#I have to figure out how to get this thing on Twitter

[foodtruckery]

I've been having crazy Stancest brain rot thinking about an AU where they don't have the portal incident and instead have crazy marathon hate sex instead (Inspired by some amazing art by @CoreArde on Twitter) and I thought it'd be fun to share that with you.

They start off arguing in the lab and then oops they're fucking on the lab floor, and they really should be thinking this through but nope now they're upstairs fucking on the kitchen table and okay maybe now they'll finally talk about it nah, they're fucking in Ford's bed now.

It starts off as rough hate sex getting out years of frustration, but by the time they make it to the kitchen its become insanely desperate and cloying because they missed each other, and their bodies fit so well together, and GOD how could they have not been doing this all time? They're going at it so long that they basically end up passed out in Ford's bed by the end, and Stan's not going to be sitting down for a while after this. He's probably just happy to be sleeping in a bed, but Ford is trying to figure out how he got so far from the initial plan.

Even better if the two of them have been harboring feelings for years and never acted on it, because they get the one-two punch of all the weight of their time apart and processing the fact that OH GOD I JUST FUCKED MY BROTHER (which of course they both wanted to do but still).

I have no idea what would happen after that, but both of them waking up sore, sweat soaked, sticky with cum (some still inside Stan because of course Ford didn't use a condom this wasn't supposed to happen) after having gone at each other like rabbits in heat despite never having expressed their attraction to each other before is a hilarious and hot idea to me. What do you think?

HI THERE ANON. i am so fucking sorry that i left you waiting for so long about this, but i need you to know it's because i was FUCKING OBSESSED with this. like just absolutely beside myself over it, and i refused to respond until i had a chance to sit down and respond PROPERLY.

cause uh YEAH FRIEND i know the exact fucking piece of art (explicit) you're talking about, because it's INCREDIBLE. and in case you didn't know, the artist is over here too and shares some fucking fantastic writing and headcanons also! (seriously, go check out @/cartoonsinthemorning if you haven't. and cart, i hope you don't mind that anon and i both kinda lost our minds about your art over here! i genuinely have no idea what tag etiquette is on this site and didn't wanna bombard you, but you did this. again.)

i'll be honest, anon, this kinda got away from me (fucking shocker) and i am too tired to do any legit editing of it right now, so please forgive any typos or weirdness! i'll try and clean it up before it eventually goes up on ao3. but thank you for such a LOVELY ask because this was so hot, and so inspiring, and i hope i did a little justice to your idea and cart's gorgeous art!

--- Ford isn't entirely sure how it had started. His memory, his perception of time, his ability to follow a linear order of events -- all if it is less than reliable at the moment, so he can't entirely blame himself for losing track of things here and there. But the jump between trying to wrestle his journal out of Stan's hands to trying to wrestle Stan out of his dingey jeans is a jarring transition to lose in the dull static that's been edging around his awareness for weeks now. 

Not jarring enough to stop him, though. 

He thinks, vaguely, while he's blindly tugging at Stan's denim, that there's a concerningly high likelihood that he's hallucinating. His head is swimming in so much caffeine and adrenaline that he doesn't even feel the rough concrete of the lab floor under his knees -- maybe that isn't where he is? Maybe he'd nodded off without realizing. Maybe he's going to come to with another lapful of polaroids and a new humiliating tattoo. 

Maybe, maybe, maybe -- he can reckon with a probability model later. For the first time in what feels like months, the stability of his perceived reality is not actually at the forefront of Ford's mind.

Pressing in on him harder than the doubt, harder than the disassociation from his physical body, and harder than the threat of the creature lingering in the depths of his subconscious is anger. It feels like a beacon in the muddled, fuzzy mess inside his head, something bright and real and his. It's searing through him, slicing away all the frayed edges of his paranoia and doubt like a hot blade through so much butter. 

Ford clings to the sharp edges of that anger and feels more alert than he has in weeks. 

He can't remember how their bickering had taken this particular turn, but if he's liable to lose his eyes and his life in the next few days, Ford will be fucking damned if he squanders the opportunity. He knows he's made a mess of things, that he's made the sorts of mistakes that can't and frankly shouldn't be forgiven. 

But he also knows with blinding, white hot certainty that he's only here, now, because of Stan's mistakes.

Ford may not deserve absolution, but he does deserves this. 

Laughter cuts through the lab, rough and mocking, and Ford's attention finally falls, properly, on Stan. He has a bruise blooming on his cheek and a snide smirk twisting his lips. He's also on his back, his jeans and a threadbare pair of boxers bunched in Ford's fists and pulled so low he can see the tight curls of his pubic hair and the root of his cock. 

"What's wrong, Poindexter?" Stan asks, mocking, and it's only then that Ford realizes he's paused halfway through stripping his twin's lower half. The bite of the cold concrete under his knees still feels far away, but the rough material in his palms, and the heat of Stan's body so close to him are sharp, clear details. "No hands on experience with a dick that ain't your own? Afraid you might actually be bad at somethin' for once?" 

Ford narrows his eyes, feeling the hot point of anger cutting through him, steadying him, and he jerks Stan's clothes hard enough that he gets the material past his knees in one tug. Stan laughs at him again, but it stutters into a little 'oof!' when Ford flips him onto his stomach. 

He doesn't care that Stan's pants are still caught around his calves and his boots. He doesn't care that Stan hisses something that sounds like pain when he's yanked onto his knees and dragged backwards several inches across the concrete. He doesn't even care that, once upon a time, he'd dreamed of this, of crossing this line with the only person he'd ever really loved in any way that mattered, and it's nothing like the softer, sweeter picture he used to imagine. 

Stan's hips are soft, and the skin gives easily under the iron grip Ford has on them, holding him in place as he grinds against his ass. Even through his slacks, the heat of Stan's body is intense, addictive, and he grinds forward again, harder, watching the friction rub a pink  patch against his skin. 

Stan, shameless and selfish as always, pushes eagerly back against him. Ford has barely done anything beyond rocking the outline of his cock against his hole, but he can hear Stan panting against the ground, can see his hands curling into fists. He remembers how many times Stan had called Carla McCorkle "easy" in high school and thinks, now, that the easy one had been his brother. 

"You gonna keep humpin' me, or are you gonna fuck me?" Stan demands, rocking as firmly back as he can with the bruising grip Ford has on him. 

"What makes you think you deserve that?" Ford bites out. It would serve Stan right, he thinks, if he got himself off exactly like this, no different than grinding against a particularly firm couch pillow. Just a conveniently warm object for Ford to release some tension with. 

Stan looks back over his shoulder and flashes teeth at him. It isn't a smile. "Oh, I get it. Cold feet? Well, we can just chalk it up to one more thing ya promised and then backed out of as soon as you actually had to make a choice. Good to know some things never change, Stanford."

He's being goaded, and Ford knows that. But the anger boils in his chest, and he thinks, why should he care about what Stan does or doesn't deserve from him? This is about what Ford deserves.

And what Ford deserves is to have his dick so far up Stan's ass he'll be able to feel it in the back of his throat. 

"Do you ever shut up?" he snaps while he releases one of Stan's hips to yank his slacks open. The bruise of his fingerprints already forming against Stan's skin thrills him, almost to distraction, if it weren't for Stan laughing again. 

"'Course not," he says, shifting his center of balance to dig into the pocket of his dirty red coat. The little packet he tosses over his shoulder bounces off his own ass to land by Ford's knee, the word LUBE printed in large, bold letters across the front. He should be surprised to see it, and part of him is. The word "easy" comes to mind again. 

Ford rips the packet open with his teeth. 

"F-Fuck!" Stan curses, turning his forehead against the ground when Ford presses his slick cock into him a moment later without warning. 

Ford grabs him roughly by the waist when he twitches forward and yanks Stan back until his ass hits the open fly of his slacks. He makes a choked sound at that and turns his face into the crook of his own arm when Ford pulls back and rocks hard back into him. 

"What's wrong, Stanley?" he parrots. He pistons his hips at a punishing pace, watching his cock pumping in and out of the greedy, grasping ring of Stan's hole. "Nothing to say?" 

Stan makes a noise that's too muffled by the sleeve of his coat to understand, so Ford reaches down to take a fistful of his stupid mullet instead. The hitching gasp that escapes his twin when his head is forcefully jerked up makes him groan. "What was that? Come on, Stanley, use your words." 

"F-Fuck off," Stan says, his voice strained, almost whining. 

"I see you haven't gotten anymore eloquent since you left," Ford scoffs around the breathlessness in his own voice, feeling the anger and pleasure coiling harder in his gut. "What was it you said? Good to know some things never change." 

When he pulls Stan's hair again, just because he can, Stan moans. And when he shifts his hips, driving in just as hard at the new angle, Stan shouts. With his own knees bracketed on either side of his, Ford can feel the way his thighs tremble when he clenches around his cock, and he can feel the sweat beading up under his palm where he's digging darker bruises into Stan's side. 

Ford feels like he's on the edge of delirium again, consumed by every sound Stan makes, every twitch of his hips, every ounce of his heat. He thinks, a bit wildly, that Stan may have been made for this, made to take his cock, for how well he does. 

It isn't until Stan jerks under him, going hot and tight around his cock and making a strangled noise in the back of his throat, that Ford realizes he may have said part of that out loud. That Stan came over it. 

He groans low in his throat and thrusts half a dozen more times into Stan's clenching hole before he comes as well. 

It's quiet for a few minutes other than their ragged panting, but it's Stan who eventually reaches back and swats at Ford's hand until he lets go of his hair. He takes the hint and pulls out, watching with no small amount of satisfaction as his come trickles down Stan's thighs. It strikes him suddenly that he wants to follow the wet trail back up with his tongue. It's enough to make his cock give a feeble, appreciative twitch. 

He isn't sure if he's just terribly distracted or if he loses time again, because when Ford next lifts his head, Stan is on his feet, pants pulled up around his waist but still open, and he has his journal in hand. This might be more jarring than the last transition he'd lost. 

"What are you doing?" he demands, shoving himself back onto his own feet. He doesn't bother to tuck his cock back in, and he spots the moment Stan's eyes flick down. It's brief, but he'd seen it. 

"What does it fucking look like I'm doing? I'm taking your stupid diary and disappearing like you begged me to," Stan says. His voice is still a little raw, and Ford has a moment to realize how much he likes that, before the words catch up. 

He scoffs. "Oh! So now you want to actually help?! Is it always this easy to fuck the sense into you?" 

Stan's expression does a few things Ford doesn't understand before his brows ultimately slam down and he turns his back, storming towards the door with Ford's journal still in hand, and Ford himself hot on his heels. "You're fucking unbelievable, Stanford, you know that?!" 

"Me?! You're the one who came all over my lab floor and then decided he was ready to be reasonable!" 

Stan jams his thumb against the call button for the elevator several times in quick succession, despite the car already being on their floor and the gate sliding open. "Most people would just say thank you when someone agreed to help them out, but not you! What does Stanford Pines have to be grateful for? We're all just fucking lucky to get a task from ya, huh?" 

Ford crowds into the elevator with him before Stan can try to pull the gate or call the doors shut behind him. He punches the button to take them up himself, before making a grab for the journal, snarling when Stan leans back and holds it up above his head. 

"You're the one who threatened to destroy my work twenty minutes ago, Stanley! Why would I trust you with it now? Hell, I can't figure out why I trusted you enough to bring you here in the first place!" 

"Oh really? You can't?" Stan sneers, leaning in close. And when Ford takes a step back, Stan follows, backing him into a corner of the car. "I don't think you fuckin' trusted me to do shit, Stanford. I think you were all outta options cause nobody else could stand to put up with you anymore." 

Stan doesn't so much as hit a nerve as he takes a sledgehammer to it, and as soon as the elevator dings, Ford shoves him as hard as he can out into the study. Stan yelps when he stumbles, nearly tripping over his own feet, and it's only knocking into a cluttered desk that keeps him from falling on his ass. 

Ford doesn't give him any time to right himself, storming in after him and grabbing him by the front of his jacket. Stan flinches, like he'ex expecting a punch, but Ford yanks him in and crushes his mouth against his instead. 

There's a dull thump that Ford only realizes was the journal being dropped when he feels both of Stan's hands on his shoulders. They curl briefly, grasping at him, and Ford feels his mouth starting to go soft and slack. But as soon as he presses in, runs his tongue along that loosening seam, he's suddenly being shoved backwards. 

If he weren't so damn confused, Ford would probably appreciate the picture Stan makes, lips slick and pants open, leaning back against one of Ford's desks. 

"What are you doing?!" Stan demands, like he's the one who doesn't know what day it is, and keeps losing track of events. 

"I would think even you could figure that out after what happened downstairs, Stanley."

Stan flushes, visible even in the low light of the study, though Ford isn't sure if it's embarrassment or anger. The scowl on his face doesn't help clear things up, either, though the fact that he isn't actually looking at Ford is...telling.  

"That ain't happening again," Stan states, and there isn't anything convincing about the way he says it at all. But when Ford steps forward, Stan sidesteps him and the desk. He makes a wrong turn in the dark, in a house he isn't familiar with, and flinches when Ford flips on the light in the kitchen he's walked into.

"I don't know how you expect to leave and hide my journal after leaving it in the study," he points out, frowning at the back of Stan's head. 

He isn't surprised when Stan whirls on him. He is, however, stunned still when he realizes Stan's eyes are wet. 

"What the fuck do you want from me, Stanford?!" Stan shouts, his voice cracking over his name, and it makes something feel like it's cracking inside his chest. 

Ford has to wet his lips when he finds them and his throat dry. "...I told you what I wanted," he says.

"Yeah, you did! And when I finally agreed to do it, you threw a fucking fit about it! And now you're pissy because I'm not?! What do you want?" 

The anger sparks sharply inside him again, and Ford grasps at it like a lifeline, willing to bloody his hands for that bite of stability. 

"You tried to burn it! My life's work! And you only decided you would help me after we--"

Stan cuts him off, looking towards the cabinets while he raises his voice and waves his hands. "Jesus Christ, I'm sorry about the fucking lighter, all right?!"

Ford frowns. He takes a step forward and, still without looking at him, Stan takes a step back. It's the elevator all over again, but this time Ford is pressing in, backing Stan into the cabinets. He grabs the counter on either side of his hips when he tries to side step him again. 

"Stanley, look at me," he demands, frowning harder when Stan sets his jaw and stars determinedly at his shoulder. "Stanley--"

"What do you want, Ford? Just...just fucking tell me and I'll leave, all right?" Stan says, his voice tired and soft as he reaches up to rub a hand over his own face.

He wants a lot, honestly. And hasn't that always been the problem? He's always wanted -- to be normal, to be respected, to be the best, to be special. 

To be wanted. 

To be enough.

To fix things. 

"You," he realizes, watching Stan jerk his head up. His lashes are still wet, and Ford can't stop himself from reaching up and pressing his palm to Stan's cheek, skimming his thumb gently under one of his eyes. 

When he leans in to kiss him again, Stan makes a small, wounded little noise under his mouth, but he parts his lips for Ford's tongue this time. Stan's lips are chapped and he tastes vaguely of stale cigarettes, but Ford is still struck by how soft and sweet he is. 

More than anything else that had happened that evening, this is the moment that Ford knows he should suspect most of all. The way Stan relaxes between him and the counter, the almost tentative way he lifts his tongue to meet his, the careful fingertips touching the edge of Ford's coat and brushing against his loose tie. It's tender in a way Ford didn't think either of them were capable of, and it should be setting off warning bells and red flags in every part of his mind. 

It isn't. 

Ford is more certain of  the reality of this single moment, the gentle slip of Stan's lips against his own, than he's been of anything in a long time. 

And then Stan sighs between them and murmurs, warm and hopeful, "Ford," against his lips, and he's done for. 

It doesn't matter that they just fucked, that Ford's come is probably still drying between Stan's thighs -- he can't keep his hands off of him. Ford is suddenly frantic and desperate in a way that he hadn't been downstairs. He needs to relearn the new, wider shape of Stan's shoulders and pecs. He needs to feel out every new scar and take stock of all the old ones he remembers Stan collecting for him as kids. He needs to be surrounded by him again, soaking in the warmth of him. 

Ford doesn't deserve absolution, but he thinks he may be able to find something close to it in the low, shaky way Stan moans his name. 

And there's familiarity in the way Stan grabs at him in turn, tugging at his jacket and tie and surging into another, harder kiss. Ford thinks he may not be the only one looking for expiation. 

Then Stan drops to his knees between him and the cabinet, and Ford stops thinking so much. His cock is still out, and Stan wastes no time in getting his fist around the shaft and his lips around the head. He suckles and swirls his tongue, and Ford shoves the beanie off of his head to get his hands in his hair. 

"Stanley," he gasps, stroking his fingers along his scalp and fisting the strands between them. 

Stan moans around him and shuffles closer, sliding the seal of his lips further down the length of Ford's cock. All he can do is groan and try to keep from rocking his hips as more of him is greeted by the warmth of his mouth and the wickedness of his tongue. 

He keeps waiting for Stan to reach his limit, to back off and give himself room to breathe. He doesn't. He keeps leaning in, keeps taking him, and then Ford feels his cockhead slip into Stan's throat, sees his lashes are wet again, and he has to put one hand on the counter to keep himself steady. "Fuck, Stanley, you're so good at this."

Stan makes a horribly sweet sound around the girth of Ford's cock and reaches up to hold his hips as he swallows, and Ford is suddenly afraid he's going to embarass himself.  His hips twitch despite his best efforts to keep them still, but Stan simply relaxes his jaw and his throat and tugs a little to encourage him to do it again. He does, of course, how could he not? 

Despite the heat clawing its way through him and the pleasure mounting dangerously high, Ford almost feels outside of himself again. The picture Stan makes, with his eyes damp and heavy lidded, his lips wet and stretched around Ford's cock, his hair fisted in Ford's fingers and his own clinging to Ford's hips -- it's lewd, debauched, and so horribly sweet that it makes Ford's chest hurt. 

Stan gasps raggedly when Ford pulls him off. "I was go-gonna...I mean you can--"

Ford kneels down to kiss him, tasting stale cigarettes and himself, cock throbbing over the rough state of Stan's voice. "Not done yet," he manages, before tugging Stan onto his feet. 

They lose clothes and time on the journey upstairs, tripping over the steps and Ford's discarded pants, and stumbling into his wreck of a room. If Stan notices the state of things, he doesn't comment, mouth latched onto Ford's shoulder and hands all over his back and hips. 

The back of Ford's legs hit the bed and he sits hard on the mattress. Stan doesn't hesitate to crawl up into his lap. He'd lost his boots in the kitchen and his jeans and boxers somewhere on the way to the stairs, giving him ample opportunity to rub his bare cock against Ford's. 

Cursing, Ford rolls his hips and only belatedly remembers to reach up and tug the hideous red coat off of Stan's shoulders. 

"Oh, fuck, hold on. I think I have another one," Stan says, panting softly as he digs into the pockets of his coat. Ford takes the opportunity to run his hands across Stan's thighs and ass, squeezing whatever skin he can until Stan makes a triumphant sound and pulls another little packet of lube free. 

Only then does he let Ford toss his jacket aside and tug him further up the bed with him. He doesn't protest when Ford takes the packet from him, lowering his head to work open mouth kisses up Ford's throat instead, and he rolls his hips distractingly while Ford fights to get the damnable thing open. He ignores the snickering against his skin in the process. 

It stops anyway, hitching into something warm and startled when Ford sinks two slick fingers into him. 

"Oh, fuck," Stan breaths, reaching up to grab Ford by the shoulder, holding himself steady. "Y-You know you don't have to do that, right? Pretty loosened up already."

He is, to be fair. His hole is still soft and loose and fucked open. But Ford enjoys petting his fingers against the tender muscle and stroking them inside anyway. He likes watching Stan bite his lip and push himself back onto his hand. When he slides a third in after the first two, Stan's thighs tremble on either side of his own, and he makes a low, throaty sound. 

When Ford curls his fingers just right, Stan yells and grips his shoulder hard enough to hurt, and it makes warm satisfaction curl in his middle. So he does it a few more times, alternating between spreading his fingers and rubbing the tips against Stan's prostate until he's squirming in his lap. 

"I-I'm gonna come if you don't knock that sh-shit off," he gasps, slumping a bit when Ford chuckles and slides his fingers out. 

"I think I'd like that," Ford says, squeezing his slick fingers against Stan's thigh. 

He snorts and straightens back up, finding the discarded lube packet to squirt the remainder onto Ford's cock. "Yeah, I bet you fucking would," Stan agrees, but there's no malice in his voice, just warm amusement. 

His fist is warm and wonderful when it curls around Ford's cock, spreading lube, and then Ford is being held steady, Stan adjusts himself on his scuffed knees, and there's nothing else to do but hold on as Stan lowers himself into his lap. 

It feels as good as it had earlier to be inside of him, and Ford squeezes the thigh under his hand tightly, fighting against the need to buck his hips. Stan is panting softly, his head tilted back and a pretty, pink color is crawling up from under his t-shirt to flood his neck and face. 

Ford groans and leans forward, finding a nipple through his thin shirt to get his teeth and tongue against.

"F-Ford!" Stan gasps, fumbling the hand not clawing at his shoulder up into his hair, and Ford sucks hard on the firm nub,  rubbing spit-soaked cotton against it with his tongue until Stan rocks in his lap. 

Fuck, he likes that, the way his name sounds in Stan's voice, especially warm and rough after fucking his throat earlier. 

He squeezes Stan's thigh and his hip, giving him a little tug, and that's all the encouragement Stan needs before he's bouncing on his cock. Ford has that thought again -- that Stan was meant to be filled by him, that they're a perfectly matched set. But it isn't just feeling good and hot while Stan fucks himself in his lap. It's feeling like he's been missing something and he finally has it, like he's finally complete again. 

He's missed this, Ford realizes. 

Not the fucking his brother part. He'd fantasized about that for years but it still feels like a dream that it's happening, like something that's too good to be true. 

But being able to put his arms around him? To be this close to him again? 

Ford rocks his hips up, hard, and Stan says his name. He wraps his fingers around Stan's cock, and he gasps his name. He bites the same swollen, pink nipple through his shirt, and Stan shouts his name. 

He snaps his hips up to meet him a few more times and rubs the sensitive glans under the head of Stan's cock, and then there are teeth digging into his other shoulder and his fist and stomach are being striped in Stan's come while he shudders and jerks overtop of him. 

Stan goes easily when Ford rolls them over and pins one of his wrists to the bed. And despite the way he squirms and how his spent cock twitches and leaks, blatantly overstimulated, he hooks his ankles behind Ford's back and urges him on. 

"C-C'mon, give it to me. Fuck, just like that, Sixer!" 

The nickname hits him with all the subtlety of a truck and all the heat of a volcanic eruption. 

He doesn't even remember coming so much as he remembers every synapses in his brain trying to fire at once. Coming back down to reality is a little clearer, with his head spinning and pulse racing as he flops onto his back, but it still takes several long minutes before he feels fully cognizant again. 

Something makes the bed shift, and he looks over to see that Stan has rolled onto his stomach. Ford wonders if he looks half as fucked out as Stan does, with bruises blossoming across his body, his shirt rucked halfway up his stomach, and come staining his ass and thighs. Ford realizes Stan still has his socks on, and he can't figure out why that makes something twinge, hot but exhausted and halfhearted, in his gut. 

"Gonna...gonna get up in a minute," Stan says, his voice slurring and his eyes already closed. Ford watches him rub his cheek against one of Ford's pillows, and the soft sound of snoring follows soon after. 

The reality of the situation starts to settle in shortly after that, and Ford stares wide eyed up at the ceiling as if he'll find some sort of answers there. Unsurprisingly, there are no secrets etched overhead for how to reckon with the fact that he had just fucked his brother, twice, while the fate of the world was still very much hanging in the balance between his fraying sanity and Bill's looming threat. 

".....Fuck," Ford murmurs.

When the adrenaline finishes seeping out of his system, Ford expects to crash. The exhaustion certainly climbs back into his bones, but he's surprised to find himself still clear headed. Focused. 

The sound of Stan sleeping soundly beside him is as soothing as it is mocking, but he doesn't want to separate himself from it even though he knows he needs to get up. There's soft, gray light starting to creep in through the windows, and distant birdsong calling for the start of the day. He needs to readjust, to come up with a new plan, find some way to explain to Stan what's going on so they can buy themselves a little more time. 

Against all odds and his better judgment, there's a tiny, optimistic voice in the back of his head reminding him that there's strength in numbers. He isn't surprised that it sounds like Stan.

[nowimjustastranger]

Asked about SCMO again lol

Have you seen an AU called Artificial memories? I can summarize it like this, it's an AU where Fidds decides to erase Stanley's memories and make him believe he is Stanford

I saw this on Twitter a while ago and now that I've remembered it again I'd like to know what you think and how SCMO! Ford might react to that situation

Anyway, in case you haven't seen that AU, I'll leave you the Twitter link here (I don't know if the artist has Tumblr, sorry)

https://x.com/FregnerLy/status/1834413233391718623?t=llwIkZaT4ZzeBoIeiZqgqA&s=19

Oh, yeah! I've seen that AU, it's such an interesting and tragic concept!

In this case, Ford would reverse engineer his own memory gun to return Stan's memories to him. But first, he would straight up kidnap Stan, bringing him to one on his safehouses in the multiverse to chill until Ford could get the gun ready. It's not perfect because Fiddleford's gun did a lot of damage and the mind is a fickle thing, so there would still be times where Stan thought himself to be Stanford. Thankfully, the episodes would be short and wouldn't cause any additional damage to his neural pathways.

Next on the agenda would be dealing with Fiddleford, and Ford understands that he's a broken man, but that by no means excuses what he did to Stan. Ford threaten him into leaving and never coming back lest Ford use the memory gun to reduce him to the Old Man McGucket mindset, or just outright kill him. Ford tells Fiddleford he leaning more toward the latter of the two.

Finally, with Stan recovering from the mind-fuckery that he'd been subjected to, Ford would work on the portal, looking into the future of this dimension's Ford to figure out which dimension he'd be in next, then programs the portal to lock onto that dimension instead. Once he collects the fuel for the portal, he fires it up. And, as soon as the Ford steps out, Ford 419"3 punches him.

Cue a vicious scolding from Ford 419"3, verbally tearing into Ford for ignoring every possible warning sign and putting Stan in danger. Ford 419"3 would hurl a device that looked like a hockey puck at Ford, which would project a hologram of what had happened between Fiddleford and Stan.

[innerempire]

The Avengers trying to raise funds for god-knows-what and Natasha comes with brilliant naughty idea of a pin-up calendar of their youngest Avenger. There's nothing like showing some skin, and it's obvious (be it in Twitter, Instagram, Tiktok, or Reddit) that the public unanimously think that the newest addition to the team - Peter Parker - is pretty fucking hot.

Sure, they've not seen his face before, but that lithe body in that spandex? Peter's the only one comfortable with actually baring his ass for the calendar (Steve acknowledges that Captain America's ass is still one of the finest, but he's not fucking baring his ass cheeks for a goddamn calendar).

Thing is, Natasha has to run through the idea with Tony first because she thinks that Stark acts like a unhinged guard dog out for blood when his favorite protege is involved. She's not stupid to try and go behind Tony's back on this.

''I'm sorry, what-'' Tony swipes at his keyboard, interrupting Natasha from her tangent.

''Don't mind him.'' Peter pipes up from where he's tinkering with his latest project. ''He goes 'huh' a lot these days.''

Tony points a wrench in Peter's direction, ''Zip it.''

''Look, we want something that's going to sell. People love Peter in spandex, and what's hotter than hip keeping his mask on and, you know, executing a couple of suggestive positions with his ass showing. Pepper thinks putting him in a thong would make people go insane-''

''Are you-'' Tony rubs at his mouth. ''Did you even sleep after your coming back from your mission with Barton? Or am I the one hallucinating this conversation?'' He tries to mentally compute the last time he had slept.

''Peter said yes.''

Peter's neck is flushed, ''...I figured, since it's for charity...? I do have a pretty nice ass, especially when it's in spandex. So, you know, me in a thong would be-''

''Okay.'' Tony claps his hands together, startling both Natasha and Peter. ''I'm going to get a drink. Preferably something really strong, because I'm going to pretend that you didn't just waltz in here to tell me that you want the kid's bare ass on a pin-up calendar.''

''Prude.'' Natasha clicks her tongue disapprovingly at Tony.

After Natasha leaves, an amused Peter wheels his chair over towards Tony, ''So, which one bothered you more? The fact that people are going to own a calendar with like 12 months of Spiderman's bare ass, or the idea of me in a thong? Or panties, you know, the ones with the bows and frills that you have stashed deep in your wardrobe. I'm assuming they're for me, after you tell me that you've been fantasizing about this. But hey, if they're for you, that's pretty fucking hot too, Mr.Stark.''

A couple of months later, the idea does push through (under Tony's strict supervision). Because Peter's such a little shit, he signs the first printed copy and leaves it on Tony's desk with a note: Do me a favor and film yourself jerking off to the calendar, Mr. Stark. P.S: You'll love the month of May.

Of fucking course the month of May is Peter in the panties that Tony had so generously gifted to him - a gorgeous satiny piece that's gold and red.

The calendar is obviously a hit and during the next Avengers gathering, everyone's teasing Peter to sign their copies.

''So.'' Natasha sidles up to Peter. ''How bad did Tony give it to you for having your bare ass out in that calendar?''

''...they had to use two whole tubes of concealer and a shitload of powder and foundation even after a week after what Tony did to me.''

[wigglebox]

Found you ☀️

[linktube]

i think its some of damiens responsiblity to think what kinda relationship he cultivaded with his fans. and why is centering his need for explaning, defending and further protecting his self/image is his knee jerk reaction. unless you do those things a social media break is just another way of image management. plus it wont feel better when you come back and you are still centering your image which causes you too act defensive/childish. you cant support things thru acts of fear and nervousness and not expact them to crumble! i know people joked abour his virtue signalling in the past, and they are jokes, but its a curious thing people notice that around him enough to point that out. i hope he can actually look into that part of himself with a more honest critical lense.also these twitch stream where he wants this magicaly ''positive'' enviroment where people can ''escape'' is just unrealistic at best. this is a livestream where people rush on each other to talk to you. its by nature feeding into these things im afraidi positivity is not the warm blanket you think it is, its more of a trap lol

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[minakoaiinos]

Twitter getting obsessed with conspiracy theories about where redacted is makes me feel so fucking terrible when there is so much worse going on that people are literally begging you to pay attention to but instead you want to focus on scenarios you made up in your head and play true crime detective

[stergeon]

for the writer ask

💭🚦💛 💌

💭 What inspires you and your writing?

this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.

writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.

i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.

and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow

🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?

look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)

come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.

💛 What is the most impactful lesson you’ve learned about writing?

honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.

to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.

i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.

💌 Is there a favorite trope you like to write?

actually Just answered this in another ask!

[sketchy-scribs-n-doods]

thinking about how someone tried to insist to me that hellcheer was 'gross and pedophilic' because they had 'a huge age gap' and i thought it was the stupidest shit i'd ever heard so-

in true Extra Ass Bitch fashion i calculated roughly what the oldest/ youngest possible ages chrissy could be and the oldest/youngest possible ages eddie could be based on canon evidence (eddie's 2 failed years, chrissy's '86 necklace, etc.) and approximate school cut off dates

anyway, this is a rough approximation (not that it particularly matters because they're both still in the same age range/stage of life so a few years isn't rly much of an issue given their canon interactions) but if anyone was curious:

eddie should have been born in '65 or '66. backwards calculation places chrissy either late '67 or early '68. eddie failed his senior year twice and was supposed to have graduated in '84, he's on his third try. chrissy is head cheerleader and wears an '86 necklace, she's a senior in '86.

the youngest Chrissy could be is about [17yrs + 7 months] assuming a birthday around August of '68

the oldest Chrissy could be is about [18yrs + 6 months] assuming a birthday of around September of '67

the youngest Eddie could be is about [19yrs + 7 months] assuming a birthday around August of '66

the oldest Eddie could be is about [20yrs + 6 months] assuming a birthday in September of '65

even in the 'worst case scenario' where eddie is the oldest he could be and chrissy is the youngest she could be, eddie is 20 and chrissy almost 18

if you go with the opposite, with chrissy being as old as possible and eddie as young as possible, then eddie is almost 20 and chrissy is over 18

the other combinations average out to a 2 year age gap, which for the record, for high schoolers is still incredibly common. again, this is a stupid argument, but i can be spitefully pedantic sometimes and i enjoy having all the possible information i can before i talk shit

and i love to talk shit. so i went to go get the data myself

anyway grace van dien once said that she thinks chrissy is a pisces and i trust her so assuming that's true then chrissy was born sometime between mid february to mid march of '66, meaning chrissy would haven just turned 18 as s4 began, while eddie is still in the 19 to 20 range depending on when you place his birthday

but all of this seems ridiculous when you realize that based on what school year they're in during s4, chrissy was a sophomore the first time eddie was a senior. so like. everything else is just being pedantic for the sake of finding smth to be mad about

either way i rest my case this is a dumb argument to use against the ship, hellcheer haters get bent just say you don't ship it and go

[leatherbookmark]

dear god that would be turbo cringe or whatever, but seeing all those annoying little things in fics over and over again really makes me want to write one in which they're not obligatory funnymoments but rather like, words that have meaning and weight and so on

[monster-noises]

I am experiencing... frustration.

[feyarcher]

I think my new personal youtube rule is going to be that I unfollow and stop watching anyone who says 'corn' instead of 'porn' or says 'shit' and then censors the back half of the word. I understand that this comes from tiktok and has been imported into youtube not wanting to promote/ put pricey ads on videos deemed "mature", but I'm a full grown adult and I feel like I'm losing my mind from this trash. And I just have to tap out of it at this point.

[ghosttotheparty]

should i do the hawkinssona they’re doing on twitter

[sn0wbat]

honestly i have no idea how low stakes comes off as an archival read, in the order i've placed them in on toyhouse.

my writing style kinda involves thinking of different parts of the story at different times from all over the timeline, somewhat disjointedly - i really do wonder what it was like to follow my comics as i posted them, with all the various arcs totally out of order. is the author's train of thought the true way to read it? or will it simply be confusing as hell? probably the latter let's be real, unless you want to read what is basically a puzzle you have to place into the timeline yourself.

all i know is that i do have it all in my sketchbooks, i know what order i drew them in, and it would probably be wildly fascinating to see how my mind just kinda jumps all over the place. imagine if i posted them in real-time chronological order lmao. hah.

also like; whenever i do end up posting my whole comic in story-chronological order on separate webcomic blog, what happens to the stuff i will inevitably come up with and draw in the meantime? stuff that would neatly fit into the timeline? stuff that takes place in the past or future of what's already posted? i guess that stuff should have an additional tag huh

also man, why do all my text posts today end up so long hahaha

[todayisafridaynight]

OKAY I FINALLY FINISHED EP 1 OF FIRST PENGUIN Iwasaki is truly The Protagonist Ever. For a while I was like "oh hm... Ichi-core" because she's got that thing going where she's obnoxiously "oblivious" (AFFECTIONATE!!!) while knowing exactly what she's doing, but then The Ending Happened and my eyebrows were in the stratosphere... very excited to see how the coming episodes up the ante thank you for the recommendation (and hopefully the comparison makes this sufficiently RGG-related <3)

OK BUT RIGHT !!!!!! RIGHT !!!!!! SHE'S SO COOL !!!!!

LIKE i loved how she has such a cheery demeanor and seemingly easy attitude, but that doesnt stop her from saying what's on her mind and saying how things are. like even if this technically doesn't/shouldn't involve her, she's so passionate about it now and i love her much (´▽`ʃ♡ƪ)(´▽`ʃ♡ƪ)(´▽`ʃ♡ƪ)

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????