#I just have so many feelings about this franchise.

[saxandviolins88]

TF: ONE - My thoughts

Spoilers? All of them

First of all, Transformers as a franchise and cinema have a tumultuous relationship. The 86 movie is definitely dear to me, but I can't deny it was made with a clear commercial purpose, and it shows how eager they were to clear the cast and add new toys. It has interesting ideas, sure, but those ideas were only to gain form in the third season of the cartoon (which is good, you guys are just mean.)

Now the Bay movies... It may come as a shock to all of you, but I actually enjoy those movies, not as a Transformers fan but as an enjoyer of non-sensical gory violence and cool robots. Though these movies succeed in being brain fodder, anytime they try to tell a compelling story (if they even try), they fall flat; not only for not understanding the characters people love... but also not understanding their own characters and universe. So when the worst qualities of Bay join together in a confused movie with bad designs and sub-par action... You get franchise killer TF5. (fun fact, but that was the first TF movie I sat down to watch and try to get into the franchise... it took a few years for me to recover...)

After that, TF movies turned into course correction and tried to get TF back into the mainstream. Don't get me wrong, TF IS mainstream... But movies are what the public wants. (easier to consume and don't waste your time.)

I gonna say, the Bumblebee movie is a good movie... With TF things slapped on it. Generally speaking, Bumblebee (2018) is a modern Herbie, the Love Bug, a Travis Knight vanity project. I'm being a little evil here, but it is what it is.

Now... ROTB... It is a movie. It has all the aesthetics of a movie... And there are transforming robots in it. Look, I like ROTB, I saw it on debut day and I was hyped, but it makes so many weird decisions... From Optimus's weird unfocused character arc, Unicron... Mirage... if I can even call him that. It's a bullet-list movie with a few funny moments. Oh and Beast Wars cast, but they're the most nothing-burger characters ever in that movie.

NOW TF: ONE

It is a good movie!

A course correction movie, but a good movie. It's a more or less safe bet by Hasbro. It hits the re-start button, so new audiences won't be intimidated by MCU-ness AND it is animated, easy cash with the kids and their parents who'll have to buy two tickets.

ANIMATION AND VISUALS

They fucking lied when they said it was "spider-verse levels", like bruh.

BUT the animation of TF: ONE is very good. Sure, some places had more care than others, but the final product wasn't affected and it was a smart choice. I'm more impressed by the fight scenes, which are well choreographed and spaced while using the characters' transformations creatively - and in that, I have to commend TF: ONE for doing something I always wanted to see - transformation isn't something these characters just happen to be able to do, it's an essential part of who they are and this also plays into the plot. Another thing I'm very pleased with is the character acting in general, you get the feel these animated robots are real people, and this is done through their facial expressions and body language (though, this is more notable on D-16 and Orion Pax.) The designs are nothing to write home about, serviceable at best, and boring at worst. Still, I'll have to give this one to Megatron, but ONLY because he hasn't had a good tank design since... I wanna say Armada, but part of me says it's G2. Sentinel Prime is boring, but he has the fucking Titans Return toy knees, wth? Great design just on this basis.

Now WRITING AND GENERAL PLOT.

One thing I'll applaud this movie for: It knows what it is.

When I saw the first trailer, I had a nagging feeling in the back of my skull that this would be one of those movies... where it promises you stuff while not doing it and overstuffing it with half-assed characters, thoughtless plot points, and uninspired dialogue. (I'm a DC fan, I see the abysm every year or so... Kal-el no😦!)

Well, I am happy to say that wasn't the case.

If I had to describe TF:ONE in one(lol) word, it would be: focused.

It knows its runtime, it knows its audience(s) and it knows the franchise(the good, the bad, and the controversial.) It's a break-up story between two friends - where one falls from grace and the other ascends.

I found this movie quite enjoyable in the dialogue and character writing aspect too. Each character feels distinct enough and they're so quippy, it's a joy to watch them talk to each other. However, the crux of this story is D-16 and Orion, and they REALLY succeded in selling not only their friendship but also the rift in their relationship. This movie isn't afraid to touch on some dark themes; a political scandal disguising itself as a MacGuffin hunt is very welcomed in the MacGuffin Hunt franchise. (still has a MacGuffin tho, it's logically IMPOSSIBLE to write a Transformers story without a MacGuffin)

Sentinel is a perfectly serviceable villain, uniting all existing versions(minus G1) into the ultimate jackass. D-16 is a good voice of reason that breaks into Megatron, his descent into evilness was believable enough for the runtime. Orion is the hero's journey circle. Elita-1 is a supporting character who sometimes delves too much into Hollywood girl boss, but at least they didn't insert the inevitable romance in this movie but still made her valuable to Optimus. Badassatron is a funny comedic relief that could be removed without changing the plot too much (and he didn't have any reason to be Bumblebee.)

To cut an already long post short. I expect the sequel to focus on the Quintessons, I do NOT care about more thirteen primes content (MAKE IT STOOOOOOP), and I also really want them to keep Megatron complex (make him doubt his cause, make him remember his gay little roommate, DO something with the character you've developed.)

and uh... just so I don't lose my brand

*cough cough*

I want the Constructicons in: "TF: ONE: 2: Electric Boogaloo"

[drivinmeinsane]

Would you wanna expand on Anna and K being siblings in all ways that matter? I agree, I'd just like to hesr your thoughts on the matter too :]

Oh man, you've opened a can of worms. 👀 Here's some of my rambling threads of thoughts complete with my mauled digital copy of the script and screencaps galore.

Spoilers for Blade Runner 2049 under the cut.

From the moment Ana is introduced, even before we meet her face to face, she is a mirror of K. They are copies of one another. Two people can't have the exact same genetic code, but the closest one can get is twins. They shared their defining memory and splintered off later in life as siblings do.

There was always meant to be two of them. The files say that one died from an illness and the other lived. We find out that Ana was stuck on-world from an illness that she developed. Only, she didn't die. She was left behind and abandoned to work for Wallace and other corporations needing her memory making services. Ana is the real girl and K is her ghost.

A life of freedom as long as it's behind glass. K has the same as long as he obeys the rigid system that keeps him tethered. Neither are truly living. It's escapism. They both dream of realities where they are loved. By illegally putting her memory into K, Ana created a family member. He's her copy—a sibling, a twin—someone who shared her life experience and could relate. Two children, protecting the only item they have left from a father who they had never met. As one, they had stowed it away in a furnace and enduring being beaten. They lived this. Together. Ana's last name of Stelline. Little stars. It beings to mind the Gemini zodiac sign. The twins. Castor and Pollux and their horses. K was the invisible companion of Ana, an unborn ghost. Maybe she imagined him when things got too dismal. Maybe she thought about having a brother or a sister. When the time came, she offered up the memory to the Wallace corporation so the burden of that childhood could be shared, understood. A sibling made reality. A ghost was made solid, living flesh. Who would have thought that replicant would come looking? Who would have thought Officer K would break every shred of genetic modification and careful conditioning to find her, his sister, while searching for answers because he cared, because he was part of Ana's scattered family and didn't know it.

Again, they mirror each other. In the same moment that Ana is looking at the snow falling on her hand, K is doing the same. Even in the end, they are connected. Left hand and right hand—two parts of a whole.

No one had ever come for K. He makes sure someone comes for Ana. He knows what it's like to want family so badly that your very bones ache, that you would kill another one of your kind for the first time for it. He found their father and brought him home. He was a good brother, a good son.

There is a void over Ana's right shoulder where K should be. Her ghost—her copy—has died even if she does not know it yet. His death in a roundabout way fulfills the prophecy of the DNA database findings. Two siblings, a boy and a girl. One dies. He haunted her before his inception and he haunts her still after his body is found on the stairs of the upgrade center. If only she had spoken up. If only K had told Deckard the truth. If only there had been another way to love someone without remaining a stranger.

At the risk of sounding like a broken record because I've honestly lost count of how many times I've said this, I genuinely believe Deckard would have shrugged and accepted the fact that he and Rachael had had two kids.

I think the three of them could have been happy together, but Blade Runner 2049 is a modern Greek tragedy seeped in the lore from thousands of years ago. There are no joyous endings here.

[hyperfixationtimego]

I love you fucked up tv shows I love you gorey movies I love you traumatized characters who perpetuate the cyclical nature of abuse while still managing to remain sympathetic I love you intentionally morally ambiguous media that exists specifically to pose questions about psychology, ethics, and human nature I love you unflinching examinations of what it means to dance the line between acceptable and unacceptable behaviors I love you I love you I love you

[bpdonnie]

im about to be such a stupid hater but as an aromantic person i hate the httyd 3 ending.

[lesbianwithchainsaws]

Does anyone wanna talk about horror movies? I wanna talk about horror movies!

[msfbgraves]

Let it stand alone

Saw "Wonka" with the nieces way too late, because I thought it was a cash grab franchise milking faux nostalgic manipulation move, and I guess it was, and I still had a good time.

Now, if I were Roald Dahl, I'd likely object to this sweetheart of a Wonka. Wonka's a mad borderline dangerous maverick in Charlie. But this isn't the book, it's an adaption. If you don't know Wonka isn't a sweetheart, him being one doesn't ring false in the film. And books get adapted all the time - various adaptions aren't necessarily a commentary on one another.

So why tie this so deliberately to the Gene Wilder version? It isn't the same Wonka, and that's OK! It isn't Dahl's Wonka, and that's OK! It's another take on Wonka that works fine for what it is. Do they really think audiences would not have gone to watch a lovely romp about a sweet chocolatier anyway? That Oompa Loompas aren't fun without green hair? Look, this setup could have worked as "The Corruption of Willy Wonka" too, but that isn't what it wanted to be. Tying it too closely to another film for the parents' sake is the only thing that suddenly creates plotholes and ooc moments when there weren't any before.

[the-hellbound-heart]

Saw X Spoilers - John Kramer's Fallibility

I've been thinking about this ever since my first viewing, but one of my favorite things about Saw X is how human John Kramer is. In previous Saw films, he is presented in an almost godlike way, testing people and judging their souls to see who deserves to be punished for their sins. He's always one step ahead, even when it seems impossible. We rarely ever get to see him be vulnerable. In Saw X, he is very, very human. We see him grapple with the weight of his mortality. Nothing demonstrates this better than the Bloodboarding Trap. For the first time, we see him put into one of his own traps, subjected to the same harsh judgement he treats other people with. Not only that, but he's forced to watch an innocent child suffer because of him. For the first time in the series, both literally and metaphorically, John has to confront the blood on his hands. It's so immensely satisfying.

[kyouka-supremacy]

Mmmhh...

[mercurymacaroons]

woagh 2 posts in one day

[cakemoney]

finding out that kaito and shinichi have been revealed to be cousins is like finding out there was a huge earthquake in the country you used to live in

[bombshellsandbluebells]

speaking as someone who really enjoyed Barbie, I just don't think Barbie is deep enough to warrant all the dramatic takes and arguments on it

[galaxygermdraws]

K so like I Don’t tend to make posts about the daily goings in my life but today is special and I am not going to shut up about anything ever so. Mario Movie. Today. Clearly. And yours truly is going to see it not once but twice this week. And he is going to ascend

For context, I have been fixating heavily (to the point where, if it turns out I am autistic [i am not allowed to be diagnosed], it could easily be a special interest) on Super Mario since i was 7. I am 20. This has been well over half my life. And Ive seen both the OVA(The Great Mission to Reacue Princess Peach), as well as the 1993 live action film. Ive seen all the cartoons, and I have read the Nintendo Power comics. I have seen my guys adapted so many times but this one truly excites me? Like I was d r e a d i n g the first trailer. Then. I watched it and lowkey ascended. Rewatched it so much. I am…too excited for this film. Sure I. Have my one qualm with it but At this point I don’t care. It’s gonna be fun. And im gonna be trying not to scream in a theater.

i realize I am probably not? Seen as a Mario blog but deep down that’s what I am. This is my favorite franchise in any piece of media. Over my favorite cartoons, over my favorite youtube series, Mario is my #1. So in the upcoming days I’m gon be screaming. Not gon apologize for the person I become due to this movie.

and yes. I will tag spoilers

[the-physicality]

one like and i restart my main

[lightningbig]

goddd botw makes me a little bit insane. link going through the story and meeting all of these people who use to know him. he doesn't remember. but they talk about him, "you used to train me!" "we were kids together" "I always looked up to you". they have lived a whole life while he's been asleep. he has not changed.

[todayisafridaynight]

Bro last night was so much......... I'm still reeling...... What even.... They gave us so much. I wasn't ready. I wasn't ready. I didn't KNOW.

Hear me out... Poundmates Jo........ Not a party member but maybe helpful. Him looking soft has me so fucked up. Why is Akane alive. Why is she alive bro. Why does Jo know she alive. Why would he- FUCK dude I'm trying to work but all I can think about is 8

i hope we get poundmates jo and we have to do it pokemon style where we have to beat his ass and then catch him <- delusional

[yngai]

i think there's a lot of valid critique to make of how ada's character is portrayed & written especially with capcom's misogyny & their dependance on the cool sexy female character but i genuinely don't see how the remakes "fixed" ada's character by giving her a separate story/proper character motivation when those things already existed & were pretty heavy handedly given to the audience in RE4 (she tells them to the player verbatim) + the remake separate ways draws very heavily from ada's characterization in RE6 which was actually capcom's second/better executed foray into giving ada her own unique narrative that only scantly intersects with leon's, because the original separate ways was hastily put together & its story was relegated to ada interjecting her own thoughts between chapters. i'd argue the only appearance that fails ada the most is damnation because it's a rethread of 4 with less substance but even that movie gives the audience enough hints towards ada's purpose & the imbalance in her relationship with leon + the homoerotic fight scene with svetlana that there is at least something to enjoy