#I just want me fanfic

[the-abyss-of-fandoms]

Me after finishing a slow burn revenge fake dating au fanfic that hasn’t been updated since last yr:

[dear-ao3]

pov your ex held your collection of thrifted spoons hostage for over a year (not entirely his fault, they got mixed up in his things during a move and you did not realize it, though he did adamantly deny that he had them) and reached out to your roommate on instagram nine months post break up after being thoroughly blocked for several months just to ask if you were still roommates and then to very cryptically reveal that he had in fact found the spoons (among other, mystery items that he did not reveal and you also have no idea what they are) in his car that he had not driven for a year cause he decided to make the worst financial decision of his life and buy a tesla and then tried to coordinate a meet up to drop off said spoons and mystery items which you did not want but you do want your spoons so you told him to either mail it or show up to your place of work when you were not scheduled only for him to entirely miss the point and still try to see you, then you reveal that you do not want to see him so he finally says that he will put on his big boy pants and mail it (though him actually mailing it is entirely unlikely) and also aparently hes gotten a perm since the last time you saw him and it looks terrible

[demonio-fleurs]

To me, what is so fantastic about One Piece Fan Letter is the emphasis on the way the Straw Hats have created these connections in the lives of people they have never met. The ending scene, with all the hands putting together the puzzle pieces, and the way that all these connections came together in one dazzling way-- I loved that. I teared up at that. Wherever the Straw Hats go, they leave behind all of these puzzle pieces for people to put together and create bonds that would not have existed had the Straw Hats not shown up!

And it also just... Makes me so in love with the concept of the world after Luffy becomes King of The Pirates. I know that Oda has the final chapter planned in his head, and I doubt we will really see the long lasting effects of Luffy achieving the title of Pirate King + his dream, and I really do not want a sequel series ala Boruto or Yasahime, but.... I want to see a world in which children believe they can become a Brave Warrior of the Sea thanks to Usopp, I want to see more children look at Nami and realize they don't NEED to have a Devil Fruit or Haki or muscles to have adventures. I want to see the next generation of the One Piece world believe so strongly in their dreams, that they set out to accomplish them.

One Piece Fan Letter really opened the door, I think, for more and more stories about the "regular" people in the world of One Piece, the people you don't see in the arcs because they're the nondescript background characters, and how the Straw Hat Crew has changed them. And I want that. To me, that is fantastic.

[ariaste]

Me: [sees everyone talking about how Assad Zaman was "literally" coming up with RPF about himself and Eric Bogosian in an interview]

Me: ah, fandom's doing its little "interpret an innocent comment in Some Kind Of Way" thing again, let's go find the video and do our own critical thinking about what was actually said here--

Assad: What would happen if I said-- [words that cannot be interpreted as anything but RPF fanfic]

Me:

Me: ok fandom gets a pass on this one actually

[runraerun]

Steddie Amnesia Ficlet: 2/3

-> Part 1 | Part 3 | AO3

cw: more head trauma/concussed!Steve discussions.

Steve hears Eddie call after him, but he doesn’t stop—he can’t face it. Not right now, anyway. Not when his eyes are stinging and his heart is pounding in his ears, each pulse more painful than the last. His legs take him to the building he’s supposed to go into, fueled purely by muscle memory. Not brain memory, of course, because nothing up there works properly anymore, apparently.

The Brain Injury Recovery Center.

It’s where Eddie expects him to go. He’ll catch Steve if he goes in, or he’ll wait for Steve by the doors until he comes back out—both options involve facing Eddie after Steve had made a total idiot of himself. Both feel utterly mortifying.

So he ducks into the alleyway beside the familiar brick building instead, just to catch his breath. It takes Steve longer than the average bear to sort out his feelings now, after all. Jesus, who’s he kidding? Everything seems to take him longer.

Steve feels hot tears streak down his cheeks before he angrily scrubs a sleeve over them. Of course Eddie isn’t his boyfriend. Eddie’s funny and cool and he’s in a band and he lights up every damn room he walks into—and Steve… well, maybe Steve was something a few years ago when he was in high school, and maybe he was even something before his accident, but now…

There’s a sharp clapping noise that sounds like thunder. A door slamming, Steve’s brain sluggishly supplies. It’s followed by shouting.

“Steve? Steve!” Eddie calls from somewhere on the street.

Steve’s heart feels like it’s going to fall out of his ass. His face is probably still blotchy and wet, his breathing hasn’t evened out yet and his eyes are still leaking like a goddamn faucet. He’s pathetic.

Can’t let Eddie see him like this…

He ducks behind a metal garbage bin, careful not to let anything but the bottom of his sneakers touch the sticky looking surfaces around him. It stinks, like rot.

“Steve?” Eddie’s voice echoes off of the alleyway walls. Steve claps a hand around his mouth to muffle out any of the pathetic sounds that seem determined to escape from him. So much of his body just does whatever the hell it feels like now. Out of Steve’s control, like everything else.

For a few, tense seconds, there’s silence. Eddie’s listening for him, maybe. Steve shuts his eyes and waits him out.

It feels like an eternity before he hears Eddie’s hurried, retreating footsteps, continuing his shouting for Steve. He sounds almost as panicked as Steve feels. Almost.

Steve gives a noisy, wet sniff and does one final scrub of his face before getting to his feet. He starts walking.

As he goes deeper into the alleyway, he thinks back on all the things he’s been wrong about. The fact that Eddie had some of his band t-shirts mixed in with Steve’s clothes… well, that was because they were both guys who wore about the same size, and Eddie left his shit everywhere. It’s no wonder some of his stuff got mixed into their laundry. And the times Eddie’s driven him places? That’s just… what friends do, Steve supposes. And all those times Eddie made Steve laugh? Made him feel like the center of the universe? Well, that’s just… Eddie. He must make everyone feel that way. It’s like his super power. But it isn’t romantic… It doesn’t mean anything more than Eddie being a magnetic person.

Steve is just so stupid. Painfully so.

He blinks as the sun hits him. He must’ve reached the other side of the alleyway.

Steve cups a hand over his eyes and grimaces. His migraine wasn’t backing down. He sighs. Time to head back.

Steve turns back into the alleyway he’d emerged from, only he’s about halfway through when he realizes the color of the buildings on either side of him are wrong. They’re brown on one side, painted green on the other. That isn’t right…

His heart jackrabbits in his chest, but he keeps walking forward. Maybe he’ll recognize the street once he’s back on the other side.

But when he gets there, it’s as unfamiliar to him as the alleyway. Steve turns, looking up and down the road to see if he could spot Eddie, or his van, or the Center. But there’s nothing.

And when someone shoulder checks him, Steve supposes he was sort of asking for it, standing in the middle of the sidewalk like that. He apologizes, but it’s too late. The person’s already out of range to hear him.

It’s as if everyone else is on fast forward while Steve’s stuck on pause. The world keeps moving along while all he seems to be able to do is watch it go by.

Why would he ever think someone as dynamic and spirited as Eddie would hitch his horse onto Steve’s busted up, barely mobile cart?

Stupid, stupid, stupid…

He presses the heels of his hands to his eyes and wills himself not to start blubbering again like a goddamn baby. His life is already one big, painful lesson in humility as it is, he doesn’t need to wallow in it.

Steve keeps walking. Figures he’ll spot something, or someone familiar to him eventually. The pounding in his head’s eased off to a dull ache, at least. Maybe there was something to this exercise and fresh air thing the doctors were always going on about, after all…

The thing is though, Steve doesn’t spot anything familiar. Not even vaguely so, and it’s not until the streetlights turn on that he realizes he’d spent the majority of the day wandering around the streets like some lost dog that managed to slip his leash.

It’s cold too, and all he’s got on is jeans and a polo. It’s October, isn’t it? No wonder he’s got goosebumps all up and down his arms.

Then, he finally spots something familiar; a phone booth. Steve breathes a sigh of relief. He’d just call his parents. They’d come pick him up.

He gets the booth and lifts the receiver before he blanks. A quarter. He’d need that. Duh, Harrington. So he hangs up the phone and pats his pockets until he finds a wallet, but all that’s inside of it are a couple of crisp bills. He’d need to break one.

Steve turns, scans the street until he spots a well lit, invitingly warm looking diner. The joint looks so damn cozy that he forgets to make sure the street is clear before he steps out into the middle of it.

Tires screech, harmonizing with the horn that’s blasting at him—Steve flinches, reaching up to cover his head and braces for impact.

To his great relief, the hit never comes. Which, thank fuck. He can’t afford anymore accidents. As it is Robin’s threatened to make him wear a helmet full-time.

Steve doesn’t listen to whatever the person yells at him, he just hurries to get the hell out of his way of the other moving vehicles.

“Smooth, Harrington. Real smooth.” He mutters to himself as he catches his breath.

He pushes the door to the diner open with shaking hands, but it’s blissfully peaceful inside, and he can actually feel his insides unclench as he stands inside of it.

“Sit anywhere, hun, I’ll be right with you.” A woman’s voice tells him. Steve nods and slips into the nearest booth overlooking the street. Watches the cars go by. There’s even a couple of cop cars, sirens blaring, lights flashing. Steve wonders briefly what sort of emergency they’re rushing off to when the waitress comes to his table.

“What can I get you, handsome?” She asks, cheery and warm like the rest of the diner.

“Uh…” Steve frowns, taking a few seconds to process the question, “nothing. I’m just waiting for my parents to come pick me up.”

The waitress taps the side of the notepad. “Well you gotta order something, hun, or you can’t stay here.”

Steve wants to stay here. It’s warm and smells fucking amazing, like “pancakes?”

She waitress smirks. “Yeah, we got those. You want a stack?”

“Yeah, please.” Steve smiles back, laughing along with the waitress like he’s in whatever joke that’s currently so amusing to her. “I’m starving.”

“You want some coffee too, to help you sober up, maybe?”

“Oh, I’m not drunk.” He huffs out a little self deprecating laugh, “I wish. No, I—uh, my meds, they’re the kind that you can’t mix with alcohol. Coffee too. Bummer, right? Yeah… But, uh, it is what it is, I guess—so…”

He can feel it. The way his mind so often wanders. He’s lost his train. His track. He frowns, eyes drifting towards the street again, watching the headlights zip by.

“…so just the pancakes then?” The waitress asks, jolting his train back onto its rails. His attention snaps back onto her.

“Yeah, pancakes. Sure.” Steve flashes her what he hopes is a charming smile.

She returns his smile and leaves him be, and he lets himself relax. Props his head up on a fist and watches life go on for everyone else but him.

He gets his pancakes, and some juice too that he doesn’t remember ordering, but hey, that’s nothing new. And damn, the pancakes taste even better than they smell. He needs to remember the name of this place so he can come back with everyone. What did the doctors say? Repeat something in your head over and over until it sticks. Repetition. Repetition, repetition, repetition…

It’s around the time his fork hits an empty plate that one of the police cars stops in front of the diner window, lights on, but the sirens are off now.

Hopper steps out.

Huh. That’s weird. Steve wonders what sort of emergency he’s here for.

When Hopper enters through the glass doors, the bell hung over the entry way rings out pleasantly. An angel getting their wings.

His eyes land on Steve and the older man sighs, shoulders falling. Relief, Steve recognizes. Hopper pulls the radio from his belt and says something into it before stomping over.

Then it clicks.

Oh. Steve’s the emergency.

He feels his face heat up. The handful of other patrons scattered across the diner are all looking at him.

“There you are.” Hopper sighs, gruff and exasperated.

Steve sinks into his seat, just a little. “Shit. I fucked up, didn’t I?”

“Just a little.” Hopper chuckles dryly. He takes off his hat and slips into the booth across from Steve, apparently not in any sort of hurry now that he’s found the runaway dog.

Steve runs a hand through his hair, a nervous tic he’s developed. “Sorry.”

“Nah, don’t be sorry. Just strangle Munson for me when you see him next, will ya?” Hopper drops his hat onto the table and waves the waitress down. He orders a coke.

Munson. Eddie.

The memory of how he made a total and utter fool of himself comes rushing back, slamming down onto him like one of those cartoon anvils. Jesus, how did he forget that..?

Suddenly the pancakes aren’t sitting so good in his gut. Feels like he’s gonna ralph.

“Was he freaked out? Eddie, I mean.” Steve asks, cautiously approaching the question. Did Eddie say anything about why…?

“Yeah, him and Robin both. Then the kids found out too—don’t ask me how. I suspect the curly-haired one has an illegal transmitter.” Hopper leans back in the booth as the waitress drops off his coke. He takes the straw out and drinks it right from the glass. Steve waits for him to finish, doesn’t say a word.

When Hopper puts the glass down, Steve just sits and watches the way the drops of condensation run down the cup, distorting around the fingerprints Hopper’s left. “Anyway, they’re all out on their bikes looking for you too.”

Hopper smiles fondly, like it’s something charming and not… pathetic. “You got a lot of people that care about you, kid.

Steve swallows around the lump in his throat, and nods. Tries for a grin, but it’s weak. Probably wouldn’t fool anyone, much less a cop. “Yeah, I’m a real lucky guy.”

Hopper looks like he wants to say something else, but he just takes a breath and nods. Steve’s grateful he doesn’t argue. Doesn’t think he has the energy in him right now to fend off the ‘but look how far you’ve come!’ ‘Your speaking’s gotten so much better!’ ‘It could be a whole heck of a lot worse!’ comments.

“What do you say we get you home? Unless you want dessert? My treat.” Hopper offers with a grin.

“No, I just want to go to sleep,” he says, before remembering his manners, “thanks, though.”

“Alright then.” Hopper glances down at the cleared plate of pancakes and the half finished coke before sliding out of the booth, followed by Steve. He takes out wallet, but Steve beats him to it. He tosses down a few bills, hoping it’s enough. Hopper doesn’t comment, so it must be.

The drive back to his and Robin’s apartment is a solemn one, but it’s strangely peaceful. Hopper’s got the heat on full blast due to Steve’s lack of coat, and the motion of the vehicle along with the darkened sky leaves Steve feeling wrung out in a way he hasn’t felt in a long time.

In fact, when they finally arrive, Hopper’s gotta shake his shoulder to wake him up.

“We’re here.” He rumbles out in his gruff baritone.

Steve lifts his head from his folded arm and looks up at the modest building. He wonders how far they live from the pancake diner. If they could walk there, sometime, him and Robin and Eddie.

But then Steve realizes he never got the name of it. He feels his insides sink. Another thing lost to him.

“Thanks, Hop,” Steve gives Hopper a nod and what he’s sure is a tired smile. “I’ll, uh—I’ll try not to run off again.”

“Ah, don’t worry about it.” Hopper says, diplomatically. “Let me walk you in.”

Steve cringes at the idea. He’s grateful for Hop and all he’s done—especially the part about not making him feel like a complete dummy—but he just wants this all to be over and for things to revert back to how they were. And at this point he’s so close he can taste it.

Steve busies his hands by undoing his seat belt. “No, it’s okay, really—“

Hopper looks like he’s about to argue but Robin damn near crashes out through the building’s illuminated front doors. She makes a b-line for Steve, who’s just barely gotten out of the cruiser.

She wraps her arms around him and doesn’t let go. “Steve! Holy shit, you scared me so bad. I’ve been out of my mind!”

Steve’s arms are trapped at an awkward angle, but he reaches around her as best he can, arms like flippers. “I’m okay. Seriously. Look, not even a scratch.”

She doesn’t laugh. Just squeezes him harder. Truthfully, Steve doesn’t know if he’s okay, but it’s what everyone always seems to want to hear from him, so he says it often.

“I’ve already killed Eddie like three times.” Robin murmurs into Steve’s chest, before finally pulling away. Her eyes are bloodshot, her nose stuffy, like she’s been crying.

“It’s not his fault, Rob.” Steve’s brows pinch together as he frowns, “is he…”

But when Steve looks up towards their building, he can see Eddie standing in the doorframe, his dark silhouette illuminated by the entry way lights. He’s still as a statue, holding open the door for them, arm extended out into the cold autumn night. Steve’s insides squirm.

“You got him from here, Buckley?” Hopper calls from his cruiser and Robin ducks to meet his eye before giving him a thumbs up. She loops her arm around his waist and they start towards their place—towards Eddie.

Before they reach him, Steve keeps his voice down as he asks, “Can I just go to bed? I don’t—I can’t talk about it right now.”

“Okay.” She nods, “I get it.”

But she doesn’t, not really.

Steve avoids eye contact with Eddie when they finally reach the building, and before he can say anything, Robin interrupts. “He’s going straight to bed. I’ll call you tomorrow, okay?”

“Yeah, okay.” Eddie says in a small voice. He doesn’t argue. Doesn’t even follow them back up to their apartment. Maybe Eddie’s even relieved he doesn’t need to confront it tonight. Maybe they won’t ever confront it… maybe he’s hoping Steve’s brain will take care of everything and make him forget. Make it like it never happened. Part of Steve wishes—

No. He doesn’t wish that. His brain’s already functioning at half capacity, he doesn’t want to thank it for fucking up, even if it might make Steve’s life easier.

Whatever Eddie’s expression is, Steve doesn’t look back to find out. He keeps his eyes on his feet, focusing on putting one step ahead of the other.

When they finally arrive at Steve’s matchbox sized bedroom, he doesn’t even bother changing into pajamas, or even out of his jeans for that matter. He just falls into his bed, pulls a pillow over his head and wills himself to let go of the day and surrender to the sweet pull of blissful unconsciousness.

🫣 Oops, I made it worse. But I promise the Eddie and Steve confrontation is in the next part! 🙏 This is tagged angst with a happy ending for a reason.

Tag List: (message me to add or remove yourself.)

@morallyundefined @estrellami-1 @ollieolive @mugloversonly @wheneverfeasible @steddiefication @what-if-a-dragon @wrenisfangirling @yesdangerpls @flustratedcas @scarletyeager @snowstar2368 @starxlark @sofadofax @lawrencebshoggoth @stevesworldxx @jizzing-bastard-600and69 @bambibiest @queenie-ofthe-void @lilpomelito @bananahoneycomb @kaspurrcat @deadwhiterosesstuff @dame-zoom-a-lot @3vilpurpl3d0t @loudmariachibands @steddieislife

[soosoosoup]

Chord Striker Au by @thatbennybee

[saetoshi]

i know who my first call will be to — sae misses home more than he thought he would

Itoshi Sae’s heart stays behind in Spain whenever he leaves for overseas matches.

An absurd notion, most certainly. Ridiculous, in every sense that exists to the word. So unbelievable, in fact, that he still has a hard time believing it himself.

Nevertheless, it remains the only explanation behind the ache in his chest whenever he goes to sleep in an empty hotel bed. It’s why his meal times are dull and monotonous; why he finds himself pushing past his bedtime to remain glued to his phone, listening to you recounting your day.

Sae isn’t sure if you know it — how he desperately yearns to remain by your side. And if you do, you’re good at hiding it (he likes to think it’s for his sake).

His grip on his phone tightens just enough, a soft hum rumbling in his throat as he absentmindedly agrees with something you said.

When you lean closer to the screen, Sae nuzzles into his pillow, holding it tight as he pretends it’s you instead. You cup your chin with your hand, looking away as you trail off mid-sentence.

“I miss you,” he says, quiet and soft and so, so unlike himself, filling the faintest gap of silence.

Your eyes flit back, meeting his own through the screen. Sae has to strain to catch the soft exhale that leaves your lips. Then, you smile — gentle and (somehow) pitying at the same time.

“You’ll be home soon enough,” you say, your tone full of warmth.

“I want to be home now,” he replies, almost petulant as the pillowcase slightly muffles his words. His gaze softens when you do. “I miss you.”

“I miss you, too,” you whisper, lightly poking the camera in a manner that has him instinctively scrunching up his nose. You tilt your head to the side, studying half of his face as best you can through a phone.

“My flight back is on Saturday,” Sae says, studying your face in return.

“I know. Want me to pick you up?”

“I land around midnight,” he mumbles. “I don’t want to keep you up—”

“Sae.”

The tips of his ears burn, embarrassment painting his cheeks red when your eyes meet. After a beat, he huffs in complaint, his brows furrowing. Still, your gaze softens; and he melts almost instantly.

He sniffles, lightly shifting onto his side. “I want you to pick me up from the airport,” he clarifies, trying to will a little firmness into his voice.

“Hm,” there’s a fuzzy feeling in his chest, fluttering and clinging to every corner at your soft hum. It further roots itself into him when you grin. “I’ll think about it.”

“What’ll it take for you to say yes?” he asks, trying to bite back a smile. He nuzzles into his pillow when you lean back, pretending to be deep in thought.

God, he misses you so bad. He misses being near you with every bone in his body.

“A kiss, maybe. If you want.”

Sae rolls his eyes, fondness buzzing in his chest. “I thought you were going to be more ambitious than that.”

You shrug, nonchalant, “I’ll max out your card when you get home.”

“Mm.” Sae rolls onto his other side, switching his phone to his free hand. “That sounds more like you,” he mumbles, soft.

The corners of his eyes crinkle when you guffaw, quickly defending yourself against his claim. His expression softens impossibly so — he’s sure the press would have a field day if they saw him like this. (Part of him thinks he wouldn’t care if they did; you’re the reason behind it, anyway).

“I wanna go home.”

“You’re staying in France for, like, two more days. You’ll be fine, Sae.”

He rolls his eyes, picking at the edges of his phone case. “Have you washed the bedsheets yet?”

“Yesterday,” you reply, absentminded. “Why?”

“Just wondering,” Sae murmurs, hushed. “Did you use the detergent I like?”

“Yeah?”

He makes a soft noise, “I hope you know I’m collapsing on our bed when I get home.”

“I don’t—”

“And I’m bringing you down with me.”

A soft, amused huff leaves his lips at your expression. His eyes narrow just a little, the action fond and affectionate in nature. When you sputter, Sae scrunches up his nose. He wishes he could kiss the frown off your lips.

“Whatever,” you grumble, softly clicking your tongue. “You’re lucky I miss you.”

“I miss you more,” Sae whispers, soft and gentle and so, so unlike himself. He supposes his demeanor is your fault — his heart turned to mush the moment he gave it to you. The thought is stupid and utterly asinine, truly.

Still, Sae doesn’t mind. He believes it more and more, letting it take root in his soul every time you brighten up at his tender, ‘I love you’s.

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[rookinthecrownest]

when are we gonna wake up and realize that Romanced Rook should have made an appearance in Lucanis’ mind prison - a reflection of all his insecurities about their relationship, his fears around intimacy, his fear for their safety around him. To have all that made flesh and be spoken from Rook’s own mouth?? Sheesh 😩

[azuronel]

my predictions for the end of book 7

EDIT: part two here

[mariyekos]

Okay to reblog to help sample size!

[emkini]

For Hearth and Home by @sword-and-stars has been giving me brainrot for the better part of a month

[double-gs]

Okay, i love smut sometimes but can we not go back to fluff and especially ANGST!?!? And i dont mean start off with angst and end with angsty smut or start with fluff and end with fluffy smut, i mean genuine fluff and angst, pure pain or happiness. Its literally the only thing that comes up for most searches, especially on tumblr and its so annoying cause i just want to read something but its all just dick and pussy like PLEASE

Not to mention the amount of DISTURBING "dark content" smuts there are. It's creepy and weird

[im-tired-404]