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thatguy3331 · 3 years

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Digimon Ghost Game Episode 1 - 13 impressions

For the first time in a good while an honest to goodness new digimon season with a new cast & set up! How do I like it so far? Well strap in cuz I have a lot to say, so much that I honestly even spooked myself!

jesus christ, it’s 5am my eyes are burning, I’m so tired, why did I do something that’d be rendered so useless so soon why

To start off with something positive right off the bat, I really like the partner digimon this season as well as their dynamics with their respective human partners. Gammamon is a fun throwback to Guilmon that doesn't feel like a carbon copy of him, as Gammamon is more like a surrogate little brother to Hiro than a pet who can spit fire balls. Episode 2 is great in showcasing how Hiro goes out of his way to learn how Gammamon ticks to the best of his abilities, and the fact that he’s more or less constantly around him or is left in the care of dorm leader Kiyoshiro are all great in establishing and reiterating Gammamon as this toddler like existence, one that greatly juxtaposes a later development with him. Angoromon by contrast is perhaps the most mature child level digimon partner we’ve seen since perhaps Renamon, his calm and gentle nature making him a great contrast to Gammamon, a fitting partner/protector to Ruli and just all around a good person to have on your side. He’s very friendly, reliable and respectful but not necessarily close to anyone in particular even Ruli, which is a surprisingly understated aspect of his character that may go into explaining why he hasn’t reached his adult form yet (lets stick a pin in that). Lastly, Jellymon is very much in the middle, more mature and self realized than Gammamon, but way more brash, rude and juvenile compared to Angoromon, she’s sort of like Terriermon if you cranked up all of his more trouble making traits and didn’t pair him with someone who could actually reel him in. Her childish schoolgirl crush on Kiyoshiro leading into her messing with him walks a fine line of being both funny and informative of her character without getting too creepy with it. Her being so chaotic also means she can go off somewhere and come back home with problems for the rest of our team to deal with, which is amusing not just for everyone being stumped on what to do with her, but also whenever she does get her comeuppance for being a lil shit (light as it may be.)

As for our Human cast, for Kid show leads I think they’re all solid bases that could really shine when they (hopefully) get further development and progression. Each are likable and distinct from each other, but not all of them always feel utilized as well as they could be. Hiro is introduced to us as chill to a fault and perhaps a bit too clever by half, knowing how to pick locks but each time he does, it seems to be for some dumb shit that could get him trip downtown if you catch my drift (do people still use that as a phrase to mean getting arrested anymore?). There is a potential point of interest with regards to him easily accepting requests and how that may or may not feed into his overall treatment of the various monsters of the week, as he pretty much never has Gammamon try to defeat his enemies, but more so keeping them at bay long enough to reach a fairly peaceful resolution. Nothing much has been said in the show by anyone on this yet, as his character is more or less put on autopilot for these run of episodes which wouldn’t be too big of an issue, (he’s connected to mysteries that are sure to be touched on later), if not for one problem: Kiyoshiro.

Kiyoshiro is a paradox, at once a dynamic attention grabbing character and also perhaps an accidental thorn in the show’s side. He and Jellymon are easy scene stealers given their more boisterous personalities, as well as the two’s respective archetypes giving the audience a pretty clear window in which to see how these characters will progress over the course of the show’s run. In Kiyoshiro’s case it’s his cowardly disposition in contrast with his Chunibyou tendencies, which obviously speak to the kind of confidence he wants to have more naturally. It’s displayed in a way that makes us laugh and is put front and center any chance the show gets. Really he’s the sort of character that seems to highlight the plainness of the other characters, which makes Hiro look less interesting in comparison, but it’s kind of worse for Ruli. Much as I like the contributions Ruli’s character brings to the group, it’s sort of hard to get a read on what exactly the show wants to do with her character. We know that she has an interest in rumors and ghost stories and likes to visit the various “haunted spots” for her blog (but becomes uninterested in any given incident once it’s revealed to be related to digimon) but it’s not quite clear what this is really in service of for her beyond just being an hobby. Episode 11 potentially reveals that she may have issues with... loneliness? She didn’t drag her friends to go sightseeing with her so it seems unlikely that being alone in and of itself is the issue... or is it? I honestly don’t know. I actually like the episode this aspect of her appeared in but I do wish we got to spend more time with her distinctive characteristics, as compared to Hiro and especially Kiyoshiro, she feels like the weakest link of the 3 character wise.

Part of what doesn’t help is how each of the episodes choose to spend their time. GG being a horror themed show, not an actual horror mind you that’s a very different thing, spends a fair bit of each episode’s run building up the menace of the digimon of focus and the problems they cause. This is fine to a point as these are fairly fun light scares that play off of film tropes, but it can often get to a point where these scenes happen less to establish things and giving us clues as to what's going on, and more are just there for the sake of itself, causing the show to feel like it’s spinning its wheels. Episode 7 for example has a lot of time is spent focusing on the birds terrorizing the town, rather than letting us understand how our characters are going about trying to figure out the problem only to give a quick throw away explanation to add to younger viewer’s lexicon. By the time we do get back with them it’s basically just to face off against the mon of the week and it leads to a pretty boilerplate evolution debut that doesn't leave much of an impact. Oh also some random guy is also there and he barely contributes anything to the episode. Basically, after episode 5, we enter stories that are less about building the characters and more about what ever one off story the show can belt off, and unfortunately it’s not always worth the trade off. This isn’t to say every episode is bad per say, personally I only have 3 I outright dislike (Episodes 6, 7 and 9) but it speaks to how we’re 13 episodes into the show and it feels like I only know our leads on a fairly surface level. By this point I feel like some more interesting quirks should have popped up to give us a peek into what may be in store for them later down the line.

Well ok we do get one but… I don’t really like it, Kiyoshiro’s Integer overflow, which I initially was kind of alright with it existing as Kiyoshiro is set up as our resident chicken shit… only for it to be used really poorly later in the very same episode and really damaged my emotional connection to Jellymon’s evolution debut. Jellymon has a whole ass speech about how she actually cares about Kiyoshiro and how they’re stronger together… only for Kiyoshiro to be unconscious during the whole thing, wake up, and somehow still be of the same mind as Jelly to initiate and evolution… yeah, sure. Ok. It just feels like a cheap plot device to effectively “turn off” Kiyoshiro to have him not be involved in any given story beat, build “dramatic tension” and then have him wake up and pull his best Zenitusu impression. It only makes me feel like we aren’t going to get an super compelling nuanced arc for him, but rather, a painfully straight forward “yadda yadda believe in your self kid, also here are some titties.” kind of arc, just replace titties with a sassy Jellyfish.

The other major issue I have with Ghost Game so far isn’t that we haven’t gotten a clear image on the plot per say, but rather Ghost Game has not given me the confidence that it will be able to execute overarching narrative threads well. In my least favorite episode of the show, episode 9, Clockmon reappears after being gone for 8 episodes, and he begins to haunt Hiro, messing up his sense of time… only for the episode to stop dead in it’s tracks as we’re suddenly introduced to Bokomon and his assistant as they provide us with an explanation as to how the hologram ghosts actually work. Then when the story remembers that Clockmon is in the episode, we get a rushed and haphazard ending that sees Clockmon eat his own medicine, Hiro and Gammamon deciding to save him via a super awkward sequence, and having Clockmon suddenly become a good guy. On paper these series of events aren’t necessarily bad (well except the beating up Clockmon to save him part seriously what) but it happens so fast and without any further insight into Clockmon as a character, that there’s basically zero satisfaction in his reintroduction or reformation. He disappears for so long only to come back and more or less do the exact same thing he did in episode one with nothing extra of substance. Yay.

Also lets talk about Hologram ghosts for a second. When the show starts we aren’t given any explanation as to how they work minus a minor clue in episode 2. In episode 4, Angoromon gives Hiro and the audience an explanation on how they work, to the best of his ability. At this point the audience only has what Angoromon has explained to work off on… only for it to be heavily contradicted both before and after said explanation. For weeks, I assumed this must have simply been a series of plot holes, which might seem like a bizarre accusation if not for one thing: Neither Hiro nor Angoromon ever say anything when a Digimon as a hologram ghost contradicts what we’ve been told of them before. Ghost game utterly fails at making the hologram ghosts a tantalizing mystery because none of our cast members show any curiosity or interest in figuring out how exactly they interact with their world after episode 4. It’s frustrating because this could have so easily been a point of interest for audience members, ESPECIALLY the kids at home watching. Like how much effort would it have possibly been to give Hiro, or really anybody, a moment or two to just say “Hey, this isn’t how they’re supposed to work! What’s going on?” or to just have a few instances of Hiro trying to work together a makeshift guide for himself based solely on the context clues he’s gathered from the various incidents? We see this inquisitive side of him in episodes 2 and 4, why not show it more often?? It feels like such and OBVIOUS way to add intrigue into both the show’s world and it’s characters that it’s utterly madding the show makes no such attempts at it. When we do finally get the explanation, it’s not earned or anything. Our characters just bumble into people smarter than Angoromon and are just told everything. Wow. What a thrill. Not to mention none of the information we just stopped the episode for has much of anything to do with it’s resolution. Just another throw away line that Clockmon will be sticking with prof. Bokomon.

Speaking of Bokomon, Episode 13. If that seems like a cruel transition, I’m sorry, but I genuinely didn’t feel much for Professor Bokomon before this episode, and by the time episode 13 was over, I was left wanting more of him, but not necessarily in a good way. He’s already introduced to us as a way to just hand off info to our leads without any effort, and his role for the the time he’s around is to basically be an exposition machine as well enabling Gammamon’s worsening Chocolate addiction (I wonder can digimon get diabetes?). There is one time before this episode where he offers our cast something other than basic information, and that’s in episode 11 when he tries to give Ruli, who’s feeling some type of way about Angoromon going places without saying anything, some advice. When we get to the end of episode 13, after his death, we’re offered a small flashback where it’s shown that Bokomon is interested in the kids because they seem like the kind of people that can serve as a “bridge” for humans and digimon. It’s nice to see that he really did have something more to him beyond just being a walking wiki, but I wish we got to spend some more time, seeing this side of him, so that I could actually feel sad about him dying. Though, If I’m being totally honest with you here, this is basically me just asking for ice cream to go along with my cake, because while it’s not really because of him, the scene where he dies still works because the actual focus is on Gammamon seeing someone he cares about die right in front of his eyes. The show does go out of it’s way to show that Bokomon did express a genuine interest in Gammamon and is pretty nice towards him so it’s very easy to feel for Gammamon, in addition to the fact that he is characterized as being a really young child, and he just learned about Mortality in the worst way possible.

Gulusgammamon’s proper introduction is very significant, not just as a plot point, but for really cranking up the shows thematic conflict up a notch. Before our heroes pretty naturally come to the conclusion to merely incapacitate the mon of the week long enough to talk them out of causing trouble (well except episode 8). That said, there was no greater sense of purpose to it for them, it was simply the natural thing to do. Now the story is putting narrative weight on this decision by Gulus’s actions. He tries to get Hiro to side with him in killing Sealsdramon, but it fails, Gulus pretty bluntly pulls the “iT’s k1lLe or B K1lLeD bRAH.” card, and neither seems to care about Bokomon dying nor is interested in talking to anyone… aside from Hiro, however briefly. It’s obvious from the dialogue that there’s something more to Gulus, it’s also apparent, that while his consciousness may be separate from Gammamon’s, he’s still there, lurking, watching, waiting for the next chance to break out and cut loose. This is a fairly standard plot point in a lot of stories but what makes it interesting in this case, is that the thematic question of whether or not our heroes will be able to become a “bridge” between humans and digimon, is now tied to Hiro’s “younger brother” Gammamon, and his potential to turn into Gulus again at potentially any moment. A personal theory I have, taken from how Angoromon describes natural digimon evolution, is that there just might be a potential risk that Gammamon might just become one of his adult forms permanently as his base form near the end of the show, and while he can become any of the RBG forms, he can also become Gulus, and grow even further in mind and body stuck in that mindset, set to live a path of selfish destruction, causing hell for others, and potentially itself (if the show is willing to utilize some of it’s traits from the encyclopedia). This being a kids show the answer to that question should be fairly obvious, but it’s the sort of thing that gives a lot of weight to how Hiro will look after Gammamon, and how he intends to approach other digimon in the future.

That is of course if this is all given it’s proper narrative due. We’re obviously not going to be directly confronting these implications right away, but it should be something that’s on our character’s minds now. Given that my only point of reference as to how well ghost came can utilize long term story telling is clockmon, I hope you can see why I’m a little skeptical. Another thing I’m particularly leery at is Angoromon’s evolution, or rather his lack there of so far. At this point I would like to bring up the fact that, at the end of the day, the digimon anime has it’s obligations to uphold as a commercial to sell you shit. Jellymon’s evo debut “suspiciously” happened the day after her dim card for the vital bracelet was released, which was also the same day Angoromon’s dim card released. This lead many, myself included to predict that episode 11 would be when Angoromon’s would happen and uh… yeah that didn’t happen. I wasn’t particularly upset or anything, as stated before Ruli feels like the character we’ve spent the least time with getting to specifically flesh her out and in a way I feel like episode 11 would have actually been a worse off episode if Angoromon did evolve. “Ruli is only allowed to be a more distinct character whenever we need to push that fancy evolution button!” or some such. Having an episode just to spend time on her relationship with Angoromon without any special gimmicks attached was exactly what I wanted and what the show needed. That said, it is hard to ignore just how long it’s been without so much as a hint that Angoromon is going to evolve beyond seeing his evo in the OP and ED. Currently, if I recall correctly, he has gone the longest out of any main partner digimon without evolving once, a title that used to be held by Patamon from the original digimon adventure. In Patamon’s case though, he was the 7th out of 6 other partner digimon that got to evolve one after the other, and the story lays it on pretty thick that he’s special given he’s the exact kind of digimon that would serve as devimon’s perfect counter. Basically, Patamon’s a pretty big deal within the narrative, is the same to be true of Angoromon?

That would be… pretty strange if so. Initially I thought Angoromon might evolve in order to stop Gulus from going on a rampage or something, but when episode 13 aired and we actually saw Gulus in action, I was once again relieved that he didn’t evolve then. Gulus dispatched Teslajellymon effortlessly, and if Angoromon did evolve there then one of two things would happen: 1.) Symbareangoromon would similarly get swatted aside just as easily and he would have evolved for no reason, looking lame in the process. or 2.) Symbareangoromon is successful in restraining and or defeating Gulusgammamon, making him look superior to both Tesla who got knocked down in one hit AND Gulus who is supposed to be a menacing threat. He’d become too special basically, and for what? If Symbare were to be so good that he could take out Gulus, why would he lose to any other digimon that isn’t a mega/ultimate ever? It would absolutely muddle things and I think the evo not happening in 13 was the right call, but then what is the reason he’s taking so long to evolve? Is it going to be for something special, or will it be about the same as all of Gammamon’s normal evolutions as well as Jellymons? The amount of time spent on holding off a form, that for all intents and purposes, isn’t necessarily supposed to be that special creates an unnecessary heightened sense of expectation and at this point almost feels like a lose lose situation. I could of course be proven wrong as we’re getting more into speculative territory, but it is odd. It’s hard to look at Gammamon getting 4 different adult level forms and the marketing for the vital bracelet and see them has hindrances to the show. There is the narrative ace in the hole, that Ruli and Angoromon don’t share quite as close as a relationship as the other two leads, but still that’s a lot to stack onto something that is only supposed to be but so special.

I’d be remiss to conclude this before highlighting some of the episodes I did like (aside from 11) as well as touch on the show’s visuals, though there might still be an undercurrent of negativity on my part, especially for the latter topic. I did genuinely enjoy episodes 1 through 4 for what they were, none of them are especially amazing but as introductory episodes to a show like this it felt like they did a serviceable job in setting up the more basic traits of our cast and providing a few fun kid friendly(?) thrills. A personal exception however would be the first half of episode 3 as I love it…for the most part. In spite of the fact that you know Ruli is going to partner with Angoromon and join the main cast, the fact that we don’t see him, or Hiro and Gammamon really helps in creating a ever growing feeling of isolation. Ruli reacts the same way any person would given her (bizarre) situation, being rightfully scared but still hopeful that she’ll find some answers, only for her options to dwindle and for minor things to start spooking her, adding insult to injury. This part is one of my favorites because it speaks to the kind of horror that ghost game can actually feasibly utilize and got me excited for whenever the show would decide to pull this sort of thing out of it’s bag again. That said, this episode and this part does have the problem of not exactly establishing Ruli much as her own character. We don’t get to see much of her more distinctive traits, and while that wasn’t as big of a problem at the time, it’s only gotten more exacerbated as time has gone on. Episode 5 meanwhile upends the fairly lax tone of the first 4 episodes for a insane and hilarious character introduction in Jellymon. Despite this almost being a bottle episode it is nuts to see the lengths the show went to in order to characterize both Kiyoshiro and Jellymon, and it’s easy to see why the two so quickly became fan favorites. How can you not love a jellyfish who’s idea of a joke is to jack up the economy using the digital talismans some wimpy nerd hacked into 1000 accounts out of sheer panic (of which she caused.) It’s also easily the best looking episode thus far, with lots of fun camera angles and character expressions and animation for Jellymon and to a lesser extent Kiyoshiro. I heard the show was kinda screwed on the production end, which, for digimon that shouldn’t necessarily be surprising or anything new, but even in episode 1, there seemed to be a bunch of odd little errors that just kept staking up in a way were I was kinda worried about the staff behind the scenes. It’s one thing to be let down the the first episode of ghost game isn’t anywhere near the visual marvel of digimon adventure 2020’s 1st episode, but it’s another to see an error that feels like it should have been ironed out somewhere in the middle of production and utter “oh god oh jeez, I hope this show didn’t kill anybody!”

It’s by no stretch an ugly show, but perhaps a bit of a let down after the highs of adv 2020, and worrying for a cavalcade of other reasons (lol the anime industry is fucked) I do enjoy some of the background visuals, the simplified city in the real world kind of reminds me of the same style of backgrounds from batman the animated series (though nowhere near as striking, I just thought it was an interesting approach), and the skies in the digital field areas being the same as the original adventure series is a neat touch. Speaking of digital fields, I really did like the look of Kiyoshiro’s, a sunken futuristic city is a pretty cool aesthetic! (there he goes again, outshining his co leads!)

Lastly episode 8 is similarly insane because it features a speed demon nun who forces a bunch of random digimon to join a death race with her and even gets the digital grim reaper on board to keep things fun. Our leads were very much in over their heads on this one and I kinda like that for all the ups and downs they had on this particular adventure, they weren’t exactly able to really resolve anything, they simply lucked out that Blackgatomon came along to bail them out. A note I’d like to point out that I may be reading a bit too much into, but for the past two episodes, plus this one, Ruli has been somewhat pushy in bringing Hiro and later Kiyoshiro into situations. So it was kind of amusing that Ruli grew to be so determined to beat Ceilmon in a race when to me, Ceilmon is basically a more insane and twisted version of Ruli herself. It made me wonder if they were going for a Spike vs Andy kinda situation, though, obviously it doesn’t go THAT insane, and this may be one I may be over thinking, but in spirit of the more wacky episode, I thought it was a fun thought to share. Episodes 5 and 8 are anything but scary (well minus Metalphantomon’s entrance) so they, in conjunction with me not liking episodes 6 and 7 made me wonder what exactly the point of the horror theming for this show was. There are still plenty of episodes to utilize it in various ways, even if it’s only flavor dressing, but some of GG’s best episodes felt like they didn’t specifically need them in order to work so here’s hoping it neither becomes too much of a hindrance or get totally dropped altogether in the future of the shows run.

To (finally) conclude this…whatever this is, to me, Ghost Game is a season that, if nothing else has charisma. I can’t help but want to root for the show and to see the characters get pushed in fun and compelling ways because it feels like it has all the proper tools in it’s arsenal, but it’s just not using them yet. Whether or not it’s because it was laying down foundation or because the tools were actually fake, I don’t know but I can only hope for the former. This being only about the first 13 episodes, this will all become pretty worthless pretty quickly (lol) but I wanted to highlight these 13 episodes specifically because most digimon seasons, with a few exceptions, tend to spend their first cour or so on more episodic stories before revealing a bigger picture plot. In that light, this run of Ghost Game in comparison to other seasons is, at least to me… is somewhat middling. While I certainly wouldn’t call it a boring or irritating show to sit through (let alone the worst set of introductory episodes), I am left wanting more out of this cast. Otherwise things are almost as hit or miss as any other season opener, and it’s too early to tell what may be actual building blocks or not but still some episodes will probably remain fun one offs while others remain duds that I’ll probably always skip on hypothetical repeat viewings. Unless the show loses me somewhere along the way I do plan to stick with it til it ends, though I have no intention on writing anything as ludicrously long as this again until the show’s over. (even then I still may not do it cuz fuck, I knew I had a lot I wanted to say but how did it get this long holy shit what the hell was I thinking?!)

So, til next time….uh….eat chocolate responsibly…yeah. Nailed it.

P.S. the evolution theme, first riders, is pretty cool. It feels a lot calmer than most evo songs to me but it’s definitely grown on me as a song. Hope we can get a proper cool scene to have it play as a background track to!

#Digimon #digimon ghost game #ghost game #talky talky #no seriously I'm not kidding this is long #I probably won't be going back to fix any spelling errors I just want this done

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dutchforstrangers · 3 years

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Digimon Astrology Journey - 'Head first' buddies: Koushiro & Taichi

So I’m back with some headcanon Digimon Astrology and I’m diving into it head first! Something fierce leader Taichi would do, however he needs his loyal ‘brains’ there with him and that will be Koushiro. Where Koushiro is a thinker, analytical in every way due to his pragmatic Sun and Rising, Taichi is one of action due to his Moon and Rising (and Mars!). However don’t underestimate them, they have some serious airy energy going on, making them vocal, diplomatic and charming in their own individual ways.

These boys are so different, yet work together very well. They just have a hard time… talking to others or each other about… the complicated, personal specific stuff feelings. Must be the stars, right?

It’s been a while, but you can read back all things Astrology (basics, background, etc.) in previous posts Part 1 | Part 2. Furthermore, exploring Taichi and Koushiro’s birth charts is part 2 of this series, you can read the exploration of Sora and Mimi’s birth charts here.

The important stuff

Koushiro Izumi, August 26th 1989 (around 05.30AM)

Sun: Virgo (earth-mutable)

Moon: Gemini (air-mutable)

Rising: Virgo (earth-mutable)

Taichi Yagami, October 15th 1988 (around 5PM)

Sun: Libra (air-cardinal)

Moon: Sagittarius (fire-mutable)

Rising: Aries (fire-cardinal)

Warning: IT’S VERY LONG! I’m sorry in advance…

A little disclaimer before I start rambling: These are headcanons! Their given birthdays are not canon at all, but just me having fun combining my love for Digimon and my love for Astrology. It can be highly self-indulging, but maybe you can find some truth in it as well! If you want to know how I calculated their birthdays, read my previous posts as stated above. I use these birthdays in my own fanfiction, but feel free to use them as well. Some credit in the form of a reblog, like or mention of these posts and/or my Tumblr would be highly appreciated! See something you want to discuss? I love to learn and talk! As said these are my headcanons, but I’m not afraid to change my mind or to defend what I have if necessary.

Everything charts and the why under read more!

Koushiro Izumi - August 26th 1989

Assigning the Virgo Sun to this boy was the first thing I did, because I myself am convinced Koushiro Izumi is the embodiment of a true Virgo. I could be wrong, as I did not study Astrology and am a simple hobbyist, but everything I read about Virgos always lead me back to this particular maroon headed anime dork for years now. Hence why I gave him the same Sun and Rising sign, because Koushiro is who he is. Anyway, let me try to convince you.

For starters, here are a few (or actually all the) things about Virgos in general, for both Sun and Rising. Virgos are bright, practical, pragmatic, orderly, respectful, critical, perfectionists, security driven, communicative, tidy, nervous, detail-oriented… Can I stop already? Okay, now pick one of the above and tell me it’s not fitting for Koushiro.

…

Hm, I know. It’s hard, isn’t it?

Maybe his tidiness is questionable depending on the situation… But the guy is orderly and the chaos only exists in times when his perfectionism takes over. The nervous part from the Virgo can be seen in shyness or even being obedient. All of that makes Koushiro a dedicated friend who would do anything in his power to make everything work for you. Danger is that he will efface himself, thinking he’s not worth as much as the others. This is what happens in Adventure episode 28 right after he solved the card riddle. On the top left corner either the Agumon or the Gomamon is right, but he doesn’t know which one and he apologizes, which is not necessary at all, with: “I’m sorry I couldn’t live up to your expectations,” which is such a Virgo Sun/Rising thing to say..! The Virgo dynamic is alive and kicking.

It’s even more alive and kicking in his other strong Virgo placements: Mercury and Mars. With Mercury in Virgo, Mercury is in it’s sign of its rulership, making it a strong placement. And precisely that planet is the planet of thoughts and knowledge! The combination of his Sun, Rising, Mercury and Mars in Virgo makes him be, engage, think and act like a true Virgo. Detail-oriented, thoughtful, respectful, orderly, practical and curious!

The hardest part for his birthday calculation was his Moon placement. The Moon is all about emotions, needs, wants, behavior, responds, et cetera. I first gave him a Capricorn Moon, but my boyfriend is such a Cap Moon and it didn’t fit the bill for Koushiro in my opinion. So I read and searched and eventually came to the conclusion it had to be an Air sign Moon, simply for the fact that our boy Koushiro is the bearer of the crest of Knowledge and Air signs can be seen as the intellectual ones of the Zodiac! Eventually I went for the Gemini Moon and I’m going to explain why exactly.

One could say Gemini is the bearer of Knowledge just as much as Koushiro is. Gemini LOVE to know things! They are naturally curious and are great communicators, when it comes to knowledge (pun warning if you’ve seen the reboot: they love to bring joy to their knowledge). Gemini tend to be a bit superficial when it comes to having and sharing knowledge and of course we know that’s not the case with our Koushiro here, due to his many Virgo placements, making him more observant and inward. What the Gemini Moon DOES to him is making this boy very talkative! He likes to spill what’s on his mind, he likes to share what he thinks, he likes to ramble and rant. It’s something we see him doing in Tri a lot, especially that one scene in Reunion part 3 (episode 3) where he keeps on rambling about all the strange events and he misses the first part of the conversation between the other DigiDestineds (about the news and Jyou’s ‘girlfriend’ poor guy no one believes him). Koushiro misses the conversation because a) his Gemini Moon likes to ramble and keep rambling, and b) because his Virgo placements can make him a bit unaware of his surroundings quite the time…

That’s not a bad thing per se, Koushiro is just very much focused on his work and d e t a i l s, which is a VERY Virgo-ish trait. But lets not forget that his priority is to help others with that knowledge and that the combination of his Virgo placements with his Gemini Moon makes him a great mentor. Brings me to his role throughout the entirety of Adventure 02: The Mentor. You’re welcome.

Another Gemini Moon thingy is rudeness. Now we know Koushiro is the most polite person out of ALL DD’s, always using honorifics, even saying Hikari-san instead of Hikari-chan, because Koushiro IS respect. But Koushiro is not afraid to tell you what’s at stake in times of ‘danger’, he’s not afraid to tell the truth. There are a few examples for that in Adventure, Adventure 02 and in Tri, but I’d like to refer to one of my favorite moments in whole Digimon Adventure history. Because Koushiro x rudeness brings me back to Diaboromon strikes back when he’s obviously so done with everyone, then Mimi enters the scene and he doesn’t even care. In the English dub she literally says “How rude”. Ooooohhh Koushiro, you little rude demon… It’s not the biggest proof it’s a simple one and my personal favorite.

All of the talkativeness and rudeness is something we mostly see Koushiro doing when he’s most comfortable. So we won’t see him being all talkative all the time -sharing more than just plain, superficial knowledge and instead more personal helpful knowledge- with everyone, but we do see him being talkative and speaking up to certain characters he’s most comfortable with. Now name one boy he’s very talkative to compared with literally all the other characters… You know what? Scroll down.

Last thing and then I’ll stop rambling about this beautiful and lovely nerd. His Venus, planet of values (and love…) is in Libra. What does that mean? Well, I’ve seen quite some fans type Koushiro as a bi-sexual, or something in that direction. Or even better a ‘disaster bi-sexual’. I already agreed on that, but when I saw this birth chart… IT’S (HEAD)CANON! Seriously, Libra is the zodiac sign of doubt, decision making (or actually no decision making, but I’ll get there with the next boy) and relationships and if you have your Venus placed in Libra you’re doomed to be a disaster when it comes to making decisions in your love life both romantically and platonically! Venus in Libra creates the desire for a good and loving relationships, but Koushiro’s Virgo Sun/Rising makes him more shy, his Virgo Mars makes him hold back. Once again, the Virgo Sun/Rising-Libra Venus dynamic lets him efface himself in relationships, thinking they have nothing to offer, but they have!! And so Koushiro gets left behind with his unresolved feelings… the boy has a hard time in love, let’s give him all a hug!

Taichi Yagami - October 15th 1988

The protagonist. Okay, let me compare this goggle headed protagonist to another goggle headed protagonist outside the Digimon franchise: Naruto. This is probably more interesting to people who have watched and know Naruto, so you can skip the part. To me Naruto is the classical protagonist type; bold, adventurous, playful, (a little) obnoxious at some times, hot headed… These are traits we easily assign to fire signs in the zodiac, especially Aries. So I would immediately give Naruto the Aries Sun placement. However, when we see Naruto grow up, his behavior and the way he speaks and leads grows up with him as well. That’s only natural. And based on those changes I wouldn’t necessarily give Naruto the Aries Sun placements, although the Aries placement or another fire placement is very likely to be present in his chart.

Now I could go even further, explain the development from child to adult through Jung’s theory about cognitive functions, but that’s incredibly complicated and a looooong stretch I won’t be making here today. In short, Jung’s development theory is interesting, because it shows how we first see the obvious traits in a child which are the traits the child engages (Rising sign) the world with before it develops the other functions showing the person’s true identity (Sun sign). So we could say we first see someone’s Rising sign more clearly before the Sun comes shining through. Like with Naruto. And the same could be for Taichi in the case of this headcanon.

To tackle his birth chart and big three, I’ll be starting with explaining his Rising Sign before his Sun sign. And the Rising sign I assigned him is Aries Rising.

Like I said above, Aries is bold, adventurous, playful and above all: courageous. Especially the Aries Rising placement which is more courageous than its Aries Sun counterpart. Aries are born leaders, can be extremely competitive, are somewhat restless and desperately need to move. In Taichi’s case with the above birth chart, that urge to move is magnified by his Aries Mars placement. The dynamic of his Aries Rising and Aries Mars makes Taichi a mover, an adventurer, and incredibly determined. This could be both positively, always wanting the best (especially for yourself, as Aries is a pretty selfish sign), and a tad negatively, always going and going and going. In the Adventure series this could be the reason why he makes Greymon dark-evolve, because he wants things too bad and too fast. Aries are hot headed and can grow impatient if things don’t go the way they want. And the Aries Rising and Mars dynamic makes Taichi a very physical guy. Mix that with the impatience and he is not afraid to pick fights and use his fists.

All of this can make Taichi a very stormy and reckless boy (boundaries? What’s that?), but also a fearless leader. The exuberance, the impatience and restlessness comes back in his Sagittarius Moon placement as well. This Sag Moon in combination with his strong Aries placements in Rising and Mars makes Taichi a sportive, physical, optimistic and forward leader that is incredibly courageous and adventurous, which could make him a bit ‘superficial’ as a protagonist. But the Sag Moon also deepens and strengthens his leader skills.

Sagittarius is a sign pictured by a centaur with an arrow and bow. The centaur’s horse legs make the Sag want to move and be free, but the arrow aims in a clear direction and aiming takes knowledge and focus. Sagittarius thus is an adventurous fella, but also a philosopher. Taichi’s Sag Moon placement makes him a pro in seeing the bigger picture and connecting dots next to his never ending energy. He will make sure we’re going in the right direction by overlooking the whole situation. So we absolutely shouldn’t forget Taichi is a true strategist! He sees, understands what’s at stake in a situation, connects the dots, comes with a strategy and like a true leader knows his team and can place everyone in his right spot to get through the toughest of situations (once again referring to Taichi asking Koushiro to pick the cards in Adventure episode 28). Speaking about a great leader, gosh, Taichi, you’re truly amazing! <3

However, it’s his Aries Rising and Mars that often make him act before he thinks, preferably alone (Taichi is a teamplayer, but the selfish and reckless Aries in him makes him act alone. And the sum of teamplayer + acting alone = self-sacrifice mode… which happens ALL THE DAMN TIME). Or actually makes him act while thinking without doing a short reflection beforehand. Seriously, I’m convinced that this reflection in advance could have saved him a lot of trouble throughout Digimon Adventure. Let’s blame it on (t)his (headcanon) birth chart…

Also, all of the above vouches for Taichi having an amazing intellect, but the guys needs to be challenged… Hence why he’s always staring out of the window during classes in Tri, daydreaming away to where the adventure is. He feels trapped, needs to be outside and should use his intelligence for things he finds important (like saving the digital world, soccer and saving friends and the world). The daydreaming could also be his Libra Mercury who can make Taichi lose his focus and could make him lazy. Luckily Taichi has a very active Aries Mars in opposite aspect from his Libra Mercury that neutralizes that lazy and dreamy Libra Mercury.

Okay, back to topic. Now you maybe think: But if Taichi is good in knowing where to go, being the fearless leader, also an intellect who has the knowledge to aim straight and shoot… then WHY is he so lost, down and in doubt in Tri and so unknowing of his future in Kizuna…??!! I have an answer to that. And that answer is his Libra Sun.

I know I know, this is a very VERY unpopular Sun sign to give this goggle leader, but please hear me out. For starters, Libra is the sign of diplomacy and if we believe the 02’s epilogue what’s Taichi’s job? Right, a diplomat. We also know he studies something like political sciences in Kizuna (which I think is AMAZING and vouches even more for Taichi’s intellect! Politics is a tough study…) and to make it in the political field you really do need diplomacy and charms.

Taichi is an absolute charmer, in my eyes at least. I mean, look at his 02 self! He’s such a smooth charmer in every way… The way he sends off Sora to Yamato while acting all cool and collected, phew, that requires some serious smoothness. And still we often see Taichi depicted as a down and broody boy besides his energetic and bold (sometimes indifferent…) character, especially after Tri. That too could be due to a Libra Sun placement.

Like Sagittarius is depicted by a centaur, Libra is depicted by scales and those scales are all about harmony, balance and justice. Libra is the opposite of Aries in the zodiac, but also about weighing opposites in the sigh itself. When we look at the Aries/Libra opposite placement: where Aries can be quite selfish, Libra as an opposite is the people’s pleaser. Where Aries is reckless and impatient, Libra is thoughtful and patient and one could say that an Aries acts where a Libra waits. Where Aries makes the impulsive decisions, Libra keeps deliberating leading into constant doubt and confusion. And how do we see Taichi in Tri? Ah yes, in doubt and confused.

A Libra Sun desperately wants to bring peace and harmony, driven by justice, in a diplomatic way. Libra Suns are deep thinkers which can make them very doubtful, making them spiraling down into a hole of overthinking and doubts. The Libra Sun-Sag Moon dynamic makes this all even more deep and almost philosophical in a way there will always be more and more questions, but never answers because Libra simply can’t make choices. All while being solution-oriented!

As Taichi grows up from a middle schooler to a high schooler, it’s that doubt coming from the Libra Sun that kicks Taichi hard. It conflicts with his carefree and bold Aries Rising nature and as that Libra Sun comes shining through, we see Taichi becoming more cautious and reserved compared to his younger self. The guy has a strong inner dialogue always looking for the best solutions to please everyone and bring harmony (I wanted to say ‘balance to the world’, yes to all the avatar the last airbender cameos) to the people and world(s in case of the digital world) around him he so desperately wants to protect. This is what we see happening in Tri, where he can’t choose what’s the right thing… Most of the time that inner dialogue is hidden behind his Aries Rising (and Aries Mars and Sag Moon).

So under that tough and courageous Aries Rising demeanor (remember that a Rising sign is all about engaging and how you come across to others) is a very soft, sweet, friendly and overall smart Libra Sun boy who has troubles expressing himself because the boy is in conflict with himself (which we see in the Dark Master’s arc in Adventure where he expresses his concerns towards his sister to Koushiro… it’s so hard for Taichi to let it all out, even when he needs it badly). It’s so sad, he’s such a complicated character, but that’s also one of the most beautiful things about Taichi. He’s layered af. He could be the best listener (Koushiro’s feels this, that’s why Koushiro can talk so open and freely to Taichi, because Taichi lets him thank you Libra Sun) if it weren’t for his strong fire placements opposite from his airy Sun sign. But give the boy time and space and he can show you his charms in a way no one else owns those charms.

So Taichi’s Libra Sun is hidden away most of the time due to his strong Aries placements. Usually his Rising and Sun sign being in opposite aspect from each other, should neutralize the placements, but Taichi’s Aries Mars placement makes the Aries Rising overrule the Libra Sun. Still, we shouldn’t forget Taichi is a softy with a big heart. He just needs the right people around him to get his charm on and Taichi definitely has some great people collected in his life who can help him think and make decisions.

A few things I want to point out before I stop rambling, because this analysis is already WAY too long.

Taichi’s midheaven in Capricorn in combination with his Libra Sun and Aries Rising makes him very ambitious on the intellectual side! Directly aiming for the UN and quickly climbing up the promotion ladder (and being successful like a true Cap, let’s not forget that).

His Mars was in transition from Pisces to Aries during his birth. Which means his Aries Mars is highly influenced by Pisces which could also explain why he spirals down as Pisces Mars has a lot of stormy energy on the emotional side (whereas Aries Mars has stormy energy on the physical side). When this emotional energy comes out negative, it can lead to mental health problems (!!! TRI DEPRESSED!TAICHI), especially when close friends and family (can you feel it coming? The whole Hikari-trauma is a thing) are involved.

His Libra Sun makes him in need of a group of friends and he loves being surrounded by them! Though he doesn’t like to admit that due to his Aries Rising. Taichi is such a conflicted boy…

An end note on these two boys: A heart to heart/hard friendship with a lot of mutual understanding and support <3

#DFS Digimon Astrology Journey #head-first buddies #Koushiro Izumi #Taichi Yagami #Digimon #Koushiro #Taichi #Izzy Izumi #Tai Kamiya #Izzy #Tai #Astrology #Reference post #Digimon adventure #Digimon tri #Digimon kizuna #Digimon adventure: 2020 #LONG POST.#Digimon headcanons

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shihalyfie · 3 years

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How would you describe the relationship between each respective goggleboy and 'rival'? Ive seen different interpretations but im curious what you think! Not to mention that the fans are sometimes arguing over who the 'rival' actually is, like with Daisuke where some people say its Ken and others say its Takeru. (I dont think there are actual rivals in the show, except for maybe Manga!Kiriha who outright says he will be just that with Taiki.)

One thing to keep in mind is that the word "rival" has kind of integrated itself into anime lingo as a full-on English loanword, so it comes from expectations of anime tropes more than anything. While even official staff has used that word in talking about Digimon, as you say, it never really fit to begin with, because not only has Digimon TV anime never been a particularly conventional shounen series in many ways, that term was also mostly coined in light of series where that term made a lot more sense. As in, they were more likely to be actually competing over something (in sports, or something tournament-based like card games); in that sense, a "rival" would be someone who might be antagonistic by being on the other side of the field, but would have a mutually positive relationship with the other person overall because the competitiveness would keep both of them on their toes and allow both of them to improve together. Digimon is not the first time this term has started getting overapplied to contexts where it doesn't really fit at all (it's been going on in Super Sentai for years), so people generally have a greater perception of it broadly meaning "two characters who have differing opinions on how something should be done due to their differing personalities, and sometimes fight over it", but in Digimon especially, it really does seem like trying to smash a square peg into a round hole.

The short answer: Xros Wars is probably the only one you can make a real argument for.

The long answer, in detail:

Adventure: I cannot emphasize enough that Adventure, being a series that was really big on that whole trope subversion thing, is a series that casts the trope of "rivalry" as "getting in a lot of fights" as a bad thing -- it's actually pretty unsubtle about it, because the word "rival" itself is explicitly used in Adventure episode 44, by Jureimon trying to manipulate Yamato. Or, in other words, "hey, if you saw someone who's supposed to be your supportive friend as someone you had to constantly compete against for no good reason, wouldn't that be really messed up?" Adventure does not even bother with or remotely believe in the idea that fighting somehow is a sign of how good friends you are, at least, not as long as that fighting is a sign of genuine hostility and refusal to communicate (which is why Yamato punching Taichi in 02 doesn't count). Every time Taichi and Yamato got in a fight back in Adventure, it was heated and ugly, and everyone in their presence was horrified, and once they sorted out their issues in Adventure, their appearances in 02 and Kizuna involved properly talking things out and making an active attempt to understand each other's feelings. There's a bit of bickering between them due to said opposing personalities, but it's never over anything serious (see the contrast in Kizuna between them having a bit of a minor row at the beginning, but high-fiving right after and spending the rest of the movie practically counseling each other).

02: Straight-up does not exist. Daisuke may have seen Takeru in that way due to the Hikari issue at first, but he was really running in circles getting absolutely nowhere about it, Takeru was mostly like "okay, you have fun with that," their only major argument about anything was the very serious issue in 02 episode 11, and it still resulted in Daisuke trying to understand Takeru's feelings. I think all of it boils down to Daisuke himself just not having that kind of personality to begin with, because he's friendly and supportive before anything else, and the whole thing with Takeru became a non-issue after a fashion (way before we even get into Kizuna, at that). Ken has the word "rival" sometimes applied to him in official franchise media, but nobody ever believes it. Sure, Daisuke and Ken have fairly complementary personalities, but they seem to both be aware of this fact and actively using it to help each other. It's very, very, very hard to imagine them ever getting into any kind of fight the way Taichi and Yamato used to in Adventure. It's just not happening! They're "best friends" who enjoy each other's company and actively hang out, and...yeah, that's it.

Tamers: Also does not exist! I know a lot of people really try to say it's Ruki because she's the one with the lone-wolf attitude and aggravated Takato at first, but my impression of Takato's attitude with her wasn't out of any competition but more that he'd like it if she didn't try to pick fights with him. Which she does actually stop after a while, mind you, and you could even make an argument that she's more of a foil to Jian than Takato, because Jian's the one who was completely pacifist at first, with Takato caught in the middle. In the end, Ruki never actually attains a particularly close relationship with Takato compared to Jian, nor does she really keep up a particular competitive streak with Takato; she kind of pops in and out at her leisure because of her more independent streak, and Jian ends up more of Takato's right-hand man (which is why the franchise presumably picks him as the secondary character to feature whenever they do "secondary characters"), but neither Takato nor Jian are prone to conflict and the entire trope is just fundamentally absent. The Tamers trio, is, ultimately, a trio.

Frontier: Takuya and Kouji are probably the first pair to really look like a proper execution of the trope, and at the very least they align pretty perfectly to how it's known in Sentai: a more hot-headed, aggressive lead with a more cool-headed and cynical right-hand man, where they end up often prone to conflict over dispute on how to best lead the team. However, while it's much more of a conventional execution than Adventure (since Adventure had Yamato actually be more prone to being an emotional fuse bomb whereas Taichi was often too chill more than anything), there being any conflict isn’t gone into that deeply beyond just "their personalities are complementary", and in that sense it's not far off from Adventure itself.

Savers: The series kind of baits you into thinking it might go this way when Nanami taunts Tohma about how he had to resort to a Masaru-esque tactic to beat her (it's one of its early red herrings about Tohma supposedly betraying the group), and it does have traces at the start because of how blatant of a foil Tohma is to Masaru, but one thing important to consider is that while the "rivalry" of what's being competed over is barely even relevant in most Digimon series to begin with, Masaru and Tohma don't even have a "group" to lead -- they're the employees under DATS who are being given orders from above, and are dealing with situations as they come. Masaru ends up leading the charge a bit, but he's not actually a leader in any shape or form, and Savers is more of a story of Masaru's coming-of-age than anything else, so while the series mostly has to do with his personal philosophy more than Tohma's, it ultimately lets the two of them pursue their lives their own ways. Masaru's worst bout of infamous anger is at being hurt over Tohma's apparent betrayal, not against him personally.

Xros Wars: I would say this is the only series to date where the term "rivals" properly applies, and it's because they're fighting over something concrete: the Code Crowns, and eventually Digital World territory. So in this case, for the first two parts, the answer is obviously Kiriha; Nene was a rival at first, but after various events happened she allied with Xros Heart early into Death Generals, and while Taiki and Kiriha had a relationship of mutual respect, Kiriha still considered him an opponent over what they were competing for until eventually the Xros Heart United Army fully came into formation. In the manga version, Kiriha does invoke the word "rival" in the above sense of competing to polish one's skills, but ironically, its version of the Death Generals arc involves them being much more in-tune with the same goals, so it might actually apply less because Taiki kind of responds with "uh, sure...?" since he's not nearly as interested in self-improvement. In Hunters, while it initially seems like it might be Yuu, the answer is really Ryouma, and note that Ryouma never really forms a particularly close relationship with Tagiru; it's just that he's the person most at the forefront for competing with Tagiru in the Hunt, to the point he's the first person chosen to wield the Brave Snatcher and turns out to be a bit of a foil for Tagiru in terms of actually having admired Taiki this whole time.

Appmon: Also does not exist. Rei tried to do the whole schtick in terms of competing for the Seven Code Appmon at first, but Haru was having none of that and immediately reached out to him emotionally, worrying about his welfare, and although Rei had a bit of a detached relationship with the other Appli Drivers thereafter, it really was friendly more than anything, just a bit awkward. Haru and Yuujin aren't even on the table, since their relationship is "best friends" akin to Daisuke and Ken.

Adventure: reboot: Also does not exist, considering that Taichi and Yamato bickering over the best way to approach things is limited to the very beginning of the series (and one of those times was with Yamato and Sora, not Yamato and Taichi, at that). In fact, I think most of these kids have been acting separately for most of the series anyway...?

#digimon #shiha's ask box #timelessanimo #digimon multi series talk

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commentaryvorg · 3 years

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Digimon Savers Commentary Episode 3 - The Genius Who Returned Home, Tohma! Crush Meramon!

In this episode, we’re introduced to Tohma, whose return to the Japanese branch of DATS immediately sparks a hostile rivalry between him and Masaru. Meanwhile, Masaru’s first mission as a DATS member presents him with the tricky conundrum of figuring out how to punch fire.

We open with Masaru and Agumon stuffing their faces at the Daimon family breakfast table.

Sayuri: “My, my. Masaru never usually gets up before the afternoon on a Sunday. This must be thanks to Agu-chan!”

Masaru habitually sleeping in on non-school days is deeply relatable.

But more importantly, it’s lovely that him meeting Agumon has changed that! Though Masaru might have got something out of fighting random street punks before, it seems that it wasn’t quite exciting enough to him to get him out of bed early for it. It was probably more just that he’d wander around town bored and pick fights with anyone who seemed up for it out of a lack of anything better to do.

But now that he and Agumon have got all these Digimon to fight, Masaru’s got a real reason to wake up as soon as possible to go do that! Meeting Agumon has genuinely made him a whole lot happier with his life.

Also it is adorable how Sayuri and Chika have already taken to calling Agumon “Agu-chan”. It’s a cute sign that they see him as exactly the dorky kid that he is rather than as some weird monster, and also that they see him as one of the family, which is absolutely what he is now.

Can we please appreciate Chika’s done-ness here. I love her.

Masaru: “What the hell, Mom! Serve me before Agumon!”

Sayuri: “I never said you wouldn’t have your share. Just wait for a bit. After all, Agu-chan’s still a child.”

Again with the just treating Agumon like the big kid that he is. Sayuri is so good.

We are also introduced to the glorious treasure that is Sayuri’s fried eggs! Agumon has certainly discovered how great they are.

(Technically, these are tamagoyaki, a Japanese miniature rolled omelette thing. But the subs go with fried eggs, which is close enough and rolls off the tongue quicker in English.)

Masaru: “Gimme that!”

Agumon: “I won’t hand over the last of Sayuri’s fried eggs, not even to you!”

Oh, won’t you, Agumon? Not ever?

(This is another line to keep in mind for a lot later.)

Chika: “What a child…”

As Masaru wrestles Agumon in an attempt to literally get the fried egg back from out of his mouth, Chika observes that she’s somehow the most mature of the three Daimon kids. (Yes, I said three, what of it.)

Meanwhile, Tohma is… having a gratuitous shower scene. Uhhh, sure. Apparently this totally needed to be his introduction. …Look, at least I appreciate that the fanservice is being equal-opportunity in terms of gender. (For now.)

He also has a butler, and is living in a pretty big but mostly quiet and empty mansion. This sequence is about showing the huge contrast between Masaru and Tohma’s home lives, but I do not know why the writers thought a shower scene was necessary for that.

(Tohma mentioned at the end of last episode that this country is his mom’s homeland, but he sure doesn’t appear to be staying with his mom right now, does he.)

Agumon attempts to fit himself into the basket of a bike which I can only imagine is Chika’s, because I don’t think Masaru’s bike would be pink. Agumon doesn’t seem to realise this. Chika doesn’t seem to want to tell him. He is such a ridiculous dork.

Meanwhile, Tohma gets seen off in the morning by the mansion’s staff bowing goodbye to him, and then is driven around in a limo.

Masaru’s “transportation”, on the other hand, is running down the street while giving Agumon a piggy back. Apparently this is so that Agumon can stay still and pretend to be a really big stuffed toy, but he’s kind of ruining that by talking and waving his arms around to cheer his aniki on.

(Of course, the most obvious way to not have Agumon raise suspicion would be to keep him in his Digivice, but it seems they’ve already agreed offscreen that that’s not an option because Agumon doesn’t like it in there. Yoshino and Satsuma would probably have some words to say to them about that, but hey, they’re not here, so Masaru’s gonna let his follower stay outside and be happier.)

Masaru: “Uh… what do I press again? This? No…”

Masaru, that DATS earpiece only has like two buttons on it, it can’t be that hard to figure out.

Yoshino: “We have a Digimon signal.”

Masaru: “Where?!”

Yoshino: “Area C-7. Can you get there directly?”

Masaru: “Yeah! Leave it to us!”

Not pictured: Masaru wondering where the heck “C-7” is and why he impulsively said he could definitely get there when it could be on the other side of the city for all he knows.

(Okay, that’s probably not actually what happens. Somehow we are supposed to believe that Masaru – Masaru – memorised all these location codes that DATS uses remarkably quickly. I imagine he knows the city quite well, but these codes for the areas are presumably a DATS-only thing that civilians wouldn’t be familiar with.)

Street punk #1: “So boring…”

Street punk #2: “Nothing’s going on at all…”

PetitMeramon: “Nothing at all!”

This is the first time we’ve seen a rampaging Digimon speak… but it doesn’t necessarily seem to be expressing its own thoughts. Rather, it’s just parroting these bored dudes. The PetitMeramon goes on to float down the street and set things on fire, which certainly makes it so that something interesting’s finally going on. It almost seems as if this is happening because these dudes were bored and wanted some kind of excitement, even if they weren’t necessarily wishing for this.

This is almost immediately followed by Masaru and Agumon showing up, which… the timing of that doesn’t exactly work out for the PetitMeramon to have only just appeared, assuming this is the Digimon signal Yoshino told him about while he was still in his own neighbourhood. But I’m still very sure that the writers want us to feel like these dudes’ boredom is related to the PetitMeramon being here, and honestly, showing us that is more important than getting meaningless details like the timing of things exactly right, so I don’t actually care.

Masaru: “Let’s fight!”

PetitMeramon: “Fight…”

Again, still not really speaking for itself, just parroting. Though this time it’s parroting a different person, so maybe what we can take from this is that there were some other bored people who originally brought it here and now it’s just parroting and acting on the thoughts of whoever happens to be nearby. (It’s true that we didn’t actually hear the sound of a Digital Gate opening just now.)

Unfortunately for our pair of dorks, a living fireball like PetitMeramon is immune to Agumon’s fire attacks and not solid enough for Masaru to punch. And without punching it, Masaru can’t get his Digisoul, so he can’t evolve Agumon either. This is the absolute worst possible enemy for them to try and fight.

Naturally, they just chase it further down the street anyway, giving absolutely no care to the random dudes who just watched a giant lizard and a living fireball duke it out. Despite being a DATS member now, Masaru is still really not here for all of the calculated government secrecy stuff.

Luckily, Tohma arrives on the scene in his limo and cleans up these loose ends Masaru left using a memory-wipe flashy thing. And, to be fair, I wouldn’t be surprised if Satsuma just didn’t even give one of those to Masaru in the first place. I’m not sure I’d trust him not to accidentally point it the wrong way when using it or something, given that he could barely figure out the two buttons on his earpiece. Masaru and technology do not mix.

(…Though I have to wonder why Gaomon then emerges from the limo and isn’t inside his Digivice. Sure, the flashy thing knocked out those dudes so they’re not a problem right now, but do you really not expect to run into any more people as you chase down the target? …But of course, the only real reason Gaomon is out right now is so that we can get a brief glimpse of him as a stinger before the opening.)

Okay! Okay!

I can jump over any limits!

Feel that excitement passionately!

Some more gung-ho opening lyrics! These feel appropriate here, as the idea of Masaru’s burning passionate excitement is going to be a bit of a thing in this episode, as is the idea that he brashly considers himself to have no limits whatsoever.

At DATS HQ, Masaru is grumpy about not being able to win.

Yoshino: “Well, I didn’t think it would go easily for you from the start.”

Honestly, having seen how easily Masaru handled the fights in the first two episodes, I would have expected things to go easily for him, at least in terms of fighting. It only didn’t because this specific enemy happens to be immune to all of his usual tactics. The more logistical side of things, such as the secrecy and the memory wiping stuff, I can see Masaru needing a while to get used to (though, spoiler, he’s, uh, never really going to become any good at that at all), but not the fighting.

Tohma shows up with the PetitMeramon’s Digiegg, presenting it to Yoshino and not even acknowledging Masaru’s presence.

Miki and Megumi, the two young women who work the tech side of things at HQ, begin fawning over him, which is, uh, a liiittle questionable when he’s fourteen and they’re… it’s never made clear exactly how old, but definitely at least adults. Thankfully, this mostly goes away and stops being much of a thing after this episode.

There is also Gaomon! He is a good dog. Though right now he’s being as dismissive as his master and ignoring Agumon when Agumon tries to ask who he is.

Masaru: “You bastard! You took away my prey!”

It’s so Masaru to be mad about this. That PetitMeramon was his opponent first, and now he can’t even settle the fight himself because this guy came in and defeated it before he could!

Tohma barely looks at him, and…

Masaru: “What, gonna fight?”

…of course Masaru is ready to start a fight over this, because this is how he’s used to settling disputes.

But actually Tohma was just turning to walk towards Satsuma, still pretty much entirely ignoring Masaru’s presence.

Tohma: “I’ve looked through the written reports, and it seems rather peculiar that there are a large number of Digimon detected in this country lately.”

[…]

Satsuma: “Is the frequency not as high in EU?”

Tohma: “No. It must be because it has a larger area.”

I do not understand what Tohma is trying to get at with that last part. Since Europe is bigger than just Japan, surely that means they’d expect more Digimon incidents in it, not less.

That weird part aside, though, it is a relevant point that Japan in particular has been seeing more Digimon incidents than anywhere else. There’s a reason for this.

Masaru is fed up with Tohma acting like he doesn’t exist and walks up to cough pointedly behind him. It’s actually rather unlike Masaru to be passive-aggressive and indirect like this, but it does amuse me.

Satsuma: “Oh, let me introduce you. This is…”

[Tohma barely even glances at Masaru; Masaru gets angry]

Masaru: “Hey! I don’t care if you’re called Tohma or Tonma… but around here, I’m your senpai! I’ve only been here for three days, but make sure to call me ‘Daimon-san’ or ‘Daimon-senpai’!”

Not that it takes much for Masaru to go back to his usual direct approach to things. Tohma just waltzing in here, easily defeating the opponent that Masaru was struggling against, getting immediate respect from everyone else in the room and barely even acknowledging Masaru as worthy of looking at makes Masaru feel inferior, which riles him up and gets him flailing to assert some kind of superiority in a really transparent way.

See, Masaru wouldn’t usually care all that much about people showing the appropriate politeness when referring to him, but when it’s this jerk who’s making him feel like this, damn right he’s going to insist that the three days more he’s been here is totally enough to count as making him a senpai. (A senpai means someone senior within the same group; it’s a Japanese concept that doesn’t quite have a direct English equivalent, hence the subs leaving it as-is and just giving us a translators’ note explaining it.)

Calling him “Tonma” – which another translators’ note informs us is a word for an idiot, so basically Masaru’s just insulting him in a very juvenile way – is, of course, not exactly the best way to establish himself as a mature and senior senpai.

Satsuma and Yoshino point out that actually Tohma is Masaru’s senpai, because he used to work here until he took a six-month trip to work at a DATS branch in Europe, which he’s just returned from.

Masaru: “B-But no matter how you look at it, he’s the same age as I am…”

Establishing Tohma’s age as being also fourteen. (Though technically Masaru wouldn’t necessarily know his exact age and is just saying he seems similarly aged, but whatever, Tohma is fourteen as well, let’s go with it. Their rivalry has a much more fun dynamic if they really are exactly the same age rather than one having a year or two of seniority over the other.)

They also go on to add that Tohma is a genius who already has a degree (and even more than that, as we’ll later learn). And, okay, while on paper Tohma’s genius achievements are probably wildly unrealistic for anyone to have managed at the age of fourteen no matter how clever they are, it doesn’t really bother me. In practice, the genius thing isn’t here to make Tohma magically unrealistically special; it’s here to make him interesting and a great foil for Masaru. Tohma is a very well-written character whom I really like, almost as much as Masaru, and I’m looking forward to getting to talk about him a lot here.

On top of this, the Norstein family is Austrian nobility, so Tohma’s practically a prince as well. (Again, there’s very much a point to this that’s relevant to his character and not just for the sake of making him special). And they add that Gaomon is the most accomplished battler they have among the Digimon at DATS (not that there’s that many for him to compete with there).

Satsuma: “Be sure to get along with each other, as you are colleagues.”

Yep, Masaru’s sure to have no problems getting along with this person whom you just lengthily explained is way more awesome than he is despite being the same age as him.

Masaru certainly doesn’t seem too happy about this.

Tohma: “I think it will be futile to do so, Captain Satsuma. There is not a chance that this person could benefit DATS.”

Masaru: “What d’you mean?!”

[Tohma only barely glances at Masaru before turning back to the Captain]

Tohma: “People like him should be dismissed at once.”

…Though, it turns out, Tohma is also equally unwilling to even attempt to play nice. All this barely even glancing at Masaru and talking about him rather than to him is kind of a dick move. Really, Masaru and Tohma are being equally as rude to each other here, albeit in completely different ways.

Masaru: “Say that to my face! Look into a person’s eyes when they’re talking!”

And I love that this in particular is what gets to Masaru the most. He’s always so straightforward, and being that way is important to him. He can’t stand people beating around the bush and being vague about their intentions rather than just coming out and saying what they really mean directly to the person involved.

To be fair to Tohma, he does actually listen and look Masaru straight in the eye this time.

Tohma: “You and your partner are not suited for DATS.”

Yoshino: “Tohma!”

I like Yoshino protesting here. Even she thinks this is going a bit far.

And it is a bit far, really – sure, Tohma caught a glimpse of Masaru and Agumon’s rather unfortunate fight against the PetitMeramon earlier, but that’s hardly enough evidence to decide that they have absolutely nothing to offer. This says less about Masaru and Agumon and more about Tohma himself: he’s something of a perfectionist, and he doesn’t like the idea of working with anyone who doesn’t match up to his very high standards.

(College degree as a teenager? Member of Austrian nobility? Yeah, we can already guess where some of that might come from.)

Masaru, being Masaru, has had enough and just tries to punch Tohma – but he blocks it easily.

Tohma: “Really, now. You want to face me with that level of power? How incredibly pathetic.”

Masaru: “What do you mean, ‘that level’? How strong does that make you, then?!”

This is the first person Masaru’s met in probably a really long time who’s said anything to the effect that he’s not strong enough, who’s implied that there’s some other, higher level of strength that Masaru just doesn’t have yet. He’s not used to thinking of his strength in those terms, and feeling inferior. Isn’t he supposed to be the number one street fighter in Japan? How can there be any kind of greater strength he doesn’t have?

Tohma: “Do I have to answer that?”

Masaru: “Yeah! Go on, show me! Let’s see the truth behind all that bragging!”

Of course Tohma has to answer that and actually prove himself! Masaru is all about actions rather than words; if someone’s claiming they’re stronger than him, there’s no way he’s going to just accept that until he tests it out for himself.

It turns out Tohma is indeed perfectly willing to put his money where his mouth is, because we cut to what’s presumably a gym somewhere in the DATS HQ, in which there is a boxing ring. I might call this awkwardly convenient, but no, actually, since Tohma used to work here (and he’s into boxing, as we’re about to see), it makes a lot of sense that he might have asked to have one installed for himself to use recreationally in between missions.

Yoshino: “Hey! Put on your headgear!”

Masaru: “I don’t need it! Besides, he’s not wearing any!”

Masaru and Tohma are both being reckless idiots here, pointlessly endangering themselves because of their pride. They’re both telling themselves “I don’t need to protect myself to win against him”, and they’re certainly not going to be the only one to wear headgear while the other doesn’t and end up looking like they’re only winning because they have an unfair advantage, or like they’re wearing it because they’re worried.

It is notable that Yoshino is only trying to encourage Masaru to wear the headgear. Apparently she’s already expecting Tohma to have the upper hand here? Ouch.

As you’d expect, the first few moves of the fight are Masaru throwing wild punches at Tohma while he easily dodges them all.

Tohma: “You put all your faith in power without using any strategy or tactics.”

Which pretty much sums up the entire Masaru-Tohma contrast going on here: reckless power versus careful strategy.

Tohma: “Why did you join DATS?”

Masaru: “Huh?! It was so I could win, obviously!”

Tohma: “Against who?”

Masaru: “Against strong guys!”

Look at how Masaru doesn’t even think to specify who he wants to win against at first, because the exact opponent he’s fighting isn’t the point. He just wants to challenge himself and prove to himself how strong he is by winning those challenges, and fighting Digimon happens to be the best way for him to do that right now.

Also look at how Masaru has completely stopped caring about the part where the other reason he joined was so that Agumon wouldn’t be taken from him. That genuinely does not matter to him any more, now that he’s here anyway because he wants to be.

(So it’s actually kind of a bit much that Tohma is insisting Masaru should be dismissed from DATS – because that would mean he’d lose not only this job, but also Agumon.)

Tohma finally stops just dodging and counters with a blow to Masaru’s stomach – the first punch that’s actually landed for either of them – giving him a sense of the high ground as he says these next words.

Tohma: “What a boring story. DATS has an important mission. Every member has an obligation and a responsibility to carry that out.”

It’s very appropriate that Tohma would be so disdainful of Masaru being here for entirely personal reasons, while he feels like this whole thing is supposed to be about a sense of duty for a greater purpose. That noble Norstein family heritage is showing just a little bit.

Obviously, DATS’s general mission of covering up Digimon incidents is indeed important, but so long as he helps them do that anyway, what does it actually matter if that’s not the reason Masaru’s here?

Masaru: “Shut up! Stop acting all elite!”

Masaru still does not like Tohma constantly acting like he’s better than him, like he’s just this perfect superhuman who doesn’t even have any personal desires of his own other than to do as he’s supposed to.

Tohma: (He’s beyond help.)

Geez, Tohma, that is going a bit far. Again, he’s just writing Masaru off entirely because he doesn’t fit Tohma’s idea of how things should be, rather than trying to understand his different view on things.

(But of course, Masaru is not really being any better about trying to understand Tohma’s perspective and is currently similarly writing him off as an elitist jerk who needs to be taken down a peg.)

Tohma follows this thought up by punching Masaru right in the face, implying he’s been going easy until now and has finally started getting serious, expecting this single blow to end this. Which it does, because Masaru is knocked to the ground and doesn’t manage to rise for Yoshino’s count of ten, making Tohma the winner of this boxing match.

(please appreciate this look on Masaru’s face as he realises that Tohma has arguably beaten him, that maybe he really is inferior)

…But of course Masaru’s not just gonna stand for that. As Tohma is about to leave the ring, Masaru finally manages to get to his feet anyway.

Masaru: “Wait right there… You really are… spouting a lot…”

Tohma: “The match is over.”

Masaru: “Match? What we’re having is a serious fight! It’s not a game!”

He doesn’t care about anything so pointlessly official as a match or a countdown to determine the winner. Settling their differences and proving who’s strongest goes way beyond those silly arbitrary restrictions!

With these words, Masaru manages to punch Tohma just as hard in the face… albeit only because Tohma was turned away and not quite ready to defend himself. Still, as far as Masaru would see it, in terms of his usual kind of fights, that’s on him! If he turned away from an opponent who’s still able and willing to fight him, that’s just letting his guard down!

Masaru: “A fight doesn’t end until one side admits defeat!”

That’s the only rule Masaru needs for his street fights. So long as the combatants are still willing to fight each other, anything goes!

In fairness to Tohma, he doesn’t even complain about Masaru catching him off guard and seems quite willing to accept these new “terms” for the fight, because they jump right back into beating each other up.

We cut to later in the main control room.

Masaru: “Damn it… That bastard…”

Yoshino: “You should be happy it was a draw!”

Who’s betting it was Yoshino’s decision that it was a draw. I can’t imagine either Masaru or Tohma being willing to even admit to that much. After a while of them trading blows and obviously being quite evenly matched to the point that this could end up going on forever, Yoshino probably stepped in and insisted they call it off as a draw before they seriously hurt each other.

Yoshino: “Tohma’s beaten Olympic champions in the past.”

…Yeah, so also on top of everything else, Tohma is a supremely talented boxer. But I don’t mind, because something like that is necessary for him to be able to equal Japan’s number one street fighter in a fistfight. And his fighting style being the precise and controlled sport of boxing rather than anything-goes street brawls once again serves to contrast their approaches. Tohma’s boxing talent is just another part of making him Masaru’s equal and opposite. These two are such good foils for each other.

Masaru: “Well, I’ve taken out the leader of the third Minato high school!”

That is totally an equivalent thing here, right. He’s successfully beaten tough guys, too, the context doesn’t matter. Masaru was expecting to win and not just draw, damn it!

Yoshino: “Really, the only things worthy of a gold medal around here are your pride and your competitive attitude.”

I love her snark. She’s not wrong. (Though really, Tohma’s pride would be giving Masaru just as much competition for that medal.)

I also love how pouty Masaru is.

It’s interesting how Yoshino’s putting band-aids on Masaru’s bruises, yet Tohma then walks into the room (still barely acknowledging Masaru) with an equally bruised face, and Yoshino’s not trying to tend to him. It’s like how she was only trying to get Masaru to wear the headgear earlier and not Tohma.

At this point, I doubt this is so much about thinking Masaru is weaker and more in need of this than Tohma, since she just watched them match each other in a fight. So maybe it’s more that Yoshino finds Masaru more approachable than Tohma. For all his reckless stubbornness, Masaru’s basically still a regular person, while Tohma’s from a whole other world to her. Perhaps she simply feels more comfortable directing this mom-friend behaviour at Masaru rather than Tohma, despite having known Tohma for longer.

The Digimon-signal alarm blares and Masaru instantly shifts to this excited grin. What a dork.

It’s more PetitMeramon. A lot of them. Turns out that if even the tiniest flame from their body is left behind, it can develop into a new PetitMeramon. Hearing this prompts Masaru to recall his earlier unsuccessful attempts to punch it, which only succeeded in sending little embers from its body flying everywhere.

Masaru: (This is my fault…)

It’s admirable of Masaru to immediately acknowledge this rather than stubbornly try and make excuses to himself and pretend he totally didn’t mess anything up at all. But it is notable that he’s not saying that out loud. Which is probably because Tohma’s in the room, and he doesn’t want to give Tohma even more ammo to keep claiming that he’s a liability here.

Kudamon: “It’s up to you, Tohma, Gaomon.”

Masaru: “Wait! Those fireballs are ours to beat!”

Masaru insists this partly because he’s still frustrated that he didn’t get to finish the fight himself earlier, but almost certainly also because he feels responsible for this. This is his mess, and he wants to at least make up for it by being the one to fix things.

Tohma: “Are you 100% certain you can secure these Digimon?”

Masaru: “Damn right! We’ll pull it off somehow using our spirits!”

Such certainty. Masaru is definitely the kind of person to optimistically throw himself into things without being sure what the outcome will be. Usually, it might be reasonable to bank on that, but against this particular enemy which Masaru and Agumon currently have no way of even damaging… probably not.

Satsuma: “This time, Tohma and Gaomon are best for the job.”

Satsuma realises this, too, of course. I like how he’s specifying that this is only because Tohma and Gaomon are more suited for this particular job, which is extremely true, and not that they’re better overall, which Masaru would not respond well to.

Satsuma: “Yoshino. You and Lalamon will go to support Tohma.��

Which is to say, Yoshino will drive the car, because Tohma isn’t old enough to do that. (Lalamon won’t really be doing anything at all.) Tohma came to the earlier fight from his limo, but it seems that was only because he was being driven to DATS HQ and happened across the Digimon on the way. Limousines are not the usual DATS-approved method of transportation to Digimon incidents, funnily enough.

Masaru, having been ordered to stay behind and just watch them, is left feeling frustrated and inadequate.

(It’s really only because you can’t punch fire, Masaru!)

Gaomon fighting alone against the swarm of PetitMeramon achieves basically nothing, so Tohma very quickly switches from “Plan A” to “Plan A-2” and evolves him. (I like how it’s not “Plan B” and is totally just an alternate version of the first plan. It’s definitely not that trying to fight a swarm of several Child-level Digimon with a single Child-level was ever a bad plan and really he should have evolved Gaomon from the start.)

It’s a neat detail that Tohma clicks his fingers to summon his Digisoul. Yoshino does kind of a similar thing, not clicking her fingers but instead making a very particular emphatic motion with her hand. It’s like they need some sort of psychological trigger to get it to work – which then also makes it slightly less ridiculous that Masaru needs to outright punch a Digimon to get his to show up. It’s just a stronger kind of psychological trigger, is all! And Tohma and Yoshino have been doing this for a long time. Maybe it usually takes a lot of practice to be able to get one’s Digisoul to show up on command, and the reason why Masaru’s has this extra condition to trigger it is actually because he’s new at this.

I want to take this moment to inform everyone that Gaogamon is a very good fuzzy doggy. He’s one of my favourite Digimon designs.

As an Adult-level, Gaogamon is exponentially stronger than these Child-level PetitMeramon and can easily take down the entire swarm of them in a single attack. Digimon evolution levels, everybody. This isn’t even Gaogamon being especially impressive; this is just how it was always going to turn out.

Tohma: “3 minutes, 47 seconds. We shortened it by another minute.”

Okay, so, some of Tohma’s genius traits can come across as a little bit silly in practice, such as this idea here that he and Gaomon have been timing themselves in their fights against rogue Digimon and constantly bringing that time down. It doesn’t take a genius to understand that each opponent they fight is different, so really it should be completely unreasonable to act like their times for each fight are at all comparable and that completing one fight faster than another means anything. (Plus, this is a thing that’s never going to come up again.)

Still, I do appreciate the narrative purpose of this bit – to show that Tohma is always pushing to improve himself and be better, despite being so incredibly hypercompetent at everything he does already. A lot like Masaru is always striving to challenge himself and get stronger despite already feeling like the strongest fighter in Japan! They are really not so different in a lot of ways.

Also, note how Tohma is getting to fight here, but it’s not the climactic fight of the episode. Just like I talked about for Yoshino in the previous episode: even though this is his introduction, this is not actually Tohma’s episode. It’s still Masaru’s. Tohma gets to have this fight and win it not for his own sake (the whole thing is so effortless that it’s not at all an interesting narrative from his point of view), but rather for the sake of Masaru’s conflict in this episode, because seeing how good Tohma is at this contributes to Masaru’s feelings of inferiority.

Agumon: “Wow…”

Having watched Tohma and Gaomon’s performance from HQ, even Agumon can’t help but be impressed. But then he catches himself and looks guiltily at Masaru, realising he’s just making him feel worse. Aww.

It is interesting to note how, despite all the similarities between him and Masaru, Agumon himself doesn’t seem nearly as bothered by being outclassed by Gaomon in the same way. After all, he’s still a kid who knows he’s got a lot to learn from his aniki; Agumon has never tried to present himself as the best person around at fighting like Masaru does.

Kudamon: “Understand now? This is the difference in ability between you and Tohma.”

Kudamon is apparently quite happy to imply that Masaru is significantly inferior to Tohma. Satsuma, though, doesn’t say anything to agree. I get the sense that Kudamon was a lot less on board with bringing Masaru into DATS, even though he ultimately accepted Satsuma’s decision to do so.

Masaru rushes out of the control room in frustration, with Agumon following.

Kudamon: “Aren’t you going to stop him?”

Satsuma: “Leave him alone.”

I like that Satsuma gets that this is something Masaru needs to figure out on his own, and that trying to talk to him directly about this is probably only going to make him feel worse.

(It’s this kind of approach of Satsuma’s that makes me think that him being so indirect about recruiting Masaru was on purpose out of him wanting Masaru to make the decision for himself.)

Masaru runs out of the DATS building through a tunnel that I’m pretty sure incidentally happens to be the same one we saw Agumon escaping through at the very beginning of the first episode.

Agumon: “Aniki… Why are you angry?”

Masaru: “Shut up!”

[Masaru trips in his running and falls to the ground]

Masaru: “Damn it…”

I enjoy how Masaru tripping over serves to illustrate how his unthinking recklessness doesn’t always end well.

Agumon: “Well, I think Tohma and Gaomon are nasty guys too, but…”

Aww, Agumon, trying to show that he’s still on his aniki’s side. And, yeah, he agrees that Tohma and Gaomon have been kind of dicks to them so far, but… (but still, he doesn’t get why Aniki is this upset about it.)

Masaru looks at Agumon with this bitter look for a moment, almost like he’s tempted to agree and just keep sniping at Tohma… but then he drops it.

Masaru: “No… It’s myself that I’m mad at, not them.”

Of course that’s been what this is really about. This is the first time in a long time that Masaru’s been given any sense that he’s not good enough at something he really wants to do. This isn’t about Tohma; Tohma’s presence just brought this out of him.

And hey, big props to Masaru for being willing to admit this! He couldn’t quite do so at HQ in front of everyone, and especially not in front of Tohma himself, but at least he’s willing to do so here in front of Agumon. A weaker person could easily have kept insisting that, no, this totally is all about that arrogant jerk Tohma, and avoided the necessary self-reflection, but Masaru is generally pretty good at being emotionally honest about things, even when it stings.

He also happens to pull the band-aid off his face at this moment, which I enjoy – needing his wounds patched up is a sign of weakness that he doesn’t like having.

Masaru: “Damn it! What am I doing? Really… what the hell am I doing?”

You’re doing your best, Masaru! Just like you’ve always, always been doing!

I really like how Masaru can’t actually properly articulate what the problem is. He knows there’s something wrong, something that’s frustrating him about himself, but he can’t put it into words. It doesn’t seem like he’s properly consciously aware of why he’s so into his whole fighting thing, and why he wanted to “fight stronger opponents” through joining DATS, so he can’t quite grasp why feeling like he’s not good enough at this bothers him so much.

Also, my compliments to the animators, and to Masaru’s VA. He looks and sounds like he’s on the brink of tears here, and it is good.

Masaru reaches the end of the tunnel… and who should he run into but the old man who gave him his Digivice, who’s sitting there cooking a fish like nothing is more natural.

Old man: “It’s hard lighting up a fire… The sparks go out easily whenever the wind gets a little too strong.”

Masaru: “Well, obviously!”

Old man: “But… once I get a larger flame going, it burns strongly no matter how much the wind blows. Fire is an interesting thing, isn’t it?”

What we learned about the old man last episode is that he finds Masaru interesting and likes randomly showing up whenever Masaru is acting in a way that he considers to be interesting. Apparently, he got wind somehow of the fact that Masaru has been having these doubts, and so he showed up to just… observe, and express his observations in metaphor form. He’s comparing Masaru to the fire, saying that right now his “sparks” aren’t quite strong enough to keep going when something challenges them – but that soon enough, if he just keeps growing more, he’ll become so strong that nothing will be able to stand in his way.

That said, I highly, highly doubt that the old man expects Masaru to actually learn anything from this metaphor – I’m sure he must know well enough to expect anything and everything metaphorical to go right over Masaru’s head. This isn’t actually an attempt to give Masaru advice. This guy just likes being a mysterious old man who makes abstract metaphors about people he finds interesting, that’s all. Sooner or later, Masaru’s flame is going to burn so brightly that nothing at all can blow it out, and won’t that be fascinating to watch?

(I agree, old man. It will. That’s why I’m here, too.)

[Masaru stares intently at the fire the old man has managed to light]

Masaru: “This is…”

And naturally, Masaru, who wouldn’t understand a metaphor if it punched him in the face, completely failed to pick up on what the old man was getting at. Instead, what this metaphor also coincidentally (or maybe not so coincidentally?) happened to be was some pretty useful advice on how to deal with the very literal, practical problem he’s been having today.

Before he can think on that further, Masaru hears a conversation over his earpiece. There’s more PetitMeramon signals, in a place where gas tanks are – not a great place for living fireballs to be flying around – and Yoshino and Tohma are 10 minutes away in their car.

Masaru: “Leave it to me!”

Yoshino: “Huh? What are you saying?”

Tohma: “You can’t do it!”

Masaru: “Shut up! I can get there in 3 minutes!”

The perfect opportunity for Masaru to get the chance to prove himself! Under other circumstances, it’d be arguably better for Masaru to stay back and leave this to Tohma again. Having shown some self-reflection on things, even Masaru himself would probably be willing to accept that and relent. But in an emergency like this, when he’s the closest one to it? Damn it, he has to at least try.

Since the “there” in question was only described as being “Area B-42”, what we have to conclude from this is that somehow Masaru has magically memorised all those location codes already. He doesn’t seem to be making this up to save face; he’s looking at an area off in the distance that he’d probably reasonably be able to sprint to in that time.

(Well, either that or he just assumed based on knowing that this is the only remotely nearby area with gas tanks. Maybe it’s that.)

Satsuma: “I won’t approve of this!”

Masaru: “Whatever, just watch! I’ll get ‘em this time!”

This isn’t Masaru arrogantly trying to show off and refusing to acknowledge that he’s unsuited for this. This is Masaru genuinely caring about trying to prevent the crisis if he can – and this time, he does have at least some idea of how to go about doing so.

Masaru makes it to the gas tanks, where there are indeed three PetitMeramon floating around.

Masaru: “Agumon! Use Baby Burner!”

I’m… not sure how Masaru knew that Agumon even has an attack called Baby Burner, since he’s never used it before. I would say he could have had some kind of offscreen fight as a DATS member already in the three days he’s been here, but Yoshino’s response to his failure earlier suggested that today was indeed his first proper DATS mission.

Agumon: “My attacks don’t work on them!”

Masaru: “You heard me, do it!”

Agumon: “Okay…”

Agumon is such a loyal follower! He doesn’t understand why this is a good idea – in fact, it seems like a thoroughly bad one – but he trusts his aniki’s judgement and does it anyway, even as it only seems to make the PetitMeramon stronger and Masaru keeps ordering more.

After enough fire, the three PetitMeramon grow strong enough to fuse together and evolve into Meramon. (Hey, at least this one’s a non-partnered evolution that makes sense to be happening right now.)

Agumon: “It evolved! What now, Aniki?”

[Masaru grins]

Masaru: “This is perfect!”

I love Masaru’s cocky taunting face here. He knows he’s got this, and he’s so ready to just have a good old fight again, like always.

Masaru: “Fire sparks easily go out whenever the wind blows on them. But… Once they burst into flame…!”

[Masaru leaps to punch the Meramon quite solidly in the face and lands with his Digisoul flaring]

Masaru: “They won’t be extinguished so easily!”

This was what he got out of the old man’s words. Not metaphorical advice about his emotional struggles, of course not – instead, just very literal advice on how to punch fire. He couldn’t punch the PetitMeramon because they were small enough that the wind of his punches just blew the flames out before he could connect. But if he makes the fire bigger and stronger? Then it’s no problem!

And you know what this is? This is Masaru using strategy. It’s a strategy that he needed someone else to nudge him towards – he’s still not really the kind of person to come up with something like this on his own – and it’s also a much more straightforward, reckless, Masaru-style strategy than someone cautious like Tohma would ever dare to use. But hey. It worked.

(Also, please appreciate this ridiculous shot of the DATS car skidding sideways as it dramatically arrives on the scene. That is not how cars work, but okay. …In fact, surely it’s been less than seven minutes that Masaru’s been here; I guess Yoshino floored it to get here as fast as she could, hence the dramatic skidding? She drives like a badass.)

Tohma: “He got it to evolve on purpose… by making the fire stronger…”

See, even Tohma appreciates what the strategy was, even if he’s kind of gobsmacked at it being something so reckless.

And then, as usual, GeoGreymon wins the fight in a single attack. But again, I don’t really mind. The interesting part was getting to this point in the first place.

The Meramon disintegrates into three eggs, appropriate for the three PetitMeramon it came from – but it kinda raises some questions that this single Adult-level Digimon was effectively three individual Digimon in one. It also raises some questions that PetitMeramon was able to multiply itself just by its embers setting stuff on fire, and each of those multiplied offshoots also had its own individual egg. Is this just a particularly unique method of Digimon reproduction? I am definitely not supposed to be thinking about it this much.

Masaru: “How’s that? I was able to take out the PetitMeramon, too!”

Having shown that he can do just as good of a job as Tohma after all, Masaru has bounced right back from his self-doubt and is feeling good about himself again. This kid doesn’t stay down for long.

Tohma: “Don’t let this go to your head. You were just lucky this time.”

It really was not luck. Masaru used an actual strategy that he had good reason to believe would work. Tohma himself even just about acknowledged this during the fight… but not now, now that Masaru is properly listening to him and he’d have to acknowledge that to Masaru.

(A bit like how Masaru only acknowledged his own sense of inadequacy when Tohma wasn’t around.)

Masaru: “It’s just like I told you. The ones who don’t give up until the end win the fight!”

Masaru claims this is like he told Tohma, but is it really about him? After all, Masaru himself was the one who had almost given up for a moment. It’s more like he’s saying this to remind himself that he shouldn’t have done that and should have just believed he could do it all along. (Like the old man said, he just needs to let his sparks grow into a bigger, unstoppable flame!)

We cut right from the location of the fight back to DATS HQ, while the argument amusingly continues as if there was no timeskip at all. They were probably arguing like this all the way back in the car, too. (Poor Yoshino.)

Tohma: “Don’t be absurd. You don’t come up with any strategy or tactics. Do you think using force all the time will let you win at everything?”

He literally did come up with a strategy, though, Tohma! Maybe a strategy that relied on force, maybe not the kind of careful, cautious strategy that you’d use, but that doesn’t mean it didn’t count as a strategy!

Masaru: “Hah, sounds like a sore loser to me.”

Yeah, I think Masaru’s spot on with this one. Tohma refusing to acknowledge Masaru’s approach in that fight as a legitimate if risky strategy really does seem like he’s just being a sore loser.

(Though I like how Masaru himself isn’t even trying to argue that it was strategic of him. Clearly that’s not something that he sees as being worth bragging about.)

Tohma: “What did you say?”

Masaru: “Wanna make somethin’ of it? I’ll knock you out with one hit to the face this time!”

Oh my god, Masaru. Look at this competitive dork. Now that he’s got his confidence back and feels like he is just as good or better than Tohma after all, he’s ready to have a rematch in the ring and certain that this totally means he’ll win this time!

Satsuma shuts them both up with his, quoth Yoshino, “thunderous demon roar” – apparently a regular thing of his – and declares that Masaru and Tohma will be working together as a team from now on. Naturally, they are both Not Happy about this.

Yoshino: “This is the worst…”

Neither is Yoshino. This is a catchphrase of hers, which is sometimes used when things are going badly in a crisis, but is just as often used simply to express her sheer exasperation at the people around her. I love her role as the Only Sane Man among these two ridiculous over-the-top dorks she’s wound up working with.

Overall thoughts

I like this episode a lot! It’s a great introduction to Tohma, specifically in the context of him serving as a foil to Masaru.

There will be a lot more things about Tohma’s own issues and situation (like I said, there’s a reason for all the genius stuff, I promise) that we’ll eventually get into, but that’ll be a gradual process, because Tohma is not the sort of person to talk about his personal problems to anyone else. For now, since Masaru is the single main character of this series and we therefore see a lot of things through his perspective, it’s appropriate that Tohma is introduced in terms of how he differs from Masaru (as well as a few hints at their similarities).

Then, because of this, we get spend a lot of the episode on Masaru feeling outclassed and how he deals with that, and it’s delightful and subtle and I love it. The first two episodes were setting up the deal with Masaru encountering Agumon and joining DATS, but now that we’ve settled into a little more of a status quo, it’s the perfect time to start digging into Masaru’s character and have things begin to challenge his conception of his own strength. There will be more of this, and I’m looking very much forward to covering those episodes in particular.

This won’t really ever come up again, but it’s incidentally neat to see Masaru struggling with an enemy he can’t punch, and eventually coming up with a strategy by interpreting the old man’s metaphor about his issues literally, because of course he does.

I also just love the old man being there making metaphors about Masaru’s issues simply because he felt like it and finds Masaru interesting. He serves as a nice little narrative device to help draw the audience’s attention to when things are going on with Masaru, as we’ll see in a few more episodes in this arc. I can’t help but appreciate that about the old man, because it’s also basically what I’m doing with this commentary.

---

[Dub comparison]

#digimon #digimon savers #masaru daimon #tohma h norstein #the digivice old man

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suzukiblu · 3 years

Text

Fic Writer Meme

Tagged by my dear @dancinbutterfly, and like, obviously I will take any excuse to talk about writing.

1) how many works do you have on ao3?

168, although a few of those are podfics that the podficcer credited me as a co-author on. Actually less than I would’ve expected, tbh.

2) what is your total ao3 word count?

1,431,989. Honestly also kinda less than I would’ve expected at this point. I will blame all those old fics I never brought over from LJ and ff.net for this expectation.

3) how many fandoms have you written for, and what are they?

I literally cannot tell you, the ancient ways have been lost to me. I can give you my Ao3 fandoms, though!

Marvel Cinematic Universe

Avatar: The Last Airbender

Overwatch

The Witcher (Netflix)

Young Justice (Cartoon)

Animorphs

Star Wars

Good Omens

Venom

Fantastic Four

Leverage

League of Legends

Daredevil

Supernatural

Care Bears

World of Warcraft

Spider-Man

X-Men

Slender Man Mythos

Additionally, long ago: Naruto, Gundam Wing, Digimon, Ranma ½, Bleach, Inu-Yasha, and many scattered other fandoms of my youth. So, so many others. So I’ve written for 25+ fandoms, at least.

4) what are your top 5 fics by Kudos.

a mark, a mission, a brand, a scar (13004)

I once started out to walk around the world but ended up in Brooklyn (8450)

it’s a long way forward (so trust in me) (6965)

oh don’t you dare look back, just keep your eyes on me (6818)

if the bad times are coming let ‘em come (5362)

5) do you respond to comments?

Not really these days, though I hoard and treasure them like a freaking DRAGON. I used to respond to all of them but sometimes I’m just not around and then it becomes awkwardly late to reply and also they kinda . . . pile up a bit. I do try to answer all the comments with questions in them, at least, as long as the questions aren’t literally spoilers or anything like that.

6) what’s the fic you’ve written with the angstiest ending?

I don’t usually write super-angsty endings, I think? I don’t FEEL like I usually write super-angsty endings, anyway, at least not these days. I think I did it more often when I was more into, like, drabbles and shortfic. Now I just spend way too long on stuff to give it a downer ending.

The most recent angsty ending I can think of is wanna hold him, maybe I’ll just sing about it, though eventually I did write a sequel to that to soften the blow a bit. And also torment people a bit. Both, technically. Technically both.

7) What’s the fic you’ve written with the happiest ending?

blondes really do have more fun, definitely. It’s very . . . giddy, I guess? What with the gender euphoria and all. There’s angst and heavy emotions in the actual plot but the highs of the happy parts/ending are probably the highest/happiest ones I’ve written, and Supergirl gets everything she wants without having to compromise or give up anything else.

8) do you write crossovers? If so what is the craziest one you’ve ever written?

I write fusion fic more than crossovers, really, but I have written a LOT of fusion fic. Some of it has been weirder than others, tbh, but probably the Avatar: The Last Airbender/Animorphs fusion that I have been lovingly slaving over deserves to be this answer if only for how much extremely sincere effort I have put into it over the years.

9) have you ever received hate on a fic?

Mild hate, but occasionally. I don’t really tend to remember negative comments, tbh, though it does sometimes make me not want to reread the comment section I know they’re in. But a lot of the hate I’ve gotten in the end just seemed like socially-awkward people being unnecessarily blunt instead of just hitting the back button, so I try not to take it personally. Can’t please everyone. Don’t WANT to please everyone, frankly.

10) Do you write smut? What kind?

Yes, and the kind is “a lot”. Sometimes I don’t really feel like it but definitely I have done a lot of it. I try for Feelings and also to be safe, sane, and consensual as much as I can.

11) have you ever had a fic stolen?

I . . . am not sure? Though probably, after being at this for all this time. Someone once told me that someone picked up a fic I’d (at the time) abandoned and just started writing/posting more of it without asking or telling me about it, but I never actually found said fic and I don’t know if that technically counts as “stealing” anyway.

12) have you ever had a fic translated?

A few times, yup, it’s pretty gratifying! I also like to run them back through Google Translate and see what they say, haha.

13) have you ever co-written a fic before?

yoooo @dancinbutterfly, @rainnecassidy! Also done it with a few other people long, LONG ago, but that was back in the LJ era. Don’t think I’ve technically collabed with anyone else lately, although sometimes people will give me ideas for stuff I’m writing or offer suggestions when I’m stuck on a thing, which is very helpful.

14) what’s your favourite ship?

Like . . . per fandom? ‘Cuz we could be here a while. Most recently it’s Jaskier/Geralt, for a while it was Aziraphale/Crowley, DEFINITELY for a while it was Steve/Bucky . . .

You know, I guess technically my all-time favorite ship is actually Naruto/Sasuke, because I made a LOT of friends in Naruto fandom and it actually hugely influenced the end of my teenage years and beginning of my adult life and so, SO much of my writing. So like, if nothing else it wins on influentialness.

15) what’s a WIP that you want to finish but don’t think you ever will?

Let ‘Em Come. @rainnecassidy and I wrote that AU a long-ass time ago now and I never did my half of the sequel fic because I got too distracted with another longfic I was working on at the time and then took a real long fandom break. I always felt kind of bad about it because people seemed to bother her for said sequel more than they bothered ME for it, since her fic was the last posted part. Unfortunately I just don’t have the spoons or the MCU-focus for the research and effort it’d take anymore. Also, like . . . it’d probably be pretty long, so unless I was REAL obsessive about it it’d take a good long while.

Basically I think its time has just passed at this point, alas.

16) what are your writing strengths?

Sex, action, snark, and weird fusion fics. Also making people love things they usually hate, that’s one I get told a lot.

17) what are your writing weaknesses?

Fitting physical descriptions of . . . literally ANYTHING into the story. Just, anything. Physical descriptions are hard.

18) what are your thoughts on writing dialogue in other languages in fic?

I try not to do it, personally, because I know soooooo very little about other languages. Sometimes I’ll sprinkle in a little bit of it, but usually I feel like it’s better to avoid it, personally.

19) what was the first fandom you wrote for?

I literally could not even tell you. The first fandom I REMEMBER writing proper “fic” for was . . . Ranma ½, I think. I thiiiiink. But that was a long-ass time ago and I never even posted it anywhere because those were the days when I despised typing things up beyond all measure, hah. And before that I remember writing Animorphs . . . comics? Storyboards? Something like that. Kind of a cross between the two.

20) what’s your favourite fic you’ve ever written?

I do not know! There’s really just too many, tbh. Some top options are you found me when no one else was looking, best friends means you get what you deserve, clay kids, Avamorphs, handmaiden!Anakin, oh don’t you dare look back, just keep your eyes on me, and . . . and I could go on for a dang MINUTE, honestly, haha, I’m just gonna stop myself here before I get too carried away.

I tag whoever happens to be reading this that wants to be tagged; have fun with it!

#meme #a/b/o #some not sfw links in here #fair warning #long post

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definitelykouichikimura · 3 years

Note

۞ For three plot ideas for our muses

1) In which Lowee plays soccer very incorrectly. This one would fit best for Taichi imo (or maybe Daisuke?) Either way consider: Lowee, as a digimon, has no idea what are the basic rules of soccer. Either he gets invited to play, or he get caught playing in the field. Either way your muse could show up to correct Lowee and tell him that hitting a soccer ball with your palms is not the way to go you fucking heathen. Depending on whether we want to make it crack or angst, we could then either play up "sure I'll teach you how to play we can play together later" (friendship aquired! yey!) or "how deeply isolated do you have to be not to know that soccer is meant to be played with your foot my dude" (concern aquired? ...yey?) or just explore what soccer means to your muse as one of the few things that are completely unrelated to the digital world nonsense (is it something they still enjoy? something they put in the past, that they mostly associate with being carefree kids who have yet to know trauma?

2) In which Lowee seeks help with one of your muses. Daisuke is absolutely on the "list of people I can go to if I'm truly desperate" for Lowee. Ken is slightly lower on that list but if he had no other choice dude would absolutely go see him too. So maybe something about Lowee getting hurt? (I remember a while back I tossed around the idea that Lowee could speed up his own healing at the cost of adding free body horror to himself, maybe Lowee freaking out cuz he just gave himself claws?) Or maybe just Lowee who said something he shouldn't have and is now scared he got found out?

Note that this one goes both way, we could do a plot where one of your muses comes to Lowee for help, dude would absolutely be down for the good ol "help the guy hide for a lil, maybe lend a hand with calming down and healing until things get safer," tho with admitedly varying degrees of enthusiasm (=would be willing to go through waay more trouble to hide Daisuke than a complete stranger for instance)

3) Something with Ikuto and Lowee idk they're both people who are currently stuck as human but lived most of their lives in the digital world I feel like there's SOMETHING to be done here. I'm trying to come up with something serious but all I can think of is Lowee and Ikuto stuck on the same aisle looking for mother's day gift cards for fifteen minutes until they slowly turn to each other like "you... don't know what to pick either do you." "Human customs are hard. "HUMAN CUSTOMS ARE SO HAAAAARD wait why are u speaking like you aren't one."

#digitaladventurers #ooc #i tried to be diverse in themes and muses so somethin could tickle your fancy!

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rockthistowninsideout · 3 years

Text

Never Too Late For A Leap Of Faith

Part 1

(Part 2)

Five times Taichi only feels the presence of Digimons and one time he actually meets them (again).

Words: 2126 Rating: Teen And Up Audiences Tags: 5+1 Pairings: Taichi Yagami/OC, Sorato, Jyoumi

Inspired by this youtube video talking about how the end of Kizuna fits into the narrative of the Epilogue in 02, posted by TheDigiKnow. It’s in my opinion a thorough and yet personal analysis.

When there was a baby’s cry from the labour room, Taichi broke down in tears. He’d been pacing to and fro in the hall leading to it, but only after his wife Kana had dislodged some knuckles in his hand by holding it too tight during a contraction and he had to be treated for it. Afterwards he hadn’t been allowed in again because, and that was something he didn’t like to admit, he had been on the brink of fainting before Kana’s force had jerked him back to consciousness.

A nurse stuck her head out the door and smiled. “Congratulations, Yagami-shi, you have a son!”

Taichi wiped away his tears, smile a little lopsided, and entered the labour room. His wife Kana, whom he had met at a diplomatic meeting three years ago, looked pale and drained, but smiled broadly. She mopped her sweaty brow with a neckerchief, pushed her long black hair that looked a tad greasy after her exertions behind her ear and leaned forward to receive a kiss from Taichi. Then she pulled away the duvet that had been drawn over her to reveal their newborn son. He had chestnut brown hair just like Taichi but his mother’s bulbous nose and when he opened his eyes they were a startling clear blue.

“Most children have blue eyes when they’re born”, the nurse explained. “They’ll darken over the course of the first year.”

Taichi hadn’t said a word yet, he was too transfixed on this small bundle of life that he helped to produce and that he was now responsible for. That realization suddenly felt heavy on his shoulders but when he looked into Kana’s soft yet endearing black eyes, the very eyes he’d been mesmerized by from the very beginning, he felt the weight ease.

“Do you want to hold the little egg?”, Kana asked and lifted the bundle towards Taichi who’d been instinctively forming a cradle with his arms. Something at the back of his mind stirred to life, something about a green yard full of cribs with colourful eggs, the way it never had before when the word “egg” was mentioned, but Taichi didn’t give it any notice. Tears were running down his face again as he watched the miracle before him. With a scratchy voice he whispered “Hello Hotaro, welcome to the world.”

The first days were reserved just for them so the three could get to know each other. After the tiredness of being born had worn off, Hotaro was a very awake child. In every sense. He had trouble sleeping through, which caused Taichi, suddenly becoming self-conscious about his appearance, to use Kana’s concealer. She had taken a year off from work while Taichi went back to the office after three days. His colleagues welcomed him with a round of applause, a light blue greeting card, and a big stuffed and, for some reason, snow white teddy bear. As he looked the bear up and down, suddenly a cold breeze swept over him and gave him goosebumps. He immediately knew how he would name the bear.

“I am Frigimon”, he muttered under his breath.

***

Hotaro loved Frigimon. He had accepted the name without hesitation, affectionately calling him Friggi, and never going to sleep without him. Once Frigimon had entered the Yagami household, something had shifted within Taichi. Usually he was highly alert in his meetings but now he started dreaming away. Dreamt of a tram that didn’t need rails, of an island ruled by an evil bat-like looking creature, and vending machines in the middle of nowhere.

He also started dreaming away at the kitchen table when having dinner with his family. At some point he was so far gone that it needed a gentle slap on the shoulder by his wife. When he looked at her questioningly, she said “Muchomon”.

He tilted his head. “What do you mean?”

“Muchomon was my Digimon partner. He vanished when I was 24 and had just finished my degree.”

“You were a DigiDestined?” Taichi’s eyes went wide as saucers.

She nodded. “It’s been a while but since you brought Frigimon here the memories have boiled up again. You should talk to your friends again, and more than just at their birthdays and about irrelevances. I thought you’d been so close? To be a DigiDestined, and having fought numerous battles, welds together – for life.”

Taichi took a deep breath. He kneaded his hands. He hadn’t wanted all this to happen – to let the contact cool down or even freeze. It had just happened. Because. Because of life, he guessed. At some point work and his little family had become more important than his long-term friends. He didn’t even know how many children Sora and Yamato now had!

He banged his fist on the table.

“Dad!” Hotaro exclaimed frightened. He had never seen his father so agitated. Immediately, Taichi regretted his outburst. He had never wanted to scare his son, become violent around him. And now he had. Because of his own shortcoming. “I’m sorry, Hota”, he quickly said, tearing at his hair. He got up, walked around the table, and lifted his son in the air.

“It’s okay”, the four-year-old said, gently touching his father’s face. “Can you let me down, please?”

Taichi complied, a bit confused.

Hotaro took his hand and led him to his room. “Sit down, Dad. I’ve found something while playing in the attic a few days ago.” He handed him a box which Taichi instantly recognized, and his heart ached. He didn’t need to lift the dusty lid, sprinkled with little fingerprints from his son, to know what was inside. But he did it anyway. Coming to light was a round pair of goggles and a smouldered Digivice. He only noticed he was crying when the first tears hit the Digivice, just like they had done many years ago when Agumon had to say goodbye.

For good.

Or so he had thought. But Digimons were reborn. He had witnessed that many times. Maybe it just hadn’t been the right time until now.

He lifted his head to look straight into his son’s open, curious, beautiful face. When also Kana had been a DigiDestined, then maybe their child should also supposed to be one. Or no, no he shouldn’t. He should choose if he wanted to become one.

They had been thrust into this world without having been asked first. They had had to come to terms all on their when they’d been mere children and the forces who had chosen them had never offered much aid. He wanted this to go differently.

He noticed that Hotaro held up Taichi’s phone. Koushirou’s name was on the display, it was already dialling. “Call him”, Hotaro said. Taichi shook his head. That kid was much smarter than was good for him.

***

“Oh!! It’s soo good to see you all again!”, Mimi exclaimed, as excited as ever.

Taichi had to dial down the volume of his computer as the audio overmodulated. But he smiled, genuinely, because he felt just the same. Before him, the screen was split into five segments, all filled with bright smiling faces.

“Jou, come over, they’re here now!”, Mimi called, her face turned away from the camera. In the background there suddenly was the sound of glass crashing on a tiled floor, followed by a stream of swear words. “Jou, I told you not to swear in front of the kids!” She turned back to the screen. “I’ll be back in a minute.” With that, her segment got empty.

Her friends chuckled. “I see you were cleverer”, Taichi pointed out to Sora and Yamato, who were sitting together in front of the camera and holding their two children on their laps. Their son had inherited Sora’s maroon hair while their daughter was as flaxen-haired as Yamato. They were both visibly bored, wriggling about on their parents’ laps trying to grab office supplies that were clearly not toys in their vicinity.

“I’m not so sure about that”, Yamato remarked, dryly as ever, as he pulled a stapler away from his son’s hands.

“Dad, have you seen my hockey stick?”, someone called in the background of Koushirou’s screen segment.

He sighed. “I thought you put it in the cabinet beside the shoe rack. You know, where it’s supposed to go.”

“I did but it’s not there. And Yui and her mom will be here any minute to pick me up for training.” The voice grew whinier and more urgent.

Koushirou bowed apologetically to his friends. “I just have to help my daughter.”

Meanwhile, Mimi had reappeared, Jou and their two sons in tow. “Hiroshi, Sasuke, say hello to Mom and Dad’s friends.” Mimi nudged them a little forward.

The older one, taking remarkably after Jou with his blueish-black hair and the glasses, hesitated but the younger one, sporting a daring chin-long bob with a middle parting, grinned and brightly said “Hi, I’m Sasuke.”

The DigiDestined greeted him back with a laugh. “Say Sasuke”, Taichi started, “does your mom and you go to the same hairdresser?”

Sasuke looked at him in surprise. “Yeah, but how do you know?”

More friendly laughter.

“My brother’s good at guessing, is all”, Hikari remarked, absentmindedly fastening her hair-clip. She wore her hair the longest it had ever been but subconsciously she itched for a cut. But her daughter always said that she looked so nice with the long hair even though Rika couldn’t stand long hair herself. Hikari had even caught her once as she had cut her middle brown hair with kids’ scissors.

“Oh, I see”, Sasuke said, tilting his head. “But you don’t look like siblings at all.”

“Sasuke!” Jou turned red in second-hand embarrassment. “Sorry, my son can be a bit blunt sometimes.”

“I wonder whom he has that from”, Takeru mused, hand held on his chin as if he was pondering a very difficult question.

“I heard you are a writer”, Hiroshi suddenly said, nervously adjusting his glasses.

Takeru’s expression turned smug. “And a pretty successful one at that.”

“Yeah, but Dad thinks you’re exaggerating at times.”

Jou turned even redder. “That’s… that’s not what I’ve been saying!”, he sputtered. “You just sometimes spend a little too much time on one detail.”

“That’s not what you said, Dad!” Hiroshi turned to his father, affronted. “I’m not a liar!”

“Of course not, my dear”, Mimi said soothingly. Then she leaned in closer and whispered “Sometimes adults don’t like the truth very much.” Louder did she say “Why don’t you two go and get your guinea pigs to show our friends, mmh?”

“Oh yeah!” They bounded off out of the frame.

“And where’s your kid?”, Yamato asked his brother.

Takeru shrugged. “At band practice. Don’t know where he got the musical talent from but he certainly has some. And no, Yama, he hasn’t gotten it from you. Because he’s better.”

Yamato dramatically inhaled. “You didn’t say that!”

“I’ve got a round of witnesses who can confirm that I just did.”

“Sorry Takeru, my connection was a bit wobbly for a few seconds. You said something?” Taichi asked suspiciously innocent.

Takeru shook his head. “And you call yourself my friend.”

Before anyone could reply to that, Koushirou plonked himself down on his chair breathlessly. “I’m back!”

“Did you find the hockey stick?”, Sora asked, glad about the diversion. She had already feared that the mood could be slipping.

Koushirou nodded solemnly. “Yes, just in time. And it was actually me who had misplaced it because I had cleaned out the cabinet and didn’t put it back.”

“Tststs, Kou. I hope your daughter doesn’t have to put with too much.”

Koushirou shook his head. “Of course not. Being a single parent isn’t easy but we have a cleaning lady who comes in two days a week and I can bring Koyuki to my parents if need be.”

Yamato muttered something under his breath which earned him a jab in the ribs by Sora. “In this house we don’t judge”, she breathed into his ear, only audible for him.

He reluctantly nodded.

“These are Tom and Jerry”, Hiroshi and Sasuke announced, diverting the tension once again.

Taichi chuckled. “They don’t look like a mouse and a cat to me.”

“We weren’t allowed to have a cat and a mouse”, Sasuke replied.

“You wanted a mouse?” Sora could hardly hide her laughter.

“Unbelievable, right?” Jou seemed to shiver just at the thought of having a tiny and cunning rodent in the apartment. And a slightly dumb but very persistent cat chasing it.

Takeru laughed, too. “Most certainly.” Then he leaned forward. “But have we just come together to get to know your pets or is there a more pressing matter?”

#digimon adventure kizuna #digimon adventure #digimon last evolution #taichi yagami #yamato ishida #sora takenouchi #mimi tachikawa #jou kido #koushirou izumi #takeru takaishi #hikari yagami #original character #sorato #jyoumi #digimon adventure 02 epilogue #5+1 fic #my stories

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noctisfishing · 4 years

Text

Takari Week Day 6: Public Displays of Affection OR Pining

Noct Writes Takari Week 2020: [ 1 | 2 | 3 | 4 | 5 | 6 | 7 ]

@takariweek for more content; @noctisfishing for Takari Week prompts and more.

Prompt Notes: As Day 5 was re-written, so was Day 6. Read on to find out the conclusion to this riveting two-part dramatic Takari story during midterms week (I guess lol). Special appearance by a certain purple hat.

Set in the Digimon Adventure tri. timeframe.

Two days of midterms down, one more to go. As the ringing bell signaled that time on the midterm was up and that it was the end of the school day, Hikari set her pencil down, picked up her bag, and headed straight for the door. Not once did she turn around to see how Takeru was faring on midterms, or even how he was feeling about her.

Part of her felt too embarrassed to face him. Perhaps she had been hanging around Miyako too much that the littlest of her pet peeves got the best of her. It wasn’t that hard for Hikari to manage her time and stress of studying, but having a boyfriend on top of everything else was still something she had yet to get used to.

She felt even worse after storming off on Takeru earlier that week. It was cold of her to do that to him, and she was trying to figure out how to confront him to apologize.

“Do you really have to wear that silly hat around me?” Miyako asked her while they visited the local bakery after school.

Hikari turned from the shelves of baked goods to stare at Miyako, tapping the purple fedora on her head with a wink and a smile. “Don’t you think it suits me, Miyako?”

“You two were made for each other,” Miyako said as she rolled her eyes.

Although Hikari giggled in return, her smile faded the longer she thought about him.

“I should probably head home. Midterm week isn’t over, after all.”

“I guess you’re right, but at least you’re getting a pick-me-up in the meantime.”

Miyako had ordered two chocolate cornets and handed one to Hikari, which got her to smile just a little bit.

Takeru leaned against the front gate of the Yagami’s complex, holding the bouquet of tulips in one hand. As most of his plans went, he played by ear based on Hikari’s actions which he observed throughout the week. Even though the most they’ve said to each other since then was “good luck” and “I’m sure you’ll rock that exam,” they both had seemed to cool their heads from their last heated incident, and Hikari still wanted to keep her distance.

But he was tired of seeing her look so sad.

“Yo, Takeru,” Taichi called, holding his hand up in greeting. Sora was close behind him and chimed her greeting once she saw Takeru.

“I’m guessing you haven’t talked to her yet,” Sora said, acknowledging the flowers from her shop.

“Not yet,” Takeru replied solemnly. “I figured I’d wait here until she showed up.”

“Well, you might be waiting a while, bud,” Taichi warned. “She’s out with Miyako, and you know how long they can take when they go out.”

I’ll wait as long as it takes, Takeru thought to himself. It was then that he noticed the afternoon sun hindering his view of the street in front of him, and he realized that his head felt bare without that lucky fedora of his. It bothered him that he couldn’t adjust its brim to block the sunlight from his eyes, but as long as he got the chance to see Hikari, he was willing to accept standing there with his hair uncovered.

Yet, he didn’t think he would see his fedora again so soon, better yet, being worn by Hikari herself.

“Ah, not as long as I thought,” Taichi added.

Takeru straightened himself as he saw a surprised Hikari with Miyako at the corner across the street. Save for waiting for the street light to turn green, Takeru rushed over to that corner to meet them.

He watched as Hikari walked down the sidewalk the rest of the way, the fedora tilted to the side and fitting perfectly on her head. He almost couldn’t handle how good she looked, and he nearly lost the grip of the bouquet in his hand.

As best as he could, he held himself together, and he waited for her to approach him and meet him face to face so that he could talk to her and hand her the flowers.

But Hikari had a different idea. She didn’t stop where she could face him and she went even closer, throwing her arms around his neck and closing the gap between them with a kiss.

Luckily, Takeru grabbed the flowers in time, just as he let slip from being caught off guard by her lips.

Even when she broke off the kiss, he was left breathless.

“I’m sorry, Takeru,” Hikari breathed with tears forming in her eyes. “None of this was your fault. You’re my best friend and my first boyfriend, and I don’t want to mess any of this up…”

“So, that’s what this was about?”

Learning the real reason was another surprise to Takeru, and all he could do was crack a smile.

“I feel so silly. You must’ve thought I hated you and went through the trouble of getting me flowers…”

“I just didn’t know what was going on until you told me.” He wiped her tears with the curl of his finger and held the bouquet in front of her when she let go of him.

“Tulips...” Hikari took in their scent as she breathed deep. “These are my absolute favorites.”

“I figured you needed a little pick-me-up from working hard on all those exams this week.”

“Takeru…” Hikari sniffled, cupping her free hand on his cheek. “This pick-me-up was the best. No offense, Miyako,” she added as she turned back to face their friend, who was now sniffling.

“None taken,” Miyako replied in an unnaturally high-pitched tone, covering her eyes that were wet with tears.

“I’m really sorry, Takeru. I hope you can forgive me.”

Takeru smiled at her pouting lips. “I’m glad you told me what was wrong. Besides, you’re talking to me again and you showed up here wearing my fedora. How can I not?”

With that, a smile finally formed on Hikari’s lips, the final touch that made Takeru feel like melting on the spot. Instead, he leaned over for a kiss with his lips melting into hers.

He had forgotten where he stood and only knew he was with Hikari, being in each other’s arms and losing all sense of time. He might have imagined hearing “They really are made for each other” from Miyako’s muffled sobs, along with Sora’s comforting words and Taichi’s warnings to take it easy.

But with Hikari’s smiling lips kissing back, he could absolutely care less about anything else.

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adventure-hearts · 4 years

Text

( PART 1: DA + ASTROLOGY )

PART 2: DIGIMON ADVENTURE + MBTI

Taichi - ESTP Yamato - INFP Sora - ENFJ Koushirou - INTJ Mimi - ESFP Jou - ISTJ Takeru - ENFP Hikari - ISFP Daisuke - ESFP Miyako - ENFP Iori - ISTJ Ken - INFJ

Discussion and Commentary below!

If you’ve read some of my previous headcanons about the MBTI, and in particular this very popular post from four (!) years ago, you may find I’ve changed my mind a lot.

An important thing about this typology (or any other one, really) is that it’s quite easy to just look into some websites and make decisions based on the keywords used to describe each type. Which is what I used to do. Keywords are helpful to help us get the “basic picture” (hence why I quote them in this post), but now I believe that you have to read actual theory in order to understand the subtle differences between each type and make more educated guesses.

Since then, I’ve been reading more deeply into MBTI and the Functions. Consequently, the way I understand the MBTI has changed significantly, and so have my Headcanons.

It’s been particularly interesting to learn about the Inferior Function, or the “dark side” of each personality type. The more I read about it, it became surprising that how it seemed to describe most of the adventure kids’ characters arcs incredibly well. This is another reason why the combination Chosen Children + MBTI is such a fascinating and fun thought exercise!

It should be noted that different authors can have widely different interpretations of types, which is why, for the sake of simplicity and coherence, I’ve only read 3-4 main sources when preparing this post. And I tried stay away from popular MBTI websites and resources that exist around the internet, most which can have a slightly misleading/superficial vision of each type.

However, this doesn’t mean my HCs are “RIGHT” or that other people can’t have better ideas. I’m as biased about the characters as anyone else. I’d be very happy to hear alternative takes!

***

Taichi - ESTP Dominant function: Se

Flexible and tolerant, they take a pragmatic approach focused on immediate results. Theories and conceptual explanations bore them - they want to act energetically to solve the problem. Focus on the here-and-now, spontaneous, enjoy each moment that they can be active with others. Enjoy material comforts and style. Learn best through doing.

Taichi is pretty easy to type, and most ESTP descriptions fit him nicely. Thompson notes the archetype of ESTP is James Bond and Xena the Warrior Princess; I think the character of Taichi, who represents Courage, fits in the same tradition — a bold, impulsive, adventurous leader who is good at strategizing and is able to make though decisions, but is is also very charismatic and charming. Taichi’s tendency to become thoughtful, introspective, and indecisive under stress can be explained by the inferior function, Ni.

Yamato - INFP Dominant function: Fi

Idealistic, loyal to their values and to people who are important to them. Want an external life that is congruent with their values. Curious, quick to see possibilities, can be catalysts for implementing ideas. Seek to understand people and to help them fulfill their potential. Adaptable, flexible, and accepting unless a value is threatened.

By contrast, Yamato is always the most difficult to type! I ended up using INFP rather than INFJ, because I think it makes more sense for his dominant function to be Fi (introverted feeling): “Due to the introverted nature of Fi, INFPs’ status as feelers is not always evident from without. When immersed in Fi, they can seem a bit cool, aloof, or indifferent.“ (Drenthe). This type is pretty well representative of Yamato’s caring, passionate and caring side, and especially his conflict during Adventure is beyond, his search for self and meaning. Yamato’s more critical, aggressive, angry, and impetuous side is easily explained by him falling under the influence of the inferior function of this type, Te.

Sora - ENFJ Dominant function: Fe

Warm, empathetic, responsive, and responsible. Highly attuned to the emotions, needs, and motivations of others. Find potential in everyone, want to help others fulfill their potential. May act as catalysts for individual and group growth. Loyal, responsive to praise and criticism. Sociable, facilitate others in a group, and provide inspiring leadership.

Another character who’s relatively difficult to type. I see Sora as being in the middle of many of the Preference axis, hence why I initially typed her as something pretty difference different. But now I’m pretty convinced her dominant function is Fe, even though she’s probably only 51% Extroverted. She leans more towards iNtuition than Sensing: Sora’s definitely someone who can pick up things intuitively, especially when it comes to human relationships. So, ESFJ could probably work as well, but I see her as more of an NF type than a SJ type. Sora’s tendency to become hypersensitive, stubborn and withdrawn when under stress? That’s the inferior function, Ti.

Koushirou - INTJ Dominant function: Ni

Have original minds and great drive for implementing their ideas and achieving their goals. Quickly see patterns in external events and develop long-range explanatory perspectives. When committed, organize a job and carry it through. Skeptical and independent, have high standards of competence and performance - for themselves and others.

This is an example of how learning more about Functions made me change my mind! I believe Koushirou is the text-book definition of INTJ and the Ni function. Koushirou isn’t just someone who thinks — he creates knew knowledge and connects theoretical possibilities. One of the effects of the inferior function of this type, Ni, is an “Obsessive focus on external data”, which means that they can become obsessed with controlling small details, which is what Koushirou tends to do under stress.

Mimi - ESFP Dominant function: Se

Outgoing, friendly, and accepting. Exuberant lovers of life, people, and material comforts. Enjoy working with others to make things happen. Bring common sense and a realistic approach to their work, and make work fun. Flexible and spontaneous, adapt readily to new people and environments. Learn best by trying a new skill with other people.

Mimi is a rather obvious fit for this type, not only with her bubbly and happy exterior, but also her naïveté and compassion towards others (Crest of Purity).

Jou - ISTJ Dominant function: Si

Quiet, serious, earn success by thoroughness and dependability. Practical, matter-of-fact, realistic, and responsible. Decide logically what should be done and work toward it steadily, regardless of distractions. Take pleasure in making everything orderly and organized - their work, their home, their life. Value traditions and loyalty.

Jou’s type seems pretty straightforward. The characteristics of this type to fit him (and the Crest of Honesty) very well. The inferior Function of this type is Ni, manifested as impulsiveness and catastrophizing — classic Jou moves whenever he looses his cool.

Takeru - ENFP Dominant function: Ne

Warmly enthusiastic and imaginative. See life as full of possibilities. Make connections between events and information very quickly, and confidently proceed based on the patterns they see. Want a lot of affirmation from others, and readily give appreciation and support. Spontaneous and flexible, often rely on their ability to improvise and their verbal fluency.

Takeru is REALLY hard to type. Mostly because, just like his brother, he isn’t as transparent as he seems. Behind that charming, open, happy façade, Takeru runs deep. I ended up choosing ENFP is described as the most optimistic of all types (Crest of Hope), and they are very charismatic and inspiring as well. The “dark side” of this type can be hopelessness or depression (see also: tri. Chapter 3!)

Hikari - ISFP Dominant function: Fi

Quiet, friendly, sensitive, and kind. Enjoy the present moment, what's going on around them. Like to have their own space and to work within their own time frame. Loyal and committed to their values and to people who are important to them. Dislike disagreements and conflicts, do not force their opinions or values on others.

Hiakri is another one whose type isn’t obvious, but maybe for different reasons than the other characters I hesitated about — we just don’t see enough of her. I think you can make a strong argument for her being an Intuitive type, but ultimately I think Fi represents her better.

Daisuke - ESFP Dominant function: Se

I know it’s reductive to say Daisuke and Taichi have different personality type, but that’s easy to understand if you see them as being in different stages of type development.

Miyako - ENFP Dominant function: Ne

I’ve always thought Takeru and Miyako are pretty alike, hence why I think they would both fit this type.

Iori - ISTJ Dominant function: Si

Again, Iori and Jou are pretty alike, although at different stages of their personality development. I could see Iori a ISTP/ISTJ, too — to be fair, I haven’t made up my mind totally about him.

Ken - INFJ Dominant function: Ni

Seek meaning and connection in ideas, relationships, and material possessions. Want to understand what motivates people and are insightful about others. Conscientious and committed to their firm values. Develop a clear vision about how best to serve the common good. Organized and decisive in implementing their vision.

I’m just going to go and give Ken INFJ, although I’m not entirely sure it is the best fit. Ken is incredibly complex, but Ni seems to describe him fairly well. And certainly, the “dark side” of Ni, Se, can very well explain why Ken developed his Digimon Kaiser persona.

BONUS

A brief summary of the 8 Functions:

Introverted Intuition (Ni) collects conscious and subconscious information, and then synthesizes it to produce convergent impressions, insights, answers, and theories. It sees deep causes, patterns, and laws underlying sense data. It is characteristically penetrating and insightful.

Extraverted Intuition (Ne) surveys and creatively recombines a breadth of ideas, associations, patterns, and possibilities. It is characteristically innovative, divergent, open-ended, and non-discriminating. Outwardly, Ne users may present as scattered, random, quirky, witty, and ideationally curious.

Introverted Sensing (Si) retains, consolidates, and recollects historical and autobiographical information. It attends to and draws on a concentrated body of past experiences, routines, and traditions (i.e., the “tried and true”). It forgoes the constant pursuit of new or broad experiences, finding safety and security in stability and consistency. It also surveys inner bodily sensations.

Extraverted Sensing (Se) seeks extensive outer stimulation in the “here and now”—new sights, sounds, tastes, experiences, etc. It is open-ended and non-discriminating with respect to new experiences. It can also be associated with image-consciousness and observation skills, displaying a keen eye for detail. Outwardly, it may manifest as a recurrent desire for activities beyond talking (“Let’s do something!”).

“Introverted Intuition (Ni) collects conscious and subconscious information, and then synthesizes it to produce convergent impressions, insights, answers, and theories. It sees deep causes, patterns, and laws underlying sense data. It is characteristically penetrating and insightful.

“Introverted Thinking (Ti) utilizes deep and nuanced logic to examine techniques, problems, concepts, or theories. It seeks self-regulation and self-optimization through the development of personal skills, methods, and strategies. It takes a skeptical and reductive approach toward knowledge.

Extraverted Thinking (Te) uses explicit logic, including standardized methods, measurements, policies, and procedures, to make systems and operations more rational, efficient, or effective. This often involves working as part of an institution, be it corporate, scientific, academic, etc. Outwardly, Te delivers opinions and directives in a firm, direct, measured, and unemotional fashion. It may at times be perceived as harsh, tactless, or unsympathetic.”

“Introverted Feeling (Fi) explores and refines personal tastes and feelings, contributing to a strong sense of personal uniqueness. It is self-regulating and self-controlling, working to maintain inner emotional and moral order. It may also emotionally invest in a limited number of love objects, be they persons, animals, hobbies, or causes.

Extraverted Feeling (Fe) surveys a breadth of human emotions, values, and morals. It strives toward interpersonal rapport, consensus, and continuity. It can also be associated with effective communication and social intelligence, facilitating growth and transformation in others. Outwardly, it delivers opinions and directives in a direct yet tactful way, often with a sense of emotional urgency and conviction.

in My True Type, A.J. Drenth

MBTI RESOURCES

A.J. Drenth. “My True Type”

Lenore Thomson. “Personality Type”.

A.J. Drenth. “The 16 Personality Types”.

The 16 MBTI® Types https://www.myersbriggs.org/my-mbti-personality-type/mbti-basics/the-16-mbti-types.htm

Naomi Quenk, “Was That Really Me?”

#series: typing the chosen #digimon #headcanons #personality types #mbti #sorry but Tumblr formatting is a MESS;;;; I hope it's more readable now!

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joe-young-stories · 3 years

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A Week.

Hey, new to tumblr. This is something I wrote in an enclosed, dodgy Christian community in 2018.

The last time I saw Dad in person I was seventeen, and I’d either just finished my A-levels or I was halfway through them. I’d seen him a year before, for Grandad’s funeral. After we’d got home from the wake I’d nicked a crate of Guinness, and thrown up on my suit. I’d thrown up all over the guest bed as well, and I’d left all the empty cans in the waste paper basket. I told my dad that the emotional stress of the funeral must have affected me, and I didn’t really give a shit about the fact that he knew.

This time it was summer, and it was that one week of the British summer that is actually scorching hot. Dad was waiting for me at Oxford train station for my visit. Visa Skank was there too. Visa Skank is my dad’s Russian wife, and perhaps she married him for a visa or perhaps she really loves him. I’ve never actually had anything against her. It was rude, offensive, calling her Visa Skank, but it made me feel really savage and clever back then. This day at Oxford train station she was in her late forties, and she was wearing this shimmer- shimmer peach linen halter top harem pants combo thing with a dainty cream pashmina and a big floppy straw hat. She was basically just easy mockery.

We went straight from the station to this ultra quaint Riverside pub/restaurant garden. I had Peronis. I had a burger too. We didn’t really have a conversation because Visa had seen a picturesque riverside photo opportunity, and she had my dad take pictures of her next to a drainage sluice for almost an hour, at different angles and filter settings. At the end we walked back through the pub to get to the car and she started draping herself mystically around rustic beams and cosy fireplaces, or sat herself next to like, napkin dispensers that pleased her. And my dad took more pictures. I just wanted to get back to the house. I don’t remember too much more from the meal.

In the daytimes that followed I fell into a routine. Dad would wake up late (his teaching job at the schools wasn’t on) and he might mooch about or he might go into Oxford, or he might just go to Headington High Street. Visa Skank had a busy social schedule attending a young mum’s social club in the Florence Park Cafe. She would spend a lot of time there. I would wake up and take a walk into Central Oxford. And I would stop for a pint in the White Horse, where we used to go for Lunch when I was little. In town I would walk the old streets around the Radcliffe Camera, and this was back when I had academic ambition before I stopped caring about most things, and the scholarly atmosphere excited me. I walked past the cathedral boys’ school – my first school—and into the Eagle and Child, or the Kings Arms, or the Turf Tavern. I would read Franz Kafka stories or Iris Murdoch novels or I’d listen to pretentious students talk shit and praise myself for being more intelligent than them. After a few pints I’d saunter back over Magdelen Bridge and back up towards the house in Headington.

Dad’s house had changed a lot over the years. The retro porn PC used to be in the dining room, and all my 9 year old self used to do at my dad’s was either play SimCity on that computer or watch Dad’s porn. He’d archived literally thousands of pictures, all categorised according to hair/boobs/race etc. Albums of particular stars. I got up early at that age, and if you were proper stealth about it could get up with the dawn and watch a four second clip of a woman getting pleasured by a mechanised shoe buffer. Only if you were stealth though. The computer screen could be seen from the stairs via the dining room mirror. You had to listen for footsteps. God forbid that Visa or even Grandad would walk in. View me wanking it to Dad’s shoe buffer porn.

Now though the house layout was different. Grandad had been a cantankerous twat since Nan died, and all he ever did was sit in the living room watching cartoons and chat shows. GMTV, Pokemon, Digimon, Homes under the Hammer. That was all I ever saw him do on visits to my dad’s. I left him to it.

But he started losing control of his faculties, and Dad and I would walk in from the pub to a stray smell of nappies, the CBBC channel playing in the background. His osteoporosis got worse. The last time he was alive I was seventeen and he’d been moved to a hospice. He was half asleep next to his colostomy bag but he murmured a greeting and a goodbye. The three of us, Grandad, Dad and me, sat in near silence for approximately fifteen minutes. “Good to see you, Grandad,” I said to him as I was leaving. Grandad had written “to a very impressive grandson” on my birthday card seven months previously.

While Grandad was dying his house was being renovated. The dining room and kitchen had been knocked together into this rustique farmhouse experience, with a big beaten up pine table, a pine dresser and a freshly installed aga. An aga in a nineteen thirties semi. There were a lot of wholesome wicker baskets bought in and gooseberry jam jars were placed in them for effect. Next door the garage was knocked down and a den/conservatory/stargazing lounge/music studio was built. The living room, where Grandad watched all the kids TV, and which I was told was always going to be “His Space” had had all the carpets ripped out and new sofas put in. Floor to ceiling bookshelves covered every wall, and they were all full of this intelligentsia Russian shit no one read. The retro porn PC was upstairs in Dad’s bedroom now, so after I got back from Oxford that last week I’d sit in the conservatory on my laptop. Sometimes if my dad was around I’d bring up an attractive female friend’s Facebook profile and wait for him to ask me about it. He’d talk about organic food and hand picking your own raspberries, and how Russian customs and traditions were the best way to live. But most of those afternoons he was upstairs in his bedroom checking his email, which took about two hours and was a pretty full-on activity for him. If Visa was at home she’d make still life displays from Kitsch crap she found in charity shops. And she’d do photoshoots. Most of the time she was out though. Presumably with the young mums.

When I was downstairs on my own I would drink from the many, many bottles available on the farmhouse shelf. I never drank in front of Dad, but I’d never bother hiding how drunk I was getting either. A little bit of gin, little bit of vodka, whiskey, white rum.

I’d always done this. When I was about twelve, thirteen, fourteen I’d go through Dads bedroom and raid his wardrobe. I’d find his extensive magazine stash and his books on “Tantric Passion”, “The Multi Orgasmic Man”, “Make Her see you Mean Commitment”. I’d find the hamper full of Bombay Sapphire bottles; I never questioned the water bottles full of urine next to his bed. I wasn’t subtle. I’d try and incite his scorn, his discipline, his parental authority. I’d find glow in the dark condoms in his bedside drawers, and I’d take them out of the packets and leave them under his pillow like a treasure hunt. I would neck a bottle of chardonnay, refill it with tap water and leave it in the fridge for him to find. He’d look at the bottle, look at me, deliberate and stammer “I must have rinsed it out for recycling and put it back on autopilot.” I don’t think he knew me well enough to confront me. He once drove me back to mums with me throwing up ass the way down the M40, and we both agreed that I must have eaten some “ropey” quiche.

I didn’t want Dad to parent me anymore; I just didn’t really care. So while Dad was upstairs checking his email I’d access the WiFi and watch naked men beat each other, and I’d masturbate and drink gin. I think on the Tuesday of that week he found me full-on passed out in the stargazing conservatory, sleeping it off. Later on he’d said something about travelling being exhausting, especially across London, and it always took a few days for the mind to properly relax on holiday. I agreed.

In the evenings we’d go out to a pub, the Vicky Arms or The Chestnut or something. I would tell Dad what A levels I was doing. I’d namedrop attractive female friends quite a lot, and talk about parties I went to with them. I’d wait for him to be like, “Are they pretty?”, “Are they into you?”, “Like yeah, get in, my son!”, “Well done, boyo!” and things like that. Visa would come with us. She’d sit there in peach tracksuit bottoms and some kind of burgundy flamenco/matador top, and she would say things like, “Never microwave food because it changes the molecules. Did you know this? We go through a recipe book and you will find meals you would like to try.” We might order popcorn from behind the bar. Visa might demand a photo shoot of her next to an inspiring sunset or whatever.

At home Dad and Visa would go to bed in Grandads old room. Nans room, now the guest bedroom, was being fitted with a “Roman balcony” so I slept on a blow up bed in the living room with all the Russian volumes. I’d drink more whiskey and watch a comedy show about teenage lesbians.

That was it, really. The last week I saw my dad was fairly uneventful. Mundane. If it wasn’t for the fact that it was the last time I saw him I doubt I would have remembered it

Only two events stand out in particular. On the Thursday of that week Dad was playing at a jazz and tango concert at a bar/club in Wantage. He did concerts like that to keep money coming in when the schools weren’t on. Visa took tango lessons down at the community centre, and she’d met a new friend and tango partner called Allan. He had had a stroke and divorce in a five year period and had taken early retirement, so I was told. So I was briefed. Briefed why? I didn’t care.

Allan met us at the house. We all sat about having a back garden beer and then Dad and I set off for Wantage. Allan’s and Visa came later, in Allan’s car, which he could still drive all post stroked up apparently. We had another pint in a pub in Wantage. Dad introduced me to the concept of a “Session Beer”. Advice I have never followed.

Dad gave me money for the evening and then left me to my own devices. I sat on the balcony and drank a lot of Stella, and from my vantage point I could see Dad playing onstage. I could see Visa and Allan as well, and she had her head on his shoulder and he was holding her close around the lower back. This didn’t look particularly tango-ey, but Visa had told me on one pub evening that tango was more about feeling than steps. “Feeling. Yes?” she had said with gusto. This was the passion of the dance I was watching, then. Dad had told me in the car that tango was Allan’s hobby, it’s what got him out the house, like his physio. I looked at Dad, and he was playing some sassy chords on the piano, watching the two of them become one with the dance. He didn’t do anything else. He just sat there, watching them get on with it. I finished one of my Stellas, and later on I thought to myself that he looked like a drooping bunch of flowers in a vase, half dead. A bit sad, maybe. A bit lacking. I was quite proud of myself for thinking of that. It felt very grown up.

Two days later we were having a back garden beer, Dad and I. The garden had changed, and where a swingset once stood there was now a very wholesome vegetable plot. Beyond that was a washing line. It was one of those washing lines with one pole in the ground, and it folded out like an upside down pyramid. You could spin it around for ease of pegging/unpegging. I looked at the washing line and remembered my eight year old self playing by it. I had been playing with a football. I was staying with him for a few weeks or so over the summer. I was out there, by myself, with the football. But I liked to pretend I was playing with all the other children I knew from school. Kids who were actually busy with their own friendship groups or who called me poofty boy by the wildlife pond. But when I was playing with them by myself they were all like, “I did not see this coming! We have not appreciated your serious skills! Hey guys, check out this Baller!” and none of them called me a poofty boy by the wildlife pond.

I had devised a game where you had to throw the ball into the opened up washing line to score a point. Dad came outside just as I was about to land the sickest shot from ten feet away, the shot which was going to blow George and his gang away, and was going to make Sadia and Carrie-Ann think I was total boyfriend material. He asked me if I wanted anything to eat.

And I really don’t know what came over me, but I said something along the lines of “I’m playing a game. We have to get the ball off each other and get it in the net. Do you want to play?”

“Oh, right!” was something like he said “Yes alright then, I will”. I’d never played a game with Dad before, and we were both a bit hesitant. Like, do we just…start, or what? I chucked the ball at the line and missed, and he grabbed it. We ran around the garden, playing the game. He scored a point. I scored a point. At one point he wrestled me to the ground to get the ball off me, and then helped me up. I remember laughing and smiling, being out of breath. I was tense, too. How did things like this come to a logical end? Did, like, the session finish? Was there a way for this to end without Dad having to just be really rude? Like: “I’m sorry Joe, but I need to stop doing this at this point and go back to my day. You are welcome to continue though.” How did it work? After approximately fifteen minutes it mercifully started raining, and we went inside. It was the only time we ever played the game.

Sitting and having a beer with my dad that last week was the last time I looked at the garden, or indeed spent any time with him. Halfway through our drink Visa came out of the stargazing conservatory doors, and she was wearing a floor length lacy white gown, a white bonnet and silky white gloves. She was carrying a large wicker hamper, and she put the hamper down and pulled out a silver teapot. “I am English lady at tea,” she said, and she raised the teapot in the air. Then she laid the patio table for a country manor high tea, and started demanding a photoshoot. I went inside.

The next day I was due to go home. I woke up that morning to find that I’d drunk too much and pissed the blow up bed. I put my soggy boxers in a plastic bag, and I covered the damp sheet with my duvet and left it to fester.

I hardly spoke to dad after that week. There was no reason to most of the time. I rang him twice to ask for money, once to say merry Christmas can I have some money and once to tell him I’d just left rehab. In 2018 I had written to him to tell him he was a cunt and I wanted to burn his house down. “Past wounds” with my Father had become a significant part of my “Life Story” by that point, and I thought that sending such a horrible letter might activate a Life Event in some way, some dramatic finale.

Dad has always had his settings such that I can’t find him on Facebook, so I have to log in as my mum to see his profile. Him and Visa quote Oscar Wilde and Shakespeare sonnets on each other’s pages. Visa’s profile has about 64 photo albums. They’re all called things like “Casserole dishes on the patio”, “Beauty In Autumn”, “Sensuous mermaid has adventure”. Her name isn’t actually Visa Skank. All the photo albums are silly and innocuous. When I’m drunk, or self pitying, or feeling like a victim, or all of the above I sometimes find myself thinking about the game me and Dad played with the washing line and the football.

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