#I just think the end of season 1 is so so satisfying | Explore Tumblr posts and blogs

falsecardigan · 1 year ago

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No bc I agree with everything about this. I truly want to believe that everything wrong with the season five finale will be somewhat rectified in season six. Especially because we have almost a year until it airs. It won't be able to rectify the fact that Adrien wasn't there or the fact that he will never get the closure his character so desperately needs. However it can have Marinette actually think about what she's doing and have her change her mind and have her tell him (obviously as Ladybug). I'd rather it not narratively cause problems because it does upset me that this was one thing that genuinely had nothing to do with relationship conflict and it never should have been but all I want at this point is for Adrien to stop being left in the dark. It's been an ongoing theme in the show since season two and there are so many episodes showing why that shouldn't happen (especially in season four) and yet it keeps happening. The truth might hurt for him to hear but he deserves to know and I really do hope Maribug tells him because the absolute worst thing that could happen is someone else tells him.

ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)

I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.

it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.

which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.

marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.

her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?

it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.

you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.

you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.

the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????

that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?

one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.

i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.

of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flawless and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.

i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️

#ml #ml s5 #ml s5 spoilers #ml recreation #ml negativity #(not that I think this is particularly negative but like. just in case)#for ppl who are tired of the conversation #anyway. this is how I feel #a lot of this is just stuff i've talked with mar about the last few days especially #if u like the finale I love that for you!! it makes me very sad actually that I dislike it so much #but I cannot get around the fact that it was deeply unsatisfying to me #that ending in no way felt like what the hawkmoth arc had been building toward #I struggle to make sense of a lottt of the central themes of the show with the context that they had always planned #to have marinette face hm alone #and i completely disagree that the finale depicts gabriel losing #him getting to obtain ultimate power and create a wish to rewrite reality at all (no matter what the wish was) IS winning.#that is exactly what ladybug and chat noir had been working to prevent all this time #the aim was never to convince hawkmoth to make a good wish. it was always to keep it from happening at all.#because no one should have that much power #mar's point that origins posits that 'all that is necessary for the triumph of evil is that good people do nothing'#and that doing nothing is ALL adrien is allowed to do #is right on the money for me. ml has had such strong themes of working together and depending on your friends - the whole paris special hit #on this - and the culmination of the primary fight of the narrative being marinette on her own is so. odd to me. just really unsatisfying #of course i will watch season 6 and I will hope that these loose ends will be resolved in a satisfying way. i'll hope that marinette comes #clean and she and adrien are able to rebuild their relationship from there. and i'll hope that he is allowed to become at least as active i #the narrative as he used to be (circa seasons 1-3)#but I don't think there's a way for season 6 to make up for the letdown that was the s5 finale.#from the beginning - as soon as you get an inkling that gabe is hm - you think 'oh WHAT is going to happen when adrien finds out'#it's one of the strongest underlying tensions in the narrative - and one of the things that makes the story so interesting #the ladynoir dynamic of 'its us against the world' convinces us that the two of them will work together to take down hm

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idolomantises · 3 months ago

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Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

#txt #bugtopia #sorry for the very long post but i wanted to be thorough

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moonstruckme · 5 months ago

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rooomate james. 😭😭 literally obsessed w himm!!

Me too I love him (and you!) sm <3

part 1 │ part 2 │ part 3 │ part 4 │part 5 │ part 6 │ part 7 │ part 8 │ part 9 │ part 10 │ part 11 │ part 12 │ part 13

roommate!James x shy!reader ♡ 808 words

You don’t recognize James’ car until he shouts at you.

“Hey!”

You give a little jump, turning midair to find James smiling out the rolled-down window.

“Want a lift?”

“God, you scared me!” You backtrack and open the passenger door. The seat looks to have been tidied in a hurry, receipts and takeaway containers tossed into the backseat. “How’d you even know I’d need a ride?”

James refrains from responding to give you an expectant look. You roll your eyes and buckle your seatbelt. Satisfied, he puts the car in reverse, setting his hand on your seat to look behind him as he backs out of the parking spot.

“You weren’t home when I got there,” he says, “and then I remembered on Sundays you usually get off at eleven, so here I am. Is Art not with you?”

“No, he wasn’t working tonight.”

James doesn’t seem too disappointed by this. He pulls onto the street. You watch him, looking almost unconsciously for signs of wear and tear.

Now that rugby season is in full swing, he’s gone not just during the day for training but sometimes overnight for away games. You’ve been alone in your apartment for the whole weekend while he played in London and then Bristol. It was weird. You think you’ve accidentally grown used to having James around. You don’t fancy yourself a very tactile person, and the urge to hug him isn’t terribly strong, but it’s there.

“How was work?” he asks you.

“It was fine. How were your matches?”

“They were fine,” he imitates you, grinning. “No, it’s like I said. Winning the second one’s always better than winning the first and losing the second. It’s nice to end on a good note.”

He’d texted continual updates while he was gone. You sat on your couch, pretending to yourself or perhaps to some invisible, judgemental observer that you were watching TV when really you were entirely focused on James’ texts. You imagined him sitting in his hotel room doing the same, or maybe in a pub with his teammates, smiling at his phone each time you responded.

Your imagination has become terribly overindulgent lately.

“Honestly, I was pretty disappointed you weren’t home when I got there,” James says, a familiar teasing lilt to his voice. “I was hoping to come in and catch you wearing one of my jumpers and staring tearily at a framed photo of me.”

You roll your eyes, but your face burns. You did use his shampoo, once. In your defense, you’d run out of yours, but you thought that it wouldn’t be so bad to smell like him, nice and fresh and comforting. It had foamed more than you expected. It did smell really nice, but it made your hair feel dry (boy shampoo always does that, you’ve no idea how James’ curls seem to thrive under such poor treatment) and you felt silly about it for days, lovesick in the most derogatory sense.

Didn’t stop you from sniffing your hair occasionally, though.

“You weren’t gone to war,” you reply. “And where would I get a framed photo of you?”

James looks affronted. “I assumed you already had one. How did you get through the weekend without even a photo? You brave, brave girl.”

“I actually threw a rager,” you deadpan. “Rented out your room to six people traveling through with the carnival and let them invite over all their friends. Did loads of hard drugs.”

“Well, we all have different ways of coping.” He reaches over to squeeze your shoulder consolingly. You pretend goosebumps don’t skitter all the way down your arm from the brief touch. “And what a marvelous job you’ve done covering up your escapades!” He exclaims as you pull up in front of the apartment. “I haven’t come across the cocaine dust on our bathroom counter yet, so you must have really done a thorough cleanup.”

“Keep looking, it’s around there somewhere.”

James laughs. You’re slower getting out of the car than he is, and by the time you emerge he’s in front of you, pulling you into a hug. You think your bones liquefy. He’s warm and strong and he smells like his shampoo, both arms squishing you heartily before he lets go with a little laugh.

“Sorry,” he says, bringing his hands to your upper arms, “I didn’t even ask. I just missed you, you know?” James has this look on his face, smile brilliant and eyes wide open. So saccharine sweet you almost can’t look at him. “Guess I got used to having you around.”

You do your best to smile back. “Yeah, me too.”

He squeezes your arms before turning to go inside. “You smell like Italian food, too. I don’t suppose you’ve cooked anything recently that’s still in the fridge? I’m beginning to think about second dinner.”

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cutielando · 7 months ago

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mr. and mrs. | o.p.

synopsis: in which you finally get married

my masterlist

Oscar and Y/N.

Y/N and Oscar.

Everyone knew them, everyone loved them.

Ever since the young Australian lad had entered the Formula 1 world, Y/N had entered it with him. Always by his side, always attending his races while also attending university.

They had been together for many years, practically having invented the term “highschool sweethearts”. Despite Oscar’s busy schedule and Y/N being at university, they always made it work, never letting the distance affect their relationship.

Moving together to the UK had represented the first sign that they were both in it for the long ride. Packing up their entire lives and moving across the globe to follow their dreams proved that their relationship and the love they had was real.

Real and pure.

When Oscar got the opportunity to drive in Formula 1 and Y/N started her studies, the time they spent together shortened by a significant amount, but they managed to make it work.

They talked on the phone every day, texting when neither of them could speak on the phone, they took every opportunity to visit each other when they had free time, with Y/N visiting Oscar at his races or Oscar coming home when he would have 2 weeks off between races.

They made it work.

But Oscar wasn’t satisfied. He needed something more. He needed something that would put his mind at ease when he would be away.

He needed to officially make you his.

Towards the end of the season, you had a few weeks off uni and decided to join your boyfriend in Qatar for the Grand Prix.

You hadn’t really chosen the best race to attend, the heat and the humidity making it really strenuous on your already tired body. But seeing the smile that Oscar had while doing the grid walk with you by his side made it worth it.

Being there for Oscar’s sprint win had been the highlight of your entire year. Seeing him cross the checkered flag first, seeing his name on that first position on every monitor around the paddock, the feeling was unlike anything you had ever felt before.

Up until the moment Oscar got out of the car.

He made his way over to where you were waiting for him after he celebrated a little with the team, taking off his helmet and balaclava and giving them to one of his assistants.

“How about that?” he asked, chuckling as he pulled you into his arms, careful not to squeeze you too tightly because he was sweaty.

“I’m so fucking proud of you, Os. I can’t believe I was here for your first win” you said, your voice muffled because you had your face buried in the crook of his neck.

“It’s technically not considered a win bec-”

“Shut up and enjoy the moment” you interrupted, making him chuckle and continue hugging you.

As he let go of you, you didn’t notice him reaching for something behind his back, not even his assistant subtly handing him something as he appeared again from the garage. All you could focus on was him, and nothing else around you.

It only really hit you when Oscar lowered himself down on one knee in front of you, a red velvet box in his hand.

“Oh my God” you said, your eyes widening and your hands flying up to your mouth.

All around you, the McLaren team gathered in a circle, phones ready and cameras rolling to catch the sweet moment on camera.

“Y/N, I don’t even know whether words will suffice to say what I want to say right now. You’ve been by my side since we were kids, you moved to the UK with me and left your entire family in Australia just for me, and I can’t even begin to explain how much that meant to me. I can’t imagine my life without you in it, I frankly don’t think I could survive on my own if you weren’t here. I want to grow old with you, I want to have kids with you and build the life we’ve always talked about having. Y/N, will you marry me?” the words got stuck in your throat, so you settled for nodding feverishly.

The entire team around you cheered, but you could only see Oscar. As he got up and slid the ring on your left hand, you threw yourself into his arms and softly cried, the moment far too emotional to be able to hold back.

Your engagement had become national news in a matter of a couple of hours. Every media channel from the world had written about Oscar’s proposal in Qatar, speculating about when the wedding would be and whatnot.

It didn’t even feel like it had really happened when you stared at the ring on your finger, the feeling foreign but so welcome and like it was meant to be.

You and Oscar had multiple talks about when you would get married, where you would have the wedding and many other problems that came with being away from home and everyone’s families.

Which is why you decided to have the wedding back home in Australia.

After the season was finished and the winter break came, you and Oscar had started planning the wedding, which you settled to have after the last race before the summer break. He had already sent invitations out to the rest of the drivers, all of them very eager to attend the young lad’s wedding.

Lando was especially thrilled, but couldn’t help making jokes about how he had never thought Oscar would be the one getting married so young.

“What did you do to him, Y/N? You charmed him pretty damn well” he’d always joke whenever you guys would hang out in the garage before a race.

Yours and Oscar’s mothers took care of most of the things regarding the venue, the flower arrangements and catering, wanting to take the load off of you while you were halfway across the world.

The only thing that you had to worry about was picking your wedding dress and flying over to Australia to get married.

And when the day had finally come, excitement flowed through your veins.

Nicole and Oscar’s sisters had helped do your hair and make-up, your mother only watching as she sobbed quietly in the background.

“Mom, you’re gonna make me cry too if you don’t stop” you told her as you watched her through your mirror, making the other girls laugh.

“I just can’t believe my baby is getting married” she laughed, wiping her tears and walking up to stand behind you.

You smiled and took her hand, mostly to calm your nerves as well.

You were really getting married. And to the love of your life, which was a plus.

After you were prepped and ready to go, your father came to fetch you to walk you down the aisle. Your heart felt like it was going to beat out of your chest as you held his arm tightly and clutched the flower bouquet tightly in your other hand.

But your nerves disappeared like they had never even been there when the doors opened and you locked eyes with Oscar waiting for you at the end of the aisle, Logan beaming behind him as his best man.

The ceremony went by in a blur, the only focus on your part being on Oscar. You only vaguely remembered saying your vows and saying “I do”, your memory only having imprinted the first kiss you two shared as husband and wife.

You were positive that nothing could ever top this moment, getting married with all of your friends and families present, stepping into your new life with Oscar by your side.

Nothing could ever be better.

Nothing could top you becoming Mrs. Piastri.

Being Mr. and Mrs. Piastri.

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mad-madam-m · 1 year ago

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Somewhat related to the above, one of my favorite things about fandom is how we go absolutely hogwild over each and every frame (or sentence) of our favorite stories with a magnifying glass and pull out amazing, glorious, hilarious, heartbreaking, brilliant meta and theories and analysis.

Conversely, one of my least favorite things about fandom is how we go absolutely hogwild over each and every frame (or sentence) of our favorite stories with a magnifying glass and tease out plot threads and foreshadowing hints where none was actually intended, and then when canon inevitably does not return to deal with those threads (since they were not actually threads), decry it as Bad Writing and a Bad Story. And I think that's also extremely unfair.

Not everything is a clue (a Clue!), a hint, or foreshadowing. Just as often it's an in-joke, a continuity error, or just general Worldbuilding info for flavor. And like Ked said, we haven't hit the end of the story yet. We won't fully know which is which until we (*fingers and toes and everything crossed*) get season 3.

Hey! So I've been following you since you posted a lot about good omens in 2019ish? I remember you talking about wing fics vividly, but I just want to ask:

How are you doing after season 2?

Good! I enjoyed season 2, and I look forward to seeing how things resolve in season 3.

I think there are a lot of folks upset about various things, for various reasons, a lot of which boil down to "the season didn't go how I wanted it to/thought it should go" or "the season didn't end wrapped up neatly like S1 did." Neither of which, imo, are fair judgments of a season that a) isn't that person's story and b) was meant to be a bridge not an ending. Everyone is entitled to their opinions, of course, and to their feelings, but I do wonder how many have taken honest assessment of those feelings and opinions.

In my opinion, it's unfair to claim a story is bad JUST because it didn't do what you wanted it to do. It's not a bad story just because characters didn't act how you predicted or wanted, either. Some of the responses I've seen hinge almost entirely on "but canon didn't do what fanon/I decided is best" usually with the caveat of "before I even saw the season" and that's... ignoble at best. It's fair to criticize poor storytelling, but I feel like you have to have the whole story, or most of it, to do that, and we don't have that. We're actually smack in the middle of the story, by my judgment.

This season was never meant to be The Whole Story, we have known for a long time that there is a season 3 planned (whether or not it's ever able to come to fruition is a separate issue, it has been planned since a long time ago). As such, I don't think it's fair at all to the story to be angry that the season didn't stop at a nice, neat, happily-ever-after, because this isn't the end of the story.

To quote one of my favorite authors, Peter S. Beagle: "Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story."

#Good Omens #Good Omens 2 #M rambles #It's fine to have questions but I genuinely worry when I see people going “THESE questions HAVE to be answered or it's BAD WRITING”#like yes if you put a gun on the mantle in act 1 you should shoot it in act 3 #but not everything you put on the mantle is a gun y'know?#I think as fans we're so used to overanalyzing that we sometimes forget that #also believe me I am calling myself out with this as well #like last year I wrote a post that I kept in my drafts that was “everything that Tiger & Bunny 2 episodes 14-25 had better deal with!!”#and when I went back like mid-October after I'd watched the end of the season twice #literally nothing I mentioned in that post was dealt with #but you know what? I still loved the series and it was still a satisfying story with a satisfying ending #just because *I* wanted to see certain questions answered didn't mean that they had to be answered for the story to be good #also like #if canon dealt with EVERYTHING that we had questions on #then where would be the space for fanfic?!?#M tag rambles as well apparently #sorry Ked XD #apparently I have Opinions (TM)

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bekolxeram · 5 months ago

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I'm late to the party I know, but I need to learn how to make gifs first. I actually find the Bucktommy dinner scene a bit awkward, but not because they "lack chemistry" or the "flirting is problematic". It's not supposed to be just a cute bonus scene, it's engineered to stuff as much information as possible into mere 55 seconds. Here is my read on it:

The good old always at the hospital joke, probably just Tommy trying to lighten the mood after such a hectic day for the 118, but mainly a set up for the next part.

Buck does not see the humor in it, he seems upset.

Tommy has apparently gotten to know Buck enough at the stage to immediately clock it, and under all the dark humor and sarcasm, he does actually care about Buck's feelings.

The scene of Buck and Eddie in the hospital room with Bobby ends up on the cutting room floor, we've only got that one shot of teary eyed Buck when he breaks the news to Eddie at his house, so this is the first time in the episode Buck gets to express his fear of losing Bobby, his father figure.

And here we are, controversial moment number 1. There isn't much context attached to this line, so viewers interpret it differently. I'm in the minority camp that thinks Tommy is being serious here, Lou's delivery makes it seem like Tommy says this out of concern. I believe it's a call back to this line from the medal ceremony:

Here Buck is talking about Phillip the same way Tommy and Chimney (possibly Hen too) talk about Gerrard: like he's dead. Tommy is probably wondering if Phillip is another Gerrard situation, and he invites Buck to talk about it if he wishes to.

Buck gives a humorous but one word answer, so Tommy gets that he doesn't want to get too deep into it.

From this line on, it's a set up for the Gerrard reign of terror in S8. Tommy reiterates the jealousy he mentioned in 7x04, that he wants to become a part of the 118 family, which he only had a little taste of before he left to become a pilot.

Tommy backstory crumb. Buck and Phillip at least see each other at family functions, Tommy doesn't have a relationship with his dad at all. Judging by the medal ceremony, he doesn't seem to have any family left.

It confirms Gerrard as the anti-Christ anti-Bobby. Buck becomes the person he is because of Bobby, while Tommy behaved the way he did in the 3 begin episodes because of Gerrard. It acknowledges Tommy's toxic ways back in the days, but as we can see by the time Bobby became captain of the 118, Tommy was already on friendly terms with Chimney and Hen, we might have a chance to see the transformation in between next season. I've heard that season 7 is supposed to be a soft relaunch of the entire series, so maybe Gerrard is a good plot device to make new viewers understand the positive influence Bobby has on the firefam.

Classic deadpan humor from Tommy, Buck gets the message that he wants to keep the conversation lighthearted.

Now Buck has the power to decide which direction he's leading the conversation into, and he gives us controversial moment number 2, he brings up daddy issues and makes it horny. Look at his smirky face, he's definitely not trying to have a serious chat about father complex. He's the one who starts flirting, not Tommy, and it shows us unlike the nervous fumbling at the beginning of their relationship, Buck is now comfortable enough to initiate flirting.

Tommy can't say no to that face, so he flirts back, but it can also be interpreted as him being in denial of his obvious daddy issues. More conflict and angst for S8?

More flirting. Boy's got rizz towards all genders. He basically admits he might have "daddy issues" in a sexual connotation.

Now comes THE controversial moment of the scene, if not the episode. I've seen people online bashing Tommy for "making it sexual" (Buck did), "interrupting a meaningful conversation to satisfy his daddy kink" (no one is actually talking about any kink), or even "exploiting Buck's trauma to put him in an inferior role in a dom/sub relationship" (What? That's not what d/s is about).

I raise you the point that the word "daddy" is no longer some kind of kink exclusive lingo. This word has entered the popular zeitgeist the last couple years, and now it basically just means a sexy older man. I bet the daddy kink thing doesn't even cross the mind of most of the GA, they just take it as Tommy hoping Buck find this older man sexy. I think we might have collectively read too many smutty fanfics, that's why we all immediately jumped to the very extreme of the kinkiness spectrum when it comes to this scene.

Conclusion, the dialog in this scene may not sound natural, but that's not the point. This scene is in fact, an infodump. Kudos to the actors for making it cute.

#still suck at making gifs #just my own two cents #bucktommy #evan buckley #tommy kinard #911 abc #tevan #kinley

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certifiedlovergirlsstuff · 5 months ago

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can you please please write season 1-2 Spencer and readers first time and he’s like nervous about not satisfying her but in the end he does 😅😅😊

i don’t write smut (on this account at least) so it’ll just be the aftermath of their evening. i like to keep this page more pg-13 so i know anyone can be here, it’s gonna be a bit suggestive below cut.

fem!reader (1.5K celebration)

the bedroom was quiet, only heavy panting and fabric rustling filled your ears. the soft cotton of spencer’s bedding covered your naked chest as you stared at his smooth ceiling, letting your mind wonder back to reality.

you turned your head to the left, pillow flattening with the motion, a lavender haze bathing spencer’s profile. his pale chest was tinted in a gentle pink as it moved up and down with his breaths, his neck and cheeks a bit darker in flush. strands of his short hair clung to the sweat on his forehead, the curled ends hugging the bottom of his ears.

you noted how one hand rested over his covered stomach, his fingers curling and uncurling. he let his tongue wet his lips. you shifted your body to lay on your side and it caused spencer to look your way, his eyes pin balling about.

“hi,” a small whisper to not break this serine moment. spencer’s lips twitched at the corner, “how you feeling?” he copied your new position, one arm tucked under his pillow with the other sitting in the open middle of your bodies.

you bit into your bottom lip for a moment as you searched for the right word. you settled for, “very loved. blown away those other horrible times, finishing after a minute and not caring about me.” moving a hand to spencer’s you linked your fingers together, your thumb rubbing softly at the side of his palm.

“it was good, right?” spencer questioning after you said the experience was better than past ones. he had that crease in the middle of his brows, you smoothed it away with the pad of your thumb, “of course.”

“you- you didn’t fake… anything?” his voice went up a pitch. it cracked your heart to think spencer wasn’t practiced in bed, well technically he wasn’t, said you were his first girlfriend and first everything.

you pushed off your side and shuffled to spencer so you could throw you legs over his waist, straddling him naked with only his burgundy sheets keeping a barrier. you toyed with his arms so his palms could mold to the shape of your waist, his long fingers spreading a warmth into you.

“spencer reid, i would never fake anything with you. i’d only pull that trick if i wasn’t feeling into it after a few minutes and wanted it to be over.” his thumbs rubbed at the side of your stomach, “but i wanted to enjoy every second with you. i wanted you to feel good just as much while you made me feel good.”

you let your hands slide over his chest, fingers tracing the curve of his collarbone or letting your pointer drag over his sensitive nipples causing him to shudder a breath. you leaned into him, your breast resting on his skin as you let your lips trail a line of kisses over his jawline. “i could enjoy you all day if possible. i just want to be skin to skin with you, feel every inch.”

spencer’s hold tightened and it caused a surprised moan to slip from your lips, his legs shifting and you can feel something else growing. “we- we could test that out. if- if you’re-“

your lips crashed to his causing the sentence to fall off. you’d be happy to test your theory for the day, after all spencer is a man of science.

#a 1.5k movie night🎞️#erin's blurb request #erin writes spencer #spencer reid x fem!reader #spencer reid #spencer reid early seasons #spencer reid fluff #spencer reid season1 #spencer reid imagine #spencer reid x reader #criminal minds x reader #criminal minds imagine

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604to647 · 17 days ago

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Brandy by the Fireplace

7.8K / Frankie Morales x City Girl!reader

Summary: When your best friend's boyfriend invites her up to the cabin he owns with his Delta Force buddies, she asks you to come along.

Warnings: None! Fluff! Insecurity and anxiety on reader's part, but Frankie makes it better (anxiety/comfort. My anxious girlies (gn) who think everyone hates them when they definitely don't? This one's for you 🥹). Nicknames because it's me. Oh, and Tom's alive?

A/N 1: Written and very late for @auteurdelabre's Trope Off Challenge - the trope here is Fish out of water because, well you know🤭🤭 Can be considered a Triple Frontier AU, or set before the events of the movie. Though I'm not sure I'm 100% satisfied with this and the word count got away from me, I still think it's cute and very seasonal - I hope others do too!

A/N 2: As I understand it, the cottage v. cabin lexiconic difference is a Canadian thing. When people think of cottage country, it's primarily the luxury getaway experience in the Muskokas. Super fancy! Celebrities cottage there (the Beckhams, Cindy Crawford) and the properties are huge lakefront estates. While in Western Canada, people primarily have cabins - they're more rugged, remote. In no way am I saying that cottages are better than cabins! They are just different - both enjoyable and picturesque in their own way. But you gotta know what you're in for, cause of packing and stuff... 😅😅

Trailer / CABIN dividers by @saradika-graphics 😘😘

This was such an effing mistake.

You sniffle as you sit cross-legged on the simple threadbare sheets covering the thin mattress that you’ve called bed for the last two nights. You’re holding your favourite fleece sweater in your hands, looking at the scorch marks where flareups from tonight’s bonfire had jumped from the pit and burned multiple holes - the black charred spots on the fabric blurring as your tears finally spill over.

I shouldn’t have come.

A ruined sweater in and of itself wasn’t the end of world. But a ruined sweater here? Tonight? It’s just the freaking cherry on top of the already disastrous sundae that was this weeklong vacation so far.

And you don’t have anyone to blame but yourself.

When your best friend Jenny begged you to come with her to her boyfriend’s cabin for a week, you had readily agreed. You love Benny and he and Jenny are so adorable, if not a bit too overly mushy and cheesy (“We’re the better Bennifer! Woo - Benny and Jenny!!”). He and his old army buddies had gone in together on a cabin on a lake about seven hours out of the city at the suggestion of their Veterans Affairs therapist – something about working the land and finding serenity in nature to help them overcome some of the harder things they’ve seen over their time in service.

It apparently did wonders for them. Both Benny and his older brother, Will, who you had met a few times, were easy going and kind men - maybe a little rough and tumble with each other sometimes, but you didn’t see it as anything more than filial comradery and brotherly love. Jenny assured you that Benny’s other friends, Santi, Tom and Frankie were all cut from the same cloth.

Benny had invited Jenny up to the cabin for the boys’ annual Autumn weeklong trip – taking advantage of any remaining mild weather from the end of summer to clean and close up the cabin for the Fall and Winter. All the boys would be there and Tom’s sisters had been invited as well – Jenny begged you to come for support and of course you had said yes.

Sure, you’re a city girl through and through, but this wouldn’t be your first cottaging experience. You fondly recall the summers and Thanksgivings you had been invited to your college roommate’s family cottage in the Muskokas: crystalline waters and lush greenery bordered the beautifully landscaped acreage upon which your still close friend’s family’s 9 bedroom-9 bath modern estate resided. Summer days were wiled away on the built-in dock lounging and reading, and the cooler temperature evenings were spent inside by one of the several contemporary fireplaces, sipping on cocktails and nibbling on charcuterie. It was always such a treat to go - you haven’t visited in ages, but a similar getaway right now sounds like heaven.

Your first clue that perhaps this might not be the Muskoka cottage country experience you imagined, is when the last leg of your seven-hour journey in Benny’s truck was over a 30-minute dirt road so twisty and uneven that you started to feel a little nauseous.

When you got out of the truck, you realized the true folly of your assumptions about where you were going to be staying this week. The property could best be described as rustic and very "nature forward", the only evidence of landscaping being the dirt worn paths that led to the different cabins. Instead of one main house, there is a Main Cabin – consisting of a living room area, place to eat, kitchen and the compound’s one bathroom. All guests stay in individual cabins, isolated and spaced out at various points on the large property. Each so far apart and separated by the lush, dense forest, you don't even know where they all are: Upper Cabin (Benny and Jenny), Delta Cabin (Santi), Bunk Cabin (Frankie), Screened-In Veranda Cabin (You), New Cabin (Tom’s Sisters), Outhouse Cabin (no one), Grizzly Cabin (Will and Tom).

You’re not opposed to roughing it a little, but by the error of your own expectations, you’ve come thoroughly unprepared for your week’s stay. For one thing, your cabin (as the name would suggest), along with all the others, has no windows - only screens. Perfect for the hot summers, but with Fall coming early this year, the clothes you packed aren’t warm enough to shield you against the chill that blows over your bed each night. For another, you find yourself sharing space with more critters that you were expecting, and not the adorable furry types either.

The frog that came out of the one toilet made you almost consider using the outhouse up by the parking lot (almost). And when you were washing your face that first night, the realization that the running tap was the only thing that was keeping the cricket from jumping out of the sink, forced you to stifle a scream that left your throat hoarse. There are all together more bugs indoors than you had expected (since you had expected windows).

It's definitely more rustic that you’re used to, but you really do try to make the best of it. The last thing you want is to appear rude or snobbish about the decidedly non-luxurious state of your accommodations. Sure, it isn’t the glamourous cottage experience you had expected, but it’s still incredibly beautiful and serene here. Moreover, you know that every cabin and amenity on the property was built by Benny and his friends and has served incredible therapeutic purpose for each of them. You would never want to diminish that by somehow implying that the cottage isn’t… cottaging; this place serves a much more important purpose than impressing the likes of city girls guests like you.

You also don’t forget that the entire reason you’re here is to support Jenny. Make sure she and Benny have fun. And they are! Inseparable, giddy, googly-eyed fun. No way are you going to ruin her perfectly good time by letting her worry about you, not when this is the first healthy relationship she’s had in years.

And honestly, everyone is so, so nice. Benny and Will’s Delta Force teammates are as good humoured and sweet as they are. There’s Santiago (or Santi), the unofficial leader of the crew – his hooded brown eyes look like they could tell a hundred stories, but he keeps your group entertained with the loudest and most fantastic ones, always framing his stories so that they rib at least one of his buddies. Tom, the eldest of the friends, is more serious – the type who might exude an intimidating gravitas if you were to meet him alone, but next to the verbose energy of Benny and Santi and under the watchful eye of his sisters, he seems to relax, smiling pleasantly and genuinely while in the comforting presence of his friends. Will, who is just as boyishly handsome as his brother, you already know to be as easy going and funny - though maybe a little less goofy than Benny. Despite what Jenny had slyly insinuated to you before you left, you don’t think Will has any interest in you – and with Tom’s gorgeous and outgoing sisters both vying for his attention, the circumstances aren't right to try and see if there’s anything to Jenny's (and possibly Benny’s?) matchmaking.

The last member of the friend group is Frankie, who the guys sometimes inexplicably call ‘Catfish’ – he was noticeably reserved at first, though you soon realize that he’s just as funny and generous as the others. Frankie's steely and calm countenance seems borne out of necessity, likely from the many years of service where his competence and levelheadedness were needed to keep the other four in check, alive. You notice that he often sits a little further back from the group, most likely out of habit, literally watching their backs; he’s quieter and less rowdy, but never fails to join in his friends’ laughter – it’s obvious to you that he loves his brothers in arms. Once or twice, you think you feel Franke's deep, soulful eyes pointed in your direction, but when you try to meet his gaze, those same eyes disappear beneath the brim of his worn Standard Oil cap that never seems to leave his head. You think you probably imagine it.

Everyone is so much fun to be around, super nice and completely welcoming of you.

They just… don’t really need you here. Well, that seems presumptuous! Rather, there doesn’t seem to be a place for you here the same way there is for everyone else.

It was evident from the first day when the boys pulled a small catamaran out of the boathouse and attempted to try (again, from what you’re told) to put it together and get it out on the water. Every person was asked to help pull on the trampoline netting – when it was evident that your limited strength and poor (manicured) grip on the netting wasn’t actually doing anything except making you an extra body in the way, you were relegated to standing on the side, holding a spray can of lubricant and waiting to spray it on the track if someone needed. No one ever did. The trampoline never got installed, and you can’t help but think it was partially because you hadn’t been able to provide the additional muscle needed.

During the day, everyone seems to engage in some type of cabin maintenance work from an unseen to-do list: painting screens, sanding down the canoe, pulling up old raspberry bushes, fixing doors and hinges in various cabins, retiling the one shower and installing a new sliding glass door, replacing the hot water pump’s aging parts, reinforcing the mesh around the young fruit trees to deter deer, repairing the older slats on the dock, removing the beaver dam under the dock, and so on and so forth.

All things you have absolutely no qualifications to help with and would likely hinder someone who did if you tried.

Jenny wasn’t terribly handy either, but she tagged along with Benny on all his chores and he didn’t mind patiently explaining and helping her help him with his tasks - the two of them giggling and in love as they winterized the boat shed.

Everyone else seems to know their daily assignments and go about their hard and dirty labour, leaving you alone to… do nothing? It felt rude to sit out on the lawn and relax while others did work around you. And even inside there's not much you can do; Tom’s sisters had brought up food for the first few meals and when you asked them if you could help, they insisted that they had it in hand and told you to “go have fun”. You chastise yourself for having not asked more questions about what you and Jenny could have brought and if you and her could have signed up to cook your share of meals.

You hide out in the Main Cabin or in your own for most of the day, reading and feeling guilty - coming down periodically to chat with people but feeling like you’re distracting them from their duties.

Even after dinner when you volunteered to help do the dishes and clean-up, you were cheerfully shooed away by Santi after you couldn’t find where to put back the cutlery, then the glasses, then the lids to the pots (which were inexplicably kept separate from the pots themselves) – you’re sure there’s a system, you just don’t know what it is.

Maybe it would be different if you knew everyone better, but this is the first time you’re meeting everyone except Benny and Will. You don’t know any of the guys particularly well but you do know that this cabin is their special place – you don’t want be a bother or ruin anyone’s good time.

To you, it's clear that you’re not carrying your weight here - the last thing you want to be is a nuisance as well. You don’t fit in and you definitely don’t belong.

Tonight has finally felt a little more comfortable. After a full day of work for everyone (else) and a belly bursting dinner, the boys set up a bonfire and everyone got together to roast marshmallows and make s'mores. In addition to looking forward to the melty treats, you were secretly glad for the warmth of the fire in the chilly evening air. Beers were cracked, marshmallows burnt, and the stories the boys told had your sides aching from so much laughter you’re sure you’ll still feel it in the morning. But as the fire was dying, the conversation turned to what everyone’s up to tomorrow, you once again have nothing to say that's comparable to the tasks and chores listed by the others. When Tom comments that there are still so many things to do in order to properly winterize the cabins and that it’ll be a wonder if it all gets done, you look down at your feet - face burning from the guilt and shame of being unable to contribute when help is indeed needed. You’re sure everyone is thinking that you’re just a freeloader from the city, or worse, lazy and unwilling to put in some work. Suddenly the last few bites of the s'more in your hand don’t look as appetizing anymore.

You excuse yourself from the group and quickly get ready for bed before heading up to your cabin for the night. Once settled in, that’s when you discover that your sweater is full of newly burnt holes and you lose it.

Luckily, the cabins are all fairly far apart so no one can hear your crying, but your gratitude for the isolation and quiet of the cabins is short-lived; as it's been every night, the silence of the woods in the dark is deafening. So used to the ambient noise of the city, you find that every snap of a branch or hoot of an owl slices through the night and rings out as loud as a gunshot. You lay in bed like each night before, unable to get comfortable or calm and falling asleep only when exhaustion overtakes you.

The next morning, you wake to the sound of chirping birds and the brightness of the morning sun punctuated by the shouts and loud chatter from down near the water where people are already starting their daily chores. Another wave of guilt and anxiety sets in as you feel like you’ve had an undeserved lie-in - resting while everyone else got up early to do work.

On your way down to the Main Cabin, you see and wave good morning to Frankie who’s transporting relatively heavy chunks of wood tucked under his beefy arms. You don’t ask if you can help – how could you? Each stump he carries looks like it could topple you over even if you managed to lift one.

When you get down to the lawn, you catch Will and Tom’s sisters as they head up to one of the cabins with paint cans and brushes and Will cheerily calls to you, “Saved you some breakfast!” His completely innocent and kind pronouncement sends your already tightly strung heart into another spiral and you try not to tear up as you call back your thanks.

You eat by yourself from the plates left out for you and feel a little better when you can at least wash them and leave them in the drying rack. Pouring yourself the coffee that’s left in the cannister, you grimace at it’s lukewarmness, but you don’t know where the grounds are kept or even how to operate the ancient stovetop coffee maker to make more, so you make do and drink it sort of sadly as you return to the dining table and open your book.

It's here where Frankie finds you a few hours after you saw him last.

He asks kindly after your book before saying he’s going to make a fresh pot of coffee and offers to top you off; when you get up to help – he tells you he’s got it before disappearing into the kitchen. Slightly discouraged, you sit back down; unless you spy on Frankie, there’s no way for you to learn how to make the coffee here - and you’re just debating if you should do just that when he pokes his head back in, “Do you want me to show you how to make the coffee?”

Eagerly, you nod and hurry to join him in the kitchen, making note of where the fresh coffee grounds are stored and listening attentively as Frankie patiently shows you how to work the vintage contraption that Santi rescued from a yard sale. He smiles at your willing face, wondering why you’re so fascinated by something as mundane as their overly complicated coffee maker, but when you thank him, voice almost quivering with overly emotional gratitude, Frankie’s sure there’s more to it than he’s understanding.

He's been watching you, Benny’s girlfriend pretty friend, over the last two days and can't quite figure you out. It’s clear that you’re not used to roughing it in these types of conditions, but you don’t complain or make fun – though there is a tinge of melancholy and anxiety to the gentleness of your expressions that he does understand all too well. You seem sweet and friendly, and Benny certainly speaks warmly of you – but for some reason, you don’t seem entirely comfortable and Frankie wouldn’t be the Army strategist he is if he didn’t notice. Or a very good host.

“Do you want to go for a row while the coffee drips?”

“A row?” You look up, confused.

“Yeah, in the row boat. Come on – this old thing takes forever. We could probably get a good way to the middle of the lake and head back before it’s done,” nods Frankie, encouragingly.

This is the first time since the disastrous catamaran trampoline that anyone has asked you to do anything with them during the day, and you’re surprised by how touched you are by the simple gesture. Unable to find the words to express how appreciative you feel, you simply nod.

Frankie pushes the old tin boat that you saw him sealing and painting on the beach yesterday partway into the water, helping you in first before pushing the boat all the way in then jumping in himself, two big wooden oars under his arm. He sits across from you, locks the oars into the oarlocks and starts rowing; his powerful arms rotating the paddles with ease, slicing them through the clear, calm water and gently gliding the boat across the lake.

The two of you sit in silence for a bit, and you look over the side of the boat in wonder as the sand bed below slowly disappears and the water gets darker and deeper. Sighing, you contently breathe in the fresh, crisp Fall air and enjoy the picturesque view of the far off shores and mountains before settling your gaze on the handsome man in front of you. The ripples and flex of Frankie’s bulging muscles under his shirt as he expertly rows are near mesmerizing, every hypnotic stroke powerful and purposeful.

“You’re not having fun, are you?”

You look up, ashamed. You've been trying so hard to hide that you're not 100% comfortable being here, it's embarrassing to get confirmation that you've failed in this regard. Even if the others could tell you weren’t having fun, you hope you haven’t come off as an ungrateful guest or made any of your hosts feel bad. You’re about to say so and apologize, but something about the way Frankie’s looking at you, kind and soft and not at all judgmental or accusatory, gives you pause. It’s like he’s genuinely extending an opportunity for you to let go of what you’ve been bottling up since you got here – maybe that’s why he brought you out to the middle of the lake? Frankie's sincere eyes bore into your own and his gentle demeanor invites you to let down your guard; deflating, you burst into tears, “I’m not!! I’m so sorry, Frankie!!”

Hurriedly, you try to compensate, “Goodness, please don’t think I’m complaining – it’s so beautiful and peaceful here, and Benny told me how much effort you guys have put into this place! Honestly, your care and hard work really shows – everything is so nice. It’s just really, really different from the one other cottage experience I’ve had – so I didn’t even pack right. And I thought there would be a lot more relaxing and lazing around – I really don't know what to do with myself here.”

“Where did you cottage before?”

“The Muskokas?”

Frankie lets out such a loud, belly-shaking laugh that shakes the whole boat; you actually hold onto the sides afraid you might tip over, but find yourself beaming at having drawn out this melodic sound from the normally stoic man.

“Well, City Girl, no wonder this place was a shock to you! The Muskokas is a very particular cottaging experience – real pretty and real glamourous. But the rest of us? What we have aren’t even cottages. They’re cabins. This is cabin country,” he laughs good naturedly.

“Right - cabins!” you grin.

“Sorry to disappoint you, City Girl.”

“No, no! Please don’t think that - I’m not disappointed at all! I just came in with the wrong expectations, that’s all. That’s all on me, Frankie. Really, the cabin is lovely – I was just expecting a more… cashmere sweaters and brandy snifters around the fireplace kind of a vibe.” You hope Frankie won’t take your joke the wrong way.

Luckily, Frankie gives you another easy smile, one that reveals an adorable dimple in his right cheek you haven’t had a chance to notice before, “Yeah, we’re more of a bats in the ceiling, on-going maintenance kind of vibe.”

At this, your face falls and your own shortcomings to contribute when everyone else is working so hard claws at your chest painfully.

Frankie immediately clocks the change in your demeanor, “Hey, pretty girl, it’s okay.”

You look up at him with tears in your eyes, too distressed to notice the new nickname, “No it’s not, Frankie. You’re right – everyone is chipping in, helping out to keep this place beautiful and running smoothly, except me. I’m not used to this kind work, so I don’t really know what needs to get done… and even if I did… I mean you saw with the catamaran? I’m not strong or skilled enough to do any of it. I thought I could help out with some of the indoor stuff, like cooking and cleaning up, but I don’t know where anything is and everyone is so busy, I feel like such a nuisance bothering them even more in order to show me. So… I don’t know what I’m doing here – it doesn’t feel right to be sitting around and reading like I’m some kind of pampered houseguest while everyone around me is working, but I also don’t think I can add value anywhere. I just don’t think I belong out here with you guys. And I thought I was at least hiding it well, but it's obviously noticeable how much I don’t fit in because you rowed me out here to confront me about it. I’m sorry to be so much trouble, Frankie.”

You take a deep breath after your long speech and look down at your lap, more embarrassed than ever.

Frankie leans over from his seat, causing the boat to rock slightly and tilts your face up to his with two of his thick fingers, “You’re no trouble at all, pretty girl. It’s okay if this place is too rustic for ya. It’s really rustic… and that’s by design.” He smiles reassuringly, keen to comfort you, “I know Benny told you that this cabin is sort of therapy for us guys? We saw some... less-than-ideal things on a lot of our missions. All our missions, actually. The VA counsellors suggested that we try and work through having seen so much that’s been broken, and maybe even having done some of the breaking ourselves, by getting a project where we come together as a team to focus on improving and building. It’s meant to need constant ongoing maintenance and have a never-ending list of chores so we can put our energy into building up instead of what we used to do… tearing down. For the most part, the cabin has been good for us – working with our hands, being responsible for something that isn’t life or death, working towards a common goal where we can be together and enjoy each other’s company in a setting that’s not… exploding.”

Frankie chuckles at his little joke so not to scare you off with the intensity of the topic. He’s relieved to see that your expression is one of sympathy and understanding, your eyes warm and gentle. He thinks your eyes are beautiful, deep, kind – he might easily get lost in them if he didn’t remember that he’s supposed to be comforting you, “It really is meant for the five of us to be putting in the work, but I know what you’re saying, it’s not a great feeling to be left out, even if you know no one’s doing it on purpose. I’m sorry – we should be better hosts. You’re our guest.”

You start to shake your head in protest at this, but Frankie stops you when he picks up the oars and dips them back in the water to start rowing again, “Tell you what, it’s my turn to make lunch today - why don’t you come and help me. I’ll show you where we keep everything so you’ll know in case you ever want to… help out in the kitchen again. I promise you can ask me any questions you want and it won’t bother me at all.”

Perking up at Frankie’s generous offer, you nod happily, “Okay! Thank you, Frankie – that’s really sweet of you.” It’s probably the first truly joyful smile you’ve smiled since you got here and Frankie thinks you look radiant.

The two of you glide slowly across the still lake in comfortable silence, Frankie purposefully not putting too much power into his oar strokes. Trying to discreetly wipe your cheeks, you feel their warmth as you spy on the handsome man across from you through your tear dotted lashes. You feel so safe and cared for - your heart grateful that Frankie noticed you were out of sorts despite having only met you a few days ago and was considerate enough to ask after you.

His teasing voice cuts through your thoughts, “Is there anything else, City Girl?”

“Hmmmmm?”

“Is there anything else that's been bothering you while you’re out here?”

You bite your lip and shake your head; Frankie has been so kind, you don’t want to push it and appear to complain.

“Come on, I know there is. Go on, pretty girl.”

Pretty girl – there’s that term of endearment again. This time when you hear it, your heart swells and your face flushes – and maybe your thighs press together a little, too. To try and cover up your reaction, you spill your last embarrassing grievance, “Ummmm… it’s kind of spooky at night.”

Frankie booms another side-splitting, deep rumble of a laugh and you instantly feel better, “It’s just sooooo quiet and everyone is so far from one another. I guess I’m used to background city noises and the feeling of people being around. It's been a bit unsettling laying in the dark in silence, hearing every little twig snap.” You cover your eyes, “Plus I packed so poorly for the trip because I thought it was going to be a… cottage. I definitely didn’t bring warm enough clothes. I brought a TON of self-care stuff though – maybe I should try layering some face masks.” It feels so good to be able to lightheartedly make fun of yourself again.

Frankie laughs with you, then looks thoughtful, “Ok, ok, the chilliness I think I can help you out with. The spookiness… got to circle back to that.”

“Thanks, Frankie.” You mean it sincerely. Even having been able to talk to him about your unease makes you dread the upcoming night a lot less.

Back at the beach, Frankie hops out of the boat and reaches in to help you out - when your fingers touch his, a little spark lingers and your heartbeat picks up a bit. Hand in hand, the two of you walk back to the Main Cabin together, not letting go until you enter the kitchen.

---

After Frankie patiently shows you the pantry, the freezers, and where all the kitchen items are, he makes sure you have a passing familiarity with everything before the two of you make wraps for everyone. You find him to be endearingly funny, terribly sweet, and a wonderful conversationalist – Frankie tells you about his work and adventures as a charter pilot, and listens intently as you answer his questions about your work and life in the city. You almost regret calling everyone in for lunch, but the feeling of being able to offer people something after their morning of hard work has brightened your spirits significantly - it feels like a tremendous weight has been lifted off your shoulders.

You don’t know that the obvious change in your countenance fills Frankie with pride and joy, nor do you see the way he gazes at you with fondness as you cheerfully hand out the wraps or when you jump up after lunch is over and hurry to clear the table.

The next day, you’re returning from a solo walk along the trail that runs behind the cabins on the bay, when you come upon an unfamiliar noise as you approach the boys’ property.

It sounds like a loud and sharp sudden crack accompanied by a low manly grunt, then followed by a couple of softer thuds. The echoing combination repeats it self at slightly varying intervals and gets progressively louder until you come upon its source.

From behind a large Spruce tree, you see that it’s Frankie chopping wood.

Frankie repeatedly brings his axe down on the log pieces he’s set up on the chopping block with precision and power. His sweat soaked shirt is stretched taut across his broad back, the damp fabric doing nothing but accentuate the thick muscles that flex and contract with every burly movement.

Though Frankie’s breathing is heavy, you can tell he isn’t even close to being winded - his strength and rugged athleticism evident by the way he relentlessly labours on, splitting log after log.

Every subsequent swing of the axe captivates you further; a wetness pools in your mouth that you have to force yourself to swallow, lest it spill over and you get caught drooling.

"Wanna give me a hand, City Girl?"

Shit.

Emerging from behind what you now realize looks like a hiding spot, you give Frankie a sheepish smile, “Oh, ummm… you look like you have it pretty well handled. Not sure if I could even make a dent in one of those logs.”

Frankie takes off his signature cap and uses the back of the same hand to wipe the sweat from his forehead - he chuckles and his eyes twinkle, “Could you help me gather and stack the wood I split onto that rack over there? And bring me new logs to chop from that other pile there?”

You nod enthusiastically. Frankie’s making work for you and you’re so thankful and excited to help.

For the next hour, you run around gathering the firewood that Frankie splinters and set him up with fresh logs. When you apologize that it takes you so long to carry the larger rounds to him, he tells you not to worry – it gives him a chance to catch his breath and take a much-needed rest. You don’t tell Frankie that he doesn’t look like he needs any rest at all – your own quickened breaths have very little to do with physical exertion and more to do with ogling Frankie’s broad and brawny frame, and the way the entirety of his strapping body is thrown into each axe swing, every muscle engaged, tensed. It’s similar to the way he looked when he effortlessly rowed the two of you in the tin boat across the lake, but like… a hundred times more burly.

You try to distract yourself from openly drooling at Frankie’s sweat soaked torso by expertly arranging the firewood on the rack so that it fits perfectly together like a Tetris puzzle. When the last piece has been placed on top, Frankie marvels that the firewood storage has never looked more organized and with one hand still holding on to his axe, he takes your soft hand in his other and leads you down to lunch.

Over the next couple of days, you notice that Frankie goes out of his way to make sure you’re not alone or hiding out in any of the cabins.

He takes you out in Benny’s truck to run in-town errands like picking up additional groceries or getting gas for the boat. These trips are always filled with fun and easy conversation and end with a treat at the ice cream shop on the main road. Frankie teases you on how you always flit from freezer to freezer, determined to try a flavour you’ve never had, and you groan at how he sticks to his tried-and-true mint chocolate chip.

You’re getting bolder at offering to do the indoor, more domestic tasks and chores that you know you have the skills to handle like making meals and cleaning up; more often than not, without you asking, Frankie will join you in the kitchen. Even though you tell him to relax and that he deserves rest after his physical exertions of the day, Frankie stays and hangs out - casually drying dishes, tasting your sauces, leaning his massive figure against the counter and discreetly pointing to various cabinets and drawers when you forget where things go.

Frankie makes you laugh with his quippy jokes and clever little observations, and he makes your cheeks warm with his subtle and sweet flirting. But mostly, he makes you feel so included, relaxed and accepted – his kindness at having taken you under his wing and giving priority to your comfort and enjoyment at the cabin makes your heart positively sing.

Since the day he took you out on the rowboat, Frankie has come to visit you in the Screened-In Veranda cabin every night. The first night, it’s to bring you extra blankets and one of his thick hoodies – all of it you accept gratefully; he also brings a pack of playing cards and the two of you play Big Two until you can barely keep your eyes open. Making sure you're bundled up in his hoodie, Frankie leaves you to sleep under a comically thick stack of blankets and happily swathed in his manly musk.

The next night, he brings you an old worn box of Rummy-O, explaining that he and the boys try to buy old games from garage sales to bring up to the cabin, even ones they’ve never played before. You’ve never played either, and for the next few nights, you and Frankie spread the tiles over your bedspread and become Rummy-O experts, stopping only when you’re too tired to keep playing - then and only then does Frankie leave you before traipsing back to his own cabin.

Embarrassingly, it takes you until tonight to figure out what he's up to.

“I know what you’re doing,” you grin in the dimly lit cabin as Frankie dons a Korean face mask and lets you give him a cuticle oil treatment.

“I’m getting pampered,” Frankie murmurs from where he lays, careful not to move his face lest the sheet mask slips.

“You’ve been keeping me company every night until I get sleepy so I don’t have to lie here in the dark and be scared,” you look at him warmly, in awe of this tender-hearted man’s goodness.

You see one eye open in the eye hole cut-out of the mask and the corners of the one for the mouth tug up a little, “Has it been working?”

“Yes and thank you. And I think your hoodie and the blankets you brought really helped too – the nights feels way cozier now.”

“Good. I’m glad. Now do you have anything that’s going to help with these bags under my eyes?”

You cackle, sure that the sound of your and Frankie’s joint laughter must carry clear across the lake.

It’s the last night at the cabin and the whole group is out tonight for another bonfire. You’re nice and snug in Frankie’s hoodie, giggling with Jenny, who you feel like you’ve barely seen this whole week – she fills you in on all eight hundred of the adorable things Benny has done for her this week and you’re over the moon seeing her so completely in love. The entire group is in great spirits, toasting to another successful season at the cottage, all the shared memories, new and old stories to tell, and the delicious food eaten over this week. Your dinners for the latter half of the week are praised, and when you bury your face in the oversized sleeves of Frankie's hoodie in embarrassment, you feel his strong arm curl proudly around your shoulders and you positively kvell.

The drinks flow liberally tonight with no one needing to wake up early and the only chore on anyone’s list being packing. About halfway through tonight’s bonfire, Frankie slips away from the group; everyone is too caught up in their own conversations to notice it, but you immediately miss having his comforting presence close by. You’re just about to ask Jenny for the tea on why Tom’s sisters seemed to be giving Will the cold shoulder when you hear Frankie’s dulcet baritone low in your ear, “Hey, City Girl, can I show you something?”

Getting up, you leave the others at the bonfire and follow Frankie back into the Main Cabin. He ushers you towards the main living room and when you enter, the sight that greets you stops you in your tracks with a gasp. The darkened room is lit bright and warm from the fire that Frankie’s laid in the fireplace, the flames crackling slow and calm – he must have been stoking it for a while. In front of the glowing fire is a little carpeted area with cushions arranged purposefully to create a makeshift sitting area. In the middle sits two brandy snifters filled with an amber gold liquid.

“Frankie, what’s all this?” you exclaim, eyes bright as you turn to look at the handsome, affectionate man who brought you here.

Gesturing for you to sit down in front of the gently roaring fire and handing you one of the glasses as you settle in, Franke shyly explains, “Wasn’t able to swing any cashmere sweaters, but I wanted to give you your brandy by the fireplace cottage experience.”

Rendered speechless by how cute and thoughtful Frankie is - all you can do is give him a doe-eyed look of awe as you sip the liquor he managed to procure. For you.

“Thank you, Frankie. This is perfect. But if I’m being honest, I’ve quite warmed up to the cabin experience,” you tease.

“Good,” the tenor of Frankie’s voice is warm with the undercurrent of what’s not yet been spoken out loud.

As you both enjoy your fireside libations, you joke and flirt, keeping the conversation light - somehow tip-toeing around what’s happening between the two of you. Your bodies, though, pay your shyness no mind, inching closer and closer until you’re practically in Frankie’s lap. The conversation grows quieter as words are replaced by looks of longing and want until all you seem to be doing is studying the dark and rough lines of Frankie’s face, the plushness of his lips, the adorable heart shaped patch in his facial scruff.

With one final sip of brandy, the soothing burn of the liquor down your throat gives you that final push of liquid courage and you drop your gaze from Frankie’s soft chocolate brown eyes down to his waiting mouth. Not so innocently, you lick you lips at the sight.

Then Frankie is on you, crashing his lips to yours – the empty snifters rolling away on the carpet as you pour yourself into his mouth, open wide and inviting. This first kiss is nothing short of sensual and desperate, the feelings that have been simmering over the past week boiling over until you’re both a mess of tongues, moans and clashing teeth.

“Oh Frankie,” your soft whimpers a welcomed song to his ears, Frankie returns your sentiments by licking behind your teeth, exploring and stroking into your receptive mouth with a fiery passion. His hands maneuver you to straddle him so that he can better feel you, roaming your back until one hand comes to a rest at the nape of your neck, the other under one of the pert globes of your ass, using them as leverage to press you flush against his chest.

As your hands go to run through Frankie’s soft waves, you knock his favourite cap onto the ground and you giggle loudly when it lands near the now forgotten brandy snifters with a little thud. Frankie feels himself harden at the melodic sound.

You make out like teenagers, tongues dancing and teeth nibbling until you both run out of air and have no choice to break apart, panting.

“Been wanting to do that since I saw you your first day here, City Girl,” admits Frankie, eyes tender and sincere as he rests his forehead against yours.

Leaning in to lightly peck his lips, you’re surprised but can’t help teasing, “What took you so long, Morales?”

Frankie chuckles, though his eyes flash with a bolt of insecurity, “Wasn’t sure you would want to. Benny said something about how he wanted to try and set you up with Will.”

Your face scrunches up with astonishment - so Jenny wasn’t just being facetious! But you quickly cup Frankie’s face and run your thumbs reassuringly through his adorable scruff, “I don’t know anything about that. But what I do know is that I can’t resist a kind hearted, handsome man who goes out of his way to take care of me, never judges me and makes me feel comfortable without pushing me to be someone I’m not. You, Frankie – I can’t imagine wanting anyone but you to kiss me.”

Taking this as the invitation it is, Frankie slots his mouth over yours once more. This second kiss is slower, deeper, and full of promise. You sigh as Frankie’s tongue slides over yours in a slow and intimate waltz and his lips find yours again and again and again.

“Querida,” he murmurs, “when we get back to the city, can I take you out to dinner?”

Grinning at having earned yourself another nickname, you tuck yourself into the nook under Frankie’s chin and press one, two, three soft kisses to his neck while nodding, “I’d love that, Frankie.”

The next morning you wake up well rested, with a strong arm banded over your body and Frankie’s hard chest pressed up against your back. Slipping slowly back to consciousness, you can’t help but smile as the memories of the previous night come flooding back. Frankie came back up to your cabin with you and stayed to keep you company as he had the previous nights, but instead of games or spa treatments, he kept you awake with the hard and soft kisses of his expert mouth and innocent touches that by the end of the night, didn’t feel quite so innocent anymore. Lips swollen after hours of making out, Frankie had tucked in with you under the covers and held you close, lulling you to sleep with evenness of his breathing and the soothing rise and fall of his chest. Rolling over, you find Frankie already slowly blinking awake, “Good morning, City Girl. Did you sleep okay?”

You nod into his shoulder, “Slept perfect, Frankie. Coziest night here with my own personal furnace.”

Frankie chuckles, “I like waking up with you like this, pretty girl. Like seeing you wearing my clothes, too.”

Shyly, you gaze into Frankie’s eyes, heart beating faster at his look of adoration, “I like it too, Frankie. Waking up with you, wearing your clothes.”

After some tender and sweet kisses under the covers, the two of you manage to get out of bed so you can pack and get ready for the trip home.

Right before he closes the door to the Screened-In Veranda Cabin, Frankie turns around, “Wanna ride with me on the way back, City Girl?”

“Sure! What about Santi and Will?” You can’t help but get excited about the prospect of a long road trip with Frankie.

“They can go with Benny. Or Tom. Well at least Santi can ride with Tom. Don’t think Tom’s sisters will let Will into Tom’s truck,” Frankie looks genuinely amused and you once again spot that cute dimple make an appearance in his right cheek.

“Omigod! I meant to ask Jenny about that – what happened??”

Frankie throws you a heart-stopping wink, one that nearly sends your knees buckling, “Tell you on the way home, querida.”

---

A few hours later, everyone’s packed bags are stowed in their respective cars, the cabins locked, boats put away for the winter, and sheets and laundry stripped to go back to the city to be cleaned.

“Ready to go, City Girl?” grins Frankie, “Bet you can’t wait to get home.”

Buckling your seatbelt and looking fondly at the sweet man who made sure you felt seen and cared for this week, you say, almost wistfully, “It’s not that bad here.”

Pressing a tender kiss to your lips, Frankie nuzzles your nose affectionately with his before putting the car in reverse. Steering the wheel one-handedly with his other big paw cupping the back of your headrest, he winks, “Cottage country ain’t got nothing on cabin country, am I right, querida?”

You giggle as he straightens out the car and take the hand that Frankie’s holds out to you over the centre console, “Only the cashmere sweaters, but other than that, nothing.”

Frankie brings your hand up to his lips, placing a sweet kiss to your knuckles as he starts down the windy dirt road in the direction of the city, “An easy fix for next time, City Girl.”

Biting your lip to keep from smiling too much, you nod happily in agreement. Next time.

#tropeoff2024 #frankie morales #frankie morales fic #frankie morales fanfiction #frankie morales x f!reader #frankie morales x you #frankie morales x reader #pedro pascal characters fanfiction #pedro pascal characters

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blluespirit · 9 months ago

Text

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

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togrowoldinv · 1 year ago

Text

Jersey

Beefy!Nat x Female Reader

You meet Natasha after one of her football games. She gives you her jersey and so much more

Warnings: Smut! 18+ please! Kissing, cursing, a lot of beef, oral (N receiving), being crushed by Nat’s thighs, thigh riding

Note: Yay beefy Nat football player smut. Enjoy this one!

Natasha Romanoff Masterlist 1, Natasha Romanoff Masterlist 2, Main Masterlist

You met Natasha by accident really. You’re a fan of football, so you jumped on the opportunity to watch the new team in your city play.

Although the team is mostly men, there’s a few other people who are on the team. Namely, Natasha Romanoff is the starting quarterback. And she’s one hell of a player.

You noticed in the first game that she has a perfect body and perfect red hair.

She’s led the team to victory multiple times this season. After the last game, you were cheering loudly and Natasha walked up to you in the front row.

“Hey,” Natasha said casually.

“Oh hi. Great game,” you told her.

“You’ll be here next week?” She asked. You nod. “See you then.”

And with that she disappeared back into the crowd of the team. You haven’t stopped thinking about her since then.

You get ready for the game. Your friend Kate goes with you and teases you relentlessly for cheering so loudly when Natasha makes plays.

“She’s the quarterback! Of course I’m going to cheer for her!” You defend yourself.

“Yeah, definitely not because you’re in love with her,” Kate replies.

“Stop,” you plead, feeling heat in your cheeks from lying.

The team sails to a victory. This time Natasha comes up to you at the stands and offers her hand. You take it and look at her confusedly.

“Come with me,” she says.

“Onto the field?”

“Yep. Come on,” she says, pulling you over the barricade. “Nice shirt.”

You look down at your team shirt and smile at her.

“Thank you.”

She takes you by surprise when she lifts her jersey over her head. Nat holds the jersey for you to put your arms and head through it, but too you’re distracted by her abs to realize what she’s doing.

“Seriously?” You ask her.

“It’ll look better on you anyways,” she says. “Forgive me for the sweat.”

She puts the jersey on you and smirks at the sight of you.

“Can I get a picture?” Kate asks. You forgot she was even here.

“Yes you can,” Natasha says.

She wraps her arm around you. The muscles flex against your body and your knees threaten to weaken. Kate takes the photo and sends it to you.

“I’m Natasha by the way,” Nat says as she steps back to face you again.

“Y/n,” you say.

“Y/n, would you like to see the facilities with me?” She asks. “If your friend is okay with you sneaking off, of course.”

“I’m more than okay with it,” Kate says. “I see a player of my own I’m going to talk up.”

With that, Natasha takes your hand and walks you towards the tunnel to the locker room. You’ve always wondered what it was like to go through these parts of the stadium.

Natasha tells you all about the different rooms around the base of the stadium. She shows you what areas she can.

“I’ll take you into the locker room, but I don’t know if everyone’s decent,” Natasha jokes as if her herself isn’t wearing little to no clothes since giving you her jersey.

“Oh, I don’t mind,” you say.

She opens the door and playfully covers your eyes. But there ends up being no one else in there.

“I guess the team got out quick today,” Nat reasons. “Here’s my locker.”

You see a photo of what looks like it could be Natasha’s family and her gear in the locker.

“This is amazing,” you say as you look around the room. Natasha just watches you with a smile.

“It’s got its perks,” she says. “The showers are probably my favorite area.”

“Oh yeah?” You ask.

“Mhm,” she says. “There’s a special area for the quarterback.”

“May I see it?”

Natasha looks you over before she decides on her answer. If you mean what you think she means, then she’s sure the ache between her legs will be satisfied.

“Follow me,” she says.

Natasha guides you through the locker room into another area. She closes the door behind her. To your right there’s a door that Natasha types a key code into.

“Right this way, ma’am,” she says.

You step into the room and take note of one shower head on the wall. On the other side of the room is a glass doored in area.

“What’s that?” You ask.

“A sauna,” Natasha says. “I only use it every now and then.”

You try to think of what to say next, but when you turn back to Natasha she is unbuttoning her pants.

“Sorry,” you mumble quickly, turning your head away from where she undresses.

“Oh, no I’m sorry, y/n,” Nat says. “I just thought maybe you wouldn’t mind me showering while we’re in here.”

“Oh,” you say. “I don’t know about just sitting here while you shower.”

“Would you like to use the sauna while I do it then?” She asks. “Or I can take you back to your friend.”

“No,” you say too fast. “I mean- yes the sauna is a good idea.”

Natasha smirks and turns the sauna on for you. She shows you where to put your clothes and where the towels are. Nat leaves you to it.

From the sauna, you can see the shower. She’s not as sneaky as she thinks she is. But Natasha knows that. She takes her clothes off and steps under the water.

You take your own off and wrap in a towel to sit in the sauna. Natasha’s ass catches your eye as she washes her body. You try to look away but you just can’t.

When Nat turns around, you’re sure your mouth hangs open. Through the fog of the sauna, you can see her perfectly toned abs, arms, and thighs. God, you want to be between those thighs.

Your thoughts run wild as she rubs the soap over her body. You swear Nat looks over to the sauna to see if are looking at her.

It seems like an eternity she takes to shower. Heat pools between your legs.

Natasha turns off the shower and wraps a towel around just her waist. Her chest remains on full display as she walks towards the sauna. You sit up straighter in anticipation.

“You okay in here?” She asks as she opens the door.

“I’m fine, yes,” you say, trying to keep your voice stable.

“Mind if I join you?” Nat asks.

You shake your head and she steps fully inside. Her wet red hair falls over her shoulders perfectly, but it’s not long enough to cover her breasts.

Natasha notices you staring at her chest. She sits right next to you. Her shoulder brushes against yours.

“You know you can make a move on me,” Natasha says. Her voice is deep, dripping with lust.

“I’m not really the type to make the first move,” you say. Your eyes flicker to her lips and back up to her eyes.

“Not even on your favorite player?” She asks. “It’s okay, sweetheart. I won’t tell anyone if you do it.”

“Can I kiss you?” You ask.

“You can do a lot more than that, y/n.”

You take her face in your hands softly and kiss her lips. Natasha lets you set the pace. It’s slow, sensual as you memorize the feeling of her lips on yours.

“Mmm,” she hums against your lips.

You could melt into a puddle at the sound. It encourages you to deepen the kiss. Natasha’s hands wander over your towel. She slips it down your chest and takes your breast in her hand. Her grip is strong and the feeling is intoxicating.

“Fuck,” she groans when you move your kisses to her neck. Your hot breath makes her grab your breasts harder.

“I want to taste you,” you say.

“Now we’re talking,” she says. You don’t see her face but you know she’s smirking.

You kiss down her chest and move to kneel in front of her. Your towel falls to the ground and makes the perfect place for your knees.

“Fuck, you’re gorgeous,” Natasha says, seeing all of you now.

“You’re so perfect,” you reply.

You move your hands over her abs, tracing every line. Natasha’s legs open wide when your hands grip her thighs.

You suck on her pussy and her thighs begin to squeeze around your head. You don’t care. You keep going and going and going.

“Fuck, y/n, fuck I’m close!” Natasha yells out. She bites her lip and groans when you lick her faster.

Within no time, Natasha comes hard against your mouth. She opens her legs again and you emerge from her thighs.

Nat grabs you by the shoulders and pulls you up onto her lap. She takes your lips in a searing kiss.

“So good,” she says. “You did so fucking good.”

The words cause the ache between your legs to become unbearable. You grind against her as you keep kissing.

Natasha’s hands come to your hips. She bites your lip and you groan. It hurts but only a little bit.

“If you’re going to do that, at least let me help,” she says firmly.

“I’m sorry.”

“Don’t apologize,” Nat says.

She moves your hips with ease. Her muscles do more than help her throw a football. Your pussy rubs against her upper thigh.

“Natasha,” you moan softly as she picks up the pace of your hips. You don’t even have to move. She has control.

“I want you to come, y/n. I want you to come all over my thigh,” she says. “Do it for me, sweetheart.”

Your hips stutter as you come against her. Natasha keeps moving your hips until you’re begging her to stop.

You fall against her and her arms hold you close. Natasha kisses your temple and lets you take your time to relax again.

“Are you good?” She asks.

“So good,” you say a bit dreamily. Natasha chuckles.

You sit back up and smile at Nat. You push a piece of her hair behind her ear. She blushes.

“Did you enjoy your tour?” Natasha jokes.

“I did,” you say. “In fact, I enjoyed it so much I think I want to come back next week.”

“I’ll have tickets for you,” she says.

“And another jersey?”

“Sure,” Natasha agrees. “I can get you one with your name on it.”

“I’d rather have yours,” you say.

Natasha smiles so brightly before she kisses you again. You two eventually get dressed and go out that night.

You never miss one of Natasha’s games after that day and soon she asks you to be her wife.

And that name on the back of her jersey ends up becoming yours too.

#natasha romanoff x reader #natasha romanoff #soft natasha romanoff #natasha romanoff fluff #natasha romanoff comfort #natasha romanoff smut #beefy!nat

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