#I hope it helped a bit

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[daftpatience]

please everyone see my cute wife In the bridget cosplay she made!!!!! she even made the yoyo!!!!

[pocketgalaxies]

It feels good to be able to help. (for @overnighttosunflowers)

[cbmagus49]

:D

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[graysbullshit]

I have been vacinated about 30-45 times in my life. Do you know how much I paid for it? Not a dime.

My great-aunt had a tumor and had to treat it with radiotherapy and chemotherapy. She was fully recovered. Do you know how much she paid for it? Not a dime.

One of Brazil's most famous tv show hosts who has been in show business for over 40 years with over 30 milion views had a kidney transplant this year. Do you know how much he paid for the transplant? Not a dime.

When my mother is bored she walks a block up to the public health center and gets a check up. Do you know how much she pays for this? Not a dime.

My mother has been going to the psychologist. Do you know much she has paid? Not a dime.

Does this enrage you? It should. When Luigi said "this" was a insult to the American people's intelligence he probably meant the mediatic circus around his person, but if we're to be honest you could say the same about USA's healthcare politics. Do not let them tell you it "has to be this way" and "there is no other way." There is. You CAN have better healthcare. You DON'T have to sell your house to pay your medical debt. They are MAKING you do this ON PURPOSE. Don't forget that.

I don't usually have any kindness to spare USAians, but we are with you in this one. The world is watching. You CAN turn this around! Don't let them desincourage you.

[off-mozzarella]

(From the body swap AU)

Hii! I'm very happy to see that my body swap comic was so well received, so here's a little something as a thanks for all the support <3

I'm excited to keep sharing my drawings, I hope you like what I make!

[stil-lindigo]

the machine.

a comic about being a 'creator' online.

creative notes:

[gotchibam]

Ogerpon & Darkrai ko-fi doodle for CyclopeanSpook!

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[slavhew]

jakey + dirkjake sandwiched between my organic chem notes. a poem in there somewhere

[ellestray]

elle's favorite ateez fics. f = fluff ; s = smut ; sg = suggestive ; a = angst. ✧ = absolute favorites, must read. (only adding notes for these few fics to ensure readability for the overall list!) word count in brackets. last updated: may 2nd, 2024

authors; if you wish to be untagged, please let me know!

currently no individual fic for hongjoong, yeosang & jongho. please refer to the OT8 section, or come back for future updates!

성화 SEONGHWA

✧ [11,1k] plastic flowers — @bobateastay ( f ; s ; a ) ↪ note: this fic revolves around abortion, so please keep this in mind before reading. i read this on a flight— and i don't know if it was the altitude, but it broke me. the author beautifully wrote this, in a way where unconditional love, hope and pain are intertwined. one of the most pleasantly surprising and touching reads i've had on this platform by far.

✧ [2,3k] essence — @hwaightme ( f ) ↪ note: this one is for the poetic, hopelessly romantic fics lovers. everything i've read from this author was beautiful so far! the poetry in this fic was so pretty that i felt the need to share it to my friends... although i usually never share fics out of tumblr. i'm excited to read through more of your writings, bai!

[1,2k] the first snow and being in love — @i-luvsang ( f )

[884] 02:36 — @hwapetals ( f )

[642] adoration — @kisshwa ( f ; sg )

[8,6k] both — @hwaightme ( s ; f )

[200] 10:24pm — @hotteoki ( f )

[986] anguish — @kisshwa ( a )

[n/a] bf texts — @hotteoki ( f )

[79] 9:22pm — @cozykpopblurbs ( f )

[1,6k] i'll be with you — @cheollipop ( f )

[519] lazy make out sessions — @crazyforhwa ( s )

[1,2k] realistic sex — @byuntrash101 ( s ; f )

윤호 YUNHO

✧ [13k + 18,2k] unprofessional attraction ; pt.1 , pt.2 , [tbc] — @jk97 ( f ; s ; a ) ↪ note: i was so engulfed into this fic that i skipped a lecture to continue reading. fics that are heavier nsfw-wise usually aren't my thing, but here, every single line pulled me in. hell, i felt even more insane about yunho after reading this. saying i'm excited about the next chapters would be an understatement.

✧ [14k] closer, face down — @ncteez ( s ; f ) ↪ note: again, although i usually prefer fluff over smut, i absolutely loved this fic... the build up made it so enticing! i don't know if a re-edit still is in the works, but i'd absolutely re-read it regardless!

✧ [84,5k] project: make you love me (series) — @hwaslayer ( f ; a ; s ) ↪ note: pulled an all nighter to read the entire series in one go... it was that fun to read! the relationship was built up at a nice, natural pace, while still keeping the reader on their toes. (this made me very excited about the seonghwa series in progress..!)

[1,1k] bedfellows — @sungbeam ( f )

[1,3k] he knows he loves you — @honeyhotteoks ( f )

[2,5k] convenience store chances — @ohmyamor ( f )

[n/a] boyfriend texts — @koizekomi ( f )

[300] nothing sweeter — @i-luvsang ( f )

[1,1k] nsfw alphabet — @yunhobug ( s )

[425] 3:52am — @edenesth ( f ; sg? )

산 SAN

✧ [3,7k] leave the window open — @sungbeam ( f ) ↪ note: so sweet. so comforting. the kind of heartwarming fic that feels like hot cocoa on a cold winter day. (also made me feel insane about san... but let's not talk about that.)

[1k] always available — @everyonewooeverywhere ( f )

✧ [1,6k] capturing us — @03jyh23 ( f ) ↪ note: another sweet, poetic, hopelessly romantic fic— my favorite kind! finding fics like these always feels like discovering a little treasure. looking forward to all the wips!

[n/a] boyfriend texts — @koizekomi ( f )

[2,6k] take a break - @cheollipop ( f ; s )

[249] 21:23 — @petitemingi ( f )

[350] boyfriend headcanons — @i-luvsang ( f )

[600] one more minute — @seonghwaddict ( f )

[1,3k] no strings, no expectations — @seonghwaddict ( a ; sg ; f? )

[468] stretch marks — @beenbaanbuun ( f )

[475] valentine's series : movies — @whimsicalwritingsandmore ( f )

[n/a] instagram stories with bf san — @lwtqts ( f )

[371] hold me — @cheeseceli ( f )

민기 MINGI

[800] untitled — @cheollipop ( a ; f )

[2,8k] mind over matter — @mingisaddctn ( s )

[256] 23:22 — @petitemingi ( f )

[1k] 23:46 — @seonghwaddict ( f )

[447] princess treatment — @cheeseceli ( f )

우영 WOOYOUNG

✧ [1,2k] broke you heart, i'll put it back together — @dairyminki ( a ; f ) ↪ note: loved this so much that i had to read it twice. something about wooyoung hopelessly in love wanting to fix this... name twin, if you're reading this, hi- i'd be seated for a part 2 if you ever have the time to write it!

[2,2k] vacation — @bobateastay ( f ; s )

OT8

[700] when you don't say i love you back — @jjunberry ( f )

[2,4k] romance tropes — @beenbaanbuun ( f )

[n/a] situationships (texts) ; pt.1 , pt.2 — @yunhoszn ( f )

[2,9k + 3k] as boyfriends ; hyung line , maknae line — @honeyhotteoks ( f : s )

[n/a] sex ban (texts) — @kisshwa ( sg ; f )

[n/a] sending you a pic of themselves (texts) — @bombuni ( f )

[1,3k] outfit turn-ons — @starillusion13 ( sg )

[1,2k] make-up sex — @nateezfics ( f ; a ; s )

[944] showering — @seonghwaddict ( f ; sg )

[1,6k] as boyfriends — @atiny-moon ( f ; sg )

[2,5k] that one specific habit they do that highlights their love language — @sanhwaism ( f )

[1,1k] top 3 kinks — @seonghwaddict ( s )

[2,8k] making out — @sxcret-garden ( sg ; f )

[n/a] asking them to draw a flower (texts) — @eightmakesonebraincell ( f )

if any link is broken, or if i made any mistake when tagging fics— please kindly let me know!

[stellewriites]

Hii! Can you do ghoap x reader fluff? Like cuddles with mild flirting (from soap, obviously) and like soap is the little spoon, because in return he gets head scratches in return, reader in the middle, and Simon as the big spoon just pressing his face into the crook of readers neck?

Would rlly apreciate it <3

-🌑

i loved this idea when i read it and then proceeded to take far too long to actually answer it lmao BUT!! here it is,, ghoap x fem!reader fluff - ty for the request 💓

you picked up the cheap jar of pasta sauce and compared it to the branded version stacked next to it. as far as you could tell, the ingredients were the same and the little veg chunks included weren’t any smaller.

you nodded to yourself. it was decided, you weren’t paying two quid extra just for a name, fuck dolmio.

you looked higher to the top shelf and frowned when you saw the pasta had been pushed away from the edge and you’d be unable to reach it on your own.

“need a hand, dove?”

you turned to see a handsome man with a mohawk beelining towards you, his eyes tracing your frame with hot familiarity. without waiting for your response, he bullied his way into your space to reach over you for the pasta. barely stepping back, he handed you the pack and looked you up and down.

“thanks, stranger,” you said, holding back a laugh at his amused smile. you saw the moment he decided to play along.

“pretty skirt,” he said and nodded down to your bare legs peeking out beneath the denim.

“hm, my boyfriend got me it,” you said, a little teasingly.

“oh? and this boyfriend, he’s left ye all alone to do the shoppin’ has he?”

“no, he’ll be back soon. and he’s kinda protective, won’t be happy seeing me talking to other guys,” you said trying not to smile.

“ah’m no’ scared,” he scoffed, his own smile breaking out as he looked around the aisle eagerly for the aforementioned boyfriend.

“i don’t know, he’s pretty big and strong, wears a scary mask,” you said.

“aye? reminds me o’ my boyfriend,” he said and you finally giggled, leaning in to kiss him and giving up playing pretend.

“dove, they got their tiger bread in stock again,” simon said as he rounded the corner of the aisle and interrupting your kiss. “i ha’n’t ‘ad this in ages.” simon barely paused at the unexpected appearance of johnny, his eyes turning up in the corners as he smiled under his mask. “johnny, look, tiger bread.”

“yeah, i seen, si,” johnny said fondly, crowding you back against the trolley. “only getting the one loaf?”

simon paused. “hm. you’re right.”

you snorted as he dropped the bread into the trolley before heading back to the bakery section and leaving the pair of you alone again.

“work was a fookin’ drag, dove, cannae stand all this paperwork they’re keepin’ me busy with,” johnny groaned into your temple. you petted his arm consolingly before turning back to your list and shopping trolley.

“you were injured less than a month back, john, you can’t have been expecting to be back in the field so soon?” you hummed as you continued shopping with johnny leant over your back.

his silence spoke volumes.

you shook your head as you made your way through the store and waved simon over as you passed him by, hoping he hadn’t harassed the bakery staff into making more tiger loaves last minute for him. the absolute fiend.

“wha’s wrong with him?” simon asked as he got back, hands full as he nodded to johnny’s slumped frame. you refrained from asking simon if you really needed three tiger breads and instead nudged your other boyfriend up from your shoulder.

“he’s bored,” you said easily, grinning when johnny pulled back properly to send you a betrayed look.

“fuck’s sake. c’mere,” simon huffed before dipping down to kiss him, chuffing a laugh as johnny sputtered at the woollen texture of the mask in between them. “you’ll be back in no time. just behave or it’ll be longer.”

“ye sound like cap,” johnny grimaced. he wiped a hand down his tired face. “when are we goin’ home, hm? fuckin’ knackered, could do with a nap before dinner.”

“y’drive ‘ere?” ghost asked while you grabbed a box of eggs, checking for any cracked inside.

“aye.”

“then you can leave whenever,” ghost said flatly, though the glint of his eyes in the overhead lights betrayed his amusement at johnny’s plight.

johnny pouted.

“yer cruel, si. tell him, dove, he’s heartless,” johnny bemoaned dramatically.

“you’re cruel and heartless, simon, would you prefer strawberry jam or raspberry for a change?”

“could be a treat,” ghost conceded.

johnny groaned at the both of you, pinching your hip when you laughed.

“you both know i cannae sleep without someone’s arms around me,” he huffed, turning his big puppy eyes on you both.

you caved immediately.

“aw poor baby,” you cooed, biting your lip when you saw simon roll his eyes. “let’s get this done quick then, yeah? go grab the burgers we like from the frozen section and that ice cream we got a couple weeks back.”

“yes, ma’am.” johnny jogged off.

“si, can i trust you not to make your way back to the bakery if i give you a list of items to grab?”

“no,” he admitted without shame. “i saw the lad in the back prepping more for tomorrow, think i could convince ‘im to cook ‘em now for me if given the time.”

“right. hand holding it is as we find the toiletries then. ‘s like herding cats with you two.”

simon hummed, his eyes trained on the section you knew the bakery to be hidden in.

—

once home, johnny packed away the majority of your shopping in record time, snatching the jam from simon’s hands and almost throwing it onto the work top before plying his mask up one handed and dragging him down into a rough kiss with the other. you watched, amused, with raised eyebrows as johnny dragged him back towards the bedroom desperately, waving a hand at you and gasping out a needy, “dove, c’mon, stop fucking around,” in between wet kisses.

you didn’t need to be told twice before attaching your hands onto simon’s thick waist from behind, guiding them from bumping into any furniture or walls as they stumbled blind to the bedroom.

johnny pulled back with a dopey smile and pushed simon none too gently onto the bed. you took advantage of his lowered height and pulled off his mask completely, rubbing a gentle hand over his buzz cut hair and down to his jaw. you leant in for a soft peck before feeling johnny’s hands and arms wrap around your soft stomach.

he clung to you, nuzzling at your cheek over your shoulder until you turned in his arms to share your attention.

you heard the bed creak as simon settled further up the bed as johnny kissed you. you shuffled back, parting from johnny just long enough to get your bearings and climb onto the bed, simon’s hands moving to guide you back as johnny hummed against your lips.

you flopped back into simon’s arms, got comfortable as he wrapped you up and held you tight against him.

johnny sighed in relief at the sight and shuffled down so he could rest his head on your chest.

you gathered him close and laughed when he started whining when your hands stayed on his shoulders.

“so needy johnny, have you ever heard the phrase ‘patience is a virtue’?” you teased as you started to run your nails through his hair, lightly scratching until he sighed and dropped his body weight against you and simon.

“too t’red,” he mumbled.

simon lifted his warm hand from your hip and draped it heavily over the back of johnny’s neck, keeping him close. soon enough, the scot was snoring.

you tried not to laugh, your chest bouncing johnny with your muffled chuckles. “i think that might be a record.”

“tired lamb,” simon said condescendingly, but he rubbed his thumb lovingly over the soft skin behind johnny’s ear.

“don’t be mean.” you grinned back at him.

simon hummed and rested his head into the crook of your neck, tucking you in closer with the arm still wrapped underneath your waist. “not bein’ mean.”

he nipped at your neck, a soft nibble that had you gasping and clenching your thick thighs around the one johnny had slipped inbetween.

“prick,” you huffed without malice when he stopped and let out a long tired breath in your ear. he hummed with closed eyes, clearly not listening.

you chuffed a laugh into johnny’s hair. the low thrum of arousal simon had brought on was easy enough to ignore but you’d have rather he’d finished what he started. instead, you tucked your cold toes between his large calves behind you in penance and tugged johnny even closer, enough to smother him. with your arse perched perfectly in simon’s lap and johnny nestled close to his second favourite place on your body, you were sure they’d give you what you were after once their nap is over. you closed your eyes with a smile; you could wait for them to get their energy up, and you loved your puppy piles just as much as they did.

[wanologic]

Danny wakes up. It feels different now that he’s older. Now that he’s both more and less than he was. He starts mornings out floaty, his edges indistinct, bleeding into his surroundings. He’s hyper-aware of the tentative strings connecting him to life, the blood pumping sluggishly through his veins, the breath expanding the lungs within his chest. 

He yawns. A stretch.

His brain feels like an old computer booting up, each process coming online in a slow, methodical order. Neurons firing, electric pulses traveling up and down the webbed network of sinew tangled through his skeleton. He feels the pressure of atmosphere on his skin, the floor under his feet.

It’s weird. Not uncomfortable, just strange. It’s been years, but it’s never been easy to come to terms with the new awareness of his physicality, the control he could exert over its expression and shape. What once was instinctual, settled, now flows through his fingers like water, rising and falling with the rhythm of his chest. He would say that he’s just tired, that he’s never been a morning person, but the simmer of dawn and the infinite thrumming energy beneath his skin beg to differ.

He makes his way to the bathroom. He might have walked, but probably not, he can’t be sure. It doesn’t matter. There are only friends here. He’s safe. Home.

The routine of the morning is grounding. Always the same. Jazz says it should help. That it can all become instinctual again, through enough repetition. Danny isn’t so sure.

He takes his time putting together his outfit, picking accessories and being mindful of the way it all fits against him. His body might be a projection, something just to the left of real, but clothes are normal, socks, rings, a watch. He can feel normal like this. 

Another stretch. 

He wants to scream.

He makes his way down to the shared living space. He’s grateful that he’s not crammed into a tiny apartment with strangers, that he’s allowed both the time and space to be what he is. Sam’s parents may not be the most accommodating, but this is worth every glare and snide, underhanded comment he’s had to put up with for the better part of the past decade.

He knows what comes next, but his stomach rolls in his gut. He should have something solid, go through the remaining motions of self-care, even if it’s a bowl of cereal and a piece of fruit. 

He grimaces and grabs a less-than-pleasant nutritional shake from the fridge. They’re supposed to be back up, an addition-to rather than in-replacement-of, but it’s early and he can’t bring himself to care. He finds himself on the roof, with the chilled bite of the morning and the chalky pseudo-chocolate flavor of his breakfast on his tongue.

He longs to shed this husk, to leave the weight of his flesh behind and see what the sunrise looks like from ten thousand feet. But it’s a Tuesday and he has an 8am. He wants equally to be the college student he is, to sit with his peers and bring numbers to their algorithmic conclusions—to describe the world around him in a way that makes sense, in a way that’s objectively true. One day he might even be able to describe what happened to him in a neat little equation. 

He breathes in and out, feeling heavy in his body. This is nice too, he supposes. He shuts his eyes and feels the brunt of the morning sun peek over the neighboring apartment complex. When he hears his friends shuffling about in their own morning fugue states, he sinks back inside. 

Tucker just about jumps out of his skin when he turns around, eyes half closed, to see Danny dressed and ready, silent, and much too close behind him.

Laughter peels through the house as Danny is chased through the halls and somehow he feels human.

[itty-bitty-sunshine]

Happy holidays <3

They are fine. Probably

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!