#I just wanted to write something about them that isn't sad

[henrycangelbaby]

Thinking about John Price and his cute little assistant (reader) who ends up pregnant. 

A/N: Guys i was inspired while scrolling on the john price x reader tag, this legit came to me as a vision and now i have to write it (I plan on expanding on this idea so just stay with me!!!!)

Imagine being John Price's cute little assistant, just the sweetest little thing that John is kinda obsessed with. Like don't get me wrong she is amazing at her job, smart, put together and well organized and John does feel that her addition has been a positive one, taking some pressure off his shoulders and making sure his team is always prepared for whatever they are doing. She is very good at what she does, but that doesn’t stop John from admiring her. He knows he shouldn't be bit, he can't help it, she's young and sweet and a little bit innocent and he just wants to protect and love her all the time. 

In the beginning she was shy, only addressing him as sir and knocking on his door hesitantly whenever she needed to speak to him but gradually their boundaries became less and less. More often than not she works out of his office, whether he’s there or not, he insists on buying her an early lunch when she lets slip that she didn't have breakfast that morning. He has even picked her up from a night out once or twice, a little bit tipsy and calling the most trusted person she can think of that just happened to be her boss. He takes care of her as well, helping her get her makeup and clothes off before tucking her into her bed with a bottle of water and pain killers for the morning. He doesn't mention it when he sees her next, knowing how embarrassed she will be when he tells her the loneliness her tipsy self admitted. 

When she starts to get sick John is having absolutely none of it, driving her home and ordering her to take some time off (he even visits later that night to bring her some soup for her stomach). He doesn't expect her to look so sad when she comes back supposedly better from her “flu”, he doesn't expect to see her eyes shine with tears when he asks “what's wrong babygirl?”.  He sits them down on the couch in his office together, putting an arm over her and pulling her close for comfort. He certainly does not expect her to look up at him with those shiny wet eyes and admit she did something bad before crying that she's pregnant. It’s news to John who never even considered that his girl would be dating (let alone sleeping with) people. When he vocalizes this and she admits that her baby daddy isn't a very good guy, it's over for John. 

Suddenly he's all over her, promising to be there for her, that she can come to him whenever she needs. And he actually means it. Suddenly she’s staying in the spare bedroom in his house, not only does it have more room but John can keep an eye on her. She entirely moves into his office working on his desk with him, he gets her a comfy chair so she can be supported in the later months. He gets up to hold her hair back when she has morning sickness and ensures she gets enough nutritious food each day. When she starts showing, oh my god John doesn't know what to do with himself. That little bump peaking out of her tight skirts makes him foam at the mouth. Of course he prioritizes her comfort, insisting she change shoes and stop wearing those uncomfortable looking heels, but he keeps her in her formal work attire for just a little longer, just so he can see her cute tummy poking out of it. 

Speaking of her bump. He simply can't resist putting his hand on it. He feels so protective over it, best believe he goes feral if anyone tries to touch it. Hell all but breaks loose when his precious baby looks up at him with teary eyes telling him how uncomfortable she was when some rando put their hand on her stomach, (someone definitely lost their job that day). He eventually has her sitting in his lap, cooing over her and reassuring her that they won't get in trouble, that really he is the big boss anyways. He just loves having her there, perched on top of him he rests his head on her shoulder both arms coming around to cradle her now bigger bump. 

John mandates maternity leave when she starts getting big, maybe around seven months when she spends a lot of her time complaining about back aches and swollen ankles, of course he does what he can to help her but it gets to the point where he knows that she should be resting. He has to basically forcibly put her on leave, reassuring her panics about money by promising to take care of her. And oh boy does he. He gives her foot massages and holds her belly, when she starts outgrowing her clothes best believe he would hand over any of his so she can fit in them more comfortably. He's just all over her, unable to stomach the fact that soon she will have a real live baby. That baby is about to become the most protected baby in the entire world.

That's all I have for now because I fear if I begin rambling about the rest of the 141 neither of us might make it out alive. (just know this baby is going to be so damn spoiled it’s crazy). 

[dors-ee]

Oh yeeees it's the one where he's like "lots of mouths and teeth, yes so good" 🤣 Still laughing at it. And if I remember correctly you find it like on the island to kill Ghilan'Nain? Tension is high, you are toward the end, and you find that 🤣 (or in his temple which... same thing. Extra tense and stressful and you get him saying that 🤣) "my big dragon" "she wrong but eh. Will concess cause she sad.", "Give my drgaon lots of mouths and teeth. and bigger. Yeah so cool. My dragon is so cool. My dragon is the coolest" (him with Davrin and Emmrich, speaking of their kids. "Mine can fly!", "Mine learnt to talk!", "Mine is big and he'll get lots of mouths and teeths!") and showing a strange form of care for Ghilan'nain.

Some side thoughts -not joking :

like... for me it strips him of some of his prestance, BUT also gives him something more. and even this act of "taking" some mythos out of him thematically works bc well we are told again and again : they are no gods.

It is shown that he cares in a weird way when he gets Ghilan'nain in Hossberg, and here when he, in his weird and a bit condescending way, cares for her mood... There's also the codex fragment with Ghilan'nain, answering to him about Andruil. I don't remember what she says exactly, but it seems she answers him about... a concern? about this. Or just that he spekls of bringing back Andruil (I believe that's what she answers "no let her be" or something like that, for me, is a way of showing a sort of care.).

He also cares about his dragon size, "mine is the biggest! nah!" and seems to share at least a fragment of Ghilan'nain's love for "lots of teeth and mouths". Which if they really are siblings, I thought it was a nice touch to show that one. Both freaks... and both brilliant, even if now blighted.

He is a bit thicker of a cardboard with those elements. More so than when Mythal speak of him having been twisted too, as a spirit.

And I'd rather fight with such an opponent rather than just a cardboard villain that is just vile. Elgar'Nan has a bit of depth, even in his talk with Solas, it is interesting how he reacts. It isn't just pure villain mocking his opponent. Or at least didn't feel like it. speaking of this talk the subject of the other evanuris also for me there was something in how Elgar'nan reacrs and speaks, of that, of the past, etc. Does he only wants to bring his empire back for the sake of power and his ego as a god, like a pure villain... or bc he misses it and misses the other evanuris too? Maybe I'm reaching with this one.

It also is this dialogue bringing how Elgar'nan was brilliant too. and maybe it's just me but I did feel something at the mention of his descent and the dulling of his mind with the blight. Of the loss of this core element of him, and the brillance of him -representation of the brillance of the eleves, also lost?-. He lost his empire, his fellow gods and himself. Like... even what made him a good opponent, a good bad guy, is lost now. He lost himself first when he got twisted as a spirit, thrn became a god/slaver, where he still had lesst was a good bad guy apparently and would-be-wrong-God. But now he doesn't even have that. What a fall eh? for a "risen god".

Don't know if this passage is clear sorry. Writing not confusing and clear literary analyzes is hard enough in my language (my big issue I had during my bachelor degree in literature. Managing to write my thoughts clearly and with structure) so in english x).

Although why having a dulled mind would make him speak the common tongue? shouldn't it be rhe reverse and he's speak his native tongue only? (aka elven) isn't common a learnt secondary language for them?

Yet again : just a tad more development and scenes with him to flesh him not only as this very threatening scary guy but also as a character, as in more of a person, that would have been nice. Helped with the build up too.

elgar'nan, all-father, the eldest of the sun, he who overthrew his father, god of sun and vengeance: NOPE MY DRAGON WAS DEFINITELY BIGGER, HE SHRUNK IN THE WASH

[a-small-batch-of-dragons]

Cause and Effect

ok this is overdone i feel but i love your writing. something abkut the effects the sides have on themselves? virgil being super anxious and logan overwhelmed and similar things? something w janus? with a good portion of hurt comofrt? love your fics!! – anon

Hi! I love your writing so so so much. I do have a request for you, if you want it: Headcanon that Remus, being responsible for intrusive thoughts, is also responsible for any earworms Thomas gets. Which, he mostly uses to his advantage. Except. He unironically likes Taylor Swift and is terrified of that information getting out because it will ruin his image/he won’t be taken seriously. – anon

I hope you’re having a good week! I was wondering if I could request a hurt/comfort fic with one of the Sides being really bad about announcing/enforcing boundaries, because “it probably means more to them than it does to me” “it’s not that bad” “I can deal with it”. Thank you for considering!! – anon

Read on Ao3

Warnings: self-esteem issues, panic attacks, anxiety attacks

Pairings: dlampr, can be platonic or romantic you decide

Word Count: 2954

Patton doesn't always remember that he has feelings, too. Logan works…a lot. Virgil lives his life looking over his shoulder. Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself. Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away. Roman is tired. The Sides struggle. The Sides help each other.

Patton doesn't always remember that he has feelings, too.

He's at the center of Thomas's feelings, of course, and that means he's feeling a lot of things that aren't necessarily his all the time. Thomas is happy, he's happy. Thomas is sad, the entire world might be ending. Thomas is angry, he has to hide everything that looks even vaguely orange because something might explode. Thomas is depressed, he finds it hard to even get out of bed.

That extends to the Sides somewhat too; all of them experience heightened emotions, a wonderful by-product of being metaphysical and in the Mindscape. So that means that anything that might happen to them will happen in greater intensity than it would in the 'real world.' But sometimes that can be a little hard to handle, especially if they aren't used to it. For Roman, it looks like being stuck at the worst part of a tragic monologue for hours, for Logan, it looks like that one question on a test that you just can't answer, for Virgil, it's the quiet and unsettling feeling of having something just over your shoulder all the time, for Janus, it's the itch that you just can't scratch, for Remus, it's the noise that's just at the wrong frequency.

It's hard, it's hard for all of them, and so Patton takes it upon himself to help them through it. He takes Roman's hands and just holds them, trying to make him see that he doesn't have to perform, not now, not with him. He sits with Logan and they just talk, about nothing, about everything, until Logan can smile just a little and everything feels better. He puts a pair of headphones on Virgil and wraps him up in a weighted blanket, leaned against his chest. He spoils Janus with a spa day until their favorite snake is too tired to do anything but sleep. And he sings with Remus, as loud and off key as they can, until that's all they can hear.

It's good. It's fun. It's worth it to take care of his kiddos. But sometimes things we say when we're hurting can make other people hurt, and it's important to take care of that too.

Sometimes Patton forgets that. Sometimes he mumbles it's okay, they didn't mean it, through his own tears. Sometimes he has to go and be by himself for a while before he can come back and face them again. Sometimes he has to just…remind himself that they're hurting, and that's what's important.

That isn't true, of course, and when the rest of them find out, it's easy to see that they love him too. They play games until their sides hurt from laughing so much, they crowd around the kitchen to bake cookies and brownies and all manner of sweet treats, they watch movies and cuddle on the couch until they all fall asleep. And when he's upset, because he gets upset too, they all come into his room and tell him how much he means to them until the curtains turn blue again.

***

Logan works…a lot.

There is something to be said for how subtle yet pervasive the concept of Logic is. On first glance, one would associate it primarily with academics, math in particular, or some such thing that is so purely intellectual that it might seem limited in its application. When in reality, when you examine it further, there is some hint of Logic in just about everything that you do, and so there is no escape from the things that you must use it for in order to do it correctly.

Logan has a lot of work. Logan has a lot of work. He has so much work, in fact, that if he stopped to think about how much work he has, he would become so daunted by the prospect of staring at such a tall hill that he would never be able to conquer it. Best to deal with things one problem at a time, take them step by step, and make sure that he doesn't stop to consider the sheer magnitude of what he's doing.

Perhaps this isn't the healthiest way to go about it. Perhaps he would be better suited to breaking down things into more manageable hills, getting over them one step at a time, that sort of thing, but he has no time for that. In the time it would take to do that, the first of the manageable hills would already have become unmanageable by the time he got back to them. So this is how it must be, working and working and working until there is a big enough pause for him to catch his breath.

The others…are not fond of this. Surely, he accounts for enough time to spend with them, but it isn't easily won. It's fraught with the thoughts of what else he could be doing, a passing worry that he's missing something egregious, that he would be better suited to getting all of his work done before allowing himself a break. But that is not the nature of resting, that is the nature of rotting, even if Logan cannot actually give himself a break.

When they find out, they drag him away from his work and into the Imagination, into a library so full of wonder and curiosity that he has no choice but to stop thinking about his work and instead, chase the things he's actually interested in. He darts from bookshelf to bookshelf, peppering the others with did you know, did you know, did you know, and nothing they could say back will be as rewarding as seeing his eyes light up with excitement for the first time in…they can't remember how long it's been.

***

Virgil lives his life looking over his shoulder.

His existence is a constant struggle of did we remember to do this, did we forget this, what if this happens, this is going to go wrong, everything's going to explode in our faces. Every time they so much as leave the house, it's a war of keeping himself together just long enough to make it back so they don't have an embarrassing meltdown in the middle of…wherever they happen to be. The grocery store, the gym, even the fucking sidewalk. It's like walking through the world where there are big flashing neon signs everywhere he turns, each warning about something else awful and terrible, and yet somehow everyone else is able to completely ignore them.

It's terrifying.

And what's worse is that he knows if he so much as breathed a word of this to any of them, they wouldn't believe him. They'd do something like laugh and say he's just freaking out over nothing—which he knows, that's not doing anything to stop it from happening in the first place—or try and rationalize it out of him. Which won't work either, because he knows he's being irrational, that's why he's so mad about it in the first place, but realizing what's happening and being able to do something about it are two different things.

Being able to get himself grounded becomes more of a necessity than anything else. This big hoodie that lets him become an amorphous blob, the heavy things in his pockets he can squeeze when the temptation to break something gets too much, the headphones and earbuds he keeps stashed everywhere with the phone charger clipped to his belt because if he can't listen to music at a moment's notice, he might actually break down in tears. He has to keep himself alert, because if something's going to go wrong, he's going to need to notice it quickly so he can get everyone else on board and safe before it wrecks the rest of their lives.

And when he manages to shove that out of his mouth in an absolute mess of words, he's greeting not with laughs and teases, but with open arms and kind words. He's bundled into Remus's arms and Roman lies on top of them as Janus chuckles, hands carding through his hair to help silence the worst of the mumblings that something's going to go wrong. Logan takes his hand and squeezes it in the rhythm for breathing exercises as Patton sings something soft under his breath.

They're all in the same room. They're all safe. They're all going to be okay.

He can do this. He can do this.

He can do this.

***

Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself.

Stories need antagonists. A narrative needs something to help it wind its way around all the twists and turns to make it into something worth following. If that means that the truth needs to be a little harder to find, that something needs to go a little wrong before it can be set to rights, well, he's happy to play the part. He's happy to thrill at the surprised looks he gets from the naive little heroes, the shock and betrayal on their faces when they realize he's tricked them, to cackle as they scramble to figure out what to do next.

He's equally thrilled to watch them squirm as he pokes and prods at their comfort zones. Challenging anyone who appears to be steadfast is endlessly entertaining, after all, and he can hardly blame himself when he's rewarded with such passionate monologues or fiery outbursts that end in grudging admittance that maybe he had a point all along. He's never been one to refrain from being smug, after all, and it would be a crime to deprive people of the right to see him in all his victorious glory.

Sometimes, though, that victory feels a little hollow. When it stops being a surprise and more of a resignation, when it's no longer something that they rise to meet but hunker down to grin and bear…when he wins, trouncing them soundly, and they take it on the chin and keep moving…that's not what this is for. He's here to make all of them feel a little something, even if it starts out badly, they should be proud of themselves when they outsmart him, out-think him, even when they don't win but they come close. He's a thorn in their side, not the sword that guts them before they have so much as a chance to say anything. And there's only so much fun that can be had toying with them before it feels like he's kicking a puppy for no reason.

He makes Roman cry once. He just stands there, staring at Janus, waiting for it to be over with tears streaming down his face. And when Janus stammers that yes, he's…he's done, Roman just leaves.

He doesn't want to just be the bad guy. He doesn't want them to think he doesn't care for them. He doesn't want them to be hurt, not…not in any way that actually matters.

He takes it on the chin, as he's seen them do, but it gets harder. Walking the line between fulfilling the role he's made for himself and actually being cruel is difficult, and tensions stretch further and further until one day, he can't do it and he has to retreat to his room and spend the rest of the day puzzling about how to fix this. He's never been the one to actually offer words of comfort. He's been there to lance infections from open wounds, not stitch them back together. He doesn't know what to do. He doesn't know what to believe anymore.

Roman comes to him first. Wraps him up in a hug and ignores all his babbling in favor of dragging him to their favorite picnic spot in the imagination. Everyone takes on a different role, just for that day, where Patton is the gardener that helps the baker, Logan, Roman and Remus are the woodcutters that build the cabins, Virgil is the blacksmith and Janus—Janus is the innkeeper. They spin a new story together, one where everyone gets a happy ending.

Stories end, after all, and new ones begin.

***

Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away.

He delights in the uncomfortable, luxuriates in the madness, and happily dances along to the songs of the worst things you could ever imagine. His side of the Imagination is chaos and ruin, twisted undergrowth giving way to dark city scapes filled with ne'er-do-wells and the filth from stories that finally get their chance to steal the spotlight. He lovingly tends to his creatures that would send fainter hearts into shock, none more so than his beloved Kraken, Oliver. Shipwrecks litter the bottom of the Imagination's oceans and he couldn't be prouder.

For Remus, chaos is a way of life. He takes the things that normal people would scoff at—just as enthusiastically as he would scoff at them for being so boring—and makes it into art. He builds machines that are needlessly complicated and endlessly horrible. He turns perfect order into perfect disorder with a gleeful squeal. He's the bane of Logan and Roman's existences—one is affectionate, the other decidedly less so—and he steps into his bear traps with a grin on his face.

There are, of course, downsides. He's alone, a lot of the time. No one else really appreciates everything he does, all the hard work that goes into turning his world into the best it can be for him. Sure, they get close sometimes, like when there's an experiment and he and Logan get to go full mad-scientist, or when he and Janus are gleefully stirring all manner of shit up for everyone else, or when he and Roman throw literally everything they can at every sort of wall just to see what might stick. But when those times are over, and he's back to being the same old, messy Remus, he gets…lonely.

Especially when there's something that would make them think he's something else.

He's got a reputation. He's supposed to be dark, twisted, messy, chaotic, that sort of thing. He's annoying, the voices in your head that you just can't get to go away, the song that won't stop playing in your head at 2 in the morning when all you want to do is go to sleep.

He can't exactly expect them to believe him when he says the songs he wants to keep playing are something like…Taylor Swift.

He's got an image to maintain! And that image doesn't go well with, y'know…something like that. He's no stranger to other people's shame, but his own…well, he might get why people hate feeling it so much.

Roman, though, is his brother, and as such gets full rights to both tease him about things and find out whatever he wants to know. And Roman is his brother, which means that he loves him unconditionally. So maybe the two of them can sing along to Taylor Swift at 3 in the morning and if Roman takes the fall for being the one obsessed with her stuff, well, that's for them to know and Janus to find out when he figures out what Roman's lying about this time.

It's fine, they'll just make him listen to 'no body, no crime.' That song's right up his alley.

***

Roman is tired.

He's just…really tired.

Being the prince, being Thomas's Hopes and Dreams, his Creativity—well, half of it—trying to keep everything afloat…it's tiring.

The others don't know this—well, Remus might—but he's the main anchor point between Thomas and the Mindscape. They're all products of Thomas's imagination, which he uses his Creativity to make and interact with, which means that…them, the Mindscape, the Imagination, it's…well, he has to spend a lot of energy to keep it the way it is.

It's tiring.

So sometimes, he doesn't have it in him to play the role. Sometimes he can't focus on staying away long enough to do all the work they want him to do on top of all the stuff they don't know he's doing. And sometimes…sometimes it's just a little bit too much.

They find him on the floor of his room one night, just watching the moon. They gather blankets and pillows and stuffed animals and build a little nest, right there around him. Remus opens the door to the Imagination to lighten a little bit of the load and Logan helps Patton coax Thomas the rest of the way to sleep, letting them shift to the dreaming mind instead.

He's so tired. Surrounded by the others, with his mind at peace, he finally gets some rest.

General Taglist: @frxgprince@potereregina@gattonero17@iamhereforthegayshit@thefingergunsgirl@awkwardandanxiousfander@creative-lampd-liberties@djpurple3@winterswrandomness@sanders-sides-uncorrect-quotes@iminyourfandom@bullet-tothefeels@full-of-roman-angst-trash  @ask-elsalvador @ramdomthingsfrommymind@demoniccheese83@pattonsandershugs@el-does-photography@princeanxious@firefinch-ember@fandomssaremysoul@im-an-anxious-wreck@crazy-multifandomfangirl @punk-academian-witch@enby-ralsei@unicornssunflowersandstuff@wildhorsewolf @thetruthaboutthesun @stubbornness-and-spite @princedarkandstormv  @your-local-fookin-deadmeme @angels-and-dreams@averykedavra @a-ghostlight-for-roman @treasurechestininterweb @cricketanne @queerly-fluid-fan @compactdiscdraws@cecil-but-gayer@i-am-overly-complicated@annytheseal@alias290@tranquil-space-ninja @arxticandy @mychemically-imbalanced-romance@whyiask@crows-ace @emilythezeldafan@frida0043 @ieatspinalcords @snowyfires@cyanide-violence@oonagh2@xxpanic-at-the-everywherexx@rabbitsartcorner @percy-07734@triflingassailantofmyemotions @virgil-sanders-the-gay-emo@cerulean-watermelon@puffed-up-bees@meltheromanstan@joyrose-fandomer@insanitori@mavenmush@justablah65@10paradox10@uhhh-hi-there-i-am-nervous@cutebisexualmess@bella-bugatti-frogetti-baguetti@ultrageekygirl@raven1508

[nyapollo]

here's a hot take: as a buddie fan, I don't hate tommy kinard and the intense hatred towards him honestly kinda annoys me

was i rooting for tommy x buck to be endgame? absolutely not. but i didnt hate the guy

i understand the tommy hatred in the lens of his past racism because. that was for sure... odd! and although i can say, "well, hen & chim clearly forgave him for allat and if he hadn't changed then there would have been more backlash to eddie & buck casually hanging out with him," i feel like that's not the major reason most buddie fans hate him.

this is, again, repeating the cycle of having a favorite MLM ship being "broken up" by a love interest of one of the guys, causing massive fandom hatred. but, of course, they can't hate someone for no reason, so they nitpick every line that the character has said and try to find something slightly off that is at least *a* reason to hate them.

at the end of the day, i could really care less if somebody hates tommy. i mean, yeah, im writing a whole tumblr post about it right now, but this isn't going to effect my life in a major way. the biggest thing that actually bothers me is that a lot of tommy haters are just straight up calling lou ferrigno jr ugly (but in very mean ways).

i haven't seen it on tumblr as much as i have tiktok, but my personal favorite (its not) is them calling him a dinosaur. this is where it crosses the line for me. is it likely that lou ferrigno jr will see these tiktoks and be sad? No. but this contributes to a problem that i see so incredibly often, which is: people don't understand how to seperate the actor from the character, and see actors as nothing more than people on their screen rather than real human beings.

actors are real human beings. even though they probably won't see your post about how you think they're ugly as shit, other people will. maybe other people who have the features that you are calling ugly as shit. i also just think its incredibly inhumane to start nitpicking every single little thing about one person because you don't like the character they play on tv.

hate tommy kinard *as a character* all you want, it doesn't hurt anyone. what DOES hurt people is when you start critiquing people's looks and calling them ugly. i really didn't think i had to say this out loud, because i thought everyone had come to a consensus on this but.. i guess not!

tldr: as a buddie shipper, i never really liked tevan as a ship, but i hate the constant hate on tommy kinard because it goes back to the era of "hating every female love interest that gets in the way of your gay ship" and additionally, people not being able to seperate the character from the actor.

[shai-manahan]

hi, I sincerely hope I'm not being pushy or anything, and that you're doing ok! I saw your post about the devastating typhoon in your country and know that must be heartbreaking. if it's okay to ask, is Hollowed Minds still being written? I completely understand if it's not, since I (and other readers) know you have probably been going through a lot. I still love and think about your IF everyday to the point it's become a comfort game of mine and gotten me through some tough times with its engaging mysteries and angsty, touching moments, and though I would obviously be sad about it, the mental health and personal circumstances of authors are so much more important than a fan's feelings. I wish you good luck with life regardless of whether this IF is continued or not!

Hi! I appreciate the concern and your love for HM and don't worry because I'm still working on it <3 I know it's been a while, and admittedly it also distresses me that I haven't updated the game yet after all this time. But please be assured that this isn't a story I could ever let go of or even think about canceling no matter what.

Honestly, our country's been through a lot these past few years. My family, friends, and mentors have been through a lot as well. There is increased hostility targeted at marginalized communities everywhere and it's made a huge impact on my writing and my perception towards my own characters. I also find I relate to a lot of them now to an extent I never wished to reach.

It's partly why I decided to make MC someone with Filipino (specifically Tagalog) heritage, why I made their personality a little more preset (while still allowing space for headcanons and a few trait choices), and why I'm making some revisions to make certain details clear upfront.

Also, I suppose I'm just afraid a lot of readers would not get the point of the series itself. We're still at a very early stage of the plot, and while I've gotten anons whose theories have made it clear that they understand what this is eventually leading to, I do get the sense that some might still think of it as a mere cop thriller story when I actually aim for it to be a critic of policing institutions and the system itself. This is something that would be made clear anyway as we progress, but I at least want it to be apparent that MC will never ally nor respect some characters throughout the series, and that there are actions they would never find justifiable/fair.

I haven't posted significant progress updates lately (which is also why Patreon billings are still paused atm) because I don't think I've made enough progress to talk about. I will still answer asks, however, so please feel free to send them if you have questions/concerns/fun asks!

And I'm really glad HM has helped you get through tough times :') I know writing it helps me as well.

[alicesadventuresinffxiv]

FFxivWrite2024 Prompt #11

Title: Surrogate Hero

Wordcount: 542

Spoilers through: Early Shadowbringers

Relationships & Characters: Alisaie/Tesleen

Summary: Alisaie and Tesleen during a brief, peaceful moment of rest.

“If only I’d been faster. Stronger. Smarter.” Alisaie sighed and flicked a pebble off of the worn blanket she was sitting on and down into the red rock canyon below. “If only it hadn’t been me, but them. They would have saved the caravan’s goods too.”

“There you go again. Talking about that amazing friend of yours.” Tesleen giggled as she peeled another section off of the orange in her hands. “I’ll take your word for it, but do you know what I saw?”

“What?” Alisaie looked up.

“I saw two parents very happy their daughter and son-in-law came home this morning.” Tesleen held out the orange section. “Isn’t that enough?”

“I’ll never understand how you manage to find some silver lining in every cloud,” Alisaie grumbled as she took the fresh treat and popped it into her mouth. “I just fight monsters, and here I am complaining again. But you’re losing people every other moon. Yet you still manage to care about them, and you make it look easy.”

“Well, even if it looks easy, it isn’t.” Tesleen peeled another section of the orange for herself. She stared thoughtfully down into the canyon as she chewed. “A lot of the caretakers can’t stand it any more after a while, so they quit and go back to the places they came from.”

Alisaie brushed the crumbs of their lunch off her jacket and stretched. “Have you ever thought of leaving? I’m sure you could find a place at the Crystarium. Or maybe my brother might enjoy some company in his failed attempts to get into Eulmore.”

“Eulmore? No thanks.” The passionate caretaker made a sour face that had nothing to do with the orange piece she’d just bitten down on. “Besides, everything important to me is here.”

“Like the Inn?”

“Like you.” A playful poke at Alisaie’s cheek, which made the young warrior immediately blush. “And yes, of course the Inn too.” Tesleen smiled wistfully as she stared across the arid sands. “At different times, to different people, I’ve stood in for sisters, mothers, daughters, friends. Even if I couldn’t replace the ones they’d lost, even if I lost all those people themselves eventually, I think the time we did share together was precious. Isn’t it the same for you?”

“What do you mean?” Alisaie cocked her head as she began packing up the various tins and wrappers. 

“Maybe you aren’t the fastest or strongest or smartest hero like your friend. But you’re the hero that we do have.” Tesleen folded up the blanket they’d sat on for their short break and slung it over her shoulder. “So aren’t you glad you were there to help?”

“When you put it like that, I suppose I am.”  Alisaie clipped her rapier back to her hip and cast a searching eye over the path that continued onward through the rocky expanse. “Now then, we have a patrol to finish.”

Tesleen nodded and readied her own sword. In her first few years in Amh Araeng, she had dreaded the loneliness of clearing out this monster-infested route by herself. No matter how down on her own abilities she might be, Alisaie had changed that.

That alone was enough to make her a hero in Tesleen’s heart.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[jankwritten]

i think one of my biggest gripes with TSATS is the sentence structure and the way that things are phrased.

Sentence structure: the book is CONSTANTLY using ", and", or "then", or "but" instead of splitting up a phrase into two separate sentences. Once I noticed it, I couldn't stop noticing it. In some places it works fine, but right out the gate, as the first line of chapter one, it 1) caught my attention in a negative way and 2) felt immediately clunky and awkward.

The way that the book demonstrates action also feels unnatural and doesn't flow as well as it could. Things are described as happening "now", such as when Kayla takes her lolipop out of her mouth and holds it at her side, the book narrates it as "now holding the lolipop at her side". We didn't SEE that action occur, we're just being described the RESULT of the action, does that make sense? As a reader, you want to SEE the action, you want to SEE her tug the lolipop out of her mouth, see her hand hang by her side as her expression pinches with anxiety over the discussion. We don't want to just be told that "now" her lolipop is out of her mouth, y'know?

There are also sentences that just feel flat out unedited, phrases that have too many words for what they want to accomplish, or with a structure that doesn't make sense - like on page 56, the sentence "They raced up the steps to the platform, Nico easily outrunning his boyfriend, though that was mostly due to Will having to get his land legs again."

First of all - why are they running up the platform? In the previous line, where we're told their cab driver got them to the station with 6 minutes to spare, the specific choice of saying "to spare" makes it sound like there is plenty of time to make it to their train. In the sentences after, we even learn that Nico and Will wound up waiting for their train anyway, so, the fact that they're running when Will feels sick reads...weird, to me. If I was car sick, and then somebody forced me to run for no reason, I would not be a happy camper.

Second of all - The addition of the final third of the sentence, after the second comma, should be it's own phrase. It should be given it's own space, like "(though that was mostly because Will didn't have his land legs back yet)." because it's not important information, just an offhanded comment Nico is making.

Third of all - "though that was mostly due to" and "having to get his" are clunky and wordy. It could've just been "Nico easily outrunning his boyfriend, who didn't have his land legs back yet." It's a smoother sentence that doesn't get bogged down by the extra words.

And that's just one instance. This book is LOADED with moments like this, where action will get lost in a sentence's wordiness. The book tries to be quick and snappy, in Riordan's style, but it fails because it can't quite nail down the phrasing.

There are also moments where the only thing the characters are interacting with is each other, only grinning, grimacing, sighing, glancing at one another, etc etc, instead of doing actions while they speak. Fidgeting with their hands, shifting from side to side, looking away at their surroundings, that kind of stuff is how you convey a MOOD. Body language is important when writing character conversations!! Is somebody relaxed, or are their shoulders tensed up, arms folded across their chest with their muscles flexed, leaning back on one leg with their body halfway tilted away, as if they were ready to flee at a moment's notice? These are the kind of details that I'm missing in TSATS, the kind of things that feel like they're missing.

I also have a lot of gripes with the dialogue itself.

People don't talk like they do in TSATS. The content of what they're saying is realistic enough, sure, yeah, but the specific way that a lot of the dialogue is phrased? It doesn't feel natural. Try reading some of the sentences out loud without editing any of the words. It doesn't sound the way a human being SPEAKS.

THAT'S what I mean when I say these characters are OOC. The way that they're speaking is uncomfortable and feels as if they're being used as a puppet, or a mouthpiece for what somebody ELSE wants them to say.

[bl00dh0rs3]

God. God. God. Holy fucking shit i love Avatar so fucking much

[candyriku]

finally getting a chance to work on chapter 15 today :-)

[torchickentacos]

Literary devices, how I adore you... allusion, colloquialism, alliteration, metaphor, simile, juxtaposition (!!!!!!!), anntithesis, foreshadowing, imagery, symbolism, personification, irony, hyperbole???? All amazing.

[girlscience]

I hate finding a fandom that likes to take a slightly emotional character and makes them cry and have panic attacks constantly in every fic. Least favorite fandom trope ever

[fortune-maiden]

AutumnWind Day 2: Post-Canon

I wanted to write a full fic, but only had the energy for a 100 word drabble today

“How do you cope with it?” Shi Qingxuan asks suddenly, a tremor in his voice “Knowing it was all a lie?” His radiant smile fades, bringing the rest of the mask with it. “He was my best friend.” The first tear finally falls. More burst forth as the dam shatters. “All this time, I thought… but he was… he felt…” Lang Qianqiu doesn’t have the answer. He doesn’t have any words, only the same gaping hole in his heart. He pulls Shi Qingxuan into his embrace and holds him tight as he sobs and mourns their friendships that never were.

[mostlysignssomeportents]

You should be using an RSS reader

On OCTOBER 23 at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

No matter how hard we all wish it were otherwise, the sad fact is that there aren't really individual solutions to systemic problems. For example: your personal diligence in recycling will have no meaningful impact on the climate emergency.

I get it. People write to me all the time, they say, "What can I change about my life to fight enshittification, or, at the very least, to reduce the amount of enshittification that I, personally, experience?"

It's frustrating, but my general answer is, "Join a movement. Get involved with a union, with EFF, with the FSF. Tell your Congressional candidate to defend Lina Khan from billionaire Dem donors who want her fired. Do something systemic."

There's very little you can do as a consumer. You're not going to shop your way out of monopoly capitalism. Now that Amazon has destroyed most of the brick-and-mortar and digital stores out of business, boycotting Amazon often just means doing without. The collective action problem of leaving Twitter or Facebook is so insurmountable that you end up stuck there, with a bunch of people you love and rely on, who all love each other, all hate the platform, but can't agree on a day and time to leave or a destination to leave for and so end up stuck there.

I've been experiencing some challenging stuff in my personal life lately and yesterday, I just found myself unable to deal with my usual podcast fare so I tuned into the videos from the very last XOXO, in search of uplifting fare:

https://www.youtube.com/@xoxofest

I found it. Talks by Dan Olson, Cabel Sasser, Ed Yong and many others, especially Molly White:

https://www.youtube.com/watch?v=MTaeVVAvk-c

Molly's talk was so, so good, but when I got to her call to action, I found myself pulling a bit of a face:

But the platforms do not exist without the people, and there are a lot more of us than there are of them. The platforms have installed themselves in a position of power, but they are also vulnerable��

Are the platforms really that vulnerable? The collective action problem is so hard, the switching costs are so high – maybe the fact that "there's a lot more of us than there are of them" is a bug, not a feature. The more of us there are, the thornier our collective action problem and the higher the switching costs, after all.

And then I had a realization: the conduit through which I experience Molly's excellent work is totally enshittification-proof, and the more I use it, the easier it is for everyone to be less enshittified.

This conduit is anti-lock-in, it works for nearly the whole internet. It is surveillance-resistant, far more accessible than the web or any mobile app interface. It is my secret super-power.

It's RSS.

RSS (one of those ancient internet acronyms with multiple definitions, including, but not limited to, "Really Simple Syndication") is an invisible, automatic way for internet-connected systems to public "feeds." For example, rather than reloading the Wired homepage every day and trying to figure out which stories are new (their layout makes this very hard to do!), you can just sign up for Wired's RSS feed, and use an RSS reader to monitor the site and preview new stories the moment they're published. Wired pushes about 600 words from each article into that feed, stripped of the usual stuff that makes Wired nearly impossible to read: no 20-second delay subscription pop-up, text in a font and size of your choosing. You can follow Wired's feed without any cookies, and Wired gets no information about which of its stories you read. Wired doesn't even get to know that you're monitoring its feed.

I don't mean to pick on Wired here. This goes for every news source I follow – from CNN to the New York Times. But RSS isn't just good for the news! It's good for everything. Your friends' blogs? Every blogging platform emits an RSS feed by default. You can follow every one of them in your reader.

Not just blogs. Do you follow a bunch of substackers or other newsletters? They've all got RSS feeds. You can read those newsletters without ever registering in the analytics of the platforms that host them. The text shows up in black and white (not the sadistic, 8-point, 80% grey-on-white type these things all default to). It is always delivered, without any risk of your email provider misclassifying an update as spam:

https://pluralistic.net/2021/10/10/dead-letters/

Did you know that, by default, your email sends information to mailing list platforms about your reading activity? The platform gets to know if you opened the message, and often how far along you've read in it. On top of that, they get all the private information your browser or app leaks about you, including your location. This is unbelievably gross, and you get to bypass all of it, just by reading in RSS.

Are your friends too pithy for a newsletter, preferring to quip on social media? Unfortunately, it's pretty hard to get an RSS feed from Insta/FB/Twitter, but all those new ones that have popped up? They all have feeds. You can follow any Mastodon account (which means you can follow any Threads account) via RSS. Same for Bluesky. That also goes for older platforms, like Tumblr and Medium. There's RSS for Hacker News, and there's a sub-feed for the comments on every story. You can get RSS feeds for the Fedex, UPS and USPS parcels you're awaiting, too.

Your local politician's website probably has an RSS feed. Ditto your state and national reps. There's an RSS feed for each federal agency (the FCC has a great blog!).

Your RSS reader lets you put all these feeds into folders if you want. You can even create automatic folders, based on keywords, or even things like "infrequently updated sites" (I follow a bunch of people via RSS who only update a couple times per year – cough, Danny O'Brien, cough – and never miss a post).

Your RSS reader doesn't (necessarily) have an algorithm. By default, you'll get everything as it appears, in reverse-chronological order.

Does that remind you of anything? Right: this is how social media used to work, before it was enshittified. You can single-handedly disenshittify your experience of virtually the entire web, just by switching to RSS, traveling back in time to the days when Facebook and Twitter were more interested in showing you the things you asked to see, rather than the ads and boosted content someone else would pay to cram into your eyeballs.

Now, you sign up to so many feeds that you're feeling overwhelmed and you want an algorithm to prioritize posts – or recommend content. Lots of RSS readers have some kind of algorithm and recommendation system (I use News, which offers both, though I don't use them – I like the glorious higgeldy-piggeldy of the undifferentiated firehose feed).

But you control the algorithm, you control the recommendations. And if a new RSS reader pops up with an algorithm you're dying to try, you can export all the feeds you follow with a single click, which will generate an OPML file. Then, with one click, you can import that OPML file into any other RSS reader in existence and all your feeds will be seamlessly migrated there. You can delete your old account, or you can even use different readers for different purposes.

You can access RSS in a browser or in an app on your phone (most RSS readers have an app), and they'll sync up, so a story you mark to read later on your phone will be waiting for you the next time you load up your reader in a browser tab, and you won't see the same stories twice (unless you want to, in which case you can mark them as unread).

RSS basically works like social media should work. Using RSS is a chance to visit a utopian future in which the platforms have no power, and all power is vested in publishers, who get to decide what to publish, and in readers, who have total control over what they read and how, without leaking any personal information through the simple act of reading.

And here's the best part: every time you use RSS, you bring that world closer into being! The collective action problem that the publishers and friends and politicians and businesses you care about is caused by the fact that everyone they want to reach is on a platform, so if they leave the platform, they'll lose that community. But the more people who use RSS to follow them, the less they'll depend on the platform.

Unlike those largely useless, performative boycotts of widely used platforms, switching to RSS doesn't require that you give anything up. Not only does switching to RSS let you continue to follow all the newsletters, webpages and social media accounts you're following now, it makes doing so better: more private, more accessible, and less enshittified.

Switching to RSS lets you experience just the good parts of the enshitternet, but that experience is delivered in manner that the new, good internet we're all dying for.

My own newsletter is delivered in fulltext via RSS. If you're reading this as a Mastodon or Twitter thread, on Tumblr or on Medium, or via email, you can get it by RSS instead:

https://pluralistic.net/feed/

Don't worry about which RSS reader you start with. It literally doesn't matter. Remember, you can switch readers with two clicks and take all the feeds you've subscribed to with you! If you want a recommendation, I have nothing but praise for Newsblur, which I've been paying $2/month for since 2011 (!):

https://newsblur.com/

Subscribing to feeds is super-easy, too: the links for RSS feeds are invisibly embedded in web-pages. Just paste the URL of a web-page into your RSS reader's "add feed" box and it'll automagically figure out where the feed lives and add it to your subscriptions.

It's still true that the new, good internet will require a movement to overcome the collective action problems and the legal barriers to disenshittifying things. Almost nothing you do as an individual is going to make a difference.

But using RSS will! Using RSS to follow the stuff that matters to you will have an immediate, profoundly beneficial impact on your own digital life – and it will appreciably, irreversibly nudge the whole internet towards a better state.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/16/keep-it-really-simple-stupid/#read-receipts-are-you-kidding-me-seriously-fuck-that-noise

[inkskinned]

i don't mean to sound ungrateful, but as a content creator on this site, there's a part of me that's like. they absolutely just stole my work.

i'm not, like, unaware that tumblr has been shuffling downhill for years now. sometimes i play with the idea of switching platforms, turning myself into the shark. i often get tens of thousands of notes - i could be "doing numbers" on a platform that actually pays me to do so. i could have statistics that i could use to sell myself, i could rebrand and make content pay-to-play and make brand deals. i could have the other life, i mean.

but i don't want to. i like the quiet nature of tumblr. i like that it still feels like i'm writing poetry, not like i'm fulfilling ad spots. i like the community, and that i can sometimes still take someone by surprise and write something that really speaks to them. i like the tags and reading things like oh of course it's fucking inkskinned i love you inkskinned you gay mess. my girlfriend recently told me that people tag things "inkskinned" because they assume it is similar to tagging "creative writing". that's wild. i made this word up when i was 19, and have always assumed people tag me in things so i read it (and i often do). i have nothing but love and gratitude for you all, for this tiny scoop of family.

and i haven't made any money off it. i had opportunities, and i turned them down. i could have sold this thing like a thousand times. i thought about moving my work elsewhere - over and over and over i thought about it. i weighed each option specifically. but my tumblr felt like ... it's for you guys, only. if you're still here and reading this, you deserve to do it for free.

tumblr has now, most likely, skimmed my work (and yours) in order to make money. i will never see a single cent for that violation. something about landlords, i guess - my work pays their rent.

i just lost my job on valentine's day, and am working on scrambling for solutions. i am writing this to a blog that they will probably scrape with AI. and like, what number to do you think it was? do you think it was only a couple hundred thousand? no way it was close to a million, right? my time, effort, energy - it belongs to someone else now. how many silver pieces for them to completely sell out their user base.

and it's kind of like - funny? when it isn't very-sad. because i personally don't know what to do, ya know? i might as well move to a different platform, where my efforts are ai-scraped but could eventually pay me. where i know my privacy is the cost - but it could result in actual money. anyway. i need to figure out how i'm paying for meds. i need to email like six people about COBRA benefits.

my work is powering someone else's AI. it will be a beautiful fabricated poem, made from words i've already said.

[ellecdc]

hi! i absolutely love your works, particularly your poly!marauders(w/lily). i think you write them so beautifully and harmoniously that you can't help but fall in love with them.

i wanna compliment you on your recent two-parter about remus and the whole revealing the werewolf thing. the angst to fluff had me on the edge of my seat. thank you for writing such a piece! 🤍

i hope its not too much to ask but in part 1, there's a brief mention of sirius receiving letters from i can assume is his family that lily confiscates and the group tends to love on him a bit more. let's say reader isn't in the loop about sirius' family life and she feels a bit sad that she can't comfort sirius like the rest can, and in general feels lost because it's another thing she isn't 'let in on'. i was wondering if you could write a little something on that? maybe some misunderstandings with a fluffy ending?

i hope this is something you're ok w writing 🥹 if not, its ok! still wish u the best always!

this is so sweet - thank you! & thanks for your request - hope you like it!!

pt 1 // pt 2 // pt 3 // pt 4 // pt 5

poly!marauders + lily x fem!reader who find's her own way to comfort Sirius - 2.1k

CW: brief mention of Sirius' childhood, allusions to anxiety, our shy Hufflepuff reader, hurt comfort, Sirius-centric

There was this saying that you never really understood before.

Love makes you do crazy things. 

And while the definition of crazy may be up for debate, you’re quite sure it could be understood as acting completely out of character.

So here you were, acting completely out of character; voluntarily marching towards a secluded end of the library where three Slytherin’s were sitting that you had - up until this point - managed to avoid completely. 

But you couldn’t, wouldn’t, avoid them any longer; not now, not for Sirius. 

The dust settled relatively well after the news of Remus’ lycanthropy had been shared with you; the five of you seemed to find a sort of freedom in not having to hide from one another anymore. Remus could be himself, the other’s could love him appropriately, and you could too. 

But another one of those black envelopes with  a green wax seal showed up at breakfast yesterday, and the group delved into their usual hide-the-envelope-and-coddle-Sirius practice. 

Lily took the envelope and disposed of it, James and Sirius had a floo call with the Potter’s, and Remus’ mum and dad sent baked goods from Wales via owl. 

You had since gathered that these letters were coming from his parents, or at the very least from someone in the Black family; you had also gathered that the contents of the letter’s were hurtful or upsetting to Sirius. And even though he never got to read them, a heavy cloud seemed to form and follow the young ex-heir around. 

And your heart felt heavy; not because they were keeping anything from you, per se, but rather because they seemed to have a routine that didn’t include you.

And while you didn’t want to encroach in spaces that you weren’t necessarily invited in, you couldn’t help but feel like you should be doing more. 

Lily, James, and Remus all had something they could offer Sirius; they all had some way that they could support him. 

You didn’t.

And it wasn’t for a lack of trying on your part, but rather that no one seemed particularly inclined to burden you with any negativity. 

“Don’t worry about me, babydoll; this is standard Black stuff. I’ll be just fine.” Sirius had said when you asked if he was okay; his usual salacious smile significantly dimmed as it seemingly took the majority of his effort in his response. 

The others hadn’t been much help either; Remus and James effectively telling you that you were too sweet to have to worry about such horrid people, and Lily trying to assure you that they had it under control and not to worry - Sirius would be okay. 

And that was all well and good, but it wasn’t enough for you - it was about sodding time you started pulling your weight in this relationship.

So - with nothing more than the teeniest bit of courage you were sure you pilfered from your four Gryffindors and perhaps a healthy dose of delusion - you forced your feet to take you in the direction of the only person in the entire castle you thought might possibly be able to help you. 

“My, my, my; to what do we owe the absolute pleasure, little Puffle?” Barty Crouch Junior mocked as you paused at their table; Evan Rosier and Regulus Black picking their heads up to look at you incredulously and bemusedly respectful. 

“Did ya get lost there, L/N? Need me to find you one of your Gryffindor’s?” Evan taunted, earning him what looked like a kick in the shin from Regulus, though you couldn’t be certain on account of the table impeding your view.

“Erm…I-I was sort of wondering if I could speak with you, Regulus?” You managed to murmur awkwardly.

The three Slytherin’s seemed to have a silent conversation as they shared glances before Barty shrugged and Evan rolled his eyes; both standing and leaving the two of you some privacy. 

Regulus watched as you cast a hasty muffliato around the table - another trick you’d picked up from the Gryffindor’s - and as you helped yourself to a seat with your boyfriend’s younger brother. 

“Is Sirius okay?” Regulus asked quickly, his voice no more than an urgent whisper as he looked at you imploringly.

His intensity caught you off guard; you were so certain getting anything out of the notoriously stand-offish Slytherin would be next to impossible, but he had beat you to the conversation and seemed to be just as worried about his brother as you were. 

You remembered then why you liked Slytherin’s so much; you often found a kindred spirit in them, for one thing that a Slytherin valued most was a sense of loyalty.

Well, didn’t you have enough loyalty to use to your advantage. 

You wondered rather belatedly if you had overstepped. It was admittedly too late to ask yourself this now; standing outside of the boys’ dorm with a package in your hand.

What’s done is done. You had a one-track mind, and that was to help Sirius.

With this, you raised your hand and gently knocked on the door.

It had been James to open the door; his jaw tense until he saw you, which seemed to cause his face to melt into an awkward expression you couldn’t quite decipher.

“Hi angel.” He greeted apologetically. “You okay?”

You were confused by his greeting, and his question, and the fact that he hadn’t moved out of the way of the door to invite you in as he usually did.

“I’m fine.” You responded quickly, trying to look behind him. “What’s wrong?”

James made a sound of discomfort in the back of his throat as he looked over his shoulder, still not moving to allow you entry. 

“Listen, sweetheart; I’m not sure now is a great time…”

“It’s Sirius, is it?” You asked quickly. His responding grimace proving your suspicions. “I need to see him.”

“Sweets, maybe you could come back la-”

But later wasn’t good enough, you see. You had a one-track mind, and that was to help Sirius.

So, in the name of love making you do crazy things and still acting completely out of character for you, you shoved your way past James’ hip, bending under his arm to allow yourself your own entrance to the boys’ dormitory. 

Lily sat at the end of Sirius’ bed where she had one hand resting on his ankle; her thumb stroking back-and-forth over his achilles tendon.

Remus sat against the headboard with Sirius in his arms; his lips pressed against his hair as he murmured sweet nothings to him.

And as you stepped closer, you could see an indent where James had been sitting, opposite of Lily likely serving the same support as your red-headed girlfriend.

“Siri?” You asked quietly, causing him to stiffen significantly before sitting up and feigning nonchalance.

“Hi doll.” He croaked then, wiping angrily at the tear tracks on his face and pasting on a smile. “Didn’t mean for you to see me like this. What’s up?”

You hated the faux blase act he was putting on for your sake, but you reminded yourself why you were here.

To help.

“I have something for you.” You offered quietly, procuring the parchment wrapped package and holding it out for him. 

“Awe.” He chuckled wetly with a sniffle. “You didn’t need to get me anything.”

“Well, I suppose I can’t take all the credit for it.” You replied, watching him pause in the process of opening to look at you in confusion.

“Open it.” You encouraged.

He finished ripping the parchment from the box before lifting the lid.

You felt your heart stop as the lid fell unceremoniously from his hands and a small gasp left his lips at the sight of the small, stuffed black cat sitting inside.

You’d spent the afternoon learning about the tail of two toys; Splash the cat and Padfoot the dog. The only toys the two young Black family boys were given came from their Uncle Alphard in the form of a plush cat and a plush dog; both with black fur as a nod to the family name and the boys’ hair colour. 

Even though Uncle Alphard had given the dog to Sirius and the cat to Regulus, the boys often traded, depending on their current circumstances. 

You learned that when Sirius went to Hogwarts, he had left with the cat. 

When he returned home after having been sorted into the wrong house, Regulus had given him the dog.

And when Regulus joined Sirius at Hogwarts only to be ripped from his brother - possibly for good - after being sorted into Slytherin, he pilfered the dog from Sirius and left him with the cat.

They never discussed those plush toys again.

And when Sirius fled Grimmauld place one horrible night in June between fifth and sixth year, he left with nothing but his wand, the clothes on his back, and his school trunk.

Left behind was poor Splash the cat.

Regulus - fearing his mother would go on a warpath and completely destroy everything in Sirius’ room - quickly grabbed the cat and had kept it hidden in his school trunk ever since.

Until today. Until now.

Now, he left Splash with you; trusting that you would return him to his person, the one who needed him the most.

“How…” Sirius whispered as he quietly pulled the plush toy from the box; hands painfully gentle as if the toy would simply turn to ash should he jostle it. “Where did you get this?”

“I didn’t steal it, if that’s what you’re asking.” You tried to joke in an attempt to keep the moment light. Sirius simply turned his disbelieving gaze from the toy to you.

“You spoke with him?”

Suddenly, your fears that you had completely overstepped came flooding back; a nervous sort of nausea settling deep within your stomach that threatened to make this awkward moment horribly worse.

“I…I did- I didn’t say anything, of course! Because there was nothing to say, because I don’t actually know anything, which is fine too! I just…I couldn’t…well, you see, I just had to do something, you know? I couldn’t just-”

Your ramblings were (thankfully) cut off when the air nearly completely left your lungs as Sirius attached himself to your middle; his arms winding tightly around your body where they met in the middle of your back. You could feel the impression of Splash against your back from where he was still in Sirius’ grasp.

“I’m sorry if I upset you - I know it wasn’t my place, but-”

“You’re incredible.” Sirius whispered then. “I can’t believe you’d do this for me.”

“You’re not mad?” You whispered back, causing Sirius to pull away from you, only far enough to be able to look into your eyes with ill-hidden admiration. 

“My sweet shy girl; approaching Slytherin’s for me.” He murmured, causing Remus and Lily to snort and James to gawk.

“You did what!?” 

“You do know that a quarter of our school is made up of Slytherin’s, right?” You asked James then; Sirius pulling you back into his chest when you dared to remove your gaze from him.

“That’s entirely too many Slytherin’s, my girl.” James muttered, though he relented in his admonishment of you for your crime of daring to speak to your classmates in order to sit beside your other two lovers. 

“I can’t believe he gave this to you.” Sirius whispered; holding the cat up behind your back so he could examine it over your shoulder.

“He didn’t give it to me, Sirius.” You whispered back as you pulled away from him so you could look into his eyes. “You have a lot of people in your corner; more than you know.” 

His eyes seemed to well again, though he didn’t look nearly as heartbroken as he did when you first walked in, so you counted that as a win. 

“What did I do to deserve you, hm?” He asked then before pressing a lingering kiss to your lips.

You’re sure you could have counted at least seventeen ways in which Sirius Black deserved the nicest things you had to offer, but right now you were more focused on the feel of his lips against yours.

If love made you do crazy things, and those crazy things brought you to this; this being Sirius moulding himself to you as if he hoped he could make a home for himself inside of your soul, then you would happily spend the rest of you life mad as one could be.

You hadn’t fixed anything, not by a longshot; but you had helped, even if only just a little.

His lips tasted of salt and perhaps some sadness, but also of hope.

And for now, that was enough.