#I hope it's okay that I posted this I just wanted to save it in my good things tags bc this message is litteealy sosos heartwarming 💖😭😭😭

[hiiraya]

loml

pairing: natasha romanoff  x reader 

words: ~3.3k

warnings: angst, happy ending (?), literally just self-indulgent writing, messy writing, listen to loml by taylor swift to get in the sad mood

a/n: merry christmas everyone! the last thing I posted was january of 2022 and it's literally about to be 2025 - I've been in a reminiscing mood lately and this was something I've had in the drafts for months, I figured I should just release it to get it out of my system. your girl has been missing someone bad bro and the urge to tag them in this is insane ♡ anyways, hope they see this lmao

“Have a safe flight and text me when you land, yeah?”

“I will, I will. Get home safe and update me as well, okay?”

You release your cousin from your hold, giving their shoulder a quick squeeze as they pull away. You do a last minute check with them to make sure they hadn’t forgotten anything important - something you were always prone to do when travelling by yourself. The memory of you almost missing your international flight because you had rushed home and back to the airport within record speed, all because you had forgotten your passport of all things. 

“I’ll fly out to see you next time, so you can show me around.” You smile.

“Are you guys serious? I told you to leave early so that this exact thing wouldn’t happen!”

Your eyebrows immediately furrow at the familiar voice, catching one last glance of your cousin as they enter the security screening area, waving to them while you mouth one last ‘text me when you land!’ as they leave your sight, before turning around to find the source of the voice.

No way it’s her, you thought. What’s she doing here?

As you get closer to the arrivals board, your questions are answered. Standing there in all her glory, is the one woman you never thought you’d lay your eyes on again.

“Natasha?”

You see the puzzled look on her face as she registers your voice before she even lays her eyes on you. Watching as the confusion turns to irritation - whether it was towards you or whoever was on the other side of the phone, you couldn’t tell (most likely both) - you watch as a deep sigh she releases as she glances at the board in front of her once again.

“-that’s another 10 hours before you guys even land.” She sighs, exasperation lacing her voice.

“Hey, listen if you need help-”

She holds a finger up to silence you, eyes meeting yours in a piercing glance. “I don’t need help, and especially not from you Y/N L/N.”

At her words, you look down, the sight of your shoes a welcome one as you take a second to recover. Honestly, you thought to yourself, I deserved that. 

“Yes, it’s Y/N- no I did not! I swear I didn’t know that they were here.” You hear her mutter from beside you. Deciding to save the both of you from further embarrassment, you turn your attention elsewhere, wondering what your cousin would say once you eventually tell them about who you ran into immediately after they left.

You lift your head back up when you hear Natasha mumble "you guys pick the day before Christmas of all days to be late for your flight” followed by a quick goodbye before hanging up the phone, watching her scope the airport for her next step. 

You could just leave and pretend this ever happened.

“Come on, Nat, I promise I just want to help.” You find yourself saying instead. “I can take you to your hotel when they get here.”

Well, there's no going back from that now.

“No.”

“Why not?”

“Are you seriously asking me that right now?”

You really needed to stop opening your mouth.

“Okay, you know what, I deserve that.” You pause. “Listen, I’m not going to force you to come with me, but the offer is still there if you want it. You’ll get a free ride, plus you can use my apartment to rest and freshen up while you wait.”

 -x-

"I can't believe you talked me into this."

You spare a glance to Natasha, who was currently sitting in your passenger seat.

"You're the one that followed me to the car?"

She rolls her eyes at your confused tone, choosing to ignore what you said and instead checking her phone - most likely waiting for an update from whoever she was speaking to on the phone before. "I can't believe they missed their flight."

"Who's they?"

"Yelena, Maria, Wanda," she answers. "Oh, and Yelena's friend Kate too. I don't think you've met her."

You bit the inside of your cheek, because you already know that you didn't get to meet anyone named Kate while you were still together. You honestly didn't get to meet many of Natasha's friends whenever visited her - it was something you always fought over. It felt like she was ashamed of you, always wanting to keep you hidden, a secret she never planned on sharing with the world.

You refrain from asking any follow up questions - if Natasha wanted you to know more she would tell you.

Instead, you ask: "Did they manage to catch the next flight out?"

She nods. "I'm honestly surprised they did, considering how expensive it probably would've been. But knowing Maria, she probably would've pulled some strings to make it work."

Natasha finally looks up from her phone as you come to a stop, looking at the building you had just parked in front of.

"Where are we?"

"My apartment, I figured we could drop off your bags and you can freshen up before I show you around." You open the door for Natasha before moving to grab her bags from the trunk.

You lead her inside, setting her bags down in the living room before turning around to face Natasha - holding your arms out as you gesture to your living space. It's the first time she's ever stepped foot into this place, having only seen it through a phone screen since you were the one who would fly out to visit her when you were still together.

"I'll grab you some towels so you can freshen up, but make yourself at home." You say, gesturing for her to follow you down a hallway. "The bathroom is the first door to your left, there should be a spare toothbrush under the sink- wait did I give to my cousin? Well, we can grab you one while we're out but everything you need should be here."

You know you're rambling but you don't stop in fear of saying something stupid (which knowing you, is highly likely).

"If you want to take a nap, the guest room is just a little further down the hall on the right - I just changed the sheets so everything should be fresh."

It's not the way you wanted to be showing Natasha around your home for the first time, but you'll take what you can get. It'd be so easy to waltz back to the way things were, before everything fell apart but you didn't have the right to that anymore. You weren't a part of her life anymore.

You didn't know if she already had someone new in her life, maybe you were overstepping in so many ways and that it was best to just keep your distance. After all, you did promise that you just wanted to help. You were here to keep her company until the girls arrived and take her to the hotel when they finally did get here.

You know it's for the better to just move on, that after today she'll be gone and it'll be like she never made a reappearance in your life. But how could you when you know deep down that you still haven't fully moved on and that she'll always hold your heart in her hands?

Natasha's voice cuts off your reverie, bringing you back to the present as you hand her the towels.

"Give me an hour to shower and rest my feet for a bit, I wanna go out and explore while we wait."

 -x-

"Do you see that one over there? That's a hammerhead shark! They're one of the most powerful sharks in the ocean."

Natasha hears the little girl gasp, watching their eyes going wide with wonder. She can't help the small laugh that escapes when she sees the young girl lean closer towards the glass before loudly whispering, "is it going to eat us?"

You laugh softly, and Natasha can't help but think that she's missed hearing the sound of your laugh, something she thought she wouldn’t hear again. It comforts her slightly to know that it hasn't changed after all these years, and that  she can still easily recognise the sound as being yours only.

"It won't eat us! Sharks don't eat humans," she hears you explain. "They're more interested in fish and seals, than they are humans. But they are really strong swimmers, and they can smell things from miles away - even in water!"

She'd been watching you answer questions about sharks for the past 5 minutes, after a curious little girl ran up to while you were looking at the shark tank and asked if you knew what type of shark was swimming in front of the glass.

"Do sharks talk to each other?"

"They don't talk like we do, but they do communicate by using their bodies and how they move through the water. Some sharks even make sounds by rubbing their teeth together, kind of like a secret language that only they can hear."

It doesn't take long for the girl's mother to find the three of you, sighing in relief as she sees her daughter, looking up at you apologetically.

"Sorry, she's probably been asking you a million questions."

You give the woman a friendly smile and shake your head. "It was nothing, I loved answering all of her questions." You tell her. "It looks like you might have a future marine biologist on your hands."

"Let's leave the lovely ladies to enjoy the rest of their date, bubba."

"Oh- it's not-"

"We're not-"

The mother and daughter are already walking off before either of you could finish your sentences, leaving you and Natasha standing in front of the shark exhibit with red cheeks and thundering heartbeats. 

Natasha catches your eyes as you glance at her in a shy glance, and she knows it's too late. The warmth that passes through her as you smile, the same warm and knowing smile that you used to give her when everything was still okay was almost enough to bring her down to her knees.

You interrupt before her thoughts can spiral any further, clearing your throat before gesturing with your head the direction of the next exhibit.

"Shall we keep going?"

 -x-

Natasha sits across from you at a small café by the beach. You mention to her that it was your secret place, one that you go to when you wanted time to slow down and just have a moment to catch your breath. After the little incident at the aquarium, you guys decided it was best to just sit and people watch for the time being to avoid any more awkward interactions.

The warmth emanating from the cup of coffee did little to chase away the little chills that ran down her spine every time Natasha caught you gaze lingering on her for longer than you must've realised.

She told you about the plans that she and the girls had made for their vacation while you filled her in on your own life, telling her about your cousin that had just recently come to visit you just before Christmas.

"I'm glad you chose to come with me." You admit after a pause in conversation, voice soft. She turns to look at you, your eyes meeting hers with such an intensity it made her breath get caught in her throat. "I missed getting to talk to you like this."

She can tell that you spoke without thinking, the widening of your eyes giving you away. You look away, muttering a quiet "sorry" before lifting your drink to your lips in an attempt to hide the flush of your cheeks.

She was supposed to be over you. She'd told herself time and time again that she had moved on, but seeing you again, and being here with you, she couldn't deny that she was still in love with you. Having you so close yet so unreachable leaves an ache in her chest.

Throughout the time you two had been sat at the café, she watched you with fondness at the way your eyes lit up while you spoke with excitement in your voice about the things you and your cousin had gotten up to in the week they were with you; Natasha realises that she missed you too - and the comfort that you brought her just by simply being near.

"Nat? You okay?" The worry in your voice only deepens the ache in her heart.

"Yeah, no, sorry - I'm okay." She answers with a shaky nod, breathing deeply. She allows herself to feel her emotions, knowing that it would only do harm if she tried to deny herself this moment with you.

"I missed you too."

The sadness settles deep within her chest, the way you looked so shocked at her words - and she wonders if you were expecting her dismiss your words.

Her phone pings loudly from where it was placed on the table, the text tone sounding off four times in a row as her screen lights up between the two of you.

Natasha!! We've landed :D - Wanda

Sestra, we're on our way to the hotel now, tell lover girl to drop you off now - Yelena

Hi Nat, sorry again - we'll be there in 30 minutes! - Kate

I'll check us in if we make it to the hotel first, Nat, just let us know when you're there - Maria

You both watch as each text pops up on her phone, knowing that your time together was coming to an end.

Natasha watches as you ponder for a moment - wondering if you were going to add on to your words from before now that she's admitted that she missed you too. For a second it does seem like you're about to say something, but instead you just shake your head slightly to yourself, clearing your throat and as you look away, flagging down a waiter to pay for the meal you shared.

"We should probably get going if we want to get to the hotel at the same time as them."

She allows herself a moment to watch as you gather everything, absentmindedly listening to you talk about leaving now so we don't hit traffic - though I guess it's fair to make them wait, considering they made you wait like 10 hours, that's a practically a whole day wasted where you guys could've been sightseeing!

Natasha knows your putting on a brave front - she can see it in your eyes as you gather your wallet and keys, but she begrudgingly gets up after you pay for the bill, walking back with you to your car.

Already dreading the moment she has to say goodbye.

-x-

"Well, I guess this is where I leave you."

Pulling up at the front of the hotel, you catch a glance of Yelena, Kate and Wanda through the window. Even though you couldn't see her, you knew Maria wouldn't be too far away. Probably checking everyone in, you assumed as you parked your car near the entrance.

You do your best to avoid looking at Natasha, taking your time in getting out and grabbing her bags from the trunk, knowing this could very well be the last time you see her again. The thought alone breaks your heart all over again - you can recall all the times you've begged the universe to let your paths cross once more. Now that your wish has been granted and you're preparing to say goodbye to her once again, you deeply feel the loss of her from your life before it's even happened.

She's already watching you as you close the trunk. You hope that she can't see the tears that have been slowly building up since you started the drive to the hotel. You refuse to let yourself hope that the look in her eyes could mean anything order than gratitude.

"Thank you, Y/N, for today." She tells you softly.

"It's was nothing, Nat," you say with a smile, before softly adding, "you're welcome and I hope you guys have a Merry Christmas."

Getting lost in the silence that falls between you; you miss the way she's looking at you as you stare down at your shoes, waiting for her to grab her things and go so you can drive back to your apartment and sulk for the rest of the week. You wonder if she can see the way your hands are shaking as you wait for the inevitable goodbye.

"Y/N?"

You hum in response, not trusting your voice to stay steady if you decided to use actual words.

"I had a really good time today."

You tilt your head in curiosity. You've had a hard time all day trying to gauge if Natasha was having enjoying herself or not. There's no doubt in your mind that she would've said something if she wasn't.

"And it got me thinking," she continues. "I don't know- maybe I'm reading into everything wrong, and you can absolutely say no. You'll probably say no, because this is crazy, but I had to say something before I lose my mind-"

"Nat." You interrupt. As endearing as it was to hear her ramble on, to see her getting more and more flustered as she kept talking, you knew she'd work herself up before she every got to what she actually wanted to say.

"Breathe, love."

You nod encouragingly after she takes a deep breath, giving her time to gather her thoughts.

"Maybe it doesn't have to be so wrong, you know?" She starts. "To try again."

You try to hide the shock that you feel, but can't stop the way your eyes widen ever so slightly at her words. Never in a million years did you expect her to even say yes to spending the day with you, let alone suggest giving your relationship another go.

Does she mean just a friendship or an actual relationship?

Is she just saying that because of today?

What if she realises she doesn't actually mean that later on?

What if this was just a joke and she was just waiting for you to say yes so she can go "aha! I was just kidding as if I'd be serious."?

What if-

"We're different people now, don't you think?"

Confused but curious to know what else you had to say, she nods. "I'd say we are."

"We're older than we were before." You add. "We know a lot more about ourselves now, I'm not the scared kid I used to be."

You're scared of making the same mistakes you did all those years ago. But you also know that you're more than willing to learn from those mistakes; to stay and communicate to make things work instead of running away at the first sign of trouble. Because if there's anything you want more in the world, it's to make this work with her.

But just as much as you are scared, you can't help but be excited. Excited and honoured to learn more about this new Natasha, and fall in love with her all over again. You can't wait to find out what stayed the same, and what changed about her. Whatever she was willing to share with you, you'd gladly take.

"I could love you properly this time."

She gasps softly, and your heart pounds at the prospect of already scaring her away.

The thought of her friends seeing this happening through the window of the hotel briefly crosses your mind - you wonder if they'd approve of you making a return to Natasha's life or if they'll make you work for it after the way things ended between you two.

But she smiles, stepping into your personal space to wrap her arms around your neck and all thoughts leave your mind. The only thing you can focus on is Natasha pulling you closer so her words are only for your ears and your ears only to hear.

"I could love you properly this time too."

-----

@sadonism

[38sr]

I know this is gonna be a strange one, but I do have an industry question;

I've been looking for a job for the last 4 years post-grad, I've tried every bit of advice I've gotten over my 6 years in school and 4 years out. Is it too late for me?? Or more so what advice would you have at this point?? I'm starting to feel really negatively about this venture, and getting a day job has been just as difficult;;

Hello Sky! Hope it's okay to call you that. Ah post-grad job hunting.....I don't miss that period of my life at all. Before I begin, just want to preface that what I say going forward is strictly from my perspective/experience. I am not the absolute of the animation industry so if what I say doesn't align with you, you do not have to follow it haha. Alright, advice for post grad job hunting.... Well, I think I want to start off giving a bit of context for the animation landscape these past 4 years that has been rough for everyone (trust me it'll come back around to your question): 1.) COVID Pandemic

This one might be a confusing for some people because when COVID hit in 2020, the only facet of entertainment that was able to keep going was animation. If you remember, during this time streaming numbers went up because people were stuck at home, every studio was launching their own streaming platform (HBO Max, Disney+, Peacock, etc.) and celebrities were given animated shows because live-action had stopped dead in its tracks. This period allowed artists outside of California state to get hired because what's the point of capping the talent to the local area when we're already working remotely? In short, it was a boom. But an exponential boom rather than a gradual boom. You never wanna grow too fast because you'll crash out quicker (and harder) which leads us to our second factor.... 2.) Netflix's first ever round of layoffs in summer 2022, streaming actually isn't profitable?????

In short, this year is when Netflix's growth finally stopped and was the beginning of The Great Animation Contraction. Other studios who were looking to Netflix as a the new model of distributing/creating entertainment had realized Netflix wasn't invincible. As well as their business model. So naturally, they got scared and and take action (aka layoffs). I was affected by these layoffs while working at Marvel Studios and many artists got laid off at studios to save face from the mistake that was streaming (though at this point studios were still double downing on it). Also, around this time live-action was slowly restarting thanks to vaccines and social distancing protocols. So those celebrity studded animated productions dwindled down (and also they caused so much havoc for us animation workers because most of those celebrities had no animation production experience). Which now leads us to...

3.) Mergers everywhere! Yeah, uh, mergers fucking suck. People kept losing their jobs because companies kept absorbing into each other and multiplying their debts to ungodly dollars amounts! Apparently no one took a math class and understood if you multiply any number by zero you will always get a zero. These merger also caused more shows to get shelved and canned, making the job market even slimmer. And by then we get to 2023 and the....

4.) WGA, SAG and TAG Contract Negotiations By now, studios have realized that streaming is losing them money because it costs a butt load of money to not only create a streaming site, but also maintain it, update it, create new media for it, acquire established franchises for it, and maintain the current library. Streaming shows aren't being advertised like they used to on cable so shows don't last beyond one or two seasons. Worker contracts are becoming shorter and shorter (I had a co-worker who had a 3 month contract! Isn't that insane?). And what happens in the midst of this streaming meltdown?

WGA, SAG and TAG are gearing up for their contract negotiations. And as we know SAG (actors) and WGA (writers) did strike which good for them! But now there are no live-action jobs and once again, animation (TAG) is the only one running because our negotiations don't officially start until 2024. At this point, so many animated productions have been cancelled left and right for the sake of "saving money and cutting costs". And the effects were very much being felt in the animation work force. Some animation workers were starting to leave the state of California to more affordable cities, some getting day jobs as baristas, hell some leaving the industry all together. It didn't help that studios were kind of withholding production greenlights 'cause 1) they're greedy corporations 2) these strikes were putting pressure on them. And when we did enter 2024 for our contract negotiations, that contraction was at the tightest. The job market for animation had become so bone dry that you have director-level talent taking entry level jobs to stay afloat. But because of that new, emerging artists are blocked out from breaking in. Anytime a job listing would go up people would go in a frenzy and try every thing they could to get the job. That's how little shows were in production this year specifically. Of course, by now it is public that TAG has ratified the contract (meaning we will not strike). But up until then, studios were quite literally waiting with baited breath for the duration of negotiations. A ton of stuff was in development but nothing was getting a greenlight in fear of a strike. So many animation workers at this point have been laid off for at least 2 years, got priced out of LA county, or got so burned by the industry that they left for a more sustainable paycheck. At this point of the post you're probably thinking, "Why is she talking about all of this and not answering my question?"

And the reason for that is because I what to highlight you didn't miss your chance. You unfortunately graduated at a time where the circumstances were not good for breaking in for the past 4 years.

I'm not saying this to deter you from animation either. I just want to be transparent and honest about the current state of animation because it really has been bleak for the past 4 years. So it's not your fault but rather the industry was just in a seriously bad drought. Both emerging and veteran artists have been struggling to find work and when they do it didn't even last for 6 months. Hopefully, with the renewed contract studios will start greenlighting productions again so everyone isn't fighting for one job opening. But I can't tell 'cause I am not Raven Baxter haha. But what advice can I give during this tough time? Start developing your own projects. Things may be pretty dry right now but now is the time when you can create and develop your own original stuff that can be used in your portfolio. Short or long form, showing progress videos, just create. Because once you start working it's gonna be hard to find that personal project time (trust me I'm going through that right now haha). Also, you'd be surprised how just doing your own thing can garner the attention of someone who does have the power to hire you. How do you think I got to work on the shows I have in the animation industry? Almost all of my jobs happened because I was just creating my own thing and it just happened to match the sensibilities of a show produced by a Hollywood studio. And if I had any additional advice... it would probably be don't think that Hollywood is the only way you can tell your stories.

This one is more of....a recent revelation I've had after going through a pretty bad work experience but Hollywood isn't the only way you can be a storyteller. Whether it's comics, games, streaming, animation, or film....the Hollywood system isn't the end all be all. And by Hollywood system I'm referring to breaking into a big studio like Disney, Nick or something and trying to get your own movie/tv show to win an award or something. That system often works for a certain group of people and fails other groups. That's why I say develop and create your own thing because you might find something that fits your creative voice more than Disney or any other Hollywood studio. Maybe that's inconsiderate of me to say as someone who's been incredibly lucky to work in the animation industry for almost 8 years now....but I still wanna be honest that there are other avenues that isn't the Hollywood way. All in all, please don't give up or beat yourself up. The current state of animation within America was out your control and resulted in many artists struggling to find a job. You aren't too late. In fact, I would say now is your time to do your thing in preparation for when that hiring boom comes again (or you can just take another route to tell your stories). I hope that answered your question!

[aprillikesthings]

been a while since I've done this eh :D

underrated frames from the opening of Promise:

Catra watching Adora fail to get answers out of pre-Light Hope

and then getting pissy at watching Adora transform in She-Ra

poor angry baby

roll intro

man i will never be over this moment:

Hologram: you must let go

Adora: let go of WHAT

Camera:

-pans to Catra

For comedy, tho; my fave line in this episode is when Catra's like, "Can't you make them [the big robot spiders] stop?" and Adora replies "No, I can't tell them to stop, clearly, nothing in here is listening to me!!!" Adora's line delivery kills me every time

Adora's just grabbed Catra's arm and run twice now lol

not thinking about another time she holds the sword as a shield over Catra to protect her, nope, nope noooooooooope

.

too late

*sobs*

okay I'm fine

"I knew you'd be weird about me letting you escape, I told you it's not because I like you!" "I mean, I didn't, I didn't say anything..." -second funniest lines in the ep

smug bastard lol

NOW KISS

(okay maybe not then. Light Hope would've somehow made that whole thing worse)

haunted by the shadows of their past....or something

i've read fics like this

wah they're so cute imma die

man, it's so easy to blame their entire falling-out on Catra, but ...yeah

Catra: whaddya want, an apology? you're not getting one

Me: not for another uhhh few dozen episodes anyway

(hands)

man now every time I see them on some cliff or another I'm like, this was all just foreshadowing for Save The Cat, wasn't it

Catra: Did you really think I'd just let Shadow Weaver erase your memory like that? Adora: I dunno. Probably. Catra: Yeah, well, you never did have too much faith in me. Adora: Can you blame me? Catra: Not really.

You could write a whole long-ass meta post about just that exchange I swear to god. Catra joking to cover up her self-esteem issues vs Adora being a little mean and self-righteous.

Huh yeah that one just pops up multiple times in this ep doesn't it

Y'know, there are multiple conversations in the show that come down to Adora saying "admit you like me" and/or Catra insisting "I don't like you/this isn't because I like you," but they never once do it the other way do they

something about how Adora's completely unaware of her own feelings anyway, so that conversation wouldn't even work even as a joke

oh, you like fighting each other? great! 'cause a few years from now you're gonna be doing it a LOT :D

(sorry)

she's been a smug bastard since childhood lol

augh this whole scene is just "Catra's been lying about whether she gave a shit this whole time, and Adora mostly believed her, which unfortunately just made Catra feel more alone"

(hahhhh the "no it's fine I don't care anyway ha ha" thing is a quality she shares with Amethyst, the only other character I've self-id'ed with this hard, and yes this does tell you things about me)

oh ffs i'm still only halfway through the episode.

i gotta stop lol

Can’t wait to engage in one of my fave midnight hobbies: get high as balls and rewatch bits of She-Ra and sometimes post screenshots with overemotional/horny captions

[xf-cases-solved]

ayyyy, @numinousmysteries, guess who it is! it's me, your secret santa for the @poangpals gift exchange, here to gift you words that are kinda angsty, kinda hurt/comfort-y, and kinda (or more than kinda) horny. i've written a lot of cancer arc lately and was like "hmm, maybe i should branch out..." BUT, when i saw your ideal episode was "memento mori but they bang at the end," i was like, "okay, well, obviously this was meant to be." so that is what i have brought you! a post-memento mori fic where they bang at the end! thank you for everything you bring to this community. you're a baller and i hope you enjoy your gift <3 -diz Title: Memento Vivere Word count: ~6500 (bc i can't shut the fuck up to save my life) Rating: Explicit Here's the link to ao3, or save yourself a click and read below!

***

Memento Vivere

She is in the middle of grimacing at her own reflection in the small compact mirror she found at the bottom of her overnight bag when Mulder shows up at her hospital room, keys jangling in his hand as he hovers in the doorway, neither outside nor inside, like he's uncertain about what kind of proximity he's allowed this morning. Like she's a skittish cat he's trying to win over. And what grates at her isn't his tenuous disposition—it's that it's completely warranted, and it's so jarring to be known so well.

She knows that he knows that she bared her heart to him last night, and is now grappling with mortification. She's never been good with emotions. In college, she could do a walk of shame with her head held high, but when a lover would voice their affection for her she would suddenly become incapable of looking them in the eye. Her heart is in a lockbox and sometimes she goes so long without opening it she almost forgets the combination, and when she does manage to pop it open she gets frantic, wanting to immediately slam it shut.

"You about ready to go?" Mulder asks casually. Too casually. He's assessing her like he would a suspect, adjusting his tone to meet her mood and make himself more approachable, and she wants to snap at him for profiling her, but she won't. She can't. Not without confirming his analysis of her, and she doesn't need to open the spine of her book any wider when he can already read her with such clarity.

In her writings—the filled pages already torn from the notebook and shredded into pieces in the wire trash bin next to her bed—she had thought she was divulging the secrets of her heart to him. It occurs to her only now, as he watches her from across the room with a purposefully mild expression, that while he may not know her every thought, he is the only other person who knows the combination to the lockbox in her chest. He could open it at any time, but he doesn't. He could reach inside her and hold her beating heart in his cupped hands, learning every detail and committing it to memory, but he would never take from her anything that wasn't freely given. His respect is almost more overwhelming than anything, because it's a reminder that if he weren't an honorable man he could ruin her. He has access to her nuke, and she can do nothing but trust that he won't hit the button.

"Yeah, just a second," she replies—casual. 

She slips the compact mirror back inside her bag and gets to her feet. She tries to summon the woman inside her who walks down the hallways of the Hoover Building—confident, assertive, and unaffected by stares or assumptions—but it's difficult without her body armor. Even though she only had one infusion of the chemo, her body still feels frail and hungover, like the day after a bad twenty-four hour flu, and she's wearing flats with her yoga pants and sweater, highlighting the height disparity between the two of them in a way her heels usually help to mitigate. There wasn't a hair dryer to use after her shower, so the natural curls she usually irons out are taking over, absurdly making her feel disorderly and sloppy. And she's not wearing makeup, and it's not the dark circles around her eyes or even the mole above her lip that she's self-conscious about—it's the freckles that spatter across her cheeks and nose. Well put together women don't have freckles, and she's sure he's going to interpret her vulnerabilities on her sun-kissed skin like the soggy tea leaves at the bottom of a china cup. 

The worst part of dying, she's starting to think, is the discovery that her walls that felt sturdy like concrete are actually made of straw, and there's nothing like an illness to come sweeping through to blow your house down.

On the way out of the hospital they pass the room Penny died in. She looks away from the door, and Mulder looks at her. In a blink-and-you-miss-it moment he reaches over and squeezes her hand. 

They don't say anything. 

Scully thinks his choice of silence says more than words ever could.

*

When she wakes up on her couch she isn't sure if it was the nightmare that roused her, or the relentless throbbing in her head.

The ride back home from Allentown had been uncomfortable in every sense of the word. Mulder had rambled theories at her—about Dr. Scanlon and MUFON and government agendas—until her lack of engagement made the conversation eventually dissolve, first into him nervously chattering about the most ridiculous X-Files cases he could think of and, when that didn't work either, into nothing, a pall falling over them as she shifted restlessly in her seat, unable to find a position that didn't feel ill-fitting like a shirt that she couldn't untwist. They didn't once speak the word cancer.

She hadn't meant to fall asleep after he dropped her off, but ten minutes into some daytime talk show and she was suddenly dead to the world, and judging by the low light that surrounds her, she has slept all the way from early afternoon well into dusk. The TV still flickers at her, now playing the evening news, and she's sure that there aren't going to be any headlines about manufactured brain tumors and shady oncologists who betray their Hippocratic oath by purposefully poisoning women who look to them for salvation. The types of horrors she witnesses rarely make the news. Not with all the facts attached, at least.

She pushes herself up with a groan. Her head really hurts, and although her first instinct is to attribute it to the mass in her sinus cavity, when she reaches up to swipe under her nose there are no remnants of dried blood, and the dryness of her tongue and hollowness of her belly makes her think that the rhythmic throbbing in her skull is probably because she can't remember the last time she had a glass of water or a single bite of food. 

She goes about the motions of getting together what she supposes is technically dinner, even though she forgot to proceed it with breakfast or lunch, and when she gets it all together—a hearty meal of half a banana, a slice of buttered toast, three ibuprofen, and a tall glass of ice water—she settles back down on the couch and assesses the other ache she'd awoken with.

The nightmare is formless in her memory, lacking a cohesive plotline now that she's in the waking world, but nevertheless, the emotions it stirred up inside her are visceral. There is a hollow feeling in the pit of her stomach, bottomless as the abyss. It's a type of fear that grips her from the inside, putting her adrenal gland into a chokehold and activating her fight or flight, except she can't fight her own mind anymore than she can flee it. 

This is how she knows, even without the details, that her dream was about dying.

These types of dreams have been coming to her more frequently nowadays, starting the night Leonard Betts spoke five chilling words to her in the back of an ambulance. She's had friends who have been pregnant, and they would often tell her about the constant dreams they would have on the subject throughout the entire nine months. In a way, she figures, it's a similar concept; she and her friends all have had dreams about what their body is growing inside them—the notable difference of course being that they grew something into life, and she's growing something that takes it away. 

Tomorrow she is going to have to start making phone calls. Make appointments and discuss treatment options and try not to get discouraged when the options are limited. When she first told Mulder about the cancer, he had been so insistent, saying, "There must be some people who receive treatment for this," and at the time she hadn't been able to bring herself to tell him that she wasn't sure she was going to be one of them. The odds were, and are, so heavily stacked against her, and as a medical doctor she is very aware that sometimes quality of life outweighs the quantity of it. Her experience in Allentown hasn't really endeared her toward the idea either, if she's being honest, and not because of Scanlon, or even because of Penny, but because she had not felt sick at all, up until she tried to treat the illness, and then suddenly she'd been in hell. 

But while she may be uncomfortable with how much of herself she bared to him last night, she knows that she made promises that she can't take back. She is loyal to a fault, and she gave both him and herself her word that she would continue to live as long as she could, and so she will. 

She's just not convinced much of her life in the upcoming days and weeks and months and maybe even years will feel much like living. In fact, she's pretty worried—down to the very depths of her subconscious, if her dreams are any indication—that she's going to feel like she's dying.

They say doctors make the worst patients. Sometimes that's because of stubbornness. Sometimes it's because they know exactly what to expect.

She finishes her meager meal and drinks down the last of her water. She slips an ice cube into her mouth and bites down on it, shattering it into pieces. The enamel of her teeth has always been sensitive to temperature, but instead of being off-put by the pain that spikes through to her jawbone when the ice touches her nerves, she revels in it. Her head, while somewhat improved, is still aching, and she finds herself appreciating that as well. She finds she is grateful for the signs her body is giving her to tell her it's still here, and maybe that's the trick. Maybe to get through this she has to go into it with a respect for the pain. This only hurts because I am alive, she'll have to train herself to think. 

She can do that. She's certainly stubborn enough. 

She wishes it didn't all have to be about pain, though. She doesn't want to forget that a body can feel good things too.

Ice crunches between her teeth, shocking her like a root canal, while she thinks about the signs of life that are enjoyable. Warmth. Comfort. Pleasure.

Pleasure.

On the TV, the news anchors are tying up their reports that are lacking things they don't even realize are missing. In her mouth her internal temperature warms the ice water, and the ebbing of the pain is a brief moment of gratification that acts as a sampling of what endorphins can do. 

Tomorrow she is going to have to make plans to put herself in a varying, yet indefinite state of pain, and she will have to learn to appreciate it in order to remember how to be alive. 

Tonight, however, she could remind herself in a different way.

It is a terrible idea.

It's an idea she has had a million times before and has stamped down just as often.

Ten minutes later and she's out her front door and getting into the driver's side of her car. Muscle memory guides her down the streets toward Alexandria, while she spends the whole drive telling herself to turn back.

She doesn't.

*

"Hey," Mulder says in surprise, eye widening slightly at the sight of her standing at his door. He's got on a white tank top and dark grey sweatpants, looking nothing like the federal agent he usually does. Instead of seeing a professional, albeit a tad bit crazy, government official, she sees her friend in the way that is much easier to ignore when he's wearing a suit and an ugly patterned tie. Like this, he exudes masculine energy, and her eyes are immediately drawn to the slopes and curves of his muscular shoulders and biceps. There is hair peeking out on his chest where the neckline of his shirt dips low. He hasn't shaved for at least a day, an even stubble shadowing his cheeks and jaw. She drops her gaze to the floor before he can catch her roaming eyes, and she sees his feet are bare. For some reason that's the most intimate part of it all, and the reality of what she's come here to do hits her like a freight train and she flushes with what must be a particularly spectacular shade of red.

In contrast, she's feeling a lot like she did this morning, like a soldier out of uniform. She's wearing the same pair of yoga pants, and under her coat she has on a faded souvenir t-shirt her parents gave her after an anniversary trip to the Outer Banks well over five years ago. It occurs to her only now that she'd left in such a rush that she hadn't even bothered with a bra, and she becomes instantly aware of the oversized shirt brushing directly against her breasts.

At least she wore boots with a heel this time, but in reality it's not doing much to level the playing field. Mulder's six-foot frame still dwarfs her completely, and while she normally feels like a peer in his presence—like a respected intellectual whose gender is totally irrelevant—tonight she is feeling a lot like she did the first time she entered a university science lecture and found herself surrounded almost entirely by men. The difference is that back then she had felt, ridiculously, embarrassed by her femininity, hyper-aware of every questioning stare, asking the same question: What is she doing here?

But like with most things, Mulder—simply by virtue of being Mulder—challenges her way of thinking. While she has long since stopped viewing her womanhood as a flaw, she is always viscerally aware when the people around her view it as one, and over time that has bred resentment. Standing here before him, though, she holds no animosity toward the difference in their sexes. Like the way her science complements his reckless belief, so too, in this moment, does her feminine ying balance his masculine yang. 

She doesn't even worry about the freckles on her makeupless face. 

"Scully?" He sounds concerned, and she realizes she's been standing here in silence after appearing at his apartment unannounced, and the last time they saw each other it had ended with her muttering a curt goodbye as she all but bolted from his car to escape the suffocation of her own self-imposed belief that emotional vulnerability was akin to disgrace.

But what Mulder isn't privy to yet is that the shame from this morning about being so transparent has been wholly replaced by the need of a dying woman to be reminded of the good parts of being alive. Scully is ready to be bare, by every definition, and she can only hope that he'll let her. 

Refusing to give in to cowardice, she forces herself to look up from the floor to meet his eye. 

"Can I come in?" she asks.

"Yeah, of course." He angles himself to place a hand on the small of her back, ushering her inside, and even through her coat and shirt the contact burns like the ice touching her enamel. She kicks off her boots, sinking back down to her natural five foot two—three, if the height gauge at the doctor's office chooses to be generous—and lets him take her coat and hang it up, before leading them both over to the couch. He plops down, leaving a purposeful vacancy beside him, and looks up at her expectantly, but she doesn't sit. Cocking his head, he asks, "Are you all right? Why are you here? If you needed something you know you could have called me and I would have come to you. I know you only went through one day of treatment, but I'm sure it had to have taken a toll on your—"

"I'm fine," she insists, cutting him off. She doesn't say it harshly, but she doesn't leave room for him to argue against it either, even though she can tell he desperately wants to. Instead, he chooses to heed her command, and presses his lips closed, waiting for her to tell him why she's standing here when earlier today they drove over three hours and she had barely said a word the entire time.

It's possible she didn't think this far ahead. More than that—it's possible she hasn't thought this through at all. 

But she's committed now, and she's starting to feel feral, her needs centered around primitive instincts. It is in every species' nature to fight for survival at any cost, but she is burdened with a human's intellect that can allow her to deny herself continued survival if doing so also means prolonged suffering. If she is to keep her promise—if she is to fight for her life with treatments that make her feel sicker than the disease they're targeting—then she has to go into it with a memory that reminds her why it's worth it to stay alive.

She walks over to his desk and leans against it, mindlessly thumbing through documents strewn carelessly across the top. There are pieces from casefiles, and pages photocopied from obscure books on phenomena she'd never believe. There are scratch pieces of paper with notes scribbled on them, written in a shorthand that she's sure only makes sense to him. There are newspaper clippings and articles torn from tabloid magazines he would call source material, and she would call a scam. She doesn't read any of it, but she keeps her eyes trained on them as she considers her next steps.

Gaze pinned on a faded picture of some kind of creature that has clearly come off a printer that was running low on ink, she finally says, "I want to ask you for a favor, but I should warn you that it's a bit unorthodox."

"Unorthodox, huh? I dunno, Scully, I'm a pretty conventional guy, I'm not sure I can handle anything out of the ordinary."

A smile tugs at the corner of her lips. How does he do that? she wonders. How does he know how to calm her when he doesn't even know that she's feeling frantic in the first place? 

That you should know my heart, look into it, finding there the memory and experience that belong to you. That are you. 

Those were words she had written only days before, placed inside a journal that was meant to be a confessional, but again, she should have known better. What use is there in inviting someone into your heart when they're already there?

She stops fiddling with the contents of his desk and looks over at him. He's regarding her with an expression of concern that on a different day she would construe as pity and detest, but right now she has the capacity to accept that he's looking at her like that, not because she's weak, but because he cares. Because he's worried. Because he wants her to live.

"Last night, when you said you read some of what I wrote... how much did you read exactly?"

Mulder rubs the nape of his neck and shrugs.

"A bit," he says, which she takes to mean "all of it." She can picture him, after confirming she was safe, sneaking into her hospital room and sitting on her bed, skimming each page, and then going back through a second time to take it in more fully. It should feel like an invasion of privacy, but instead her impulse is to huff a small laugh. She tries so hard to hide from him, and yet he finds her every time.

"So you know about the treatment. What it feels like." He nods slowly, like he's trying to piece together what she's getting at and hasn't quite formed a cohesive picture yet. She sighs.

"Tomorrow I'm going to set up a meeting with Skinner and take him up on his offer in getting into contact with an oncologist. We can still pursue the case—that is, if any new evidence presents itself to give us any new leads—but in the meantime, I need to figure out what treatment options are available to me. Time is of the essence in these sorts of situations." 

Mulder nods again, still waiting for the clarifying piece of the puzzle.

"Mulder, without talking it over with a specialist, I can't know for certain what treatment route they're going to have me take, but with my medical background I can make an educated enough guess to safely say that, whatever it is, it's not going to be pleasant."

"Any help you need, Scully, you know I'm just a phone call away. And don't worry about work. If you have to take leave that's fine. What matters most is that you get yourself health—"

"I know. I know that, but that's not what I came here to talk to you about."

"... Okay." He gives a small shake of his head. "What then? What's the favor?"

Scully draws her lower lip between her teeth. 

"I need your help," she says slowly, "in reminding myself that my body can do more than feel pain. That it's more than just a vessel to get me from one place to another... I need you to help me remember why it's worth saving."

"I don't..." he starts, but his sentence trails off as she makes her approach over to him with a purposeful gait. She goes to stand between his legs and he opens them wider to give her space like the action is automatic. He tilts his head back to look dumbly up at her, and the change in dynamic—her above and him below—makes her feel some type of way low in her belly. 

She reaches out and cups his face, tracing the line of his cheekbone with her thumb, and she sees his Adam's apple bob as he swallows. She thinks the picture may be becoming clear to him now.

"Scully—"

"You can tell me to leave," she cuts him off. "You can say no and I won't hold it against you. We don't ever have to talk about it again. But if you're willing..."

Mulder gives a breathy, disbelieving laugh.

"Scully, trust me, it's not a matter of whether or not I'm willing, but look at what all you've been through in the past couple days. I don't think you're thinking rationally, and I don't want to take advantage—"

"Not thinking rationally? Me?" She smiles a little as she pulls her hand back, making a point to drag her fingers slowly across his skin on the way, and she doesn't think she imagines him leaning into her touch. "Mulder, I appreciate your concern, but why don't you let me decide what I do and don't want to do."

"Scully..."

"Do you trust me?"

He lets out a frustrated sigh.

"Of course I do."

She takes hold of both of his wrists, and when she tugs his arms out to settle his hands on her hips she's met with slight resistance, but she knows it's just for show. She's not weak, but he's got plenty of strength to get away from her if he really wanted to. Instead, the pads of his fingers press into her pelvic bone, even after she's dropped her hold on his wrists.

"Then trust me when I say this is what I need from you," she says. She smirks and adds, "I told you it was unorthodox." 

"You weren't kidding," he mutters, and fuck, his eyes are boring into hers so intensely she nearly shudders. 

Sweatpants are not exactly ideal when it comes to maintaining modesty in sensitive situations, and Scully's effect on him does not go unnoticed. Her eyes dart down to the significant bulge between his thighs, and then back up to his face where he gives a bashful half-grin accompanied with a one-shouldered shrug, as if to say "can you blame me?"

"I won't hold it against you," she tells him again, "but I do want this."

"Fuck," Mulder breathes. He shuts his eyes for a beat, like he's trying to compose himself, and then blinks them back open, embers of an impending fire starting to glow behind his dilating pupils. "This is a bad idea," he tells her, stating it more like a fact than as a deterrent. 

"Maybe," she agrees.

"We have to work together tomorrow. And the day after that. And after that one, too. You don't think this will... change things?"

"Not if we don't let it." 

"You really think it's that simple?"

She considers the question. Considers whether or not she can learn what it's like to have him explore her body tonight, and then pretend like she didn't come morning.

"We're two consenting adults," she says, evading the question. "Has the thought of doing this really never crossed your mind?"

"That... That feels like a leading question."

"Would it make you feel better if I said that it has definitely crossed mine?"

"Jesus, Scully," he breathes, shifting in his seat and clutching her hips so tight that she won't be surprised if later she finds finger-shaped bruises on her skin, reminiscent of dusted prints at a crime scene.

"It's just sex, Mulder," but even as she says it, she knows it's a lie.

He knows it too, judging by the muscle twitching in his clenched jaw as he holds her eyes with a steady look.

"Is it?" he asks evenly, and they both know the answer is no.

No. Of course not. Sex could never be "just" anything between them, but the reason why is a topic they've come to an unspoken agreement to never acknowledge aloud. But Scully isn't stupid. She knows that the way electricity behaves between them—constantly thrumming and sparking, in tense situations as well as banal—isn't normal. Four years ago she dropped her robe in front of him in a candle lit hotel room, and she hasn't stopped feeling his gaze on her lower back since; the tender way his eyes roved over her delusive mosquito bites is as permanent a tattoo as the blood red ouroboros that has only recently lost its scabs.

The term "something more" is a vague and fanciful concept she would sooner dismiss as nothing but a perpetuation of commercialized romance, if she herself wasn't subjected to it on a near daily basis. Since day number one there has been an elusive "something more" surrounding them, fighting for their attention, even as they so ardently deny its existence.

So no, it isn't just sex, but Scully also didn't come here to give voice to the elephant that follows them from room to room. To put it plainly, she came here so he could fuck the will to live back into her body, and she refuses to lose sight of her mission.

So in lieu of a response—because she can't animate any elephants, but neither can she lie to a man who treats truth like the core tenet to his religion—she instead throws caution to the wind, swoops in, and kisses him. 

Ice touches enamel. She wants it to burn.

Whatever reservations or protests he may have been fighting against must not be too hard to cast aside, because his response to her is instant, tilting his head to slot their lips together and kissing back so forcefully their teeth clack together. But even that doesn't, or maybe can't slow them down.

Mulder's hands move from her hips to her ass, and in a single swift movement he lifts her onto his lap. He swallows her surprised gasp as she straddles his thighs, his hard cock brushing her center, the layers of their clothing teasing her relentlessly when right now she needs skin-on-skin more than she needs air.

Mulder seems to be of the same mind, because one second she's sitting astride him fully clothed, and in the next he has somehow stripped her of her shirt, tossing it carelessly onto the floor. Returning the favor, she peels his off too, feeling like a kid at Christmas unwrapping the box she knows contains the best present under the tree.

Scully tries to recapture his lips, but he stills her with a gentle hand on her shoulder. He then leans back to get a good, long look at her.

"God, Scully," he whispers reverently, eyes trained on her chest. He reaches out to touch her, and when he does her breasts fit perfectly in his hands. Tentatively, and with such profound focus you'd think he was attempting to split an atom, he pinches her left nipple and rolls it experimentally between his index finger and thumb. It's such a simple touch, but it goes straight to her leaking cunt, and when she moans Mulder's attention darts back up to her face, the embers behind his eyes now a full-fledged forest fire, blazing a warpath through the trees. He makes it a point not to break her gaze when he leans in and takes the same nipple into his mouth.

"Mmm," she hums, letting her head loll back. He sucks the nub of her nipple taut, and involuntarily she bucks her hips in response. 

Mulder mumbles something incoherent against her breast, and when she asks for clarification, he pulls away with an obscene pop and then nuzzles his face in the crook of her neck, saying, "You're everything."

Everything. Like he ran through the full gamut of adjectives and found himself wanting. Like she is so many things at once that there isn't a single word that encompasses the breadth of her worth to him. 

You're everything.

It's the most overwhelming compliment she has ever received, because she wants, more than anything, to live up to it, and yet she's not even sure if she is going to be able to simply live, period. She's not sure when her greatest fear became failing him. It might have been the first time he ever challenged her. When she stood in front of his projector, veiled by the illuminated slides he'd already prepared for her arrival, as he quizzed her on chemistry, and causes of death, and the supposed limits of science in a vast and complex universe. She had wanted to prove herself to him then, and then just never stopped. 

The truth of his influence over her is too much to handle right now, so she decides to kiss him again—an act that is quickly becoming her new favorite strategy for deflection—and then buries her fingers in his hair. She oscillates her hips in slow circles, taunting them both with light but consistent pressure on his cock. She feels him twitch in anticipation for her, and her pulse throbs in her cunt in turn.

"I want you," she whispers against his lips, but he shakes his head.

"No," he murmurs. "No, not yet."

Before she can ask him for clarification, he's lifting her up with a firm grip on the backs of her thighs, and then proceeds to lay her down lengthwise on the couch.

There's a manic energy wafting off of him in waves, and yet, in total contrast, the way he slides her leggings and panties down and off her legs is so purposeful and leisurely that she has the absurd thought that nobody has ever undressed her with such respect before.

When he kisses her soundly on the mouth and then begins making a trek down her body with his lips and tongue and an occasional nip of his teeth, she feels—for the first time since she stepped foot inside his apartment with this ludacris idea—a pang of apprehension.

For the most part, she isn't a self-conscious person. Once she got past the awkwardness of adolescence, she's had a fairly healthy relationship with her self-image. But that said, Mulder's intended destination is obvious, and she's had enough sexual partners turn their nose up at the suggestion that for a moment she worries he's only doing it because he thinks she expects it of him.

But then he settles himself in between her thighs and peers up at her with a hunger better fit for a man so far into starvation he's about to succumb to it, and she realizes then that while he may be able to read all the words on her every page, it is not a one-sided transparency. If ever there were to be a scholar on the topic of Fox William Mulder, she would be the one.

The apprehension, already fleeting in the first place, dissipates entirely, and she lets her legs fall open in invitation.

There is no hesitancy in his acceptance. He uses two fingers to part her labia, and then starts off by dragging the flat of his tongue from her soaking entrance up to her swollen clit in one long stroke, and that alone has her crying out, unconcerned about how she sounds or how thin the walls might be. 

Never a man to miss important details, it's unsurprising the speed at which he masters the intricacies of her body. She knows he's paying attention to every miniscule shift in her body language by the way he adjusts the pressure and speed and direction of his mouth and tongue. When he slips one finger inside her, quickly following it up with a second, and pulses a come hither motion as he sucks on her aching clit she wants to sob. He eats cunt with the devotion of a holy man, and he makes her feel deserving of being worshipped.

This is why it's worth it to live. Because for every twinge and ache and pain her body is capable of, it is equally capable of so much good feeling that it could constitute a religious experience. That while there are always going to be moments of suffering, there are also going to be moments of pleasure, and to truly live you have to accept the full spectrum of what it means to possess a human body.

When the coiling heat in her cunt finally boils over, and she arches her back and cries out Mulder's name while a rapturous climax works through her, suspending time and space, she thinks to herself, over and over like a mantra—like a promise: This is what I'm fighting for. This is what I'm fighting for. This. Is what. I am fighting for.

When she comes back to herself enough to spring into action, she is barely conscious of her own movements, acting more on primal instinct as she yanks Mulder up and kisses him sloppily, licking into his mouth and tasting herself on his tongue as she manages to flip them so that he's lying on his back, panting up at her with blown pupils and parted lips. 

She gets his sweatpants and boxers pulled down past his knees, and he kicks them the rest of the way off. He curses when she takes hold of him and guides him to her entrance, unable to wait to be filled by him any longer. 

He's so big, and even with the slickness from her orgasm she has to take him in slowly, letting her cunt adjust to the stretch of him. 

"There's so much of you," she groans, rocking her hips, slipping him in further inch by inch. He's holding onto her hips again, gripping her like she's a life preserver as he clenches his jaw, clearly trying his utmost not to thrust into her before she's ready for it.

"You feel... Jesus, Scully, there aren't words to describe how you feel," he says, strained between gritted teeth, and she's so thankful for him. For his patience. For his attention. For the "something more" between them that she doesn't dare give a name to, even in the privacy of her own mind.

When she finally takes him to the hilt, it feels like an accomplishment. Skewered between her legs on his massive cock, she has the same sense of satisfaction she gets when she pins him into a corner during a debate. Already he has infiltrated almost every aspect of her life, and now he's inside her body as well, and she understands what he meant before, because it's everything. He's everything.

She tells him so, and that's more than he can handle. After the words spill from her lips, he thrusts up into her, making her shout, but on the next thrust she meets him in a counter-rhythm, driving him impossibly deeper inside her. The apartment is full of the sounds and smells of sex as she begins to ride him in earnest. She plays with her own tits, and he watches her, rapt with attention, and when his breathing starts to hollow, he puts a hand between her legs and lets her rub her clit against him.

"Yes," she moans, riding him harder, shocked that he has her teetering on the edge again so soon. "God, yes. Mulder, I—I'm going to—" 

She completes her sentence nonverbally, falling over the edge once more, and this time Mulder follows her. He's chanting nonsense syllables that are probably supposed to be her name, as she clenches around him and milks his cock dry, letting him fill her fully and completely. She wants to feel his spend leaking out of her later. She wants to feel bruised when she walks. She wants to remember every last second of tonight—even if they never speak of it again—because she is going to need the memories in order to face what's waiting for her come tomorrow.

When they've both returned to Earth, they stay joined together in silence for just a little longer, searching each other's faces, possibly for signs of regret, or maybe just for the sake of looking. He pushes a strand of her hair behind her ear and she lets her eyes flutter shut, leaning into the touch. Between her legs he's starting to soften. Her unorthodox favor has been fulfilled, and reality is hurtling back to them at speed.

"Thank you," she says, not opening her eyes. 

He doesn't respond for a few beats, and then he says, "It's worth it, Scully. Remember it's worth it." 

She nods. 

It's so easy, she thinks, to be aware of her own mortality. To remember that she will die.

She vows now that, in the face of every upcoming obstacle, she will remind herself, often, that she can also live.

[username8746489]

Have we gotten any semblance of Sylvie and Rick's relationship outside of that one mention during the cast stream yet? No.

Have they even met in canon yet? No.

Will I proceed to drive myself crazy over their parallels to Giovanni and Molly's own relationship anyways? YES!!!

[solplease]

displeasure

[james-spooky]

this is a test

[creativebrainrot]

this time last year my dad and i had just packed the car in a rush and set off on our moving roadtrip, out of the awful situation i grew up in that only got worse over the years. we'd spent the year dealing with food insecurity, financial insecurity, a shitton more trauma and pain.

and today we have a nice apartment in a much better state where both of us can live as openly as we like or not. We get to choose now, and money is now, i'd say 15% the problem it used to be; it's amazing.

i like it here, its cold it snows there's simple ways to make money when youre not scared to death that the survey site might deny you the handful of cents you need to cash out the five dollars that could feed you for the night.

If nothing else in our life, my dad and I succeeded in our first 'life goal:' Escape. so whatever happens next, we made it through that at least.

[dragons-and-yellow-roses]

.

[guzhufuren]

you talk about finding channel of a pretty girl domming a guy wearing unbelievably flat cock cages under a post that asks about the highlight of everyone's day one (1) time

[that-was-anticlimactic]

fantasies i'm not sure that i'm worthy of

“I’m bad, Suzuki,” he said to Shou the night before Shou’s dad attempted to take over the world.

The noise in his head rattled, shaking the bars of the prison Ritsu was trapped in. He wanted out. He wanted out so badly that he was ready to scratch and bite and claw his way through.

“Well,” Shou finally said, peeling the wall back and shushing the noise in Ritsu’s head, “I’m the one who burnt your house down. If you’re bad then… so am I.”

Ritsu sniffed, swiping at his eyes. “Yeah?”

“Yeah!” Shou sounded excited now, the blanket he was under rustling as if he were sitting up. “We can be bad together!”

[or, ritsu doesn't know how to process guilt and wants someone to tell him that he's a bad person]

🌵2,030 words | ritsu centric + platonic ritshou🌹

[organised-disaster]

I just bought the whole pack for Outer Wilds because it was on sale and I'm already having so much FUN!!! I've experienced hilarious situations such as:

Anti-gravity cave! Yay! Down I go and off to the spot that requires repairs! Matching velocity and wait stop why is it moving away come back why am I spinning dear God no eeeesaaauuuuggggggGGGHHHH

Ew ew EW Dark Bramble Seed Ew Ew Ew oh no no mo MY SCOUT MY SCOUT THE ANGLERFOSH NONKNONKOOOOONOOO

To the geysers! And in I g- [blrbrlrbrlebrlblrlggh] oh yaya! A crystal like in the observatory! And it's got its own signal! Quantum displacement? What happens if i- [is subjected to the nightmare chorus] oh

And now we leave planet! Oh a roll function? What does that do? Let's find ou- [timeskip ten seconds, screaming as I spiral out of control into the gravitational pull of the sun]

Oho the universe locator!!! And there is Giant's Deep and the Sun and NOT the eye of the universe teehee and eugh [said with utter contempt] dark bramble

WHERE ARE YOU MYSTERY WHISTLE MAN. I WILL LOCATE YOU BY GETTING UP HIGH ENOUGH AND [exits Atterlock's orbit] oh no. guck. oh heaven help me. please no

I've accidentally locked onto the Interloper instead of Brittle Hollow, guess I'm heading there. [there] Wow this place is Barren™️. Guess I'll hop off now and - [narrowly avoids plummeting into Dark Bramble] WHAT THE HELL INTERLOPER. I THOUGHT WE WERE FRIENDS. WHY NOT DROP ME OFF SOMEWHERE AWESOME LIKE GIANT'S DEEP.

WJERE DID MY SJHIP GO [parked on the Ember Twin]

Distress beacon? What? Oh no, I need to find the source of it before - [the music]

[stares directly at a supernova while accelerating towards Timber Hearth with the intention of cooking a marshmallow and watching the solar system end from there]

Round two hjahaja! Destination one: Brittle Hollow! Now I just need to not plummet directly into the Black Hole That Sends You To The End Of The Known Universe©️ and I'll be good to start exploring! [ship smashes into the surface at 600km/h] nevertheless I am unharmed!

And now I will carefully descend so as not to fall into the Black Hole That Sends You To The End Of The Known Universe©️ and I can be on my merry [smashes into an overhang at Mach 2, corpse falls into the Black Hole That Sends You To The End Of The Known Universe©️]

[meownotgood]

HAIII HIII i know this is an aki supremacy blog, but i do wanna say the way u write gojo is kinda very beautiful... ive seen a lot of fics that make him out to be an asshole but i KNOW IN MY LITTLE HEART he would love me with his entire heart . i just needed u to know i appreciate u <3 MWA

thank you very much..... 💓💓 I'm so glad you think so. I want to write him more... soft gojo is everything to me

[underhanded-lamb]

Artfight Revenge Time >:3c @shadzytarts I'm sorry this took me a thousand years lmao I hope you don't mind I drew your Sunbite and Nightbite again but they're so fun to doodle!

(if you like this, there is a comic that goes with it)

[lesbiangiratina]

Package today… yay :)

[thedragonagelesbian]

Love and support the skip the fade mod but where would i be as a person if i didnt play through luc looping again and again and again to niall in the raw fade trying trying trying to save him and it doesnt work it doesnt work it doesnt work...............