#I just got to the ep where he ties his strings to his book and I just had to put all the emotion I felt in that moment somewhere | Explore Tumblr posts and blogs

jq37 · 3 years ago

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The Report Card – Fantasy High: The Seven Ep 2

The Girls Are Fighting!!!

We return to Aguefort Adventuring Academy where the man himself has just told the Seven Maidens that their party is being split up which they are NOT having even though it doesn’t seem to be a malicious plot so much as the fact that Danielle, Ostentatia, and Zelda are Juniors while the other four are graduating Seniors. Antiope casts Hunter’s Mark on Aguefort, Penny pleads, Katja threatens (well, “threatens”; she walks up menacingly and then says that he can’t do this because it’s the only group of friends she’s ever had and it’s heartbreaking like all of her non-hilarious dialogue is).

Aguefort understands that it sucks and has no respect for rules but says it’s out of his hands. Sam clocks that he’s hiding something (along with the fact that he seems to know about something going on with Antiope and Penny which we know is their respective internship/apprenticeship offers) and calls him out, hitting him with a Lightning Lure to drag his ass back when he tries to turn into a bat and escape out the window. She’s unhinged and I love it.

So does Aguefort who decides to let them in on some school secrets, leaving a decoy while he leads them all to the super secret part of the forbidden library which is bondage themed because sure. Also, Ostentatia is topless for this also because sure. He does a lot of pomp and circumstance to summon a book which Yelle flatly says better not just be the syllabus and it isn’t but she’s close. It’s the bylaws of the school district which he has summoned for the guidelines on the special, magical thing the girls can get so they can graduate together…

Their GEDS!!!!! Trés mystical.

Basically what they need to do is complete a level A, B, or C quest together (which Antiope knows are like the top 3 highest difficulty quests--they go from A-F) and get signoff from the superintendent. But the superintendent has been missing for 12 years and there can’t be a new one until she’s dead (which she isn’t or else they’d be able to appoint a new one). Her name is Tectonya Karkovnya (who I will be calling TK) and Aguefort calls her, “chaotic and impossible to predict,” which coming from him is como se dice, troubling.

Sam pulls out her mirror to do a little snooping on TK’s past and sees that she’s a coppery, earth genasi woman. She also sees her talking to Aguefort and saying that the magic of consciousness is far superior to his beloved chronomancy. Then the scene shifts to show her getting more and more worried as she got deeper into her studies and then going to a dwarven holy site in the Mountains of Chaos with some kind of shadow figure following her.

Penny gets photos of the super cursed bylaws and Arthur leaves since he very much is the principal of the school and has to do his job (ostensibly). With Aguefort gone, the girls discuss the proposition after conscripting a very reluctant Antiope to be their leader (Aabria hilariously improvises that a shaft of sunlight somehow comes down to illuminate her and she has to step out of the spotlight).

They discuss whether they want to do this GED quest or not and Zelda says she wants to but she wants to give anyone who has other stuff going on an out so they don’t feel beholden. Ostentatia immediately shoots back that Zelda is just saying that because she has plans with Gorgug. That brings down the mood and Sam, despite being a water genasi, fans the flames by saying that Gorgug has lots going on that doesn’t involve her so she shouldn’t be running back to him all the time.

Yelle tries to calm things down and says they should sleep on it but Sam and Ostentatia are taking this super personally and are offended that they’re even having this conversation. Penny accidentally lets slip that she has some kind of apprenticeship (she’s trying to keep it on the DL because it’s supposed to be a secret) and oh man it becomes a Whole Thing. They fight in the way that you do when everyone in the fight actually wants the same thing and cares deeply about each other but are in completely different headspaces which are making them lash out.

Penny, not wanting to be around the conflict, goes invisible. Zelda is suppressing going into a rage and says that maybe she should go be with Gorgug. At least he won’t yell at her. Yelle once again tries to cool things down and suggests they have a text thread where they can say if they’re in or out by the end of the night instead of hashing it out in the open. She’s accused of not being in and, in response, texts that she’s in. Ostentatia and Sam also immediately text that they’re in, which basically makes her “solution” entirely moot.

Zelda is finally fully fed up and leaves (Penny following invisibly). Katja also follows.

Antiope can tell that Sam is upset about something that’s not this but Sam brushes her off rudely and storms off (quite literally, causing storm clouds outside in her wake). Yelle goes after her. Ostentatia is left with Antiope.

Time for a string of very emotional mini scenes which I highly encourage you to watch because they are peak improv.

Zelda, Katja, (Invisible) Penny

Katja runs to find Zelda who is under a tree crying and asks if she’s OK. Zelda says that Sam and Ostentatia are so beautiful and confident and eloquent and she gets so tongue tied and useless when they disagree with her because she’s so timid. Zelda wants this so bad but she doesn’t want to feel like she’s forcing her friends to stay with her.

Katja, as we know, has major abandonment issues because of her constantly away dad (and prob her mom too) and she doesn’t want to be left behind again but she also doesn’t want her friends to factor her in so she tries to be stoic and says that the people you love have to want to stay. But with a 3, Zelda immediately clocks the emotion behind the words. Instead of calling her out, Zelda offers to listen to music with her.

Penny takes this opportunity to make herself known (which has got to be terrifying--unless you’re used to it and then it’s like same shit as usual from Ms. Luckstone) and Zelda goat jumps to grab her out of the tree she was crying in above them and tells her that she doesn’t have to go invisible every time there’s conflict. They all agree that they hate confrontation and Rehka gets the funniest lowkey line of the episodes: that she wouldn’t know what to do if they didn’t agree on that. We then cut to…

Ostentatia and Antiope

Where Izzy gets the high key funniest moment of the episode by transitioning in with a big, “You know I LOVE confrontation,” which breaks everyone at the table. But she says it as a preface to admitting that she may have been a bit of a bitch to Zelda. She plays coy for like a half second before she breaks down sobbing with Antiope catching her before she sinks fully to the floor. Antiope comforts her and admits that while she wants to stay with the party, she hates having options taken away from her as they have been her whole life effectively. She was honestly kind of relieved when she was trapped in the crystal because it meant all that pressure was gone for a bit. They affirm that they love each other then Ostentatia goes to apologize to Zelda.

Danielle and Sam

Yelle goes to talk to Sam (who she adorably calls “merbae”) and while Sam doesn’t wanna talk about it, Yelle says they don’t have to. She just wants to be there for her in whatever capacity she needs. She knows Sam loves her friends and would never hurt them on purpose so something must be wrong with her-- “History of abandonment?” Sam finishes, almost glibly. She’s tired of losing people. She doesn’t want to lose more. She doesn’t want things to change. Nature is change, Yelle says. Nature sucks, Sam says. Yelle is gonna pretend like she didn't hear that.

Sam feels bad that she snapped at Zelda and Yelle says that they’re all a family. Things will be alright. The storm clouds that Sam reflexively summoned peter out into a cool, refreshing mist.

Ostentatia and Zelda

Ostentatia goes to where Zelda and the girls are and full ass runs at her like they weren’t just fighting. After assuring her that she’s not there to fight she apologizes, saying she was a cow. Zelda says she honestly agrees with Ostentatia that she wants the group to stay together and wishes she could be bolder in non-rage settings. Ostentatia says that maybe if the Seniors leave they can still have a party and Penny vetos that even though, as Ostentatia says, it’s a pretty reasonable compromise. Anyway, they basically all go in a circle saying they love each other and it’s very sweet.

I’m serious, I can’t do these heart to hearts justice in this format, just go watch them for that emotional girl group goodness.

Anyway, outside of the main group, Antiope goes to talk to her sister Corsica who is currently teaching a class. Antiope does not give AF. She orders the students out and they scatter. Wouldn’t you?

Antiope wants advice. Should she stay with her party after flaming out of her last one? Should she take the internship and stay on the path her parents want her on? Corsica really feels for her. Antiope has had to struggle in a way that she and their brothers never did. She finally answers that she and her brothers are awesome and successful fighters but none of them have been able to do the scariest thing possible: disappoint their parents. They’re soldiers. They like it that way. They fall in line. But maybe Antiope isn’t a soldier. Maybe she’s a leader. She ordered those kids out of the room without thinking after all and they obeyed. It’s an extremely good speech and Antiope basically has chills, as do I.

I assume while this is happening or perhaps right before everyone goes home, Penny goes to see Jawbone (who has some spiffy new art--as did Gilear who cameoed early in the episode when Aguefort atomic wedgied him invisibly because sure) and talk about this uber difficult decision she had to make. Jawbone gets to the heart of the matter pretty quick. Penny is a high achiever who’s lived a life without choice. But now that she’s about to be off the rails for the time she’s freaking out. Penny sees the truth in the statement (after hilariously trying to solve his metaphor about an amusement park) and thanks him for the perspective. She then, in a very Fig move, tries to kiss him and Jawbone basically stiff arms her and breezes right past like it didn’t happen, showing her out. What a trooper that Jawbone.

Moving on to Katja. When she gets home she tries to call her dad who is unreachable on his hell mission. She leaves him a message saying that he should call her back when he can and she knows what she wants for her graduation present now. She wants her party to not break up. This breaks Brennan and me.

She then snoops arounds for info on TK. She sees letters of her dad trying to get her into Hudol. And she sees some stuff from the Ministry of Adventure, asking if he knew where TK was. But she doesn’t get anything else. At least, she doesn’t get anything else that’s helpful. She does however find a picture of her mom which makes her bolt to go talk to Cinnamon who prances for her to make her feel better. She joins in dancing, badly.

EDIT: I initially wrote that Katja’s mom was dead because that’s what I thought she said but @ennn said that in the Adventuring Party, Rekha said that her mom didn’t die, she left. Which is less dramatic in some ways but SO MUCH WORSE for abandonment issues so, yikes girl!

Yelle meanwhile goes home to talk to her unofficial third mom, Holly, who is the awakened tree under which her house is. Picture a Grandmother Willow situation from Pocahantas basically. Yelle talks about the conflict a bit and, as usual, ends up on a tangent about how the world is unfair and she has to speak for the voiceless. Holly is concerned for her (as are her other moms which I may have neglected to mention in the last recap). She asks Yelle if she can tell her something that might be painful. Yelle agrees. Holly says that Yelle is great and wonderful and kind but she spends so much time speaking for other people that she never speaks for herself. Her moms worry that there will come a day when she needs help and will have to ask for it without couching it in terms of the greater good and she won’t be able to.

Yelle really hopes she’s high when the time comes.

At her home, Ostentatia casts Commune With The City to see if TK has been around and she’s not there now but she can tell she has been (though there’s no indication on if that’s recently or not). On a 17 religion check she knows that there is a dwarven holy site in the mountains that matches Sam’s description from the mirror. She’s still avoiding her dad but when she prays for her spells, she asks for her dad to feel like himself again too.

Hey, what time is it? Let me check my watch.

Ah yes, it’s time for Sam to make some rash decisions.

She feels like she should text Zelda but doesn’t. Instead, she goes into Penelope’s room. And she takes out her mirror. And even though she’s expended the charge for today, she tries to make it show her Penelope.

OK, says Brennan. Sure. Hey, can you roll me a quick little Wisdom Save?

Haha, Sam’s in danger.

The mirror heats up as it’s pushed beyond its limits and Sam sees an image of a young Penelope with braces grabbing her hands and grinning and saying that they’ll be best friends. Then, the image shifts and she sees the Penelope of the present in her tattered prom queen dress and glass shard crown. Her eyeless, haunting, demon prom queen form, teeth razor sharp as her words.

“A call without a text,” she says. “Are you out of your mind?”

“You look better than you ever did alive,” Sam spits back.

It is a battle of the bitches right out of the gate. The girls are fighting part two if you will. They snipe at each other for a bit and Brennan has Sam roll insight into herself. On a 19, Sephie says that’s not enough for Sam to get a read on herself (yikes girl) so she doesn’t understand that this fight can only ruin her because while Penelope enjoys causing people pain, Sam doesn’t.

They both get in some very choice barbs but when Penelope tries to entice her into making a devilish pact and disparages her new party, Sam does the mic drop of the century by telling her that her parents are divorcing and hanging up. The entire table LOSES THEIR MIND. It is like a real life representation of one of those Draw The Squad memes. Everyone brandishes their fans in a salute to that truly epic conversation ender.

As the night draws to a close, Brennan asks the girls who haven’t responded to the text chain yet if they respond. Katja texts that she’s in. Zelda texts Antiope and Penny that she’s not going to text whether she’s in or out until they respond because she doesn’t want it to feel like a 5 on 2 dogpile.

Antiope and Penny call then text, then call, then text, then call each other to discuss what they should do and also hype each other up because with all the drama, they didn’t really get to celebrate their opportunities. Penny tries to downplay her thing and insinuates that it wouldn’t be a big loss if she wasn’t in the group anymore and Antiope shuts that down immediately. You’re the last thing so many people see before they die Penny! That’s so cool!

They both decide to text that they’re abstaining from voting for now and go to bed.

The next day, Antiope gets up and sees that her party’s schedule has been cleared for the next two weeks by the school for quest reasons. She tells her dad she wants to talk to Charity Blythe (the woman at the Ministry of Adventure she needs to talk do) and he sets up a no pressure (but actually tons of pressure) meeting with her before turning her 5 mile run into a 12 mile run because she is a Jones and 5 mile runs are for Amateurs.

Ant texts the rest of the Maidens that this meeting is happening so they can maybe get some quest info from Charity and Ostentatia has in the meantime texted (after the 2 abstains) that she will be going for the GED regardless and anyone who wants to join can. Of course, there was never any reason to NOT go for it (besides the danger which they obv don’t care about) and getting it doesn’t mean any doors are closed to them. It’s just that emotions are running so high they can’t fully seem to see that (or at least some members can’t).

Ant doesn’t have the clearance to meet at Charity’s office so they meet at the Museum of Adventuring instead. In it happens to be the skeleton of Kalvaxus who they killed (if you don’t remember, the Bad Kids killed him first and then he was resurrected so the Maidens could also kill him for catharsis reasons). Tensions are still super high as evidenced by Sam’s snide abstention comment to Penny and Ant and then by her TRYING TO LIGHTNING BOLT THE DRAGON SKELETON TO DESTROY IT.

GIRL.

That doesn't happen though because she’s Counterspelled by Charity Blythe who walks in, surprised to see that Antiope brought her whole party. Antiope says they were just leaving but Charity can sense shenanigans when she sees them and says if they’re gonna spy on the conversation they might as well stay for it which they of course do.

She gives Antiope a rundown of the internship: 1 year commitment with a possibility to expand to 2-3 years. Stipend. She’d have to live in Bastion City.

Katja remembers that her dad was talking to the Ministry of Adventure in the letters she found and asks Charity about it. Charity says they were asking him about TK’s whereabouts because he was friends with her. On that, Yelle casts Detect Thoughts with a Stealth roll of 17 (we see on a secret Box of Doom roll that Charity got a 26 to see her cast it). Anyway, she sees that TK took some object with her when she disappeared (which she later sees is a crystal screen with a map seemingly marking quest locations from A-F) and of course the fact that Charity knows this. Yelle shares this info with everyone as Antiope walks off with Charity to talk further. Katja suggests to the group that maybe Ant should take the internship to get more info for their quest. While she’s talking to Charity, Ant feels the hairs on the back of her neck stand up.

See looks up and sees a figure with blood red lips look at her and disappear.

Yikes! Combat time baybee!

Superlatives

Danielle: Most Likely to Talk Her Way Out of a Hostage Situation

While, like her mothers, I am slightly concerned that Danielle is the type to set fire to herself to make sure others are warm, I also very much love her chill, warm, encouraging vibes. For those of you coming off of MisMag, she is like vibing at the same wavelength as Whitney Jammer but with the intensity turned all the way down. Danielle encouraging Sam honestly gave me like second hand calm. Excellent vibes.

Random Thoughts

If you’re wondering how long it took for it to come up that Aguefort banged a phoenix, the answer is 12 minutes.

The concept of phoenix chlamydia is the definition of thanks, I hate it.

Aguefort saying that TK is a crazy person could literally mean anything tbh. It could mean she is the most batshit person on the planet or it could mean she’s totally normal and just kinda bugs him. Literally no way to tell.

Someone (I think Rekha?) mentioned that the cursed bylaws book is copper and so is TK. Idk if that’s relevant but thought I’d flag it anyway.

We learn in this episode that the friendship bracelets Penny made them last week let them track each other and see each other even if one of the in knocked out (which is what gives it utility outside of what their crystals can already do).

We learn in this episode that Skullcleaver Elementary School is actually named after Katja’s family.

Nothing like the fear you feel when a DM gives you what you wanted even on a failure. And on that note...

Sam, I wish you a very happy Please Go To Therapy. Please girl.

This episode was such an emotional roller coaster. I deeply empathize with the horrible feeling that your friends have stuff going on and you don’t and you’re going to be left behind. It’s so rough to see everyone hurting and lashing out (or in the case of Yelle for instance, trying and failing to diffuse the situation). But it’s so nice to see everyone trying to be there for each other and apologizing and affirming that they love each other (from Antiope saying that she would kill and die for any of them to Danielle defusing the ticking timebomb that is Sam). The players really get the cadence of how teenage girl friendship works and it’s such a treat to watch.

“Did we ruin your life?”

Do you think ep 7 of The Seven is gonna be when everything pops off? As a DM I wouldn’t be able to resist that.

Penny’s response to being told that she can’t take every path is, “You can with chronomancy” which isn’t a bad point.

Rekha is the Zac of The Seven which is to say low key the funniest person on the planet. Her saying she was so scared that she wasn’t gonna be told “I love you” during that scene was so funny. Her comic timing is impeccable.

Katja fainting at the end of the “I love you” session after Penny says she loves her and Cinnamon.

I love the table ambient whisper of, “LCAB” under Antiope’s scene with Corsica.

I really felt for Zelda in this episode. Like, I felt for everyone but especially her, being the quiet one with all this yelling happening. When she was talking about how much she hates to have to fight with Sam/O my heart really broke for her. I’m so glad she got all her hugs in after that.

In this episode Katja, Ostentatia, and Sam roll nat 1s. No nat 20s.

#dimension 20 #dimension 20 spoilers #fantasy high #the seven #the seven spoilers

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dustedmagazine · 4 years ago

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Dust Volume 7, Number 2

Bitchin’ Bajas

The whole country is snowed in and Texas is starting to look a lot like the Terrordome, and we can see how people might not be laser focused on music right now, especially if they’re cold or sick or out of food. But music continues to pour in, in great quantities and beguiling diversity, and a fair amount of it is very, very good. So, while we encourage you to take care of your brothers and sisters first (by donating to organizations like Austin Mutual Aid, Community Care — Mutual Aid Houston, Feed the People Dallas or the Austin Disaster Relief Network), we also present another collection of short, mostly positive reviews of new-ish records that have caught our attention. Writers this time around include Ray Garraty, Jennifer Kelly, Bill Meyer, Justin Cober-Lake, Eric McDowell, Bryon Hayes, Jonathan Shaw, Tim Clarke and Mason Jones.

Babyface Ray — Unfuckwitable (Wavy Gang)

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On his new 7 song EP Unfuckwitable, thanks to his technical skills, Babyface Ray grinds through a great variety of trendy topics under a great variety of beats: from “not rap” rap to “bad bitch” rap to “we got it off the mud” rap. It’s all very professionally done, as you expect from a professional rapper, despite Ray’s claims that he’s not one. But midway through it, behind the misty fog of bouncy production and some lines catching the ear, you can clearly see at least two problems, with the EP and Babyface Ray. First, he doesn’t have anything to say (unlike some hip hop artists who ran out of things to say, he never had any in the first place). Second, he either doesn’t rhyme or goes for a lazy rhyming. The standout here is “Like Daisy Lane”, a catchy little song, with absolutely no substance behind it.

Ray Garraty

Bananagun — The True Story of Bananagun (Full Time Hobby)

The True Story of Bananagun by Bananagun

Ooh look, it’s tropicalia from Australia! The five-piece Bananagun hails geographically from Melbourne, but metaphysically from 1960s Sao Paulo or swinging London. Their first album swaggers like a long-haired hipster in wide-flared hip huggers, fingers snapping, funk bass slapping, keyboards and flutes gamboling in hot melodic pursuit. Multiple band members got their start in similarly 1960s-aligned Frowning Clouds, so the psych garage freakbeat elements are, perhaps, to be expected. But Bananagun runs hotter, wilder and considerably less Anglo. “People Talk Too Much” rattles the foundations with scorching funk percussion, big flares of brass and a vintage Afro-beat call and response chorus. “Mushroom Bomb” likewise heats up psychedelic apocalyptica with seething syncopations of bass and drums. Most of these tracks are a bit overstuffed, with a pawn shop’s worth of instruments enlisted in happy, dippy, everyone-get-in-the-jam exuberance, but am I going to complain about too much joy? I am not. Bring on the Bananagun.

Jennifer Kelly

Andrew Barker / Jon Irabagon — Anemone (Radical Documents)

Anemone by Andrew Barker + Jon Irabagon Duo

Some names tell you exactly where you stand, and others raise questions. Take the name of this record, for example; did drummer Andrew Barker (Gold Sparkle Band, Little Huey Orchestra) and tenor saxophonist Jon Irabagon (Mostly Other People Do The Killing, I Don’t Hear Nothin’ But The Blues) have the aquatic or land-lubber variety in mind? To get specific, is this record a buttercup, or a bottom-dwelling, plant-lookalike life form that waits for other aquatic species to come close enough for it to lance them, paralyze them with venom and chow down on their still-living bodies?

“Learnings,” the first of the album’s four tracks, is true to its name, being a distillation of instrumental tones and free jazz attacks that might remind you of moments from various Coltrane and Pharoah records. It feels familiar, but invigorating. The title tune comes next, and it’s a slower, more laconic performance, attractive enough to be either the sea or land variety. Then comes “Book of Knots,” which suspends an intricate percussive construction over slow-bubbling pops and barks. The record closes with “Branded Contempt,” a juxtaposition of pathos-rich blowing and restless brushwork. One can listen most of the way through this record without guessing whether it owes allegiance to Poseidon or Persephone, but the coarse intensity of Irabagon’s playing in the last minutes is the tell; this record packs a sting.

Bill Meyer

BBsitters Club — BBsitters Club & Party (Hausu Mountain)

BBsitters Club & Party by BBsitters Club

Label Hausu Mountain specializes in weird experimental electronics. Its release of a rare rock record might raise a few eyebrows. BBsitters Club, with the label's founders making up half the quartet, pulls off a tricky feat in becoming an arch rock band. BBsitters Club & Party has enough old-fashioned blues and psych-based rock to suggest a group taking itself seriously. Naming the opening track “Crazy Horse” immediately calls attention to its meta status, even if the track sounds more like Pink Floyd than Neil Young's collaborators (and there's a touch of hair metal in there, too). No group with songs called “Joel,” “Joel Reprise,” and “Joel Reprise Reprise” can take itself too seriously, and that kind of playfulness runs throughout the disc. At the same time, BBsitters Club does take its musicianship seriously. They avoid conventional forms, working in complicated structures full of surprising twists. The group can get a little proggy, but then twist it toward an Allman Brothers-style jam. If it starts to settle into the Woodstock era (see the clear nods to Hendrix and Cream), it jumps to the 1980s with an unlikely easiness. The band goes wherever they feel like rocking, with everyone invited to the party.

Justin Cober-Lake

Bitchin Bajas — live ateliers claus (les albums claus)

Bitchin Bajas - live ateliers claus by Bitchin Bajas

If we can all agree the pandemic has dealt musicians some dizzying blows, that’s hardly to say they had it easy before. Squeezed between tech platforms and spurned by a hostile federal government (speaking for the US, anyway), even on tour they had to contend with iffy financials, physical neglect and — because why not say it louder for those in the back? — literal theft. So Cooper Crain, Rob Frye and Dan Quinlivan found themselves over 4,000 miles from home in May 2018, playing Brussels’s les ateliers claus on borrowed equipment after having their gear stolen (twice) on a European tour in support of Bajas Fresh. “Um, we’re, ah, Bitchin Bajas, from Chicago ... Illinois,” one of the trio says over the set’s first tentative tones. “And thanks ... for coming. This is gonna be great, I think. Or, we’ll see.”

Perhaps it’s not a question of either/or but both/and, the cosmic “we’ll see” of COVID-19 only amplifying how truly great it is to receive this music in the unimaginable future of three years later. As ever with the Bitchin Bajas, there is pleasure in the subtleties, whether that’s an excited concert-goer whooping as “Jammu” picks up momentum or the way each turn of the musical kaleidoscope seems to bring out new hues. That the recording doesn’t represent any dramatic departure from what we hear on the studio album or during other sets on other tours is part of its appeal and part of its power as a balm. We don’t need any more startling revelations right now. In this sense, the whole live ateliers claus series is a reminder that this venue and these artists — from Michael Chapman (vol. 1) up through Will Guthrie (vol. 12) — are still here today. If we can help repay what’s been stolen from them, they’ll be here tomorrow, too.

Eric McDowell

Loren Connors & Oren Ambarchi — Leone (Family Vineyard)

Leone by Loren Connors & Oren Ambarchi

This is the first time that Loren Connors and Oren Ambarchi have collaborated, despite the myriad ties that bind the two guitarists across the global exploratory music scene. Leone offers a trio of pieces arranged like overlapping globs of paint on a painter’s palette: the two artists each perform solo with a collaborative piece in between. “Lorn” is a side-long Connors piece with the guitarist in an experimental mood, hammering the reverb-drenched strings to create a glorious cacophony. Ambarchi’s “Nor” recasts the guitar first as a church organ and then as a subaquatic communications device. When the two pair up for “Ronnel,” it is a symbiotic meeting. Connors picks out notes around which Ambarchi weaves contrails of tone. It is a mesmerizing piece, and, we hope, just the first of many joint efforts from these two.

Bryon Hayes

Buck Curran — WFMU 'The Frow Show' Live Session (Feat. Jodi Pedrali) (Obsolete Recordings)

Buck Curran: WFMU 'The Frow Show' Live Session (Feat. Jodi Pedrali) by Obsolete Recordings

When we last caught up with Buck Curran, he was hunkered down at then ground zero for the COVID epidemic, socially isolating in Bergamo, Italy while recording the lovely acoustic-guitar-and-voice album, No Love Is Sorrow. Half a year later, still deep in the grip of a worldwide pandemic, he made this record, a duet with Italian keyboard player Jodi Pederali, revisiting one song from the previous album and adding three others. The tracks with Pederali fuse Curran’s electric blues with the bright, meditative melodies of Pederali’s piano. The two players interact and overlap in intoxicating dialogue. “Deep in the Lovin’ Arms of My Babe,” reprises the finger-picked folk of Curran’s earlier album, adding a glittering sprinkle of piano to its mournful, wistful melody. The set was recorded for Jess Jarnow’s show on WFMU and released on Bandcamp, and while not as long or as weighty as No Love Is Sorrow, it’s well worth hearing.

Jennifer Kelly

Jürg Frey — l’air, l’instant - deux pianos (Elsewhere)

l'air, l'instant - deux pianos by Jürg Frey

When you put two pianos together, there must surely be a temptation to see how much sound you can get out of them. Swiss composer Jürg Frey does the opposite on the two compositions that make up this CD. Each is so sparse that an inattentive listener might think they are hearing one patient pianist, when in fact they are hearing a pair of deeply skilled interpreters. The task assigned to Reinier van Houdt and Dante Boon is to place their notes in such precise relation to each other that they can influence each other’s pitches without interfering with them. Each musician is, as the title “toucher l’air (deux pianos)” (2019) suggests, inducing a slight disturbance in the atmosphere, lightly pressing transitory shapes into the silence that absorbs each note. “Entre les deux l’instant” (2017/2018) allows the two pianists to decide how closely they will match paces as they trade the roles of melodist and accentuator. Immune to gauche temptation, Frey seems drawn instead to see how much attention and how little sound it takes to accentuate the beauty of silence.

Bill Meyer

Chris Garneau — The Kind (The Orchard)

THE KIND by Chris Garneau

Chris Garneau’s lush, stunning art-pop swoops and whirls and flutters in wild arcs of drama. In this fifth album, the New York City songwriter works in a restrained palette of guitar, piano, electronics and drums, but colors way outside the box with his vibrant, emotional-laden voice, which flies up into a falsetto register with an ease not heard since Jeff Buckley passed. “I know you loved me truly, but we don’t love one way, do we?” he croons on the gorgeous “Telephone,” lofting up into whistle range without losing the purity or the trueness of his tone. Cuts like the title song and “Now On” are prayerfully simple, just framing piano chords and Garneau’s highly charged delivery. But others like “Not the Child” are more intricately constructed with a lattice of picked strings, an antic syncopated beat and staccato vocal counterpoints that dance around the main line. The Kind’s songs are deeply personal and rooted in Garneau’s experiences as gay man, but they’ll resonate with anyone who’s ever loved or longed or regretted.

Jennifer Kelly

Gaunt Emperor — Femur (Self-released)

Femur by Gaunt Emperor

Some would-be emperors may no longer have clothes (looking at you, Trump), but Gaunt Emperor is unabashed about wearing its influences on its sleeve. Femur is the first LP by this California project, and Sunn 0))) and the first few records released by Earth are large presences, looming hugely just behind the sounds Gaunt Emperor generates. If you’re familiar with those other bands, you get the essential idea: deep (really deep) notes and long (really long) sustain from loud (really loud) guitars, and not much else. That said, Gaunt Emperor has an aesthetic vision that seems to be attempting to survey its own territory. While compositions like “Slow Submersion” and “The Birth of Obsidian” work from the playbook established by O’Malley and Anderson, the textures of Gaunt Emperor’s guitar tone have their own sort-of-subtle qualities. They’re pretty good. “Conception,” the second track on Femur, expresses a similar inclination towards melody that Earth began to demonstrate on The Bees Made Honey in the Lion’s Skull (2008), but Gaunt Emperor retains an unrestrained relation to volume; you can feel the heat inexorably building in the overdriven amplifier stack. In any case, this is suitable music for pondering massive, ongoing phenomena, like the calving of icebergs off Antarctica’s coast or the steady disappearance of the Amazonian rainforest — not that Femur will make you feel any better about that stuff.

Jonathan Shaw

Luka Kuplowsky — Stardust (Mama Bird)

Stardust by Luka Kuplowsky

Soft jazzy reveries coalesce around this Toronto songwriter’s offhand, semi-spoken melodies. Little accents of acoustic bass, slide guitar, hushed harmonies dart in and out of focus, but the songs themselves come up on you obliquely, filtering in from the vents in evocatively scented clouds. Rhythms sway in undulant, bossa nova syncopations, while chords slide into resolution from slightly off center. A half-remembered jazz flute lick lick lofts through the window. At the center of it all is Luka himself, posing, but not insisting on koan-like observations. “Perfection is a noose,” he confides amid the muted wreck and roll of massed jazz sounds in “City by the Window,” but he seems unbothered by it. Perfection is an accident, and if you look at it too hard, it disappears.

Jennifer Kelly

José Lencastre / Hernâni Faustino / Vasco Furtado — Vento (Phonogram Unit)

Vento by José Lencastre / Hernâni Faustino / Vasco Furtado

Vento is the Portuguese word for wind, and the name conveys that combination of purposeful and chance operations that converged to make this record happen. The trio of alto saxophonist José Lencastre, double bassist Hernâni Faustino and drummer Vasco Furtado didn’t book a studio with the intent to record; they just wanted a place to play for a couple hours. But the engineers had just obtained some microphones and wanted to try out their new toys. Likewise, this improvisational trio did not bring an tunes to the session, but they play with a purposefulness born of shared aesthetic values. Whether are sailing a brisk clip, as on the title track, or gradually unwinding the music at low volume and velocity, as on “Ruínas,” they operate as a real time compositional cooperative, developing their music in linear fashion. While they share a direction, they also value contrast. For example, Lencastre’s breathy tone during the latter tune’s early moments balances Faustino’s pointed twang. Since remorseless microoganisms and anti-cultural politicians are each doing their best to keep live music down, records like this serve a necessary function in reminding us of the life force that motivates improvised music.

Bill Meyer

Lilys — A Brief History of Amazing Letdowns (Frontier)

A Brief History of Amazing Letdowns by Lilys

Kurt Heasley’s Lilys made some of the most ebullient and inventive guitar music of the 1990s. The best Lilys songs sound as though they’re flying apart and being put back together as they hurtle along, killer hooks tossed aside as quickly as they start to drag you in. Though they’re perhaps best known for their Kinks-indebted breakthrough Better Can’t Make Your Life Better, this was actually a sharp turn away from the dense shoegazey atmospherics of their first couple of records. Thus far, Frontier Records has reissued their first two albums, In the Presence of Nothing and Eccsame the Photon Band, both of which are superb. The A Brief History of Amazing Letdowns EP was originally released in 1994, a transitional period when Heasley was still exploring the textural joys of distorted guitars while starting to throw down pop hooks with aplomb. Opener “Ginger” hits similar pleasure centers as Weezer’s debut, released the same year, while on “Dandy,” Heasley’s vocal sounds uncannily like Stephen Malkmus. The previously unreleased “G. Cobalt Franklin” foregrounds searing guitar tones and bulbous bass, the bulk of the melodic layers sounding like they’re bleeding through from the next room, peppered with swirling flange and voice recordings. The second half of this expanded edition comprises songs originally demoed for Eccsame the Photon Band, and later released in 2000 on a split EP with Aspera Ad Astra. They’re decent enough, though feel like they’re missing the spark of the best Lilys creations. So, while this amounts to a far-from-essential Lilys release, it’s fascinating to hear Heasley in transition, working out how to reconcile his love for melody with his immersion in guitar noise.

Tim Clarke

Fred Lonberg-Holm — Lisbon Solo (Notice)

Lisbon Solo by Fred Lonberg-Holm

As befits a guy who has also recorded a “solo” record in the company of a Florida swamp full of frogs, Fred Lonberg-Holm picks his recording locations strategically, and location has a lot to do with how this album turned out. It was done at an old and well-appointed studio in Lisbon, Portugal, where he could be sure that the microphones would catch every creak, groan and polyphonic wail he might draw out of his main instrument. But he also knew, from prior visits, that he would have access to some seriously over-the-hill pianos. While most of the album is devoted to savagely bowed attacks, the odd digressions into detuned, radiant chimes deliver just enough respite to keep you off balance and on the edge of your seat.

Bill Meyer

Dan Melchior — Odes (Cudighi Records)

'Odes' by Dan Melchior

Dan Melchior is likely a recognizable name to Dusted readers; he has made quite a string of releases over the years. This cassette/digital release, recorded in 2016, is a subdued affair, nine songs for the most part following the same blueprint: a track of strummed or lightly picked acoustic guitar with a fuzzy electric lead layered on top. The foundational guitar tracks establish a calm, repetitive cycle, giving some of these songs an almost raga-like feel, in some cases through a hazy reverb: "Tybee" feels like you're sitting in the next room listening to him play through a closed door.

Calling the overdubs "guitar leads" implies the wrong feel. While played through fuzz or distortion, the mood is a woozy one, more opiated than energetic, but in a drifting, pleasant way. There's an over-arching melancholy throughout these songs, one person alone playing to satisfy a need. Knowing Melchior was facing the recent loss of his wife Letha certainly colors it, but even a listener ignorant of that back-story would feel the emotional resonance.

These nine ramshackle, loose instrumental pieces are personal, incomplete, and like having someone entrust you with private stories in song form.

Mason Jones

Mint Field — Sentimiento Mundial (Felte)

Sentimiento Mundial by Mint Field

Mint Field, from Mexico City, filters the feedback and noise of shoegaze guitars through a pensive screen, finding an aura of nostalgia in between and among blinding walls of scree. Estrella del Sol Sánchez contributes two of the band’s signature sounds, the dreamy, delicate vocals and the swirling masses of altered guitar. She is supported by Sebastian Neyra on bass and Callum Brown on drums. The volume level varies song to song, but it’s all mesmerizing and good. “Delicadeza” breezes in on the tenderest sort of sigh, the softest, most lyrical strummed accompaniment, but “Contingencia” digs in and pounds, drums cranking, bass thudding and guitars winging out in wild arabesques of distorted sound. The easiest comparison might be the similarly hauntingly voiced Lush, but there’s something special here in the soft, keening soprano calm at the center of even the most agitated cuts.

Jennifer Kelly

Roy Montgomery — Island of Lost Souls (Grapefruit)

Roy Montgomery 40th Anniversary 2021 LP Series by Roy Montgomery

In 2021, guitarist Roy Montgomery celebrates 40 years of music-making with the release of four new LPs, beginning with Island of Lost Souls. Though 2018’s fantastic Suffuse included vocals from artists such as Haley Fohr (Circuit Des Yeux), Julianna Barwick and Liz Harris (Grouper), Island of Lost Souls is entirely instrumental, comprising four pieces, each dedicated to a late artist (actor Sam Shepard, and musicians Adrian Borland, Peter Principle and Florian Fricke). Though wordless, Montgomery’s guitar speaks volumes, flickering and flowing with the liquid grace of a player intimately familiar with both his fretboard and the effects pedals at his feet, sending waves of tone cascading with delay and reverb. Plus, on the side-long, climactic “The Electric Children of Hildegard von Bingen,” Montgomery pitch-shifts his guitar so it really ascends to the heavens, where it takes up residence for 22 minutes. Fans of Windy & Carl, Flying Saucer Attack and The Durutti Column, take note.

Tim Clarke

Jon Mueller — Family Secret (American Dreams)

Family Secret by Jon Mueller

A family secret is usually a multigenerational skeleton in the closet that is either sorrowful or sinister. For percussionist and Volcano Choir member Jon Mueller, it is the former: a series of familial rifts that became the unlikely muse for this collection of reverberating drones. Mueller employs instruments that produce multiple resonant tones, such as singing bowls and gongs, to create rich pools of complex sound. Metallic hues brighten subterranean rumblings while enigmatic dapples of condensed steam coalesce into liquid shapes. The drummer conjures ghastly creatures through extending the vocabulary of his drum kit. Cymbal scrapes become banshee wails and scoured skins emanate uncanny whispers. With Family Secret, Mueller manifests his personal demons as phantom signals. He transmogrifies emotional strife into physical actions which then become ethereal. Ironically, the resulting sounds are actually soothing. Pain has never sounded so sweet.

Bryon Hayes

Primitive Motion — Descendants of Air (Kindling)

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Primitive Motion is the Brisbane-based duo of Sandra Selig and Leighton Craig, and Descendants of Air is their seventh album, previously only available as a CD given away at live shows. You can immediately imagine what the album sounds like based on the artist name and album title alone: rustic yet cosmic, full of space and open to spontaneity. Recorded on the banks of the Enoggera Reservoir, these eight meandering pieces prominently feature the sounds of wind and leaves, plus the calls of raucous Australian birds, while Selig and Craig insinuate suggestions of melodies and chords on nylon-string guitar, woodwinds, and battery-powered keyboards, and gently massage the air with percussive patters. Though part of the appeal of the recording is its deliberate vagueness, the most affecting piece, and the shortest, is “True Orbit,” where a strident theme built around melodica, keyboard and voice seems to emerge fully formed from the aether.

Tim Clarke

Socioclast — S/T (Carbonized Records)

Socioclast by Socioclast

In heavy music’s current moment of endless genre-hopping and hybridization, it’s nice to hear a record that understands exactly what it wants to be. Socioclast is a grindcore record. Like Assück’s grindcore’s records. A lot like Assück’s grindcore records. You get all the high-velocity chugging crunch and guttural grunting — vocals so deep in the gullet that it’s pretty hard to pick up any lyrics. The song titles, however, suggest the ideological dispositions you might expect: “Surveillance, Normalization, Examination,” “Specter Signal,” “Psychodrone,” “Propaganda Algorithm.” There can be a fine line between paying tribute and being derivative, but Socioclast creates an homage rather than an outright imitation. This is 21st-century music. It sounds a lot clearer and slicker than anything Assück or the early Slap A Ham bands committed to vinyl. Like Slap A Ham, Socioclast is a California-based musical phenomenon, featuring dudes who have played in bands like Deadpressure and Mortuous; Colin Tarvin’s death-metal grooves are especially prominent on some of the record’s best tracks, including “Eden’s Tongue” and “Omega.” But this is assertively a grindcore record. Given that version of traditionalism (and yes, events have come to such a pass that grindcore has a tradition), it turns out that Socioclast isn’t all that socioclastic. So goes the strangeness of semantics. But the music is good.

Jonathan Shaw

Space Quartet — Under the Sun (Noise Precision Library)

Under the Sun by Space Quartet

Space is a persistent and multi-faceted theme in the music of the Portuguese electronic musician, Rafael Toral. And while his name is not appended to the Space Quartet’s, make no mistake, this is his band, playing his music. But it is a music derived from ideas that can’t be realized without the right people. So, while Toral has delved repeatedly into the sounds that people imagine they might make and that they actually find in outer space, and he has explored empty and variously filled spaces as starting points for his music, the point of the Space Quartet is to find the right people, and give them enough space to realize a new kind of jazz. Under the Sun is the combo’s second recording, made with a substantially different line-up than the iteration that recorded the self-titled debut for Clean Feed Records. Toral has sacrificed the all-electronic front line and switched drummers, but in doing so he may have found the right crew to take him where he needs to go. Across the album’s two 21-minute-long tracks, there are usually several ongoing dialogues taking place between the players, which manifest intriguing degrees of mutual challenge and support. But the way that Toral’s elongated feedback lines and Nuno Torres’ stuttering alto saxophone phrases flow around Hugo Antunes’ stark, elastic double bass figures and percussionist Nuno Morão’s lightly deployed, carefully modulated streams of textures and beats that extends a lineage anchored in the language that Cecil Taylor’s trio first released into the air at the Café Montmartre back in 1962.

Bill Meyer

Stinkhole — Mold Encrusted Egg (Mangel Records)

MOLD ENCRUSTED EGG by STINKHOLE

The name sort of says it all, but to clarify anyways: Stinkhole languishes in a slimy musical ditch, bottoming out somewhere between the No Wave skronk of Mars and the transgressive caterwauling of Suckdog. As was the case with both of those acts, the dissonance and the gross-out antics can obscure some interesting ideas. Clawing your way through the dense layers of yuck (or, depending on how you’re wired, enjoying it) is integral to the challenge posed by the experience. All the gagging vocalizations, primitivist drumming and semi-tuned bass whomps on Mold Encrusted Egg occupy prominent positions on the surface of songs like “Orange Juice.” But listen to Mold Encrusted Egg a little more closely: there are some rabid grooves, feral guitar breaks and a lot of impenetrably weird environments of sampled sounds, tape manipulations and unidentifiable scree. Is it fun? Does it sound good? Fuck no. The band’s name is Stinkhole. They write songs with titles like “Slippin’ on Slug Slime” and “Emancipated by Hair.” They roll with the whacko punk and noise bands that have congregated around the Berlin-based Flennen digital music zine and its accompanying label. Dig the stink. Rock has rarely been so richly rotten.

Jonathan Shaw

Styrofoam Winos — S-T (Sophomore Lounge)

STYROFOAM WINOS "S/T" by Styrofoam Winos

Stryofoam Winos brings together three old friends to swap songs in Nashville. You might recognize Lou Turner from her solo album, Songs for John Venn, a sly and subversion of the songwriter’s wholesome alt-country charm. Joe Kenkel is a kindred spirit, a folk rock singer with respect but not reverence for the certitudes of Southern life. Says Nashville Scene of his solo Dream Creator, “Kenkel, a sophisticated folk-rock songwriter, documents Music City’s idiosyncrasies on his debut LP, with acutely observant lyrics.” And Trevor Nikrant completes this anonymous all-star line-up; his 2017 debut caught the ear of Aquarium Drunkard’s J. Steel who called it “Oddball baroque psychedelia broadcasted from a basement on the east side.” The three kicked things off with a lo-fi and charming debut, Winos at Home, in 2017, but this self-titled LP takes things up a notch with songs that balance craft with eccentricity. “Stuck in a Museum” jangles and rambles in an antic, neurotically intelligent way, as the narrator finds himself entrapped amid the exhibits, staring fixedly at a teapot from the Tang Dynasty. “Roy G. Biv” turns contemplative—and twangy—as Turner sings plaintively about rainbows and colors, the way things change and how hard it can be to keep up. “Maybe More” glints with mandolin, but remains pared back, as a down-trodden singer (one of the guys, not sure which) sings about a life stuck in neutral, same book, same coat, same jokes, but beautiful. The disc has the feel of a warm, casual gathering, with friends jumping in on harmonies or picking up the bass. The songs are sharp and lovely without a lot of fuss.

Jennifer Kelly

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jennycalendar · 6 years ago

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2018 fic writing roundup

tagged by @catty-words !! thank u darling

i have this lingering suspicion that the 92k mess that is imperfections has a tendency of bumping up my word count, but also i’ve been writing particularly A Lot this year. so. yikes. this’ll be a mess

Total 2018 Word Count: 465,233 (so uh. yikes squared?) Total 2018 Hits: 16,798 Other 2018 AO3 Stats: Kudos: 1,592; Comment threads: 457; Bookmarks: 186; Subscriptions: 121.

Total 2017 Word Count: 171,640 Total 2017 Hits: 9,156 Other 2017 AO3 Stats: Kudos: 841; Comment threads: 172; Bookmarks: 126; Subscriptions: 40.

Links and Titles to 2018 Works (buckle up kids)

ten questions for new year’s eve (6,669 words) lonely s4 giles meets jenny on new year’s eve. basically fluff laced with some light angst, which i think set the tone for most of my writing this year

forever (4,738 words) some assorted femslash ficlets from tumblr that i immediately forgot about after february. it of course got buried under a deluge of jenny fic but there’s still some cute stuff there! i had a lot of fun in particular writing about bb willow and the beginnings of her attraction to girls

she’s your destiny (9,560 words) AHHHHHH I FORGOT I WROTE THIS. blessings of writing This Much. soulmate au with buffy/willow and giles/jenny where like. none of them are soulmates but they fall crazy in love anyway.

the happy-ending bouquet (3,851 words) set in 2018. giles and jenny have been married for something like 15 years and are still very happy and in love. basically just an endless deluge of fluff

personas (2,729 words) hhhhh i hesitate to count this as a 2018 fic, because i technically posted it in summer 2017 and then deleted it for reasons unknown (even to me). but there aren’t enough fics that explore jenny’s fractured sense of identity and her broken heart and i love my girl so much. so. wrote that.

something real (2,173 words) my valentine’s day fic!! a friend and i share the headcanon that jenny would have finally shoved her way back into giles’s heart if not for the love spell throwing her off, so. wrote a fic where that happened, albeit somewhat angstily.

direct, but not unwelcome (4,478 words) this fic always makes me cringe, a little; the office verse was written largely for faith and tara, and writing giles and jenny in it was a decision i don’t entirely like (mostly bc there really is no narrative place for either of them). but it has a few good lines ig?

putting a ring on it (2,370 words) giles and jenny proposal fic!! a little wobbly in places imo but still so fun to write. those two deserve all the fluff

the second choice soulmates (6,942 words) the inevitable faith/tara sequel to the soulmate au!! i had it planned from the second i started writing the first fic in that series, and i had a lot of fun with it. in which faith and tara have to deal with their soulmates being in love with each other, and end up falling in love themselves.

nightmares and the aftermath (1,205 words) the first fic i wrote in the ripper au! ripper has a nightmare; jenny talks him through it.

the inherent complexity of falling in love (3,519 words) more soulmate au nonsense!! this time with solely giles and jenny!!

let’s stay together (857 words) i say that this is “a series of vignettes in which ben, ann, and leslie are dating” but really it’s just one. i’ve kept it in bc i really wanna write more than one. ben/leslie/ann is such a blessed ship and there are no fics for it! which is ridiculous! because they really should all be dating!! leslie has two hands y’all

moments of connection in an uncertain world (3,351 words) the olivia/jenny fic that set that amazing ship on its course. set in asoue; jenny’s identity in the narrative is ambiguous bc jenny’s identity in every narrative is ambiguous. mystery bicon

amends (remixed) (2,988 words) i’m like 99 percent sure i spite-wrote this fic after watching amends bc that really seems like something i would do. in which ghost jenny makes sure buffy, angel, and giles all know that she doesn’t blame them for a single thing.

it’s a family affair (11 chapters) jenny, married to giles and mom to two daughters, loses her memory. i meant for this to be an exploration of jenny and giles’s relationship + jenny as a character, but with hindsight i feel like i kinda rushed it. maybe someday i’ll come back and expand this a little?

maybe i’m in love (24 chapters) CRIES. this fic was posted all in one day and got buried under the deluge of fic i wrote this year and i am still so sad that it remains forgotten. even by me. like i forgot it existed till now. but it is the treasure of my heart and i am still not sure what i can possibly do for calendiles day 2019 that will even come close to “slow burn giles/jenny series rewrite in script format.”

dragonslayers (8,048 words) i go back and forth between whether adding a sequel to a sappy-happy-ending fic was actually needed, but i had a lot of fun writing jenny and anya and tara being friends and adopting a dog. those girls deserve so much better.

tech support (1,315 words) jenny works at angel investigations, and giles meets her when he and buffy drive up to la to get a book. unabashed fluff.

family ties (2,294 words) giles introduces jenny to his dad and the aunts. i had giles call himself “rupert” for the entire fic and forgot to explain why i made the choice to do so (and there was a damn good reason!!!) so every time i see this fic....Regret™

i like you (992 words) the product of me realizing “wait, i never wrote a fic about my Very Specific Headcanon that giles and jenny had sex after school hard!!!” and then going ahead and writing that fic. not explicit; lots of giles and jenny being dumb and in love

take me now! (3,460 words) the sister fic to my other jenny/olivia fic! in this one, jenny’s a watcher and olivia’s the sweet librarian who has her all blushy.

the grieving process (9,771 words) this fic! was! such a trip to write! i wanted to write something where giles’s s6 issues were confronted. originally i wrote a jenny’s-alive fic where he goes to her place in la after leaving buffy in tabula rasa, but the mood of that fic was miserable and hostile, so i changed things ever so slightly. and then it became “giles goes to jenny after buffy dies,” and that transitioned into “giles actually finally gets to have an outlet for his emotions,” and then it became a very soft fic that i love very much.

unsolved mysteries (1,704 words) a modern jackaby au! where jenny cavanaugh has trauma-related anxiety and eats pretzels w jackaby in a hall closet! surprisingly soft.

the cleanup crew (2,968 words) post-ted; buffy calls jenny and giles in to help her with ted’s robot body. because that ep was a hot mess and too many things were tied up too fast.

princess charming (2,754 words) written thanks to a throwaway line from the grieving process! about jenny saving fred in pylea! @theforestlesbian mentioned in a review that this fic came off as “the adventures of jenny” and that was the best compliment ever.

untraditional, unconditional (4,223 words) ripper au! ripper and jenny get married! i don’t think i will ever write a better calendiles wedding than this one.

gettin’ bi (1,215 words) jenny and giles come out to each other. that’s really it.

intimacy (1,058 words) some root/shaw fluff. g o sh at some point i really should finish poi huh

the battle’s done (and we kind of won) (5,026 words) post-chosen; jenny inexplicably comes back from the dead, and giles works thru the messy aftermath of s7.

chaos, vengeance, love (1,412 words) giles’s exes talk over his grave. (and yes, i do mean jenny and ethan.)

buffy summers, muggle-born (6,075 words) buffy goes to hogwarts! this was meant to set the scene for a loosely connected string of fics, but i could never decide whether i wanted them to be chaptered fics or oneshots. i do have like 3 large chapters saved to my computer, tho :/

a eulogy (920 words) jenny calendar, as told by how she’s remembered.

survivors’ guilt (4,690 words) in which giles dies instead of jenny, and jenny and buffy deal with it poorly. my only problem w this fic is that i really wish i’d explored the messy aftermath of what might have happened if jenny had brought giles back. 2019 project y/y?

regarding honor and honesty in the workplace (43 chapters) CRIES IN JENNY/LILAH. given that i did not shut up about this fucking fic for a good 3 months, i don’t think it needs a summary.

maybe we could have a thing (3,184 words) giles and jenny’s first date!! canon told us they went out beforehand and it really did need to be ficced.

the most important words (2,753 words) passion fix-it! how many of these have i written dfshlsdhdf. anyway, by some lucky stroke, jenny doesn’t die, but she’s understandably kind of a mess. giles tries to help.

that brown-eyed technopagan (2,821 words) ripper au! willow has a HUGE crush on jenny calendar, who in this ‘verse is in her senior year at sunnydale high. lots of high school shenanigans.

seven new and very bad songs about jenny (8,597 words) another ripper au fic, this one about what it takes for ripper to finally give in and kiss the girl.

love of mine (282 words) one of the two fics i have written that involves giles grieving jenny. angst abounds.

the adjustment period (4024 words) i wanted to write about how weak vamp jenny is for her gf, so i returned to the grand romantic gestures ‘verse and explored that. femslash calendiles!!

love, scotch, and late-night parties (2,539 words) the aftermath of eyghon in the ripper au. jenny wants to be smothered in attention from ripper; ripper wants to give jenny the space he thinks she needs. basically the exact opposite of canon with the exact same inability to communicate.

father and son (3,761 words) in which ripper examines his relationship to his dad, and worries about treating his new son the same way. (spoiler alert: he obviously does not.)

imperfections (46 chapters) TECHNICALLY i added a few new chapters in 2018. i stg i’ll at least get closer to finishing it this year.

happily ever after (2,005 words) set after the dire king! jenny and jackaby being dumb and in love and experimenting with “the mechanics of ghost-human relations.”

cardboard robot (2,097 words) ripper au: halloween edition! ripper gets a pumpkin stuck on his head and sings about jenny, who Definitely Doesn’t Like Him What Are You Talking About Shut Up.

tea, with honey (3,295 words) a modern jackaby au, where jenny’s trauma really is trauma with no ghost metaphor. jackaby, darling of my heart, is still just as sympathetic.

very really married (6 chapters) THIS I WILL FINISH IN 2019. FOR REALS. i have too many unpublished chapters on my laptop to NOT finish it. set in s1; giles and jenny get drunk married in las vegas pre-canon. which, of course, adds a whole new level of complexity to both of giles’s new jobs.

coping (2,611 words) i really wanted to write about jenny and eyghon, bc there are like 0 fics that address the absolute mess that canon throws at that woman. so i did. very angsty with no clear happy ending, bc that’s what happens when you write canon compliant fic about jenny calendar.

yours (2,747 words) my first foray into writing phryne and jack! and, if the 4k-and-counting wip is anything to go by, definitely not my last. 2018 brought me a lot of things, but watching mfmm all the way through was definitely one of the best.

family ties (2,640 words) catch me crying about river and the ponds for the rest of my life, probably. centered around river’s graduation from luna university and her relationship with her parents.

decently clothed (1,516 words) lots of dumb calendiles fluff!! based on a paragraph from a btvs novel; jenny and giles go clothes shopping. it’s exactly as cute as it sounds.

making things right (1,060 words) passion fix-it that came to me when i thought “what if jenny survived, but didn’t even care that she’d almost died, bc what really mattered was that she’d fixed things with giles and buffy?? lmao how badly would that fuck giles up, knowing that she placed earning his trust over her own life???” and then i wrote it bc i love pain

bless her soul (6,294 words) s3. jenny comes back wrong. lots of explorations of the guilt that buffy, giles, and angel harbored for jenny’s death, with none of the pain of using jenny solely as a mouthpiece for evil. so like. amends done right.

dear friend (1 chapter, so far) a you’ve got mail calendiles au that i really do intend to work on some more in 2019.

haunted (15,622 words) WHAT a note to end 2018 on. a (mostly) non-supernatural au in which jenny, after an intense & awful trauma, leaves sunnydale and buys a ridiculously inexpensive mansion in england. why was it so cheap? because giles, the ghost who lives there, has been scaring off buyers. naturally, jenny is not easily rattled.

Favorite Fic: it’s hard to choose bc i wrote so many but for now i’ll pick bless her soul. writing the-first-as-jenny and playing up scooby guilt while still getting to bring jenny back for a happy ending??? that was just so much fun.

Hardest Fic: very really married. absolutely. i was in a v weird place while writing that fic, so that certainly didn’t help, but that fic has been giving me Trouble since i started writing it.

Do You Plan to Take Prompts in 2019? always!!

What was the best thing about 2018? friendsssss!!! i’m entering 2019 with a lot of solid friendships, which really wasn’t the case in 2018.

What was the worst thing about 2018? tbh the answer will always and forever be “my mom” until i am out of this house

Any last thoughts for 2018? how the FUCK did i WRITE more than half of the fics i have posted on ao3 in THIS YEAR ALONE. 55 FICS. i’m REELING.

Goals for 2019

finish the cheesy au g/j multichapters i started

maybe start work on a detective au sequel? i miss that ‘verse

more ripper au fic!!!!!

more jenny/olivia!!!

more jenny centric fic in general like It’s What She Deserves

SOMETHING about jenny and angel. i talk big talk about how much that dynamic fascinates me but i only ever touch on it in fic. it’s never the central focus.

finish the phryne/jack fic i’m working on, and maybe...tentatively...write more?

#fic #fic roundup #55 FICS WRITTEN i am. kinda in shock #i wanna tag people but i don't know who writes what so like #if u wanna do this consider urself tagged????

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bisexualraplines · 5 years ago

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things about the gays from the unt*med that make me go absolutely unhinged: an incomprehensible list by my sleep deprived self (contains spoilers obvs)

1. the fact that they’re ancient china’s spock and jimothy equivalents right down to the chaotic bisexual dumbass and obedient grumpy energies. i am predictable ik but hear me out....

2. when they first meet (after lz’s Dramatic Entrance) they’re literally just standing there staring at each other. for like a whole minute. love at first sight is real I’ve seen it

3. for their second meeting they immediately start swordfighting cause wwx broke school rules

4. all the times wwx tries to get lz’s attention, even in class, and lz being Extremely Flustered But Annoyed About It. or when he straight up ignores wwx’s advancess and wwx is like “he didn’t hear me. he’s just hard of hearing” ajdjsjs

5. when lz’s uncle “punishes” them both by making them sit in the library for the day and wwx annoys lz to death by a) drawing a portrait of him (its really good) b) sneaking porn into his book and c) asking him to give him the honour of “Glimpsing His Way” okay babey...

6. when lz gets Wasted and passes out on wwx’s sofa and wwx laughs so hard but still tucks him in 🙂

7. when lz ties his headband around both of their wrists like its the String Of Fate (it is)

8. lz telling wwx he doesn’t like touching people yet still touches him every chance he gets.... i see you

9. lz’s brother side eyeing and shipping it so hard and being unable to not bring up wwx to him in like every private convo between them “you care him!!” “I Do Not >: (“

10. lz getting drunk and stealing chickens for wwx as a gift because he’s overwhelmed with romantic frusteration and then the both of them carving their names on a tree

11. wwx, jealous: “do u like miammiam” lz: [gay judgement and prolonged silence] wwx, bursting out laughing: i’m kidding imagine heterosexuality!

12. when resurrected wwx sees lz again for the first time and lz’s wearing pure white robes and wwx’s face is so tender and he says “always dressed in white. like he’s at a funeral” with the softest voice and it killed me dead

13. when wwx comes back to life and he plays the song lz wrote about them in their youth and lz recognizes it and therefore recognizing him behind the mask and he approaches him for the first time in 13 years and time stops and he touches his wrist and they stare at each other for like several long moments and it made me have a whole breakdown

14. when wwx is half unconscious in the cave and asks lz to play a song for him to comfort him and lz plays the song he composed for him 🙂

15. wwx giving lz bunnies cause he knows he likes them. and later a bunny painting and lz smiles at him for the first time and wwx points that out and lz gets flustered

16. “what am i to you” “i saw you as my soulmate in life” “i still am” do not look at me i am breaking down

17. when lz got drunk and passed out and wwx (again) tenderly touches his cheek & tucks him in. then the next morning lz is like “did i do anything dumb...” and wwx is like “i recall u saying ‘i like..’” and lz’s horrified Gay Panic

18. wwx being annoyed by lz’s clans endless rules and telling him lz would never find anyone that would want to marry him bc of those rules and being the whole circus when he marries him in the end

19. when wwx adopts an orphaned kid and they become dads (accidental baby acquisition)

20. when wwx dies and lz raises the baby alone. then later when wwx talks to lz about how their son would be a teenager now if he was still alive and lz looks at him like oh yeah raised ur son 😬

21. lz telling wwx his biggest regret was allowing him to die/letting him go and telling him he’s never leaving his side again

22. when wwx tells lz he wants to take him to his home one day and then a decade later they DO and they basically get married there under wwx’s clans customs 🥺

23. every single time one of their siblings or youth drinking buddies third wheel or Knowingly Side eye

24. wwx wearing lz’s undergarments and wwx taking off his overclothes in front of lz’s uncle and brother and lz’s uncle Noticing and his face is literally just [hand to mouth]. power move of the century

25. lz disobeying his own family to protect wwx even when wwx was too far gone and receiving severe punishment by getting hundreds of lashes

26. lz asking wwx to Run Away With Him when everything was getting bad and his location of choice is where they first met lol

27. when lz gives wwx a lotus when they’re (lowkey cuddling) on the boat in lotus pier (paralleling with wwx telling him he wanted to show him lotus pier and how he’d give him a lotus..... bro)

28. every single time wwx attempts to strip in front of him (there has been several times) and lz’s look of Gay Panic

29. Breakup In The Rain and wwx telling lz if he was to die he wanted to die by his hand and its the most beautiful and tragic scene in the whole show

30. when lz gets alarmed wwx reaches for his hand 🥺 every single time!!

31. when wwx takes the shot for lz during a lan clan ceremony (he doesn’t like alcohol) hottest scene of all time

32. this quote: “when everyone admired my power and wanted to flatter me, you’re the only one who scolded me. But right now, when everyone wants me to die and hates me, you’re the only one standing by me.”

33. *wwx is resurrected* lz: ah shit here we go again

34. sometimes when you grow up you become an esteemed scholar. and sometimes your boyfriend becomes a necromancer. its fine

35. the extremely predictable sun/moon dynamic. the contrasting colour schemes. I rest my case

36. the slowburniest slowburn of over 20 years with the best emotional payoff. i deserve to see it

more to be added cause your girl is only 20-something eps in 🤡

#2020 #mitski’s i will plays in the distance

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musiccosmosru · 6 years ago

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FACT Singles Club features a panel of writers rating and slating the biggest new tracks of the last seven days.

Did Singles Club’s Cameron Cook summon Ciara out of marital and baby bliss after suggesting last week that Tinashe may have dethroned her as the current underrated queen of R&B pop innovation? Were the FACT editors unsurprised by the tie for the top spot on this week’s ballot came from two artists making very different music but refuse, in equal measure to compromise their personal vision? Is nu-jazz really the future? All that and more in this week’s Singles Club.

Ciara – ‘Level Up’

Cameron Cook: Last week we talked about Tinashe replacing Ciara as Top 40 R&B’s most underrated innovator. This week, Princess CiCi came flying out the gate to remind us that, nope, she and her abs of steel are still here and won’t be ignored. I have a hard time thinking of another pop star that is so consistently good yet consistently overlooked. ‘Level Up’ is as catchy, bombastic and clever as anything Ciara has released in her career. The only thing that would make it demonstratively better would be if she had used DJ Telly Tellz’s original “fuck it up” hook. But other than that, no complaints. (8)

Caroline Whitley: Ciara, the underrated R&B princess of the century, popped back into the music world with a Jersey Club-inspired bop that is bound to get stuck in my head. Yummy! (7)

Jesse Bernard: A lot of the magic that used to come with a Ciara hit earlier in her career seems to have eluded her most recent one. She’s worked with some heavy-hitting producers over the years but banking on viral success through a social media challenge. She could easily grab our attention with anthemic sultry cut like ‘Body Party’. (6)

Michelle Lhooq: Damn, really not mad at that Jersey Club-inspired beat, which kicks this song up from average radio fodder to excellent club banger. My headspace today was stuck in a cycle of silly insecurities until I heard this, the endorphins flooded in, and all I could think was: YAAAAAS! (7.5)

Sarah Davachi – ‘Evensong’

Jesse Bernard: Listening to this song feels as though I’m watching the tide drift in and out, while the moon’s reflection bounces off the water’s surface. The soundscape Davachi creates in just under ten minutes is one of mesmeric ambience. (8)

Michelle Lhooq: So many electronic producers are making ambient music these days to scattershot results, but Davachi – who was never a trend-chaser to begin with – stands out with her meditative, mindful approach to tonal harmonics. Instead of drifting into meaningless nothingness, ‘Evensong’ grounds you into a trance-like, hypnotic state. Something tells me I need to hear this in a giant dome in the middle of Joshua Tree to grasp its true effect. (7.5)

Caroline Whitley: Bury me to this song. No seriously, Davachi created something hauntingly beautiful featuring even more analog sounds than her previous work. (8)

Cameron Cook: This sounds like the soundtrack to a movie where Saoirse Ronan plays a galactic fairy princess sent to Earth to swim around the ocean and transform all our plastic waste into gummy bears. This song didn’t really give me anything but that image. That alone was worth the listen. (6.5)

7.5

Amnesia Scanner – ‘AS A.W.O.L.’

Jesse Bernard: The drum pattern is the only thing that keeps me hooked to this track. It’s alluring enough to generate enough interest in the rest of the album, which I’m sure explores more of the abrasive electronic sound on ‘AS A.W.O.L.’ (5)

Michelle Lhooq: Amnesia Scanner is back, bitches! I couldn’t be more stoked that the Berlin duo is still packing the same disorienting punches as on their previous mind-blowing EPs, while the music video hints at an expanded visual world their upcoming debut album might herald. My friend Andrew Ryce put it best when he recently tweeted, “Amnesia Scanner is the greatest rock band of all time.” (8.5)

Caroline Whitley: I’m gonna come off super uncool for saying this, but I’m not getting anything out of this. Or as my friend said the other day “If I had no association [to PAN] I wouldn’t be listening to it.”(3)

Cameron Cook: First of all, this creepy-ass video is unnecessarily traumatic. I googled to see if Chris Cunningham directed it, which sent me down an Aphex Twin YouTube wormhole, and now I can’t sleep. As far as the song goes, I’m into it – that eerie xylophone really ties the melody in well. Even though we’ve been hearing a lot of down-pitched, distorted vocals in electronic music lately, it’s effectively unsettling and weird here. (7.5)

Chance the Rapper – ‘I Might Need Security’

Caroline Whitley: Only Chance could come through with an angry bop that still oozes sunshine and playfulness: the artwork is a deconstructed take on the Angry Arthur Fist meme, after all! (8)

Jesse Bernard: The collection of singles Chance released last Friday was very much a continuation of the exuberant energy displayed through Coloring Book. Personally, I think Acid Rap Chano was him at his lyrical best but this direction makes a lot of sense for someone who’s much happier with life now. (7)

Cameron Cook: Sampling a Jamie Foxx stand-up special from 2002 is one of the reasons Chance is one of the best artists around: he’s so good at constructing layers of pop culture analysis, social commentary, dope hooks and tight rhymes. This totally made me excited for more new Chance tracks in the near future. (8.5)

Michelle Lhooq: Per usual, Chance packs a lot into four minutes. There’s a bounty of politically-charged zingers to choose from here, but as a journalist, “I bought the Chicagoist just to run you racist bitches out of business” was the verse that got me screaming. The Jamie Foxx sample, on the other hand, loses its bite around the 100th repetition and just gets plain annoying. (6.5)

7.5

Brandon Coleman – ‘Giant Feelings’

Caroline Whitley: When I first put this on I thought it had a vaguely Thundercat/Flying Lotus/Kamasi Washington-esque nu-jazz element to it and, boom, turns out Brandon Coleman is Washington’s keyboardist. With its dramatic orchestration it could almost function as some sort of pacifist James Bond theme. (8)

Michelle Lhooq: There’s something sooo LA about this song and video, from the upbeat earnestness of its central message to the outdoor scenes seemingly filmed on hiking trail overlooking the city skyline. Look, I have nothing against open-hearted positivity in music. But there was a point – namely, when Coleman croons, “Sweet love it was designed for you and me / together we must live in harmony,” against giant swells of orchestra strings – where it all just felt like way too much cheese. (3)

Jesse Bernard: A perfectly apt name for this one. I enjoy the way the synths reverberate against Coleman’s distorted vocals and bandmate Kamasi Washington’s horns. Coleman’s debut release is one I’m looking forward to. (9)

Cameron Cook: Thank you for ending this week’s ballot with this slice of uplifting space funk, because I’m desperately in need of all the good vibes I can get right now, what with the Earth continuing to spin right off its axis on a daily basis. This track is heaven-sent. The angelic harmonies and squelchy keyboards sound like P-Funk if they spend a few weeks on a desert retreat, eating smoothie bowls and consuming the finest psychedelic mushrooms the West Coast has to offer. (7.5)

6.9

Final scores: Chance the Rapper – ‘I Might Need Security’ (7.5) Sarah Davachi – ‘Eversong’ (7.5) Ciara – ‘Level Up’ (7) Brandon Coleman – ‘Giant Feelings’ (6.9) Amnesia Scanner – ‘AS A.W.O.L’ (6)

Cameron Cook is an American culture journalist currently residing in Berlin, Germany. He would go to the ends of the Earth for Kate Bush. (@iamacameron)

Caroline Whiteley is freelance writer based in Berlin. (@carowhiteley)

Jesse Bernard is freelance music and culture journalist based in Brooklyn and London, still hotsteppin’ in a Nike Air sneaker. (@MarvinsCorridor)

Michelle Lhooq is an LA-based journalist writing about music and weed. (@MichelleLhooq)

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