#I just LOVE reading these interviews
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tanatola · 11 days ago
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pathologic 3 announcement made me return to the classic game and finally play it properly! i think my favorite part of the bachelor's route is when he talks to maria kaina (or whoever's in her body at the time) and they explain that their planned Utopia isn’t even supposed to be a 'perfect' place but instead 'the mystical manifestation of a world inscrutable and inaccessible to men' going back to the original meaning of the word irl and instead of despairing Daniil fervently agrees that this kind of unimaginable leap is worth it, no matter where it actually leads
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prahacat · 10 months ago
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when the horrors catch up and you take an evening off to batch-process
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faunandfloraas · 3 months ago
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beautifulstorms · 21 days ago
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Alysa Liu, Promise • NHK Trophy 2024
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and-fishing-equipment · 3 months ago
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genuinely my favorite thing about louis is the atrocities. he's cute and all and he's funny and kind sometimes but also...... he makes terrible decisions, hurts others and himself, is arrogant and avoidant and has depression as well as terrible taste in men. he frequently manipulates himself and others without even meaning to and the lies he's told himself about his own life have influenced him so greatly that he can't even recount events from his own life without unintentionally twisting them to show him in the position that is most cathartic for him to talk about. through all of this i still love him unconditionally. it's such an interesting character concept. what if your protagonist and narrator was so unreliable and whiny and biased all the time but you're hearing a nuanced portrait of his feelings as he made all these dumb as hell decisions. would you still sympathize with him? could you do it?
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bigevildoeeyes · 4 months ago
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rewatching 2x05 and thinking about louis' motivation in saving daniel. daniel who was in deaths embrace before louis intervened, and doesn't that sound familiar? louis does something careless, people get caught in the crossfire, and scrambling for absolution he cant find in himself he insists to his partner this innocent must be saved
depressed, suicidal, spiraling from the guilt and grief of deeply loving claudia yet not in the ways which counted, here is this boy. this boy who should be dead, this boy who is intertwined with louis at his worst and is in some form a reincarnation of the same hope that prompted louis to turn claudia.
drenched in guilt with low resolve to live, here is proof of redemption. in ruins of homes aflame and families dying because of me, here is a girl i can save. in this apartment of dozens dead in my get high, fuck and kill spree, here is a boy i can save.
"She asked if I was an angel! Me!"
"Listen as though I'm the voice of God or an angel, talking to you (...) youre not inconsequential or a junkie. Youre a bright young reporter with a point of view."
i like to think saving daniel was louis first attempt of transforming his love for claudia into something non-destructive after her death. it became guilt, became violence, became hatred but with daniel it returned to the beacon of hope she was originally
so let him live. let me save you without the harm of staying with me. live a long full life unburdened and with the joy and success i wasnt able to give her. 'as long as you walk the earth ill never taste the fire', then she stopped walking the earth, then i did taste the fire, and this is me trying to stay alive. trying to refamiliarize with love using her blueprint
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theladyyavilee · 8 months ago
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lou said tommy is queer as in deal with it
and I for one think he is SO REAL for that 😌
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kaitcake1289 · 9 months ago
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IMPLIED TVC SPOILERS !!
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"[...] so she could stay in the same flat-chested, hairless-crotched 14-year-old baby doll body as her mind and spirit turn 19, 20, 25, 63, 358..."
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luvmoonie · 2 months ago
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me finding out there’s no fics for kyle gallner and that he’s married all in the same day
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sensiblethingtodo · 2 months ago
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Kendrick recalls how a blunt conversation with a famous friend snapped her into action. "I spoke to Brittany Snow on the phone, and she, in a very role-reversal way of our relationship, gave me the most casual pep talk, which was literally in a very flat voice: 'You'll get on set, and you'll know what to do,'" Kendrick recalls of her Pitch Perfect costar. "And it was just like, 'Yeah, okay.' That's usually how I find myself talking to her, and I think I was expecting this flowery, long pep talk, and she so cut to the chase that I was like, 'Okay, damn girl. I'll just figure it out, I guess.'"
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niko-sasaki-dbd · 6 months ago
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Queue Interview with the Dead Boy Detectives Cast 👻🔎
This is going to be a long post! (These are my favourite parts from the interview!)
George Rexstrew as Edwin Payne
Acting Inspiration
Oh, gosh. Well there are so many. Meryl Streep, obviously. Viola Davis, obviously. More recently, I was blown away by Enzo Vogrincic in Society of the Snow. And Eden Dambrine in Close.
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Cast Camaraderie
I loved working with all my co-stars. I’m practically related to Jayden [Revri] and Kassius [Nelson] at this point. Yuyu [Kitamura] is a dream. Jenn [Lyon] is mother hen. Bri[ana Cuoco] is the cool older sister. Josh[ua Colley] is the cheeky cousin. Ruth [Connell] is the godmother who gives you a card and £20 for your birthday. It really is one big happy dysfunctional family. I’m grateful for all of them, on and off camera.
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Jayden Revri as Charles Rowland
Dressing The Part
These heads of departments, and Monique and Kelli, [they’re] unbelievable. They were so collaborative. We went through different hairstyles and different things we could do with the makeup. We added a bit of eyeliner for [Charles] just to make it feel more 80s. And then Kelli, I mean, it was like she did her research on me. She added badges to the jacket which kind of represented me as Jayden, before I even got there. It wasn’t until I got the haircut, put the makeup on, put the costume on, and I was like, Okay, this is Charles.
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Cast Camaraderie.
The vibe was just incredible. Me and George, we really wanted to set the tone for the series and make sure that everyone’s having fun and it’s an environment where we could all talk about how we’re feeling. We were just such a big support blanket for each other. If there was ever a time that somebody needed space, or they wanted to prep themselves for a certain scene they were going to film, we all respected that and we were each other’s cheerleaders the whole entire time. And it’s still the same to this day now. I think it really shows when you watch the series that we all knew what we were making and we wanted to make something that we would want to watch, which we’ve all done. I cannot shout out my castmates enough. Forever grateful.
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Kassius Nelson as Crystal Palace
Acting Inspiration
I watched a lot of animation. I used to watch the Addams Family, the black-and-white one, because I didn’t have Disney Channel or anything. Monk, Murder She Wrote, I was watching those things, so maybe I was actually destined to play a detective, now that I’m thinking about it. I watched a lot of cartoons and animations. I just liked the idea that I could be engrossed in another world. And I always wanted to know what happened next, or when the film finished, I would be like, “Okay, but then what? What happens after that?” And now I get to be part of that question or that answer (...).
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Dressing the Part
We have a fantastic costume designer, Kelli Dunsmore. I always say that she literally wove the story into the fabric of the clothes, because there are things that she foreshadowed in the clothing that happened episodes later. Or, if characters start to get in some sort of relationship with each other, that will be reflected in the clothes that they wear or the colors that they have. Or, if they’re feeling any type of emotion, (...)l. Crystal wears these massive platform boots that must be about four or five inches. They’re huge, very heavy, but it’s funny because they change the way that you walk. (...) She’s not very light, which makes sense with the things that she’s going through and the experiences that she’s having. Practically, it helped, because Jayden and George are like six-foot-something. So, if I film a scene and I’m at the bottom of the lens and they’re up there, that helped. I’ve got a good couple inches on my feet.
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Yuyu Kitamura as Niko Sasaki
Acting Inspiration
Sandra Oh is a woman that I will forever be indebted to because who she was on Grey’s Anatomy was so formative for me. The most interesting thing about her character was not that she was Asian, but that she was such a fully fleshed person with flaws and amazing qualities. And her work ever since I think has been iconic, so she’s a woman that I deeply look up to.
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Landing the role in Dead Boy Detectives
I auditioned from Hong Kong and my dad was my reader because all of my acting friends were in New York. My dad was able to carve out time and be an amazing reader. And in that audition side, it’s the scene where Niko gets to see the “Dead Boys” for the first time, and there’s a line in there that was something along the lines of me talking to Edwin and asking, “Do you two make out with each other?” And my dad stopped the tape and he was like, “What are you reading for?” And I was like, “Don’t give me notes, it’s fine!” And so that was the audition process! I think within a month I found out I got the part and it’s been an absolute dream ever since.
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Dressing the Part
(...) I think on paper Niko can seem like a certain type of character, but even in the choice of every costume we did, every color that she wears, every meticulous little piece about everything from her nails to her room, it’s so well curated and thought out. Through her journey, we also find that she’s a woman that wears what she feels. On the surface, she might seem like the most joyful, young, optimistic girl, but it’s the inner confidence and bravery where we find that she’s layered, and she is very much a young woman coming of age.
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SOURCE: MEET THE REAL DEAD BOY DETECTIVES (AND FRIENDS)
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puppyeared · 6 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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foolsocracy · 7 months ago
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Hi, hello, I’m new to your blog. I’ve made myself at home. Lovely carpet.
Can I please know more about your spider Robbie pie? Can’t seem to find the silverware.
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but of course, kind anon
Spider Robbie is an au in which Robbie Robertson takes up the spider mantle after the death of the one before him. He is the third, following Ben Urich and, most notably, Peter Parker.
This au is very much canon divergence from Eyes Without a Face, where Peter makes it in time to save Robbie from his original fate but dies in the process. Peter is shot while rushing Robbie and the others out. In his panic and elation at finding Robbie physically unharmed, Peter outs himself as the Spider Man to his best friend. Robbie stays with him as he bleeds out and resolves to continue to hide Peter's identity.
Peter is buried and remains that way for... an undetermined amount of time.
Robbie is left with a mask, a jacket, and the question of just who was this other half of his friend. As he learns more of who this... Spider Man was, he gets more and more involved in the spider's cases and conflicts. Robbie gets more sure of his own abilities and makes a bit of a name for the Spider Man within his own community, though the people of Harlem are largely unaware that the appearances of a masked vigilante match the interests of one Robbie Robertson.
It is to be noted that none of these aforementioned abilities are spider-god-induced powers like Peter's. Robbie, especially at the beginning of his spidering career, leans more into Urich's role than Parker's. To me, Robbie has been passionate about the press and journalism in a way that Peter never was. For Pete, his job as a photographer and reporter was a job he took until he could get into college and study science. Robbie has a way with words and communication that Peter frankly lacks. Of course, that isn't to say that Robbie won't be kicking ass, because he will. It will just take him a bit of time to get some of those skills as he's, well, a normal guy. Not everyone can get their biology scrambled like Pete.
And just because Robbie hasn't been scrambled doesn't mean he's completely separate from all things supernatural either!
I think the marvel noir universe is at its best when there's a magical, supernatural undercurrent. This concept isn't super prevalent in the actual comics, but HoplesslyLost on ao3 has done some really cool world building with it.
I think in Robbie's case, where he would be the narrator, "magical realism" would be an interesting avenue to take it. I use this term in particular because I most closely relate it to Toni Morrison in my head, when I first learned about it through her work in high school. For Morrison, the concept was inseparable to blackness and I think for Robbie, where his blackness is so central to his character and his motivations, drawing on that could be more of a service to his character. It feels better to do that than ignore how incredibly racialized his society and story is. It will make his relationship with the spider god, Peter (who I will get to very very shortly), his community, and his own mythos as The Spider Man really interesting and complex.
So it's been established that Robbie doesn't have spider powers. And we all know that Peter did-- or should I say does. One of the spider god's abilities is to bring Peter back to life. She does this in the comics, but not in any of the runs from 2008-2010 (the runs that make up this au). When Peter dies on Ellis Island, he does not think he is coming back from that. Waking up again is a surprise.
Here's where I think the au really takes a left turn. Do I think the Spider God is purely evil and spiteful and has it out for Pete? No, not really. Will I be ramping said traits up to 11 for the au? Yeah, I guess I might. This is because I love a little bit of horror and the came back wrong trope. I will hopefully be fleshing the spider god out in the near future, but I really haven't given her the many hours of thought I have the other characters. For that I'm sorry spider god </3
Peter digs himself out of his grave, more spider than he ever has been. For much of his new, waking life he is more animalistic than not. There is clearly something wrong with him; his joints are too flexible and loose, he's got some eye-shine going on, his skin is pale and his veins are starkly dark beneath it. He's possessed. Someone is puppeteering him, someone who knows a lot-- almost everything about him, but it's clear that the someone isn't him.
And Peter--- the body, it can't be Peter. At least, that's what Robbie thinks when the figure catches his eye the first time. Because Peter is dead and buried, and he has been dead and buried for weeks.
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lizardkingeliot · 5 months ago
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I haven't done WIP Wednesday in foreverrrr so who wants a little sneak peek of the Lousat post-season 2 finale thing I'm currently working on? I'm trying soooo hard to finish this thing as quickly as I can but I've just been so busy and distracted these past couple days. I'm hoping to have a nice chunk of time to get some writing done today tho. Fingers crossed I have this up within the next week or so! 🥰
Lestat was talking in his sleep.
“Louis, Louis…”
Louis opened his eyes to the sound of his name falling from Lestat’s mouth like some sacred litany. He drew a breath. He could feel Lestat’s withered heart beating where they lay so close together. Could hear it pulsing on the air like some flagging piece of machinery.
“Louis. Louis.”
He was pressed to Louis from his head to his feet. Wrapped around Louis in the coffin like he was trying to meld their flesh together. His face tucked into the hollow of Louis’ throat as he muttered and dreamed.
“Louis. Louis. Louis—”
“Les. Hey…” Louis rubbed tiny circles against Lestat’s back, right between the pale crests of his shoulders. Feeling the cool skin under his tattered robe. Feeling the bones and flesh underneath. “Lestat. Hey. Wake up.”
Lestat flinched. Inhaled. Gasping, desperate sound of waking. “Louis…” Shaking in Louis’ arms like something on the verge of collapse. Skin like vellum, like breath. The quivering, fragile skin of a human being. “Louis. You’re…”
“Hey…” Louis pressed a kiss against Lestat's golden head. Outside the dark cocoon of the coffin, hurricane Odette was still raging. Wind howling through the shattered windows of the cottage on Dumaine Street. Rain falling through the cracks in the ceiling, pattering the coffin with its melody. “Hey. It’s okay, I’m—”
“Louis. You’re really here with me?”
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larsnicklas · 7 months ago
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grizzled vet jonathan tanner miller, noted locker room leader
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thecatsaesthetics · 3 months ago
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Movie Lestat: broke boy looking for a rich husband.
TV show Lestat: rich man looking for a trophy husband.
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