#I have to design more characters for this one day

[blyszczopies]

I’m now taking commissions for animated pagedolls like these for 80$!

Animated in a wobbly way, reminiscent if the Generation 5 Pokemon sprites. Perfect to use as a decoration for your blog theme or a personal website!

If you’re interested, please read the terms of service and how to contact me under the read more.

Terms of service:

I take payment through Paypal and I take it upfront; I will not sketch your commission unless you have paid at least half of the price. No refunds if I’m already past the sketch phase. Do not order a commission if you are not sure if you can afford one.

These are not first come first serve. I claim the right to decline a commission for any reason.

I do not work with deadlines. I will do my best to get your commission done as quickly as possible, but I can not promise I will get it done in specified time.

I will send you WIP images of your commission as I work on it, to make sure you’re satisfied with the final product.

The owner of the character featured in the commissioned drawing is allowed to use and repost their commission, preferably with proper credit. The commissioned image is only for personal use of the commissioner or the person who owns the character(s) from the drawing.

I claim the right to post a commission publicly. However, upon requests I can keep the commissioner anonymous or refrain from posting their commission online.

I will draw: Quadruped and anthropomorphic animals and fantasy creatures; Original characters and real-life pets; Characters based off a description, if no image is available; Complex designs and several characters in a single image (for an additional fee); Mature themes (blood, gore, nudity, substance abuse, etc)

I will not draw: Humans and highly humanoid characters; Artwork promoting bigotry; Pornography

I might draw: Fanart/fandom characters. Just ask if I would draw characters from a specific media you have on your mind! Same goes for anything not explicitly mentioned here.

By commissioning me you agree to my terms of service. If interested, you can contact either DM me here on tumblr or send me an email to timo666dlugiewlosy(at)gmail.com with everything I could use while working on your commission: reference images, descriptions, various kinds of inspiration sources. Feel free to ramble about the thing you would like me to draw! That will greatly help me get an idea of what I could create for you. ^___^

Thank you so much for taking your time to read this! Have a great day!

[sk3tch404]

Yandere Weeping Clown Thoughts!!

CW: Nothing too bad, just your usual creeper, manipulation, and analysis(?) on his character. Tbh hes so yandere coded that everything blurs together atp (and I'm using "yandere coded" sort of loosely bc that makes me sound like a yandere enabler or smth, which like, lol no but in fiction yeah funne). Called him Joker bc it was easier to use/remember than Weepy, and also bc they called them that in all the lore drop so 🤷‍♀️

A/n: Just saw the new Hullabaloo lore drop and IDV has taken me back into its clutches. He is so yandere material 🫶 Proof read enough to go "that's postable."

Joker is quite sensitive to his darlings perception of him. He always tries to do the right thing, tries to please you so that when you smile at him, that strangely unfamiliar warmth spreads through his chest. A smile tugging on the corners of his mouth, stringing his lips up as if he were a puppet. And a puppet of your design he shall be if you wished it so.

Joker is definitely a worshipping sort of yandere. He'll do most of anything for his darling if it made them just a teeny bit closer. Any progress is better than no progress. Even if it means visiting you in the dead of night to "check on you," or often "bumping into you" in places that you frequent at the manor. He'll stop bothering you if you reject his advances, but he'll come back around sooner or later. Joker doesn't want you to hate him, but he also doesn't want to be away from you! Although you may say some hurtful things like, "It's making me uncomfortable, sorry," or, "Can you leave me alone for a while," he knows deep down that if he teeters around the boundaries you set for long enough, he can wiggle his way through and to your heart. At least, that's what he hopes.

Despite his subservient nature to his darling, Joker isn't so obedient around others. He has his more introverted traits for sure, but his sensitivity to anger is fragile, especially when it comes to you. Joker doesn't have many qualms about taking a stand for you or himself if it came to it. He wants to be your protector, so he isn't very afraid to say something if he feels the need to. It can become quite the scene if the other party doesn't back down, making either you or someone else the mediator of the debacle. It's exhausting to have to manage your persistent follower, but it's better to handle a situation rather than let it spiral out of control, leaving the consequences of his mental break to you.

With his fragility also comes his keen eye for any chances to take advantage of a situation. Joker isn't very intimidating physically or feared for being calculating, but he is usually dismissed, and that makes for perfect cover if he plays his cards right. Framing people for his crimes can be a walk in the park depending on the situation, and manipulating those weaker than him isn't something he wholeheartedly takes pride in, but if it's for you, if it's for you, the singular most important person and one he adores most in his rotten life, then he's happy to oblige. If it wins you over in the end, then that's all that matters, right?

Joker will try to convince his darling to stay by his side and will get more desperate depending on the circumstances. He's not a kidnapper type, more of an idealist. Not to confuse that with delusional though. Joker knows full well how you probably feel about your strained relationship, but if he doesn't try now, he'll never get to be with you, and that's unacceptable. He wants to live a romantic and sweet life with you day in and day out, so he'd hate to see you miserable and locked up. If he can't love you the way he wants to, then what would be the point?

Even with that, Joker isn't above guilt tripping or petty manipulation tactics like that. He really can be unpredictable at times and can become very dangerous if his darling constantly shows no interest. Although he is a romantic idealist in his mind with you, he's also the type to slip into the "if I can't have you, no one can" mentality. He might just end up hurting his darling, but it won't be anything too drastic by the time it happens. Joker would feel terrible, terrified, and utterly disgusted with himself after seeing your petrified state. He'd drop to his knees and attempt to mutter consoling words, somewhat even begging for your forgiveness.

"Y- Y/n, no, oh no, no... Y/n, I'm sorry, I'm sorry, please. Don't cry, I didn't mean to. I truly am sorry. I had just- I wasn't thinking straight. I would never hurt you. If only you hadn't done this, then... No, just come back to me Y/n."

He is still quite demanding even while apologizing, which would make your fear even greater. Joker doesn't want to force his darling's hand, but if it really came down to it, he'd give his darling a grade A verbally manipulative beat down. He'll use anything and everything against you so that all else but him looks ugly in that moment. Sure being at the receiving end of his unstable anger was horrifying, but be honest with yourself, were it not for him who has saved you countless times in both matches and inside the manor, you would be long dead by now. Anything is on the table, anything just so you will come back to him once more. He has little to no guilt in it, just the fear that he will seriously break if you're still in a right state of mind. So, in turn, he'll unfortunately have to break you first.

[thydungeongal]

I definitely agree: D&D's gameplay is rooted in a very Old West take on fantasy, like it's basically presented as adventures on a "wild frontier" and then there's actually orcs and goblins living on that frontier so it's not exactly as "wild" or "untamed" as claimed: it's just that the game doesn't really think of the people living on that frontier as people. Knowing about the context D&D was written in and who it was written by kind of makes it impossible not to position orcs as occupying a similar position in the world as Indigenous peoples, if one insists on running the game as presented in the text.

And this is an issue D&D has suffered with since day one: there are "fixes" to it, usually in modern designers' work which goes back to those original games and goes "hey so this game could be run without treating the orcs as Indigenous caricatures who are also okay to kill," but none of that work changes or redeems the original text. And ultimately a lot of these assumptions remain in more modern editions of D&D, even though they have been sort of smoothed over.

This is one part of why I kind of prefer D&D when it's run as morally ambiguous, openly casting the player characters in a morally questionable light as amoral tomb-robbers: because the moment you say "actually, these tomb-robbers are actually The Good Guys" it introduces dissonance.

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[destielnoirbang]

Who Framed Sam Winchester?

By queerwerewolf | @queerwolf79 Art by anyrei | @anyreiart

Coming to Ao3 on 12/27/2024

Rated Explicit | 29,180 words | No Archive Warnings Apply

Down-on-his-luck private eye Cas Novak gets hired by Angelic Studios president, Nick Vaught, to investigate a scandal involving an infamous literary character (Lit), Dean Winchester, and Vaught’s primary nemesis, Fergus Crowley. A devilish producer and prop designer who has his hands in every movie studio in Los Angeles. Crowley’s prop factory shares a wall with Lit Town, and worse yet, he owns the contract for every Lit. Every contract, that is, except for brothers Sam and Dean Winchester from the Supernatural book series. When Crowley is found murdered, Sam Winchester becomes the primary suspect and goes on the run. The villainous Judge Edlund vows to catch and destroy Sam, having discovered a means of killing Lits with a substance known only as “Pulp”. Desperate to prove his brother’s innocence, Dean demands Cas help him find his brother before the Judge does. Despite vowing to never work with another Lit after his twin brother's murder, Cas agrees. With a contentious start to their working relationship, Dean Winchester and Cas Novak begin to uncover an ever growing nefarious plot. Can Cas and Dean put a stop to this evil ploy? And more importantly, will their attraction to each other get in the way of saving the day?

[Keep reading for a sneak preview!]

“Cigars? Cigarettes?”

When I turned, it was to come face to face with Dorian Gray. Unsurprisingly, he hadn’t aged a day in about a decade or so. Now whether that was because he was a Lit, or that damned portrait… His cobalt blue eyes rivaled my own, although, if I’m honest, his were always prettier. His curly blonde hair was coifed in a pompadour and his scarlet lips were curled in a hungry smile. He was dressed in a form-fitting pair of charcoal pants and an even tighter black t-shirt that left little to the queer imagination, carrying a tray of different smokes.

“Dorian, what are you doing here?”

With a wistful, overly dramatic sigh, Dorian pouted his plush lips and said, “Work’s been slow for those of us with a little more… culture.” Which meant with how many contemporary novels were capturing the attention of audiences, any Lits from the 19th century or earlier had to get creative to make a living. This suited Dorian, considering his nature. “But I’m still exquisitely tragic.”

With a soft laugh, I nodded, reveling in his beauty for a moment, although I was far too old for him now. “Yeah, you are.”

The lights started to dim and a spotlight shined on the closed curtains. I caught Crowley in my peripheral vision, straightening his tie and sitting upright. He even pulled out a small bottle of cologne, spraying it against his neck. It reeked of licorice and cloves, the breath of a child that got into his father’s cigarette case.

I turned to Dorian with a bemused expression. “What’s with him?”

Dorian smoothed out a nonexistent wrinkle on his pants with a shrug. “Oh, Mr. Crowley never misses a night when Dean performs.”

“Got a thing for Lits, huh?”

At that, Dorian gave me a pointed look. “If I recall, you did as well at one point.”

I cleared my throat and grabbed my drink, gulping down half of it at the implication, feeling a warmth at the memories that comment conjured. The crowd grew silent and the band could be heard from the pit, warming up their instruments. Then a familiar intro began, an infamously upbeat Cole Porter song that had been slowed down from a jazzy little jaunt to something sedated, steady, and sentimental. Just as a soft beat began, the curtains jostled and a leg popped out, bent at the knee in skin tight purple pants.

“We’re all alone… No chaperone… Can get our number… the world’s in slumber… ” A sultry, deep voice sang in a pleasant register, masterfully turning jazz to a ballad. The curtains parted and revealed one of the most breathtaking creatures I had ever seen in my life.

“Let’s misbehave…”

[stillness-in-green]

Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point?  Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to.  We already knew that because it's what the whole story of BNHA was about!  Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else.  If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing.  It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid.  That's the one who we saw could not become a Hero under the previous system.  That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself.  And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever.  Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series.  Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it?  Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof.  So, who does save those children, then, in this grand, improved version of Hero Society?  Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that.  Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later.  No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed!  Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku?  Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out."  But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with.  It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save.  But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed.  However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in.  Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life. 

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai.  To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles. 

Like, this list is not short.  Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can.  So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover.  Truly, as art that summarizes the story goes, it’s a masterful choice!  And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

[beefscrap]

!!! DESIGN A STORY CHARACTER CONTEST !!!

Finally, it’s here! To celebrate 400 PLUS followers now, I’m hosting a WOF design challenge/contest! Your mission is to design a character that’s going to appear in TBoFS 2. The character is already decided, and you’ll be given information/prompts to design them. First place winner will have their design be the official design for the character, and anyone who doesn’t win can keep theirs! So keep in mind that if you win, I’ll be the ‘owner’ of your design and the character.

!!! GENERAL INFO !!!

- 1ST PLACE PRIZE: Your design will be the official design in the story! You also get a free dumb doodle from me of any OC (or character) you want.

- 2ND PLACE + 3RD PLACE: You’ll each receive a doodle, as well as being featured as winners when they’re announced! Of course!

- Anyone else who submits a design will get honorable mentions, and your design will be linked when winners are announced.

- Very little artistic bias is involved. Not being able to ‘draw well’ isn’t an issue, as long as you have good ideas and a good imagination!

- DESIGNS ARE DUE BY [ Friday, December 20th ] !!! I’ll have results by December 25th!

- I’ll personally be picking the top 3, then put a poll up that lasts for 1 DAY. This will determine the winners.

- TO SUBMIT YOUR DESIGN: Either tag me in a post or send in my asks inbox! I will be reblogging/posting with the hashtag #TBOFS2DESIGNCHALLENGE (and you can post with the tag too ofc!)

- Please ask questions if you have them!

!!! RULES !!!

- I have faith in people but PLEASE BE NICE! I don’t want fighting for any reason, I don’t want unwanted criticism of people’s designs, etc. I want this to be enjoyable for EVERYONE, even if you don’t win!

- You may only submit ONE DESIGN! If there’s some sort of issue where you need to resubmit, just let me know!

- Another reminder that the first place winner gives me ownership of the design, and I’ll put them up on my Toyhouse folder. Please don’t submit to win if you’re uncomfortable with this!

- I have faith about this too, but just in case: don’t submit inappropriate art. If I find out you draw gross feral art/sexualize dragons I won’t accept your design and you’re blocked.

- Similarly, no design you submit should be offensive or hateful in any way.

!!! DESIGN INFO !!! finally the fun stuff

- The character is a PURE NIGHTWING.

- I prefer to stick to MOSTLY canon color choices, but some deviation from this is welcome! Ask if you aren’t sure, but feel free to look at the character designs in my TBoFS Toyhouse folder. That should give a good idea.

- Adding accessories and even little headcanons for the character are fully welcomed and encouraged (keeping in mind that some headcanons may not end up to be true, lol!)

- Name ideas are welcome, too!

- YOUR GENERAL PROMPT IS: a snobby, intelligent, standoffish Nightwing who does not believe in animus magic as it exists.

- Keeping my prompt pretty vague so you can have fun! The best designs (to me) are ones that’re recognizable. Not necessarily jam packed with accessories and colors and stuff… just recognizable.

- Your designs may be sketched, lined, etc, but my main requirements are that it’s at least a fullbody + colored. You CAN add more visuals to the design if you want (front face view, mouth view, paws, wing view, etc etc). It does NOT have to be digital!

Woo hoo! Have fun and thank you again for your support!

[joejhang]

every insane thing in arcane season 2 act 3

ep 7 was a masterpiece truly took me out

lowk really funny the way they cut from the happy, (almost) perfect world au to jayce hallucinating and eating raw meat

TIMEBOMB CANON????? lowk didn't see the appeal of it UNTIL NOW WTF WAS THATTTTT

au powder MY GIRLLLLL

dude they yassified silco in the au too. i'm hearing y'all out this time.

HEIMER???? he was such a real one bro

jayce hallucinating mel and viktor and the two of them being interchangeable/intertwined in his mind. which could mean nothing.

also on that note i KNEW everyone was too quick to judge my boy jayce GOD what an interesting character

the "pretend like it's the first time" thing kind of killed me a bit i might've cried a little

it really just proves WE COULD'VE HAD IT ALLLLLL

killing IS a cycle

jinx w her hair out was something i didn't know i needed

caitlyn and jinx's dynamic is SO YUM i need more of their tense interactions

caitvi argument like five mins into the episode lowk gave me life I LOVE ANGST

jinx and vi continue to kill me slowly

everyone who ever said vi gave up on jinx or was a bad older sister i hope u guys CHOKE on ur fucking words

caitvi sex scene...in a jail cell...bro they were wildin

"i saw someone" "i don't fucking care" SUCH A VI THING TO SAY GODDDD I LOVE THEM

they have sm chemistry god

somehow they made mel's character design even more gorgeous than before tf

viktor was lowk wildin but i don't really care i love that man

ngl i was kinda like "viktor baby what ru doing" somewhere in there but i knew they'd work it out

"i'll miss our talks" "no you won't" HAHAHAHHA SKY'S A REAL ONE

jinx boutta khs and then ekko stops her FOAMING AT THE MOUTHHHHH THEY DESERVED MORE SCREENTIME TOGETHER

i knew maddie was sus.

jayvik canon jayvik canon jayvik canon jayvik canon

honestly it would've been less gay if they kissed

everyone is DOOMED oh my god

jinx swooping in to save the day WHO ELSE CHEERED

lowkey i miss her twin tails but i get why she cut them

JINX AND VI FIGHTING TOGETHER AGAIN UGH SISTERHOOD

"i'm always with you sis" IT REALLY IS ABOUT THEM IT WAS ALWAYS ABOUT THEM

i actually don't think jinx is dead that scene w cait and the air vents isn't there for no reason

not mad about the open ending tho

SO impressed how they managed to tie so many loose ends together arcane creators you will always be famous

again love the fast pace it does it for me

also cait was looking SO FINE in that last scene i actually gasped when i saw her on screen i love women oh my god

shoutout to caitvi for being the ONLY couple that gets a happy ending in this fucking show

ekko MVP GIVE MY MAN HIS BREAD

[earthnashes]

SOOOOOOOO. Arcane season 2, huh? Now that a couple of days have passed for me to marinate I think I'm ready to share my thoughts on the season. This WILL contain spoilers though so if you haven't seen it, I highly recommend watching for yourself first!

So! Overall, as a standalone season I feel like there are things Arcane excelled at and things that have lost its way a bit. For starters and easily the best part of the show: it's visuals. I've heard some complaints about how much the show cost but like. Brother. When I think of super expensive shows, THIS is what I think it should look like. At no point did I question the budget because it's made abundantly clear every penny is used to best use it could possibly get. And it resulted in what I've been calling a modern greek statue: a marvel, an incredible tapestry of just about every art medium you can think of woven into something so beyond anything I've seen in animation I have a hard time finding the appropriate words to express exactly how much I'm taken by it. This is a clear example of what art IS man and jesus christ. It's mindblowing. I can't praise the show enough for that, like it's literally the best looking thing I've ever seen in media.

Same with the sound design and music, particularly in the battle scenes. Something about the energy behind the sounds, like the clacking of Vi's gloves as shes revving up for a punch, or the reverb of metal clashing, the sound of how blows connect. Even the little things, like the distinct difference between footsteps, or the glitch-like sound that spiders in the backround before shimmer or the arcane is utilized? Like CHEF'S KISS BRO. God almighty it tickles a part in my head.

Just the visuals and sound design is fuckin tasty bro. A solid 1000000000/10

So now Characters. Season 2 managed to take the existing characters and really built off of what was already there. In my opinion the characters, particularly the main players, received additional depth and evolution in a way that made sense in the long run, and the conclusions they reached in their arcs felt like a correct conclusion. However, it's how they got there and how fast they get there being one of my complaints.

For starters: the love triangle between Jinx, Vi, and Caitlyn. I didn't appreciate how, for the most part, it felt like it took a backseat in this season when it was one of the driving forces of season 1. It's not JUST them though: the relationships of every character kinda fell away to the wayside for the sake of getting through as much of the plot as possible, but we're on these three right now so:

-I feel like a PROPER recouncil between Vi and Jinx was sorely needed. There were hints to it, particularly in Act 2, but we were kinda left guessing and having to fill the majority of the gaps ourselves. One of Vi's driving factors as a character is her relationship with Jinx/Powder; her unable to accept that she's changed in her absence. Act 2 opened the door in allowing Vi to learn about Jinx as she is and come to terms that, even if she's changed, she's still her sister and there's a chance to bridge that gap. Vice versa to Jinx, particularly because of Isha's presence; I have to assume by becoming an older sister herself, she begins to get an understanding of Vi she previously lacked and that really could've been a stronger catalyst in her recounciling with her. Had the sisters actually got more on-screen time together and really let the hope between them breath, I feel like the ending would've had a much stronger impact.

-Cait/Vi, as much as I enjoy the pairing, felt a little too disjointed. Act 1 was the strongest showcase of their relationship; a sudden escalation driven by mutual grief and attraction and genuine care only to be torn apart immediately after because of Cait's blind rage. Cinema. Beautiful. But immediately after, we don't really see either character work off that much in my opinion. Vi does have a spiral that was very well shown, though I do wish we saw more of Pit Vi and her descent. As far as Cait goes I would've preferred seeing her spiraling in her own way; like we kinda get that I think, but I was expecting the show to REALLY showcase how much she allows her hunt for vengance cloud her mind and take over her life. Like bro she was so SURE she wouldn't miss (immediately after missing every shot she took) that she was willing to potentially kill a child for it. Ain't no way she wasn't constantly frothing at the mouth for some time, wallowing in Vi's apparent "betrayal". I DO like how she is seen questioning her actions but it just feels like a snapshot.

And the sex scene. Particularly WHERE the sex scene occurred, immediately after Jinx heavily implied offing herself to "break the cycle". Vi isn't stupid. I felt like it was extremely clear what Jinx was alluding to, and it seemed like Vi understood that with how she asked "What are you gonna do?" She sounded terrified and desperate. She has SEEN Jinx be suicidal in this season first hand, was all but directly asked by Jinx to put her out of her misery herself. You're telling me she immediately bones the shit outta Cait right after Jinx scampers off and seems to forget it?? I dunno man. :/ I wouldn't remove the fuckfest, but in my opinion there were better places to put it.

And overall in terms of the characters as a whole, there was just too many gaps and too little time. Vander felt like he was underutilized, particularly his clear fight in trying to get a hold of his humanity; could've really used him to push the running theme of people can change, but they're still the same person at their very core.

Heimerdinger got shafted I feel like. He had such a strong impact in S1, only for his death to be... well. Forgotten.

Mel's storyline was way too fucking short. Love the powers she got but they ultimately felt unearned; I feel like we could've spent way more time on her learning to control it to some extent. Her

Ambessa was anticlimactic and I didn't appreciate how she ultimately perished. I wanted her to die, don't get me wrong, but the war in general felt waaaaay too short and her death too easy.

Victor's progression is the only one that felt mostly natural in it's pacing. But again, with how unstoppable his robot pawns were, I felt like they really robbed the final battle of any significant weight to it; Zaun and Piltover, fighting as one against a common enemy. One of the biggest payoffs in the show... felt underwheming and, again, unearned.

And the new characters didn't really get much chance to do much of anything. Loris felt like an important parallel to Vander given how many times he was shown to look and sorta act like him. I felt like he had a bigger role to fill but just ended up bodied. Maddie, at least, had somethin interesting goin on but I feel like she could've been made more impactful in her betrayal.

Overall, a mid 5/10. It wasn't terrible, but it definitely needed more time to really flesh everything out.

And finally, the plot. I personally really enjoyed the overall plot and it's opposing themes to season 1. Whereas s1 felt like "love is undoing" and veered into tragedy, s2 felt like "love is healing" and veered into hope; the sisters learning to accept one another, Vi and Cait mending the rift between each other, Victor and Jayce finding their way back to one another. Isha giving Jinx purpose and a new perspective on life, Vander returning and, even if briefly, managing to regain his humanity for his daughters, the list goes on. It's such a beautiful contrast to season 1, but that is part of why I strongly feel like Arcane NEEDED 1 more season.

Season 2 was too focused on getting as much story out as possible that it didn't allow the characters themselves to push it forward, and it was weakened for it. Had there been 3 seasons, Act 1 and Act 2 could have been the entirety of season 2, and Act 3 could have been the whole of a season 3, where we get to see the total climax of everything that occured.

_______

My meds is beginning to kick in so I'll leave it here for now! TLDR: Arcane season 2 was mostly good. I have my complaints and thoughts on how I'd personally structure everything, but a a whole, pretty good!

Season 2 Rating: 7.5/10

____________

[woodchipp]

Hot take: jokes about censoring Jimmy's name or on the vein of "I'm sorry you had to draw J*mmy, here let me edit it out for you :(" are not just childish, but miss the whole point of the story.

Jimmy is not some sort of unique Satanic evil. He's not worse than many, many other villains who have committed murder, rape and abuse. The whole point of his character, which is obvious from his design, is that he is a common man. His awful actions stem from human desires and fears, like the loss of a job, a life of "struggle", and the desire of control and appreciation.

Refusing to acknowledge him, censoring him, reducing him only to "that asshole who raped Anya", comes from the same desire to dehumanize criminals: the belief that there is a category of people beneath us, and only they are capable of horrible actions. Which is the opposite of what Mouthwashing, as a story, shows, which is how easily one can just... not do the right thing, and hurt others.

(also Swansea is nowhere near the badass hero the fandom hypes him as. bro was just as much of a sexist to anya as jimmy, and probably reacted to her confession by telling her to get drunk)

Strongly agree | Agree | Neutral | Disagree | Strongly disagree

I don't have much to add. Not only is reducing Jimmy to "that asshole who raped Anya" a very simplistic and surface-level reading of him as a character, it's also a reductive reading of Anya as a character. She is the kind of person who wonts to see the best in other people, she can be playful and competitive, she's attentive to the point of noticing the smallest things and problems, she has a knack for photography, she's able to deduce the mouthwash couldn't be used as a disinfectant at a glance - point is, she's so much more than what Jimmy did to her.

She's a great, tridimensional character and I like her a lot <3

As for Swansea, the man himself explicitly says Daisuke's death is the only regret he's got at the end of the day. I think people tend to forget that while he genuinely cared about Daisuke, he also didn't give a shit about anyone else.

Considering that he has to have noticed Anya's bloodied corpse while searching for disinfectant in the medbay, the fact he doesn't mention Anya in his last speech whatsoever directly implies he didn't consider her/her death important enough to mention.

[planetdream]

striped carnations.

characters. hwang hyunjin, reader, lee minho + special guests

genre. angst, flower shop!au. words. 5.6k

synopsis. upon hearing the news that your boyfriend is going to propose to you, hyunjin realizes that he's had feelings for you all along

fic contents: hyunjin is both a chronic overthinker and a hopeless romantic. needless pining. angst. heartbreak. talks of marriage and relationships. suggestive content: hookups; heavy make out + implied drunk sex.

💌 if you think you've seen this before, it's because you have! I deleted it like a month ago lmao....but here it is again <3

Hwang Hyunjin has always been a big fan of flowers. A flower can describe the emotions behind every pivotal moment in one’s lifetime—a wedding, a funeral, graduation, or a life-changing event—though not limited to only those situations; Hyunjin's love for, and belief in flowers reaches across all occasions and sentiments. His admiration of flowers as a whole goes beyond the smell, or how visually pleasing and/or vibrant in color they look. Flowers allow him to express feelings that he feels words simply cannot—even if no one else around him understands it in the way he does. Hyunjin loves flowers because of the stories you can tell with them, and thus, he chooses to document his life with flowers. 

As a small child, Hyunjin would pick flowers at the park for his mother; or one of his various personal art projects. A bundle of flowers bunched up in his tiny little hands as he ran to his mother with the widest, dimpled grin he could make. To his mother, the flowers are a sweet sentiment of his admiration towards the woman raising him. However, to Hyunjin they meant so much more than that—a physical manifestation of a deep awareness that he couldn’t find the words to explain until he matured as a person. This habit of gifting flowers out of pure emotion was probably the one constant in his life other than the crushing weight of heartbreak. 

Heartbreak is much like flowers. It has so many different colors and feels, it takes on a multitude of shapes and smells—and it is pretty easy to romanticize. 

When Hyunjin was in kindergarten, he gifted a daisy to a girl he had a small crush on. She ended up stomping on them, but that didn’t stop little Hyunjin from pining after her. The tradition of Hyunjin picking flowers as a romantic gesture continued in a slightly different way as he got older, and the helpless pining after something unattainable never stopped. Coincidentally, a few of his exes are named after flowers—the unfortunate downside of that is that it still pains him to look at whatever flower the ex had been named after, even if they ended the relationship on good terms. 

These are some moments and beliefs that have shaped Hyunjin—and his future. 

In the second to last year of his high school career, Hyunjin began working at a flower shop close to his childhood home. Morning Glory Floral—located between a convenience store and a bookstore (both of which are frequented by Hyunjin)—is a tiny little flower shop that Hyunjin knows like the back of his hand. He’d originally started out as a cashier and order taker until he eventually worked his way up to being one of three floral designers at the shop. 

He typically runs the shop most days of the week, opening in the early morning and closing in the late afternoon unless he happens to work Thursday, Friday, or Saturday—on those days the store is open until 7PM. Hyunjin usually arrives an hour, or sometimes two, before the shop opens just to get a headstart on things. He prints out invoices, splitting the orders between their type—local, domestic/international; additionally divided between funeral, wedding, and those non-applicable—as well as making sure pre-made flower arrangements are ready for pickup. The shop is fairly busy on a normal day (although that typically comes down to season), therefore, a lot of Hyunjin’s time during the day is making sure things are running smoothly and without delay. 

Floral design is an art. One of the many forms of art and creative expression that Hyunjin excels within. In his mind, floral design can easily be compared to architecture or interior design (both Hyunjin contemplated as career options). The vase is the foundation—who or what is this flower arrangement for? What color helps express the emotions behind the arrangement? Then—what flowers should be used (if the customer doesn’t have a request)? What should be the focal flower that grabs people's attention? Do the flowers chosen represent the overall message? Which filler flowers and greenery should be used? The shape of the arrangement matters too. As do a lot of other minuscule details. 

The details are important to him. Making sure the customer is satisfied with his creation is easy, hardly anything to worry about, but making sure that he’s satisfied with the work he’s done is an entirely different thing. A simple glance at Hyunjin creating a flower arrangement and it doesn’t seem like it takes too much time or energy. He moves in fluid movements, placing one flower after the other, a blank expression on his face. In reality, it’s a time-consuming process and it takes a lot of thought and precision to create the arrangements he does. Still, his hard work pays off greatly. He didn’t know he’d be where he is today, but he’s great at what he does—which is why people always come back. 

His favorite floral arrangements to make are the ones that have to do with romantic love—a date, wedding, or anniversary—since Hyunjin feels it gives him a lot more freedom for creative expression. Like floral design, love is of significant importance to Hyunjin, especially romantic love. Seeing people express their love and admiration for each other via flowers is beautiful to him, as he is a hopeless romantic after all. 

A small order of carnations arrived at the shop one morning. Unmarked and not on any receipt nor written in any book. Carnations are typically cut flowers (as in, used for decorative purposes), so consequently, it’s not unlikely for the shop to have extra, especially since Felix, one of the other floral designers, loves to use them for arrangements. The flowers catch Hyunjin’s eye in particular, not only because they’re striped carnations, but because there are three of them, obviously not enough to do much with unless for a small arrangement. 

Felix, as full of knowledge as he is, once explained to Hyunjin that during the Victorian era, carnations were used to speak very straightforwardly. Unlike other flowers that have many different, complicated, and often overlapping meanings, carnations could be used to respond to something—like a love proposal. If one was asking another for their hand in marriage, the recipient of the proposal may respond with a yes by giving the proposer a solid color carnation, such as pink, white, or even red; however, the yellow carnations mean no. Striped carnations generally mean a refusal of love, almost regrettably so. I love you, but I cannot be with you. A message that Hyunjin is more than familiar with. 

Perhaps it’s an omen. A sign that he’s going to fall headfirst into another relationship resulting in yet another heartbreak. A sign that if he falls for someone again, he may not get back up this time. Hyunjin often wonders if fate is real—he knows it is, he can feel that it's real—but has he been fated to fall in love over and over again just to reach the same emotionally catastrophic end that he always does? Maybe he did something in a past life that would warrant this anguish.

He shakes the thought from his mind, for the time being, choosing instead to blissfully and ignorantly fall victim to his subconscious. He won’t admit it out loud, and when the thought arises, he pushes it out of his mind in embarrassment, but Hyunjin loves the feeling of heartbreak. It stings. In both the worst way and the best way. And while he genuinely does hate heartbreak, it’s almost like he’s addicted to it. 

And then the bell of the door rings, signaling to Hyunjin that there’s a new customer. He looks up from behind the counter and his eyes meet Lee Minho, your boyfriend. 

You and Hyunjin had met in the fourth grade. It can only be described now, all of these years later, as an instantaneous click. You both felt comfortable with each other and eventually opted to do everything together, very soon becoming the best of friends. From grade school to adulthood, you’ve kept a secure friendship. Confiding in each other about everything—when one of you is low, the other is sure to pick them up. 

There’s a sheepish smile on Minho’s face as he approaches the counter. The expression takes Hyunjin aback. The smile is surprising because Hyunjin swears that the older man typically has a permanent scowl on his face. Hyunjin greets him, giving a small smile and a wave. 

“Need flowers for a date?” Hyunjin asks, fixing his standing posture. 

“For something better actually,” Minho’s smile grows wider, as if he cannot contain it. Hyunjin thinks this might be the biggest smile he’s ever seen across Minho’s face. Minho places his hands onto the cold surface of the counter, lightly tapping in it. “I’m proposing this weekend.”

Hyunjin’s jaw drops in awe. Never had he thought Minho was a man interested in marriage. Not only that, this means he’d be losing his best friend to married life. Next thing he knows, you’ll start having kids! His mind begins to race around, unforgiving. 

When Hyunjin the two of you were younger, you and Hyunjin would talk about your hopes and aspirations for the future. Of course, the topic of marriage and creating a family entered the conversation. You expressed that when you truly love someone, there’s no need to get the law involved for a piece of paper. Hyunjin couldn’t help but laugh, he felt that your reasoning was a bit childish, joyous of true, deep love. However, when you told him that though, it put a couple of things into perspective—most significantly, how you and Hyunjin are opposites. Hyunjin aches to get married and wants a few children too, he thinks the idea is beautiful. Still, for Hyunjin, the possibility of him actually getting married feels too far-fetched; unimaginable, and unattainable. Would anyone love him enough to want to marry him?

Minho breaks Hyunjin away from the depth of his mind. “I was thinking of a nice bouquet to give them, and you’re my guy for that.” 

Hyunjin exhales as he looks at Minho. He can’t even crack a small smile. He feels he should be happy—but something within him feels wrong. Someone dear to his heart is getting married and he can’t even pretend to be excited. He should be happy for you. He knows he should be happy for you; but he cannot find happiness within himself at all at this moment. 

Hyunjin and Minho aren’t exactly friends. Had it not been for you, they doubt they would have even crossed paths. It’s not that Hyunjin doesn’t like Minho, he’s a cool, upstanding guy; but is he worth being your boyfriend? Let alone, is he worth being your husband? In Hyunjin’s perspective, absolutely not. Sure, from the things you tell him, Minho treats you with love, care, and the utmost respect, but Hyunjin thinks there’s something…off about him, even after four years of you and Minho being together. From Minho’s perspective, it’s obvious that Hyunjin has a crush on you. He’s teased you about it multiple times, but to you it seems highly unlikely that your best friend since practically forever would be in love with you—but it happens. 

“Here, I’ll show you the ring.” Minho fishes into the front pocket of his jeans, pulling out a black velvet box. He opens the box, places it on the counter, and turns it to Hyunjin. 

The ring is gorgeous. Hyunjin can tell it’s been updated and has had a few repairs, probably a ring kept within the family. He knows this because after looking at so many rings, both through work and in his own free time (self-admittedly pathetic of him to just go looking for engagement rings and wedding bands while he’s desperately single), he’s starting to notice the small differences. 

“Wow.” Is the only thing that leaves Hyunjin’s mouth. 

Minho continues to talk, but it all goes in one ear and out of the other. Hyunjin is lost within his head. One thought after another, layering and locking himself within his own mind. Hyunjin remains on auto-pilot for the rest of his conversation with Minho. Towards the end of it, Hyunjin fishes out the most pathetic fake smile he possibly could. Hyunjin, per usual, promises to do his best at making the best floral arrangement he possibly can. Before he leaves, Minho says something to Hyunjin that sticks with him for the rest of his day. 

“They’ve always liked your arrangements, so just do what you do best. I trust you.”

The carnations are back. Another three. 

Coincidentally, they arrived on the same day that Hyunjin has to create the floral arrangement for Minho’s proposal. Hyunjin can’t lie, while this project was constantly on his mind; subconsciously putting all the pieces together one by one—he absolutely put the entire thing off until the last minute. Hyunjin has never once dreaded coming into work until now. Just the thought of working on the arrangement makes him sick to his stomach. But now there’s no more time left. 

Everything that Hyunjin needs for the making of the arrangement is spread out right in front of him. 

He chooses a white vase as the foundation—white, along with being a symbol of purity or innocence, is also a symbol of new beginnings and marriage, the latter representing what the arrangement means as a whole—sleek and rounded in an hourglass shape. Usually, for engagement bouquets, Hyunjin uses a clear vase to ensure that the flowers stay healthy and alive (of course while being taken care of). However, neither you nor Minho are any good when it comes to taking care of flowers, so Hyunjin figures he can do whatever he wants when it comes to his creation.

The foliage comes first—Hyunjin preps the stems, pulling off the lower leaves that might hang in the water, clipping the ends off the stems before they dive into the water. Floral arranging is not only art, it’s a science. The plants have to be inserted into the vase at an angle so that the arrangement can take shape. The arrangement needs to be balanced and colorful, preferably. Vase arrangements require layering, it’s easier to start with the heavier flowers first; two red chrysanthemums on opposing sides. He cuts the stems so that the flowers hang low in the vase, almost acting as a focal point if not for his statement flowers. 

As a standard for his arrangements and bouquets, Hyunjin chooses flowers that signify love and new beginnings. He also needs to make sure that the flowers he chose actually look nice in the bouquet, as if not, he feels the need to completely start over.

As he works on his creation, Hyunjin allows himself to get lost within his thoughts. Everytime someone comes into the shop, a smile on their face as they’re picking out flowers for their lover; Hyunjin feels something within him break, just a tiny crack at the surface of his identity. For a brief moment, with his work, he’s allowed to peak into the lives—the relationships—of others. Everything from the great moments of excitement to the bad moments that hope and pray to be forgiven. All of it sends Hyunjin spiraling into the depths of his memory. 

He remembers his high school years. Going back to classes after the summer he hit a growth spurt. His voice got a bit deeper, too. Suddenly, all eyes were on him. Hyunjin was desirable. Shy as he was, he enjoyed it. And after a few experiences, he’d seemingly gotten over his timid behavior, though still introverted. It was a strange time. He remembers falling deep into infatuation only for things to not pan out. Before the situationship begins, the sharp sting of heartbreak lingers. 

Just a few months back, Hyunjin got his heart broken yet again when his now ex-girlfriend left him to get back with her ex; some total loser named Changbin, of whom she had been originally dating sometime before Hyunjin. It’s not you, it’s me, she said. I just don’t feel the same as you, she said. Maybe we’ll meet later in life, or in the next, she said. He knew she didn’t mean it. That she was just feeding into his past-life and karmic romantic ideologies to lessen the blow. Within that same week (at minimum, three days later), he sees a mutual friend post a picture from a double date including said ex and her boyfriend. 

It stung. Badly. And he’s over it now. In fact, he’s so over it that he can hardly remember her name. Sooyun? Miyeong? See? He can’t remember it. It wasn’t the worst breakup that Hyunjin has experienced. Not by a mile. The worst actually was a couple of years ago, his longest relationship which lasted a year exactly, getting betrayed on the one-year anniversary of their one-sided love. The memory still stings, so Hyunjin prefers not to talk about it—but once it comes time for self-reflection, he thinks of the memories in awe—sickly attached to the distant memory of something that failed to work out. What if? He thinks. 

But three months (yeah, his most recent relationship was only three months; yes, he’s still a bit broken) with someone—constantly talking to them, getting acquainted with their lifestyle, seeing them often, kissing them, feeling them—changes a person; for better or for worse. So, Hyunjin is lucky he got out of it with only hurt feelings. A faint tug at his heart and, understandably, anger surrounding the situation, if anything. Nothing unmanageable that he can’t work or date away. 

Past relationships have driven him into a slump. Depressed and unable to create or live, even, until he finds himself somewhere within the next person—both metaphorically and actually—when he’s really at his worst; the ‘best’ thing to do is to relieve his stress by burying himself inside of someone in an effort to escape intense personal feelings. This occasionally backfires whenever he catches feelings for whoever he fucks and the cycle repeats itself. Over and Over. An unfortunate life lesson that Hyunjin has to continue repeating: spiritually, possibly due to the sins made in a past life; but actually, because he rarely ever learns from past mistakes, especially if it has to do with romance. 

Hyunjin, is, quite simply, a hopeless romantic in every sense of the term, but at a specific level of naivety. Aching to see the good in people or a situation even if it has near-disastrous results to his psyche. Before even speaking to someone, he’d have already envisioned their first few dates, their marriage, and growing old together. It embarrasses him badly. And no matter how many times he has to sit down with himself, reminding himself to calm down, that he should take things slowly, he’s already experiencing heartbreak. 

He’s tried the dating scene multiple times since this most recent breakup. A few dates here and there, and more than a few hook-ups as well (What can he say? He’s a single man). He was mostly encouraged by other friends, and you, to reopen his Tinder account and get back out there. And Hyunjin, easily influenced, did just that. It didn’t last long though, simply due to the fact that he found himself bored almost immediately after each date or hookup. He’s simply wandering through life, boldly yet blindly, without inspiration. 

Then he feels that spark. It’s just as he’s putting the finishing touches on his creation. 

That very familiar, almost sickening spark deep within his soul that he found himself craving after going so long without. Feelings. Of the romantic variety. For you. He can say that he initially realized them during a party hosted by a friend of a friend. You were surrounded by some of your close friends, drinking, and smiling all pretty as you do; and that’s when it started. It was like the universe expanded in a way that could be physically felt—similar to that of an out of body experience—an intensity that feels so right. He could damn near feel the temperature changing in the room due to some kind of universal shift. The vibrations of the music gets heavier, and the chatter of people blurs together—time slows down but is going all too fast. 

But perhaps he’s had these feelings for you for a while now. Maybe since you first met as children. Hiding them deep within himself. Covering up his feelings by searching for you through countless other people. Perhaps it is why many of his relationships never work out. 

It has to be fate calling out to him. Hyunjin clings to this thought and the feeling that it gives him.

Hyunjin questions himself like he does every time he realizes that he has feelings for someone. What do I like about them? He ponders it. Though it doesn’t take long for him to figure it out. Everything. He likes everything about you. From the way you type on your phone to how you order food at restaurants. He loves how concentrated you get when reading something and he likes how you walk a little weirdly. He likes your opinions and the way you see the world. Those small, specific things that make you who you are, are what Hyunjin loves. You as a person, inside and out. The good and the bad. All desirable and undesirable things. 

This is bad. Really bad. The realization feels bad. 

Hyunjin has had feelings for tons of his friends before. He never tells them, but if he does—because hey, life is short—then it never goes past a -with-benefits label. His friends mean a lot to him, and while a romance could strengthen a relationship, it could also weaken one. Some people are meant to stay friends. Perhaps that could change between you two. But it cannot. Hyunjin remembers one little fact: you are in a committed relationship. Of four years. With Lee Minho of all people. 

What does Lee Minho have that Hyunjin doesn’t? He’s just as pretty. Just as charming. And he’s a few centimeters taller. Plus, he’s known you longer than Minho has. If anything happens, you’d certainly pick Hyunjin, right? But Minho wants to marry you and Hyunjin doubts himself as being ready for that type of commitment even though he craves it desperately. 

By the time that Hyunjin has finally finished the final pieces of the floral arrangement and sneaks away from his thoughts, Minho saulters into the store. Speak of the devil. 

He’s smiling just as wide as he had days ago. Tonight is the night that he proposes, Minho informs Hyunjin. To which, Hyunjin congratulates Minho—but he hopes that you say no. He prays that you say no and, just to add insult to injury, you laugh in Minho’s face, despite how crude it’d be. In the pit of his stomach, though, he knows that you’ll say yes to Minho.

Minho leaves with the flowers after a few minutes of chatter; but not before he pays and leaves quite a hefty tip. 

The rest of Hyunjin’s day goes by dryly. A permanent pout rests on his face, as noticed by his coworkers. He’ll just shyly smile so as to not cause any worry. Hyunjin remains on autopilot. Smiling, talking to his regulars and answering the questions he might receive throughout the day. For the most part, though, he retreats to the dark and cozy area of his mind. 

—

He decides to take a refreshing walk back home. It’s only about a fifteen minute walk, and he does it often. More time to think. His headphones are tight against his ears, but not uncomfortable. Hyunjin initially chooses to blast a soft, slow tempoed song before he switches to something more heavy and aggravated. 

The music is cut and a millisecond later, his phone rings. It’s you. Oh, god. You’re going to rub your relationship in his face. 

When Hyunjin answers it, there’s an, albeit fake, smile on his face as if you could see him, and he begins to speak in a typical cheery tone. He’s cut off by a sob. He can’t understand a thing you’re saying and he panics. He stops in his tracks, hand curling to grasp at air in a panic. His eyes widen while he searches for any thought in his brain to console you. 

“Are you home? I’ll be on my way, okay?” He informs you, voice filled with worry. “We can stay on the line until I get there.”

And he stays on the phone with you until he reaches his home; and then the entire fifteen-block walk to your place. Avoiding the eyes of those who wonder whether he might be talking to himself. He hurries, speed walking the entire way—and almost sprinting at one point when your sobs had suddenly gotten worse—in order to reach your apartment in less time than it would usually take. 

He’s buzzed into your building and within a few seconds he’s at the door of your apartment. He doesn’t need to knock, as you open it immediately. Tears are staining your cheeks and you walk up to hug Hyunjin, not bothering to welcome him into your home. 

Now, everything is seemingly on pause, and Hyunjin is comforting you through your own heartbreak. Once again, time is both slowed down and sped up—he’s present but still lost in his head somewhere. Still, he waddles the both of you into your apartment, and kicks the door closed with his foot. 

He notices the flower arrangement he’d made just hours prior, sitting untouched on the kitchen counter. 

“You wanna talk about it?” Hyunjin questions. Dealing with those emotions, especially right after they surface, is difficult, and the last thing Hyunjin wants to do is push you into speaking about it—he knows the fresh wounds of a heartbreak all too well. So, he remains by your side, patient, and comforting until—if—you decide to speak. 

The two of you begin rocking side to side slowly. It’s soothing, and you’re able to speak just quietly. 

“Well, he proposed,” His stomach turns, tightening to the point where he becomes nauseous for a moment. Hyunjin even nearly rolls his eyes, but the thing that relieves him is the reason he’s here—obviously you turned Minho down. That, or Minho dropped dead; but that’s not as likely. Yet, the thing that nearly makes Hyunjin sicker is how much he hates that he’s happy that you declined the proposal. 

“And I declined. I-I said I wasn’t ready for marriage yet. Told him I wish we had discussed it a bit more before he did anything so we’d be on the same page. B-but I begged for us to stay together and he said… he said he couldn’t do it.” 

You bury your head in Hyunjin’s chest, weeping a bit more. 

“I know it hurts,” His words get lost in his mind somewhere, feeling as though he isn’t adequate enough to comfort you. 

“It hurts so bad.” You grab his hoodie with your fist tightly, twisting and tugging at it. 

“Let’s just cry it out. That always helps me.” He suggests, hand running up and down your back. 

“Cry with me? Like that scene in Midsommar?” You laugh through your sobs despite the hurt you’re in. Not that it matters to Hyunjin, of course. You can feel him laugh and, fortunately, it makes you smile. 

“Only if you want me to.” He unknowingly returns the smile. You don’t respond, but you ponder it—even as just a joke. 

The room falls silent but the silence is comfortable. That’s what you love about being around Hyunjin. You intrigue him, and while he always wants to know what’s going on in your mind, he never pressures you to speak. Sometimes, we learn more about ourselves—and to an extent, other people—through silence. 

The hug breaks. You fail to meet Hyunjin’s eyes. You walk off to sit in the living room and Hyunjin goes to get water for the both of you. He sets the glasses of water down and takes a seat next to you. 

“Where is he?” Hyunjin asks. His palms are sweaty, so he wipes them onto his jeans.

Your frown somehow deepens before you speak. “Went to stay with his parents.”

Silence. Hyunjin can tell that you’re lost in thought. He feels a bit odd. Individually, you both have gone through a significant amount of breakups; but each one is different from the last. It’s been so long since you’ve had your heart broken. To see you like this after so long—eyes red and puffy with a tear stained face, bottom lip quivering as you try to console yourself—it breaks Hyunjin. He does what you would do for him. 

“What will help take your mind away?” His voice is soft, barely above a whisper. 

You ponder for a moment. “Remember back in February when you and Miyeong broke up? The sleepover we had while Minho was away? We stayed up all night eating snacks and watching romance movies,” 

He nods. Despite being deeply hurt to the point he got sick, the latter part of that week was one of the most enjoyable times that he’d had in forever. The two of you ate, drank, cried, and watched cheesy romantic movies (to which Hyunjin cried more). Through the stuffy fog that is heartbreak, Hyunjin was reminded that, sometimes, life isn’t so bad. 

“What if we did that again for a couple of days?”

Hyunjin ponders it, considers it, but… “We both have work.” He pouts.

“Not tomorrow, though. I just don’t want to be alone right now,” You need him. A crutch. A support system. And you know he’ll never let you down. “Plus, you act like you haven’t stayed over for long periods of time before! Remember the time that Jisung refused to shower out of spite so you slept over here?”

Hyunjin lets out a short chuckle. He knows that when he goes back to his apartment, it’ll be left a mess. But for you, he doesn’t mind cleaning up after Jisung. “Fine. But only because I love you and I want you to feel better, loser.”

—

“You just have to find your thing, you know?” Hyunjin takes another shot. Neither of you are sure just how many you’ve both had. 

“Like, you know, my thing is art, and flowers and, you know, expressing myself with them. It’s the one thing I can always come back to and feel good about. Not betrayed, not hurt, or anything. But good. That shop—god—it’s like the one place in this world that’s for me.”

He’s venting now. He shouldn’t be. This is all about you. Tonight is all about you. So he cuts himself short, words still lingering on the tip of his tongue. There’s a momentary silence, eventually broken by you.

“Are you implying that you want to fuck your flower shop?”

“Wha…? No! I’m just saying…I’m trying to help you!” His ears become red.

“Hm. Not sure. Sounds like you’re confessing your love for your job,” Hyunjin looks at you with a face full of temporary disgust. “I’m jooking! Find my thing, something to express myself with, I know, I get it.”

“I’m sorry,” 

“Don’t be.”

Silence once again occupies the room, planting itself comfortably between you and Hyunjin. Hyunjin doesn’t mind the silence. You do, though. 

“You know what’s kinda funny?” 

“Hm?”

“Minho used to mention, from time to time, how he believed you had a crush on me,” You smile. Hyunjin, however, is caught off guard, eyebrows raised with his eyes slightly wide. “I would always laugh it off but part of me kept thinking What If?”

“What if I had been with you instead of Minho. I mean, you wouldn’t propose to me without having a simple fucking conversation, right?” You ramble on. “You wanna know a secret?”

“Sure.” “Two secrets! It’s actually two secrets!”

“One,” You tilt your head to smile at Hyunjin. “I had the biggest crush on you for years. But I was so hurt because you kept going after literally every fucking body else. Wish you had paid attention to me.”

“And Two!” You continue, not as sad. Ignoring the previous sentences that came from your mouth. “I wish I could kiss you right now. Would you let me?”

He can’t believe the words that come out of your mouth. For a moment, Hyunjin feels ill. He’d somehow missed the signs. You wanted him, too. His eyebrows string together in a brief expression of sadness. He shakes it away. Hyunjin nods and leans in, his eyes close and he puckers his lips. Within a second, he feels your lips on his and then your hand on his thigh. 

Sparks. That’s the only way that Hyunjin can describe it. Your mouth is warm, wet and Hyunjin can only melt into you. The two of you melt into each other. Lips mashed together as your tongues slip into each other's mouths, swapping spit. At this point it’s more than kissing. It’s heavy and messy. It’s full of hurt and passion and the feeling of being missed. Or having something missed out on. Uncertainty. Neither of you have come up for air to interrupt the makeout session. Losing yourselves within each other's mouths—lips and tongue, occasional teeth. 

You end up climbing atop of him to straddle. Breaking the kiss to pin Hyunjin to the floor. You stare down at him, searching within his eyes. “Do you want me?”

“So much.” The two words leave Hyunjin’s mouth desperately. He’s in anguish. 

He tries to sit up, to chase your lips but he’s properly pinned. You plant one soft kiss against his lips. You stand, beckoning Hyunjin to follow you to your room; disappearing into the hallway. And Hyunjin does just that; leaving his sober self to pick up the pieces of a drunken, immoral night. 

© PLANETDREAM 2024

[creatingblackcharacters]

Hi! Your blog is really really cool and an awesome source of information with so much context and detail! I really love your approach of like "don't not do it; research, learn, and do it well"!

So Idk if this is a reasonable question or not but I thought it would be better to ask than not to: So I'm endeavoring to write a kids picture book and in it there's a little girl who's Black with a physical disability, probably moderately quadriplegic, and I was wondering about what kind of hairstyles might be realistic for her to potentially have?

Like I know she could technically have anything that a real person could have, but like I don't want to just pick something out for the character just based on how *I* think somethings looks without having a context I don't have yet if that makes sense?

She's about 5 or 6 and she's able to use her hands but she'll have spasticity in them and be using adaptive equipment, and she can move but she'll be in a wheelchair most of the time, so Idk how that might factor into how she/her parents might kind of style her hair?

(it won't really come up in the story since it's about her first day of school, but like more from a design standpoint)

Also idk if this matters to add but I wouldn't be personally doing the art, I'd probably try and connect with someone to illustrate, but I would like to try and have some pretty concrete descriptions for them to work with when the time comes.

Thanks so much, you're so awesome!!!!

That's a good way to summarize my mentality, and I appreciate you catching that! I do get frustrated when people approach writing people different than them as "well is it yes or no" when that's not what it is. It's "put effort into it or leave it alone". Because many things can be done! We can be in any story! It just has to be done with...wait for it... INTENT!

As for your question, she's an industrious child because I was not doing my own hair at 5 and 6 lol. That's a young age for hair. Maybe a ponytail or afro puff at best. I think it would be okay if you allowed her parents to do her hair, which does lead back to her being able to have any style that she might like. Maybe something with less barrettes and such, since they might fall out and she may struggle to put them back in.

So my suggestion would be to look up hairstyles little Black girls, and go through your options and pick one!

[divinit3a]

For the ask game 💕

💕 Time for a shout-out! What are some of your fav AUs from other creators in the fandom? ⭑ dca au ask game

^-^ ....OK! I shall set down all the cakes on the table for a full buffet! Get your forks & knives out! 🍽️🍽️🍽️

please don't hesitate to let me know if you'd prefer not to be @'d in the future, or to be removed from this post u_u <3 I totally respect folk's preferences!

✨ lets go! ⭑⭑⭑ ⭑⭑⭑ ⭑⭑⭑

@muzzlemouths Dead Mall Dare / DfTR AU(s) Dead Mall Dare was one of the first AUs I read (like, literally. 1-2 months ago!) & I went woooaaah they are fun removed from original context. Isn't that so neat ?? This isn't a rabbithole to fall in, tho. u_u No wayyy guys c'mon ... /j Likewise, DfTR is a treat to watch unfold & see people squirm ^-^

@r0b0-wannabe Botanical Garden AU (or just any of your stories, but I'm.. sticking to the law...s... ) Hi, I stayed up to 2-3am drawing ur boys bc Im normal about this AU & how endearing it is... obviously... (💚) I love your writing style & characterizations. Maybe this is silly, but, I also enjoy learning about plantcare, too :3

@sinister-sincerely 2nd Choice AU Oh, you are so evil. The username matches. (A COMPLIMENT!! Hehe.) Oh, you write drama, angst/no comfort, hurting/damaged characters making awful choices so well. It was wild doing a double-take to realize YOU! are the WRITER for 2nd choice!! Some day, I will get u. For now, run 💜🔪

@wyervan Human!Slasher AU :D Yay! Both the OG/Main storyline are wonderful. I find the community version very endearing as an AU-within-an-AU. (love that!) As someone who used to run RP groups (on god!) it fills my heart with joy to see people filling out a world with so much life. Your art style is delightfully grungy ^-^/

@pluck-heartstrings - Pluck My Heartstrings AU Ohhh. I am weak to fairytale/renfaire vibes, as well as the more classic harlequin jester aesthetic u_u<3 Plus, the Vocalist/Princess is just so dang compelling, too. Your design sense is impeccable.

@moon-buggg Haunted House & Mad Scientist AUs They are both so neat & I can't wait to learn more!! The Haunted House AU designs live in my head rent free along with the comics :3

@zenkaiankoku Broken but Better AU Lovely, torn-up designs! Yay, mechanical horror! Yay, angst!! And a delightful remix of their personalities, too <3

@authormeat Alienware AU ^-^ I am instantly delighted by the weird guy freak energy & that the yn IS an alien/monster. Thats all I want & more. I also love ur designs for other AUs

...

...

...... 🧍 I Have More to Say

And...And... Not.. AU specific, but 🏏💥BAM , BAM 💥🏏 LOVELY FOLKS!!!!!!

🍲 <{ @soupdweller THERE IS NO ESCAPE ok but fr.. I appreciate ya, homie :3 you are a joy to chat with!! beautiful art!! evil mind!! delicious soups. i cant wait for whatever u cook up ^-^ 🐤 <{ @luckyyyduckyyy I WILL READ UR AU STORIES!! RUN & HIDE!!! you are the goofiest goober in the wild west, by goodness. i love ur energy and the gorgeous designs u create!! 🐛 <{ @chickenchirps27 ACK I COULD STARE AT UR ART FOREVER! I'll have to start volleying over illustrators I think ya might enjoy... u are so sweet & funny!! 🐐 <{ @lurking-loaf YOU ARE SO KIND! Seriously, I appreciate the fun craft projects you recommended -& your words of support :') 🔮 <{ @anis-sketches :D HI! Happy to throw recs your way. Also, your art is adorable!! �� <{ @craykaycee HI TO U TOO!! the tags u leave always make me smile, and i appreciate u stopping by to say hi... :3 & MANYMANY MORE BUT I NEED TO CUT MYSELF OFF OR ELSE

Per usual, I lost sight of the original goal. But! Consider:

🏏💥WHAM , BAM 💥🏏 GOTCHU >:)

[grey-spark]

Analyzing the WIND BREAKER Trio

TW: BIG SPOILERS FOR THE MANGA, light mention of abuse.

It’s high time I talk about the main characters of Wind Breaker, who are surprisingly unconventional. They don’t seem to fit neatly into any of the old characters' trifectas we see across media. None of them are girls, for starters, and they don't even seem to fit the classic Freudian trifecta of Id, Ego, and Super Ego. No, in this analysis, I want to talk about their unusual dynamic and how they depend on each other for what they lack in themselves. These traits being:

Sakura’s lack of social skills

Nirei’s lack of strength.

Suo’s lack of self-belief

Sakura Lacks Social Skills

The only evidence I have to cite is the entire manga. He’s no mystery. Sakura has been abused and neglected from a young age both by his parents and his old town. And by the start of the manga, he’s never been shown kindness before. And what this has created is a form of independence from society. Sakura is someone who only deigns society. Something Yamato Endo later adores about him, something Endo has only seen in one other person. Sakura doesn’t need other people, and will never bend himself to other’s will. He said so as much in his fight with Togame.

However, this virtue comes at the price of having ANY sort of common sense. He doesn’t know how to make friends. He doesn’t know how to operate a phone. It’s almost like he’s been living on a deserted island his whole life. He has no interests, no furniture.

So he needs a guide. That’s Nirei. He lets Nirei hang around him like a little remora fish because he knows that Nirei will point him in the right direction. He’s not so much a “best friend” rather he’s better described as a “foremost friend” who’s made it his personal mission to guide Sakura to the top. 

He displays a greater comfort around Nirei than he does with Suo. To Sakura, Suo is a rival and begrudging mentor to who he derives wisdom from. Now, he’s not a complete rival and foil in the way that Sugishita is, but from the moment, he sees Suo fight, he’s already dreaming of ways to have a real fight with him, but he respects him enough to plan the bridge defense while preparing for the war.

In this sense, Sakura takes motherly doting support from Nirei and fatherly challenging support from Suo. Though he would never ever admit to that. Its interesting how clinically he views both of his friends. He treats them more like social workers who’ve been assigned to him than buddies to hang out with.

Nirei Lacks Strength

At the start of the series, Nirei lacks physical and mental strength. He literally doesn’t know how to fight at all and constantly hides behind his friends. And until his breaking point with KEEL, he basically uses them as bodyguards. After KEEL, Nirei realizes that simply advising and studying others is not enough and makes an effort to at least be able to defend himself and become strong.

And to his credit he does this. By the end of the war arc. He has attained complete mental strength. When Nirei throws that punch on the bridge he has everything. He becomes a complete hero. Lacking only muscle and training. Mitsuki knows this. Suo knows this. All of them know it and are more than willing to help him grow into what will probably one day be Hiragi’s replacement. 

Suo Lacks Self-Belief

(in his own moral judgment.)

By self-belief, I don’t mean that in a confidence sense, but rather a worthiness sense. Suo is the most perplexing of the three because we know so little about him at the moment. And that’s by design, he wears a mask of impenetrable mystique.

But we can make some observations of his values even if we don’t know the details yet of how he came to them. So lets start by examining what Suo admires about his friends: Sakura’s moral conviction and Nirei’s purity. 

Suo adores Nirei’s purity and innocence, which he finds infinitely more valuable than strength. Nirei doesn’t have a bad bone in this body. The concept of doing something evil has never once crossed his mind. Even after years of being tormented by bullies, one would expect him to go on a revenge arc. But NOPE. He doesn’t even consider it. He’s more concerned about his sick friend or helping an old man he barely knows find peace. As far as Suo is concerned, Nirei is the perfect one and has the most potential of the three because he's already mastered what Sakura and himself lack. Morality and social grace are harder to acquire than muscle. 

In Sakura, Suo sees a champion who can carry his moral convictions like a banner. He says as much before challenging Minoru to a “fight”. 

Time and time again, he reiterates that Sakura is bound to surpass him. But he never means it in reference to combat. In fact, by that point, he hasn’t even seen Sakura have a real fight. And later on, he says it again, when Sakura is able to get a handle on his rage, whereas Suo wants to beat an opponent while he is down. The guy who hurt someone they both deeply cared about.

What he sees in Sakura is a moral conviction that he lacks in himself. At the time I am writing this we know shockingly little about Suo. About his backstory, his master, his Chinese fashion taste, his eye. And neither do his allies. But have clues. We see him refuse to eat with the others, claiming to be on a diet. It was disrespectful of him to not eat anything at that leadership summit, so he had to have a bigger reason. Consider the other character who refused to eat in the story, it becomes more obvious he may have a guilt complex.

What this points to is that Suo has a history. He’s done bad things in the past and now feels guilty and undeserving. His solution is to not find moral clarity in himself but to surround himself with those who can. It's an issue he's going to have to deal with at some point.

What to do with these three?

Looking back, you begin to notice that the nature of their friendship starts out as very transnational. Sakura needs social guides and barely considers them friends at all. Nirei uses his friends as protection and role-models to get stronger. And Suo uses his friends as a way to outsource his moral compass.

But it didn’t stay that way. Sakura starts fighting with others in mind and even plays games with Nirei; who becomes a real fighter just like the others with the help of Suo, who trusts himself enough to become a teacher after being inspired by Sakura. They inspire each other and grow. That’s normal for Shonen. But this strange dynamic is something I find peculiar, breaking the mold of what i’d expect from a heroic trio. It's all very refreshing.

[waitmyturtles]

I stopped writing about Kidnap the Series about a quarter into the series because it was clearly designed to deliver the memeable romantic moments that GMMTV prioritizes these days for its number one goal, social media engagement. [And the series did this so well that many Kidnap-related social media accounts on Twitter got either banned or shadowbanned for explicit (??? get outta here, Elon) content, so the series actually did its damn thing.]

There wasn't enough plot material to actually criticize, which is my priority on this blog, so I gave my writing a rest. But: I did give the series a full watch out of deference to my insatiable stanning of the Series Y king, Ohm Pawat, and...

I'm here to say that I am not complaining about that final episode at all. I'm actually, surprisingly, happy with it!

Before I get into this, let me just first say that Kidnap didn't do something that many of the very big GMMTV series have done lately: it did not tread into disingenuous narrative waters. It didn't make thematic contradictions or leave open plot holes (Wandee Goodday), it didn't punish characters for real-life moral or ethical slips (Only Friends), it didn't jump story beats to design questionable moments without prior established emotional context (Last Twilight, 23.5).

Kidnap was sappy, very often repetitive and boring, but it wasn't offensively disingenuous, and it didn't ask its audience to hold back its understanding and expectations of how humanity generally functions. (Expect for the fact that the series had a very loose grip on the exact definition of "kidnapping," BUT ANYWAY.)

But anyway: I didn't expect the final episode to be rooted in Q's and Mhen's recoveries. And I loved that. The show didn't forget the framework in which it set up its main romance. Min is and was always a caretaker. He allowed that caretaking to obstruct his progress forward in life, whether vis à vis Nong Mhen or his Q. Both Mhen and Q asked Min to move forward from them, by the both of them taking accountability for their health, in part to allow Min to loosen his shackles (heh) on his perceived responsibilities to them.

I liked that! That was a responsible move by the show to not tilt the emotional scales in a direction that would have Min continue to take on a burden of taking care of people who, with a little help, could learn to take care of themselves.

And I'm a sucker for a therapeutic process. I'll take a quibble at the suggestion that Q "throw away" memories (since, cough cough, it could be about re-contextualizing the literal time spent and the value that an individual places on certain memories cough cough, but different strokes for different therapists), but honestly, having the entire episode framed on Q's mental health progress warmed my cockles. More mental health discussions in dramas!

I was baseline hoping for a potentially more campy or comedic take on crime and kidnapping when this show started, a kind of ironic approach that I know the acting of Ohm Pawat could take on, but that's asking a lot from a studio that's pumping out quantity over quality at the moment. I'm just very glad this show didn't end with me tilting my head to the side with question marks flying out in a thought cloud. It was, overall, a pleasant and warm watch, something worth fast-forwarding through during the holidays for the smoochy moments after one too many glasses of wine (heh heh).

And it looks like the branded pair of OhmLeng is permanent now, so I hope for a better script for these guys in the near future. Leng needs a LOT more acting classes -- but these two have chemistry in spades, and that chemistry could be used well in a better script.

[snotty-zombie]

Rageous-tober part 4 (final)!!!

Day 27: Crossover (2 parts)

Day 31: Halloween

More under cut >xP

totally disregard all the writing if you dont care lmaooo this is just me word vomiting about my ocs and thought process when doing this haha i just thought id give some context cuz i always forget you guys know literally nothing about my characters

Day 27: Crossover! So this is a two parter, part 1 is Gumlee x Ritzneer obvvvvvviously because I’m basic I can’t help but compare them and a lot of others can’t help it either from what I’ve seen I had an insane stroke of genius calling Veneer ‘Prince Gumdrop’ and I don’t think I’ll ever reach those heights again

Part 2 of the crossover is MLP CROSSOVER!! Including unicorn ‘Colt Ritz’ which I am quite proud I must say considering I hadn’t drawn a pony in like- 10 years AS WELL AS Pegasus ‘Boogie Bomb’ which I am ALSO quite proud of, he has very big wings and is covered in little green spots (which mimic the spotty design he has on his shaved scalp as a Rageon) he looks a bit like a donkey but I think that’s just because of his little facial hair bits and massive pointy ears I gave him hmmmm Also, siren Velvet and Veneer!! I can’t remember the exact lore of the sirens since I haven’t seen the film in a real long time but I got some help from my friend who is a big MLP fan and she filled me in on the lore etc, as well as inspiration from another artist on here who also did a VV x MLP crossover, I reposted their amazing art on my other blog so def go check it out. Anyway, VV are sirens and disguise themselves as alicorns (but also hide their flanks as they have no cutie marks)

Day 31: Halloween!!! 🎃 👻 💀 🦇 🐈‍⬛ Last one!! This one took foreveerrrrr and again, I just had to try to outdo myself with the amount of bs happening on screen at once I tried to include all my main fav ocs, as well as the twins and KR all going door to door in a massive trick or treating horde

I called this the 'soft launch' of my Velvet and Veneer fan parents, Dr Velocity (mum) and Dr Voltage (dad), they're in matching Frankenstein and Frankenstein's wife costumes :3. They mean well of course as any parent does but their good intentions can get lost in translation (harsh punishments and struggling/refusing to understand their bizarre children). I will definitely give them their spotlight when I eventually get around to redesigning them (slightly) and writing out some information about them to share with you guys because I like them a lot :P

-Theres Glow Worm getting her costume repaired by Rhinestone after she ripped it doing multiple cartwheels in a row -Velvet and Veneer trading their sweets that they collected (you'd think they were discussing border placement or something, they take it so seriously) -Veneer and TV Girl finally getting along after telling their lame boyfriends to stop fighting with each other -And a zombie Boogie sketch I refused to finish whoops

SO YEAH THATS ALL I DID FOR RAGEOUS-TOBER, finally posting it to tumblr half way through November. be sure to check out the creators account, jobiesayscheese 😻😻😻 thanks for checking my art out, and if you read all of my stupid ramblings ily sm and thank you for hearing me out

I also did in fact win a raffle for Rageous-tober not to flex but yes to flex (totally wasn’t rigged cuz tf)

Part 1! Part 2! Part 3! Part 4!

[raven-at-the-writing-desk]

Hello, Miss Raven!

I hope you are having a nice day ^^

I was wondering since you don't have a Yuusona, have you ever thought making your own Yuusona like what traits, gender and personality would you have for them?

And how would their relationship be with Miss Raven would they be friends?

Sorry if I'm asking something you don't feel comfortable answering just feel free to ignore it. I'm enjoying your work and I'm new here so I hope I wasn't a bother! Love your work 🫶

I’ve thought about making a Yuu of my own on more than one occasion. However, I’ve never been a fan of the roles designated for self-inserts… It’s hard to commit. Even if I were to make my Yuu less of a Yuusona (ie just Me but in the Twst world) and more of an OC (an entity totally separate from myself), I always lose motivation somewhere along the way.

That’s of course not to disparage anyone who has a Yuu though!! I just personally find it a struggle to design around a somewhat predetermined identity. There’s less freedom in a Yuu because they have to meet certain parameters in order to “make sense” in the story. For example, Yuus are generally from our ordinary world and magicless. I don’t like having those limitations (and though I could go against it, I’d refrain in order to not break canon lore). That’s why my first Twst OC is very far removed and exists as her own thing.

For fun, here’s some of my scraped Yuu concepts, including doodles. They're not really "Yuusonas" though, more like original characters that happen to be filing in for Yuu:

Yuu 1: Mad Scientist Yuu

The earliest iteration.

This Yuu is ~16, male. Considered nonbinary at one point too.

The notes in the image basically describe him. Germaphobe, has lots of band-aids (because he is accident-prone), constantly tired + has dark undereye circles due to excess stress and lack of sleep.

Frequently seen in face mask, lab coat, and latex gloves.

“Don’t bother me” energy. Very curt with people and just wants to be left alone.

Claims to be an egalitarian because he “hates everyone equally”.

As the story went on, he would have learned to lighten up and work with others too. Basically, the same arc the NRC students have.

I didn't think too deeply about what his relationship with Miss Raven would be like... Most likely, he just dislikes and avoids her like he does the rest of the NRC population.

Yuu 2: “Robert Philip the Divorce Lawyer” Yuu

Twisted from the divorce lawyer love interest in Enchanted 😭 YES, I SAID WHAt i SAiD…

This Yuu is 35ish, male.

Has a very girly young daughter back home. She is basically his motivation to return.

His ex-wife left him. (YES I AM KEEPING THIS LORE.) Has sworn off love since then but is dating another woman for practical reasons.

Very anti-romance and anti-fairy tales.

Somewhat grumpy.

Logical, pragmatic. Some would say calculating.

Constantly arguing with Crowley because he knows his rights and how many laws Crowley is violating/j

He wouldn’t have been a student but more like a faculty member and father figure to the NRC students. By being in Twisted Wonderland, he helps to mentor the boys as though they were his own children, and the boys in turn teach him about magic, imagination, and believing even in seemingly impossible things.

Had an idea about him finding true love in Twisted Wonderland too; this would basically be his Giselle. Maybe a kind lady from Foothill Town??

Robert!Yuu was going to be sort of a secondary father figure to Miss Raven. Crowley is her real guardian, but he's usually not fulfilling the typical duties of a guardian so Robert!Yuu has to step up. In a lot of ways, Miss Raven reminds him of an older version of his own daughter so he has a soft spot for her. He also tries his best to advise her on life and boys. I imagine that he and Miss Raven have that Hades and Megara scene where she's gushing about Hercules and Hades goes, "Please. HE'S A GUY!!"

Yuus 3 and 4: Twin Yuus

The bangs they have are borrowed from Robert!Yuu because I liked them and was too lazy to try something new out—

They’re brother and sister, both 17. I wanted to play around with the concept of multiple Yuus in Twisted Wonderland at the same time. Twins because they are supposed to be “a mirror image” of the other.

The theme these two would explore is gender, particularly expectations vs reality.

They come from an old money family; each twin has very traditionally gendered expectations placed on them but their secret is they swap places and pretend to be the other twin so as to get out of their own responsibilities, as the girl is tomboyish and the boy is more feminine.

They continue this act in Twisted Wonderland in order to "protect" one another, but their relationship becomes strained with each OB. For example, the male twin would become increasing protective, feeling like it is his responsibility to keep his sister safe. This would earn him his sister's ire since he never smothered her before. The twins would eventually reconcile and come to reach a middle ground regarding one another's expression of their gender and how that informs their behavior toward one another.

In another variation, only the male-presenting twin would be isekai'd to Twisted Wonderland. It would later be revealed that "he" is actually a "she". The explanation that she provides for acting masculine is to rebel against the expectations of her family (who had arranged a marriage for her prior to her being isekai'd).

... But then there's ANOTHER twist 🤡 and it turns out that her "masculine self" closely resembles her actual twin brother (who is now deceased). The idea is that she partly acts this way as a trauma response and relies a lot on "speaking" with her brother for advice on how to move forward in Twisted Wonderland. Like, she has pretend conversations with him in her head.

Her character arc would have been centered around detaching herself from the expectations placed on her, as well as learning to let her brother go and become her own person.

ASDSBDABSDOSA I feel like Miss Raven would be so confused trying to keep track of the twins and/or the single twin's dramatic backstory. She'd be pretty cordial with them though! Maybe even tries to counsel them when they're fighting or closed off from others.

Yuu 5: Ara Ara Onee-san Yuu (WIP name is Sumire -> Suu -> her variation of “Yuu”, lol)

The best designed one, probably.

The only one with a proper name, too :v

She's 18 and female!

Started off as a joke between me and a friend. We were talking about how we think many of the first year students would be into "onee-san" types.

As you may or may not be able to tell by the design, she's meant to be a caring big sister character. Sweet, patient, and motherly. Even gardens and bakes! The type you know you can always go to when you need advice or comforting.

YEAH I GAVE HER DEAD ANIME MOM HAIR, SO WHAT???? The bangs swooping over one side of her face gives her sort of a mysterious air!

She looks very kind (and that's because she is), but she is also very air-headed. Like she'll pick up a worm and hold it in your face and ask you if you think it's cute.

Has a secret sadistic side. Not malicious and won't go out of her way to cause problems, but she'll gush about how she thinks you being frustrated or struggling with a task is "cute".

The arc Sumire would go on is one revolving around her status as the "older sister" of the group and finding a "pure" way of loving her friends. There's nothing wrong with having that role, but her issue is that she relies on it to be her personality and often gives away too much of herself at the cost of her own mental and emotional wellbeing.

It's like... codependency. She loves you because (whether she knows it or not) because she NEEDS validation from others. And because she wants that validation so much, she forces herself to be someone she's not at her core. Someone agreeable and sweet. That becomes very taxing for her.

If she feels as though someone is going to leave her, she'll either love bomb or have a mental breakdown in private. TO BE CLEAR, this is not healthy behavior and she's supposed to grow out of this obsessiveness over the course of the main story.

By that logic, she's more manipulative and selfish than she seems at a glance. I guess you could describe her true personality as being yandere or even menhara?? But she usually masks it well.

Miss Raven has a history of falling for pretty smiles, so I think she'd also be a victim of this one. She would look up to Sumire as like "the peak lady" and the big sis she's always wanted. REALLY feeding into her secret ego there, Miss Raven... and Sumire, being herself, would just giggle and pat her on the head to keep that toxic relationship going.