#I hope this post finds it Tumblr audience of 4 people

[atmosphericradar]

Bong Joon-Ho should do an adaptation of Omon Ra.

[zee-rambles]

Lets. D0. This.

(Please note: Post will be updated as I find more resources and think of more strategies)

(Please do not re-use gif without permission…unless it’s to save Rise…)

Mutant May

YOU can watch Season 1 and Season 2 of RISE right HERE!

So I’ve seen a a lot of people still wondering if Rise of the TMNT can be saved.

There’s is a lot of hope, especially with the boom of fans joining the fandom after the movie dropped last year, people making more art on tumblr, twitter, tik tok, and so on. But also a a lot of doubt, especially after JJ Conway’s post on twitter.

BUT…I still think there is a chance…a GOOD chance. WITH ORIGINAL CAST AND CREW! Why?

We live in the internet. Information is more then easy to get out now thanks to social media. There is all kinds of ways to get the word out to people. Let’s abuse it. 😎

Fans have brought back shows before.

We need a MAJOR push through social media, more fans, more art, it’s up to us…and I think we can do it!

Fans convinced Netflix to bring Sense8 back for a finale

Fans convinced fox to bring back “Futurama” after it was cancelled in 1999.

Hey Arnold got the jungle movie thirteen years after the show was cancelled

Animaniacs got a 3 season revival 22 years after it stopped airing.

Brooklyn 99 was cancelled in 2018, and the fans convinced NBC to pick up the series.

Arrested Development was canceled after 3 seasons, but AFTER it was cancelled, it grew an audience and they made it come back!

Fans saved the original Star Trek in the 60s with letters.

They did it. Why can’t we?

So what can we do?

Well…

1. PETITIONS TO SAVE RISE that we can all sign…

PETITION 1 (The strongest one, but the more petitions signed, the better!)

PETITION 2

PETITION 3

PETITION 4 (save the content that was cut/we missed)

PETITION 5! (Make an ROTTMNT season 3)

2. Pester Nickelodeon and Netflix on social media (THE BIG ONE Y’ALL, THIS IS THE MOST DIRECT AND IMPORTANT)

Be polite, be non-toxic (don’t be rude or mean, the boys would not want that, and the Nick/Netflix won’t listen), but be LOUD, PASSIONATE, AND ANNOYING! Ask for DVDs of the show/movie, and then BUY THOSE DVDs!

MAKE SURE TO ASK FOR THE FULL ORIGINAL CAST AND CREW TO COME BACK, INCLUDING ANDY SARIANO AND ANT WARD.

Sample DM/Letter (but try to come up with your own. Too many repeats and they will ignore it)

“Dear Nickelodeon/Netflix/Viacom, I can’t tell you how much Rise means to me, and I really love that you put the show on air. But it was not fair that the show was cancelled before it got the chance to reach the audience it deserved, only because of a few bad reviews and a lack of advertising. The show is great, there’s tons of fans, tons of art, and people, including me, want so much more! Please bring it back! We want the original crew to come, Flying Bark, for the show to get it’s full second season restored, and it’s five season run like it was originally intended. People hated the 2012 TMNT when it came out, but it got it’s chance and now there are people that love it. Why can’t Rise of the TMNT have the same? It’s clear that the creators love their work and there’s a growing fan base for it. Rise just came out at the wrong time, but it deserves it chance to shine.”

The more personal you made the letter, the more you say what Rise means to you, the better.

As for me? I’m sending them a picture of Pizza Pigeon with the #wewantmoreriseoftheTMNT and #saverottmnt

Request movies/seasons on Netflix.

Ask for Rise Season 2, another season, another movie. Just keep asking!

Nickelodeon’s facebook page (Look, I know that facebook is a relic at this point, but the more people go there and PESTER Nickelodeon, the better!)

Rise’s facebook page

Leave good reviews. Share. Leave TONS of comments

Nickelodeon’s instagram

Nickelodeon’s Twitter page (treat carefully, there be Musks out there…only use if you are over 18)

Nickelodeon’s TikTok

Niceklodeon’s letter inbox

Nickelodeon, 1515 Broadway, New York, NY 10036

Rugrats was brought back because fans bombarded Nickelodeon with letters saying they wanted it back. Might as well cover our bases. This one is a BIG DEAL!

Nickelodeon’s Corporate Number

1-212-846-2543 Call them! Annoy them! Ask how we can get their attention! Tell them why you love this show! Why it deserves to come back.

Contact Paramount

Paramounts Request form

Official Fan Page Rise’s Instagram

The more followers the better.

Netflix’s instagram

Netflix’s facebook

Netflix’s Twitter (Treat carefully. There be MUSKs out there…only use if you are over 18)

SPAM NICKELODEON’S EMAILS!

feedback@nick.com

contactus@nick.com

Letterbox@nick.co.uk

help@paramountplus.coM

If anyone has any more, any deeper more direct points of contact, or more ideas, please share!

3. Leave good reviews for Rise anywhere and raise awareness everywhere you can!

One of the key reasons Rise did not do too well because it was unfairly review bombed before people could give it a chance…so get out there on tik tok, IMDB, Rotten Tomatoes, and ESPECIALLY youtube.

Make reviews! Analysis! JOKES! Support other content creators! When the Rise Reanimated video comes out, share it like no tomorrow!

No one paid attention when How to Train Your Dragon came out, but word of mouth and people saying it was good, made it the success it was. Let’s repeat history!

Anytime there is NEW RISE CONTENT on Nickelodeon’s YouTube channel, watch it, share, spread it.

Share this post on social media, across various sites, use the information here to spread awareness about how people can help and what they can do. Be relentless! (Like Leo in Lair Games)

Ask influencers to review, react, and give RISE a chance without placing judgement.

4. Make. ART!

Draw, Write, TWEET, Make MERCH, Sell MERCH, Make Tik Toks, Videos on YouTube, posts on instagram, discord, what pad, demanding more Rise, spreading the word, and just showing how much you love this show! Not only will it attract attention, but it’s also good for all of us. There will be more Rise content either way.

Make sure to @ nickelodeon on ALL of your art! SPAM THEM! ANNOY THEM! DROWN THEM IN LOVE FOR THIS SHOW! Demand DVD’s and Blue rays of the SHOW AND THE MOVIE! It’s not fair that we can’t have access to it!

PLAY THIS GAME!

If you see official Rise MERCH in the while, buy it if you can! Also support as many rise content creators as you can. If you can’t draw? Write! If you can’t create! Like! Share! Comment! Support each other!

Rise April ART Challenge

Keep in mind…there WILL be pushback.

Companies as big as Nickelodeon and Viacom care about their bottom line: $$$…money. BUT pushback, whether they are taking down your videos on Tik Tok, striking artists on twitter, mean that they’re taking NOTICE. So don’t. Give. UP!

One last thing to remember: DO NOT harass fans for enjoying other versions of TMNT

Even though Rise is the first and only TMNT I have ever loved, I don’t believe in shaming other fans for looking forward to, or enjoying other TMNT series. Gatekeeping like that was what stopped Rise from (heh) Rising as high as it should have. All Rise fans are welcome, and all TMNT fans are welcome. Rise deserves to reach more fans, it deserves another season, and it does not need to knock down other TMNT series to do it. Show them your love and your need for more Rise, without making other TMNT fans feel unwelcome.

Share, spread the word, give it your best shot! A village can move MOUNTAINS! SO let’s do it.

So that in the near future…we can MAKE THIS JOKE!

[budgebuttons]

There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.

The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.

It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.

The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.

Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!

Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.

[bmbidoll]

𝐬𝐚𝐯𝐨𝐫

soloist!baekhyun x f!reader

synopsis: baekhyun had his four year girlfriend break up with him, which left him without a true sense of direction. he'd only find it when another woman led the way, he just didn't know it was straight to hell.

content: 4,8k words, smut with a sprinkle of fluff, angst, and a little horror. but basically pwp. based on this moodboard.

author's notes: helloooo! this is my first fanfic posted on tumblr, I do hope you enjoy it!! the only thing I'll request is patience since I'm a fairly new writer ♡

250124 update: i have a new fic that i'd love if you checked it out, thank you for your support!! see you there! SPORTSCAR

most if not all of my content will be gravitated towards mature audiences, so minors are a no no! please have an age indicator when you interact!! thank you, and enjoy your reading!!!

warnings: dom and sub undertones leaning (barely) towards femdom, hooking up, marking, power play, mutual pining, oral sex m!receiving, cumplay, hair pulling, choking, fingering, unprotected sex, p in v, pet names, slight degradation, creampie, oral fixation, brief mention of violence.

baekhyun, at thirty years old, was used to being in control — except for when he wasn't.

his 4 year girlfriend and future bride left him and his sense of control momentarily shattered, breaking up with him after weeks of continuous misunderstandings, lashing out in a final ultimatum of separation, destroying his engagement plans. still, he was above feelings when his career was at play, and although being in events on his own made him feel out of place, he needed to distract himself.

at least he thought he could.

the party in itself was a blur, and baekhyun couldn't even bother to decipher what sizzling drink was in his hand when he traded pleasantries with random people. meaningless exchanges in his view. it did mostly nothing to sooth his emotional numbness, making him stand in a corner with an anxious frown, not even his new hairstyle did much to make him feel better. he'd much rather mope at home or in a presence of a friend who actually gave a shit about him. that's when baekhyun felt your gaze.

it was like thermal shock, an extreme shiver that made his whole body alert and his hair stand. a gnawing feeling that caught to his heart like a deer in headlights, which made him look around in discreet fright, looking for what, or more so who, was watching him. it felt supernatural, like he could feel an invisible target being put on his back. his pulse rose and his stomach felt bothered in a grip of anxiousness, yet it was even more unexplainable when he found the source.

it couldn't be you, his mind didn't accept it. how could someone with such soft features and bright eyes be the owner of a gaze akin to danger? when you smiled, talking to someone next to you, he thought it was just his mind tricking him, that such feeling couldn't come from you.

but when your eyes found his again, his pupils dilated at the force of your dark dominance. you finally stood, drink in hand, as you looked away in a playful, almost mocking grin when baekhyun took your frame in. you were tall, ever more so in your louboutins. your draped, off the shoulder dress did much too little to cover your long legs, almost like a bodysuit. your arms were surrounded by viscose panels that went as long as over your thighs, and baekhyun almost couldn't quite catch you leaving the main area, too focused on your curves before you crossed a pillar.

he meakly cleared his throat, standing straight from the corner he was leaning, in order to shy away from attention, to go after you. baekhyun didn't know the reason, but for all he cared, he didn't need one. too sick of this party from the moment he arrived. he wanted something — anything, really, to take his bothered mind away from her. away from his mistakes, from what he mistook his ex partener to be. yet it was obvious you weren't anything like her, and maybe it was just what he needed.

he followed you discreetly, going through the endless hallways and stairways of the luxurious venue with his eyes focused on your shadow in the red lights. it made the darkness feel almost demonic, in a way, like you were taking him to hell. something that baekhyun, at this point, wouldn't even mind.

until you weren't ahead of him anymore, disappearing from his sight. he cursed for his lack of awareness, before a dark, womanly voice appeared from behind him.

"are you looking for something, baekhyun?" the voice spoke, laced with wickedness.

his jaw clenched and his eyes widened as he turned around to face you with shocked irritation.

"what the fuck... where did you—" you didn't let him finish, "you were following me." you said, smirking knowingly, tilting your head in an almost condescending look.

one could already see a glint of defensiveness displayed on baekhyun's dark eyes. "you were staring at me." he spoke lowly, feigning angerness to mask his rapid heart that was much too frightened over your presence for his liking. "what do you want...?" he added, fighting for composure.

even the mere sound of your voice could make his hands get clammy in anticipation. it scared him.

you could only hold your grin. "I don't think it's me who wants anything..." your eyes darting in assessment of his black suit. "at least, not that much to follow you around like a stalker."

the singer only bristled, not entirely buying your excuse, wary as much as he was attracted to your womanliness. and, to his irritation, you didn't stand on the same spot for too long, walking away slowly around the halls.  he picked up his steps to walk beside you with a dry swallow, his eyes shooting daggers as much as they felt intrigued.

"who are you and what do you want with me?" he bristled, demanding in something one could sense as eagerness, even if he didn't want to admit it.

"I'm not looking for trouble, byun baekhyun." you said, almost making him lose his composure again at the usage of his full name. he gulped, trying not to stare at her as they crossed past the venue's hotel rooms, vacant in expense of the important events. "but you must be looking for something, I saw the way you stared at me." his voice was accusing, almost cocky in a way that served as bait.

"and how did I stare at you, stalker?" you finally faced him beside you, quite sick of his questions.

"I'm not a stalk—" he huffed as you interrupted him to push him to a wall.

baekhyun widened his eyes at realization of your position, and he had to admit, it was a first. not only because of your roughness, but also because of the power play, where he usually had the upper hand. he had to swallow in order to not appear fazed, although your supernatural attractiveness made it difficult to not subdue.

"what do you want, baekhyun?" you said, highlighting the 'you' with the raise of your chin as you crossed his personal space slowly, your gaze fervently acknowledging his, whom didn't know where to stare back, jumping between your eyes and your red lips. one of your hands stayed on his firm chest as the other stayed beside his hip, your wrist in close contact to his side.

"fuck— I..." he stuttered, clearly not used to being in this spot, making you smile again.

"you're so cute when you stutter." you said lowly. "let's change the question, shall we? Is there anything I can do for you?"

baekhyun clenched his jaw as he shut his eyes, the image that you painted on the impulsive side of his mind quite clear on his lids, while his rational side thought of his recent heartache. "I don't know... I don't really know anything about you." he said, worrying about where he got himself into. he wasn't one for impulsive decisions, and he was quite proud of it. it's just that with the tugging feeling on his chest, he felt even more torn.

"you don't have to. it's clear you don't really want to get to know anyone right now."  you replied, as if reading his mind.

and you were right. there wasn't anything clear on his mind about his life after his failed relationship. his only certainties laid on his work, and his eyebags showed he could use something different. someone different.

"I-I don't think I should—" baekhyun was shushed before he could finish, feeling his guard completely mush while you cooed and whispered 'its okay's, leaning closer to his face. his eyes finally opened again, turning droopy and his eyebrows raised gently, like a puppy.

you grabbed his hand and slowly motioned it to your face, his mole trembling with his lips that quivered in an obvious encantation. "see? I'm real..." you whispered knowingly as his unfocused dark eyes rushed through your supernatural face, pleading. "and I could give you something to sooth your body." your cheek was incredibly warm against his usually cold hands, making him flutter his lids with darker pupils. as his resolve was completely crumpled like humid paper.

"can I have you...?" baekhyun whispered, almost unsure of his wish and of how much power he actually had in this quiet altercation of control.

"the question, baekhyun," you started, your voice smooth and clear as his appearance made you curl your lips slightly. "is whether or not I want to have you."

"and do you?" he asked instantly, almost blushing in his eagerness as he frowned in confusion, pouting. one could almost fall for his innocent face, but something in you knew better, already expecting his switch as he cleared his throat. his eyes turned into a more controlled version of his drive as he darkened his tone with ease.

capturing your waist with a firm grip, he whispered in your ear with his known velvet voice, "I will make you want me, angel."  but you were no angel. not at all. and baekhyun probably knew that when he smelled your perfume, sending shivers through your body as he breathed onto your neck. "fuck, you smell like dessert."

you could only exhale, biting your own lip to contain the curl of your smirk as you felt his lust emanating from him. just from his presence alone. with calculated composure, you removed his hand from your waist to sway back into the crimson darkness, opening one of the unused bedrooms of the expensive hotel that was used as a venue, sneaking under his gaze.

baekhyun had to gulp to not simply barge in and press you against the door, knowing it wouldn't work quite like that with a woman like you. his expensive saint laurent dress shoes clicked as he walked into your planned out trap, one he was glad to be caught.

you pushed your hand through his curly, black strands from his perm as he stood in front of you. "i want you..." he whispered, closing his eyes again in goosebumps of your long nails grazing his scalp. gently walking him backward to the bed, you made him sit, his legs spreading to receive your presence between them with ease. your hands controlling his head as it tilted against your control.

"strip for me." you commanded, making him open his darkened eyes in surprise.

"what...?" baekhyun smiled nervously, sensing no kidding from you when he looked up to your unamused expression. "that's not how this... usually works, angel..."

you could only scoff at the nickname, almost rolling your eyes in amusement before resuming your imposing stare. "and am I your usual?"

that seemed to shut him up for a second, his eyes turning shy as he gulped, already expressing his answer.

"here's how this is going to work, byun baekhyun." your voice said as your hand traversed through his hair, lowering to his cheek. "if you want me, you're going to have to play by my rules. otherwise, I can simply walk out of this room and pretend I haven't even met you. and trust me," you leaned to his ear, "I can do a damn good job at finding someone who will play by my rules and be grateful to do it." punctuating your whispered with a lick behind the cartilage.

baekhyun only sighed, able to catch a glimpse of the roundness of your ass as you were leaning forward, which made his urge to assert control dim, too desperate in his lust to refuse such deal. in all honesty, he hasn't gotten any action for a whole month since his relationship soured.

"so I'll only say this one more time, baekhyun. strip for me." you commanded, standing straight once again to see him display a silent nod, removing his expensive suit jacket to reveal his panelled tank top that followed suit, his slim abdomen clenching at the cold air.

you didn't give him much time to think about his pants, kissing him for the first time that night in a mix of patience and softness. it made him push his head upward in demand, flicking his tongue against your closed, plush lips. baekhyun was briefly shushed, whining beautifully as you pulled his hair from his nape. "be patient, I want you to remember everything I give you tonight." your voice said as you lowered your body between his legs, meeting his needy looks with a small grin.

he breathed ragged, quiet gasps in a disheveled manner, as if trying not to assert his way too soon. "you're taking your sweet ass time... I don't have that."

"make time. you already look desperate for this, when I haven't even kissed you properly, dog." you said, imposing again, making him widen his eyes when you tugged his matching black pants with roughness and didn't even bother to glance at the small damp spot on his briefs, immediately using your palm to coax grunts and curses from him. "what is it, hm? you like being called a dog?" your smooth voice teased with a hint of a grin, as your fingers enclosed on his clothed, girthy, angry length that was close to peek around the waistband of his boxers, that aren't able to cover its size in its full hardness.

you want to stare and admire all the veins that coursed through it, feeling your own heat act up from how much you could get enamored to such a perfect manhood, but you wouldn't give him the pleasure of knowing these thoughts. he whined again when you squeezed the tip, coaxing more precome to stain the fabric of his boxers.

"is this for me, baekhyunie?" you teased, biting off your grin as you looked up to his face to see him huffing, his hips thrusting onto your hand for even the slightest friction. due to not getting a response, you squeezed harder, making him tremble in a grunt. "I'm talking to you, dog. I expect responses."

baekhyun whined, "fuck— yes! that's all for you, angel! god— please! just touch me more!" he panted, making you sizzle in satisfaction as you pressed your thighs together.

standing up to lean forward, you kept your hand on his already throbbing bulge. "you're such a good boy for me. can you raise your hips for me? let's free your cock, shall we?" you smiled devilishly as you stared at his unfocused expression of lip bites and moans.

baekhyun promptly obliged, gasping as his aching need sprung and hit his stomach. you could feel saliva pooling under your tongue from just how sinful his everything was. the tip was red and slightly darker than the rest of his length, covered in precome that oozed easily at each of its pulse, dripping with a slight curve to the left.

your hand was quick to work him with awe, your thumb meeting your middle finger in its base before moving up and finding its slit, smearing it slowly all over your palm. he couldn't really keep quiet, thrusting upwards, making a mess of both himself and your hand. so your left one found his throat and slightly choked him to stop his erratic movements, earning another set of his wide eyes, as he stuck his tongue out to breathe properly around your grip on both his neck, and cock. "what the fuck— angel, please!" baekhyun murmured, strained.

you only extended your smeared palm to his face with calm eyes, even if your aching center was anything but calm. he seemed to catch on your wish, and although he wanted to argue and retain dignity, he already had his tongue lapping onto your right hand, attempting to clean the mess he did. it was something unusual for him. everything about this was, actually. he swallowed his own precome, feeling exhilarated from how much he actually enjoyed it. so you rewarded him with your weight on his lap, therefore he could watch you suck your own thumb to taste him, and then crash both your lips together in a messy, arguably desperate, tongue kiss.

your clothed center found his bare one as you kissed, making him tug the sides of your dress up. he wanted you naked and around him as soon as humanly possible, but you couldn't just give him what you both wanted, even if you also wanted it badly.

you pushed him to the bed, making his back hit the mattress with an audible puff from his lungs, attacking him with wet kisses that started on his neck. he didn't know where to put his hands, and his putty brain didn't even have the composure to reject your open marks around his adam's apple, moaning softly at your full-on bites.

he loved the roughness. the attention just enough to make him squirm as it trailed down towards his pale collarbone, his nipple, his soft abdomen, and finally, his inner thigh. you grabbed his wrists and held them together in one hand, forcefully holding him, so that you maintained control even when your mouth found the head of his cock, making him moan louder. "fuck! what the fuck!? angel?!" he panted, physically trembling when you sucked his seeping from the tip.

you took your time, looking up to his face before withdrawing your mouth to speak. "listen here. no hands on my head, no thrusting upwards, and eyes on me. do you understand, dog?"

"yes, yes ma'am— holy—" baekhyun gasped in interruption as your flattened tongue enveloped the underside of him, making him sputter gibberish as you slowly took his cock, inch by inch. you'd comment on the name he used, but chose to allow it.

you had to close your eyes for a brief moment, even if you didn't want to, to just feel how much baekhyun filled your mouth and how much you actually enjoyed it. it almost hit the back of your throat, slightly straining your jaw. your closed eyes opened to his, almost pained, lustful, fucked out expression. his lips were red and swollen from his biting. his whole face was flushed, his temples had droplets of sweat and his perm hair was all over the place.

if you didn't already want to suck him off just for your own pleasure, you certainly wanted it for his, already starting in a somewhat quick pace to ease both of your flaming desperateness with quick bobs, fighting the reflex to gag as you relished in the feeling and breathed through your nose.

baekhyun, on the other end, fought the urge to roll his eyes, finally receiving too much stimulation that was already denied. frying his thoughts that could only sputter 'angel', like a prayer. but the battle was lost when your nails scratched his abs, making him ready to coum. "fuck! I'll c-come! I'll come in your—" you withdrew suddenly, essentially denying his high, making him almost cry. you could only smile breathlessly as you stood up, your hands working on the zipper of your dress.

"I'm sorry, puppy... I'm so sorry. you were so good... I'll make it better, hm?" you said after dropping both your dress and panties, straddling his messed up self.

"I really—" baekhyun panted soft whines, "wanna... cuss the shit out of you... right now." making you chuckle in adoration.

"i'll reward you, okay?" you put his hands on your rear, where he squeezed roughly. "have it your way, hm?" you murmured, making him essentially grunt.

"are you sure...?" baekhyun breathlessly asked, reeling from the edge. you smiled, wanting to take care of him.

"yes, touch me," you said, guiding his hand to your already slick folds, his eyes unfocused as he started feeling the warmth you radiated. it took mere milliseconds for baekhyun to find your clit, his thumb feeling the way it swelled in anticipation, making you moan.

"fuck... you're drenched..." he murmured, rubbing your center in a tantalizing manner. "do you enjoy treating me like your plaything? did it make you this wet for me?"

"shut up and touch me already!" you whined, slightly flush, receiving two digits all at once as he chuckled. "so feisty, angel..."

it was hard not to clench all over his long fingers that searched desperately for your spot, your body already moving along his wrist, moaning as he curled them inside of you. baekhyun grunted at the tight grip you held on him, biting his lower lip to contain his wish to just mess you up. "so damn tight... I can't wait to feel you..."

it was like that for a few minutes before you decided you had enough, not wanting to come before you felt his full length inside of you. you positioned on top of him, making him shudder as you sucked on his fingers diligently, making him moan.

"fuck, angel..." baekhyun breathed when you grabbed him, finally sinking onto his thick, large cock, biting your lip to conceal your moans as both of you saw stars. him, from the orgasm denial. and you, from your own self torture.

"oh god— I won't last even a minute with your tightness, holy shit!" he hissed as each last bit of him settled within your walls, knocking down your composure as you hummed deliciously.

"you can move now... please..." you murmured, your eyes closed at the mere feeling of him completely inside.

"ah, so now it's 'please'?" baekhyun glared at your face being close to his before snapping his hips in a manner that hit you deeply, making you both groan.

"don't fucking... push it." you grunted, opening your eyes to match his lust. your body enveloped with his as you straddled him, already meeting his forceful thrusts.

"you're the one—" he plunged upwards, "who said... I earned it... so I'll fucking take it." baekhyun bristled, moving in a deep, slow manner.

you could almost smile blissfully at the overwhelmingly full manner he filled you, almost as if you should be the one to beg for it, the one who's lucky to have it. your hips swayed along his pace, somewhat circling his long, pulsating length. "do you like this, angel? fuck— you take it so well, princess." baekhyun breathes through grunts as his blunt nails graze your hips. "like you were made to take my cock."

"god, shut the fuck up." you growled, choking him, which somehow made him throb even more, his eyes rolling to the back at each movement, his breathing cut as he muttered.

"g-gonna—" baekhyun strained breathlessly, "come—" completely within your mercy as you moved towards his ear. "come for me, puppy."

it was in an instant, his seed shooting deep inside you, which made you release his neck in pure pleasure, moaning. you could swear you'd come just from being filled up by him, as if his own ecstasy filled you with elation.

baekhyun panted, still thrusting "ah, fuck... you're so good... too good... I usually last longer." it made you giggle slightly.

"are you tired? do you need a break?" you whispered close to his face, staring at the way he recomposed with you, but yelped as he suddenly rolled you both, still inside.

"are you fucking kidding? no way." baekhyun snapped his hips once, making his come drip on your thighs from the abbrasiveness of his still hard length within, stealing a whimper from you. "you're gonna take me till you pass out, angel."

you could barely take in on his words when you felt a subtle touch on your pussy, focusing your eyes to find his index between your faces, coated in a filthy mix of both of your milky juices. your vision turned dizzy when he licked it without hesitation, letting it sit on his tongue that was right above your mouth.

the message was clear, and you opened it to let it drip onto your tongue before you lip locked again, baekhyun resuming sharp thrusts on your loud cunt.

it felt utterly animalistic, and you could tell from his behavior that it'd been a while for him, not that baekhyun did anything to hide it when he murmured praises that swindled your ego. "feels so fucking good, angel...!" he snapped his hips in an erratic pace, "how the fuck... are you so... fucking tight and warm...?" and you could only reply with "yeah...?" to which he'd always respond readily along with a nod. you'd gently cradle his chin, but he didn't care if you marked it with your nails to keep your anchor as he'd push your right thigh to your chest, holding your leg on his shoulder with quick developed ownership.

it took another orgasm from the both of you to make him more gentle, even if it didn't truly exhaust him. both sat up to meet each other in an intimate embrace. the stickiness barely made you uncomfortable when he fit so nicely against you, his hands kneading your soft breasts with patience, now that the fire settled into a more tranquil warmth of your presence on his broken heart.

"I don't usually do this..." baekhyun murmurs amidst his gentle pace, his eyes focused on your pleased ones that blinked slowly.

"do what...?" you whispered back, trying to stay grounded from the bliss of your connection.

"hook ups... I don't really hook up with strangers... not at this age, at least..." he chuckled shyly, and it struck you harder than you'd expect.

"I don't, either." you said, surprisingly shy from your own admission, which ceased his soft thrusts for a second.

"can I take you out...? get to know you, angel?" baekhyun cradled your cheek, his thumb on your lip in a manner that didn't feel just erotic.

"baekhyun..." you'd start, only to be interrupted by a soft peck that resumed deliciously slow movements. you were someone that baekhyun could see himself growing fond of. and if you didn't know better, you could say he was growing on you, too. the kiss grew in intensity soon enough, getting to an already familiar manner in such quick velocity, both now aware of what the other liked.

your rationality would be ruined soon enough before your own fire took hold, pushing him to his back as you started to ride him slowly, his hands settling on each of your curves, the right pinching your perked nipple as the other ramped your supple rear up and down with sweet praises. "you're so fucking perfect... I've never had anyone quite like you..."

you could only moan as baekhyun flicked his skilled fingers onto your swollen bundle. "wanna make you come again... can you do this for me, angel? before I come inside of you again?" it's as if his words could take control of you, just like you did earlier to him, the coiling of your lower stomach tightening by each bounce on his girth that throbbed viciously.

baekhyun would thrust his hips upwards, but not as fiercely as before to not sore you much more, his delicateness sure to overcome all the sting of overexertion. you'd feel yourself melting when the pinch of his digits on your clit made you snap, your silent scream echoing in shallow breathing as he pumped his come within your walls for the third time that night, kissing your lips with a care you certainly didn't expect from a hook up.

you both chuckled at the way you fell on top of him, finally feeling him soften inside you amongst the large amount of release that dripped, probably staining the sheets. baekhyun pulled you to your side as he pecked your face, pushed his come back inside with his index, then shared the mess on both of your mouths.

he'd soon step out of the bed to find the suite's bathroom, stealing a towel to dampen it with warm water, returning with a shy grin.

"can you walk?" he asked after he finished cleaning your center and your thighs. you giggled softly, "you wanted me to be unable to walk?"

"not really... I mean—" baekhyun blurted nervously as you stood slowly.

"maybe if we spent a weekend together, hm? then yeah, I definitely would be unable to even stand" you teased, dressing yourself as you both prepared to leave the room you were sure you weren't supposed to be in. the thought of spending a weekend with you made his hair stand at the same time his heartbeat skipped a beat with anticipation.

"would you want to?" he murmured, blushing slightly at the rapidness of his attachment.

"wait, what? spend the weekend?" you widened your eyes as you combed your hair through your hands.

"I mean— yeah... my schedule is clear, and my penthouse is large enough for a crowd... I could try to get you in my van secretly, my driver wouldn't notice..." baekhyun was extremely cute, blabbering like that.

"okay, I'll go." you smiled softly to him, making him giddy as you both walked to the main exit stealthily, baekhyun striding ahead to get the van to a secluded spot as you watched from the shadows. it was almost like you could portray getting to know him, building a solid connection with him, and maybe fixing whatever it is that the other woman did to his poor heart.

if you hadn't picked him out to eat in the first place.

[st5byler]

Mileven, The General Audience, and You

This is probably my first time ever making a post like this, but I find this discussion interesting. Also I just wanted a punchy title lol.

There has been a lot of discussion about 'The General Audience', more often called the GA when discussing Byler & Mileven, and I want add my piece (with at least one piece of evidence... My Mom)

Milevens Claims about the General Audience

So, I see Milevens claim that the General Audience is entirely on Milevens side, and that they believe in the ship.

I'd like to ask them where they end up getting this information post-Season 3 release.

This is entirely correct if you base it off of Season 1 & 2. It was a ship that people were rooting for! There were no flaws to speak on and their journey for each other was considered cute. But, well, there's more than 2 seasons of Stranger Things.

Season 3 was essentially the season to plant the seeds of doubt about Mike & Eleven having and keeping a romantic relationship. Season 1 was mostly unromantic, and Season 2 they were separated till the end - so by Season 3 when they had each other, all should be well, right?

Wrong. The cracks in the ship became more prevalent than ever. It also kicked off the Mike Wheeler hate. And, to be frank, Season 3 is also the worst season for him.

...And then we have Season 4. Mike & Eleven's plots with each other continue to be their only plotlines together. while I wasn't there for the Season 3 backlash, I was absolutely there for the Season 4 backlash. even within spaces that didn't ship Byler, Mileven was disliked.

I feel like the likes on this tweet speak volumes.

I do not believe the GA dislikes Mileven, but I do think they are tired of their relationship at this point - because it's been made up of more conflict than actual relationship stuff lol.

So why do Milevens still push the narrative that the GA still loves Mike and Eleven together? Because the GA is important! The reception to parts of the show from the audience ends up being something to at least take into account during the making of the next season, and if the GA are no longer that receptive to Mileven, then where does that leave the shippers?

My Mom

I mentioned her for a reason, because she's one of the people you can consider the General Audience. Or perhaps even a huge fan. She is a big fan of this show, collects merchandise and everything. Her favorite character is Eleven, and she's been watching since season 1 was released.

She is also a Mileven fan. She thinks they're cute together mostly, and she doesn't engage with fancommunities for Stranger Things (eg Reddit/Tumblr). She just lives in her own world ST-wise.

So when I asked her what she thought if Mileven broke up in Season 5, she said this. "Yeah, that would make sense. They haven't really been together long."

I was surprised, but I end up finding it more funny than anything. If my mom, who really loved Mileven & has never engaged with fancontent thinks it makes sense if Mileven broke up, than the GA who are probably less diehard than her are probably gonna be fine with Mileven breaking up.

TL;DR

The GA aren't as big of fans of Mileven as the shippers claim they are, and are probably going to end up fine if they broke up, lol.

(Note, sorry if this is incoherent ramblings, I don't do these kinds of posts but I hope it makes sense!!)

[eelerschoice]

hihihi, i NEED desperately for you to understand how wild the experience of checking your phone -> seeing eeler's choice notif -> realising its a tag -> realising one of the creators POSTED YOUR ART ON THEIR FRIDGE is. at work, i might add.

im sure youve seen my tags by now (apologies, i was briefly overcome with emotion) but genuinely from the bottom of my heart, thanks for making eeler's choice. i listened to it 3 times in 4 days during commutes and it was lovely every time. the writing, worldbuilding, voice acting (not quite over ran's singing voice yet), and sound design are all great. im looking forward to season 2, and looking forward to my 4th relisten :]

Hi Cat!

I want you to know I had a similar experience scrolling tumblr on my non audio drama related blog and seeing your art cross my dash. I lost it. I've been an audio drama creator for a few years now, but this is the first show that I personally created that's had this fan response, and everytime I am grateful.

I'm gonna get sappy a moment here, if you'll let me.

I graduated from college last spring with a degree in Marine Biology. I wanted to help the ocean, make an impact on people's lives. I wanted to do something that mattered.

It's been over a year, and I still can't find a job in science. So I've turned to podcasting. I wonder a lot about what I'm doing, if it makes an impact on anyone, if it matters.

Seeing that you were so moved by something Lou and I created that you've listened THREE TIMES, that you are inspired to creation by it, and that you've listened with enough care to include the tiniest details (Ran's tattoo had me HOWLING), it wowed me.

So much of creation is howling into the void. You put it out there, and you watch the downloads, and you hope that people like what you make, that it resonates with them.

So thank you. Thank you to anyone who makes fanart, writes fanfiction, fanfiction, shitposts, analysis. I'm a full time creator now. I need to have my finger on the pulse of what my audience wants, and being able to scroll the tumblr tags for my shows and SEE it is something I can't even express the importance of.

I say this at the top of every intro read I do for Poe: Evermore, for SCP Archives, for Nightmare Soup and it's true every time. I see every review and comment you guys leave. And I'm grateful for every one.

[milkemie]

Hi, kemie! I want to start my own Sims 4 journey and I've kinda posted my sims here and there but how should I really get started? I don't make youtube videos since I really don't have the proper computer for it but I don't know where to start. My tiktok is an art account, and my insta is a new creation as well as my tumblr but I don't know how to properly get my account going.

(Here's to hoping this hasn't been asked since I went through and tried to find anyone with similar questions)

Sorry for this being long! Also, keep up the good work! Rooting for you! <3

hi!

i think tumblr is the worst platform to gain an engaged audience, twitter is great if you want an audience that mostly consists of other sims content creators, but for me tiktok is the best not only both pictures and videos are appreciated on tiktok, but the algorithm makes it so you don’t need a lot of followers to get views & engagement, i also think it's the best for storytelling, because people can just scroll and watch all of your content from the start, meanwhile people are not going to check content you posted a month ago on twitter for example in the end i think it'll depend on the type of audience you want & the type of content you want to make, personally i wanted my content to be seen by everyone, not just other sims content creators, and i also didn't have a proper computer when i started so tiktok was a better option than youtube another thing i like is that tiktok filters hate comments way better than twitter, people can be very nasty on twitter so it's also something you might want to take into account i'll let you read this post i wrote a month ago of some of my advice on how to grow on tiktok! thank you so much ♡

[reactionimagesdaily]

I need help finding an image, the post it came from preferably because whoever this was from IS on tumblr

someone drew themselves in a western cartoon sort of style, big round head and 4 round fingers on a big hand and stick arms in a featureless T-shirt, black and white, a loose informal style

they were looking up with a lost in thought look, blushing, and twirling hair around their left pointer finger, a thought bubble with an image of two people kissing or something similar above them (my bad rendering to follow)

then when the post was a hit, they updated it with a drawing of them on stage like a comedian, holding a mic in right hand, speaking a speech bubble with a similar kissing image in it, and a shot of the audience roaring with applause (my bad rendering to follow)

the caption of the post was probably very short or nonexistent and I don't remember the artist name or any of their other works so this has been impossible to find ����

Aah, man. I'm so sorry - I've got exactly 0 inkling as to what this one could be T_T Hope someone knows it, or you're able to find it eventually!

[operas-phantom]

Opera House MVP Awards— #1

In my attempt to make our old opera house a community— yes, even for loathsome gargoyles who live in the walls —I have introduced a new event, wherein the best singers, dancers, costumers, etc, are honored here on my own Tumblr for their contribution to the art, alongside an official picture taken of them in order to commemorate their glory. If you want this award, remember to keep Box 5 empty and clean, to dance more than you gossip, to sing more than you shriek. My gaze throughout the opera house will one day land on you then.

The #4 award, for a cut above the rest, is the easiest award to get, but the person who won it is not easy to come by. Meg Giry not only is her mother’s daughter, but a talented dancer and loyal friend to my dear Christine, who rounds out the corps and keeps the other ballerinas in check, much like her mother before her.

Meg Giry— A Cut Above the Rest

The #3 award, or third most excellent, is for one who is an engaging opera star in many qualities who keeps the audience engaged. While this person may not be considered the best, she is an incredible dancer and hard worker who deserves more leading roles. Nour Mebarki is incredibly graceful, even during a prank war or while standing on her head. She has a Tumblr too, so she’ll see this post after I announce the winners in-person. @daydreamingofafairytale

Nour Mebarki— Third Most Excellent

The #2 award, one of the hardest ones to achieve, nearly went to a young prop master at my opera house called Dennis Garnier (who is being recognized now for his contributions despite not ultimately winning the award; congratulations, Monsieur, you are a runner-up), but the ange ambassadeur award instead finds itself in the hands of Maggie Carnley, both a singer and dancer with great charm and appeal. When she overcomes her nervousness, Maggie can do just about anything. She has a Tumblr too, so she’ll see this post after I announce the winners in-person. @maggiemelodies09

Maggie Carnley— Ange Ambassaduer or Ambassador of the Angels

The #1 award was actually a tough choice for me to make. I know that some people weren’t very shocked by who got this award, but to tell the truth, there were several others I had my eye on for this as well, who I hope to one day recognize too. But the winner of the la belle muse award is a well-rounded dancer, singer, and forgiving prima donna of opera, Christine Daae. Everyone, go congratulate my dear Christine— @angeliquedaae is where she is found when she is not singing, dancing, or being admittedly silly.

Christine Daae- La Belle Muse or Muse of Beauty

Thank you all for your cooperation in letting me have more creative control over the opera house (I don’t think we’re fully rid of Firmin and André— they haven’t moved out yet, though I could care less). And my dear award winners get not only trophies of their accomplishments but most importantly bragging rights, and a place in opera history as the first winners of these awards.

Your humblest of opera ghosts,

E., the Phantom

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[sageglitch]

okay so this is by no means a "final draft" by my standards but i had a class assignment to make an opening credits sequence to a film and i tried to visualize creating one for @mothercain's preacher's daughter album if it was a film. tried the best i could with the videos i could find from youtube and created this shit from scratch so hope you enjoy <3 (also yea i made this a few months ago but i forgot my tumblr login until today so finally i can post on here again)

more info:

i wanted it to have something like a late 90s early 2000s straight to vhs movie, hence all the static and shit, and i wanted to mix together a lot of scenery of old backwater towns i spent a lot of time driving through since ive lived in the south basically my whole life. i didnt have a lot of footage i made that i could use but thankfully there was a guy on youtube who's entire channel is basically driving through these unseen towns so if i can ever remember his channels name i will give credits to him for those clips. i also spent a lot of time in old baptist church's since i was a choir kid, (including an old one in MS that still had the upper levels from slavery/jim crow era), but even the newer ones i went to in texas had this very haunting and forgotten feeling to them even though they were being actively used. as for the sound mixing, i was originally going to have this project be a lot longer so the clips didnt feel as fast and the music would have this really cool doubling effect between Family Tree (Intro) and Family Tree synched up perfectly, but my professor made me trim down the project from about 4-5 minutes to the length it's at now, so i had to unfortunately remove that and re-mix the audio to just Family Tree (Intro) and Strangers.

now, for the meat industry clips. basically, i knew there was no way i would be able to do outright gore, and i particularly didnt want to, as i felt it wouldnt unsettle the audience as much as i would want, and rather would just disgust them. so i decided, with my bundles of knowledge on the meat packing industry from the novel The Jungle, it would serve very well to unsettle the audience and mix together these ideas of a sacrificial lamb being no more than a piece of meat to the ones who sacrifice for the joy of sacrifice and not for the meaning behind it (if that makes sense). these clips were free-use sourced from old ass documentaries i found on youtube about the chicago meat packing industry primarily, and i think it does a good job at adding to the horror side element without being outright gratuitous.

and of course, many of the clips come from ethel's youtube as well, though id imagine you can tell which ones those are. there was a lot of content i found from her youtube, and i later found some older clips that no longer are posted on hayden's channel, but i figured i'd rather stick with the one's she has available as to not draw attention to clips she might not want people seeing.

theres also a few clips from possibly in michigan in there. one, because i love possibly in michigan. two, because it does a lot to add to this older film/vhs ambiance that i tried to recreate (very shittily mind you. i dont know how to use after effects very well).

hope you enjoy <3

[exit-path]

Hey, remember this video? This is how tumblr made the Undertale “Stronger than You” parody.

Hi guys! Before we start, some of you on tumblr may have been in the Undertale fandom in 2015 when this was taking place, but I wasn't. So if you were at the devil's sacrament, then reblog with what you remember! I'd love to hear primary source perspectives of events.

(EDIT, 5/6/23: SO @galxie JUST PROPOSED TO ADAPT THIS POST INTO A YOUTUBE VIDEO. I'M NOT EVEN KIDDING)

(SO IF YOU'RE GOING TO SHARE YOUR STORIES THEN GET IT IN NOW)

But without further ado, let's begin, and watch as ordinary people made Internet history. (under the cut)

Part 1: gymleadercheren

It all started when @gymleadercheren drew a snippet of the Sans fight, with some Steven Universe lyrics underneath. This post caught the eye of @thepinkestpug, who had an idea.

Part 2: thepinkestpug

Later that same day—Oct 10, 2015—thepinkestpug sang a parody. Now, her Soundcloud link… how do I say it… doesn't sound very good? (He calls it "poor quality" herself.) But because he was in both the UT and SU fandoms, she was uniquely qualified to come up with these lyrics.

Upon seeing the "Stronger Than You" parody, gymleadercheren was ECSTATIC that she inspired someone with her post. The next day, she asked thepinkestpug for "permission to smoosh our lyrics together and make a comic?” If you've seen djsmell's video, you may recognize what she made next…

Part 3: The Comic

It took 3 weeks, but on Oct 29, 2015, gymleadercheren finally finished her comic. With 38 PANELS in total, the post was an instant success. She credits thepinkestpug for her lyrics, and links to an 8-bit "Stronger Than You" instrumental. Today, the post has over 20k notes.

Part 4: djsmell

Two days later, on Oct 31, 2015, @djsmell made a song cover of the comic. He NAILED the voice of Sans, and used the 8-bit song cover from gymleadercheren's post. He posted about it on his blog, while his YouTube video now has 11M views.

Part 5: alfa995

It wasn't until nearly 2 months later that on Dec 21, 2015, @alfa995 finally finished his animation. It used djsmell's audio, and filled in the gaps where the comic made you use your imagination. Today, the YouTube video has been viewed nearly 80 MILLION times.

These were alfa995's words about everything that had happened so far: "So basically someone… made lyrics for an Undertale version of [a song from Steven Universe] and a comic based off it, then someone else sung it, and now I animated it. I love the Internet."

Part 6: Reflections

And that’s the history of this video! This singular video has grown in popularity to such immense heights, it's a well-known piece of trivia that more people recognize the Undertale “Stronger Than You” parody than the actual Steven Universe song it’s based off of.

What I find interesting is how each person involved in this process had a tumblr blog. They saw each other’s posts and made more posts based off of them. By fandom standards this happened LIGHTNING FAST, the idea took 2 and a half months from conception to completion. It’s this connectivity that created the 4th most-viewed Undertale video.

The Undertale scene on tumblr spawned many more memorable fan creations, such as the “Underpants” series by SrPelo, which became the entry point for many into the wonder that is his animations.

It is this fandom that made Undertale a goliath of Internet culture. It is this fandom that made it so that Toby Fox will always have a loyal, rabid audience. Say what you want about it, whether you love it or hate it, the Undertale scene on tumblr may never happen again.

Thank you for reading, and I hope that you enjoyed!

This was my first time thinking about the Undertale fandom in a LONG time, and it was a nice trip down memory lane. Also, here’s a few things I found while researching that I couldn’t list above:

First, what's with all these "Stronger Than You" versions? I had no idea until I started researching that there were so many spinoffs of this singular video. Like, there's a CHARA response? There's a FRISK RESPONSE? THERE'S A TRIO VERSION?

And speaking of spinoffs, I want to shout out the video "Richer Than You"—absolutely phenomenal YTPMV that had a lot of effort put into it.

Finally, I want to shout out Super Eyepatch Wolf’s video, as it was my inspiration while writing this, and explains: “why did these videos get so popular?”

[robin1729]

creation is wrong?

As someone who has always been into telling stories, I was obviously instantly fascinated with the idea of being an influencer. So, I started watching interviews of influencers I admire. And they talked about how to create a reel that grabs people's attention, that keeps them glued to the screen till the end, that makes them want to see more of your content.

And then, I saw a lot of the same influencers talk about how addictive social media has become, with its endless scroll and constant dopamine hits. And I was like, what do you mean? Aren't you part of the problem? You are the ones designing your reels specifically so that they give people that dopamine hit, so that they keep coming back for more.

So maybe some creation is wrong? Even shows today are made to be binged. Ten episodes released at a time, every episode ending with a cliffhanger, so you don't close the app, switch off the tv, shut down your laptop.

You could argue that people who are rotting in bed all day (not always a thing to look down upon; depression is real, people) will simply find something else to rot with. They'll binge watch movies, youtube, or a million other things we have now. Did people not rot in bed all day before the internet? They definitely did, right? Does that make it okay to make it easier for them to do that? To create with the explicit purpose of keeping them hooked to their screens?

You can always just throw up your hands, cite free will, and say "hey, creators will create, we are not forcing over-consumption on anyone." You could argue that I am doing the same thing right now. Maybe you, and yes I am talking to you now, my dear reader. Maybe you are doom-scrolling through Tumblr right now, and I am contributing to it. I did write a title that I thought was attention-grabbing. I am writing this post in a way that I think is the most interesting, hoping you'll read till the end. I could say, we definitely have way too much content available to us now, and you would simply reply "But isn't that a good thing? You can write, shoot a movie, make music from absolutely anywhere in the world, and if you are good (and sometimes even when you are not), there is a chance that people will see it! It's why you have an audience, albeit a very very small one, in like 4 days of making this account, Robin." Though I don't know why you would call me Robin, that is obviously not my real name.

I don't know what the answer is. We desperately want things to be either black or white, the world would be so much easier to understand then. But most of the time they're just grey. They have good things and bad things about them. And you can't really stop the world from going down a path, can you? So I guess you just roll with the punches.

[thebrownstone]

Anniversary Fic Exchange

June 13th marked one year of our server, so in celebration we hosted a fanfic event! Each participant submitted a prompt and was randomly assigned a prompt in return. You can read all the fics by going to the event’s ao3 collection or on this tumblr post. Thank you to all our participants! And, again, happy birthday to our little server. We love you dearly. 

key: title by author (tumblr)  [rating*, word count, chapter count]

prompt

*G - general audience, T - teen and up audience, M - mature, E - explicit; 18+

Tiempo de Vals by 14carrotgold (@14carrotghoul) [T, 5.5k, 1/1]

Alex was having a perfectly wonderful time when the very last person he wanted to see came waltzing into view - Henry Fox-Mountchristen-Windsor.

Baby, it's Cold Inside by Celaestis (@celaestis1) [E, 9.8k, 1/1]

Acting like they’re cold to have an excuse to cuddle or share clothes or blankets.

It's Getting Hot in Here (So Hot!) by Celaestis (@celaestis1) [E, 10.8k, 1/1]

Acting like they’re cold to have an excuse to cuddle or share clothes or blankets.

All The Ways I Love You by Treluna [G, 1.5k, 1/1]

People think they're doing it on purpose but they're really not - they're truly THAT nauseatingly in love with each other.

Trick Rider by OrchidScript (@orchidscript) [E, 2.5k, 1/1]

Chaotic night with the super six ft. Henry saying yee-haw and any character saying the dialogue "Can I offer you a nice Shirley Temple in this trying time?"

jump in with your heart first by stutteringpeach (@stutteringpeach) [E, 7.5k, 1/1] 

he moved in the day we met and never left.

the beagle, the ghost and the wardrobe by stutteringpeach (@stutteringpeach) [M, 10.9k, 1/1]

he moved in the day we met and never left.

questions and answers by elegantdumpling [M, 1.6k, 1/1]

"There are years that ask questions and years that answer." - Zora Neale Hurston

“You jump, I jump, Jack.” by Muddbloodpotter05 (@mudbloodpotter05) [M, 8.8k, 1/1]

"I just saved your life, so you're welcome."

Hoping You'll See What Your Love Means to Me by politics_and_prose (@historicallysam) [T, 2.4k, 1/1]

Nora and Alex get drunk or high and one of them starts waxing poetically about their partner and the other gets it on video to make fun of them

Always Where I Need To Be by chamel (@cha-melodius) [T, 5.4k, 1/1]

Alex can’t find his glasses again - but he has a suspect in mind for the theft.

The Wrong Classroom by viciouslyqueer [T, 2.6k, 1/1]

Alex and Henry are college professors and are accidentally assigned to teach one of each others’ classes, which is so utterly specific that they know absolutely nothing about it.

SNL | Season 45 Episode 2 | HRH Prince Henry & FSOTUS Alex Claremont-Diaz by TheLastKnownSurvivor (@xthelastknownsurvivorx) [M, 9.7k, 4/4]

"Listen, I’m trying to cut down on the innuendo. But it’s hard... so hard."

i was right there beside him all summer long by hearitinthesilence (@heartitinthesilence) [T, 3k, 1/1]

“You really thought you could get away with this?”

pull the truth right from my lips by athousandrooms (@athousandrooms) [M, 2.4k, 1/1]

"I think someone's a little needy."

There's Smoke in my Eyes (and love in this kitchen) by vonPeeps (@vonpeepsisback) [T, 1.8k, 1/1]

"I didn't know it was possible to burn scrambled eggs to a crisp without actively trying to, sweetheart, but it's still the nicest thing a date's ever done for me."

don't you let it go by smc_27 (@smc-27) [M, 6.9k, 1/1]

Henry blinks into the mirror once, twice, and then frowns, wondering who the brown skinned, curly haired man is that’s staring back at him.

No Sense or Sensibility by InexplicablyMine (@inexplicablymine) [T, 5.5k, 1/1]

“Don’t look at me I thought we were getting Ice Cream.”

Uncut not Uncultured by InexplicablyMine (@inexplicablymine) [E, 6.4k, 3/3]

“Don’t look at me I thought we were getting Ice Cream.”

Promises, Promises by EmmaLostInWonderland (@emmalostinwonderland) [E, 1k, 1/1]

Henry and Alex explore Henry using 'every inch of authority in his blood.

of fathers and sons by adreama (@adreamareads) [T, 7.6k, 1/1]

"Not a win, no, but certainly not a disgraceful performance."

peace by raysletters (@raysletters) [M, 14.2k, 1/1]

Sky High AU

Burnin' Through The Sky by cricket (@cricketnationrise) [E, 5k, 1/1]

museum curator x lawyer au

dibs - (informal) The right to use or enjoy something exclusively or before anyone else, often expressed as an interjection by Poutini (@Cheesecurdsgravyandfries) [E, 1k, 1/1]

"I walked into this party and someone yelled 'dibs!'"

Dibs, the extended cut by Poutini (@Cheesecurdsgravyandfries) [E, 2.4k, 1/1]

"I walked into this party and someone yelled 'dibs!'"

There's No Chocolate by logan_love [T, 2k, 1/1]

And then it was found that all the chocolate was gone.

(you just) call out my name by outofthesun [T, 3.4k, 1/1]

"Sorry, my hands are shaking."

Lost and Found by sherryvalli (@sherryvalli) [T, 3.9k, 1/1]

“Single dad Henry (non-royal) moves to the United States and meets the hurricane of Alex.”

‘Kiss,’ ‘Egg’ and ‘Meeting You’ by everwitch (@everwitch-magiks) [T, 4.9k, 1/1]

An Outside POV from the painter/painters Henry/Alex hire for getting the Brownstone ready to move in.

Dinners and Diatribes by alightlefton (@a-light-left-on) [T, 7.6k, 1/1]

“5+1 anniversaries, any kind, any pairing”

Maybe Dreams Do Come True by Softheart777 [G, 1.3k, 1/1]

"You must be dreaming"

Just Business by bleedingballroomfloor [T, 11.3k, 1/1]

wedding ringer au (but make it gay)

three grubs in a trench coat + gay brit wizard by clottedcreamfudge (@clottedcreamfudge) [E, 8.1k, 1/1]

"Can y'all stop flirting in the google doc :/"

Biggest Fan by Sirius4Life [E, 905, 1/1]

Alex and Henry meet at a Con while separately cosplaying characters who are a couple in that franchise.

Diners & Double Dates by ACDs_Coffee [T, 2.4k, 1/1]

“It’s not a date - we’re just third and fourth wheeling!”

So Quiz Me by indomitablelove (@indomitable-love) [E, 10.6k, 1/1]

“Baby, sweetheart, I love you, but what in the everloving fuck did you just say?”

Not Even At All by ifigo (@juxtaposed-variety) [M, 4.3k, 1/1]

“10 things I hate about you” style AU: “But mostly I hate the way I don't hate you, Not even close, Not even a little bit, Not even at all”

[junglefurytrash]

Hi again DW Tumblr, I finished that other OC, and now I can share it with absolutely no guilt because Rox has been sentenced to the shadow realm! :D

So with that, here's my previous post to Stardust, and heeeere is..

"Toon R-008 - Vinessa the Retro DJ"

Type: Toon Role: Backup Distractor & Fast Extractor " Perky and ready to roll, Vinessa's always coming up with new ideas for songs and music! Sometimes a track doesn't always come out the way she'd hope, but that's okay; Vin knows that if you fail at something, you can always get up and try again! " - Information Card/Poster

🌈🌼" I'm more of a classical flower myself.. " 🌼🌈 - Dandy, upon purchasing her Toon License in-game

Twisted Vinessa - "Don't Let Starving Artists Suffer"

Type: Twisted Rarity: Rare " A desire to please and make others happy with their music has turned into a dangerously desperate desire to find her 'audience' again and gain their approval. Vin's sensor will rotate clockwise around the floor, seeking out Toons - Don't trigger it unless you want the DJ to come running! " - Twisted Research

Vinessa's Stats & Trinket:

Twisted Research Trinket: Red & Blue Headphones " These headphones fit your head - and others' - just fine! Decreases the Detection Range of Twisteds on the floor (and also gives them their own cool headphones!). "

Vinessa's Active Ability Icons:

Vinessa's Handler Design, Richter Middleton:

Coming in fast and not furious but instead mostly happy, meet Vinessa the Retro DJ, a Toon made to be a quick-paced Extractor to get floors done ASAP and get the hell outta there, but who is also able to be an additional Distractor just fine if the floor becomes too packed with Twisteds for your resident Goob or Pebble to manage all at once, sporting a 4 Star Extraction Speed and a 4 Star Stamina to make things happen and happen speedily!

Additionally for those hectic floors, especially if you get the Beeg Scary Dog that is T.Pebble, Vinessa's ability is an audio trap! Able to be popped down on any flat surface like the floor or a table, Vinessa can set down the trap and leave it there for as long as she feels necessary (which would most likely be as long as it takes for her and any others to get AWAY from the audio trap), and activate it when the time is right - When activated, the trap will play music, luring all Twisteds not being distracted to the trap and keeping them occupied at the audio trap for a period of time, at which point when it's finished it will go onto cooldown. Vinessa CAN move the audio trap to a new spot, but only if it's not been activated yet - Additionally, allies will be able to tell where the audio trap has been placed thanks to the ability icon showing up in the trap's location in their view. This can give your Distractor(s) some breathing room in cases where there's too many Twisteds to manage and they need stamina/healing, or if there's a Blackout and they don't know where the Twisteds are (as the trap will bring them all to one spot), or just if T.Pebbles is being the resident pain in the backside and your Distractor doesn't want to spend the next several minutes attempting to distract the angry doggo.

Vinessa (otherwise known as Vinny or Vin) is a friendly and extroverted Toon, but she's also a b it of a people-pleaser, to say the least, eager to gain approval of her superiors and of her friends; If she does well, people will listen to her music, and they'll like her music! If she does well, they'll want to hear more, and they get to keep making more! If she does well, she can show up in another episode IN-PERSON, and show up to the other floors of the Centre in-person too! Even if.. She's just gonna be there to make and play music for the others again.. But. Hey! That's what she was made for!..

They were normally down on the Music Production floors of Gardenview Centre, in her booth, creating the music she was ordered to make that would then go through her Handler and other quality control before being played on the speakers of the Centre, the Radios, the show's soundtrack, put onto cassettes and CDs, etc. When everything kicked off and the Centre shut, she was down there working on music, and it took her a long time before she found out what was going on. She stays down there, floor barricaded and protected as best they can, trying to reach out through whatever means she knows to contact Richter, Arthur, Delilah, anybody, to know she's alive and to come find them, all the while still making music.

Richter Middleton was a young music student who was VERY fresh out of school, but very talented in their works, getting hired by Arthur to produce music for the Dandy's World cartoon. When the Centre was opened and the workload massively increased, Delilah thought it would benefit to have a Toon assisting them, and with Arthur's design in hand she brought Vinessa to life and made Richter a Toon Handler, he and Vinny working together on music and bringing life to both the Show and the Centre; They'd most commonly be seen (when not in Music Production) on Vee's specialised themed floor. Richter isn't sure what happened to Vinessa when the Centre shut down; Even if it's been some time, they miss them and worry about their safety..

[ophernelia]

Hi. Do you have any tips on how to grow your sims platforms? I keep tryig and posting and I hardly get any interactions or followers. Idk what to do. I wish bigger creators would help out smaller ones more by reposting the content so it gets more views. Its so hard starting out

Hey! Yeah, I have a few tips I can share! This is gonna be long so beware!

I keep seeing this sentiment reiterated about larger creators. I get it, but I think everyone's missing one thing in regards to it: you already have access to the same audience they have. Just like you they grew their platform. Maybe it was a stroke of luck from a viral post or something, but they still had to start somewhere. What it takes is getting your content to hit the algorithm. That's all! So even if a larger creator never looks your way, you can still grow and curate an audience without their help. Small accounts are what make up big accounts after all.

You NEED good SEO. I'll talk about TikTok specifically. If you want a boost in visibility then get on Tik Tok. Properly tagging your content is the key to working the algorithm in your favor. I think people believe the more tags the better. No. The more accurately tagged, the better. The hashtags "TS4", "The Sims", and "The Sims 4" are always trending. You should always use those tags. The rest depends on the kind of content you're posting. I'll use my most viral video as an example. My Stormveil Chateau post on Tik Tok got 141.6K views, 22.3K likes. Since it was for a maxis match build I used the following tags: #thesims4 #sims4 #ts4 #simstok #ts4cc #fyp #sim #sims4tok #sims4maxismatch #sims4build #sims4builds #ts4build #ts4gameplay. Most of the tags are related to TS4 and TS4 builds. I wouldn't include anything about CAS, mods, etc. It wouldn't fit the post. Don't flood other tags in hopes of getting more views. It'll just bury your post under a bunch of random content. People have to be able to find your content.

Visually appealing content performs better, period. Y'all give the aesthetic girls hell but they know a thing or two about working the algorithm. I'll give them that! People like things that look nice. Now, that's not to say you need to purge all the color or character from your game. You don't have to follow a certain style trend. Curate your own personal style. Do what you do to the best of your ability. Whatever you post, just make sure it's good quality. Focus on sharpness, clarity, etc. If you wanna curate a particular look then go for it! But most importantly, having clear clean images or videos is the main thing you need. And you don't need a beast of a PC to do it. Sharpen your images and videos before you upload them using Capcut or something. Make sure the lighting is nice. Make sure it's a good resolution for the platform you're posting on. A quick tip: Adding dof to lower quality images makes it look better! See how the left photo looks more clear than the right? A little bit of depth of field helps so the pictures don't fall flat.

Pick a primary social to promote your secondary ones. Usually your primary social may be the one where you have your largest audience. For me, it was Tik Tok. On there I'd promote my Patreon, YouTube, and Tumblr. You just released some cc? Post something about it on Tik Tok, let your audience know they can find it on your Tumblr. Use one to promote the others.

Slow organic growth is STILL growth. Growing your audience is one beast, but maintaining it is a whole other thing. As someone who has gotten shout outs from larger creators, that initial boost ALWAYS dies down. And socials like YouTube will not hesitate to tell you "Hey boo, your shit's failing now. You kinda suck." Been there, felt that. Boosts from other creators and giveaways don't have much longevity. Most times that audience will leave. On occasion you may get a few who stick around, but most won't. That's why it's important to build your audience organically. Yes, it may take longer but they won't just dip out after a few weeks. Things take time to grow. Things take time to curate. Understand you are BUILDING something. It takes time!

And lastly- if you just really want the numbers and it doesn't matter what content you post, then here's what you do: Sell. Still use good SEO, still try to have high quality photos, but give people something to consume. People like to see what they can get. Post some builds, cc, whatever. If you're not a cc creator, then do cc finds, mod reviews, tutorials, build recommendations, lookbooks. People love a good cc haul. They wanna see what they can get. And that's not to say people that make this sort of content don't care about their content. I know they do and it's a lot of work! It still takes time and effort to curate. It's just HOT right now! Especially maxis match content. It ruffles less feathers because a wide array of the Sims community has a vicious vendetta against alpha cc. (Yeah ion know. They will "uncanny valley" and "just play IMVU' you to death. If I say what I think it is.. My people know.) But if you really just want thousands of followers, then there's a way to do it.

With all that said, I know how annoying it is to constantly hear to not focus on numbers but don't. CREATE FOR CREATION'S SAKE. Do it only because you enjoy it. Growth for me has come as a byproduct of me doing whatever the hell I wanted. I make Lykaia because I want to make Lykaia. I love that people love it but it is for me. Not to be an influencer, or to inspire, or to receive praise and accolades. I love everything about the process. Hell, I love the stress that comes with it! I have four scenes to film and I'm still not done editing the ones I have filmed. The episode is supposed to air on MONDAY. I fucking love working down to wire. It's stressful as hell but it feels good! If it's out there, the audience will soon follow. Always. Take your time. Be grateful for where you're at every step of the way. Enjoy the process! And remember that all it takes is one post to take off.