#I just have to yknow

[movedtodykedvonte]

Should we call you yandy?

Rag or Andy works. Yandy is funny tho

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[socksandcrocs]

Charlie would definitely make her dad participate in the hotel exercises lmao

[panthermouthh]

“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?”

[evillillad]

guys ur still in public mayhaps stop gooning maybe?

[noodles-and-tea]

twins in time continuation of that blue doodle comic thingy, but fidd is forced to take care of stan when Ford gets into the portal stuff, leaving him behind.

I reckon he teaches him math…

[ultravhasart]

Presenting Cassandra Cain!

[ruporas]

need to exist in your warmth (id in alt)

[a-sketchy]

in commemoration of reload, here’s the full hamuko paintover from november

[hellspawnmotel]

i love you always forever

[wuntrum]

honestly love when artists draw copious amounts of fanart for a character and then start adding more and more personal touches or headcanons to how they depict them and then just change their name and adopt them as an original character. its like watching nature heal in real time

[kroosluvr]

i had a dream a while back that maruki's palace was a gorgeous grand cathedral (though dilapidated, abandoned, and overgrown) kinda like this. also in the dream i was goro akechi idk what that's saying abt my subconscious

[bittsandpieces]

I don't have a caption for this one tbh

[mistilteinn-magolor]

ANNOUNCING THIS TO THE WORLD (OF TUMBLR)-- IM ACE!!! IM FINALLY QUEER LOL

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺��ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[zillychu]

me? redrawing my old shit?? its more likely than u think