," and so we decided to aim for a role that anyone would find cool, from his gestures and posture, to his pose when he changes into BoonBlue. Going along with that, his passionate side also came out around episode 6. The Director in charge of each episode enjoyed those playful parts and would tease me about it, so by also adding in some adlibs myself, I think I was able to broaden the range of my role. Yoneoka-san gave an energized performance in the Go-Onger episode, but by seeing that, it made me feel that although Ishiro's a spy of the underground, he was longing for something "sparkling," and I feel that it further expanded my role.

The first time Ishiro's past during his spy era was depicted was in episode 14. It was an episode that showed Ishiro's cool, cranked up appearance, but I felt that if I didn't establish a solid "foundation" here, it would affect how he was seen in the future. That's why I was so fired up to film the flashback scene. I also received tons of motivation from Miu-chan in this episode. Miu-chan has an extensive acting career, and above all else, the ways she delivered her lines were very convincing. The sequence of events that leads to Ishiro being stunned as she says, "You want to protect the place that's important to you, right?!," is a scene that everyone needs to watch. Up to that point, Ishiro had kept abit of a distance from everyone except for Taiya, but I think this was the first time he was willing to approach another member of the team.

The next spy story was in episode 29, which features a scene where I Boonboom Change while fighting against Gong Grumer, and I challenged myself to doing action, which isn't one of my strong points. Also, I was paired up with Sakito. Compared to the other three, he had a greater sense of distance from Sakito, but since they suddenly got involved right from the start, it was difficult trying to figure out how I should treat him. Also, when Sakito says, "You didn't grow up well, huh?," he responds with, "My parents did the same work I'm doing. You can figure out the rest." It's a line that expresses Ishiro's dark past, and he tells it to the person he was most distant from. It was an important moment that brought the two of them closer together.

Episode 37 had alot of action scenes, and I believe I was able to get them done with the support of Action Director Watanabe Jun-san and Yoneoka-san. I think that different people have different interpretations of the relationship between Ishiro and Naito Konomi-san's Sutea, and although we watched each other's performance on set, we never really compromised on things. I hope everyone enjoys speculating on that point. On the opposite end, Director Hayama Koichiro gave me easy to understand examples of how the fake Ishiro would fight against Taiya, which helped me better visualize his image. What's more, for the action scenes involving Taiya, Haruhi stayed with me countless times until I memorized how to do them, which was very helpful.

-If you grab hold of your wheel, things will become clearer-

From episodes 43-47, I think some of you may have been on edge watching Ishiro's actions. Still, since Taiya said in episode 37, "I can tell just by looking into his eyes," it was properly foreshadowed. Although Ishiro pointed his gun at everyone at the end of episode 43, it's important to note that Taiya's reaction at that moment wasn't captured. This was Director Nakazawa Shojiro's goal, as this detail wasn't in the script, but since he and Taiya trust each other without needing to say anything, he purposely left out Taiya's reaction. As for myself, I think that the role Ishiro played during the very end was a great one. Mira's marriage is an homage to the first episode, and his return in episode 47 along with his partner, Boonboom Marine, made me feel "cranked up" when I read the script.

The wrap up for actors was the final roll call during the final episode, and we were all able to finish filming together. Each person's name was then called out on the spot, and everyone would cry. I was determined not to cry, but when they called my name, Producer Kuji Yoshito-san and Director Nakazawa came into my sight, and I couldn't stop crying……I'm not entirely sure if I was able to speak coherently then, but I was truly overwhelmed with emotions in that moment.

The theme of Bakuage Sentai Boonboomger is to "take control of your own wheel," and while it may have looked as if Ishiro had sold his soul to the Hashiriyans during the very end, I believe that he was able to steer his way down the path of victory by taking the wheel in his own way. In reality, things may not always go as planned, but if you grab the wheel without abandoning your beliefs, I'm sure something will become clearer. For us actors, we'd be beyond happy if you could take away such a message from our work.

Suzuki Miu (Mira Shifuto)

-I tried to be conscious of "Mira's feelings" when performing in the second half-

After filming throughout the year, I did have some vague concerns in the beginning, but I'm really glad that we were able to get through it safely without any major accidents or problems occurring. Also, after a year of working with the same staff, I realized just how much fun it is to work together as "friends" to create a production.

As for my role as Mira, I was told that she doesn't "take a backseat to the main character," but is instead the first character that the viewers can emotionally attach themselves to as the story progressed. I knew that if I didn't carefully act out Mira's growth throughout the year, it would appear rushed and unconvincing, and by extension, the story wouldn't hold up. In the beginning however, Mira was presented in a fairly fun way. In the script, her screams were written as "Piyaaa!" (laughs). That was one of the reasons why up until about the halfway point, I was more conscious of how she was being seen from the outside instead of from the inside. However, in the latter half, I tried to play the role with "Mira's feelings" in mind, rather than thinking too much about "how I want her to be seen." In that regard, there may be a big difference between the beginning and the ending. I was also happy that Director Nakazawa Shojiro noticed that and said that "I had changed up my performance quite abit."

In the very beginning, it was fun being teamed up with Chasshiro in episode 6. I think Mira's someone who can be paired up with anyone, but Mira seems to be the only one who can make teasing Chasshiro look amusing (laughs). Even in the scene where we follow Jou, I had alot of fun filming and discussing the details with Yuki-kun, such as how we'd hide ourselves by retying our shoelaces and hiding behind a telephone pole.

Episodes 8 and 9 was the first crisis that the Boonboomgers faced, and the atmosphere on set was tense and different compared to the previous episodes. During all this, I think it was just like Mira to vent her feelings towards Taiya at the end of episode 8 with, "Why would you do such a reckless thing?" However, I could understand the feelings they both had, and condemning someone for something you're not aware of was pretty difficult to perform. I thought it'd be bad if she came off as being too confrontational, so I played the role hoping to convey Mira's honesty.

-I love how everyone in Boonboomger lives their lives to the fullest-

There were multiple main episodes for Mira, such as episodes 14, 20 and 31, but episode 36, in which I performed with Mori Hinami-chan, is the most memorable. When she learns that Aki, played by Hinamin, had given up on her dream, she speaks her mind by saying, "It's frustrating….that unlike how Taiya is with Boon-chan…..I can't make her dream come true." I had discussions with Director Watanabe Katsuya about that scene, and I thought about it alot myself. Mira's story began with her easygoing personality in the first episode, but up until then, there were very few scenes depicting her being worried. Mira's usually cheerful and in high spirits, so I wondered, "Would it be okay to show her being worried?," but I think it's her worries that really show the strength of their friendship.

Also in this episode, there's a scene where I Boonboom Changed without the helmet, so I also played the last scene where the mask was equipped. I was advised to pull my chin up in order to look cooler, but I was pretty scared since my field of vision was limited and I could only see my feet. Still, I ran as hard as I could, hoping that I'd look cool.

I think the major event at the end of the show was the development of Mira's decision to get married, which was depicted in episode 47. To be honest, I had something that was worrying me as the story was unfolding, and I talked to the Producers about it. Even though she became a Boonboomger in the first episode and was working hard at her part time jobs, I wondered, does Mira have any big dreams in her life? They created this development based on that. I wanted Mira to have a dream, but instead, it's Mira's strong desire to help the people in front of her that helped her grow so much. I took this as a message that the staff had prepared for my sake. During the actual shoot, after she decided to get married, there was the line, "This is how I'll grab hold of my wheel," and just looking at everyone's faces made me cry……I believe that this performance came out because I'd been building up my role as Mira and trusting everyone.

Based on the title, many of you may have thought that Bakuage Sentai Boonboomger was a cheerful and upbeat production. I myself am one of those people, but with six people, there were six different lives, and now that it's all over, I strongly feel that the appeal of this show was that "each and every one of them overcame their struggles and became stronger." For myself personally, I have always and will always love the way everyone in Boonboomger lives their lives to the fullest.

Saito Ryu (Jou Akuse)

-I was surprised at how similar I was to Jou Akuse-

When I was in elementary school, I served as class president and was known for being a rather serious type of person. However, I wasn't serious at all, as I had more of a clumsy side in comparison (laughs). That's why when I first learned about Jou's setting, I was very surprised at how similar he seemed to myself. Also, my own father is a firefighter, so I felt a sense of familiarity towards his role as a police officer, as they're also civil servants. That being the case, I thought, "If I just honestly express all the feelings I've had over the past 19 years of my life, I might be able to become Jou Akuse." During the beginning, I went into filming with those types of thoughts in mind.

Jou's real role began in episode 5, but the first scene we filmed was in the first episode, where he gets wrapped up in one of Wedding Dress Grumer's dresses. It was fun to see his clumsiness immediately come out, but Director Nakazawa Shojiro had told me, "It's fine to make as much noise as you'd like." At the time, my performative skills were still lacking, so I was abit confused. I now have the confidence that I can make things more interesting (laughs).

I put alot of effort into the fight scene against Darts Grumer in episode 5. I knew from the moment I read the script that the action leading up to my Boonboom Change was "an absolute must." During filming, Darts Grumer's Suit Actor Imai Yasuhiko-san lent me his support by saying, "It's okay to go all out," and under the passionate direction of Director Watanabe Katsuya, we filmed with my entire body getting covered in sand and dust. That day, I went home and shampooed my hair about six times, but sand kept falling from my head (laughs), and even when I rewatch it now, I can see just how much strain I put on my body. Director Watanabe also helped me out alot in the episode where I'm paired up with Mira, but I think episode 5 was the starting point for me as Jou.

From the moment we met, I became good friends with the other cast members. We didn't have many opportunities to meet until episode 4, but after episode 5, I think we were able to join up smoothly from episode 6 onwards. I was happy to finally be able to film together with everyone.

In episode 6, he immediately gets involved with Mira and Shiro Senpai, and I was also grateful for all the opportunities after that where Jou played a bigger role, such as in the Kaseki Grumer episode, the candy detective episode where he teamed up with Genba, and the baseball episode. What's more, they were all crazy episodes (laughs). Especially for episodes 21 and 23, the one in charge of them was Director Kato Hiroyuki, and he's the kind of Director who'll constantly incorporate alot of funny things, so I also had alot of fun while getting into a playful mood. In episode 21, there's a scene where I interact with Genba in my afro hairstyle, and I thought it'd turn out funnier the more serious I performed it. I took these kinds of things into consideration when I performed.

-I cried so much during the wrap up, that I was teased by everyone around me (laughs)-

Episode 40 was the episode where I myself felt a sense of accomplishment. After episode 15 aired, I received feedback from various people telling me that "it was good," but it was thanks to Director Hayama Koichiro, who brought out Jou's appeal, that I as an actor felt the desire to show off even more of my performative range. This time, episode 40 was naturally made possible thanks to Morichi Natsumi-san's wonderful script, and Director Nakazawa and Cinematographer Kamiaka Toshikazu-san's strong tag team, but I could personally feel the growth I had made up to that point, and the line, "There's no such thing as a 100% perfect hero," went viral on SNS, with the great response from those around me also giving me confidence.

Filming for the last chapter progressed at a good pace, and it felt like it went by in the blink of an eye. During this time, what surprised me was Chasshiro's betrayal and Boon-chan's defeat. I had only heard alittle bit about it beforehand, but when it was time to read the script, I was shocked and thought, "Are you serious?!" And then, Jou quit being a police officer, and in episode 46, he was confronted by his senior officer played by Takada Masashi-san……I didn't expect things to turn out this way, so I had abit of trouble trying to wrap my head around the situation. It was as big of a situation for me as it was for Jou. In the end, the five of us left for space, so I interpreted it with, "I guess he's on temporary leave for the time being?"

The Assistant Director made the necessary adjustments to our schedules so that everyone would be able to be together for the wrap up. The night before the last day of filming, I cried all alone at home due to feeling lonely, so on the very day of filming, I thought I'd be fine since I cried ahead of time. However, when I saw the face of BoonBlack's Suit Actor, Shige-san, I couldn't help but cry. I was crying so much that everyone around me jokingly said, "You're crying way too much!" (laughs). Over the past year, there were times where I was guided gently, and times where I was guided strictly, but I was truly happy on this set.

Soma Satoru (Genba Bureki)

-From being a Procurer with a detached position to becoming friends with the Boonboomgers-

When it was decided that I'd be playing the role of Genba Bureki, I was told that, unlike the other members, I'd be "playing an alien." However, since I didn't know the reason why he was always licking lollipops or the beliefs that he held, I had to make detailed adjustments all the time while thinking, "I guess it'd be alright if I did this much." It was around the time we were filming the Summer film when I learned about the developments for the second half of the story, and I thought that his feelings toward Nicola, who was invaded by Hashiriyans, were different from everyone else's, so I was conscious of those expressions in my performance.

In the beginning, I didn't have much to work with, so I was trying to figure out how to say distinctive lines such as "Seems like you're in trouble" in a way that felt right to me. There's abit of a suspicious, older feel to him, and I thought it'd be great if I could add some expressions that were unique to Genba. The first thing we filmed was the scene in episode 2, when he receives a job request from Taiya. From episodes 1-6, he had watched them from a detached position as a Procurer, so I was very happy when we were ready to film episode 7, as he joins the Boonboomger's as their friend.

In episode 10, I was able to do some action before his transformation. I was confident in my athletic abilities, but the movements done by BoonOrange's Suit Actor Ono Yukimasa-kun, who showed me some examples, were amazing, and while I felt alittle overwhelmed, I tried to do my best. Ono-kun and I would both always talk about "how we felt during this part," and I was always amazed by the action I saw during post recording.

His destined rival Disrace appeared at the end of episode 26, and he left Boonboomger in episode 27. There's a scene where he says, "That's why I'm giving up my front row seat," and as myself, I definitely didn't want to leave, but at the same time, he doesn't want to involve his friends any further, so……it was quite difficult for me to perform. After that, I didn't get to see everyone as often as I would've liked to, and there were also no good opportunities to go out and eat together. That's why when he returned in episode 33, I was so happy that I couldn't help but talk nonstop with everyone on set (laughs).

During filming of episode 33, I almost cried when I said the line, "This is the place where I belong," and I was also deeply moved when Taiya asked, "What has the Procurer procured for us?" to which I answer, "Myself, of course." The scene where all of us perform the Boonboom Change also suddenly made me feel that "having friends is great." I was personally grateful for the fact that both episodes 27 and 33 were done by Director Nakazawa, as I was able to make progress while consulting with him.

-One thing remains for Genba, that being his important mission to retake planet Bureki-

I also enjoyed being together with Sakito during the soccer episode. We're both from Shizuoka, and I'm a Shimizu S-Pulse supporter, so because of this connection, we were invited to participate in an event by Shimizu S-Pulse in September. As for the drama, he clashes with Sakito, and well, fighting doesn't bring them closer together, but because they both love soccer, it seems like they let out more unnecessary feelings than usual. They had clashed before in episode 32, but I think they were finally able to work out their differences in this episode.

I had the feeling that the "end" was gradually approaching during the final stages of filming, but in the final episode, when their transformations are cancelled during the battle with Spindo, as we were filming the scene where they stand up while conveying their feelings, the feeling that "it was finally coming to an end" suddenly hit me. Here, Genba says, "In this universe, that's what we call love," but combined with the location, which captured the sunset, and the atmosphere on set, it made me get more into it.

The ending was a beautiful conclusion, but as for Genba, he still hasn't retaken planet Bureki. Because there's still an important mission left to do, it didn't finish with a happy ending, however, they were able to defeat both Grantu and Spindo and save Earth, so it was still a big step in the right direction.

Now that it's all over, I feel alittle sad since I no longer have to spend time thinking about the next day's shoot. Looking back, I really didn't know what I was doing a year ago, but I'm here now thanks to all the fans who supported me, and over the past year, through the feedback I received at events and on SNS, I was motivated by the fact that I was involved in a production that was loved by so many people. I'll work even harder so that everyone who got to know me through Bakuage Sentai Boonboomger will see a different side of me. I look forward to your continued support!

Miyazawa Yu (Sakito Homura)

-I was able to gain experience both as myself and as Sakito Homura-

When I "encountered" Sakito at the audition, I felt that he was so similar to me, that I thought, "If I fail this, I don't think I'll ever have a chance in any tokusatsu production." Once I entered filming, I was very happy to hear that Director Hayama Koichiro said on set that he had "wanted to film Miyazawa as Sakito." When he makes his entrance during episode 16, I played the role with the impression that he was an overly self conscious perfectionist, but as things continued with episodes 17 and 18 being done by Director Kato Hiroyuki, I was able to bring out more of his weaknesses.

During the joint reading session before I went into filming, the Director and Producers said that they wanted me to "act in a childish way," but I was thinking of taking my performance in a slightly different direction, so the most important thing was being able to create Sakito on my own terms. Also, I think that by looking for places where I could be abit playful on set, I was able to gain experience both as myself and as Sakito Homura.

Episode 41 is an episode that I'm deeply attached to, as I was able to incorporate my special skill of playing soccer. The "Pulse Ace" that appears is a play on Shimizu S-Pulse, but I used to be a member of Shimizu S-Pulse's lower division when I was in middle school, and I was deeply moved by the collaboration event between Boonboomger and Shimizu S-Pulse that took place during the broadcast. The story was rich in content, with its appropriate comedic feel, our passion for soccer, and my pairing with Genba, so I think the viewers enjoyed it. Among other things, the scene where Genba and I pass the ball to each other with napalm exploding in the background had to be done in one take, so I had a fairly long discussion with Satoru beforehand. It was quite difficult even for experienced players like us, as there was gravel everywhere we stepped, and the unique shape of the Boonboom suit's shoes made kicking the ball feel different, but fortunately, we got the OK with our very first attempt. In terms of the story, his clash with Genba reminded me of the sumo episode, and I also thought it was typical of the younger Jou for being so straightforward and acting as their middle man. That scene was effective because of Ryu's careful performance, and I thought it turned out to be a very good scene where you'd naturally think, "If Jou said it, then it must be right."

-The final scene where Sakito remains on the Earth personally gave me goosebumps-

After the soccer episode and Christmas episode, the final stages of the show had some dramatic developments, but episode 45 was the one that I put the most effort into. Bundorio stopped functioning, the Boonboomgers were split up, and Taiya was mentally out of it. During all this, Sakito and Byundi confront the Hashiriyans together……It was a hot development, as the man who abandoned Earth now fought to protect it, but in playing Sakito, I saw it as a "fight to protect his friends." If we go back to episode 18, Sakito said, "I just wanna protect my only friend and his family," but I believe that episode 45 encapsulates the change in his feelings from that point on. This episode was directed by Director Hayama, who also did the episode where I first appeared, and the scene where I pushed my way through the crowd and shouted, "You guys…didn't the Boonboomgers save you?!," was a direction given to me by the Director, so I myself also wanted to live up to the trust he put in me.

In the final episode, I felt the team's unity as they defeated Spindo, and I also thought it was wonderful that everyone's individual scenes were properly depicted. I hope that you were able to feel that high level of unity. And, the final scene where Sakito remains on Earth personally gave me goosebumps. When I first read the script, I thought, "Uwah, this is seriously good!" Living on Earth, the number of people he came to love steadily increased, and it seemed to match up with the way Sakito lives his life, so I'm satisfied with it. I felt that there was nothing wrong with the performance I had been doing, and I can only thank all the staff members for preparing and directing such a conclusion.

The last scene we filmed was our final roll call. This was the end of filming, but the show was still going on, so to be honest, I didn't really feel it. However, when the time came for them to address me, I couldn't help but tear up when I saw the large number of staff members.

I had been involved since episode 16, and was very excited to be in the position of shaking things up as the additional member, and I feel that the feedback I've gotten in regards to that has been good. The show itself will remain even after the broadcast is over, so we'd all be happy if people said, "Boonboomger was great, wasn't it?" We don't know yet if there'll be an anniversary project in the future, but I hope that Bakuage Sentai Boonboomger will remain in the hearts of all the fans forever!

Handwritten Messages

Iuchi Haruhi

"What was the most cranked up scene that you performed as Taiya Hando over the past year?" The scene in the final episode where everyone says, "This is the most cranked up!"

"What did you think was the "coolest part" about Boonboomger (or Taiya Hando)?" The parts were he wouldn't ignore!

"What part of Taiya Hando's "costume" or "weapons" did you think was cranked up?" The tool design of the weapons!

"A word to Taiya Hando!" LOVE

"A word to your Boonboomger friends!" I'm glad it was the six of us…I had fun. Thank you!

"A word to all the fans!" Thank you so much for your support over the past year! I look forward to your continued support!

Hayama Yuki

"What was the most cranked up scene that you performed as Ishiro Meita over the past year?" Bakuage 29's action scenes.

"What did you think was the "coolest part" about Boonboomger (or Ishiro Meita)?" His activities as an Informant.

"What part of Ishiro Meita's "costume" or "weapons" did you think was cranked up?" His three piece suit and necktie that would change every episode. That you could turn the Boonboom Handle with just one hand!

"A word to Ishiro Meita!" I love you.

"A word to your Boonboomger friends!" Ishiro had trouble fitting, so thank you for looking out for him!

"A word to all the fans!" Thank you for your cranked up support!

Suzuki Miu

"What was the most cranked up scene that you performed as Mira Shifuto over the past year?" Episode 36's helmetless running scene.

"What did you think was the "coolest part" about Boonboomger (or Mira Shifuto)?" That she worked hard for the sake of someone else instead of herself.

"What part of Mira Shifuto's "costume" or "weapons" did you think was cranked up?" That you could hold Boonboom Handle's Rod Mode upside down (it's dangerous, so good children shouldn't imitate that!)

"A word to Mira Shifuto!" Mira being cheerful gave me tons of energy! Thank you :)

"A word to your Boonboomger friends!" I was really happy with the six of us! We're forever friends!!!

"A word to all the fans!" I wouldn't have made it this far without everyone's voices of support. Thank you so much!

Saito Ryu

"What was the most cranked up scene that you performed as Jou Akuse over the past year?" My first transformation.

"What did you think was the "coolest part" about Boonboomger (or Jou Akuse)?" Getting dirty.

"What part of Jou Akuse's "costume" or "weapons" did you think was cranked up?" His police uniform.

"A word to Jou Akuse!" You're an honourable man!! Make sure to zip up your fly properly!!

"A word to your Boonboomger friends!" Thank you for the past year! Sorry for when I acted out of line 🖤

"A word to all the fans!" Thank you for your support over the past year! I look forward to your continued support.

Soma Satoru

"What was the most cranked up scene that you performed as Genba Bureki over the past year?" When after leaving once, he reprocured himself through his friends.

"What did you think was the "coolest part" about Boonboomger (or Genba Bureki)?" With every episode, his friends became the embodiment of "taking control of your own wheel."

"What part of Genba Bureki's "costume" or "weapons" did you think was cranked up?" His fluttering costume made action scenes look more attractive.

"A word to Genba Bureki!" I'm glad you returned to Boonboomger!

"A word to your Boonboomger friends!" Thank you for trusting me and waiting for me ^_^

"A word to all the fans!" Thank you so much for always giving us tons of support!

Miyazawa Yu

"What was the most cranked up scene that you performed as Sakito Homura over the past year?" The six person transformation in Bakuage 48!

"What did you think was the "coolest part" about Boonboomger (or Sakito Homura)?" Honestly gaining control of your own wheel!

"What part of Sakito Homura's "costume" or "weapons" did you think was cranked up?" All of it!

"A word to Sakito Homura!" Sakito Homura! Enjoy living a chaotic life on Earth!

"A word to your Boonboomger friends!" Claim absolute victory in the BBG!!

"A word to all the fans!" Thank you for your support in Bakuage Sentai Boonboomger over the past year! It was the most cranked up year!!

The Heroes Cranked Up Roundtable A long roundtable discussion with the six cast members who played the heroes who protected Earth. They'll talk about their memories from the past year, as well as bombshell stories that can only be talked about now?!

-The six cranked up members have gathered-

"First, please tell us about the relationship between the six of you after spending about a year together."

Hayama: In the beginning it was just Satoru-kun, but the older members were extremely reliable.

Suzuki: Yeah.

Hayama: We got so used to it, that we slowly started to develop a habit of screwing around with them (laughs).

Soma: That's right (laughs).

Hayama: Still, I think it's because they both allowed us to do that that people have come to say, "Boonboomger had some great vibes."

Iuchi: That was a big part of it.

Miyazawa: Y'know, I'm not sure if we've forgiven you yet (laughs).

Soma: Right?

Hayama: Even in this interview, we can talk about how we mess with them, so in that sense, Satoru-kun and Zawa-nii are the greatest.

Miyazawa: I suppose so (laughs).

Suzuki: The youngest members, Haruhi-kun and Ryu-kun, are both 20, while Zawa-kun is the oldest at 29 years old, so the age difference between us is the kind where you wouldn't normally have many opportunities to interact so closely. However, I still think the reason we were able to get along so well was because we were together for a year.

Miyazawa: Normally, I'd be concerned about both sides of the situation.

Iuchi: You were cautious.

Hayama: He was, wasn't he?

Soma: In the beginning, Zawa-kun didn't get involved with us at all for some reason.

Miyazawa: That's because there's a generational gap between us (laughs).

Iuchi: I felt the same way too. At first, it was the age difference, and since I went to an entertainment high school that didn't have any club activities, I rarely had any opportunities to interact with my seniors.

Miyazawa: And yet now we're like family.

Soma: We've even been asked, "Are you guys related?"

Suzuki: During the wrap up, the staff had said, "You guys look like relatives."

Miyazawa: It made me realize that even though there's a 9 year gap between us, we become friends.

Hayama: Of course, we weren't just playing around, as Zawa-kun drew a clear line when it came to work, and I really received a ton of inspiration from him. The only exception is Soma-san (laughs).

Soma: So that's how it is, huh? How strange (laughs).

"I see, so this is how you "tease those older than you" (laughs)."

Soma: Even though Hayama-kun and I go out to eat together pretty often…

Iuchi Hayama Suzuki Saito Miyazawa: (laughs).

"Did Soma-san and Miyazawa-san have to worry about anything when dealing with the younger members?"

Soma: I was the oldest of the original five, so I didn't want them to view me as "scary" (laughs). I wanted them to be able to be carefree, so I aimed to create a "Buddha" like appearance, someone who was accepting of everybody (laughs). By the way, we're being interviewed right now while eating our bentos, and Ryu just stole my tamagoyaki……

Saito: He won't get mad at all if I take it from him (laughs).

Soma: No, no, I told you tamagoyaki is my favorite, c'mon now! This is how they mercilessly tease us (laughs).

Iuchi Hayama Suzuki Miyazawa: (laughs).

Miyazawa: I joined in the middle of the show, but after it was decided that I would perform, I searched up information on who I'd be working with. That's when I was like, "They're all younger than me!" (laughs).

Soma: I get that. You were shocked, huh?

Miyazawa: However, I still thought that there was only one person "below me."

Soma: Who? Ryu maybe?

Miyazawa: No, like you, I'm from Shizuoka. That's why I thought you'd be the first one I talked to (laughs).

Suzuki: Did you think you'd have a better opportunity with Satoru-kun since you're both closer in age?

Miyazawa: Yeah. It's because even Miu-chan and I are about five years apart.

Soma: That's true.

Miyazawa: Before we became friends, I wondered if we would even get along.

Suzuki: Usually, when there's that much of an age difference you're like, "Where do we start?"

Miyazawa: I've also said this elsewhere, but at the same time I was having my costume fit, Miu-chan and Ryu came running to the makeup room and excitedly said, "Uwah, so this is Violet!" At that moment, I felt that everything would be alright. Or, perhaps what I mean to say is that I was the one who took a step back (laughs).

Suzuki: That's right! In another interview, Zawa-kun had said that he was grateful for the two of us closing the distance between him, but just recently, when the topic happened to come up in a private conversation, he said, "To be honest, I was abit put off at the time" (laughs).

Saito: That's harsh (laughs).

Miyazawa: It's because of how energetic you kids are.

Iuchi: You're always saying that.

Suzuki: We're all energetic.

Hayama: Right, we tend to hear that alot.

Miyazawa: That's how it is now, but in the beginning I had the feeling of, "How should I deal with them?"

Iuchi: At first, I felt like I had to talk to them as adults, but Satoru-kun and Yu-kun were the ones to bring a stop to that. That's why I'm very grateful for them.

Soma: In our group chat, Haruhi initially used a large amount of emojis, which made me think, "Ah, he's being cautious" (laughs).

Iuchi: Ah, I didn't realize you had seen right through me (laughs).

Soma: I noticed it from the very beginning.

Suzuki: I see. He did use a large amount of them.

Miyazawa: Is that so? I would've liked to have seen that.

Soma: By the time Zawa-kun joined us, he was no longer doing that.

Suzuki: It's because you "brought a stop to that," remember?

Hayama: (he looks at Miyazawa-san) And here I thought you were a good guy.

Miyazawa: Hey!

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: To begin with, our generations are so different, that I don't know what's popular. People of my generation would do stuff like go to karaoke.

Soma: Yeah. Things like what's popular and fun among today's youth.

Miyazawa: I had no idea about TikTok or anything like that (laughs).

Soma: You know, the way people say TikTok now is with an intonation! (laughs).

Miyazawa: Eh, it's that true?

Soma:……that's how it seems.

Miyazawa: However, it was a completely different story when I entered the set. I was conscious of the fact that it was our place of work.

Soma: There was a clear distinction in the way you'd switch.

Miyazawa: Right, which is the most important thing!

"Do you have any painful or difficult stories that you can only talk about now?"

Iuchi: What's okay to say? (laughs).

Saito: Ah, I was late once.

Suzuki: Wha!

Iuchi: Do you feel remorseful about it?

Saito: I do.

Suzuki: I don't know what to take away from this.

Soma: Just let it play out (laughs).

Saito: However, I made it in time for the shoot itself.

Miyazawa: No, no, that's totally normal then (laughs).

Saito: When you've been doing something like this for a long time, you inevitably start to slack off, huh?

Suzuki: You can't say that about yourself! (laughs).

Iuchi Hayama Soma Miyazawa: (laughs).

Iuchi: What was abit difficult for me during filming was not using my bike. I didn't ride it throughout the filming period because I didn't want to cause trouble if I had an accident. Besides, with it being my first time living in Tokyo, I thought I'd be fine without a bike, as there are tons of trains in Tokyo. However, once I started living there, I found that there were many places that would take too long to get to if I used the train or bus, but could be reached pretty easily by bike. I'm alittle disappointed that I couldn't even go out and have some casual fun (bitter smile).

Saito: That was a model answer!

Miyazawa: Is it okay to talk about what was difficult for me?

Hayama: The Boonboom dance?

Miyazawa: No (said firmly).

Hayama: Not that, huh?

Miyazawa: Sakito's hair style.

Iuchi Hayama Suzuki Saito Soma: Yeah (they fully agree).

Miyazawa: Every time I went to a shoot, it would become coarse and stiff. After filming, I would have to go home and wash my hair because of how difficult it became.

Suzuki: After filming would finish, we'd say, "Let's all go out for a meal!," but only Zawa-kun would go home and take a shower before rejoining us.

Miyazawa: That's because if I left my hair as it was, my hat would look like it was floating.

Iuchi Hayama Suzuki Saito Soma: (laughs).

Soma: That being said, I had trouble with my hair too.

Miyazawa: What was the case for Satoru? It must've been with your Burekiian form.

Soma: Yeah, it was when I transformed into my Burekiian form.

Hayama: Putting on the makeup too.

Soma: That's right. What's more, my skin is fairly tan.

Saito: Sure is.

Soma: So, I had to apply whitening cream in addition to getting my makeup done. I also had to wear cat eye contacts, but if I blinked even slightly, they would immediately rotate. That's why it was very difficult for me to perform close up shots in that condition.

Suzuki: You wouldn't blink.

Soma: Still, they'd eventually also fall out if I didn't blink for a long time.

Miyazawa: Your contacts fell out countless times.

Soma: Yeah.

Hayama: What comes to mind for me was the action. Exercise has never been one of my strong points, and there were a few times where I just couldn't keep up. To be honest, that was really tough.

Soma: No, no, you were really cool!

Hayama: Really?

Suzuki: Yeah.

Soma: Like in episode 37, you were amazing, don't you think?

Hayama: Well, in any case, I was just desperately trying to keep up.

Suzuki: You seem to have good reflexes.

Miyazawa: And he can dance. Me on the other hand, I'm no good at dancing (laughs).

Hayama: Wasn't it quite difficult for Miu-chan to get into costume?

Suzuki: That's right. There were so many part time outfits, so I remember having to get my costume fit for almost every episode (laughs).

Hayama: You went in to get your costume fit all the time.

Suzuki: Also, my legs were very cold.

Hayama: I had a feeling you'd say that.

Suzuki: Especially during Winter (bitter smile).

Hayama: And, those weren't even the worst ones. There's the wedding dress you wore in the final episode.

Suzuki: Yeah.

Hayama: You had to have the staff help you when you moved.

Suzuki: I couldn't move without my attendants.

Hayama: "Attendants" (laughs).

Miyazawa: It really seemed like that.

Suzuki: Also, I couldn't sit on a chair, so when filming stopped, I had a blanket laid out on the floor to sit on until my next turn.

Saito: You were like a princess!

Suzuki: The dress looked like it was floating as it spread out on the floor.

Saito: She often called upon us (Saito-san and Hayama-san) and gave requests like, "Please get me some sweets" (laughs).

Iuchi: She simply couldn't move.

Suzuki: (speaking like a princess) "Excuse me, can you fetch me a drink?"

Miyazawa: She's totally a princess now (laughs).

Suzuki: Another challenging thing was that this production has shorter shots so that smaller children watching wouldn't get bored. In scenes where we convey our feelings, they weren't that long and involved a series of cuts, so we had to raise our emotions pretty intensely, which was difficult. If I had to put it another way, I think it really strengthened our responsive skills.

Hayama: That's a good way of putting it.

Suzuki: You get it though, right?

Hayama: Yeah, I know exactly what you mean.

Suzuki: Zawa-kun had a difficult time with that at first too, right?

Miyazawa: I'd usually start from one or two of my previous lines, but if I thought that it'd still be too difficult, I was allowed to start from even earlier.

Hayama: Yeah, you'd do that.

Saito: Everyone's talking about something serious…

Soma: Ryu, do you have anything else since your story about being late didn't work out?

Saito: Yeah. I play a police officer, so it was quite difficult putting on all that equipment. It was pretty heavy, and there's a proper way of putting it on, so I had to make sure to check it every time. I thought this was to be expected by all the people who actually work as police officers.

Soma: Oh, that was a good story you just gave!

-Looking back at each memorable scene-

"From here, we'd like to ask each of you to pick one person at a time and name a performance or scene of theirs that left a lasting impression on you."

Soma: I guess Haruhi should be first, right?

Hayama: I think I was the closest to Haruhi's Taiya, but when I met him as fake Ishiro in episode 37, the performance Haruhi gave was completely different from what I usually did with him, and I thought the detail in how he differentiated his role was amazing.

Suzuki: The expressions Haruhi-kun showed were really great, as his emotional range swings between the line of difficult and exceptionally good. The facial expression he made at the end of episode 24 also conveyed his delicate feelings.

Iuchi: Thank you very much.

Miyazawa: I still love the, "Let's all hurry!" line he says in the final episode.

Suzuki: That was great too!

Miyazawa: All I can say is that it's like you can see the very moment he switches.

Suzuki: It gives off a similar feeling to when your body trembles with excitement, you close your eyes, and then shoot them open, right?

Miyazawa: Right, it's like that kind of switch.

Suzuki: The scene in episode 45 where Taiya loses sight of his own wheel was really impactful. It's like he was performing with his soul.

Miyazawa: I'll never forget the one on one performance I did with him in episode 18. It made me think, "So this is the man called Taiya Hando, huh?" That scene is still fresh in my mind.

Hayama: (to Iuchi-san) Were you nervous?

Iuchi:……I was (laughs).

Saito: There was a scene that I really liked, the musical scene with Itasha was in the Christmas episode, right?

Soma: Yeah.

Saito: At that point, Taiya makes a face that's like, "Eh?," looks around, then sits down without saying a word, and that made me burst out laughing.

Iuchi: That was entirely Director Kato's direction.

Saito: It was hysterical.

Iuchi: This is especially true since Taiya's not the type of person to do something like that.

Saito: I desperately wanted to say, "Don't just sit there in silence!" (laughs).

Soma: It would've been even funnier if he responded to it with something like, "That was cranked up!"

Suzuki: Yeah, like in the Toilet Grumer Limited episode.

Saito: Yeah, that happened.

Iuchi: That's where I tried to play the version of Taiya that Mira had in her mind (laughs).

Hayama: That was alot of fun.

"Next, what do you think of Ishiro Meita's Hayama-san?"

Iuchi: My favorite scene is in episode 14, when he relies on Mira. Ishiro had always operated in his own world, but Taiya also had the desire to draw him into everyone world, so Taiya felt happy when Ishiro was able to rely on Mira, someone he had come to love. I had read the script beforehand, but when I saw the broadcast, I was moved all over again.

Hayama: That was also made possible due to Suzuki-san's help.

Suzuki: No, no, that's not true.

Iuchi: But it was just the two of you!

Suzuki: Of course, when we were filming that scene, I thought, "Yuki-kun really likes acting." In the aquarium scene in this episode, when Chasshiro shows his annual pass, I (Mira) try to take it, but he quickly pulls his hand back. He was the one who suggested we do that with, "How about if we improvise like this?"

Hayama: All while I acted like a brat (laughs).

Suzuki: I felt that I wasn't capable enough when imagining things that weren't written in the script. That's why Yuki-kun's suggestion made me think, "That could happen!"

Miyazawa: Yuki's really serious, huh?

Suzuki: Yeah, I get him.

Miyazawa: Over this past year, he'd be thinking about the character of Ishiro Meita more than anyone else, and whenever he'd talk about his performance, it was always, "Ishiro's this, and Ishiro's that" (laughs).

Iuchi Suzuki Saito Soma: (laughs).

Miyazawa: There were times when Ishiro would fool around, which I thought would've been difficult, but Yuki was able to express it in his own way. My favorite scene was in the final episode, right before he leaves Earth. He happily says, "An Informant in space, I like the sound of that.

Soma: I also thought he looked happy when I watched him.

Miyazawa: He'd been separated from the Boonboomgers for quite some time, so I think he might've felt bad about it. By doing that performance, I could really feel that he had come back as Ishiro.

Hayama: I'm grateful.

Miyazawa: It was "the best of Ishiro."

Hayama: I'm glad to hear you say that.

Soma: Personally, I liked it when Chasshiro got teased by those around him. Like in episode 40, when Itsuki-kun said, "I want to be a cool hero like BoonBlue," Mira and Jou's reaction was to look at Chasshiro and say, "Cool?" (laughs).

Suzuki: I liked it when Mira pinched his cheeks.

Iuchi: Yeah.

Hayama: That was in the final scene of episode 37.

Soma: It was fun to watch scenes where Chasshiro "comes down" from a stressful situation, as I would think, "Ah, so this is how it's being done this time."

Saito: Yuki-kun mentioned earlier that he's not good at action, and looking back at our first action practice, I could sorta sense that he was having a hard time. However, the action with Gong Grumer in episode 29 was really cool. He must've practiced alot, but it was still captivating. After that, in episode 37, he did action scenes for both Ishiro and the fake, and I felt like he had come a long way with all the moves he was able to do.

Hayama: You sound like a parent (laughs).

Saito: I'd like to mention that I've rewatched your boxing action with Gong Grumer about six times.

Hayama: Eh?!

Suzuki: Amazing, you've got a fan.

Hayama: Ryu, thank you~ (laughs).

Saito: No, I was just curious about the moves you were doing.

Hayama: I guess everyone was looking at different parts. This is the first time I've heard all of that.

Iuchi: You're embarrassed, huh?

Hayama: I am. Ryu should be the first one I treat to some gyudon, don't you think? (laughs).

Suzuki: For me, it was probably when he was paired up with Mira in episode 14. It's the scene where Chasshiro's desperately struggling to keep Reizoko Grumer from going to the aquarium. I had never seen Chasshiro with such intense passion before. Mira had already transformed, so the first time I saw him like that was during post recording, but it was Yuki-kun's acting that really got me into the mood during recording.

Hayama: It was all thanks to the Screenwriter (laughs).

Suzuki: You looked happy (laughs).

Miyazawa: He was all smiley.

Suzuki: And, I know I keep saying this, but when Chasshiro talks to Mira face to face like a normal person in that episode……seriously, his visuals were just too good.

Hayama: It was both an Ishiro episode and a visual episode.

Soma: Visual episode he says…..(laughs).

Suzuki: And, I guess he was really fired up since it was one of his main episodes, as during filming, he made constant efforts every morning to get rid of any swelling (laughs).

Hayama: You didn't have to bring up that part! (laughs).

Iuchi Saito Soma Miyazawa: (laughs).

"Now for the next turn, we'd like you to talk about scenes featuring Mira Shifuto's Suzuki-san."

Soma: Speaking of Miu-chan, she was a monster during post recording.

Suzuki: Eh? What?

Saito: He means to say "you're very skilled."

Suzuki: For real? That makes me happy!

Saito: How is it that you're always able to skillfully match up your voice?…..

Suzuki: Yay! (laughs).

Hayama: Another thing is the straightforward way in which she communicates. In episode 14, when she said, "You're so stupid, Chasshiro!," I could really feel Mira's energy just from watching the footage, and I felt that there was alot to learn when it came to making emotional outbursts like that.

Suzuki: That makes me happy.

Hayama: I learned a…alot!

Suzuki: Don't stutter at the best part! (laughs).

Hayama: (laughs).

Soma: Yuki-kun mentioned emotions just now, but I liked Miu-chan's part when we spoke our lines one by one before defeating Madrex in episode 9.

Suzuki: When I say, "That's what it means to take control of your own wheel!," right?

Soma: Yeah. Your eyes sparkled, and your line was filled with emotion, so that moment really grabbed me emotionally.

Suzuki: Everyone's injured makeup looked good too.

Soma: That combined with the atmosphere of the setting sun made it even better. Towards the end of the show, when Mira makes up her mind to get married, Me, Sakito and Jou were on the receiving end of things, but we were also greatly helped by her. It was easier to do our performance since we could understand Mira's feelings.

Suzuki: That makes me feel good (laughs).

Iuchi: My favorite Mira scene, and the one where I also thought Miu-chan helped me out, was in episode 45. They had created a rather dark scene in regards to Bundorio's shutdown, and I went into the scene worrying about how to go back to Taiya's usual self within the 30 minutes we had. However, thanks to Miu-chan's performance, I was able to bring Taiya back to his energetic self.

Suzuki: Heh~ I didn't know you felt that way.

Iuchi: Taiya saying, "Thank you, I'm glad you guys are my friends," followed by Mira's genuine look of relief on her face as she said, "You've finally regained control of your wheel," was very comforting. That put me in a better mood as we faced the final episode, so I really feel thankful for that.

Suzuki: No, no, I wouldn't have been able to cry if I hadn't seen the look on Taiya's face. I feel the same way, you really helped me out.

Soma: Are you reciprocating your love to each other?

Suzuki: That's not it (laughs).

Miyazawa: It's the result of their synergy.

Suzuki: That's it!

Miyazawa: I don't have any specific episodes in mind, but rather, when I think of Miu-chan, her persuasive words come to mind. I especially felt that in Mira's main episodes. I think it's Mira who connects the Boonboomgers together, and I think she had a big influence on the production.

Suzuki: That makes me happy.

Miyazawa: What I also thought was interesting was that when I saw Miu-chan on set, she would adjust the number of steps she took in order to match the camera's position.

Suzuki: Yeah, I did that (laughs). I'd usually be good with three steps, and then I'd just say my lines from around there.

Miyazawa: Seeing that up close, I thought of her as a very hard worker. Mira's good balance was likely the result of Miu-chan's hard work.

Suzuki: Thank you!

Saito: This might overlap with Zawa-nii, but while I think that each person had their own main episodes, Mira would be right there next to us.

Iuchi Hayama Suzuki Soma Miyazawa: Yeah!

Saito: When you pair up with someone like that, the explosive power is incredible. How would you describe it? Like an amino acid??

Soma: Something like an umami seasoning that makes everything taste better?

Saito: Ah, that's it! If you don't add it in, it's somewhat tasteless, but with it, I'd say it adds depth and takes it up a level. That's why I think Mira's presence was of great help to our team.

Hayama: Thank you for being an amino acid.

Saito: Thank you amino acid.

Suzuki: I did my best as an amino acid! (laughs).

"Next should be Jou Akuse's Saito-san. What does everyone think?"

Iuchi: What I'd like to mention with Jou is his injured makeup for the baseball episode. The makeup artist told me that a role like Jou's is one that's really deserving of injured makeup.

Hayama: That's true.

Iuchi: The way he got covered in dirt, was sprawled out on the ground, and yet still stood up was really cool.

Suzuki: You know it!

Iuchi: As for Taiya, he's happy to watch Jou's growth, or to put it in a slightly weird way, he likes seeing Jou get dirty (laughs).

Saito: Hahahaha (laughs).

Suzuki: It's kinda nice when Jou gets dirty.

Hayama: It's great.

Iuchi: It looks great on film, doesn't it?

Hayama: Going along with that, I guess I'd pick his first Change in episode 5. The scene where he crawls while still standing his ground is really memorable, don't you think? Boonboomger consists of a group of people who hold various beliefs, but among them, Jou possesses an honest sense of justice, and I think that was most strongly portrayed in episode 5. Watching him on set, I honestly felt like, "Ah, he's a hero."

Miyazawa: I think that out of all the characters in Boonboomger, the one who was closest to their role was Ryu, and there were countless times where I felt that he really linked up with Jou's honest character.

Iuchi: Yeah

Hayama: There were.

Miyazawa: Especially when he was trying to appeal to something. There was something about it that would just resonate with you. The same goes for the Keytarou episode, the scene with Itsuki-kun in episode 40, and the scene against the police squad in episode 46.

Hayama: Episode 40 was especially good!

Miyazawa: When it comes to tearful episodes, I think that most people would pick the one where Genba leaves, but I'd cry every time there was a Jou episode.

Saito: Eh?!

Miyazawa: No, it was frustrating how Ryu's performance made me cry.

Iuchi Hayama Suzuki Soma: (laughs).

Miyazawa: Still, it really touched my heart. I really think that only Saito Ryu could've played the role of Jou Akuse. He's also really good at action. He moves his body well.

Saito: That makes me happy!

Soma: For me, it's the part in episode 28 where he Boonboom Changes while running into the fight against Neon Grumer.

Saito: Yeah, I was filmed wearing a maskless Boonboom suit.

Soma: That maskless facial expression, and the intense passion conveyed through his lines. I guess you could call it a "feeling of hitting the right mark." Zawa-kun mentioned it too, but his honesty resonates with you as you watch him, which is exactly in line with Jou, but I think is the same for Ryu too.

Suzuki: I talk about it in every interview we do, but my pick is always going to be episode 15. His crying face at the end when he took down Kaseki Grumer was heartbreaking, and there's also the scene where Jou makes up his mind.

Saito: It was when he said, "I'll take him down!"

Suzuki: Yeah. Despite feeling conflicted, he said he'd fulfill his duty as a police officer. That was also bittersweet. It was a scene that was really painful to watch.

Saito: My performative skills were still pretty rough during that episode, so I had alot of trouble with it. I think Director Hayama helped me alot in that episode.

Miyazawa: It's usually Jou who gets caught in the middle of a dilemma, don't you think? I guess expressing that is also quite difficult to do.

Saito: Yeah, it was. Every time I'd wonder at what point the conflict between what he wanted to do, what contribution he'd make as a police officer, and what decisions he'd make as a hero would alternate.

"What are some of the most memorable scenes involving Genba Bureki's Soma-san?"

Miyazawa: What should we do?

Suzuki: There's really nothing to say, right?

Soma: Why~?!

Hayama: I guess there's nothing in particular.

Soma: Well, guess I'll head home early then (laughs).

Iuchi Suzuki Saito Miyazawa: (laughs).

Iuchi: Alright then, I'll start! I also like the scene in episode 27, where Genba leaves Boonboomger, but I've talked about it in many other places, so I'll name another scene. I recently had the chance to rewatch the clip of his first Change in episode 7, and I thought the whole sequence of movements, starting with the line, "I'm gonna accelerate you guys," and then raising the Boonboom Change Axe to then pull out the Boonboom Booster was incredibly cool.

Iuchi Suzuki: It was when he said, "(speaking in unison like Genba) Let's take control of the wheel of being Boonboomgers together!"

Saito: A key point is the part where he bounces his hand alittle.

Soma: You were paying attention, huh?

Iuchi: Furthermore, in Genba's case, he isn't characterized by his quick decisions, but by his slippery movements instead.

Soma: Was that……a compliment?

Iuchi: Huh, you don't get it?

Hayama: You're saying his movements are sexy, right?

Iuchi: Right, right, sexy!

Suzuki: Genba's movements had some sex appeal to them.

Iuchi: I could feel his mature sexiness, which is exactly in line with Genba. I felt that again when I rewatched it.

Miyazawa: For me……yeah, I think it'd be the part where he's sucking on a lollipop in the opening credits.

Soma: Why?!

Miyazawa: Sorry, that just sorta came out.

Soma: That's going way too far (laughs).

Miyazawa: That was just a joke (laughs), Genba and Sakito were involved in many scenes, so I had many opportunities to talk with Satoru, and I found him to be a really passionate guy when it came to his performance. In particular, he kept the alien setting a secret. That was the most surprising thing.

Suzuki: Eh, you knew from the start?

Soma: I knew about his real identity, but details like him being an heir of planet Bureki and the Hashiryan invasion came later.

Suzuki: Eh~. Still, you knew from the beginning that he was an alien.

Soma: Yeah, I knew.

Saito: So that's how it was.

Suzuki: Did everyone know?

Hayama: No, I also didn't know.

Soma: I think I mentioned it to Taiya along the way.

Iuchi: I only overheard alittle bit about it.

Suzuki: Heh~!

Miyazawa: Not only did he keep that a secret, but he also kept a clear plan in mind and made sure to express the way Genba "should be" in each and every scene. What was particularly memorable was the expression on Genba's face at the end of episode 26 when he saw Disrace. I thought that he had really brought out the best of everything he had accumulated up until that point. I'll never forget it.

Hayama: From there, Genba left Boonboomger and suffered for awhile, but in the beginning of the next episode where he had come back, Genba had a really refreshed look on his face (laughs).

Suzuki: I noticed that~!

Hayama: I once again thought that that kind of carefree vibe is unique to Genba Bureki.

Suzuki: It was that scene, where the camera pans from his legs to focus on his facial expression.

Hayama: Right. Also, Satoru-kun's scripts were amazing. I could catch a glimpse of them from the post recording microphone next to me, and they'd be completely red. This of course varies from person to person, as I myself am the type who doesn't write many notes, but even so, I was impressed by his enthusiasm to learn.

Soma: I'm just prone to worrying (laughs).

Hayama: They were so red, that it makes me want to post a photo on SNS so that everyone can see.

Iuchi: You really pay attention to the smallest of details.

Saito: Regarding the scene in episode 33 where Genba returns, the Action Director of "Kamen Rider Gavv," who I had the opportunity to speak with at the studio, highly praised it by saying, "The expressions on Taiya and Genba's faces as they stared at each other were really good."

Soma: Eh, really? Should I move over to Gavv's set now?

Iuchi Hayama Saito Miyazawa: (laughs).

Suzuki: Please stop (laughs).

Saito: I'd like to bring up the scene in episode 15, where Jou and Genba talk. At the end, Genba mutters, "A lonely dinosaur, huh?…," and at the time of filming I thought, "What is this line?" When I look back at this scene now, the kind, lonely, and indescribable expression on Satoru-kun's face really hit me.

Suzuki: For me it'd also have to be episode 33, but it's for the scene between Shirabe-san and Genba. I felt like he poured out everything he had been holding back up to that point.

Soma: That's something I discussed with Director Nakazawa Shojiro.

Suzuki: On another occasion, the Director told me, "I told him that it'd be more like Genba to hold back there," but finding the right balance must've been very difficult, right? Mira is someone who can show her emotions, but he won't be the same Genba if he shows too much, and if he holds back too much, it'll seem like he's lost his humanity. After hearing that story, I rewatched the second half of episode 33, where he comes back to us, and was convinced as I thought, "So that's the reason." Something will make his heart tremble, but he won't shed tears, and I think that's appropriate for Genba.

Iuchi: Come to think of it, Yu-kun mentioned his identity being revealed, but is it okay if I add something quick?

Miyazawa: Go ahead!

Iuchi: At a later date, Satoru-kun told me why he only revealed it to me, that being, "I think Taiya would've already noticed." Just hearing that…no, he really thinks about the details of details.

Suzuki: That's Amazing!

Soma: Not at all.

Iuchi: What's more, at that time, the details hadn't been worked out yet, but when I read the script for episode 27, Chasshiro asks, "Did you know?," to which Taiya replies, "I had a feeling he wasn't an Earthling," so it was just as Satoru-kun had predicted.

Suzuki: I see!

Iuchi: Satoru-kun is amazing, even though it wasn't his role, he thought Taiya already noticed.

Hayama: How do you even think that far ahead?!

Iuchi: Right? It's really amazing.

Soma: It's embarrassing.

"Finally, there's Sakito Homura's Miyazawa-san."

Hayama: After all, he has the longest acting career out of all of us, so I was always inspired by him.

Iuchi: No, seriously. With that being that case, it'll be hard trying to narrow it down to just one thing.

Hayama: My favorite scene was without a doubt the one at the beginning of episode 29. I had created my performance to a certain extent and took it to the set, but then Sakito started doing moves that I would've never expected (laughs).

Suzuki: You were like, "Wait, this isn't what I had in mind!" (laughs).

Hayama: That's how I felt. Still, I thought that if I became intimidated here, I'd lose to Zawa-kun, so I tried a variety of things on my own. I think it was one of the opportunities for me to grow as an actor, and it's a scene that left a very strong impression on me.

Miyazawa: If we were at the Deliverer's garage like normal, you could imagine what you'd be like, but with filming on location, you don't really know until you get there. In my case, I was pretty much doing things in the moment.

Iuchi: When I got involved with Yu-kun, that's where I'd really learn something. If I'm not mistaken, the scene where we're all talking and having fun in the final episode was also changed on set.

Suzuki: Eh, is that true?

Iuchi: I talked it over with Yu-kun, and he asked me something along the lines of if I wanted to be the "first to respond," but with Sakito, I thought words were unnecessary, so I just tapped my fist against his chest and said, "I'm counting on you" ……I said that just before the take, right?

Miyazawa: That's right.

Iuchi: I really liked the look on Sakito's face in that scene, and thanks to that, Taiya felt like, "Now Earth is in good hands," and even though it was done on the spot, Yu-kun responded perfectly in his performance.

Miyazawa: I think I was able to respond because there was something about Haruhi's performance that resonated with me.

Soma: Even without any lines, Sakito was able to convey the message he wanted to say. That was also the case with the sumo episode, and I learned alot from watching it.

Miyazawa: I'm grateful.

Soma: Genba himself isn't a character with many lines, so when he was silent, I would just look at everyone's expressions, but even in those moments, I felt that Zawa-kun had a wide range of performative skills to draw from.

Saito: I was impressed by his interactions with Byundi. He was constantly talking with Suit Actor Takada Masashi-san, as well as BoonViolet's Tsuta-san, but seeing him talk all the time, even when the cameras weren't on, taught me how to approach acting.

Miyazawa: I'm sure this is true for everyone, but this was the first time I interacted with a Suit Character and performed a role together with a Suit Actor. With that being the case, I think we each had our own ideas of, "What I'd do if I were you," and I wanted to present a character that matched that of BoonViolet, and by extension, Sakito Homura.

Suzuki: Sakito has a childlike charm, a presence that makes everyone tremble easily, and a unique sex appeal, and while we were shown various sides of him, there's a sense of unity that made him look like a proper individual. I think that's what Zawa-kun put into consideration when playing the role of Sakito.

Miyazawa: That makes me happy. Let's all go out for yakiniku next time.

Iuchi Hayama Saito Soma: Yay!

Suzuki: We've been waiting for that!

Miyazawa: Ah! Is that what you guys were after?! (laughs).

-The six people who finished Boonboomger-

"I think it's time we conclude, but we'd like to ask each of you one last time for your thoughts on the past year."

Iuchi: It was fun.

Hayama: It was, wasn't it?

Suzuki: Wait, wait, hold on (laughs).

Soma: Isn't that too short?

Suzuki: It is!

Saito: Well, it is true that it was fun…

Miyazawa: No, stop, speak one at a time, let's do this properly.

Hayama: We got along well with each other over the past year, and I of course hope that we can continue to be friends, but when I see the five of them, I feel like I've learned so much as an actor. In that sense, what was great about being a Boonboomger was that I was able to gain some really good experience for my future acting career by working together with these five people. I realize I'm talking seriously now, but I'm truly happy that I got to meet these five actors.

Suzuki: I'm truly happy from the bottom of my heart that I was apart of these six, and I hope that even after 10 or 20 years have passed, our current relationship will continue. They're my best friends.

Hayama: If something ever happens, us five will be there for you.

Suzuki: That's reassuring!

Saito: Miu-chan summed up everything just now. I thought the same thing after finishing filming, but I think it was actually a good thing. I would've hated it if any one of us was missing, and I honestly feel that the hard work we all put in over the past year was well worth it.

Suzuki: It's kinda sad that it's over…

Soma: On the very day of the wrap up, I think I was relaxed, as I thought, "Ah, it's over~," but when we actually wrapped up, I was so overwhelmed with emotion, that it surprised even myself.

Miyazawa: It was more than you were expecting, huh? I'm surprised.

Soma: Over the past year, I really saw alot of what I liked about everyone, and it was also really exciting when Zawa-kun joined us halfway through. I really think that the balance between these six people is outstanding, and I think we became such a great team because of all the wonderful qualities everyone has. Thank you so much!

Suzuki: Encountering you all and the time we spent together was irreplaceable, and it'll stay with me for the rest of my life.

Miyazawa: I arrived along the way, where I ended up joining a team already consisting of five people, but they were five truly charming people. We got along well in the drama and in our daily lives, and there was so much that I learned from them, so I want to be the first to say how grateful I am that we were able to do this together for a year. And, while this may be the end of Boonboomger, I hope that each one of us will take the experience we've gained from this production to the next level, and that one day, when the time comes for "all these members to gather," we'll already be capable of aiming higher and attract the attention of many people. That's why I hope you'll still support us and continue to carefully watch over us.

"And now, we'd like to ask Iuchi-san for some closing remarks."

Iuchi: Is it alright if it's abit long?

Hayama Suzuki Saito Soma Miyazawa: Of course!

Iuchi: Boonboomger was my first drama job, and I played the main role of Red. Super Sentai productions are a team effort, so I didn't want to get too worked up about being known as the star or leader. However, in interviews I was often asked, "What's your enthusiasm as the leader?," and in the beginning, I'd go into the set being 90% anxious and 10% excited. Also, I'm the type of person who values spending time alone, and while I don't know if there were moments where they didn't think well of me, everyone accepted me for who I was and treated me in a really kind and friendly manner, so I have nothing but gratitude for that. Recently, I've had more opportunities to hear people say to me, "You've grown in the past year," and while I think that's only natural due to how I interacted with people on set and how the staff guided me when I didn't know anything, the most important thing was that I received so much from everyone I performed with. That said, I do think I've grown over the past year. We were all talking about it before this interview, but even after it's over, I sincerely hope from the bottom of my heart that we can get together regularly afterwards to talk about casual things and spend time together. Finally, I have a confession…….I came to Tokyo by myself for this job, and these five are the first friends I made! Let's continue to get along well!

Hayama Suzuki Saito Soma Miyazawa: That makes us happy!

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ironicgreenfern · 1 day ago

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When I compared Wilson’s translation of the first line of Book 9 with Fagles and Cook, I did notice that she doesn’t leave much to the reader for interpretation. Fagles uses the phrase “teller of tales” which can both refer to Odysseus’ prowess in telling stories or it could refer to the meaning of “tales” as “fabrication” or “fiction”. Either way, Fagles leaves it to the reader to decide. When Wilson uses the epithet “lord of lies”, she doesn’t give us as much freedom. I did a bit of research on my own and found out this review by Corrine Pache, professor of classical studies at Trinity University, San Antonio. She actually mentions this. She too, felt that “lord of lies”, while catchy, was unsuitable and did not convey the full meaning of the word used there. She also says that Wilson uses the word “girls” to describe the slaves who were killed, while in reality, the original Greek text describes them as “women” and “slaves”. So, yes, I do agree with you, it does feel like Wilson purposefully mistranslates passages in her effort to overcome the bias. Unfortunately, this too creates a bias and wilfully manipulates the understanding of the reader. Another thing that the review mentions, and rightfully so, because I too was upset with it when I first read Wilson’s translation, was her deliberate choice to omit repetitions of certain passages. These repetitions are a proof of the oral tradition and an intrinsic part of the narrative. Without them, the text loses some of its charm.

When I said that “Odysseus’ deceptions destroyed lives”, I only wanted to draw attention to the fact that his plans might benefit one group while harming the other. While it is true, the Odyssey shows him trying to minimising the damage as much as possible, such is the nature of plans in general. A kind of an action-reaction effect (I hope this makes sense). To me, it seemed important to consider the reaction too. Also, while it is true that Odysseus warns the suitors repeatedly, I have always felt conflicted about the part where Odysseus and Telemachus kill the slave women. Odysseus reasons that they have brought shame upon his household and conspired with the suitors by sleeping with them. Yet, how can we be certain that they did so willingly? They were slaves after all. They had no one to protect them, with the master of the household gone, and Telemachus still young. Perhaps the women slept with the suitors not out of willingness, but out of fear. Even if some of them did willingly conspire with the suitors, did they really pose a threat to Odysseus? (Also, my usage of the word “terrible”, might have been a bit strong!)

As for the “cheating” thing that you said, it probably wasn’t a big deal for people to sleep with women other than their wives, if you look at it through the text’s time. I mean, we do see the Greeks in the Iliad taking war prizes in the form of women. And Odysseus does it as a necessity, not out of a need, perhaps? Because both Circe and Calypso were very powerful women, and potentially harmful to Odysseus (and his men, in case of Circe). In Book 5, Calypso does seem a bit miffed that Odysseus keeps wanting to see his wife when she is so much more beautiful, and Odysseus has to soothe her by saying that Penelope could never match her beauty. As I said before, Odysseus isn’t afraid to get his hands dirty, and maybe this is one of the cases. Cheating is awful, yes, but it seems a bit unfair to judge a character completely by our standards when he comes from a time so long ago.

Whatever I said about Odysseus in my previous post, was what I interpreted based on reading translations of Fagles and Wilson. I agree with all that you said, and again I am grateful that you answered to my post, because it helped me clear up a lot of things up about Odysseus in general. He is my favourite character too, and I am always happy to talk about him to someone (a habit that annoys my parents!). I also apologise if my interpretations are not always correct, as I am only 15, and as such my reading is nowhere near an expert like you. But I am really enthusiastic about Greek mythology and I hope to learn the language someday, so that I can read the epics in their own language.

I’ll also be adding Lattimore (and the others) to my reading list, since you recommended them. To be honest, I was a bit upset when I learned that Wilson’s translation was inaccurate. I think I really should do a side by side reading comparison of Wilson and any other translation next. If I do, I hope you won’t mind if I occasionally pester you with asks regarding any confusion I might have.

One of my favourite moments in the Odyssey is how Alcinous reacts after listening to Odysseus’ tales about his journey back from Troy, in Book 11. This is the moment I am talking about:

This is page 291 in my Norton edition of Emily Wilson’s translation of the Odyssey

Keep in mind that this is after Odysseus talks about the incidents in the cyclops’ cave (the “nobody” incident, as I like to call it) just two books before, in Book 9. Book 9 also begins with the following lines:

This is page 240

Alcinous’ praise in Book 11 (the first pic) made me audibly go “What?!” when I first read it. I am quite certain that this was the general reaction of the gods on Olympus, who were very probably listening to the conversation all along.

Odysseus’ charisma is unmatched.

#greek mythology #homeric epics #the odyssey #odysseus #ask me to yap about Odysseus and I’ll fall in love

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babycharmander · 2 years ago

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I feel like the people who are super into character AIs just… really haven’t read enough fanfic. Like, so much of the output of those things is just generic sludge, like, the most basic, boring response to whatever you typed in. It’s not in-character, it’s just an algorithm coughing up the most obvious response it can think of.

If this is the stuff you’re enjoying, I highly encourage you to read literally anything else.

The most poorly-written OOC fanfic is better than a character AI by virtue of it at least having been written by a human. It’s not the most obvious algorithmically generated sludge—it’s something a real person wanted to write.

Or like, if you want to write stuff yourself while playing off another person… maybe join a roleplay group, or find an RP partner? It’s not like they’re hard to find these days. Of course you need to learn basic RPing etiquette, which might seem intimidating, but once you learn it I promise you it is SO much more satisfying than receiving sludge responses from an AI.

Please engage in fandom in literally any other way—I promise you it will be more fun than what you are currently doing.

#anti ai #negative nonsense #I keep seeing posts where people are like ‘LOOK AT WHAT THIS CHARACTER SAID’#and it is ALL the same generic sludge #please read things written by an actual human I am begging you

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tellthemeerkatsitsfine · 3 days ago

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First of all I would like to thank the three different people who sent me these videos the moment they came out. I love how fast multiple people recognized that this is very much my thing. These are very much things that I will want brought to my attention. These are very relevant to my interests. Very relevant.

I must confess I did not initially understand what I'd been sent. I glanced at the videos, and figured John Oliver had gone on an American news program - he'll answer a bunch of questions about how important and difficult Last Week Tonight is, it'll be somewhat interesting, but he does stuff like that all the time. What's so special about this one that it's suddenly got everyone talking?

Then I started the video. Saw a shot of - be still my heart - present-day John Oliver, with the white hair of the post-CMG years, at what was unmistakbly the Edinburgh Festival. And I heard the voiceover say the words: "Edinburgh, Scotland: where modern life is set against a medieval backdrop."

Oh my God. Oh my God oh my God oh my God. I remember last summer, when we saw those couple of pictures and Twitter posts about John performing at The Stand - I said someone must have recorded that. There must have been cameras there. John Oliver is very very famous, he can't just turn up at a comedy club and have people not notice. Please tell me someone has some, any, footage of this happening.

And there he is, in this 60 Minutes interview. Obviously I know it won't be what I really want, which is a recording of his whole stand-up set. But still, I'll take anything. Any evidence of John Oliver in Edinburgh in August 2024. I think that's amazing. I'm still relieved that he didn't arrive there until nearly two weeks after I'd flown home, because I can't imagine how furious I'd be with myself if I had been in Edinburgh when he was, and I didn't see him because I didn't happen to magically guess that he'd be at The Stand that night.

When I saw that moment I got too excited and paused the video to do other stuff. I will now come back to it and watch that second video while liveblogging:

Yes, that's it!

Look! It's the Royal Mile! That's exactly how it looked when I was there! Mainly because this would have been taken about two weeks after I was there! John Oliver was in a place where I was! I walked up that street many times! I was in a place and now John Oliver is there! We inhabit the same geographical plane!

Yep, there's the montage of street performers and people in costumes doing weird things. I'm familiar with that montage, as I see it in any video that covers the Edinburgh Fringe Festival. I thought about that type of montage when I was at the Fringe in person last year. I walked past all those street performers, and thought, "The montages on TV make these look really exciting. They don't really emphasize enough how annoying it is to have someone forming a large traffic-blocking circle in a street that's already incredibly overrun with pedestrian traffic, when people everywhere are trying to get to all the shows on time.

John Oliver holding flyers, as though someone just ran up and flyers John Oliver while he's being followed by a camera crew.

I assume the flyers are just a prop to show how you will get overrun with flyers on that street. But I like the idea that some of the flyerers did not give one fuck who John Oliver was, and foisted their wares upon him as easily as anyone else. Even with the camera crew.

I feel a bit like that character in Portlandia who used to constantly, and annoyingly, say "this is how they do things in New York". A way to both brag about, and greatly exaggerate, her expertise on the matter, because she'd only been to New York for like a week. Am I becoming like that with Edinburgh? I don't care, I'm going to keep doing it anyway. I just want anyone reading this to know that I am aware of what I sound like.

"I’m at the Edinburgh Festival, sitting in my flat overlooking a building site and some teenagers setting fire to a bicycle. Feel the spirit of the Fringe." - John Oliver, at the Edinburgh Fringe Festival 2003

"Edinburgh has become, for me, the point of doing stand-up. The 'circuit' is disintegrating into a series of chain clubs that are increasingly full of comedians linguistically disgracing themselves with the cheapest, laziest form of comedy imaginable. Edinburgh is full of people making an effort, trying to do something that they're proud of. It is a fantastic place." - John Oliver, at the Edinburgh Fringe Festival 2004

"it’s the steepest learning curve you can possibly have. I learned – it’s the most consequential lessons, that I learned, in comedy. It’s kind of, going to university to be a comedian." - John Oliver, on the Edinburgh Fringe Festival in 2023

"Some of it will be great, some of it will be otherworldly bad. But, the fact that the two can exist concurrently is kind of the point." - John Oliver, at the Edinburgh Fringe Festival 2024

New Cambridge-era picture of John Oliver just dropped.

We can put it next to the other images, from that Footlights documentary, where John Oliver shouted at Richard Ayoade on a fence post, and - to be fair to the many haters who accused him of this at the time - did, in fact, look quite a bit like David Baddiel:

Yep, this is what it looked like! That's the Royal Mile, all right. This is how they do things in New York.

Now imagine some magician cleared a large area of this with music blaring from a giant boom box, while you were trying to navigate this crowd fast enough to get good seats to a comedy show. It's fucking annoying.

I stood under that little balcony to get out of the rain before running off to see Sarah Keyworth!

I was there! It was so cool and I can't wait to go back! This is how they do things in New York!

Interviewer [among flyerers on the the Royal Mile who are constantly trying to shove flyers in people's hands]: Were you doing this [back when he was performing there as a young comedian]?

John Oliver: I was absolutely doing this. When you're first coming up here, the only way to do it is to almost beg for people to come and see you.

That's a funny idea. It hadn't occurred to me before that not only was John Oliver one an Edinburgh performer, he was presumably also his own flyerer for at least a while. Maybe. Or do the Footlights alumni just automatically get given a flyering team on their debut show?

And there it is, finally! Some footage of the night he performed at Edinburgh 2024. There's the MC introducing him.

And The Stand! That's the one major venue of comedy history that I wanted to see in Edinburgh last year, but didn't (aside from the Gilded Balloon Cowgate site, which was closed for renovations). I saw a couple of comedians at The Stand, but the were in an alternative venue upstairs.

I do want to see the proper Stand. The one with the iconic mural of a guy in a cowboy hat, in the background of so many of the finest filmed comedy nights. The one where Stewart Lee's Alternative Comedy Experience was filmed. The one where Kitson did many of his best CMG-era shows, often the ones that started at midnight from the peak of his cool underground reputation. The one where the double act Zaltzman and Oliver hosted Political Animal for multiple years. I'll have to make sure at least one show at the proper Stand venue gets onto my schedule in Edinburgh this year.

I'm vaguely aware that The Stand may have had some ethical issues with platforming certain comedians in recent years, but if we start thinking too hard about ethics at the Edinburgh Festival, I'd have to look at the volume and flyers and start wondering about the environmental impact of all that printing.

Oh my God it's history in the making. The prodigal Victor Gooch returns. The prodigal Political Animal host.

The British man is in Britain. But trust me, it's a big deal.

"I want you to know that I've befouled this stage so many times before, there's no guarantee this will go well."

If those are the only words recorded of John Oliver on stage in Edinburgh 2024 - I wish there were more, but those are a pretty good set of words. There are some great old Political Animal stories.

New Cambridge-era picture of John Oliver just dropped.

The Pleasance Courtyard! I was there! I saw many shows there! I wandered awkwardly around that plaza! It was absolutely never that devoid of people!

That also has history with John Oliver, of course. While Political Animal used to happen at The Stand, John Oliver's debut solo show, as well as the joint shows that Zaltzman & Oliver did as double acts, were all at the Pleasance Courtyard. The Pleasance Below, one of the rooms in the Plesance Courtyard, is the site of John's story about the time he got a 100% walkout.

And obviously immediately after I wrote that, I pressed play on the video and saw that they were introducing the Pleasance Courtyard to tell that 100% walkout story.

Last year, I saw Jin Hao Li in the Pleasance Below, and I thought it was nice that I'd been in that venue, because now I know what room to picture, when I hear John Oliver tell his story about getting a 100% walkout at the Pleasance Below. I've heard that story many times before, and I pictured John in a different type of room - I adjusted my image when I saw how the Pleasance Below actually looked.

It's a relatively narrow room with a high staircase of seats. Echo-y. Sound techs sit way at the top, in a way that would seem very far away, if you were standing on stage and they were suddenly the only people left in the room with you.

Anyway, the room they're in in that picture is definitely the room where I saw Jin Hao Li. So now everyone else can start picturing that correctly as well.

Here is John Oliver pointing at the four seats that were occupied when he started that famous gig, only to have those four people end up all leaving.

One of those seats he's pointing at is the seat where I sat during Jin Hao Li's show. I've sat in the seat from which someone walked out in John Oliver's 100% walkout show. How cool is that? This is how they do things in New York.

Aw, they shorted the 100% walkout story. They didn't include the part where the guy abandons his girlfriend in his haste to escape John Oliver's stand-up.

Hey! Hey! Hey, what the fuck, CBS?

Fuck you CBS, how dare you crop Andy Zaltzman out of a picture?

Though on the other hand, I'm interested that they seem to have acquired a third picture from this gig, from which I'd thought there were only two pictures out there:

Are there more of these?

A whole profile of John Oliver's Edinburgh Festival career that doesn't mention Andy Zaltzman... I guess it's not quite "Ed Gamble leaving Ian Boldsworth out of his book about his history with food" levels of bad, since they only had four minutes, rather than an entire book, to get this relevant part in. But come on, they could have cut a couple of those shots of people on stilts or whatever, to include a real quick reference to the double act.

"His dad was a school principal. His mom, a music teacher." First of all, this is a reminder that John Oliver is on the weirdly long list of comedians who had one or both parents be teachers. Secondly, I believe the term for his father's job is headteacher. And John sounded slightly annoyed that time that Marc Maron translated that to "principal" in American. Come on CBS, have a little bit of faith that viewers would able to get it from context.

"In 2006, he sent a sample of his work, and was called in, to try out [for The Daily Show]." I'm still not clear on how this happened, because other people say that the Daily Show people were in London looking for another correspondent, and Ricky Gervais told them about Zaltzman and Oliver. I have also heard that John and Andy both auditioned in London, but only John got called to audition in New York. And Demetri Martin claims to have been involved, which is possible as he was working on The Daily Show at the time and knew John Oliver from the CMG/Cowgate. Now John sent in a sample of his work. Did he sent this in before or after Ricky Gervais recommended him? How exactly did it happen?

I have also recently had a friend of mine in London walk up to Andy Zaltzman after a gig and ask him about this, because it turns out you're allowed to do that, and apparently, John and Andy auditioned both together and separately for The Daily Show. Also, fun fact, Iain Lee from The 11 O'Clock Show auditioned as well. Before I learned this, it somehow hadn't occurred to me that there would have been other people auditioning too, and probably people I've heard of, if they were established enough to be doing Daily Show auditions. Although there are many people who would argue that at the time, John Oliver wasn't established enough to be doing Daily Show auditions. Which is why I want to know the details of it, how a comedian on John Oliver's CMG-era track got plucked out of there so fast to become a main face on one of the biggest comedy shows in the world.

Oh my God they're actually showing his audition tape. Not the one in London where Andy auditioned too, obviously. The one in New York, the second interview for which he got called back and Andy didn't. Or Iain, apparently.

Wow, that audition tape was fascinating. I don't know what I pictured when I pictured a Daily Show audition, but it wasn't that. I was just picturing Zaltzman and Oliver performing their sketches, I guess. Hadn't occurred to me that they'd be doing Daily Show stuff.

And he was good! Really good, for being off the cuff with Jon Stewart, a man he did not know, and couldn't rely on established chemistry. All the little vocal and physical mannerisms that made him so funny on The Daily Show - so many of those were right there in that audition tape, from the beginning. And that's not the same as his stand-up persona at the time. He'd come up with a new way to play things for his Daily Show persona, and he struck gold from the first audition tape. That's amazing.

Honestly, looking at that tape - I don't know if Andy Zaltzman could do that. Not right away, not as comfortably as that, with someone he didn't know. I've heard Andy Zaltzman try to interact with people he doesn't know. He definitely do not vibe with them as well as that.

I was a highly competitive wrestling coach for many years, and the look on Jon Stewart's face here is the exact look I used to get on my face when I was watching a potential new athlete perform, and thinking, "God damn... they don't even know how much talent they've got, I need to recruit this person immediately."

The rest of the video was about Last Week Tonight, which was cool and interesting and worth watching, but I stopped pausing the video every few seconds to write something because doing that for the whole video would have taken me about a week. That was very, very cool though. Definitely going in my Chocolate Milk Gang folder. Thank you for bringing it to my attention. I will now watch the second clip that's about stand-up, but I'm going to post this for now.

John Oliver had a camera crew with him in Edinburgh. There is no way they didn't film his entire set at The Stand. Who do I have to hold hostage to get them to release that footage?

youtube

Oh my god, the 60 Minutes interview segments are so good. Tagging @tellthemeerkatsitsfine for all of this, because there's Edinburgh talk, a rundown of a disastrous gig at Pleasance, and photos I have never seen before.

From the shorter segment on stand-up, I always love hearing John's thoughts on stand-up and hearing Seth Meyers's view on him as well. John does really enjoy failure and tlking about failure, which is fascinating. (I would also never describe John as chill. This man is nuts.)

The longer segment is really lovely from a historical perspective as well. There's a lot here that I hadn't seen before, including A PIECE FROM JOHN'S DAILY SHOW INTERVIEW HOLY SHIT THE HOLY GRAIL I'M TOTALLY FINE Y'ALL (I'm not fine) - look, I'm writing this on break from my new job, just give it a spin, my weirdoes.

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frostheria · 11 months ago

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Just making a general post real quick in response to an ask.

When I say I'm anti-ai I mean I'm against any sort of AI that steals from others or would otherwise be used to put people out of a job. I don't feel like having an elaborate conversation about the positives and negatives of AI and all that, so I'll state this as plainly as possible.

I don't like AI art. I don't like AI voice impersonations. I don't like any sort of AI that has to steal stuff from people without their consent in order to function. That is literally it.

I'm not against ALL AI. I don't think people that are okay with AI in general should be burned at the stake or something. I'm just an artist and writer that doesn't like AI being used in CREATIVE SPACES. That's it.

I didn't think I would have to clarify this but, here you go, for anyone that was bothered.

#to the person who sent the ask #hopefully this clears things up #I answered you in this general post #because I didn't want to risk people getting upset at you #if they didn't like what you said. Think of this as me keeping you anonymous #I'm sorry if you see me as a “guilt-tripper” but you made that assumption based on minimal knowledge of my character #like. VERY minimal knowledge #you know nothing about who I am as a person or what the depth of my opinion was #you just saw me putting “fuck ai” in my tags and assumed that I meant ALL AI #which isn't an unreasonable assumption. it's a vague statement. But the ONLY reason I use vague tags is because it reaches more people #plus if you ACTUALLY look in the fuck ai tag it's mainly about AI art and such #so to just automatically label me as a guilt-tripper instead of trying to express that you respectfully disagree with my opinion #or what you THOUGHT was my opinion anyway #was something I really didn't appreciate #that being said #I'm not interested in turning this into some sort of conversation.#please don't respond to this directly #I've voiced my opinion on the matter. That's where this ends.#anyway extra tags that you can ignore//#artists on tumblr #small artist #oc artist #anti ai art #anti ai writing #anti ai voices #support human artists #human artist #fuck ai art #fuck ai writing #anti ai

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adwox · 2 years ago

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does anybody have any songs and/or albums they associate with X... asking for a friend

#mmx #mmx x #tagging for visibility #im just genuinely curious esp if there are possibly specific songs within the fanbase that people really associate with him #i dont really ever look at character playlists unless its made by a friend and/or sent directly to me tho i have made several myself #but i tend to keep them private and never really reference what others do #not that im looking for ideas like i said its purely curiosity / wanting to see a potentially different perspective #THAT BEING SAID i did start an X playlist but the plan is for it to be fully instrumental...#okay anyway that is all. when i was active on tumblr years ago i always got asks where people would wonder why i had so many tags #instead of just typing in the actual text post. clearly i have not changed #ANYWAY PLS DO LMK my asks/submissions should be open for anon? if anyone did want to share privately #>mine_>text

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thehmn · 9 months ago

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I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

#asexual #polyamory #hjalmar aurland #badehotellet #beach hotel #long post

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salemlunaa · 4 months ago

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SURE TIME IS A CONCEPT, BUT THE CLOCK IS TICKING ◔

what more do some of you want?…

A lot of you need to fix up. stop doomscrolling and complaining and actually apply knowledge.

Do you wanna know how to be like those people who enter the void/ induce pure consciousness with ease after struggling, some of them not even struggling at all? All those success stories that you idolise, screenshot, like, reblog and envy all have one thing in common:

They wanted it. Bad. You need to want it

Those people saw all this shit that they didn’t deserve happen to them, they saw how other people were born with the lives they want, and they decided enough was enough. They weren’t taking shit from the world anymore, they were tired of living lives that they dread, tired of looking at people’s lives with envy, tired of the way life was going for them and how the world treated them unprovoked. They were tired of dreading waking up another day in their shitty realities. Tired of hating themselves in the morning because of another unproductive night. They were TIRED and you need to be too, that fuelled their want for their new lives and got them where they are now.

I’m not saying you can’t be in my asks or you can’t be in my dms. But at what point is it enough? at what point does it become pathetic? You go in these bloggers asks and dms and question them on shit that 1: has been said multiple times or 2: is common sense. But fine, keep playing dumb, keep indulging in the assumption that it “just doesn’t work for you” keep pretending that your just this innocent little baby who “doesn’t understand why it’s not working🥺” 🙄anyway…. You can sit here in this community for as many years as you like while people get what they want.

And although time is a malleable concept that can be manipulated, the clock is ticking, it’s almost 2025 and some of you are right where you started. I need to ask you to sit with your self, look at 2025,2026,2027 heck even 2028, do you see yourself still here? be honest, do you genuinely see yourself with your dream life? if not you need to change your mindset, and stop asking how, you know how!!

Locking in and changing your mindset isn’t this big character development that lasts weeks, it can take seconds. So you could’ve had everything yesterday, 15 minutes ago, an hour ago, even a fucking minute ago, but you’re still here choosing to scroll and act stupid, inhaling new information each day like you were born yesterday. YOU KNOW WHAT YOU NEED TO DO!!! Are you not tired of the same routine, you get motivated from some posts, you get this high, this amazing feeling like you’re so ready to do it, then you procrastinate and if you do manage to try you “fail” and run back to tumblr for the 100th time. Are you not tired of the same shit?

Again, do yall wanna make it to 2025,2026,2027, even 2028 without all the shit you want? At what point does it become enough information and enough questions asked? I know it feels validating and comforting to complain about your circumstances knowing others can relate, but at what point do you stop aligning with the loser who “can’t do it”? Stop acting like you actually give a shit when you say you’re going to apply and then you come back whining. Start acting like you actually want it.

You’re the only one who can change your life, if you want to still complain sure go ahead. Keep the tumblr “for you page” some company while everyone else is actually applying and getting their dream lives. A lot of you don’t want to hear it but with the way you’re wavering you’re probably going to be here for a few more years.

That doesn’t mean you cant change that, i’m not the one who writes your story, it’s you, again, it’s not hard work to change. Like the art of inducing pure consciousness, nothing is hard, nothing needs effort, so you can change your mindset within the snap of a finger and be good to go. But wavering brings you right back to square one.

the clock is ticking and you are STILL here…. LOCK TF IN!!!

SOME OF YOU HAVEN’T MADE ANY SIGNIFICANT PROGRESS, THAT CHANGES NOW!! ⏳💋

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starlightbright · 9 months ago

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RIP Ricky September they had to kill you because it would have been unrealistic to not keep you on as a companion 😔

EDIT: I've noticed some people taking this post really seriously, so to clarify: no, I don't think Ricky was literally a perfect uwu anti-racist angel. This post was mostly a joke about how he was running around doing companion shit and, most of all, how the Doctor and Ruby both thought he was a hottie. My actual feelings about Ricky are that he's a complacent white liberal. Character reading under the cut if you want an explanation.

I do think the implications of making him unplugged from the racism bubble, paralleling him with the Doctor (man who shows up with knowledge about history and technology and guides the other character through dangerous situations), and directly contrasting to Lindy (including being open to trust the Doctor without second guessing him the same way Lindy and all her friends did) are supposed to be that he wasn't like the other people there and is thus LESS racist since racism comes to be what defines their society. I've seen some people basically ask "then why'd he move to White People City?" but within the text it's actually Rich People City; the reason everyone there is white is because systemic racism financially benefits white people. Making him LESS racist is NECESSARY to giving his death any meaning - because if he definitively would have called the Doctor a slur and walked away, then the Dot killing him quickly was a mercy kill because we KNOW all the other residents are going to die in the wilderness.

THAT SAID, I also don't think he was a progressive anti-racist. Do you know what Ricky actually is? A white liberal. He might disengage from the White People Bubble, he might not be outwardly cruel to black people, but he's still surrounded by people who are and benefits from a system where ONLY WHITE PEOPLE ARE RICH. The culture might be fucked, but he still benefits from it without doing anything to actually fight it. It's like how many a white liberal will read about the history of slavery, feel sad about it, and then be uncritical of prison labor. If Ricky was meant to be progressive, there'd be something, ANYTHING in the text about how he's tried to educate his followers on their society's problems, but it got deleted. He is COMPLACENT.

That's sort of the point, I'd say, since the theme is about how priviledged white people put themselves in a bubble of people like them and choose to look away from what's wrong in society. Those people become complacent at best with no effort to actually speak out or change things. Hell, even within the text, Ricky SEES a problem others are looking away from (the slugs eating people), but only tries to fight it by making a TikTok about it and becomes complacent again, accepting that people are just going to be eaten.

So tl;dr: no, I don't think the white liberal kid literally would have been a companion. I think if you stuck him in the Ood episode, for example, he'd have shaken his head when he found out about their plight, maybe made a TikTok with sad music playing over footage of them, and then said "welp, nothing else can be done." I think it's FUNNY to imagine another companion that the Doctor and Ruby both are giggling like schoolgirls over.

Also I kind of thought he was ugly - no offense to the actor but the makeup they had him in combined with the lighting and closeups made him look way older than 27 so he gave off this uncanny "how do you do fellow kids?" look.

#doctor who #doctor who spoilers #dw #dw spoilers #dot and bubble

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airybcby · 8 months ago

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Call It What You Want To

(soft launching with the bllk boys)

a / n — i love soft launches and blue lock…so why not combine them?

content — fluff, cutesie stuff, bllk characters x fem! reader, pretty much gn! but i did use ‘she’ so just to be safe, + your faves if you want!!

synopsis — soft launches with the boyfies <3

✿.｡. “ nobody’s heard from me for months , ” .｡.✿

is NEVER on social media. has accounts of course, but never posts on them. usually the most they do is repost things about soccer on their stories. so when they post these pictures as their first post EVER? it’s inevitable that their fans are going to go insane.

they preferred posting these pictures, neither of your faces showing. you’d both decided to keep your relationship “private but not secret” , if someone were to find out it was you in these photos? so be it. they would never dream of hiding you from the world.

°❀⋆.ೃ࿔*:･ RIN ITOSHI, barou shouei, sae itoshi, jinpachi ego

they don't have many posts, but the ones they do have no less than a million likes each. their fans are adoring, so when they post a new photo, thousands of people get the notification and within seconds the post has 200k likes.

their fans are insane, and that's putting it lightly. they find your account within a minute all by looking at your phone case and finding your account.

the both of you wake up the next morning and find yourselves not only trending on twitter, but also with thousands of edits made of the two of you. AND A SHIP NAME??

so much for a soft launch.

°❀⋆.ೃ࿔*:･ YUKIMIYA KENYU(im biased), shido ryusei, MICHAEL KAISER, hyoma chigiri

a chronic poster. i mean literal photo dumps GALORE. they had many fans, obviously with them being a famous soccer player, but also because of how 'real' they were. they would constantly post stories in the bathroom and ranting- all that fun stuff.

their fans had no indication that they'd been in a relationship at all. which was strange because due to their openness, their fans began thinking they deserved to know every little thing about them.

they just wanted to keep you their little secret for a little bit, so they posted these very inconspicuous photos and had the internet up in a frenzy.

soccerluver44: WHO IS THIS??

urmomshouse: no way

and thousands of comments just like that flooded their inbox.

this was fun, they thought. maybe for a little while longer they'd keep you their little secret. the thought crossed their mind as they pressed the 'your story' button, posting a photo of them sitting on the sink with your arms wrapped around them.

°❀⋆.ೃ࿔*:･ MEGURU BACHIRA, isagi yoichi, EITA OTOYA, oliver aiku

not a constant poster, but definitely has a social media presence. they mostly post about their upcoming games and where to get tickets and watch. they definitely don't post about their personal life, so when people log on and see a soft launch??

the world goes into a state of shock. the comments are limited, so no one besides people they follow back (most of which who already knew of the relationship) are allowed to comment.

they did this on purpose. they saw no point in having strangers question them when the caption said it all

" spoiling my girl <3 "

°❀⋆.ೃ࿔*:･ REO MIKAGE, tabito karasu, jyubei aryu, DON LORENZO

✿.｡. “ i'm doing better than i ever was ” .｡.✿

took myself to the computer version to do this since there's a photo limit on the mobile version.

hope yall liked it though, i've never done anything like this before!!

likes, comments, and reblogs are appreciated!!

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covenofagatha · 1 month ago

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Hey! I would love to give you an idea of your next fic!

How about G!p!Director!Agatha asks Actress!R if they can make a sex tape, so she won't be lonely that much when R is away for work(They're married). Turns out she feels even more lonely and hornier when R is away. She's going crazy when she sees her cum leaking out of R in the video. She's been sending R videos of her fucking fleshlight and express how much she needs R. And when R gets back home, they fuck like a horny teen. (Breeding would be perfect for this🤩🤩)

Thank you so much!! I love all your fics!!!🩷

Ohhh 🫠🥵 writing this one killed me in the best possible way

Baby, you're a star

Word count: 8.3k

Warnings: mommy kink, filming, GP Agatha, sex toys, breeding kink, masturbation, blowjobs, sex, oral sex, fingering, minor spanking, so much filth, porn with very little plot, I have never written this much smut in a single post

Taglist: @lostbutlovely33 @diorrxckstar @whoreforolderfictionalwomen @katekathry @onemansdreamisanothermansdeath @tayasmellsapples @natashashill @mybraininblood @mysticalmoonlight7 @cactuslover2600 @loveem0mo @readysteddiero-nance @lonelyhalfwitch @lesbiantortilla @crescendoofstars @sol-in-wonderland @ahsfan05 @gbab09 @sasheemo @agathaharness @live-laugh-love-lupone @chiar4anna @fuckedupforkhahn @lowlyjelly

You’re running, running from something, and it’s closing in on you. Looking back over your shoulder, a terrified look on your face, you trip and end up sprawling onto the ground.

It’s about to get you. Your eyes widen in fear, a loud sound coming from the distance —

“And…cut! That’s a wrap!” With the shout from your director, your character of Samantha Wren, a girl haunted by a dark creature from her past that finally catches up to her, melts away and you push yourself off the set floor, brushing your hands on your torn pants.

The scene you just shot is the cliffhanger ending to the film, The Figure in the Walls, where Samantha is sprinting through the woods after realizing what the monster is, trying to get away. It’s unclear if she does, which leaves some room for a sequel.

The movie’s director, Agatha Harkness, steps out from behind the cameras and slow-claps, smirking at you. You make a beeline for her and she wraps an arm around your shoulders and steers you away from the set. A PA jogs over and hands you a cup of coffee and a bagel. You’ve been filming for the past five hours, doing scenes from earlier that weren’t as good and finishing up the movie sequence, and you’re starving.

“You did so good, honey,” Agatha murmurs into your ear and presses a quick kiss to your temple.

It’s not a secret on set that the two of you are married, you both just prefer to keep it professional for the most part, at least when other people can see you.

You first met Agatha at the Golden Globes about two and a half years ago. You had never met, but were both nominated for separate projects: you for Best Supporting Actress in a Comedy, and her for Best Director. A mutual friend had introduced you to her during a commercial break, and you hit it off instantly.

There was almost something magnetic between you, and it just kept pulling you to her all night long. You won for your category, and so did she, and the picture of you two with your Globes is framed above the fireplace mantle in your mansion.

You’re beaming at the camera while Agatha is staring down your dress, trying to look inconspicuous. When you tease her about it, she says she was just looking at the trophy.

It’s unclear if she means the Globe, or you.

She had invited you to go to an afterparty with her and you had immediately agreed. It was a quiet, intimate sort of thing with an open bar, and she had brazenly flirted while the warmth from the alcohol settled pleasantly in your stomach.

After a few hours and after you had been practically sitting in her lap for quite some time, she said that she should get going, but asked for your number.

You had clasped her cheeks and pulled her into a hot kiss right there and promptly dragged her out the door into your car and back to your apartment.

A year and a half later, she asked you to marry her as you were walking along the Santa Monica Pier. The sun was setting, purples and pinks reflecting off the ocean waves, and you had never felt so happy in your entire life. You bought a mansion in Beverly Hills together, and you’ve lived there ever since.

When Agatha first signed onto direct The Figure in the Walls, your name had been already thrown around as for who would play the lead. You still don’t know if she pulled some strings, and there was obviously gossip that you had only gotten the role because your wife was directing, but Agatha assured you that once everyone saw your performance, there would be no doubt that you had earned every part of it.

“Thank you,” you whisper to your wife. You can’t believe the movie is finally done, but your turn-around is quick. Tomorrow, you fly out to meet with an agent in New York about a new film franchise in the works. If you land the lead role, it would be absolutely huge for your career.

You will be gone for a week, though, and you and Agatha have been looking forward to some time for just yourselves. You’re eager to get home and at least have tonight, but with the wrap party and the closing speeches, it’s going to be awhile before you’re able to.

Some of the other cast members come over and mingle while you sip on a soda, but you can feel Agatha’s eyes on you the whole time. At one point, you give in and glance over to where she’s sitting — all alone in her director’s chair for some reason, but she’s facing you.

She uncrosses her legs and slouches back, casually putting a hand on her right upper thigh. Agatha ever so slightly spreads the fabric of her dark gray pants and you can see — she’s half-hard. Just from watching you, just from the thought of finally getting some quality time. You’ve made it work with the busy schedule, always finding a half hour for a quick fuck every now and then, but it’s been too long since you’ve been able to take your time. There’s the unspoken promise that neither of you will be sleeping much tonight.

Swallowing roughly and trying to fight back the heat creeping into your cheeks, you turn back to your co-stars and try to look like you’re listening.

And then finally everyone starts to leave. With Agatha being the director, she waits until every single member of the cast and crew has gone while you sit and impatiently tap your foot.

“You ready?” Agatha asks and you jump out of your seat, eagerly nodding, and she laughs. “Looking forward to something?”

“I can’t wait for you to fuck me, mommy,” you answer matter-of-factly and it catches her off-guard for the slightest second.

It’s not often you’re this bold and straight-forward without her prompting. And she fucking loves it.

The car is already waiting outside — you called it while you were waiting for everyone to leave — and the air between the two of you crackles with electricity. The tension is thick, but neither of you move to disturb it, instead just choosing to let it build until you’re in the sanctity of your home.

But your breathing quickens and you can feel your underwear getting gradually wetter, the anticipation steadily rising. When you look over at your wife, you can see her fully-hardened cock straining against the fabric of her tailored pants and her long fingers are digging into her thighs, making her veins pop.

It’s about twenty minutes later of lingering looks between darkened eyes when the car pulls into the driveway of your house.

Agatha barely thanks the driver before you’re both scrambling out of the car and up to your front door.

The moment it’s closed, you’re shoved against the pillar next to it, Agatha’s mouth on yours in a bruising kiss.

“Fuck,” you moan, her tongue hotly licking against yours. She grunts in agreement before grabbing your wrists and holding them over your head, thrusting her right leg between yours. You can feel her cock, can feel the heat radiating off it, and you throb against it and swiftly grind down.

She groans into your mouth and angles her leg up higher and you can feel her dick pulse, which makes the ache inside you grow unbearable. Your kiss has become sloppy, a flurry of teeth and lips and tongue, and she pulls back to trail her mouth down your neck. You hiss when she sucks a bite and it makes your hips jerk involuntarily.

“Agatha — mommy, please,” you whimper, your cunt absolutely dripping. All of your thoughts are being consumed by her right now, and you just need more. You need her fingers, her mouth, her cock inside you, you need her.

Agatha chuckles breathlessly, planting an open-mouth kiss on your lips. “What do you need, honey?”

It’s almost frustrating that she’s making you say it, like it isn’t the most obvious thing in the world how desperate you are for her. “Can we — upstairs?” Your head is spinning and it feels like you’re drunk with need.

If it were any other time, she would make you repeat it and ask clearly. But she knows, she always knows, and there’s no time to waste.

She lets go of one of your wrists but pulls you by the other to the staircase and then stops on the third stair to kiss you again, like she can’t possibly wait. She sucks on your tongue and you gasp.

“Fuck, mommy’s going to miss you tomorrow,” she mutters and in the haze in your head, you feel a slight pang of sadness. Agatha would’ve come with you, but she has a meeting here that she can’t miss either. It’s tough to be apart, even for just a week.

But then the sentimental moment is gone and her teeth sink into your bottom lip, her hand coming up to rest around your throat. She barely even squeezes but it does wonders — you clench around nothing, eyes glazing over, and you let out a strangled gasp.

Agatha smirks and tugs you the rest of the way to your bedroom. Shoes are kicked off and she quickly helps you take off the shirt and pants you changed into after filming and then you rip open the silk button-down shirt she’s wearing, sending buttons flying everywhere. She pushes down her pants and underwear and a ragged gasp tears itself out of your mouth when you see her cock, hard and red and leaking.

You let out a small moan and move closer to touch it, but she stops you.

“Honey,” she says, a bit timidly, and concern washes over you like a bucket of cold water.

“What’s wrong, is everything okay?” you ask. She looks around, biting her lip like she’s not sure how to phrase it. “Hey, whatever it is, you can tell me. Is it something bad?”

Agatha shakes her head. “No, it’s just something I was thinking of. Something I wanted to see if you’d want to try, just because you’re going to be away for a bit.” A flash of heat bursts through you — usually you’re the one who brings up wanting to try new things in the bedroom, but now that it’s Agatha, fuck, you can’t wait.

“Yeah?” you breathe.

“I was wondering if you’d let me film you — us. While we have sex,” she says and your cunt throbs. You’d never thought of it, but you can see it in your mind now. You can imagine how hot it would be to watch yourself take her cock. “So when you’re gone and I get lonely, I can watch it back and remember what a good girl you are for me.”

The praise settles right into your stomach and now you can’t stop thinking about Agatha stroking her cock while watching the two of you have sex.

“You want to, what, direct me in a porno?” you ask, partly as a joke, but there’s no missing the involuntary sound that slips out of her lips, no missing the darkening of her already hungry eyes. “Fuck. Okay.”

She looks a little surprised at your easy agreement, but presses a chaste kiss to your lips, and then another one, and then leaves the room. You sit down on your bed, the excitement almost overwhelming, and try to slow your racing heart.

It’s only a minute before Agatha comes back, holding the iPad that she uses for work sometimes, and a stand for it. Has she been preparing for this? The thought sears through your veins and you feel yourself getting even more wetter.

Her cock seems to get harder if possible as she sets it up close to the bed and the moment she nods and steps back, you feel a new-found sense of confidence wash over you.

You’ve always come alive in front of the cameras, you thrive under being watched, and it feels no different now, even if you’re not becoming a character.

It’s exhilarating. And you’re going to do your best to put on a show.

“Move to the center of the bed,” Agatha orders, still watching through the screen. You swallow roughly and obey — you’ve always found it incredibly sexy watching her command a scene with just her words, and now that she’s doing it in this context?

Fuck.

You lean back against the pillows and look at her, awaiting her next instruction. Agatha nods and her eyes rake over you appreciatively. “Spread your legs and touch yourself over your underwear.”

Moaning softly, you widen your legs and plant your feet flat on the bed so your knees are bent. And then you cup your pussy and your lips part involuntarily when you feel how wet you are. The fabric is absolutely drenched and you can see from the look on Agatha’s face that she can tell too.

You slowly start to trace the outline of your pussy lips through your panties, up and down over your slit, and then when you circle over your clit finally, your back arches off the bed and you sigh heavily. The pleasure is so much more acute now — is it because of the camera? Because you know that Agatha is going to fuck herself later to this?

“There you go, honey,” your wife says approvingly. There’s a wild look in her eyes and her hands are twitching like she’s dying to touch her cock. The tip is even more red now, and you can see beads of liquid collecting and dripping onto the floor. Your hips jolt when you press down harder on your clit. “Take your underwear off and tease your entrance — but don’t go inside just yet.”

You have to peel your panties off your sopping wet pussy and you teasingly toss them over to her. She catches them and lets out a surprised groan when she actually feels them.

And then she lifts them to her nose and breathes in the scent of your wetness and your clit pulses. You try to focus on her instructions and glide a finger through your folds, molten hot and dripping. You dip into your pussy and then withdraw. You repeat and whimper at how good you know it’s going to feel when she finally lets you fuck yourself.

“Slide one finger in slowly,” she demands and your head drops back as you do, the stretch nowhere near enough but still feeling delicious. Your walls immediately clench down around it and you moan.

When you look back at Agatha, your hips roll of their own accord — she’s started stroking her cock with your underwear. You can see how she’s glistening with your wetness and she thrusts every few times like she can’t control it.

“Mommy, can you…” Pleasure swims in your mind when you curl your finger and it interrupts your thoughts for a second. “Want you to be in the video, too.” You want to watch it back and see her as well.

Agatha inhales sharply. “Yeah, okay, babygirl. Whatever you want.” And then she steps around the iPad and comes into view of the shot, standing near the side of the bed so you can see each other more clearly.

Her cock bobs up and down and you time your thrusts inside you with each of her strokes so you can imagine it’s her inside you.

“Put another finger in,” she rasps and starts to speed up, your underwear moving frictionlessly over her with how wet it is.

The addition of a second finger makes you groan loudly and you can’t even tell if you’re trying to show off for the camera or not. Everything is so much more heightened now.

She makes you fuck yourself like that for about ten minutes, every now and then telling you to fuck yourself faster, babygirl and slow down, sweetheart and fuck, honey, you look so fucking hot for mommy.

You’re a complete mess now, absolutely ruined and babbling incoherently, soaking the sheets beneath you. Your orgasm has been steadily building this whole time and you know it won’t be much longer before you cum.

Agatha is also close by the looks of it; she’s completely flushed, her chest and neck tinted the prettiest pink, and her cock is leaking even more, her hips moving more sporadically. The ache inside you isn’t going away — it’s only getting worse the more you look at her.

“Mommy,” you whine, needing to feel your wife on you more than anything. “Please, please fuck me.”

“I know, baby,” she pants. “Just a second, let mommy move the camera.” And god, it makes you throb when she grabs the stand and angles it perpendicularly to the bed.

And then she climbs on the bed and situates herself between your open legs and leans over you so she can drag her cock through your soaked folds. The gasp she lets out drives you crazy and you keen when she rubs her tip against your clit.

“Beg for mommy,” she says, hair falling down over her face as she bites her lip. She positions herself right at your opening.

“I need you so bad, please fill me up, please fuck me, I need you so bad, mommy —” She pushes into you in one motion and your mouth drops open. Your walls immediately clamp down around her and she groans at the feeling.

It’s exactly what you need and when she starts to move, soft sounds fall from your lips with every thrust.

She twitches inside you when you pull her down for a quick kiss. “God, I can’t wait to watch this,” she grunts and it makes you clench. Her hips stutter. “You’re so good, such a good slut for me. Taking my cock like a superstar. Fuck, honey, I’m going to watch the video everyday, gonna figure out how to make it my home screen.”

The thought of Agatha opening up her phone to immediately see you being fucked by her makes you moan gutteraly and she huffs out a laugh. “Mommy, please.”

“Fuck, baby, you really like this, don’t you?” You nod your head quickly under her and her cock throbs inside you. You’re so fucking close. She feels so good inside you, her cock dragging deliciously against your walls, and hitting that spot inside you that she always does.

Pleasure is rolling over your body in waves and you lift your hips to meet each of her thrusts. It’s never been this intense before and you can’t believe you never thought to try filming sex before.

Agatha’s rhythm starts to falter inside you, she’s cursing, short of breath. She reaches between you to rub at your clit with two fingers and it makes you sob with how good it feels.

“Agatha, I’m so close,” you whine, beg. She ruts into you urgently, like she’s about to cum but needs to make sure you get there too, and she scrapes her teeth against your collarbone with a sharp thrust and presses on your clit and you explode, your orgasm tearing through your body and absolutely blowing your mind.

Your walls convulse around her and she stiffens, her breathing tightening, and then she lets out a long moan and you feel her pulse before her seed spreads through your cunt. You gasp at the warmth and Agatha collapses on top of you.

She lays there until she starts to soften before pulling out. Her cum starts to trickle out of your swollen pussy and you grind against nothing at the sensation but Agatha quickly jumps off the bed and grabs the iPad off the camera.

You gasp when you figure out what she’s doing — Agatha holds your legs open and holds the camera down close to your pussy.

“Spread your folds,” she directs, but without any of the authority she usually has. You reach down and do as she asks, more of her cum oozing out as you do. She swears under your breath. “Make yourself messy.”

You know what she means. You collect the wetness between your legs, both hers and your own, and start to stroke it all over your cunt.

“Fuck, honey, just like that,” she says and you rub your clit again, your body jerking under your own touch. “Clean your fingers.”

And then she lifts the camera to film you sucking your two cum-covered fingers into your mouth. You moan at the taste of both of you and Agatha looks like she might ravish you all over again.

The iPad gets tossed somewhere else on the bed and she leans over to kiss you before crawling down your body and cleans out her cum from inside you with her tongue.

Agatha doesn’t stop until she’s made you cum three more times.

When you wake up in the morning, there’s a pleasant soreness in between your legs and the sheets are still slightly damp. Light has started to stream in through the curtains on the large windows and you roll onto your side to find that it’s 8 am.

You have to be at the airport in an hour.

“Fuck,” you curse and jump out of bed, rushing around to get dressed and throw some clothes into a suitcase. With the end of the film, you haven’t had much time to get ready for this trip, and you are sorely regretting it now.

Agatha stirs while you’re trying to find the black dress for the cocktail party you have to go to in New York and mumbles something. You pause and wait for her to repeat herself. “Why don’t you come back to bed?” she asks suggestively, picking her head up to watch you.

“Babe, I have to be at the airport in an hour,” you say apologetically. “How do you still have energy after last night?”

Agatha chuckles and gets out of bed, coming over to wrap her arms around your shoulders from behind. You can feel her semi-erection through your suit pants. “I just always want to fuck you,” she murmurs into your ear and you debate whether or not you have enough time.

In the end, logic wins and you twist in her arms to give her a quick peck on the lips. “I’m sorry. When I get back I’ll make it up to you. Plus,” you say, eyebrows raising mischievously, “you have that video from last night.” The memory of making it heats through you — Agatha directing you on how to touch yourself.

You will definitely need to revisit that in the future.

But it does very little to quell Agatha’s lust and she grumbles as she goes to get dressed. “Maybe, when you get back, I’ll make you cockwarm me while we watch our little home movie and if you make one move, I won’t let you cum for a week.”

The idea runs straight through you right into your cunt and you seriously debate saying fuck it to New York entirely.

But an hour later, Agatha’s pulling up to the airport to drop you off and giving you a tight hug while she whispers in her ear how much she loves you.

You miss her the second you walk into the terminal, but you try to focus on preparing for your trip. There’s a few dinners, meetings, and parties that you’re expected to attend, just to get to know the right people for the next project that you could potentially be in. You know the other actresses being considered will also be there, so you need to be on your A-game.

And you’re able to focus for the entire plane ride, memorizing parts of the script they gave you, and when you land, you pull out your phone to text Agatha that you made it, only to find that she’s already messaged you a few times.

I miss you already, honey.

Hope you have a great time in NY! I know they’ll love you.

I wish I didn’t have to be here for this stupid meeting. I’d have loved to be there with you.

The first ones make you smile at how sweet your wife can be. But then the next couple are enough to reignite the fire in your stomach from earlier.

I miss your pussy, babygirl.

Can’t wait for you to come home so I can taste you.

Fuck, baby, mommy is so hard for you.

You’re too caught up in the messages to realize that your row is moving and the person in the middle seat taps your shoulder to get your attention. You startle and mutter an apology, hoping he didn’t accidentally see anything she sent you.

As you’re getting checked into the hotel, you get another text from your wife and the second you open it, you have to slam your phone down on the receptionist’s desk. She gives you a weird look but you pretend not to see it.

Watching the video — mommy loves watching her cum drip out of you. Fuck, honey. I’m going crazy.

Your heart is pounding, blood rushing to your cheeks, and you quickly take your room key and hurry up to the room. You press the call button and put your phone on speaker so you can start unpacking.

Agatha answers immediately. “Hey, sweetheart,” she says, the most casual you’ve ever heard, and you clench your jaw.

“Agatha, what are you doing? I haven’t even been gone six hours. You’re going to kill the both of us!”

Her low chuckle makes you squeeze your legs together involuntarily. “I’m actually all right, baby. Remember that fleshlight you got me as a gag gift last Christmas?”

Fuck. “Agatha,” you say warningly. You have to be at a steakhouse in about thirty minutes — you don’t have time for her to get you all worked up. You were so distracted this morning you didn’t even bring any of your toys with you either.

“Of course it’s not as good as the real thing,” she sighs, and you can hear a soft slapping noise on the other side. You feel dizzy with heat.

“Are you…” you trail off, not even sure you could say the rest out loud. Could you pretend to be sick tonight?

Agatha lets out a little moan and you’re sure it must be for show, just to rub it in. “Fucking this toy and pretending it’s your pussy?”

You can’t stop the gasp that escapes your lips and you have to sit down on the bed. “Fuck, mommy,” you whine and she laughs cruelly.

“Don’t you have that dinner to get ready for?” she asks and with a sinking feeling in your stomach, you know what’s going to happen. You hum, almost wishing you would’ve lied. Agatha grunts, the slapping sound speeding up, and you have to close your eyes. “Well, I’ll leave you to it, then. Love you.”

She hangs up before you can protest and you’re forced to get into the shower, the heat in your stomach burning more than the water, and your hand makes its way between your legs to furiously rub your clit.

You cum in about three minutes.

You can barely focus at dinner with the thought of her using a fleshlight, one that you got her as a joke nonetheless. Her hard thrusts into the toy, picturing your mouth or pussy.

When you finally get back to the hotel, you’re absolutely exhausted. The travel, being teased by Agatha, and now that dinner where you had to pretend like your body wasn’t screaming for you to get on a plane and go home to your wife wiped you out, and you barely press send on a goodnight text to her before you’re passed out.

The next few days pass in a blur with events jam-packed into your schedule and you hardly have any time to talk to Agatha. She’s good for the most part, with the occasional dirty text every now and then.

But on your second-to-last day in New York, she starts to play a different game.

You’re sightseeing, checking out the American Museum of Natural History, when your phone buzzes. It’s a video from Agatha.

You don’t really think much and you click on it and your jaw drops as your entire body freezes.

It starts out shaky and it takes a few moments for it to focus, Agatha clearly in the middle of something. And then it points down and you see Agatha fucking the fleshlight.

Turn your phone off your brain screams. But it’s as if you’re stuck, your eyes glued to the screen to watch her thrust over and over into the silicone toy. She’s holding it with her left hand, her phone in her right, and her hips are driving her cock into the fake pussy hard. You can almost feel her cock inside you, as if the toy and you are connected.

She’s going faster and you wish more than anything you weren’t out in public so you could turn up the volume and hear her moaning, hear if she’s saying anything. It cuts off right as she’s about to cum. You have no doubt that you will be very busy with the video once you get back to your room.

And by the time you get back to the hotel, she’s sent you another one. Luckily, you don’t have anything for two hours, so you’re free to do whatever you want.

You’re almost afraid to click on it, and you shimmy off your jeans and underwear preemptively. You’ve been worked up for so long and you’ve barely had a chance to touch yourself and you breathe a sigh of relief when your fingers press against your clit.

Clicking on the new video, your pussy spasms when you realize what you’re watching.

Agatha has the iPad set up on the table, the video of you two open and playing. It’s strange to see your own face contorted with pleasure on film while Agatha tells you how to touch yourself.

And then in the lower half of the video she just sent is her, thrusting into the fleshlight again.

“Fuck,” you whisper. She’s fucking the toy while watching you fuck yourself. You turn the volume all the way up so you don’t miss anything and her little grunts with each drive only turn you on more.

Your wetness makes a squelching sound when you drag your fingers up and down through your folds and when you come back up to circle at your clit, there’s almost no friction.

“God, babygirl, mommy can’t wait for you to come back,” Agatha groans and it makes your heart skip a beat. On the iPad, Agatha has slid her cock into you and you’re in awe at how hot it is watching yourself get fucked.

It becomes quite clear to you that Agatha’s idea of having you cockwarm her while watching this video would not bode well for you. There is absolutely no way you’d be able to stay still, as evidenced by your squirming hips grinding against your hand right now.

Agatha takes her cock out of the fleshlight, puts it down, and strokes her hand quickly over it and a flash of heat bolts through you when you see it glistening. And then she places the toy on the table and teases her tip against the opening, sliding it up and down, you keen and your back arches off the bed.

All you’re doing is touching your clit a little.

On the iPad, Agatha’s speeding up and you’re whimpering underneath her. In the video you just got, she starts to slowly push her cock back into the fleshlight.

In your hotel room, you shove two fingers inside you, moaning at the stretch, and begin to thrust in time with Agatha, who is thrusting in time with the video you made.

“Fuck, honey, I need your pussy,” she babbles and you curl your fingers just right, a moan slipping out of your mouth. “Can’t wait to fuck you when you come back, can’t wait to fill you up.”

Her thrusts are becoming shallower into the toy, her sounds getting louder, and you’re right there with her.

You’re determined not to cum before she does, even though it’s a video and you could speed it up to cum with her. But you don’t want to miss a thing.

Turns out, you don’t have to wait too long, because when Agatha on the iPad moves the camera close to your pussy after she came inside you, her cum gushing out of you, that’s it for your wife.

“You feel so good,” Agatha says on the video before letting out a long moan and thrusting roughly one more time into the fleshlight. She stiffens and grunts and then pulls her cock out and lowers her phone so you can see her cum still spurting out onto the lips of the fleshlight.

That makes you cum almost immediately and you clamp a hand over your mouth so you don’t get any neighbors in the hotel wondering what you’re up to.

The video ends shortly after that and leaves you gasping for breath on the bed. You type out a quick Can’t wait to get home tomorrow and hit send. Thankfully, your plane leaves in the morning so you’ll be home soon.

Agatha immediately sends you back a wink emoji and then an eggplant emoji, making you laugh.

After the last dinner, you watch the video again and make yourself cum two more times.

It’s been the longest week of your life, and when the agent for the franchise drops you off at the airport, you barely remember to shake her hand.

“We’ll be in touch,” she says. “But between you and me, I think you have a very good shot of getting this part.”

Even through the horny fog in your mind, you realize just how big of a deal this is and you can’t wait to tell Agatha.

You call her while you’re waiting to board and tell her.

“Honey, that is amazing,” she gushes and your heart swells. Agatha has been your number one cheerleader since you met.

“You know I’d be spending a lot of time in New York. If you could barely last a week, imagine how hard that would be,” you joke.

Agatha snorts. “I’d come visit you all the time. Or I’ll just quit my job and become your trophy wife.”

The thought of the legendary director quitting her job for anyone makes you laugh. “Yeah, yeah. Got to get on the plane, Mrs. Harkness. I’ll see you in a few hours.”

“I can’t wait, baby,” she says, her voice dropping an octave and making your stomach warm.

The entire plane ride, you can’t stop thinking about Agatha — about her hands, her mouth, her legs, her cock.

Would anyone notice if you pulled up that video again? Maybe you could go to the bathroom. With how you’re feeling right now, you wouldn’t need more than a few minutes.

And it only gets worse when you finally land and a car is already waiting for you to take you back. Excitement vibrates under your skin as you get closer to your house and you have to fan yourself to calm down. You can already feel your underwear sticking to you uncomfortably — lacy purple lingerie you brought on the trip just so you could wear it home.

When the car pulls into your driveway, you tip the driver and try to walk up to the door as slowly as possible, not wanting to seem too urgent.

The front door opens right when you get there and your wife is standing there, two glasses of red wine in her hand, casual pants and a tank top on, hair in a loose ponytail. You’re not sure she’s ever looked so hot.

“Hi,” you breathe, shutting the door behind you and leaning in for a quick kiss. Agatha deepens it and presses a glass into your hand and you take a long gulp.

“How was the flight?” she asks, sipping on her own wine. You drop the suitcase in the foyer and walk into your living room before plopping down on the white couch. She follows and sits next to you, her thigh touching yours.

Your heart is pumping so fast and you couldn’t care less about the flight because you’re finally here, with her. So you take her wine glass and put it on the coffee table with yours before climbing into her lap and kissing her roughly.

She makes a slightly surprised “oomph” before her tongue is in your mouth, entangling with yours, her hands creeping under your shirt and stroking up and down the skin of your sides. Her fingers are cold and they make you gasp.

“I missed you so much,” you murmur against her mouth and grind down hard on her rapidly growing bulge. She hisses and digs her fingernails into you. “You fucking tortured me.”

She laughs breathlessly, tugging on your bottom lip with her teeth. “I thought the video would help. It just made it so much fucking worse,” she admits and your entire body heats up. “I was so lonely — so horny — fuck, baby.” She loses her train of thought when you kiss down her neck and nip.

“I need your cock so bad,” you whimper, having thought of little else for the last twenty-four hours. You slide off her lap and onto the floor between her legs, your body moving faster than your mind, and you’re undoing her pants before either of you realize what you’re doing.

You pull her cock out and lick up the length with your flattened tongue and the sound she makes, somewhere between a gasp and a groan, goes straight to your cunt. She slouches more onto the couch so it’s easier for you to start lathering your saliva all over her. Her hips thrust up every now and then, and when you take the tip in and hollow your cheeks out, her ass fully lifts off the couch.

“God, honey, you suck mommy’s cock so well,” she whimpers and it spurs you on to go further down. There’s an ache in your stomach already and you can feel your wetness on your upper thighs.

Agatha’s hand tangles in your hair, but just rests and lets you go at your own pace. You can feel her twitch against your tongue and you suck harder.

“Baby, god, fuck — you’re so hot, mommy loves your mouth,” Agatha rambles and she throbs when her cock hits the back of your throat and you gag, tightening around her. She’s not going to last long, you can feel her pulsing and swelling, her cock growing heavier on your tongue. You think you could cum right now if you touched yourself.

You look up at her through your eyelashes and she groans like she’s in pain and then you pull your mouth off her, gasping for breath, while strands of spit still connect your lips to her cock. “Use me, mommy,” you say hoarsely and her hips involuntarily jump. “Fuck my mouth.”

This time, when you take her cock again, she thrusts her cock deep into your throat over and over. The only sounds in the room are you gagging and her moaning.

“Fuck, honey, I’m going to cum,” she pants and you nod slightly before trying to say something around her cock. But the vibrations against her feel too good and she stiffens before spurts of her cum fill your mouth. She slows her thrusts while she pumps her seed down your throat and you take it all, groaning at the somewhat salty taste.

She pulls out, cock soft, and slumps onto the couch and you wipe a strand of cum off your lip and suck it from your finger. You shift on your knees and she tracks the motion with her eyes, smirking wickedly.

“I always forget how hot and bothered sucking my cock gets you,” she purrs and then jerks her head to the couch. “Take your clothes off and lay down.”

You swallow roughly and get to your feet before teasing her by slowly taking your clothes off. Her fingers dig into the couch beneath her and her limp cock twitches just a bit when you reveal that you’re wearing her favorite lingerie. She’s always been able to recover relatively quickly and your mouth waters at the thought that, soon enough, you’ll have her inside you.

Once you’re naked, you settle on your back, one leg up over the pillows and your other foot resting on the floor, baring your dripping cunt to her. The look in her eyes is positively ravenous and she tosses the hair that’s come loose from her hair tie over her shoulder before situating herself so that she’s on her knees in front of you.

And then she leans down and runs her tongue through your folds — which are practically fused together with how wet you are — and you keen.

“Mommy,” you gasp, back arching. She chuckles against you and the feeling makes you moan. “I need you, please.”

She teases you a little, her tongue circling around your clit but never quite touching it, and your hips grind up to try to get just a little more stimulation. One of her hands trails up your body to pinch your nipple right as she sucks on your clit and you’ve never made such a high-pitched sound in your life.

Your noise drags a strangled moan from her mouth and her hips jerk. She starts to devour you, her tongue lashing against your clit and then thrusting inside you as far as she can go. Her other hand digs into your thigh, holding it open and using it for leverage just the same.

It takes you a little bit to notice what she’s doing — her hot mouth on your pussy has made your brain go completely fuzzy — but when you pick up on her flattened out body on the couch and her ass flexing in a steady rhythm, you clench violently around her tongue.

Agatha is grinding her cock against the couch. Eating you out for three minutes has gotten her so hard that she’s desperately getting any stimulation that she can.

Her fingers continue to tug and roll your nipple and her mouth is furiously lapping at your cunt and you can feel yourself getting so close.

“Please, mommy, Agatha, I’m —” you whine and her hand on your leg removes itself before she quickly slides two fingers into you while she rubs her tongue against your clit. Your walls bear down immediately around her and she curls them up and presses deep inside you. It makes you sob and your hips move on their own accord to chase the orgasm that is about to wash over you.

Agatha’s thrusts against the couch are getting more and more sloppy and she’s moaning against your cunt like she’s never been more content in her life. Your breathing becomes short and shallow and tingles spread through your entire body.

“Fuck, I’m gonna—” You can’t even finish your sentence before she sucks roughly on your clit and sends you right over the edge. Your vision goes white for a second, completely overwhelmed with pleasure as she keeps fucking you through your orgasm. She doesn’t stop, and although you have no doubt you’d be able to cum again in no time at all, it’s been too long without her cock inside you.

You tug at her hair weakly until she finally stops and looks up at you, her nose and the entire bottom half of her face absolutely coated with your wetness. Heat flares through your stomach and you almost shove her right back down between your legs.

“What’s wrong, baby?” Agatha coos and you whimper at her sweet voice. “Do you need more? Do you need mommy’s cock?”

When you nod eagerly, Agatha grins and crawls back up to her knees and you moan when you see her cock. It’s just as hard as it was before — maybe even harder? Is that possible? — and so red. It looks almost painful.

She bends over you and slides her cock against your entrance, both of you letting out heavy sighs of relief. “Wait,” you choke out, and she stops. You need to feel her deeper.

You turn over from your position on your back and get on your knees and elbows so that your ass is straight up in the air. Agatha sharply inhales and her hands cup your asscheeks before giving each one a little spank simultaneously.

Agatha drags her cock through your folds and then circles your clit with it, the feeling of her skin against yours making you keen.

And then she pushes into you, your mouth dropping open in a silent moan. Agatha mews once she bottoms out and holds still for a second, savoring the feeling of your walls milking her.

She starts to move, not even giving you a chance to adjust before setting a fast pace, her hips making a sound every time they slap against your ass. She’s filling you up so good, hitting a spot so deep inside you that makes you gasp each time, and your head drops to rest on your elbows while you start to push back against her thrusts.

Her pace stutters when you clench around her and she grabs onto your hips so tightly that your chest warms at the possibility of having bruises so you can remember just how good she fucked you. She practically slams you back and forth on her cock and there are no other thoughts in your head, no other words you can say, besides “Mommy!”

“I know, babygirl,” she rasps. “You’re taking my cock so well — fuck, I think this pussy was made for me. You were made for mommy’s cock, weren’t you?”

“Yes, god, yes, I was,” you pant, letting her completely use you. It’s like she’s just fucking her fleshlight and, god, that shouldn’t turn you on as much as it does.

She spanks your ass again and the familiar feeling of your orgasm rises steadily in your stomach. You can feel Agatha’s cock throbbing inside you with each thrust, can hear her groans become less restrained as she loses composure for the second time, and you need more.

Your hand snakes down between your body and couch to rub at your clit and your walls instantly clench around Agatha.

“Fuck, babygirl, mommy’s about to cum,” she gasps and it only drives you closer.

You press on your clit while her drives become short and fast, effectively knocking the wind out of you every time. “Cum inside me, mommy, want you to breed me,” you breathe and she falters for a second, a loud, guttural moan tearing from her lips, before recovering and fucking you even harder.

“Yeah, honey, mommy’s gonna breed you,” she babbles in agreement, an urgency you usually don’t hear from her lacing her tone. When you fuck, she usually does cum inside you anyway, but there’s something about asking her to breed you that turns you on beyond words. Seems like it has a similar effect on her too.

Tears gather in your eyes as she keeps thrusting into you and you’re not even aware that you’re cumming before your body spasms and jerks around her, and you keep frantically rubbing your clit to prolong the feeling spreading through you.

Your pussy convulses around her and she stills, grunting lowly, and then her cock stutters a few times inside you before pulsing and you whimper at the feeling of her cum spreading through you, and fuck, you’re so full.

Agatha stays inside you for a few moments, both of you enjoying the feeling, before pulling out. You curse under your breath when her cum oozes out of you in globs and Agatha runs and grabs a towel to clean you up.

You swear when she rubs the towel over your pussy, she brushes against your clit on purpose, and it makes you wince. You’re already sensitive from your two explosive orgasms and you don’t know if you could take anymore.

She helps you stand and the two of you walk up the stairs together, whispering sweet nothings and exchanging soft kisses, and then once you get to your room, Agatha turns on the shower while you sit on the edge of the tub and wait for it to warm up.

“I think next time you leave, I should come with you no matter what so I can fuck you every night for the rest of our lives,” she jokes and you laugh.

“Why did we even make that sex tape then?” you tease.

Her eyebrows wiggle teasingly and she comes closer to you and tugs you off the tub. “I seem to remember you liking that quite a bit. Plus, now when I’m at work and I get bored, I can just pull out my phone and watch what a good slut you are for me.”

Despite you being completely worn out, there’s no ignoring the heat that runs through when she says that. “God, you’re insatiable,” you say, mockingly dropping your jaw, and she chuckles before kissing your lips.

And then she opens the door to the shower for you both to get in and sinks to her knees in front of you. You gasp.

“You love it,” she says before licking through your swollen pussy and you have to lean back against the wall.

Yes, you do.

#agatha harkness x fem!reader #agatha harkness x reader #agatha x reader #agatha x you #agatha harkness x you #agatha harkness smut #agatha smut #agatha all along

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primofate · 6 months ago

Text

Is it a crime to post unfinished drafts? It's been sitting for 2 years already. I'm letting this one go.

Genshin Series - The sides of him only you get to have and see Part 5: Angry/Frustrated [All male characters]

Other works in this series: (Part 1 - Soft and Gentle) (Part 2 - flustered) (Part 3 - clingy) (Part 4 - Worried)

Warnings: some fluff, some angst, depending on the prompt, lots of different scenarios, some protective, some a bit yandere, some aggressive... quite long cause i got carried away >_>

Personal favourites in this work: Ayato, Bennett

Aether

When his investigation about his sister’s whereabouts turns up into a dead end

“...What if I never find her?” His voice is just a whisper as the two of you sit side by side around the campfire. Paimon is already sleeping off to the side, exhausted by the day’s events.

You can hear the desperation in his voice, and it cripples you as well, the hurt that comes with losing a loved one and being unable to find them. You let yourself fall sideways and lay your head on his shoulder, hoping to give him some comfort. “...We’ll keep looking, Teyvat’s a big place, you know,” you whisper and it seems that your answer only serves to frustrate him more.

“That’s exactly the problem... Sometimes I don’t know where to start and I don’t know where to look first... I just...” His fists clench for a moment but he relaxes with a small sigh minutes later, arm wounding around your back to pull you closer to his side. “Sorry... I don’t mean to complain so much,”

You shake your head as you bask in his warmth. “You’re allowed to feel this way, Aether. I’m right here beside you, okay?”

His gaze softens, head leaning towards the crown of your head to place a kiss there. “Thank you, Y/N,” he wouldn’t know what to do if he lost you as well.

Albedo

When someone is too rough with you.

Could he request you not to work at the tavern? Possibly, yes. But Albedo was not the type to tie you down or tell you what to do. Plus, you were capable of taking care of yourself.

Sometimes he would pick you up from your shift, however, today the Cat’s Tail was a little understaffed and you had to work a few more orders before you could go.

“Hey!” You jump as one tavern-goer stands and smashes his glass of beer on the table with a loud THUD. “This isn’t what I ordered!” Frankly you were used to this by now, but it didn’t mean that you were any less startled. You calmly walked over to the table and took back the mugs that you just placed when the same person grabs your wrist.

The mugs sway in your hand, the beer in it pouring over your fingers a little as it sloshed. “Sir?” You ask as the man’s hand tightens around your wrist.

The man grunts and growls “Make sure you tell the bartender to give me a discount for giving the wrong order!” Drunkards were like that. They were loud and sometimes couldn’t control themselves, you twist your wrist away successfully and relay the message to the bartender, though you noticed that Albedo was there too, waiting for you to come back.

Albedo catches your arm and lifts your wrist up to eye level. There’s a blank look on his face that you can’t quite read and for a moment his eyes dangerously flicker to the group of tavern-goers who gave you trouble. You sense that he’s a little irked. “It’s okay ‘Bedo, I’m fine, just the usual rowdy people, you know?” You reassure him and his stern face drops, replaced by that of defeat with a small sigh.

It’s “just the usual” you say. He doesn’t quite know how to feel about that, if this was “usual”, yet he understood. Every job came with its risks and this was already relatively safer than being an adventurer. Albeo sighs again and brings your wrist up to his lips, his eyes yet again dart towards the said table. He really wanted to have a word with those rude men, but he avoided conflict for your sake.

“Alright, Y/N. As long as you keep your promise,” he reminds you. Jogging your memory that you had promised to tell him if something dire really happens at work.

Ayato

When his status affects you

You’re aware that ever since you and Ayato were married, his shuumatsuban had also been following you around. Ayato reassured you that it was for your own good, and you somewhat agreed. You weren’t that bothered by it, since the shuumatsuban were so good at concealing their presence, it seemed like nothing changed in your every day routine.

“Master Ayato,” and so imagine Ayato’s annoyance when he receives a report from one of his men that you were being tailed by someone suspicious. “...Capture him,”

In the secret dungeons of the Kamisato residence, there is a pitiful man sitting in the middle of a cell with bars. Kamisato Ayato stands in front of him, cold and calculating look on his face. “State your reason for tailing Y/N,” he would break this man quick, and get all the answers he needed for your safety.

“I-I-I swear I’m not a bad guy! I just--Someone told me they’d pay me a huge amount of money to kidnap Y/N!” Ayato doesn’t break his cold gaze from the man, but he also can’t control the way he unsheathes his sword and starts to clean it with a cloth, as if getting ready for an execution.

“Then for your own good I suggest you give me all the names of these people who bribed you,” His tone is calm, but also eerie. “After that’s done, you won’t lay your eyes on Y/N again... Is that understood?”

He couldn’t afford for anything to happen to you, specially not when it was because of him.

Bennett

When his bad luck affects you

Bennett had been quiet the whole way back to Mondstadt. As per usual a few things happened that proved his luck was horrid.

Today seemed to be one of the worst.

Not only did you not finish the commission given to you, but things happened one after the other.

First, the two of you couldn’t find the monster you were looking for. Second, when you finally found it, it proved to be difficult to subdue. Third, the treasure the two of you found was not really treasure at all. Fourth, you could not find the item that you were supposed to bring back to town and finally, fifth, a once wonderful, cloudless and breezy day suddenly turned glum and the rain poured down on your heads.

Bennett was utterly defeated, and you knew it cause he had been quiet up until the gates of Mondstadt, when the two of you finally took shelter for a moment from the rain. He usually would still be upbeat and positive, no matter what he went through, but seeing you sneeze and shiver in the rain, on top of being tired and grimey, he really couldn’t help but hate his bad luck.

You glanced at him at the corner of your eye, he was looking at the ground with his brows furrowed. The look of frustration was foreign in his face but you said what you always did after an adventure with him. “...Today was fun, Bennett. Let’s go again tomorrow!”

His head snaps up in an instant, eyes wide and tracing your face for any lies and dishonesty. All he saw was your bright smile and eager disposition. Truthfully you had learned to be incredibly positive because of him, and if he needed a little bit of that positivity, then you were willing to give it back, no matter how hard things were.

For a split second his lips looked as if they trembled, his shoulders relaxed and a wobbly smile appears on his face. He nearly barrels into you with a hug, and mumbles “You’re the best Y/N,”

Bennett always thought that you were his sun, and he loved every bit of the time he spent with you.

Chongyun

When he isn’t able to protect you

“’Yun?” You call out from your sitting position on your bed, and Chongyun, for the umpteenth time that day, slightly jerks up on the chair next to you, eyes darting towards your face.

“Hm?” he says, trying to brush off the fact that he had been zoning out, small, shy smile on his face.

You’re silent for a moment, staring back at him. The cogs in your mind working a bit more. “...You’re upset aren’t you?”

The way he tenses up at your accusation tells you the answer, but still he denies it. “N-No,”

You sigh, your bandaged arm resting on your side. The wound didn’t hurt that much, but Chongyun was the one who insisted he’d feed you instead of making you use your dominant, injured arm. He was so embarrassed when he offered it. Face red and unsure what to say except that he was holding the bowl of porridge your mother made in his hands and that was enough of a cue for you.

“...Aah,” You open your mouth again, and that’s when Chongyun snaps out of it, realizing that he hadn’t even finished feeding you. So he proceeds to give you another spoonful.

“You know it’s not your fault, right?” You confirm after you swallow that bite and he again tenses up without saying anything.

You knew he hated it when the two of you went adventuring together and you ended up getting hurt. Occasionally it would be him with the injury, but when you got injured, somehow, to him, it was a graver matter than him getting hurt.

That statement opens his dam of insecurities. “I’m too weak...If I had been a little faster...”

“I must be pretty weak too then, if I wasn’t even able to dodge it,” you counter and you see him open his mouth in protest but close it again, knowing that you had laid a trap for him if he disagreed. He went silent again.

“...I think you’re really cool Chongyun, the way you handle your claymore makes you look really handsome,” you giggled a little cause you knew he was going to go red and sputter out a response.

“W-W-What do you mean?” He proceeds to shove another spoonful in your face, probably so that you wouldn’t actually be able to reply. “A-Anyway...I...I’ll work harder to protect you,” he finishes his sentence and you don’t protest nor say another thing anymore, seeing as he at least got some of his good mood back.

Dainsleif

When you don’t keep a promise

“You said you would meet me by the tree in Windrise. Imagine my distress when you didn’t show up,” Dainsleif had his arms crossed over his chest, eyes actually glaring at you.

“I know but you know how things can get. The job was a little more difficult than expected and it took longer to finish,”

You’d found yourself trudging deep through the forest to locate the cabin he considered his “home”. Far away from everything else and nearly impossible to locate if you had never been there before. You arrived by morning, knocking at his door and unsurprised with the dumbfounded look on his face.

He still welcomed you in, but he didn’t say a word and the air was tense even as he placed a glass of water on the table for you.

Then you were here, getting the lecture from him.

“Then you shouldn’t have promised to be there. It’s a simple thing to communicate with me that you’re not sure when you’ll be done, I would have waited,” He continued and you sighed, cause you knew that he was right. You really shouldn’t have promised you were going to be there on time. It’s not as if it’d be the end of the world if you were a day or two late.

“I know, I’m sorry. I guess I just wanted to see you as soon as I could and I wasn’t thinking,” you should’ve known by now that promises were a heavy thing to Dainsleif.

You heard him give out one of his own sighs and then his hand cups your chin and tilts it up to meet him eye to eye. “I trust you understand why I’m angry,” his voice had levelled down a little, and though he was frustrated earlier you can always see the worry behind his gaze and the love in his eyes.

You smile a little and nod your head, still a little apologetic. “If I can’t find you, if you happen to go missing, do you know what that would do to me?” He asks you, eyes finally dropping the glare and just softly gazing at you.

“I know,” you whisper and lean your face closer to his hand. Your arm reaches out to hold his coat, tugging on it a little as if a small child. “...I know you weren’t able to sleep...and I spent the whole night trying to make it back to you...so can we rest for a bit?” You suggest and he found it a good idea.

He wordlessly sweeps you into his arms and kisses your forehead, bringing the two of you into the bedroom.

Diluc

When you forget to tell him where you’re going and he doesn’t know where you are

“Adelinde, did Y/N mention skipping dinner today?” Diluc asked his head maid. He was alone at the dinner table and you were nowhere to be found in the mansion.

Adelinde considered her words carefully. A slight misuse of words would send the young master into a spiral of worry and anxiety. She was a hundred percent sure you had just forgotten to tell someone that you were going to be out for dinner, because you’ve done it before, bless your bad memory, but Adelinde really wished you would at least tell the young master.

“...They didn’t mention, Master Diluc...but I’m sure they must be out on some errands in Mondstadt,” it was a gamble for Adelinde to state that, because she also didn’t know where you were, and she would be in deep trouble if you didn’t come home at all.

Diluc started to eat, albeit slowly and glanced at Adelinde when she made that statement. “...Did they mention going on an errand?” he asked again, to which Adelinde now had to truthfully reply. “...No,”

Cue the distress in Diluc’s features. Furrowed brows, cutlery not even moving, eyes calculating. You could practically see all the assumptions run through his face. Maybe you were in trouble, maybe you were taken, maybe you were lost somewhere and needed help. You would have said something if you were going to be home late, no?

Diluc dropped his cutlery on the table, and he started going back through his memories to determine whether or not you actually had said anything about today. He would have remembered, and as far as he could tell, you didn’t say anything about not having dinner with him today, or anything of the sort.

He was about to push himself up and away from the table, to double check at Mondstadt if anyone had seen you, when the front door opened, revealing you with a basket of goods and a smile on your face. Diluc practically deflated, your name a sigh on his lips, “Y/N,”

You knew that look, and you knew that look that Adelinde was giving you. “Oh Archons. I’m sorry, I went out in a hurry and just forgot to tell anyone where I was going,” your smile dropped almost immediately as you scurried over to the table with an apologetic gaze on your face turned towards Diluc.

You knew how worried he could get, he could already feel the adrenaline starting to pump through him, thinking about all the worst case scenarios. Diluc sighed once again, repositioning himself properly in front of the table and picking up his cutlery again. He was slightly angry, you could tell. Mostly because this wasn’t the first time it had happened. “...Put your things down and we can eat,” he simply said and you pouted a little while passing the things over to Adelinde, then sitting on your side of the table.

“...I don’t get my welcome back kiss?” You chide him playfully, to which his eyes lazily graze over you and back to his plate of food.

“When you start remembering to tell someone where you’re going in the middle of the night, I’ll start giving you your welcome back kisses,” he strictly exclaims and you could only grumble under your breath.

Gorou

When he spends too much time training or working and loses time with you

“Hahhhh...” Gorou plops down on the tatami floor of his home with a loud and long sigh. Not only was training and the patrols a little harsh today, but that was another day gone without getting to see you.

How long had it been now? Eight, nine days? He was starting to get really antsy about not being able to see you and he knew it wasn’t anyone’s fault but his.

That night he couldn’t immediately fall into a peaceful sleep. He tossed whenever he thought of you and turned whenever he started thinking too much of what the two of you would do together the next time you saw each other. It was like planning out a whole date in his mind but realizing that he didn’t even have any day offs soon. So he would deflate and be disappointed in himself, try to go to sleep, then get carried away thinking about you again, causing him to snap his eyes open and repeat the thinking process.

“Arrghhh!” At some point he shakes his head and shuts his eyes tight, the frustration getting to him. He had to sleep, or he’ll have a really tiring day tomorrow.

When he woke up the next morning to knocks on his door he immediately thought he had overslept. He scrambled to his feet, swinging the door open with his still disheveled fluffy hair and said “I-I’ll be right there! I just--” then he reels back, blinking, realizing that it was you standing there are the door. “Y-Y/N?! What’re you doing here?”

He smooths his hair down, tries to pat down his wrinkly house clothes but his eyes are tacked on to you, wide and happy.

“I figured I’d visit you this time, since you seem really busy,” you laugh sheepishly, scratching your cheek. “I hope I’m not intruding,”

“Of course not!” He replies quickly but coughs on his hand right after. “I-I mean. Yeah, you’re always welcome here,” he smiles and beams at you, but then slumps his shoulders right after. “I...I still have work though, so I won’t be able to spend a lot of time with you...”

You shake your head and wave your hands “That’s alright! I can still spend lunch and dinner with you, right? That’s more than enough for me,”

His heart blooms with a warmth that engulfs his body, his cheeks might have turned red. You were just oh-so sweet to him and oh-so kind, he didn’t know what he did to deserve an angel like you.

Heizou

When he can’t help you with your problems

Heizou is a genius at solving problems, but he knows that sometimes there are problems that he can’t solve nor he shouldn’t interfere with. One of those was problems within your family.

Sure, he had solutions and probably ways to diffuse the rising tensions in your family, but he wasn’t really in the right place to do so. All he could do is listen to you rant and complain about how things are getting so much harder with your mom and dad, and you just wanting to run away from it all, move out as soon as you can but you were tied down with the obligation of caring for your sick mother.

It pains him and frustrates him, watching you stress over it day by day, but as much as he wanted to tell your parents that they were affecting you this much, there are some things that he shouldn’t meddle with.

All he could do was offer advice. “...Perhaps move out and live somewhere close to them? It would still give you the advantage of privacy,” he suggests, as he sits next to you on a bench, arm coming around and behind your back, hand resting on your hip.

“I would, but the houses nearby are actually pricey, mostly because they’re family houses, not for a single person rent,” You lean sideways into him. He’s always so good at giving you solutions, though you’re unaware of the internal battle inside him, seeing you so distraught like this.

“...Well why not live with me then?” You can hear that familiar mischief in his voice, and though you know he’s joking it still flusters you.

“D-Don’t say that as a joke, Heizou!” He chuckles at your reaction, just as he expected, but he leans in to place a kiss atop your head, his next sentences sending a shiver up your spine. “It’s a joke now, but someday I’ll make it real, regardless of what your parents say,”

Of course he ends it with a wink.

Itto

When someone hurts you and he witnesses it

Itto doesn’t get angry easily. He just doesn’t have the capacity for it. He was loud, yes, but good natured overall and never means any actual harm to anyone.

Unfortunately you can’t say the same thing about some people in Inazuma. For the most part, people were friendly, amicable, helpful...but sometimes there were the odd balls that just appeared out of nowhere, wreaking havoc when they wanted to.

Just the other day a group of ronin who claimed to be the strongest group of vagabonds roaming Inazuma entered town and they were loud and gruff about it. “Where’s the best inn in town?” They asked at the entrance, and a kind man directed them towards it.

The next day that man was bullied by the same ronin. “We said the BEST inn in town, not the most EXPENSIVE!” You had witnessed it, the man who was just trying to help them was starting to cower backwards, the ronin were complaining about the price of the room, how they wanted the man to pay for it and you just couldn’t stand that blatant bullying.

“What’s your problem? Of course it’s going to be expensive!” You appeared behind the group and just couldn’t help but be angry at their stupidity and overall disgusting behaviour. One of them looks at you, then starts to laugh and the others follow suit, all laughing at you as if you were a clown on the streets.

You didn’t falter and merely crossed your arms above your chest. “If you have nothing better to do then maybe you should look for a job so you can pay for your next inn,” was provoking them a good idea? Of course not, and you knew that.

One of the ronins grabs you and twists your arm behind your back. You could only let out a whimper at the sudden motion but as soon as it happened it was over. You found yourself suddenly pushed behind, looking at Itto’s back as he shoves the ronin away with a harsh force.

“The hell do you think you’re doing touching Y/N like that?!” Itto’s voice is loud, louder than when he’s excited about eating ramen or louder than when he’s discovered a magnificent onikabuto. The anger in his voice is unusual, you don’t immediately recognize it as his.

Itto’s tall. Taller than any of the ronin around you and suddenly it’s as if the ronin become meek little mice, stepping away from him and you. “W-We were just--”

Itto brandishes his claymore, “Less talking, more fighting. You want a real arm wrestle? Come at me,” you can’t imagine what kind of face he’s making, but the ronin--actually just cowards--runs at the sight of Itto’s weapon and he’s just about to go after them when you call out to him, telling him to calm down.

He doesn’t listen easily, but you place a hand on his arm and he stops, still glaring and huffing at the sight of those stupid ronins running away.

Scaramouche

When you have to be paired up with another Harbinger for work

“You’re going with who?” There’s poison dripping from his voice, but you’re so used to his antics by now that it doesn’t scare you one bit.

“Tartaglia. The Tsaritsa said--”

“Fuck what the Tsaritsa says,” Scaramouche cuts you off. “You’re not going with that fool,” He stands and paces back and forth now. You simply sit at the table and watch him, knowing that he’s going to throw one of his “tantrums” again. “Possibly the worst person to go on a mission with,” he continues to grumble, now biting on his thumb.

“You always get worked up whenever the two of us are paired up together. It really isn’t that bad,” you exclaim, shrugging your shoulders and he stops walking to glare at you.

“So it’s a little bad? Is that what you’re insinuating?” He doesn’t let you finish and adds. “You don’t know how dangerous he is,”

You couldn’t help but stifle a laugh quite obviously. “Scara, I think you’re more dangerous?”

Tartaglia

“I’m different,” He mumbles under his breath.

When his alone time with you gets interrupted

Thoma

When you get sick but he’s busy

Venti

When he hasn’t seen you in days

Xiao

When he wants you to stay

Xingqiu