#I just like his character arc and don’t think it would benefit from romance

[boneless-mika]

Sometimes I honestly feel like I’m not welcome in the aspec community because I dare to call myself aroace despite liking romance

[ecoterrorist-katara]

The only stereotypically masculine thing about Aang…is his romantic arc

There’s a really popular post on Tumblr called “Avatar Aang, Feminist Icon.” The thesis is basically that Aang, unlike his female teachers and friends, is actually not a badass. He listens, he defers, and he respects women. He seemed to have no problem with Katara’s crush on Jet, despite his own crush on her. He chooses love and kindness and friendship and pacifism. He’s not tall and handsome as hell or buff. He wears flower crowns!

And I agree! This is Aang for most of the series and I love those qualities (though I do think the bar is in hell if those traits make a character a feminist icon, as opposed to a person who simply sees women as human beings). Anyway, I just think there’s a glaring omission. And that’s Aang’s romantic arc in season 3.

Bryke managed to take the worst of both worlds: Aang’s romantic arc retains the male-centricity that make most romances so problematic, while retaining none of the characteristics that make problematic romances compelling to women.

Aang falls in love at first sight with a beautiful girl. For the majority of their friendship, he remains respectful and supportive. As his crush hits an all time high, however, it gets distinctly more stereotypical: he kisses Katara at the invasion, and when she didn’t want to talk about that kiss, he firebends at her (the fact that this comic is canon, and was published years after ATLA’s conclusion, only demonstrates that the creators still don’t understand critiques of their romance). Aang considers Katara “his girl” and becomes furious (“I would be in the Avatar state right now!”) when the actress version of Katara didn’t like him romantically, and then he kisses her again — this time explicitly against her wishes. Throughout the show, people reassure him that she will come around, continuously reinforcing the idea that Katara is “his” and he just has to be patient. And even though Ka/taang is supposed to be endgame, we never hear directly from Katara how she feels, even though we’re no strangers to her opinions and feelings on other topics. It’s almost like the creators wanted Katara’s feelings to be a mystery because we’re meant to resonate with Aang. That’s…a male-centric, action hero romance.

In addition, the friendship dynamics between Katara and Aang feel pretty gendered. The distribution of emotional labour between Aang and Katara is quite skewed: Katara takes care of Aang much more than he takes care of her. She’s the one responsible for calming him down from the Avatar State. She’s the one who cooks for him and performs a whole lot of domestic chores. Post-canon, Katara’s storyline revolves around Aang, and she’s treated as his accessory and the keeper of his legacy instead of her own person, to the degree that she’s not even recognizable in LOK anymore. A beautiful, badass, independent woman who dedicates her energy and intelligence to a man’s needs? Wow, that is definitely something I’ve never seen in media geared towards men!

A lot of gushing about Aang’s lack of stereotypical masculinity seems to also hinge on how Aang is not conventionally attractive, but that’s…not true. Aang may not behave like James Bond, but he has plenty of admirers. Meng and On Ji liked him even without knowing that he’s the Avatar. Post-series, Acolytes descend en masse to steal Katara’s man. And of course he grows into a tall, buff dude. Aang’s romantic arc is not about becoming attractive to women, or finding a woman who loves him despite his looks. His romantic arc is about getting the girl who’s hard to get, because she only sees him as a friend or a little brother / babysitting charge.

Bryke do not deserve the credit for creating a “feminist icon,” not when the only stereotypically masculine traits they gave him are in relation to his romance arc. It honestly feels more insidious this way, because it’s like, “see? You don’t have to be masculine to reap the benefits of performing masculinity” — the benefits being, of course, “getting” the girl you want.

[musicalmoritz]

TBHK Mischaracterization

Imo the leading cause behind mischaracterization in the TBHK fandom is that most fans either don’t understand the characters or they dislike them, so they subconsciously rewrite the story to fit their narrative. I don’t have as much of a problem with this when fans are upfront about it, if I don’t like it I just ignore it; but many fans don’t even realize they’re doing it

This type of rewriting is further allowed by the fact that the fanon TBHK characters don’t look like stereotypical fanon tropes. Fanon Kou isn’t an abusive womanizer, he’s a helpless puppy who can do no wrong. They can get away with that because technically that characterization is drawn from canon, Kou is a very kind person and a gentleman. But they run with those two traits until he loses all of the agency and nuance that he has in canon

Similarly, fanon Mitsuba isn’t an uwu soft boy who needs Kou’s help to tie his shoe. He’s a grumpy edgelord that goes out of his way to be rude to people. This is pulled from him having no filter in canon, but that’s where they end his characterization. They take away all of the softness that makes his character so unique. If someone said Mitsuba is the type to cry when his boyfriend ignores him, many fans would probably call that ooc, despite the fact that it’s canon. Because they don’t want to admit that Mitsuba is emotional, or that Kou is mean to a lot of people

To give the fandom the benefit of the doubt, I do think this comes from a fear of going in the opposite direction with fanon. They don’t want to turn Mitsukou into fanon Baku//Deku, so their solution is to swap the roles and make Mitsuba the fanon Bakugou and Kou the fanon Deku. Those should not be our only two options. We should be able to talk about these characters without reducing them to tropes

This goes for all the characters, they’re mischaracterized to be more digestible. Fans don’t have to put any work into analyzing Akane’s character if they reduce him to a creep. They don’t have to think too deeply about the Minamoto’s home life if they make Teru out to be an abuser. They don’t have to wrap their heads around a female character having an unlikable personality if they limit her to one half of a wlw ship. And so on, and so forth

I will also say that since romance is such a major part of TBHK, you’re going to have to put extra work into maintaining accurate characterization for fanon ships. That’s not to say you can’t enjoy fanon ships, I’m like the biggest multishipper ever, but when you’re writing them keep in mind that you’re removing love stories that are integral to a character’s arc and development. They can still be kept in character but try to imagine what they would be like if they didn’t have that development, or if the development happened differently

For instance, if Kou never fell in love with Mitsuba, he never would have learned how to be selfish. He wouldn’t know what it feels like to be relied on, and a lot of his significant character flaws would be erased. So how does that play out if he falls for Hanako or Nene instead? Does he have a similar arc or do things go a little differently? What problems would arise within those relationships that we don’t see with Mitsukou?? If you’re writing them pre-Mitsuba arc then you won’t run into as many problems, but after that Kou falling for someone else would change things up a bit. Just like Hanako and Nene falling for other people would majorly change the direction of the story. It can be done, but do it carefully

A lot of the time with fanon pairings I see fans just sort of try to copy and paste the dynamic of the canon ships. With Aoinene, I’ve seen people write Nene to be the only one who understands Aoi. That removes all of Aoi and Nene’s canon conflict and turns them into wlw AoiAoi. Let ships have their own dynamics and conflict!!

That’s not to say canon ships don’t require any effort for characterization ofc, I did start this off talking about how Mitsuba and Kou are mischaracterized by Mitsukou shippers. They just have an easier start because Kou and Mitsuba being in love with each other already maintains a prominent element of canon. It changes nothing about the direction of the story the way a fanon pairing would. Keep in mind tho, just because that one element remains close to canon doesn’t mean everything else is gonna go right. I see fans butcher the canon ships all the time lol

I obviously give more leeway to AUs but like, guys. Can we please sit down and read the manga😭

[noodlesha]

Sex Education: Season 4 (2023) – Just some thoughts.

Over a span of four days, my housemates and I sat down to watch the final season of sex education; the show had started in 2019 (which feels like a lie, but we move I guess) and was loved by the masses. People really resonated with it as they showcased people dealing with all sorts of different complexities and natures and it was truly wonderful to see so many demographics being represented.

And while I know some of the criticism comes from the fact they favour representation over solid writing, I can understand that sometimes it’s just nice to be seen on a tv show with no ulterior motive and to be frank, this show has some great writing with certain characters. But like most TV shows, it didn’t mean it didn’t have its faults much like this season. But I think the best way to talk about this show is through its characters, which are the driving force of this TV show and it both benefits and fails from it.

The New Characters

When going into it, I was quite sceptical about the new characters, and coming out of it, I think I still am. I enjoyed the representation of ‘The Coven’ or whatever they were called, I think Aisha was written the best out of the three considering she had a broader storyline and I loved how they discussed accessibility for disabled people it was very refreshing. But coming out of the show, I don’t think I felt anything for these characters, and I found myself wishing they had Lily and Ola back.

O felt like a complete waste of a character – it felt like they made her very purposefully antagonistic, and yet when it came time to redeem her character it felt like a last-minute decision. I also think the way they handled her asexuality was very odd and felt quite forced at times, I remember during season one the writers seemed to be suggesting Otis was asexual but then didn’t push through to it, O just seemed like a rehash of that exact thing. There was clearly some stuff left out because O felt very antagonistic back at Otis, but Otis didn’t really do much towards their opposing sex clinics.

Adam (and Michael too)

This storyline became a favourite when the show ended and I didn’t think it would hit me as hard as it did. Adam’s character arc through the show has been very interesting to see, when looking back to last season I was never really a fan of Adam and Eric’s love story but that was the storyline that made me like Adam so I guess there was something to it. I also enjoyed that Adam didn’t go into sixth form and instead followed what his interests were, it’s quite cool to show there are different options rather than just sixth form, then university etc. But I loved the interesting parallels between the son and father, both were coming into their own person which was needed for both of them so they could accept one another and their heart-to-heart at the end was very sweet.

Jackson and Viv

I love the platonic bestie vibes this duo have, it’s so wholesome and I enjoy that the writers never compromised their friendship for a relationship because it’s something you don’t really see that often. I liked the storyline Jackson had surrounding the stigma of cancer in men, it was different and very unexpected but I liked that because it is scary and it weaved very well into his intrigue with his identity. One thing I was a bit confused about was Jackson’s journey with his sexuality; I feel like they slightly breached the topic but there was no clear closure for that storyline which was a big part of his character arc last season, but perhaps I missed something. With Viv, her storyline also quite surprised me; I truly didn’t expect her romance with Beau to take an abusive turn – but in retrospect it’s very interesting to see all the qualities of possessiveness and obsession that Beau had throughout the season. But either way I liked the resolutions in their ending (also loved that Aimee and Viv kind of became a duo), and I’m sad to let them go.

Ruby

One thing I really didn’t like this season was Ruby’s storyline; it was just her pining over Otis again and Otis not giving her an inch despite using her to help his campaign. It felt very backwards to me, especially seeing as Otis didn’t even thank her (more on that later because I have so much more to say on Otis); although she found her own confidence at the end and didn’t dance with him, I honestly would’ve preferred if they were just friends, but I can understand the need to have tension and drama to make things more interesting, but I was just left wanting a bit more with her character rather than her problems being purely surface.

Jean (and her sister… and her baby)

I will be honest, it was very odd to see Jean without Jakob (or Sven as my housemates and I referred to him), but truly I kind of didn’t miss him because they introduced a much more compelling duo with her younger sister. Jean’s storyline was quite interesting; to see a woman struggle with post-partum depression on-screen and not be villainised for it was very refreshing and I thought linking it with her fear of being like her own mother was very good. Her sister’s storyline was also very interesting, I liked how different they were and also that they had a very natural sisterly bond, which is something you don’t see among older women anymore in media.

Cal

I really enjoyed that we got more of a look into Cal's life because that was one reason I didn't really connect with Cal last season was because we didn't get a sense of who they are. But this was majorly broached in this season and I was glad because I really enjoyed their character. Their story was wholly centered around their identity and I thought it was very heartwarming that the school charity came together for their top surgery. Two things that I struggled with though were the fact that their attempt to take their own life was very much brushed over and the fact that their and Jackson's storylines didn't really get completed either. But overall, I really enjoyed their character.

Eric

Honestly, he and Aimee are the best characters on this show, and you can’t even change my mind. One thing I was very glad for was that they tabled the whole Eric and Adam relationship and that they recognised that someone shouldn’t be in a relationship with their bully (and because Eric can do so much better, and I say that while loving Adam as a character too). Something that surprised me but in a good way was his relationship with his religion, it’s so interesting to see because you don’t see a lot of this, especially nowadays. And it was nice to see him flourish with friends that understand him and his views on things (OTHER THAN OTIS WHO DOESN’T CARE), and his turmoil of wanting to be baptised but then realising he doesn’t need that to reaffirm his relationship with God. And Ncuti is just SO funny and charming as Eric, he’s going to be a star one day (especially since he’s been in Barbie and Doctor Who) and I genuinely can’t wait to see it.

Aimee and Issac (but mostly Aimee)

Oh god where do I start, Aimee Gibbs is genuinely one of the best TV show characters ever; she is so likable and the journey her character has gone through is amazing. When the show opens with her documenting her recovery, I was immediately struck that she was going to have a fabulous ending to her story. I loved that she was trying different things like art to express her trauma and seeing her have fun with it was just so, so human and I love when media replicates that side of humanity. One thing that was a pleasant surprise was Issac and Aimee’s relationship; now this may be a controversial take, but I was never really an Issac hater… I know, how insane. So, seeing him get fleshed out more and more was really moving; their relationship was something very different and also made so much sense. I wouldn’t have put them together, but the actors had a lot of chemistry and I enjoyed that they uplifted one another but never crossed any barriers of their own agency.

Maeve

Maeve is a very interesting character; now for another controversial take, I was never a big fan of Maeve, it’s nothing I could really pinpoint but she often seemed very abrasive. But on the flip side, I also respected that about her character, that the writers were never afraid to make her spunky and outspoken, and for her to not be punished for that either. Her storyline this season was great, it made me enjoy her character so much more than I thought I would; the way she acted around the death of her mother was so good and felt very real – and I loved how mature the ending of her, and Otis’ love story was as well. Again, I know some people may think differently but I’m glad they didn’t stay together because let’s be honest, the two wouldn’t last a week ESPECIALLY long distance. She got to focus on herself and her career in the end, which was something she wanted since the beginning of this show; and it was incredibly satisfying to see that on screen.

Otis Dickhead

My, my… you know for the literal LEAD of the show, you’d think they’d write a character that’s at the very least tolerable. Because oh my god, now I’ve never liked the way Otis’ character is written, but Jesus Christ I think we’ve hit an all-time low. One thing he does that drives me up the wall is that he never texted anyone back; like when Ruby kept asking him where he was, he didn’t even message or anything and that was before Maeve’s mum passed away, he is just so inept.

Also, the fact that he’s a so-called sex therapist yet he struggles to article his own problems with BASIC problem-solving skills actually amazes me – I admire the writers for being able to write someone SO thick in the head without going braindead themselves, I really do. Okay rant over – Otis’ storyline really felt like a backdrop to everything in the season, the only interesting thing was his and Maeve’s story and that wasn’t even his main dilemma on the season. Overall, his character is shit and I’m so glad I never have to see his face again (sorry Asa Butterfield, love you!).

[outrunningthedark]

https://www.tumblr.com/outrunningthedark/739679854899888128/this-is-just-my-take-but-with-tim-likely-being

I think it will be telling re: if fans can expect Buddie canon at some point in the shows future if Tim cements those Buckley-Diaz family/Buddie moments from seasons prior or if he uses this clean slate with a new audience to put the nail in the proverbial coffin and have them remain BFFs. He could use this clean slate to re-address all those Buddie fandom moments we love as something different or highlight them as super important to the future arc of these two characters specifically so pay attention ABC audience. Personally, I don’t think Buddie will go canon on ABC/Disney due to the target demo of this first responder show but this move could be a new opportunity to go balls to the wall and shake shit up. The foundation of romance is already there in the background.

These thoughts line up perfectly with mine as we get closer to season seven, nonnie. Do I *expect* Buddie to be canon? No. But if Disney is actually open to the possibility - if Tim can pitch the story line in a way that makes Disney believe it'll benefit the show in the long run - the path has to be laid out from the jump. The ABC audience will know about Buck's ex gfs, and Marisol and Shannon for Eddie, but the "jokes" about Buck's sexuality? Don't need to be jokes anymore. Eddie didn't say anything about being attracted to men after breaking up with Ana or while dating in season six? Being in a relationship (assuming Marisol is back) is a way to ease everyone into accepting that he's bi, and then if/when the Marisol chapter is closed (for reasons other than his sexuality, probably*), the focus could shift to finding love with someone else, someone who has been in his life through all the failed relationships. (And the audience would hopefully be receptive because they aren't being repeatedly hit over the head with how straight Buck and Eddie are in these first ten episodes. Single Buck would help a lot, I think.) *I know the Eddie girlies really wanted a story line where Eddie finally confessed/confronted the truth in a tortured way [insert headcanons about the Diaz parents being homophobic], but since we've seen things from one show rewritten to fit the other (Buddie and Tarlos and the will, Grace and May dealing with a new dispatcher are the first two that come to mind), I think the approach might be similar to what Tim did with Nancy - admitting something nobody really knew, there's visible surprise (maybe some questions) and it's just...a thing in the back of everyone's mind that might get addressed again one day for the purpose of illustrating his feelings towards another man.

[sonnburn]

In defence of Su-yeon’s feelings

Because it appears everyone watching the show was too busy hating Min-woo to actually pay attention to the resolution of Su-yeon’s character arc.

Yes, the sudden onset of her feelings for Min-woo over the course of two episodes may have been rushed, but it wasn’t random. I would argue in fact that these two characters were set up from the very first episode to fulfill the rivals-to-lovers trope and eventually come together. Personally I would have liked to see more moments of them spread out in the earlier episodes to foreshadow it better, but it didn’t come out of nowhere and it made sense with Su-yeon’s personal arc.

Su-yeon’s subplot was entirely focused on her failed attempts at romance. Jun-ho was the popular office crush who fell for someone else. Mr. Hairy was the blind date who she couldn’t connect with. And club-guy was a con-man out to take advantage of her from the start. Every failed instance of romance that Su-yeon goes through are characterized by one thing.

They are all “good guys” to varying degrees.

Jun-ho is genuinely a good person, but he didn’t feel the same way towards Su-yeon. Which she wasn’t able to pick up on until his affections for Young-woo became painfully obvious, but nonetheless shows that she didn’t actually know Jun-ho that well in order to discern this earlier. She never saw past his surface level of niceness and charm to notice his true feelings towards another woman underneath. Mr. Hairy was too, a genuinely nice person, which Su-yeon knew because she trusts Young-woo’s judgment, but sometimes good people just don’t click. She couldn’t connect with him due to his nervousness and bad-jokes, his awkward personality underneath his initial impression of niceness. Club-guy was the hardest to watch because he was the first candidate to actually give her hope. He treated Su-yeon well and swept her off her feet! Only to be revealed to be a con-man out to extort her because she has a nice-paying job. She could not see past the surface level “niceness” and got hurt by his true colours.

So I hear you saying, if Su-yeon is trying and failing with all of these “good” guys, why does she start to like Min-woo? He isn’t nice AT ALL! In fact, he’s downright awful!

Well... yeah. That’s the point. That was the WHOLE POINT of their interactions during the Jeju island arc! Both to establish a bit of context to Min-woo’s character through the eyes of Su-yeon (who is in the same frame of mind as the audience, thinking he’s nothing but a jerk) and to resolve the conflict of Su-yeon’s arc.

The conflict? Su-yeon doesn’t actually know what she wants in a guy. When asked by her friends what she means when she says she wants a “good guy”, she responds with, “a tall, broad-shouldered man with a nice smile”. She only lists physical attributes. That’s not a good guy, that’s a good-looking guy.

Min-woo isn’t a good guy. Su-yeon only knows him as the opportunistic jerk she competes against at work, that is the only version of him she knows. But he even says so himself when she asks him why he’s acting differently. “We’re on Jeju island.” He’s acting differently because they are not at work. He is not actively competing with anyone. He is, for the first time, completely relaxed and being himself in front of his colleagues. And his real self behind the competitive jerk person... is kind of a decent person. Not good, per say, but... considerate. Observant. When he’s not trying so hard to get ahead, he is capable of doing things for other people at no benefit to himself. Helping Su-yeon with her bag, getting her a new glass when he notices a bug in hers, cracking open a drink for her when he gets one for himself. He does these things unconsciously, he doesn’t do it because he has an agenda towards her. Jeju island was meant to show us, and Su-yeon, that there is more to this character than what we’ve seen of him so far at the law firm. In addition to being a cut-throat lawyer, he is still a regular person as well.

Su-yeon’s realization at the end of her arc was about recognizing what she’s actually looking for in a romantic partner. Su-yeon said she wanted a “good guy” without knowing what that actually meant. Now she knows she doesn’t just want a guy who says nice things on a surface level; what she actually wants going forward is a decent guy who shows his decency through transparent actions that she can clearly read, instead of with verbal niceties which she’s been fooled by before. Unlike with the other guys where she was attracted to the niceness and got burned by what lay beneath, now the opposite has occurred. She isn’t blind to Min-woo’s faults, but she is beginning to see past that surface level of competitiveness to an unexpectedly considerate person underneath.

[cqlfeels]

What do you think of people hating on LXC because he said wwx was lwj's only mistake? (Don't want to start flames but I want someone to support lxc's point of view in this because he's also valid)

I’m trying really hard to find a way to answer this without awaking the disk horse, let’s see if I can manage it.

Also anon I took forever to answer you and then proceeded to write way, way too much, so I’m doubly sorry!

I’m going to focus on the novel because I feel like LXC’s arc is much more nuanced (and therefore easier to misunderstand) in the novel.

From a meta standpoint, LXC plays a really interesting role a few times, which I’m sure has an actual name for people who study literature but I can’t think of it right now so I’ll call mentor-antagonist. He’s a mentor because he consistently guides WWX towards understanding LWJ - which, surprise surprise, it’s an important thing in a romance. But he’s an antagonist because he just as consistently puts himself in the role of LWJ’s protector. From the first time we meet him, all the way to Guanyin, LXC keeps saying with increasing clarity and frustration “This is how much my brother loves you - do you love him back just as much?” He informs WWX of what LWJ won’t say, but he puts a price to LWJ’s affection where LWJ actually puts none. LWJ is trying to say “I love you no matter what, even if you never love me back” but LXC keeps translating it to WWX as “LWJ’s love is entirely selfless, and what are you doing to deserve it?”

Even the very first time we meet him - who is LXC pointing out LWJ is in a good mood for? Maybe in-universe it’s just a passing comment, but as a reader, it’s hard not to think in hindsight that maybe introducing the guy who gatekeeps LWJ’s heart by having him say “You make LWJ unusually happy, and you’re literally screaming and crying to get away from him” miiiiiiight have future implications.

WWX is constantly shocked that LWJ can stand him, let alone love him, and LXC is almost an externalization of that. I mean, that’s an oversimplification, he has his own agenda and everything, but when LXC says “You don’t deserve my brother” and WWX answers back “I don’t care, I want him and I’ve always wanted him even when I deserved it even less than I do now” that feels like an incredible character moment because that is the thing WWX struggles with.

And I feel like that’s why people get so, so mad about this. WWX saying to JZX “You don’t deserve my sister” in every adaptation? lol yeah he’s right. But we’re meant to identify with WWX, and LXC is just (metaphorically) shouting every single one of WWX’s insecurities at him, and that’s very hurtful, even though we know LXC loves LWJ more than anything. So I feel that people take issue with this not because of LXC’s actual words, but because they feel the urge to protect WWX, which only shows what a great writer MXTX is.

As for why LXC would say this... well, why wouldn’t he? I mean, we Know how WWX feels and we also know the reasons behind his actions, but from an outsider’s perspective, all WWX has ever done in the novel (which is very different from the drama, and in the drama LXC is much warmer towards WWX as a consequence of that) is hurt LWJ over and over and over and over. If LWJ were my brother and I knew his love was as intense as it is, I’m not sure that I also wouldn’t be upset that someone seems to take advantage of it when it’s convenient and walk away when it’s not. LXC doesn’t have the benefit of seeing the ways in which WWX makes LWJ’s life better, but he’s always the one picking up the pieces after LWJ ends up heartbroken for the 4378492th time, so of course his idea of WWX skews towards the negative. And I mean... whenever he tells WWX to Do Better WWX misunderstands everything and Does Worse. Of course LXC is frustrated. It’s no one’s fault, it’s just that LXC doesn’t have all the info, nor does WWX. That’s kind of the theme of the novel.

Anyway, the tl;dr is that I don’t think people who hate on LXC for that moment can be convinced not to by being shown LXC’s POV, because the issue is, imho, about overidentifying with WWX and being understandably hurt when LXC says something hurtful. But I totally get that some people read romance with the purpose of projecting onto the main character, so I’m not about to say identification is bad or anything. I think (a lot of) these people engage with the novel in a way fundamentally different from the way I do,* so I’m not sure there’s much profit in trying to convert one another to The One Correct Interpretation.

* I don’t want to overgeneralize, though. It’s entirely possible to dislike LXC in general or in this moment for reasons other than this, this is just what seems most common in my experience, but it might not even be the most common attitude! But I can’t speak of what I have no experience with, so I’m limiting the scope to the circles of fandom I’m in.

[theowritesfiction]

btvs s3 final thoughts

Alright, I’m going to projectile vomit some thoughts after having finished s3 of btvs.

Obviously I’m going to focus on my MVP of the season, Faith. I really love the idea behind her evil arc. Rogue slayer is just such a compelling idea. And I think they had the broad strokes of the arc right, it was just the buildup and execution that was lacking. The way Faith went from just being a troubled and slightly out of control teenage girl to multiple counts of murder and willingness to torture felt way too fast. Either they should have toned down the depths to which Faith would sink, or they should have developed her fall more gradually.

And honestly, the way they did NOTHING with Faith’s character throughout the first part of the season after her amazing introduction was absolutely criminal. Faith needed and deserved so much more screen time. If they had showed the Scoobies reaching out to her more and getting Faith a little bit more involved in their activities, they could have still done the whole evil arc, but actually make it even more emotionally hard hitting. It was definitely a missed opportunity.

Where to find more screen time for Faith? Easy answer. Cut 80% of all the Bangel wangst of the early season. It was just so insufferable in S3. We already went through the whole will they/won’t they in S2, there was no need to repeat that again. Angel making sad and stupid tearful cow eyes at Buffy got old so fast. Angel leaving at the end of the season made me think of him as the worst character ever to get his own spinoff show, but I know that ats is actually really good, so maybe Angel is actually ‘the character to benefit the most from being separated from Buffy’.  

Another thing that I wanted to remark on was the juxtaposition of Buffy’s chaste (ugh!) romance with Angel and Faith’s hypersexuality, as a very ugly aspect of their whole good vs. evil dynamic. I feel like Faith was seriously slut-shamed throughout the season in a very disgusting way, and if anything it just made me feel more sympathetic towards her.

I thought that the Mayor was actually an amazing villain. I totally enjoyed every time I saw him, he was chewing the scenery so hard. His relationship with Faith was quite fascinating in how multilayered it was, with both manipulation and genuine affection.

Some random final thoughts. I seriously don’t know what they’re doing with Anya, but having her fall for Xander feels seriously insulting. When she told Xander that he was less annoying than most guys at the school, I actually yelled out WTF. I was like, are you writers aware of the character you’ve been writing or…? But hey, at least Xander finally got his first good moment like 50 episodes in the show when he paid for Cordy’s dress. I’ll give him props for that. Also, that Wesley/Cordy thing? Weird, embarrassing and uncomfortable. No, no, no, who’s idea was that?

Ah, on to s4 now. So glad Angel is out of the picture. I’m sure Buffy’s choice in romantic partners can only improve from now on.

[captnjacksparrow]

I just got into the fandom and I love it so much. However, there are parts where I just cringe. I’m going to be completely honest when I say I can’t see SS being a thing, a healthy one at that. A rumor said that Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him. I just... find it utterly bullshit. Hell, even I do ship narusasu, I tried to be open minded and not fall too far off canon or the characters. I don’t understand how Sasuke had those feelings for her when all he did was shown the opposite and it felt genuine. He seem always annoyed and pushes her away. She kept forcing her feelings on him when he makes it clear that he’s not interested. I don’t hate the ship because it’s not my ship but because it’s extremely toxic. It feels one-sided (Sakura’s side) more than anything and it’s makes it hard to believe he had those feelings for her. I mean, on the second episode of season five, she confessed and poured out her heart and he blew it off. I cringed hard and was beyond disappointed because she’s making it about herself. That’s literally how I feel about their damn “relationship”. She made it about her and her only. When he’s hurting, it’s about her. It’s so annoying and it makes me see how self-centered Sakura. When she said she understood Sasuke, I wanted to scream (I nearly did but my family is sleeping and I don’t need a lecture.) She doesn’t know Jackshit about Sasuke besides he’s the only survivor of his decease clan, he’s a loner who cares only about himself, and he’s attractive. She’s just like every other fangirl expect she’s on his team. I’m trying my best not to hate her but Damn she’s really pushing it. Anything that annoyed me was that she made it seem like they were dating, again making it about herself and her feelings. She sent Naruto to get Sasuke for her benefits, so she can keep him. Again, disregarding Sasuke’s feelings and what he wanted. Naruto should’ve said “I’ll bring him back because HE wants too, to keep HIM safe, not for you.” I just can’t with this ship. I’m still wondering why the hell is it even a thing? Also find it beyond pitiful how she stayed with Sasuke in Boruto when he left for 12-13 years?! No note. No checking up. Nothing. Hell, Sarada doesn’t know how her own father looks like or the truth of her mother. Both of them were miserable and I find it absolutely ridiculous when SS shippers still say “they’re in love” or they’re OTP. If that’s what true love looks like (good thing it’s not), then I’d die single. I can’t be the only one who thinks this ship is just as bad as Harley Quinn x Joker.

First off, Thanks for this lovely ask @larrycherry04 ❤️❤️❤️❤️ I've always wanted to write about this and your ask is the perfect timing.

Disclaimer: SS shippers, Sakura fans!!! Don’t read  this post!!

Me being an SNS shipper, I am just going to write this from a non-SNS perspective. Meaning, I am going to consider Naruto and Sasuke are just friends or rivals. 

Bear with my lengthy answer.

Where do I even begin?

A rumor said that Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him.

I think this rumor is from a light novel called Akatsuki Hiden or whatever shit. But for me, it looks like a pathetic attempt to convince those horny women shippers who would pay any money to read a romance which mirrors their own love life where they desire an ‘unreachable & handsome’ man who has this ‘cool & overbearing’ aura and carries this ‘bad boy badass’ vibe. They would do anything to get the attention from this boy. Until this point is where the reality ends. 

What they really wants to happen and fantasize is somehow that handsome man, one day, will look only them and recognize their love and becomes a ‘soft’ guy who would bring the heavens for them and treats her like a princess. That fantasy led them to buy these novels and believe everything while completely disregarding the canon material. And those novels are aimed at these type of women.

You must have been wondering now, ‘I have seen these type of shit somewhere’!!!!!

That’s right.

50 Shades of Grey, Twilight, Beauty and the Beast, 100′s of K-Drama, C-Drama follow this shit romance trope and it’s regrettably fucking popular. 

In other words, Don’t believe anything apart from the canonic resources. 

Let’s dissect the canon materials about SS.

TEAM 7 

This is how it all started

Does anyone see anything positive here???? 

Well, I am not.

Sakura wanted to impress Sasuke. Since, Naruto always picks fight with Sasuke, she badmouthed Naruto in the hopes that Sasuke will recognize some common ground with her which may develop into a friendship. But she shot her own foot. 

[Regardless, I hated her here and she never redeemed herself, for her being completely insensitive & oblivious towards Sasuke’s life, the boy she loves]

Technically, Sasuke should have said ‘You’re Annoying’ towards Naruto for kissing him before the class and tying him up later. Here, Sakura is simply badmouthing another guy. He, somehow, find this very annoying than anything Naruto did earlier. 

Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him.

Am definitely not seeing any feelings here.  

ZABUZA ARC

Alright, much later, somehow Sasuke started to integrate into team 7 and started to see them as a Family. No denial here. He started to care about everyone in his team at some point. Which was evident from the way he thought to himself, ‘That was Sakura’s voice... What is Kakashi doing?’

But does it means he hopelessly fell in love with her??? Nope. 

It’s just a team camaraderie where he was worried about his teammate. If he has special feelings towards her, he should have said ‘I must go save Sakura’ or something along the line. 

But, later in that episode, he went on to die for Naruto and even at his dying moments he didn’t think about Sakura or Team 7. It was all about someone else.

Even seconds before falling into Naruto’s arms, Sasuke was smiling with no regrets. 

It was funny very later that after he got up from his temporary death, rather than consoling her like ‘Sakura, Don’t cry. Am alright’ or anything, he was asking ‘Where’s Naruto?’. LOL.

Even much later, when Sakura was asking him about a date, he bluntly said ‘I refuse’.

So, you’re telling me, throughout this arc, a boy blinded with hatred can able to pout, play childish games, train and die for a boy but when it comes to Sakura he can’t show his feelings???

Sorry, I don’t see romance here. Not in this arc.

Whether you agree or not, every parent has their favorite child, every child has their favorite parent. Even within your family, you always have a special person.

For Sasuke, Itachi was that person in his real family. Sakura was not that person in his Team 7 family. It was Naruto.

CHUNIN EXAMS ARC

This arc is where those SS shippers celebrates a lot and I know why. Remember earlier I talked about that shitty 50 Shades of Grey romantic trope??? The following scene vaguely falls under that pattern.

A guy loses his control because of a cursed seal and beats up the guys who hurt one of his teammates which happens to be a girl and calms down after seeing the girl. 

That Infamous back hug. 

I understand why SS people lose their mind with that scene. And I don’t blame them. I am going to throw their own proof at them.

So, this First databook, tells us that he finally sees both Naruto and Sakura as comrades and his heart softens from the path of revenge, a little bit.

Definitely, Sakura’s tears or love towards him stopped his rampage. But nothing says about whether Sasuke loves her back.  

Much later, Sasuke also stops his cursed seal on his own after thinking about worried Sakura and a screaming Naruto (Who don’t know about this seal thingy at that time). 

Well, whatever. That databook has another funny fact, that too in the same page. 

LOL. Weird!!!! This accidental kiss unravels Sasuke’s heart ❤️❤️???? 🤣🤣🤣

So, influencing Sasuke’s heart can be attributed to both his teammates,according to this databook. Atleast upto this arc. There are no special feelings for Sakura alone, guys. 

Proof?

If Sasuke really considers her in a romantic light (this is after that back hug), he doesn’t have to do this at all. Believe me, Love is all about subconsciously or purposefully enjoying or feeling little touches. Those touches can be through eyes, memories or physical. Sakura is delighted with his touch because she loves him but Sasuke just see her as a comrade and keeping his distance but this time very politely.

If Kishi really likes these couple, he doesn’t have to make this scene at all. It’s not just this one instance, he rejected her twice very bluntly before this saying ‘Don’t cling to me!!!’, ‘Sakura, you’re heavy!!!’. 

If you say her back hug is a token of romance, then I can say ‘this’ kiss is also a token of romance. You can’t ignore one while keeping the other.

Anyways, at the end of the arc, Orochimaru is the best judge to identify who can change Sasuke’s heart. And that person is not Sakura.

DEPARTURE

she confessed and poured out her heart and he blew it off. I cringed hard and was beyond disappointed because she’s making it about herself. That’s literally how I feel about their damn “relationship”. She made it about her and her only. When he’s hurting, it’s about her. It’s so annoying and it makes me see how self-centered Sakura. When she said she understood Sasuke, I wanted to scream (I nearly did but my family is sleeping and I don’t need a lecture.) She doesn’t know Jackshit about Sasuke besides he’s the only survivor of his decease clan, he’s a loner who cares only about himself, and he’s attractive.

You know what, Larry??? You are 1000% right. 

But, atleast, I thought she was genuine in the first part of the proposal, like saying ‘Revenge is not good’.....bla bla.. Because, Revenge will never satisfy a person completely and I agree. Then she took a 180 degree by saying ‘Take me with you, Sasuke-Kun. I’ll make you happy’. This is where I lost it entirely. ‘Alright Bitch, So you really don’t care about his revenge or health. As long as you have the chance to get inside his pants, you are okay with it. So you are okay with Sasuke going to Orochimaru as long as you are with him..... Fucking Shit!!!!’  This is not okay at all. 

How did Sasuke respond?

“Why should I have to tell you anything”

“I’m telling you to keep your nose out of my business”

“Stop bothering me over everything I do”

Ummm..... where I come from, this screams ‘Irritation’ to me. Added to it, throughout the whole conversation he never saw her face. There was evidently no pain or anything from his face. On top the cake, here comes the cherry

“You really are...annoying”

This is where he saw her face throughout that painful confession before knocking her out. Umm... When you love someone or atleast feel for someone, you will look in their eyes and speak some farewell words before you leave. Or atleast show some pain??? There’s visibly nothing from Sasuke’s face. 

Alright, I know what SS wankers will pull out here. That Databook 2 with some vague words. I am going to throw this at them. 

Again, like I acknowledged before, he considers her as a comrade and part of a family. So, her existence also eased his loneliness. But you have to look at the word choice here. “The one that filled his lonely existence was Sakura”. It’s not the ‘Only’ person. Before he left he said ‘Thanks’. Meaning, Thanks for all these days. That’s all between us. 

This piece was about the Team 7 picture. So he acknowledges, he was not alone during his genin days because of his companions and Kakashi (so it’s not just Sakura to ease his loneliness). Whatever he said to Sakura was real. 

So can we safely confirm “You’re annoying” is real????

But what’s really interesting is the way Sasuke projects himself before Naruto. I am going to refrain myself from attaching all those rollercoaster of emotions flowed throughout the fight in VoTE 1. Otherwise, it will become an SNS post. 

However, this particular scene caught my attention.

Ummm.... Initially Sasuke walks without looking at Naruto. Then he looks back and answers him. 

Naruto was pretty much asking the same question as Sakura. “Why does it come to this?”

But Sasuke pauses and surprised for a moment and asks him pretty much “Why do you care about me?”

Why couldn’t Sasuke do the same with Sakura???? Kishi can pretty much make a panel or two rather than making some insulting panels.

Anyways, If they throw the databook, then I can also throw the same.

Alright, can someone explain the highlighted sentence for me???? Because I want to confirm whether I have a blurry vision.

Here, Sasuke is trying to punctuate Naruto as a different person from the rest of his companions. ‘his companions as well as that with Naruto’, I mean, Come on!!!! Naruto is also one of your companions along with Sakura. Why differentiate????

‘The village, companions, Naruto,....’ . Again....He is differentiating his home (village), companions (his friends), and Naruto. So who is Naruto for him? What is the need to make exception for Naruto? It’s very clear he is placing Naruto at a high pedestal for some unknown reasons.

Before this Databook dissection, remember I said something about saying Goodbye, ‘ When you love someone or at least feel for someone, you will look into that person’s eyes and speak some farewell words before you leave‘

Sasuke is doing exactly that here in this scene without saying anything.

Am sorry SS shippers, you can scream all you want about Sasuke knocked her out and left her on the bench. But there was no emotional distraught when he left her. Sasuke seemingly spent a longer time staring at Naruto than looking at Sakura when she confessed. 

OROCHIMARU HIDEOUT

Well, there is nothing I can say about here for SS. He pretty much saw her and said, “Sakura, huh?”.. And that’s all. He didn’t give two shits about her. 

His attention was completely on someone else. 

UNDER THE BRIDGE

She sent Naruto to get Sasuke for her benefits, so she can keep him. Again, disregarding Sasuke’s feelings and what he wanted. Naruto should’ve said “I’ll bring him back because HE wants too, to keep HIM safe, not for you.”

Naruto pretty much said the same thing in this arc, Larry. Naruto, in part 1, was happy for Sakura feeling the same about Sasuke as him, that is ‘To bring him back’. And also sad that his crush really loves someone else. But after Sakura gave up on Sasuke and faking her confession, Naruto decided, ‘Alright, I want to save him personally. I don’t care about our promise anymore”. 

This is where, SS ship goes into a crazy ride and it’s not a positive one.

Sasuke was on a rampage. He lost the ability to differentiate between his friends and foes. He stabbed Karin. And when he find her alive, he was about to Chidori her. 

And then comes the pink princess, full of lies and deceit. And Sasuke being impatient and disgusted with her lies, he does this

Well, in part 1, she had a degree of power to change his heart. But not here. He, instead, got riled up more and even tried to kill her without a warning and that too by not looking at her face. Pathetic!!!!

This scene screams ‘Trust issues’ from both sides. 

Did it stop here???

Fucking Shit!!!!!! Is there any people who still ship this nonsense?. If you are a Sakura fan, you should hate her for the lack of trust and backstabbing the person she loves, 

If you are a Sasuke fan, errrrmmm.....I have nothing to say. You know what to do. 

There is nothing positive here, that can make me ship them. He is killing her like a Mosquito.

If you truly loved someone in the past, even in your darkest moments, you will be honest and you cannot fake before that person.   

Proof??

Here, Sasuke had a clear resolve to kill his brother, Itachi. He lived for this moment for about 8 years and immersed himself in Darkness for 3 years with Orochimaru. He could have run away, dodge or look away from Itachi. But Sasuke simply couldn’t!!! You know why?? Sasuke loved Itachi once more than anything in this world. At this moment, he is letting all those defense loose and embracing the moment and see what Itachi was about to do. Because somewhere in his heart he trusts Itachi. 

But killing Sakura doesn’t make Sasuke feel anything. She is just another victim like Danzo or Karin or all those Samurais or a fucking mosquito!!!!

So you are telling me that Sasuke had feelings for her but kept it hidden all along and still tried to kill her like a pest???

Give me a fucking break!!!!

And you all know, who changed Sasuke’s heart here in this scene. It was not Sakura. There’s absolutely no reason for Sasuke to listen to that person and what’s more, Sasuke even made a promise (despite being in darkness, he had it in his heart to listen to that person) to destroy Konoha only after killing that person .. 

WAR ARC

Well, this is the arc where Sakura behaves like a rabid dog on heat waiting for Sasuke and shamelessly trying to wag her tails. But Sasuke didn’t give two shits about her, not once or twice but multiple times.

MOMENT 1

An explosion was about to kill the whole shinobi alliance and this dude wants to save Jugo, his companion and Naruto, the person who will challenge his Revolution, his rival and the one whom he wants to kill. Why only Naruto??? Why not Naruto and Sakura???

Pink cherry Queen doesn’t even crossed Sasuke’s mind.  Because he already threw her away in part 1. 

MOMENT 2

Alright Bitch!!! The entire shinobi alliance was dying on the other side of the battlefield. And this asshole is doing a clownshow before Madara just to get inside Sasuke’s pants????

I mean, Come On!!!! 

Well, if Sasuke truly likes her, he should be the one to have catched her or atleast should have asked her, ‘are you alright??’ 

I am sorry, where are the romantic feelings???

MOMENT 3

ROFLLLL🤣🤣🤣🤣🤣

For the first time, Kishimoto is trolling those Sakutards through Sasuke’s words, what we, readers were right about all along. He is calling her useless here. And still these fake feminazis trying to ship her with him???

Don’t you guys have any self respect??? If so, this should be the moment to jump out of this trash ship.

MOMENT 4

Geez!!! You are still on this ship????? 

He clearly doesn’t want to save her at all. The hawk can clearly lift 3 people. Sasuke is not even making an effort here. 

And you are still yapping that he is blinded by darkness??? 

MOMENT 5

This is the moment SS calls it as ‘eyesmex’... While in reality, he was just looking at her and silently thanking her for helping him out. Do you know what is a real ‘eyesmex’??? I will attach it at the end.

If you guys pull this as true love, then he should have stayed in the same love till the end. But Sasuke has other ideas. 

This is the one of the funniest thing in this arc. LOLLLLL

Instead of being relieved that Sakura was saved, Sasuke was wondering about Kakashi’s Susanoo.....and Sharingan. 

Do people still think he cares about her????

MOMENT 6

Am cackling here, while dissecting the sorry state of this ship guys 🤣🤣🤣🤣🤣!!!! If something good happens to me because of SS , it’s just the way you guys are making me laugh by making a clown out of yourself!!!!

Do you guys know something? There was a man named Itachi. Before massacring his clan, the very first person he killed was his ‘supposed’ Girlfriend, named Izumi. I wouldn’t say Itachi loved her like a lover boy. It was just one sided on her part. He just talks to her when he finds a spare time and considers her a good friend. 

Do you know how he killed her? 

By putting her in a ‘Tsukuyomi’. And what kind of Tsukuyomi, you ask?

Can you see how he fulfilled her dreams gracefully before he was going to kill her???

Why didn’t Sasuke do this???? Why particularly select a murdering genjutsu????

MOMENT 7

He said it, finally.

He don’t love her at all. There was no hidden feelings. He admitted from his own mouth. 

One day later, after the final VoTE battle ends.... After exchanging some intense feelings and even crying tears of happiness with Naruto....

Sasuke tells Sakura, ‘Sorry’....

Ummm.... That’s all???

All those negative shits happened before cannot be solved by just simply saying ‘Sorry’ and ‘Thank you’. If someone has an ounce of self-respect, they should know this is not OKAY at all...🙅🏻‍♀️🙅🏻‍♀️🙅🏻‍♀️🙅🏻‍♀️

Am Sorry, but Sasuke was just being politely blunt, kind of insincere towards Sakura and turned his attention somewhere else in a matter of minutes. He was not even bothered by Sakura’s tears here. Instead staring at someone on his left. Remember I talked about touching the person physically and visually?

Sasuke is subconsciously or purposefully touching someone on his left through his eyes. Definitely it’s not Sakura. You know who it is. Remember SStards’ infamous ‘eyesmex’... I seriously believe this is a perfect example of ‘eyesmex’.

All these intense looks and feeling pain still doesn’t serve Sakura, even after pulled out of darkness. If there is a moment, where SS wants to shine, then this is where it should be. He should have told her, how he missed her all along, how he felt about hurting her, should have wiped her tears and some corny shit. But instead, Sasuke went for a long ass monologue for his friend and talking about sharing his pain. 

What about your kween’s pain???? 

You don’t have to ship SNS. But you should know where Sasuke’s priorities are. 

It’s not Sakura. 

Sasuke said ‘Sorry’ to Karin too. ‘Thank you’ to Kakashi as well. 

And what’s even more pathetic is, still Sakura wants to get inside Sasuke’s pants by accompanying him. Bitch, you can help your village, console your best friend Ino who lost her father, try to surpass Tsunade, improve your skills or whatever... Why bother him???

So, if you really think ‘Thank you’ as a token of love, then I can’t help it but term Sakura as a rabid dog who waits for her master to come home and throw some bones whenever he finds time. Your standards for a romantic love is piss poor and you will suffer just like Sakura in Boruto with just emptiness. All Sasuke did was poke her forehead just like Itachi which symbolizes keeping someone at a distance. He also said the same words to her just like Itachi said to him many times ‘Mata kondo da’ meaning ‘Maybe next time’. And we all knew that next time never came for Sasuke. 

Now all we see is a Sasuke as an absentee father in Boruto for which I don’t blame him. He was never a marriage material in the first place. Sakura and the Manga Editors forced him and she is paying for it. 

Hell, Sarada doesn’t know how her own father looks like or the truth of her mother. Both of them were miserable and I find it absolutely ridiculous when SS shippers still say “they’re in love” or they’re OTP.

All I want to say to SS shippers is, Your Ship Has Sailed Already. You cannot expect Sasuke to go lovey dovey towards Sakura with a 12 year old daughter around and for fuck’s sake, this is not a romance manga, it’s a battle manga. So stop dreaming about this kind of non-existential romance and pull yourself altogether.

[skyeventide]

I’m really really fascinated by your interpretation of Maedhros and I’d love to read more of it, I saw your comment on the post about earlier versions and then was super intrigued

-@outofangband

hello @outofangband ! thank you for the ask, I'm going to try putting it into words, though I'm usually much better at fanfiction to explain how I envision characterisation — and unfortunately I don't have any Maedhros fanfic other than To die in the light (which is less about him per se, and more about the ex thrall who interacts with him; but there's a good swathe of Maedhros as well). still, to explain:

essentially, what I meant with that specific comment is that I don't attribute to Maedhros any personal unwillingness to follow along the rebellion, the first kinslaying, or the Oath, certainly not at early stages. what I instead attribute to Maedhros is an aptitude for politics and a willingness to attempt diplomacy routes and handle public perceptions of facts, no matter how facts actually are.

a lot of this is, by necessity, extrapolation. the bare bones of characterisation are there in the text, but the flesh that is built on those bones varies, and can vary a lot. so mypersonal construction is informed by a few external things too. I basically just... don't really vibe with restrained good person Maedhros, cause that feels to me like the easiest route to construct a narrative that's contrasting, depending: his father's; his brothers'; sometimes other characters' (e.g. Elwing). and like, to each their own, but it's not my thing, and I'm not into singling out the good guy out of the bunch as a trope, it simply doesn't call to me.

I'll try to explain my points about early Maedhros (much as I'd love to explain my headcanons for the whole character arc, that would be so long and complicated that I give up without even trying lmao); also I'd like to add that absence of evidence is not evidence of absence but that's where both "personal construction" and "extrapolation" come into place. essentially, this is what I construct and extrapolate, and I'm not really interested in alternatives, I don't like them, or I just disagree with them. and by contrast, people may think the same of this.

firstly, not against the rebellion and the Oath: the early text in @undercat-overdog's post is to my knowledge the only existing text that gives insight with regard to the state of mind with which the Oath was taken. now the Silmarillion says "a dreadful oath", but the Silmarillion has reason to do so by virtue of hindsight. the entirety of the speech to the Noldor, fear and gloom of the moment aside, is a speech that pushes to action: it seems extremely fitting to me that the taking of the Oath itself should reasonably be something with an upwards push, taken without full acknowledgement of its lines and what they may entail when it comes to other elves. because the stated purpose of moving war to Morgoth is very clear throughout, and even though the reality of the war hasn't hit them yet, the awareness of its approach is very present — there is, imo, a readiness for fight and an acknowledgement of intent: killing a deity.

I also feel that "these leapt with laughter / their lord beside / with linked hands / there lightly took / the oath unbreakable" meshes fairly well with the Silmarillion version, where some of this is not kept but the sons still leap at Feanor's side, this time with their swords drawn. Maedhros in this is not called out as any different — in fact, Maedhros is not called out as being different during the feud either: "lies came between them" with regard to Fingon paints the rumour-spreading among the Noldorin factions as affecting them equally, just as it affects Fingolfin ("grew proud and jealous each of his rights and possessions").

the first kinslaying: again maedhros is not singled out as against it. and again, absence of evidence doesn't equal evidence of absence, however, my preferred method in reconstructing my understanding of canon through the skeleton of its textuality is at times trying to make sense of drafts and grabbing the fil rouge of their logical development. and, when there is someone called out as acting against the Noldor during the first kinslaying, that is Galadriel. Maedhros never even is named in this circumstance.

I also think that the modus operandi of the whole situation is a remarkable early calque of the second and third kinslaying. first, other options are exhausted first: the noldor go north, stop in Araman by foot, and decide the crossing of the ice is too costly, not doable, or otherwise not something they're willing to do (more: people directly blame Feanor for the bitter cold they're exposed to, before they have to cross, if they wish to reach Middle Earth); second, there is an attempt to convince Olwe and the Teleri via words; third, a passage that is textually absent from later deeds of the same sort, but which might be potentially inferred, the leader (here Feanor) sits alone brooding on his options; fourth, action. this is the same as what happens with the later kinslayings, even though the first was not meant to be a deadly undertaking in its conception (it was a theft). but, what I mean is, second kinslaying: failed first option, the battle of unnumbered tears, part 2 diplomatic attempt, the message to doriath, part 3, not textually stated, part 4, action. third kinslaying is muddier and I won't attempt to map it perfectly other than: delayed attack to the havens; diplomatic attempt via message; [not textually stated, may be incorporated in the delay]; action.

either way, my point is: whether Maedhros is outright leader or he isn't, there isn't any fundamental difference in the story beats of the kinslayings. inb4 "Feanor and Maedhros have different character traits" — yes, to an extent. and this is where the early draft from that post returns to my aid in terms of personality building: "the eldest, whose ardor / yet more eager burnt / than his father’s flame, / than Feanor’s wrath". now, I feel there's an important qualitative difference in ardour and wrath, but that line exists and the Silmarillion doesn't contradict it: the fire of life burns in Maedhros, the eagerness here mentioned does not fade from this draft to later versions. (inb4 “the circumstances don’t overlap perfectly”: yes of course they don’t. I’m not trying to argue that they do)

now, what happens when it's time to depart with the ships? Feanor takes counsel with his sons, and the decision is to take the loyalists and go to the other side with them first. what happens when Feanor tries to burn those ships? Maedhros gives his famous lines, "what ships and rowers will you spare to return, and whom shall they bear hither first". my extrapolation here is this: I think it's obvious that the burning was not supposed to happen; and I think it's obvious that the joint decision of Feanor and his sons, dare say of Feanor and his firstborn heir, was to send back a group and carry the rest of the Noldor to Middle Earth. Feanor says lmao fuck you and the rest is history. Maedhros doesn't take well to that, and here comes forth what I think actually distinguishes him as a character: the cool-headed pragmatism that will imo really come forth post-captivity, the diplomatic abilities, and weighing his options with a level-headedness that his father lacks — and I would like to posit, these options are not weighed in a particularly moral way: he appeals to Feanor about Fingon being carried first because Fingon rushed in and got involved in the kinslaying on their behalf (there may be different readings, but they don't appear to me as textually supported as this — and for the purpose of this I am making no difference between feelings of romance and friendship; the quality of the relationship is here irrelevant, the strength of it has more bearing). it isn't "Fingon because he's my friend", or "Fingon because he's a good guy", it's "Fingon because he killed for us". and after he is on this side, actually keeping the rest of their army, an army they need to effectively wage the war they said they would wage, becomes a cake walk.

also, I go back and forth on this, but: it's possible that Fingon gained his "the valiant" sobriquet before the Darkening; it isn't a given that it was gained in this instance, his Alqualonde attack. but I still feel like it's quite telling, whether the epithet is gained now or before, that it's brought up under these circumstances. the last "valiant" deed from Fingon has been saving the day during the kinslaying. whether Maedhros is saying it to convince his father or because he truly feels it's currently deserved, he's nonetheless saying it.

a last point is the envoy with which he accepts to meet with Morgoh's forces: this is very shortly after Feanor's death, and Maedhros goes in with more warriors than agreed, though it's still not enough to counter Morgoth's own breaking of the terms. Maedrhos in this demonstrates that he's willing to pursue diplomacy despite his father's own words, but he is neither blindly trusting nor a good person who's simply out of his depth: he goes prepared to be the larger armed force and brings none of his brothers with him. it's not enough, but the attempt is there.

which reads to me as an ardour and eagerness that are kept in check by pretty solid abilities to plan, and that do not, really, counter his father's wishes in any truly consistent way. yes, the ship burning, but in the long run having all the Noldor in ME was going to be a benefit; I feel he could have well patched-up the problems without giving up any crown. yes, the parleying with Morgoth, but they just lost their father and despite that the Dagor-nuin-Giliath is a victory: he's coming as the winning party and newly crowned king, and he might, perhaps, find another route to proceed.

so these are more or less the salient points of my personal reconstruction of "early Maedhros". it'd be too long to get into post-captivity and this post is already long lmao, but I hope this made sense to you? and clarified how I understand his character with that early draft included as an aspect.

*all opinions and analyses are personal and are not attempting to establish a true canon. they make sense to me; I’d argue that I try to make them as textually supported as possible with a canon so fragmented. if my readers’ here are different, go on y’all’s merry way.

[helisol]

dude im not sure you will get it after reading this either, but you Can read it now

okay so first of all do not expect me to adhere to rules of grammar or Proper capitalisation, I am writing from the heart

so it’s been said before by other people but if Quark and Odo didnt look like the aliens that they are but instead like two regular prettybois the fandom would do cartwheels over their dynamic and Not call them a crack ship. because really, their dynamic fucking SLAPS and I’m here to tell you Why.

their surface-level dynamic is “Respected and Talented Security Chief and Cunning Immoral Businessman who are in Love but pretend not to be” and that's just an off-brand version of enemies to lovers! which is excellent and for some people that’s all you really need to get invested in a ship.

but some people look at it and go “Hm, no, that’s not enough. I mean, they work as friends but it doesn’t really have to be romantic.” and to that I say you are Absolutely Valid, not everything has to be romantic.

it just so happens that these two fuckers have one of the most compelling romance stories ever, and it’d be a shame not to explore it.

so before I dive into the internalised homophobia and repression, I’d like to take a moment to talk about Quark as a character.

because if you have brainworms like me you can kind of see that its an honest to god greek tragedy.

this guy comes from a race of people where being kind, ethical and fair is considered Abnormal and Horrifying. and I’m not gonna call Quark out of all people kind, ethical or fair but,,, 

you ever notice how he’s A Much Better Person Than Pretty Much All Other Ferengi?

dont get me wrong, Quark is still a bastard, but every once in a while his True Character shines through. and I say True Character because guys,,, the way he behaves around other people is an Act. he’s pretending to be something he’s not.

he has to try so hard to be a good ferengi it’s honestly painful to watch at times. because he is a SHIT ferengi! 

he loves his friends- because that's what the ds9 crew are. they’re his friends! and it makes him miserable because that's not! normal! for a ferengi!

let’s compare Quark and Rom for a second. 

Quark reeks of self loathing because a lot of the time he just Doesn’t act like a ferengi is supposed to, and this drives a lot of conflict in the show. he knows how a ferengi should act, it’s just that he can’t!! fucking!! do it!! but he still tries and tries to fit into that mold, which straight up ruins his life on multiple occasions.

Rom is also not a Model Ferengi, but he lives without hating himself. and it’s mostly because he doesn’t care about how a ferengi Should act, he’s loved and cared for even when everybody knows that he’s a shit ferengi! because his non-ferengi-ness works to his benefit. it encourages and highlights his abilities as an engineer. the success and love he finds make it easy for him to be content with his true self. Unlike Quark, who doesn’t get unconditional love from anyone.

its so!! tragic!! because you can see what Quark is really like!! his true self!! he’s a nice guy who cares for people!

its right there all the time and it's so blatantly obvious. especially in episodes like “Body Parts”, “Bar Association”, “The Way Of The Warrior” and “Ferengi Love Songs”

his own wiki page literally calls him “a compassionate and generous man by ferengi standards” which pretty much translates to “not really a good ferengi”.

anyway so Quark is a tragic figure or whatever but we’re actually here for the REPRESSED! HOMOSEXUAL! TENDENCIES! that he and Odo both exhibit.

with characters like garak you don’t really need to have brainrot to pick up on those tendencies, because that was something andrew robinson chose to do, on purpose. 

and to be fair, Quark wasn’t intended to be Any kind of representation, not even by the actor. I’m just pointing out that he Does look and act and talk like a little gayman.

I will admit that he is Painfully Straight in the text of the show, but on a meta level he’s just. a dude who has a serious case of repressing his real personality. and taking it a step further- he also represses his feelings towards another man.

and that man is Odo.

a few things on him:

Odo is literally desperate to be a person. unlike Quark, who at least has the comfort of belonging to a society of people with a set of rules and expectations, Odo has never met anyone or anything like him in all his years of life.

like, we all know Odo basically grew up in a lab, right? 

with people who didn’t know anything about him. who he was so unalike that they literally called him “Nothing”

but he still learned to look and talk and act like them (because if he didn’t he’d feel *pain* which is very fucked up by the way?)

so we know for a fact that Odo wants to be recognised as a person- which is why he tries really hard to conform to the ideals of the society that raised him. instead of exploring his nature as a shape shifter he maintains a humanoid form, picks up a job and creates an entire personality around what he wants to be seen as. but not what he really is.

and that's the thing that causes all the conflict between Quark and Odo. the type of person odo wants to be seen as is the polar opposite of whatever the fuck quark wants to be seen as.

In the same way that Quark acts like a Normal Ferengi, Odo acts like a Normal Security Officer.  and in a cruel twist of fate, the Ferengi happens to be the antithesis of the Security Officer.

If you only look at them as the things they act like, and not the things they are, you might say they’re way too different to like each other, right? 

but,,, if you think about the fact that they’re both putting on this act,,, this performance of idealised versions of themselves,,, you can see that they are The Same. They Are Both Gay Repressed Loser Aliens Who Try To Act Like Things That They Aren’t!

Imagine you’re Odo. 

Imagine that you’re Nothing, because you’re not like anything anyone has ever seen- and because you are Nothing you don’t fall in love with anyone for years and years. since who could love something that isn’t like them at all?

But then one day this Thing shows up in your path and you just hate it. Because it’s not like anything *you* have ever seen. It’s disorderly and looks grotesque and it’s criminal to boot.

It’s all the things you learned would make a “Bad Person” It’s everything you aspire not to be, because if you were any of those things you would BE PUNISHED.

But the trouble is, eventually he’s not an “it” anymore, he’s “Quark” and you see him every day of your miserable little life because you live on the same damn station in space and it’s hard to avoid each other.

He also happens to be one of the only things in your life that are constant. He will never leave because he is stubborn and greedy and you just *hate him so much* that you’re convinced he must be doing all of it to spite you. And yet you also can’t seem to leave him alone.

So Odo Must Hate Quark. everything else is a non sequitur for him. he can’t not hate Quark.

because Quark is, and i’m sincerely sorry to apply christian fucking imagery to this, The Forbidden Fruit.

If he liked quark he’d admit some kind of moral failing. it would be the end of his act. but on the other hand...it might be a good thing, because at least he could have quark.

but Odo can never go through with biting into this apple because the consequences are horrifying to him. he could never have quark because, according to his performance, he would Never like quark to begin with.

and here’s a take for you: Odo's Brand Of Internalised Homophobia Doesn't Stem From Heteronormativity. It Stems From The Fact That He Was Kind Of Assigned Asexual At Birth.

and the show sort of alludes to this, for real! not just subtext! canon! except the writers used the wrong person. 

because instead of Odo having these Forbidden Feelings for Quark he has them for,,, Kira.

but since this is My Quodo Manifesto you’ll understand that i am 100% willing to just toss that part of canon out the airlock.

so Odo does canonically have that mindset of “no one could ever love me”  for decades he repressed any and all feelings of love to avoid getting hurt. in the show he breaks this cycle of repression when he takes a chance and enters a relationship with Kira. yay?

but we all know that aint it chief. and part of the reason why That Ship Ain’t It is the fact that Quark is Right There. and he is simply the more interesting choice for odo.

he and Odo literally share the same problem and have weird intertwined character arcs! they are both dreadfully afraid of not conforming to the ideal versions of themselves, so they reject everything that could challenge their Performance!

on some fucked up level they hate each other *and* themselves individually. and this hatred makes them reject parts of their real identities for the sake of protecting their image. which. yknow. in gay people. is internalised homophobia!

so you can see that they’re both repressing A Lot even if you view them as Friends, but the most important thing in this kind of romantic dynamic is usually,,, when the characters *stop* repressing.

and the thing is. the thing that Kills Me with these two. They Never Get That Moment. Thats Why You Need The Brainrot To See Them As Romantic.

The Ascent gives us an example of what happens when they both take their act too far. I mean, who could forget “Fascist!” and “Fraud!” That is what odo thinks of quark’s performance and vice versa, but we don’t really hear them adress the fact that they *are* playing these roles to a ridiculous extent.

We also never get an example of what would happen if they dropped their act instead of over-performing it. or rather we don’t get to see both of them drop it.

And the reason why we never get that moment is because there’s this one key difference between Quark and Odo. 

Quark knows that he’s constantly repressing his true nature and his feelings for odo. We pretty much hear him say so in the iconic root beer scene in Way Of The Warrior. he knows that he’s not a good ferengi but he keeps up his act.

So quark is aware enough to feel that sweet sweet self loathing. But Odo isnt self loathing as much as he is just self sabotaging.

and this subtle difference between them is why, at the very end of the show, we get “That man loves me, can’t you see? It was written all over his back!”

this moment is quark dropping his act and asking odo to do the same. he wants to hear a genuine Goodbye from him because they have known each other for Decades and they are Friends. but odo is so unable to express the feelings he’s been repressing all these years. that he self sabotages again and just walks away.

even though this is like. very anticlimactic. considering I just spent 2000 words talking about how Odo and Quark are Most Certainly Gay For Each Other.

The fact that their ending is so Weird is the reason why quodo is so engaging and appealing to me? especially post-canon quodo.

like, the amount of “what if’s” this ship has are Astounding.

What if either of them had dropped their act a little sooner? What if they both did, for just a moment, and it was the straw that breaks the camels back?

What if Odo comes back after a few years? What if Quark comes to get him?

What if, in that moment in the finale where Quark drops his act, Odo had returned the gesture? What if Gag-Reel Quodo Kiss.gif Real?

with the depth that I read into their relationship, those what ifs are really fun to think about.

anyway its 1 am and i’m not an english major so literary analysis is not like, my strong suit. plus most of this was written in a late night screaming session with a friend who has the exact same opinions as me. i just think aliens hot and in love. thats all.

[usergreenpixel]

JACOBIN FICTION CONVENTION MEETING 7: SCARAMOUCHE (1921)

Hello, Citizens, and welcome to the seventh meeting of our lovely Convention!

I deeply appreciate your wishes for my speedy recovery and I assure you that I’m right as rain.

So, with that out of the way, let us begin.

1. Introduction

“Scaramouche” is a historical fiction novel written by Rafael Sabatini, who might be familiar to some of you via works like “Captain Blood”, which was among my favorite novel series when I was growing up as I’ve always loved (and still love) me a good swashbuckling story and I never quite grew out of these tastes in literature.

In the case of this novel, it never was a blip on my radar when I was a kid but my renewed interest in the French Revolution and my research of topics for future reviews led me to this story. Apparently there’s a sequel and I might review it in the future.

I found the ebook readily available in English on Project Gutenberg so it’s pretty much in public domain now.

I guess it shouldn’t be surprising that there’s a swashbuckling novel set in Frev - the setting is like a perfect fertile soil for external and internal conflicts, adventures and drama, so it was only a matter of time before someone came up with an adventure novel in this setting.

That being said, at first I had quite a few fears that this book would be just another propaganda piece, especially since the author was technically Anglophone.

Did my fears come true? Let’s find out.

2. The Summary

The story’s protagonist is one André-Louis Moreau - a ward and godson to a Breton nobleman and a lawyer by education who swears revenge on a Marquis who kills his friend in a duel.

To escape the gallows after landing himself in hot water for igniting the fire of revolution in Rennes and Nantes, André-Louis joins a troupe of traveling actors and performs as a character called Scaramouche, hence the title.

3. The Story

Like I said, I have a soft spot for swashbuckling novels so I actually quite enjoyed reading the book. And, on a pleasantly surprising note, the revolution is NOT demonized. If anything, the protagonist actually becomes an idealistic republican by the end, which is a really uncommon narrative choice in Frev media.

The narrative clearly portrays the nobility as too privileged and corrupt and the people are in the right - at least, this is what the protagonist understands during his arc.

There’s also not that much Thermidorian bullshit, at least no popular stereotypes, which I really appreciate.

That being said, I do have three main issues with the story.

Firstly, sometimes there’s too much filler and it feels like the narrative is barely dragging along, which got tiresome at times.

Secondly, I didn’t like the romantic subplot between André and the niece of his godfather, Aline. For context, the two were childhood playmates and grew up referring to each other as cousins, only to fall in love as adults.

Maybe it’s just me, but I find romance between family members (no matter how honorary) gross even if there are no shared genes involved. I know cousin marriages were more common in the past but personally I think the novel would’ve benefited from Aline and André only sharing a platonic bond and familial love.

(Spoiler alert!)

Thirdly, I highly doubt the “I’m your father” twist was necessary here as I usually dislike such plot points because they’re hard to do right.

Here there was no proper building up to the revelation, at least in my opinion, and the twist itself can (and most likely will) seem predictable to modern audiences.

However, it was resolved in a fairly realistic way. Marquis de la Tour and André don’t immediately reconcile just because they’re father and son but André calls off his revenge quest, grants the Marquis a safe passage out of the country and doesn’t want to see him again, which is understandable considering their prior enmity.

On that note, let’s take a closer look at the characters.

4. The Characters

Right off the bat, the biggest issue the modern readers might have is that the characters are too “black and white”. In the era of “grey morality” and complex characters, these archetypes might come off as done to death and boring but, other than that, the characters were mostly easy to empathize with.

Personally, I didn’t like André himself in the beginning but he grew on me.

He starts off as a stoic almost to the point of coldness, a cynic and a borderline nihilist who believes fighting against the noble class is futile and there’s no point in trying to improve the country.

But when his idealistic best friend is killed, André vows to take the Marquis down by using the volatile revolutionary climate to his advantage. Slowly, André too becomes a revolutionary and an idealist, which is admittedly rare as usually people in stories become cynical by the end.

Seeing this character ark but played in reverse felt quite refreshing to me so even though at times André’s sarcasm and stoic attitude made him insufferable, I think he is pretty well-written and fleshed out as a protagonist.

Next is Aline, and unfortunately she is underdeveloped in the novel, more so than a female lead should be. She is ambitious, which makes her consider marrying the Marquis, prejudiced against actors due to her upbringing and in general is a typical noble ingenue.

Her and André are playfully witty at times and verbally cruel to each other at others and, unfortunately, they suffer from the “misunderstanding” trope which makes them unable to talk things out. I always find this trope annoying and, coupled with prejudice and not being fleshed out enough, it played into my apathy for Aline as a character.

Then there’s Marquis de la Tour, the typical privileged corrupt noble. He loves women, is a master of fencing and has no heart. André even calls him the embodiment of sin various times.

I know despicable people can and do exist, but here it seemed like he was made a bit too evil, to the point of being simply cartoonish and hard to perceive as a threat or, for that matter, take seriously.

At least he wasn’t threatening for me personally as a character and was more amusing than anything else.

Interestingly enough, historical figures don’t feature much in the story but we do get cameos of Marat, Danton, Robespierre and Desmoulins, as well as Mirabeau.

Mirabeau is called a hypocrite by the author but the other four, surprisingly, aren’t portrayed as evil villains. Marat is even called a philanthropist and his pamphlets inspire André! How rare is that, Citizens?!

Anyway, let’s continue.

5. The Setting

Although at times the text is overloaded with descriptions, all of them were vivid enough for me to imagine myself in the story with the characters.

Sabatini sure knows how to convey the images of villages, cities, nature, inns, etc in an exciting and engaging manner. I just wish that the descriptions were a bit shorter.

6. The Writing Style

Seeing as the novel was published in 1921 and I’m pretty good at English, I didn’t have many problems with reading but there were some outdated grammatical structures and vocabulary so be prepared.

Besides, in the version I read didn’t have translations of French and Latin phrases that occasionally pop up in the text, which was a bit annoying but not that much as I could understand the context of the phrases and therefore figure out what they mean more or less.

In general though, despite occasional overload of descriptions and the aforementioned grievances I have with the text, the writing style is engaging, very easy to understand and not too complex.

7. The Conclusion

In short, I can definitely recommend this novel to anyone who loves good swashbuckling stories and hates propaganda. Not the most original story but enjoyable and a good read regardless.

With that, I announce the end of the meeting. Stay tuned for updates and stay safe, Citizens!

Love,

- Citizen Green Pixel

[juniaships]

I'm still mad about Lance a late night rant

Okay so a big thing about Legendary Defender is that the Lions are based on natural elements. Since they choose their paladins in this canon, you'd think their choices would reflect these elements. Traditionally, water represents adaptation and change which means Lance should've gotten the most development of the paladins. We saw that he had plenty of flaws and that they didn't stop him from doing what's right. He's flirty, irresponsible yet insecure. He's emotional, not afraid of being afraid (fear is a negative water quality) and clever. So you would think his arc would result huge payoff in him learning to be more responsible and self confident right?

WRONG!

Instead his final story felt like the show was writing a totally different character. Suddenly he's dating Allura and his self esteem issues aren't remedied! Him dating her makes him look more of a rebound. S8 we haven't seen of how his journey made him a stronger individual, nor showcasing his newfound confidence.

It makes it even more suspicious when you realize Keith and Pidge gets to have everything they desire (and a lot attention from the show), yet characters like Lance and Hunk don't get that level of focus not actually getting anything that makes sense for their arcs. This is most obvious in Lance. Even in S1 he was built up to the audience surrogate/Most Relatable Character; most of the time these types of characters grow stronger not just in strength but in mind as well.

Which brings me back to his element. Yes we have seen him grow but it wasn't enough and again he didn't get as much attention to showcase that. As the water type (lol) he had the most potential to change and adapt! He's the comic relief made to make all the other characters loom smart and complement yet we HAVE seen Lance's abilities and positive traits. So why not focus on making them flourish? You threw away all that potential in favor of making him a rebound for the girl he flirted with and who didn't reciprocate his feelings!

I recall the scene where they meet the original Paladins everyone else gets acknowledged by how much they grew over the course of the show. What is Lance's greatest accomplishment? Being the perfect man for Allura! How does his story end? By becoming a farmer! He doesn't become the confident jet fighter or protector of the universe! No he's just farming...

Allura shouldn't have been his reward; maybe the catalyst but not the End All Be All, and I'm being honest the romance only benefitted her dealing with heartbreak from Lotor's betrayal and not really much for Lance. That's not change; that's stagnating.

[yuexuan]

Fiction recommendation 21

Time for some more fic recs because its been awhile since I did them!

1. 幻想农场 (Fantasy Farm)

Author: 西子绪

Farming/slice of life, food fic, supernatural, mythology

Summary [taken from novel updates]:

After being fired, Lu Qingjiu finally decided to return to his hometown to farm.

At first, he started raising a pig, and then he found that the pig could solve more high-level math questions than he could.

After that, he started raising a flock of chickens, and then he found that his own fighting ability was one-tenth of that of a single chicken.

Finally, Lu Qingjiu finally realised that this old home wasn’t quite right… Especially a certain person by his side who constantly stared at him day in and day out.

Lu Qingjiu: “Are you drooling because of the spicy stir-fry I’m holding or because of me?”

Bai Yuehu pointed at the stir-fry.

Lu Qingjiu: “Then can you let go??”

Bai Yuehu reluctantly glanced at Lu Qingjiu’s arm, before loosening his teeth.

Comments:

My first thought is: don’t read this fic when you’re hungry. Every chapter is filled with delicious descriptions of food that’ll make one’s mouth water. The novel makes a lot of references to creatures from the Classics of the Mountains and Seas, which is a delight to learn about. An easy-to-read, fun novel. 

Novel | Novel [Eng] Translation 

2. 全球高考 (Global Examination)

Author: 木苏里

Infinite flow, suspense, action

Summary [taken from novel updates]:

One day, You Huo and his famiIy was puIIed into an exam caIIed the GIobaI University Entrance Examination. Going through exams together with other unfortunate examinees, their Iives are put at stake and they can only Iive by passing each exam. However, something about these exams and the system controIIing it didn’t seem right — lt seemed to be trying to trap the examinees with ridiculous ruIes and strange questions…

There, You Huo meets lnvigiIator 001 who seems to hoId a key to the past he no Ionger remembered and, together, they go through the exam, unravelling the mysteries behind their past and the system.

Tldr: A pair of chaotic madmen work together to go against the examination system while feeding the readers dogfood.

Comments:

I admit that I didn’t like the story when I first started reading it. But as the story progresses, the rules of the examination fall into place and the different examinations got very challenging and interesting. The whole power couple and stranger-to-lover tropes are an added highlight. 

Novel | Novel [Eng] Translation | Audio drama | Manhua

3. 全球上线 (Earth Online)

Author: 莫晨欢

Infinite flow, suspense, survival, action

Summary:

Six months ago, tens of thousands of huge towers appeared all over the world, floating over cities. No one could do anything about them.

Half a year later, people are used to the towers and learned to ignore them.

One day Tang Mo saw a bug fly towards one of the towers and hit it.

The next day, a child's voice announced to the entire world: Ding dong! 15th November, 2017, the earth went online.

   The three iron rules of the towers:    (1) The towers shall explain everything.    (2) The game time starts from 6:00 - 18:00.    (3) All players please try their best to attack and defeat the towers.

Comments:

Another suspenseful infinite flow stories. I love the smart power couple dynamic, how the two of them become powerful when they collaborate, but are also equally capable of defeating the towers’ levels by themselves. Moreover, all the characters don’t have your typical “oh let me be a hero and save everyone” complex. They all weighed the benefits and costs at each turn and are capable of making decisions that best maximize their chances of survival - whether that is ruthlessly killing other players or extending a saving hand. All the powers and items that the players received and the world-building are very unique (especially Tang Mo’s and his book haha). This one is gonna challenge your brain a bit, but definitely worth a read. 

Novel | Novel [Eng] Translation 

4. 不要在垃圾桶里捡男朋友 (Don’t pick up boyfriends from the trash bin)

Author: 骑鲸南去

Infinite flow, transmigration

Summary [from novel updates]:

Chi Xiaochi: fourth-rate citizen at birth, three-time award-winning film emperor, second-rate temper, first-class looks. He crawled his way out of hell on hard mode to become a winner at life.

Then, he was smashed into a vegetative state by a chandelier.

061: Hello, here’s a brief rundown on the scum gong reconditioning system. This system measures the regret level of the scum gong. Every time their regret level reaches one hundred points, you will be able to leave the current world. A friendly tip, usually, through dedication and self-sacrifice, our employees slowly foster a sense of dependency in the scum gongs, gradually making it so the scum gongs can’t live without them.

Chi Xiaochi: How many regret points is a complete loss of reputation and standing worth? How about a fall from grace? Or wanting something but never being able to obtain it?

061: ……

Comment:

Don’t let the title fool you. I entered the novel thinking it’s some meet-cute modern-day slice-of-life comedy, but it turns out to have some really good angst and adventure moments in there. Heck, it’s been awhile since I cried for a novel. :’) 

There are ten arcs (i.e. worlds) that the protagonist enters, each with its own backstory, so this novel might feel longer than the usual danmei. Nevertheless, I enjoyed all the details placed into each world and all the side characters. I also like that the protagonist is very smart and cunning and he grows throughout the different worlds. The only con I’ll say to this is that everything proceeds a bit too smoothly, especially with the golden finger of 061, so the protagonist can come off as being too OP. Nevertheless, the ending and last world are just huge tear-jerkers. 

Novel | Novel [Eng] Translation

5. 迪奥先生 (Mr. Dior)

Author: 绿野千鹤

Comedy, fluff, romance 

Summary [from novel updates]:

One day, Zhang Chenfei met a car accident. Fortunately, he didn’t suffer any serious physical injuries. However, due to the impact of the car crash, his brain’s perception of the real world had turned into that of the novel that he was reading prior to the accident. The thing that horrified his wife, Jiao Qi, was… the Smart Brain, Louis XIII downloaded a series of books which meant that his husband would turn into a different character each time!

How will our adorable little wife deal with this kind of husband who seemed to suddenly suffer from multiple personalities?

This novel’s plot focuses on Zhang Chenfei’s changing personality based from the characters in the books, and how his wife, Jiao Qi, deal with every character as he will have to act in sync with whoever his husband’s character is. This is per the advise of the private doctor since treatment of this special condition was still under research.

As they act out their roles, they will gradually discover and learn more about the other, which they’ve never known in their seven years of living together.

Comment:

The amount of second-hand embarrassment and cringe I got from this novel is huge and I love it lol. If you are curious about how cheesy and cliche Chinese romance can get, please do try reading this. It includes some of the worst and most dog blood tropes in a comedic and satirical way, while advancing the main pairing’s relationship at the same time. Truly a fun read!

Novel | Novel [Eng] Translation | Manhua

Other quick links:

Fic tag guide

My previous recommendations (mostly danmei + fanfics)

List of novels/fics that I have already read

[c-is-for-circinate]

Okay, I’m gonna talk about my Jester Theory and every shipper in the fandom on every side is gonna hate it but whatever, I think it holds up and I find it both in-character and very intriguing.

Theory: Jester is on some level aware of the fact that half her party is or has been seriously crushing on her, whether or not she’s choosing to admit it to herself.  Jester has been actively throwing up road blocks to all possible suitors, again, whether or not she’s choosing to admit it to herself.  She has absolutely not said any of this out loud, because those would be hard conversations that would hurt her friends and she loves her friends and oh god she could never, and maybe if they just get over their crushes on their own she won’t ever have to!

     Jester has a passive wisdom of 15.  This may not be enough to 100% discern crushes directly towards her specifically, but it absolutely is enough to notice when people she knows are feeling conflicted or awkward in response to certain things.  Jester also hates confrontation with her friends or ever admitting to bad feelings of her own that might make them feel bad.

   Jester has been president and head shipper of the Beau/Yasha shippers association since about the instant Yasha returned to their side from Obann.  There’s absolutely an element of ‘I want my friends to be happy!’ in it, and ‘I love the magic of romance!’, but man she is intense about it.  It makes an interesting contrast to the Jester who was so determined to keep being Beau’s roommate that they ended up sharing a bedroom even when the M9 found themselves in possession of an entire mansion, who ended up sad and worried about Beau being angry with her when Beau suggested separate rooms after the Obann fight to begin with. 

We don’t even see the level of ‘my friends are getting together and not paying as much attention to me any more’ slight jealousy that I might expect from Jester.  She’s just aggressively shipping it.  And there could be many reasons for that, but it also fits very consistently with a Jester who’s delighted that her friends could be together and happy and not putting her in the awkward position of having to formulate a rejection ever again.

   And then there’s Caleb.  One thing I’ve noticed over several past episodes (though not last night) is a tendency for Jester to create really awkward situations for Caleb in light of his crush.  I’m thinking about ‘here, come lay down on my bed right where I would’ve laid when I was a kid--so you can see the mural I painted, obviously, not for any other reason, why would you even think that?’  These are things that could be flirty, if Jester and Caleb were actively flirting, but definitely don’t feel flirty.  They feel like Laura Bailey fucking with Liam O’Brien.  Which means that, by extension, they feel a little like Jester fucking with Caleb in a very slightly passive-aggressive sort of way.

These little flirtations don’t make Caleb happy.  Mostly they make him uncomfortable, and Jester has to have noticed that, because that’s the kind of thing Jester notices in other people and either deliberately avoids or deliberately leans into!  So maybe Jester’s just poking Caleb’s buttons for fun, which is totally in-character for her, but even when she pokes at people’s buttons like that there’s usually a reason.  It doesn’t feel like a ‘I want you to like me back enough to actually say it’, to me.  It feels like, ‘I want you to stop being weird around me and I am going to keep poking at you until you get over whatever it is and stop.’

Jester may or may not realize that it’s Caleb’s crush feelings making him feel uncomfortable, but if she has, the whole thing feels to me a little like a deliberate friendzoning.  If Caleb just stops being weird, then everything’s fine!  They can be friends!  Maybe he can date Astrid again and be happy and stop being weird to her!

   Moving on to Fjord, we get kind of a contrast, because Fjord’s the one person Jester is maybe flirting back with a little.  Fjord hasn’t actually admitted to anyone else that he does have feelings for Jester--in fact, there was a whole conversation with Beau on Rumblecusp about how honestly, he’s barely sure of who he even is, let alone how he’s going to feel next week or what he wants in the long term.  He does, however, keep doing things that read as tremendously flirty.  The whole thing with the unicorn screamed ‘Travis Willingham is deeply in love with his wife’.

They danced, and it was cute!  She kissed him on the cheek!  And also, when they first started dancing (deliberately shoved together and out onto the floor by Caleb), the first thing Jester did was drop a stinkbomb on the dance floor.  And also, it is occurring to me right now, when Jester does things like kiss Fjord on the cheek, he doesn’t flinch.  He smiles at her, and it’s okay, and he doesn’t make it weird, and he also doesn’t push.

On the other hand, in the past we’ve seen Fjord get weird and awkward in possibly-flirty situations with Jester, and she calls him on it right out loud.  Jester’s original crush on Fjord is full canon, although it’s not entirely confirmed what it’s turned into since.  She might be open to advances, but she’s going to ask for clarification and she’s going to make him say it out loud.  If he actively flirts, she is going to kiss him on the cheek and make him deal with it rather than pretending it never happened and letting him off the hook.

And: she’s not initiating any more, not really.  Not the way she used to during the first couple of arcs of the campaign.  If he actually wants her he’s going to have to say it out loud.

.

All in all, it makes me think about Jester as, perhaps, someone who doesn’t want to rock the boat.  She’d rather avoid any complicated situations of unrequited feelings with people who may or may not be willing to admit those feelings to anyone at all.  It is to her benefit if Caleb and Beau get over their crushes because then she doesn’t have to deal with them wanting things.

And right, it’s not that they’re asking for things!  It’s not that they’ve ever asked for things, and maybe not that they ever even would.  But Jester has some feelings about people wanting things from her, because Jester wants everybody she loves to be happy, and she’ll put on a happy face and cry in private about it, and so this is a really awkward position for her.  She’ll never force a conversation about it, but she can spread the awkward and uncomfortable around until maybe the wanting goes away too (Caleb), or she can leap at an opportunity to redirect the attention and then hey, look, everyone is happy problem solved.

I’m really curious to see how things proceed with Fjord, especially with Avantika suddenly showing up now to throw god knows what kind of wrench in the works.  Is he going to keep flirting?  Is he going to stop again?  How is Jester going to respond if he does?

But I do think that it’s interesting to think about Jester and her choices in this situation, and also how much of this is an actual choice and how much is just instinctual avoidance.  She has lots of reasons to push Beau and Yasha together, she doesn’t have to think about why she’s so happy to see them paying attention to each other or why she’s so very not jealous of that attention.  She loves pushing peoples’ buttons, she doesn’t have to think about why Caleb has developed the particular buttons he has.

I don’t know what the answer is!  I don’t know if Laura Bailey entirely knows what the answer is, or if I’m on the wrong track completely.  I am sure various shippers will have a counter-argument to these thoughts!

But until further canon confirmation or dismissal, these are the theories I’m going with: Jester trying to steer Beau and Caleb away without ever, ever talking about it, and accepting the Fjord situation for now because he’s not being weird and awkward about it so at least that’s okay.

[otp-armada]

If Jason wanted to convince me that Lxa was the love of Clarke's life, he wouldn't have killed her off, effectively cutting their love story permanently, with 4.5 seasons left of the show. Their arc, starting with their introduction in 2x07 and concluding with L's death in 3x07, is 17 episodes long, accounting for 17% of the entire narrative. If I generously add 3x16 to the count, an episode in which L is already dead in the corporeal world Clarke is trying to return to, it's a whopping, grand total of 18%. An 18% congruous with Clarke's intense connection to Bellamy and vice versa, which even A.lycia confirmed as romantic. Feelings romantic enough to spur the formation of a love triangle. An 18% ignoring Clarke's ultimate choice to go back to her people when L wanted her to stay.

CL is a chapter in the story begun and wrapped up in the first half of the narrative. And that's omitting further illumination on the finer details making CL so problematic for Clarke. Do you expect me to believe it was coincidental for CL to occur at a time when Clarke was spiraling down a dark path, commencing with Finn's death? Who played a hand in forcing Clarke's own hand, with Finn, and TonDC, and Mount Weather? Whose example inspired her to ensnare herself in armor and warpaint to be strong enough to save her people? Whose behavior did she emulate in the pushing away of support from her people? Who gave her a place to continue hiding from Bellamy, her mom, and her friends? A place to be someone other than Clarke Griffin? In lieu of facing her fears like the heroine she is? The purpose of CL wasn't to provide Clarke with a magnificent, fairy tale romance gone tragically wrong. I believe Jason's intent with the relationship aimed to further damage Clarke's psyche after L's death, to solidify the belief that her love is not only deadly to its recipients but renders her too weak to do what must be done for survival.

After 3x16, CL is an often superfluous namedrop or two per season for Clarke to briefly react to before carrying on with the plot. Season 5 aside, most of these references are needless enough to be able to interpret them as attempts at reparations for the L/CL fandom's benefit -and their views- without altering the course of the story. Crazy me for thinking it's not enough to constitute an ongoing love story. Crazy me for not thinking this was on par with interactions between living characters. Crazy me for thinking it doesn't befit a love story for the protagonist.

This sliver of the story is what Jason and the CLs would have us unquestionably believe is the pervasive love story of The 100's seven seasons?

Despite his lie and the constant gaslighting from the pineapple CLs, some of us know how to decipher what a temporary love interest is. Lxa? I think you know where I'm heading with this.

I'll acknowledge my admittedly negative appraisal of CL as someone who recognizes its value to the LGBT+ community and treats it as valid while not caring for L/CL on a narrative level. I felt, when swayed by L's influence, Clarke became the antithesis of what I found admirable about her. I resented Clarke's acquiescence of her power to the commander. I wanted nothing more than to remove the wedge L had driven between Clarke and Bellamy.

Let me try to give L/CL the benefit of the doubt for a minute. I don't hold L as responsible for Clarke's choices, but I recognize the prominent role she played in their upbringing. The push and pull was an intriguing aspect of their dynamic, as was the chance to meet a manifestation of who Clarke might have been if she was all head, no heart. Her fall from grace was arguably necessary for her to be a fully-rounded character, not a Mary Sue. It wouldn't be realistic for the protagonist of a tragic story about a brutal world to be a pure cinnamon roll. When forgiveness is an innate theme with Clarke, it would be my bias at work if I was content with her applying it to everyone but Lxa. Clarke saw enough commonalities between her and L to identify with the latter. When she extended forgiveness to L, I believe it was her way of taking the first step on the path to making peace with herself by proxy. None of this means I wanted them paired up. At best, I made my peace with seeing the relationship through to its eventual end. In time for L's death, ironically. My passivity about them notwithstanding, my conclusions are, however, supported by canon.

If I may submit a Doylist reason for romantic CL? Jason knew he had a massive subfandom itching to see them coupled, thereby boosting ratings and generating media buzz. A Watsonian reason? Without relevance, I think L would have been another Anya to Clarke. Grapple shortly with the unfair taking of a life right as they choose to steer towards unity, melancholy giving way to the inconvenience of the loss of a potential, powerful political ally. Romance ensured her arc with L would have the designated impact on Clarke's character moving forward in the next act.

For a show not about relationships, Jason has routinely used romantic love as a shorthand for character and dynamic development. It's happened with so many hastily strung together pairings. And when it does, everyone and their mother bends over backward to defend the relationship. It's romantic because it just is. Didn't you see the kissing? Romantic.

No, The 100 at its core is not about relationships, romantic and otherwise. But stack the number of fans invested exclusively by the action against those of us appreciating a strong plot but are emotionally attached to the characters and dynamics. Who do we think wins? Jason can cry all he wants over an audience refusing to be dazzled solely by his flashy sci-fi.

Funnily enough, "not about relationships'' is only ever applied to Bellarke. Bellarke, a relationship so consistently significant, it's the central dynamic of the show. The backbone on which the story is predicated. Only with Bellarke does it become super imperative to represent male-female platonic relationships. As if Bellarke is the end all, be all of platonic friendship representation on this show. In every single television show in the history of television shows.

Where was this advocacy when B/echo was foisted upon on us after one scene between them where he didn't outright hate Echo? When one interaction before that, he nearly choked the life out of her. If male-female friendship on TV is so sparse, why didn't B/ravens celebrate the familial relationship between Bellamy and Raven? Isn't the fact that they interpret Clarke as abusive to Bellamy all the more reason to praise his oh-so-healthy friendship with Raven as friendship? They might be the one group of shippers at the least liberty to use this argument against Bellarke, lest they want to hear the cacophony of our fandom's laughter at the sheer hypocrisy of the joke. Instead, they've held on with an iron grip to the one sex scene from practically three lifetimes ago when the characters were distracting themselves from their feelings on OTHER people? They've recalled this as "proof" of romance while silent on (or misconstruing) the 99% of narrative wherein they were platonic and the 100% of the time they were canonically non-romantic.

Bellarke is only non-romantic if you believe love stories are told in the space of time it takes for Characters A & B to make out and screw each other onscreen, a timespan amounting to less than the intermission of a quick bathroom break. If it sounds ridiculous, it's because it is. And yet, some can't wrap their heads around the idea that maybe, just maybe, a well-written love story in its entirety is denoted by more than two insubstantial markers and unreliable qualifiers. B/raven had sex, and the deed didn't fashion them into a romance. Jasper and Maya kissed but didn't have sex. Were they half a romantic relationship? Bellarke is paralleled to romantic couples all the time, but it counts for nothing in the eyes of their rival-ship fandom adversaries. Take ship wars out of it by considering Mackson. Like B/echo, the show informed us that Mackson became a couple post-Praimfaya, offscreen, via a kiss. Does anyone fancy them an epic love story with their whisper of a buildup? Since a kiss is all it takes, as dictated by fandom parameters, we should.

If Characters A & B are ensconced in a romantic storyline, then by definition, their relationship is neither non-romantic nor fanon. "Platonic" rings hollow as a descriptor for feelings canonically not so.

If the rest of the fandom doesn't want to take our word for granted, Bob confirmed Bellarke as romantic. Is he as delusional as we are? Bob is not a shipper, but he knows what he was told to perform and how. Why do the pineapples twist themselves in knots to discredit his word? If they are so assured by Jason's word-of-god affirmation, then what credibility does it bear to have Bellarke validated by someone other than the one in charge? They're so quick to aggressively repudiate any statement less than "CL is everything. Nothing else exists. CL is the only fictional love story in The 100, nay, the WORLD. CL is the single greatest man-made invention since the advent of the wheel."

We've all seen a show with a romantic relationship between the leads at the core of the story. We all know the definition of slowburn. We can pinpoint the tropes used to convey romantic feelings. We know conflict is how stories are told. We know when interferences are meant to separate them. We know when obstacles are overcome, they're stronger for it. We know that's why the hurdles exist. We know those impediments often take the shape of interim, third-party love interests. We know what love triangles are. We know pining and longing.

Jason wasn't revolutionary in his structure of Bellarke. He wasn't sly. Jason modeled them no differently than most other shows do with their main romances. Subtler and slower, sure. Sometimes not subtle at all. There's no subtlety in having Clarke viscerally react to multiple shots of Bellamy with his girlfriend. No subtlety in him prioritizing her life over the others in Sanctum's clutches. In her prioritizing his life above all the other lives she was sure would perish if he opened the bunker door. There is no subtlety in Bellamy poisoning his sister to stave off Clarke's impending execution. In her relinquishing 50 Arkadian lives for him after it killed her to choose only 100 to preserve. In her sending the daughter Clarke was hellbent to protect, into the trenches to save him. In him marching across enemy lines to rescue her. In her surrender to her kidnapper to march to potential death, to prevent Bellamy's immediate one. No subtlety in Josie's callouts. No subtlety in Lxa's successful use of his name to convince Clarke to let a bomb drop on an unsuspecting village. Bet every dollar you have that the list goes on and on.

There are a lot of layers to what this show was. It was a tragedy, with hope for light at the end of the tunnel. It was, first and foremost, a post-apocalyptic sci-fi survival drama. Within this overarch is the story of how the union of Clarke Griffin and Bellamy Blake saves humanity, ushering in an age of peace. In this regard, their relationship transcended romance. But with the two of them growing exponentially more intimate each season, pulled apart by obstacles only to draw closer once again, theirs was a love story. A romantic opus, the crescendo timed in such a way that the resolution of this storyline -the moment they get together- would align with the resolution of the main plot. Tying Bellarke to the completion of this tale made them more meaningful than any other relationship on this show, not less.

Whereas the trend with every other pair was to chronicle whether they survived this hostile world intact or succumbed to it, Bellarke was a slowburn. A unique appellation for the couples on this show, but not disqualifying them from romantic acknowledgment.

Framing Bellarke in this manner was 100% Jason's choice. If he wanted the audience to treat them as platonic, he should have made it clear within the narrative itself, not through vague, word-of-god dispatches. A mishandled 180-degree swerve at the clutch as a consequence of extra-textual factors doesn't negate the 84% of the story prior. It's just bad writing to not follow through. And Jason's poor, nearsighted decisions ruined a hell of a lot more than a Bellarke endgame.

The problem is, when Bellarke is legitimized, the pineapples are yanked out of their fantasies where they get to pretend the quoted exaggerations above are real. Here I'm embellishing, but some of them have deeply ingrained their identities in CL to the degree where hyperbole is rechristened to incontestable facts. An endorsement for Bellarke is an obtrusive reminder of the not all-encompassing reception of their ship. A lack of positive sentiment is an attack on their OTP, elevated to an attack on their identity. Before long, it ascends to an alleged offense to their right to exist. The perpetrators of this evil against humanity are the enemy, and they must attack in kind, in defense of themselves.

Truthfully, I think it's sad, the connotation of human happiness wholly dependent on the outcome of a fictional liaison already terminated years ago. I'm not unaware of the marginalization of minorities, of the LGBT+ community, in media. I haven't buried my head in the sand to pretend there aren't horrible crimes committed against them. I don't pretend prejudice isn't rampant. When defense and education devolve into hatred and libel for asinine reasons, though, the line has been crossed. You don't get a free pass to hurt someone with your words over a damn ship war. No matter how hard you try to dress it up as righteous social justice, I assure you, you're woefully transparent.