#I just have a fully time job

[a-small-writer-in-a-big-world]

Bearrrr!!! Hope you're doing well! The lil drabble with Si coming home after being all but dragged outta the house to spend time with the boys was so cute. 😭 big guy entered Koala mode as soon as he saw Reader and wasn't gonna let go lol

I'm not sure if I've ever said it, but thank you for sharing you writing with us - 🐍

I’m doing okay!! I hope you’re doing well 🐍 anon because I was just thinking about you ❤️

I have a head canon that Simon is touch starved but refuses to acknowledge it when he’s sober or when he isn’t bone tired so when he’s neither of those things he’s just all over you because he needs you so bad

Thank you so much for liking my work ❤️❤️ I’m making progress in my WIPs again so here’s hoping that the new chapters will be out again

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[izzyspussy]

universal basic income save me. universal basic income. save me universal basic income.

[sigsfigs]

wips, will delete when i feel like it

[sco07ut]

i made bernice this week btw

[cent-scratchnsniff]

it was just going to be a few warmup doodles but then she infected the rest of the page like the ever eternal and spreading spores. hod!!! hod. hod :)

[fortes-fortuna-iogurtum]

I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important

[vanweezer]

sketchbook dump

[faunina]

happy TWO YEAR anniversary to everyone who attended the destiel wedding!

and happy valentines day to the rest of you guys <3 click the image for a surprise!

if you’ve ever seen that one post (i’ll link it in the replies) about the parallels between the rodeo scene in 12x11 and the movie “urban cowboy” and it entirely broke your brain, then this post is for you. and also i’m kissing you on the mouth

[ID. Digital art of Dean Winchester done in black and white. He’s is laid back on top of an electric bull. One hand rests on his hip while the other hovers in mid-air, fingers slightly curled, and he seems to be looking at it. When clicked, the transparency shows Castiel standing behind him. Castiel is holding Dean’s hand to his lips, while his other hand supports the back of Dean’s head. Castiel has a visible halo and wings that he has curled protectively around Dean. End ID.]

[nerdie-faerie]

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

[thebroccolination]

In workshops, Waa told Krist and Gawin to think of Kawi as a cat and Pisaeng as the cat's human, and what ensued onscreen is why Waasuthep Ketpetch is a hero and deserves ten thousand awards for Be My Favorite.

[pynkhues]

https://www.tumblr.com/nalyra-dreaming/762934616351031296/theres-something-ive-struggled-to-understand

I always wondered about what the anon asked as well. Care to share your reading?

I more or less agree with the OP's answer that it's about Louis not wanting to be connected to Madeleine, but I think the motivation is probably different?

My read is that episode is really about Louis trying to let Claudia go, and that he's acknowledging the complete dissolution of the family unit. After all, if Lestat and Louis' turning was a wedding, and Lestat turning Claudia was Lestat giving Louis a daughter, Louis knowing that Madeleine and Claudia are a love match in a lot of ways turns him into the father giving his daughter away on her wedding day. Turning Madeleine isn't about love for him, nor about having a child, it's about seeing his daughter as a grown woman ready to start her own family without him.

The acknowledgement of Claudia as an adult is not one he's ever genuinely made before - something s2 makes very clear with Claudia having to pose as his daughter again in wartorn Europe, Baby Lulu being the female diminutive of Louis, and then, even more tellingly, with Dreamstat explicitly referring to her as such - and while she's been pulling away all season and trying to force Louis into independence, it's been something he's pretty clearly very resentful of.

Madeleine though forces his hand, because Claudia finally choosing a companion splinters the last leg of their family unit for good. Madeleine is a stranger to him in the way many children's spouses are strangers to their in-laws, and Louis doesn't have Lestat to share the weight of that with anymore (and he doesn't have Lestat because of Claudia, which deepens the resentment). All he knows - which he discovers through turning her - is that she loves his daughter, and I take Louis trying to get the blood out of himself as a bitter and wounded sort of wedding gift.

He wants to give them their freedom, but at the same time the depression he experienced as an empty nester in New Orleans has already set in, he has to live with the fact that his attempt at a family has ended, and Armand's never been as satisfying to take things out on as Lestat was, to say nothing of the fact that he - as Assad put it - doesn't give a fuck about Claudia. At least Lestat gave a fuck, even if he usually gave the wrong sort of fucks, haha.

So yeah, I think it's a sort of attempt at a resentful wedding present, in a lot of ways, to try and give her this thing without being a part of it, and a real attempt to let Claudia go as his daughter.

Little does Louis know though, Claudia's the gothic heroine of this story, and she's not ever going to get out of her father's (or step-father's) house.

[thisisadonaldduckblognow]

bangs pots and pans

raph was never any less suited to leadership than leo

raph was never any less suited to leadership than leo

raph was N E V E R any less suited to leadership than leo

idk how many times i can say it before it sinks in that in rise there was never once any point where that was the point being made

if you just like leo’s character better than you like raph’s, that’s fine! if you just like it better when leo is leader, that’s fine! i have no issue!

but we need to stop trying to circle that leadership change back to somehow being about better or worse or ~more cut out for it~ because it sucks to throw the great job raph did through the series under the bus in order to prop up leo’s good qualities. 

they’re both great leaders. they both have strong suits and weak suits in the role, they both have growth and development when they’re in that role. they BOTH make on-screen mistakes in that role and aren’t very good at it at first! not getting a more in-depth explanation about it in the movie or series stinks and it’s very interesting to explore, but seriously. 

[lavenoon]

on care, and scary things

@naffeclipse let's see if I'll ever be normal about this line

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.